I seldom laugh out loud when I'm watching a comedy, but I found myself doing just that more than once at last night's opening of Peter and the Starcatcher at the Cincinnati Playhouse. You can read about this show and the appeal of Peter Pan here, but let me simply say this is a deliriously silly but wholly heartfelt prequel about the origins of the boy who "won't grow up." This award-winning play uses simple theatrics, not special effects, to work its magic, and the Playhouse cast of a dozen quick-change performers dive into the wacky storytelling with zest and zeal. Everyone is having a good time, perhaps Tom Story most of all, playing "Black Stache" (the pirate who will become Captain Hook) who spews malapropisms and extravagant posturing: "There's a poet in these pirate veins," he announces. The laugh-inducing moment that sets up his subsequent need for a hook is both ghastly and breathlessly funny, not to mention milked for all it's worth. Everyone in the cast has moments of fun. This is imaginative storytelling and extravagant theatricality at its best. You'll have fun if you bring a kid or two; but even if you don't, go by yourself and feel like a kid again. Through April 4. Tickets: 513-421-3888.
Seeing locals on reality TV combines two of my favorite things: Cincinnati and trashy television. So I was elated to hear that A&E’s Neighbors with Benefits – a new unscripted series following swingers — is set just north in Warren County. The show will document married couples in a suburban neighborhood that have open, extra-marital relationships. The show hasn’t even aired yet (it premieres Sunday, March 22), but it already has reality red flags, as with many A&E shows filmed in Cincinnati (remember Rowhouse Showdown?). While at least one couple on the show is confirmed local, some residents of the Thorton Grove neighborhood near Maineville question the legitimacy of the other couples and shooting location. There’s speculation that a rental home outside Thorton Grove was used to shoot the series after residents complained about associating the neighborhood with a swinger capital. But honestly, if the worst thing about your neighborhood is that people are having sex with each other, isn’t that something to brag about?
Marilyn Manson is all about
his pops these days. He took an unexpected but awesome role on Sons of Anarchy’s final season, saying
he took the role because he watched the show with his father, and now the two are in Paper Magazine.
New show news:
True Detective Season Two is still without a premiere date, but stars Vince Vaughn, Colin Farrell, Taylor Kitsch and Rachel McAdams have been at work shooting the next installment. Go here to read more about the season’s storyline — public transportation + murder + conspiracy — the characters and directors — various directors will take over for Season One’s Emmy winner Cary Fukanaga — and see photos from set. (Spoiler Alert only if you want to go in to the show with zero background info on the story.)
The ladies of Litchfield will be back for the binging when Orange Is the New Black Season Three premieres June 12.
American Horror Story’s fifth season will apparently take a look at the horrid world of hospitality because Lady Gaga revealed the next setting will be a hotel. Gaga will reportedly star. AHS: Hotel premieres in October and here’s some totally unconfirmed juice goose (translation: juicy gossip) posted on the AHS Reddit thread. I don’t know about Gaga taking the lead on this — let alone starring in three seasons amidst her very successful music career — but the general storyline sounds good to me! And the present-day setting with flashbacks to different eras is in line with the show’s pattern (so far, odd seasons have been set in modern day — Murder House, Coven — while even seasons were period pieces — Asylum, Freak Show). I love the idea of peeking in on various scandalous guests over the years — so many opportunities for killer guest-stars!
Hannibal returns June 4 and the first image is out. I’m getting Dr. Lecter-meets-SAMCRO vibes and I'm loving it.
Speaking of new shows, check out this week’s TV column for a spring television preview. Winter might finally be gone, Game of Thrones is coming!
Zoolander 2 is officially happening, as evidenced by Ben Stiller and Owen Wilson
stomping the Valentino runway as Derek and Hansel during Paris Fashion Week.
Nothing says haute couture quite like Ben Stiller’s old ass on a runway. And if you really want to roll your eyes to the back of your skull and never to see the light of day again, get this: I looked on IMDB for evidence that this sequel is really happening (yes, I fact-check the gossip rags I read; yes, IMDB is a reputable fact-checking source) and found that Stiller is also attached to Dodgeball 2 (predictable) and Space Jam 2 (da fuh?).
Ryan Gosling must be craving some attention since that baby of his stole the spotlight, because he shared some cute throwback dance videos that have everyone saying, “Hey girl,” again.
Ryan, if you think we haven’t already seen all your talent show videos and Mickey Mouse Club clips, you are seriously underestimating the stalkiness of your fans. Speaking of, why is there no term for Gosling fans, a la Cumberbitches? Can I bring up “juice goose” twice in one post?
But I digress. Here’s the little man at work:
Vince Gilligan would like everyone to stop throwing pizzas on Walter White’s house, please. The Breaking Bad creator says fans flock to the real house used for exterior shots in the show, and the current owners are cool with that, except when people creep up at night and recreate the famous pizza scene.
The Dress that captivated the Internet is dead and buried and I’m not trying to resurrect it anytime soon, but if you are curious about the science behind why one dress looks completely different to different people, read here. And see how good you are at differentiating colors here — you may have a fourth cone, which means you probably saw the blue and black dress for what is was: a goddamned blue and black dress.
And here’s Earl Sinclair singing “Hypnotize” because it’s Thursday and we all need this.
Good morning readers! After a long dark haul, it's finally, finally spring. Well, actually, it's not. Spring technically doesn't start until March 20. But with the sun shining and the temps hitting 60 degrees, it certainly feels like it. And I'll take whatever I can get.
Let's jump right into Words Nobody Uses or Knows in this week's issue. I found three in Rick Pender's critique of August: Osage County, which is running at the Clifton Performance Theatre until March 14. (Three? What's he trying to do?!)
My favorite word of the issue is donnybrook — it sounds a bit made up, doesn't it?
donnybrook: a scene of uproar and disorder; a heated argument (n.)
Fun fact: The word originates from the historical Donnybrook Fair in Donnybrook, a district of Dublin, Ireland. The Fair, according to The Google, began in 1204 (whoa ... it always blows my mind a bit when I realize how much more history other countries have) and ran annually until 1866. Apparently the "fun fair" was infamous for its drunken brawls. Hence, the use of the word donnybrook.
In this issue: "The ultimate result is a family donnybrook, with Barbara forcing her mother into rehab."
Next best word in Pender's piece is miasma.
miasma: a vaporous exhalation formerly believed to cause disease; an influence or atmosphere that tends to deplete or corrupt (n.)
Appropriate, I think, because there was something about the word that reminded me of disease before I even looked up the definition. It's from the Greek word miainein, which literally means "to pollute."
In this issue: "Ivy has been the dutiful daughter, keeping her life on hold for years while tending to her battling parents and their ills and idiosyncrasies and being badgered for not marrying; she’s sick of the miasma of bad behavior and more than eager to escape."
The third (but not last) word from Pender is vituperative, pronounced "vahy-too-per-uh-tiv."
vituperative: bitter and abusive (adj.)
In this issue: "Hodges captures Violet’s vituperative nature, but allows a few cracks in her cantankerous façade to reveal the once vulnerable woman inside."
Of course, our lesson wouldn't be complete without an unusual word from Kathy Y. Wilson's piece "Mother and Child Reunion." It's actually one of my favorite stories in this week's issue. (Which I hope you've picked up already.) The word is mellifluous. It's a from the late Latin word mellifluus (15th century), where mel translates to "honey" and fluere translates to "flow".
mellifluous: (of a voice or words) sweet or musical; pleasant to hear (adj.)
Makes sense, right?
In this issue: "The very first time I heard the plaintive and mellifluous baritone of Luther Vandross I was riding with my mom through a cold rain through the intersection of Kemper Road and Springfield Pike in Springdale coming from the old Thriftway grocery store."
In recent movie news, there has been an announcement that a certain classic film franchise will be given a remake with a whole new cast. No, I’m not talking about Ghostbusters; I’m talking about the remake of theThe Magnificent Seven.
For those unaware: The Magnificent Seven was a 1960 western directed by the very underrated John Sturges. The story tells of seven gunmen who are hired by members of a poor Mexican village to chase away a bandit named Calvera (Eli Wallach) who has been harassing people and stealing their food and crops.
The movie was not just a traditional shoot ‘em up western; it was a film that took advantage of having seven characters and giving them all unique backstories. It’s also a film that is along the lines of George Stevens’s Shane, in that it’s a movie that doesn’t glorify the gunfighter’s life. It shows that each of them lead a rather unfulfilled life as a constant weary traveler.
The film also boasts a cast of legends. There’s Academy Award winner Yul Brynner as the cool and collected leader Chris; Steve McQueen as the drifting gunman Vin; Charles Bronson as the penniless and kid-friendly hired gun Bernardo O’Reilly; the voice of Mr. Waternoose in Monsters Inc. James Coburn as the silent knifesman Britt; and the late and great Wallach as Calvera the bandit.
It also has one of the best scores ever composed for a movie by Elmer Bernstein. Even if you’ve never seen the film you’ll recognize the music.
Now, like any film being remade, there will be a small crowd of people crying havoc and wanting to let slip the dogs of war, because there have been a lot of cases in which remakes haven’t turned out too spectacular. But many people often forget that The Magnificent Seven was actually a remake itself. It’s a western version of Akira Kurosawa’s classic Seven Samurai. It would technically later be remade by Pixar in A Bug’s Life.
I’ve long since went astray from being the angry Cinephile who went on long rants about how “Hollywood sucks,” and “Movies aren’t as good as they used to be,” and other such nonsense. Now these days I keep an open mind and to wait and see the film before I say anything.
Attached to direct the film is Antoine Fuqua, whose resume includes: The Equalizer, an adaptation of the hit 1980s show; 2004’s King Arthur; and Training Day, the film that earned Denzel Washington his second Academy Award win. Not a bad choice. I won’t claim he’s the best director, but he’s far from terrible. It could be worse; they could have Jonathan Liebesman directing it.
There have already been a couple casting choices made, including the aforementioned Denzel Washington, his Training Day co-star Ethan Hawke and even Star-Lord himself Chris Pratt has apparently signed on. That’s a pretty good cast in my book. But I’m just trying to imagine who else would be involved: Maybe they could get Jeremy Renner for one of the seven, and maybe a great character actor of today like Jon Bernthal, Steve Zahn or Barry Pepper. There are loads of possibilities.
I also see no problem in having Washington play the part of Chris the leader. In the original film, Chris is very calm and collected but just as intense, and a one-liner from him can let you know things mean business. I think Washington is perfectly capable of that.
The plot? From what I’ve heard, the plot is slightly different from the original. Apparently it’s about a widow (Haley Bennett) who hires Chris to help avenge the death of her husband who died at the hands of a gold baron and his thugs who have taken over her town. It could work and it’s a nice update to the original story.
To conclude: I’m sure the original 1960 film will remain superior, and a favorite of mine, but I am kind of looking forward to seeing this film and what it has to offer. Let’s not lose our heads and let’s see what the film has to offer. I hope it’s at least better than The Magnificent Seven Ride (1972).
Morning Cincy! Here’s your news today.
Former senator and potential Republican presidential candidate Rick Santorum visited the Greater Cincinnati area yesterday to speak at a conference on religious freedom in West Chester Township. Santorum wasn’t shy about mixing in some campaigning, telling the crowd that big government is threatening their freedom to be Christian and that the path forward is electing strong Christian leaders like Santorum himself. He threw out some recent headlines, including one about public schools in New York celebrating Muslim holidays, as examples of ways in which the religious right are being persecuted by pretty much everyone else. In his god, guns, no government stumping, Santorum appears to be reprising his role as 2012 Republican presidential primary runner-up. He came in second to Mitt Romney, a guy who has no weird religious ideas whatsoever. Santorum told the Cincinnati Enquirer he is considering running again for the GOP nomination and will make a solid decision in June or so.
• The Human Rights Campaign, one of the nation’s largest LGBT advocates, has recognized a local nonprofit for its service to LGBT youth. HRC has awarded Lighthouse Youth Services with its All Children – All Families seal of approval, the organization’s highest recognition of competency with LGBT issues for child welfare agencies. Lighthouse, which does street outreach, residential treatment and other programs with homeless and at risk youth, is the first agency in Ohio to receive the award.
“It’s an honor to receive this recognition from HRC as we work to serve this population of young people who are at such high risk of homelessness and discrimination,” said Lighthouse President and CEO Bob Mecum in a statement.
• As a fan of dark beer, and, really, dark beer exclusively, I’ve sat on the bench watching a number of craft brewers pop up around the city. Those brewers are great and all, but hopped-up IPAs are just not my style and that seems to be the rage these days. However, someone has finally heard my cry and now there’s a brewer coming devoted to my love of the dark, chocolaty richness of stouts and porters. Darkness Brewery is planning to open just across the river in Bellevue in September, focused on the tastiest corner of the beer world. I’ll be camped out at the door come grand opening. Founders Eric Bosier and Ron Sanders are currently funding the enterprise themselves but might set up a Kickstarter campaign in the near future.
• Do courts in Kentucky discriminate against addicts by blocking those on probation from taking anti-addiction drugs like methadone? That’s what a federal lawsuit filed by a Kentucky nurse alleges. Stephanie Watson is an opiate addict who is forbidden from taking medication aimed at easing her off the drugs. Watson’s attorneys say that violates the Americans with Disabilities Act. The lawsuit targets the state’s Monitored Conditional Release program, which maintains the rules about the drugs, and seeks to have those rules overturned. Officials from the release program have yet to comment on the suit.
• Business groups across the state are signaling they’re not on board with Gov. John Kasich’s tax cut plan, mostly because it includes an increase in sales taxes. Kasich has proposed a $500 million tax cut for the state, mostly achieved by lowering income taxes while raising sales taxes and taxes on specific items such as cigarettes. Many of Ohio’s regional chambers of commerce have come out against the plan, saying it will limit Ohio’s nascent economic recovery. Kasich’s plan has also drawn flack from liberals, who say it makes the state’s tax structure more regressive. It’s also not gotten a lot of love from the Republican-dominated General Assembly, who have signaled they will be making changes to Kasich’s proposed budget.
• Here’s an interesting, and distressing, wrinkle in the ongoing national conversation about police use of force set off by the death of Mike Brown in Ferguson, Mo. This story explores the little-recognized fact that all the police involved in recent controversial shooting deaths of unarmed black citizens have been remarkably young and inexperienced — all well under the age of 30. While it’s important to realize that a number of systemic issues seem to be at play in the deaths of young men like Tamir Rice in Cleveland and John Crawford III in Beavercreek, officer inexperience seems to be an important, and under-recognized, element to the tragedies.
That’s all I’ve got today. You know the drill: tweet at me (@nswartsell), email me (firstname.lastname@example.org) or comment with news tips or general heckling. Whatever you gotta do.
Yesterday, Cincinnati Alt Pop foursome Walk the Moon continued its promotional blitz behind its sophomore major label album, Talking is Hard,
with a performance on Ellen DeGeneres' popular daytime talk/variety
show. After being introduced by DeGeneres as a "great Rock & Roll
band from Cincinnati, Ohio," the group played its single "Shut Up and
Dance" and singer Nicholas Petricca ran into the crowd to rock out with
Coincidentally, another Cincinnati-born band, The Afghan Whigs, appeared on national television the night before, performing "The Lottery" from their latest album on late night's Jimmy Kimmel Live. Watch it here and a web-exclusive performance of "I Am Fire," with a dash of Fleetwod Mac's "Tusk," here. WtM also played Kimmel late last year when the new album was released.
Walk the Moon will play a hometown show at Bogart's on
April 1 (like many shows on the band's current tour, it has already sold
out), then returns this summer to play the Bunbury Music Festival in
early June (tickets available here).
On Tuesday, March 17, Cincinnati duo Bad Veins will see its latest album, The Mess Remade, released nationally. The 13-track effort isn't an entirely "new" album, but a re-recorded/remastered version of Bad Veins' sophomore full-length, The Mess We've Made, which came out in 2012 on the Modern Outsider label. The record — which features new cover art, as well — comes after some big changes in lead Vein Benjamin Davis' band — the departure of original drummer Sebastien Schultz (who now plays with local Indie Pop group Multimagic), the addition of new drummer Jake Bonta and a new label home, the third nationally-distributed label in Bad Veins' lifespan (its self-titled debut was released on Dangerbird Records).
The Mess Remade is being released on the Dynamite Music imprint, a new company founded by Marco Liuzzo and Mitch Davis (son of music biz legend Clive Davis). The label is partnered with Caroline, which is part of Capitol Records and Universal Music Distribution. Bad Veins are the company's second announced signees, following Pop singer Ryan Cabrera.
The Mess Remade includes two new tracks, "I Shut My Heart Down" and a cover of The Muppets' classic "Rainbow Connection" (Davis performed the song solo to open the 2013 Cincinnati Entertainment Awards ceremony). The early release of "Rainbow Connection" in January and last month's puppet-filled music video release (premiered at The AV Club) caught some buzz online. The album also features a shorter "radio edit" of the leadoff track "Kindness," as well as the original 5-minutes-plus version.
Here is a video clip for the new "Kindness":
And here's the "Rainbow Connection" clip:
Noisetrade.com has a four-track sampler of Remade available here if you can't wait a week.
Find more about Bad Veins here.
Morning y’all! Here’s a brief morning news rundown before I jet off to some interviews.
The Ohio Task Force on Community-Police Relations met last night at UC for a sometimes intense five-and-a-half-hour listening session. A large group showed up to listen to expert testimony and to speak to the panel themselves. Perhaps the most charged moment came when John Crawford, Jr., the father of John Crawford III, a Fairfield man shot by police in a Beavercreek Walmart, gave emotional testimony about the need for police reforms.
Among experts presenting were Garry McCarthy, superintendent of the Chicago Police Department, who talked about data-driven policing, Lt. Colonel David Bailey from the Cincinnati Police Department and Al Gerhardstein, a Cincinnati attorney who played a key role in the city’s collaborative agreement following the civil unrest here in 2001. State Sen. Cecil Thomas also testified about his role in the agreement. About 45 community members signed up to speak, including young activists with the Ohio Student Association, who argued there should be youth representation on the 18-person panel. Most attendees were from Cincinnati, but some drove from as far away as Columbus and Toledo. The panel concludes a tour of four listening sessions across the state. Now the task force, which was convened by Gov. John Kasich in December, will work on a report about its findings due at the end of April.
• A potential Over-the-Rhine neighborhood parking plan continues to take shape. Council discussed the prospective plan yesterday at its Transportation Committee meeting but did not pass anything just yet. Right now, the plan council is mulling would charge about $100 to park in one of 400 reserved spots around the neighborhood. That’s about a third of all the spots in OTR. Those who receive housing assistance would get a deal on the parking plan, however, only paying $18. Only two passes would be permitted per household.
• A bill necessary to move forward with tolling on a potential Brent Spence Bridge replacement is a likely wash in the Kentucky state Senate, meaning it’s back to the drawing board for the $2.6 billion project. Ohio Gov. John Kasich and Kentucky Gov. Steve Beshear recently proposed a public-private partnership to fund the 51-year-old structurally obsolete bridge’s replacement, but that requires Kentucky, which owns the bridge, to pass a law allowing public-private partnerships. Some Kentucky politicians, including many Northern Kentucky officials, oppose tolls on the bridge, saying they’ll hurt commuters and businesses in the region.
• Former Ohio Governor Ted Strickland has garnered another big endorsement in his run against Cincinnati City Councilman P.G. Sittenfeld for the Democratic Party’s nomination in the 2016 race for Republican Rob Portman’s Senate seat. The Democratic Senatorial Campaign Committee, the campaign arm of the party’s senators, has backed Strickland over Sittenfeld. There was some speculation that Sittenfeld, who is regarded as a promising rising star within the party, would bow out to the more experienced and well-known Strickland when the latter announced his campaign last month. But the younger Democrat has vowed to stay in the race, even as the going gets tougher. Yesterday, we told you that current Democrat Sen. Sherrod Brown also endorsed Strickland. Sittenfeld has backers of his own, to be sure, and has raised a respectable $500,000 for his campaign.
• Finally, let’s go national. When something like the following happens, I automatically assume it happened in Florida, and I’m right a distressing amount of the time. On Sunday, thieves there stole a tractor-trailer with $85,000 worth of… mozzarella cheese. That’s a felony level of cheese there, friends. If I had that much cheese, I’d probably swim in it the way Scrooge McDuck used to swim in all those crazy gold coins he had. Police haven’t found the culprits yet, but I have a hot tip for them: Look for the guys making an insanely large pizza.
That’s it. See ya. Tweet at me @nswartsell or hit me on email (email@example.com).
Jess Lamb’s initial performance for the judges on American Idol’s bus tour was undeniably a show stopper. It wrapped up the episode and introduced America to one of Cincinnati’s brightest talents, while also moving her on to the Hollywood round after impressing the judges. Her second televised appearance, a group rendition of Meghan Trainor’s “All About That Bass,” was considered one of the stronger performances of the Idol Groups round.
That is why it shocked many viewers when she was quietly cut from the show after the performance.
Allegations quickly followed blaming Lamb’s cut on comments that Jennifer Lopez had made regarding the age of some of the contestants, due to Lamb being one of the older performers in the competition (she is only 29). If there’s anything that Lamb would like to set straight it is this: Don’t believe everything you hear. And this is far from the end of the road for her.
“Honestly, I got nothing but really awesome comments from [Lopez]. No bad comments, nothing,” Lamb explains.
Lamb is still unsure as to exactly why she didn’t move on to the next round — American Idol never provided her with a reason — but she does not believe that it was Lopez’s comments or her age that caused the cut. Lamb frequently questioned the editing of the episode and the presentation of Lopez’s comments while discussing the episode and the ensuing fallout.
While the cut was undeniably a blow to Lamb, it is one she is quickly recovering from. In fact, when the episode aired, she wasn’t even able to watch because she was working on one of her myriad new projects at the time.
“I’m busier since Idol than I ever have been. I’m working with Bootsy [Collins], writing with his backup singer, talking with his wife about a project she wants me to work on, preparing for [record label] showcases,” Lamb says.
While Idol’s promised record contract is now out of reach, that hasn’t slowed down Lamb’s work towards her goal of signing with a label and releasing a full-length album. In fact, Idol gave her the exposure that she needed to land on the radar of several big names within the Pop music community. “Grammy-award winner” is descriptor not often connected to people working with local music acts, but it applies in this instance. (Lamb can’t divulge too much information about certain facets of her industry interactions, so vague hints will have to do for now.)
Details are still being discussed and Lamb is still under Idol’s contractual obligations restricting her from signing with any labels before the show is over and a set period of time has passed since its finale. But Lamb is making the best of the time between now and May.
“I’m just trying to do what I’m legally able to do,” Lamb says.
While American Idol continues its search for the next American pop star, Lamb is determined to grow her career using many of the tools that she’s been using for years. She’s constantly attempting to break into new markets, make music with new people and perform for new audiences. The only difference is that she now has a national TV show appearance to help with promotion and publicity. The details of her release from American Idol may be shrouded in a bit of controversy, but ultimately what will endure are her fans’ memories of her performances. It is those memories that will be reignited once American Idol runs its course and Lamb is able to finally take the steps she’s been feverishly working towards putting in place.
And with several months till Idol’s run completes, Lamb has plenty of time to make some very big plans.
Hey all! Hope your weekend was great. I spent my Saturday at the Neighborhood Summit, so mine was super fun because I’m a huge dork. If you’re like me and you’re into community building, urban planning, transit, or anything else at all city related, though, it’s kind of like our Midpoint. Highlights included a three-part panel discussion among Police Chief Jeffery Blackwell, activists Damon Lynch III and Iris Roley and other experts talking about how far the Cincinnati Police Department has come since 2001, as well as another set of presentations about immigration in Cincinnati.
Anyway, on to the news. Could labs on Cincinnati’s East Side currently occupied by the National Institute of Occupational Safety and Health be a new home for the Hamilton County crime lab? County Commissioner Todd Portune says he’s looking into that possibility. Last month, the federal government announced it was providing $100 million to build a new facility for NIOSH to combine the organization’s two labs in Cincinnati into one complex over the next few years. That could free up plenty of lab space for the county’s cramped and outdated morgue and crime labs, currently in a building built in the early 1970s. What’s more, some of that $100 million could go toward renovating the current NIOSH lab so the county crime lab could move in. The idea comes after county commissioners killed a plan to move the morgue, crime lab and other county offices to a former Mercy Hospital in Mount Airy donated to the county for a dollar. Commissioners have said it would cost too much money to retrofit that building for the new offices.
• A statewide task force on police-community relations put together by Ohio Gov. John Kasich in the wake of controversy over police shootings is coming to Cincinnati tonight. A public listening session will be held at 4:30 p.m. at the Kingsgate Marriott, 151 Goodman Drive, near the University of Cincinnati. City Locals Councilwoman Amy Murray, Pastor Damon Lynch III and others make up the panel, which will produce a report in April on ways to improve relationships between police and community members. Kasich ordered the task force in December in response to nationwide consternation over police shootings of unarmed citizens of color across the country. In Ohio, the August shooting death of John Crawford III in a Beavercreek Walmart and the October killing of 12-year-old Tamir Rice on a playground in Cleveland have gotten national attention. Both held toy guns at the time of their deaths, and police say they seemed to pose a threat. But the families of both Rice and Crawford say police were reckless and did not act appropriately. They say the shootings are indicative of a larger cultural problem between police and communities of color.
• As political bickering continues to swirl around the streetcar’s first phase, Councilman Chris Seelbach is pushing the city to work on planning the rail project’s next leg. Seelbach has created a motion in council seeking to spur the city to begin work on plans that would take the streetcar uptown toward the University of Cincinnati and many of the city’s hospitals. The motion directs the city administration to give detailed accounting of how much the next phase of the project would cost and how it might be paid for with state and federal grants. Seelbach has also requested the city refine its process for engaging community members along the route to get better input on the project. Originally, plans for the streetcar treated the downtown loop currently being built and an uptown jaunt as one phase. But then Gov. John Kasich pulled $55 million in state funding for the project, resulting in the current scaled-down scope. Mayor John Cranley, who has been a vocal opponent of the streetcar, has said it’s much too soon to begin focusing on the next phase before the first is even finished. But Seelbach and other supporters say the only way to tap into federal funds and other sources of funding is to have a plan in place and ready to go.
• Sen. Sherrod Brown, one of Ohio’s highest-profile Democrats, has endorsed former Gov. Ted Strickland in his run for the state’s other senate seat, currently held by Republican Rob Portman. That’s not a surprise — Strickland is one of Ohio’s other super high profile Democrats — but it does signal the challenge City Councilman P.G. Sittenfeld has ahead as he challenges Strickland in the Democratic primary for the seat. Sittenfeld, who announced his candidacy last month, has recently said he won’t back down from the race despite his big name competitor. He’s raised at least $500,000 for his run and told supporters last week that he’s all in for the fight. Though Brown endorsed Strickland, he was careful to praise Sittenfeld in his announcement, saying the 30-year-old has a bright future in politics.
• In the face of issues around execution drugs, a steady number of exonerations of those on Ohio’s death row and other factors, is it time to consider reforming or abolishing Ohio’s death penalty? Many feel strongly that it is, including unlikely conservative opponents to the punishment. Recent delays to executions caused by Ohio’s struggle to find a source for drugs that will end an inmate’s life humanely have renewed calls for the state to reconsider its death penalty entirely. This Columbus Dispatch story takes a deep look into the issue and is worth a read.
• Finally, March 7 marked the 50th anniversary of the violent clash between police and protesters in Selma, Alabama, an event that helped fuel new national civil rights legislation, including the Voting Rights Act. Thousands visited Selma over the weekend to commemorate the anniversary, which was marked by passionate speeches by both President Barack Obama and outgoing Attorney General Eric Holder. Holder used his speech to question the future of the VRA, parts of which have been dismantled by recent Supreme Court decisions. Here’s a pretty in-depth New York Times piece about events in Selma over the past few days.
That’s it for me. You know the drill. Tweet (@nswartsell), e-mail (firstname.lastname@example.org), comment, send me a telegram or a fax (do people still fax? Is that still a thing?) Here we go. Tweet me about whether you still use a fax machine or even know what a fax machine is. I kind of do.
This is a busy time of year on local stages, and that's especially true at colleges and universities where the academic year is winding down.
At Northern Kentucky University, the 17th biennial Year End Series (Y.E.S.) Festival is underway, presenting three world premiere productions in rotating repertory. It's a Grand Night for Murder opened on Thursday; The Divine Visitor, a Restoration Comedy through a sci-fi filter (figure that one out) starts tonight; and Encore, Encore, about witty and caustic New York writer Dorothy Parker, gets underway on Saturday. There will be multiple performances through April 26. Tickets: 859-572-5464
At Xavier University this weekend you can find a production of the Rock musical Spring Awakening, the winner of eight Tony Awards in 2007. It's about a group of students struggling through adolescence to adulthood — with a lot of rebellion along the way. It's being presented in XU's Gallagher Student Center Theater. Tickets: 513-745-3939
A lot of high school students have been recruited by Cincinnati Shakespeare Company for more than 38 free art events based on the works of Shakespeare. You might recall that CSC "completed the canon" (produced all 38 of Shakespeare's plays) a year ago. The celebrate that accomplishment, the company devised Project 38 to work with numerous area schools. Each one was assigned and worked with some of the company's artists to be inspired in productions, art, writing — whatever moved them. The initiative is culminating in an eight-day festival of free performances and exhibitions in Over-the-Rhine's Washington Park. School performances are all free. Since performances of The Taming of the Shrew are sold out on CSC's mainstage, Project 38 gives you the chance to see Shakespeare you might have missed otherwise. Schedule here.
There's another take on a student coming to terms with the Bard at Dayton's Human Race Theatre Company: Taking Shakespeare is the story of a disillusioned college professor asked to tutor her dean's son through his freshman Shakespeare class. It's got its humorous moments, but the show delivers a serious message about living up to expectations. Playing the student is Cincinnati actor Jon Kovach, who's performed on numerous local stages. Through May 3. Tickets: 937-228-3630
The farcical show by Steve Martin, The Underpants, is evoking laughs at the Otto M. Budig Theatre in the Carnegie in Covington. It's a bit risqué, but the humor is very gentle. Tickets: 859-957-1940 … Not so gentle is the production of Death and the Maiden by Diogenes Theatre Company at the Aronoff Center's Jarson-Kaplan Theatre. This three-character thriller is set in an unnamed Latin American country where a woman gets control of a man she believes once tortured her under a brutal dictatorship. It's a powerful piece, magnificently acted by three top-notch professionals familiar to Cincinnati theatergoers — Annie Fitzpatrick, Michael G. Bath and Giles Davies. Not for the faint-hearted or those who are squeamish about violence, but this is production that deserves to be seen. Through May 2. Tickets: 513-621-2787
One last note, for anyone interested in playing a supernumerary for Cincinnati Opera (that's like being an extra in a movie): Open casting for the upcoming summer season happens on Monday at 6 p.m. at Music Hall. You don't have to be a singer. In fact, no experience is necessary; positions are filled on a voluntary basis. Details here.
Good morning, y’all. Before we get to the news this morning, I want to plug a cover story we have coming up in a couple weeks. I've been working on it since February, and I really hope you all will take a look when it goes up April 29. It deals with one of the city's forgotten neighborhoods, a group of people fleeing incredibly difficult circumstances and a place where cultures from around the world mix in an incredible way. The folks in the story deserve your attention for their courage and patience. That's all I'm going to say for now. I hope you'll check it out.
There is a lot to talk about today, so I'll stop promoting and get to the news.
Let’s start with the positive stuff first. Cincinnati City Council yesterday declared April 28 John Arthur day in honor of the late Over-the-Rhine resident and gay rights activist who passed away in 2013 from ALS. Arthur’s husband Jim Obergefell has since fought the state of Ohio to get his name listed on Arthur’s death certificate, a battle that will find its way to the U.S. Supreme Court April 28. The case will almost assuredly be a history-making event. Look out next week for our feature story on the battle that could determine the future of same sex marriage.
• Council also locked horns, once again, on the streetcar yesterday. Councilman Chris Seelbach proposed a motion that would direct the city administration to prepare a report on possible funding for Phase 1B of the transit project. Sound like a small step? It is. But oh, what a fuss it raised. The next hour was dominated by arguments over the project, including recent revelations that revenue won’t be as high as anticipated, Mayor John Cranley again touting a residential parking permit plan as a way to make up some of the difference and calls from at least one council member to can the project entirely. After all the fireworks, the motion passed 5-4. You can read all about it in our coverage here.
• What else is new around town? Well, our own Nick Lachey, of 98 Degrees fame, wants to turn over a new leaf (heh see what I did there?) as a marijuana farmer. Lachey has invested in a ballot initiative by marijuana legalization group ResponsibleOhio. In return for putting up money for the effort, which needs to collect more than 300,000 signatures by this summer to get its proposal on the November ballot, Lachey will become part owner of a marijuana farm in the city of Hudson, which is in northeastern Ohio. That farm will be one of 10 under ResponsibleOhio’s plan, which would restrict commercial cultivation to a select number of sites. The group also tweaked its proposal after some criticism, and the current plan would also allow home growers to grow a small amount for personal use. Critics, however, including other legalization efforts, still say the plan amounts to a monopoly.
• Representatives from some area school districts, including Princeton City Schools, are lobbying in Columbus today in protest over state budgetary moves that would cut millions from their budgets. Princeton serves Lincoln Heights, Glendale, Woodlawn and much of Springdale and Sharonville in addition to other areas. Some school employees have taken personal days off from work to protest the proposed elimination of a state offset for the so-called Tangible Personal Property Tax. TPP was a big part of funding for many schools like Princeton. It was eliminated by lawmakers in 2007, but the state continued to funnel funds to schools to make up for the loss. Now, with Ohio’s new proposed budget, that offset will gradually be eliminated. Princeton receives nearly a quarter of its budget from the payments. It’s one of a number of schools on the chopping block from the new budget, which is a milder form of Gov. Kasich’s proposed financial blueprint for the state’s next two years. Kasich’s plan would have cut half of the districts in Ohio while increasing funding for the other half, mostly low-income rural and urban districts. State lawmakers have eased some of those cuts, but the prospect of losing money has caused ire among schools like Princeton, Lakota and others.
• There are a lot of other things happening in the state house today. Lawmakers are mulling whether to eliminate funding for the Partnership for Assessment of Readiness for College and Careers, or PARCC, tests. The state’s GOP legislators would like to eliminate the $33 million used to administer the tests, effectively killing them off. Part of the reason lawmakers want to eliminate them is that they’re tied to so-called federal Common Core standards. State Republicans are generally opposed to the standards, though Gov. John Kasich supports them. The tests’ roll-out this year has also been rocky, marked by complaints about glitches and difficulty. But there could be a big price tag for the political statement being made by eliminating the tests: the loss of more than $750 million in federal money for education in Ohio, according to the Columbus Dispatch.
• Elsewhere in the state house, the GOP is raising ire among its own with other measures in the state budget. Republican State Auditor David Yost has cried foul at an attempt to remove oversight of disputes about public records requests from his bailiwick. State lawmakers say that the auditor’s office is responsible for financial accountability of state offices, not their public records. They want to remove the auditor’s power to receive complaints about public records requests and issue information and citations about such requests. Yost says removing his office’s power to oversee public records request issues weakens his ability to hold other public offices accountable and is unconstitutional. The Ohio Newspaper Association has also come out against the move. Reporters file a lot of public records requests, after all, and I for one don't want to have to sue someone every time I want some information that YOU should be able to know.
• What’s going on in national news, you ask? Stories about Democratic presidential hopeful Hillary Clinton’s Chipotle trip continue, revealing little other than the utter intellectual bankruptcy of some of the national political press. The initial story about the stop in the Maumee, Ohio, Chipotle earlier this week was a bit of a campaign stunt in and of itself (Hillary’s campaign staff tipped off the New York Times about the stop, leading to this incredibly important breaking news) and now we’ve just spun down into the dregs of mindless chatter about a burrito bowl. Not even a real burrito! Burritos are for eating, not for think-piecing. Why do you folks get paid to do this, again?
Meanwhile, Kasich is getting some interesting press that could boost his chances in the Republican 2016 primary contest for the presidential nomination. National publications are calling him everything from the "GOP's Strongest Candidate" to the "GOP's Moderate Backstop." Ah, national media. Gotta love it.
Carol, the 1950s-set drama about an affair between two women that was filmed last year in Cincinnati, will compete for the Palme d'Or at this year's Cannes Film Festival. That will be its long-awaited premiere.
It is one of only two films by U.S. directors in the much-vaunted competition, according to Variety. The announcement was made at a press conference in Cannes today.
Directed by Todd Haynes (I'm Not There, Far From Heaven) with Christine Vachon as one of its producers, the film stars Cate Blanchett, Rooney Mara and Sarah Paulson and is based on the novel The Price of Salt by Patricia Highsmith. Variety succinctly describes Carol's story as "about a lonely young department-store clerk who falls for an elegant older woman in 1950s New York."
Besides Haynes, the only other U.S. director with a new film in competition at Cannes is Gus Van Sant, whose The Sea of Trees stars Matthew McConaughey and Ken Watanabe as two men who meet in Japan's "Suicide Forest."
However, because financing of movies is often international, Carol is actually listed as a U.S.-U.K. co-production. And another film in competition by a non-U.S. director, the French-Canadian Denis Villeneuve's Sicario, is listed as solely a U.S. production.
Because the 14 films announced for competition are lower than in past years, Variety suggests several more may be added. This will be the 68th annual Cannes Film Festival, the world's most prestigious, and occurs May 13-24.
To read the full Variety story, go here.
Cincinnati City Council today passed a motion asking the city administration to draw up a report on possible funding sources for the planning and construction of phase 1B of the streetcar.
But the relatively small step caused a firestorm of controversy, illustrating how politically divisive the transit project remains. The motion, authored by City Councilman Chris Seelbach, launched a contentious hour of debate among council members about whether it was appropriate to look ahead to the next phase of the controversial transit project when the current phase, a 3.6 mile loop around downtown and Over-the-Rhine, has yet to be nailed down.
The motion passed on a narrow 5-4 vote, with council members Seelbach, Yvette Simpson, P.G. Sittenfeld, David Mann, and Wendell Young voting for the measure. Council members Charlie Winburn, Kevin Flynn, Amy Murray and Christopher Smitherman voted against having the city produce the study.
Seelbach said the idea was to gather information to make an informed decision about next steps.
“This motion doesn’t say we’re ready to study Phase 1B of the streetcar,” Seelbach said. “All it says is we want some facts on paper about opportunities we may even want to pass up. I think that’s a very fair conversation we want to have. But let’s at least get the facts on paper.”
Seelbach cited the availability of federal TIGER grants, $500 million of which have been made available for fiscal year 2015 to cities proposing transit projects that spur economic development. Supporters of extending the streetcar say the city should start planning now so it can apply for future federal money that would help pay for a route extension.
But streetcar opponents, including Mayor John Cranley and Councilman Christopher Smitherman, said the focus now should be on the project’s beleaguered current phase. They pointed to a recent revelation that the Southern Ohio Regional Transit Authority projects revenues for the streetcar will be well under earlier expectations.
“I guess my question is, 'Why aren’t the supporters of the streetcar leading the $500,000 new deficit that we discovered yesterday,' ” said Cranley. “Where is the plan to solve the revenue gap we discovered yesterday? Let’s make Phase 1 a success. Instead people want to write more checks and spend more money on Phase 2.”
Early estimates placed revenue from ridership and advertising sold on the streetcar at $1.35 million in the first year. But adjustments in the way passengers will pay fares (by time spent on the cars, not on a per-ride basis), factoring in subsidized rides for low-income riders and revised advertising revenue estimates mean the streetcar is likely to pull in just $781,000 in its first year, SORTA told council yesterday. That means the transit project may have to tap into a $9 million fund provided by the Haile Foundation to help fund the streetcar’s first decade in operation. Opponents like Cranley and Smitherman say the project's first phase is a financial mess that will leave tax payers holding the bag.
Cranley used the opportunity to again propose a residential parking pass for residents of Over-the-Rhine. In the past, he's floated proposals to charge as much as $300 a year to residents who want to park in the street in the neighborhood. Citing the number of new high-price condos springing up in OTR, Cranley said the owners of those high-price abodes should have to foot some of the bill for the amenity running past their doors.
But supporters of the project fired back, saying the project is meant to spur economic development and must be looked at through that lens. Councilwoman Yvette Simpson said investment spurred by the streetcar,
including new development in Over-the-Rhine, would far outweigh the expenditures the city will make. She chalked up continued opposition to
the streetcar, and the motion to produce a report, to politics.
“I think it really comes down to leadership,” said Simpson. “We made a commitment to a project, and there are times when there are challenges. The campaign is over. Our ability to put our best foot forward on this project will really determine the success of the project.”
Originally, the streetcar was intended to run from The Banks to a location uptown. However, after Gov. John Kasich eliminated millions in state funds from the project, it was scaled back. The route now ends near Findlay Market. Supporters, however, including many who pushed the streetcar through a contentious three-week pause in 2013, haven’t given up hope that the second leg can be completed into the area around the University of Cincinnati and the area’s major hospitals.
The debate over the motion once again opened up old arguments.
Councilman Charlie Winburn called once again for the streetcar to be halted entirely, saying it should be “scrapped altogether.” Winburn told City Manager Harry Black that he didn’t have to follow the motion, which doesn’t have the force of law, and asked the city administration to disregard it. The city solicitor confirmed that the motion was non-binding, and it is unclear whether the city manager will direct city administration to produce the report.
The first time I saw the Warsaw Falcons, my Cincinnati experience was only slightly longer than the band's existence. I'd moved here in January 1982 on the heels of a failed and miserable marriage. I was working for (and living out of) a record store in North College Hill run by my friends/saviors Rick and Karen (aka Cookie, long before Empire, bitches) Kandelson, who gave me work and a safe haven.
I found full time work and a girlfriend in fairly short order, and for the most part felt I'd made the right decision in relocating to Cincinnati. But I desperately missed my 2-year-old son and my family and friends back in Michigan, so I entertained the notion of asking my new love to consider moving back to the Mitt with me.
And then a cosmic intervention took place. Within the span of a couple of weeks, I saw the raisins, who had been around for a while, and the Warsaw Falcons, who had only just formed. After those two musical epiphanies I said to myself, with unbridled joy and complete certainty, "I don't have to go home, I am home."
Beyond all doubt, I was where I was supposed to be.
The raisins were everything I loved about Pop Rock — smart and smartassed, loud, melodic, lyrically brilliant and gloriously dumb, intricate in the pursuit of simplicity. The Falcons exhibited a lot of the same characteristics, but in a totally different context. I couldn't tell you much about the original band at that point, as I was fairly riveted to the sight of David Rhodes Brown, a 6' 4" beanpole with an additional foot of roostered pompadour, snake-charming the nastiest, slinkiest, rawest, most compelling riffs from his hollow bodied Gibson that I'd ever heard in my 25 years. Brown and the earliest incarnation of the Falcons roared through a couple of sets of jumped-up Rockabilly/Boogie Woogie/Blues at an intensity level that could have microwaved a 15-pound roast to perfection in under a minute, and I stood watching in absolute wonder, as if I was attending the swaggering, staggering, yowling birth of Rock & Roll its own damn self.
There was no fundamental difference in any subsequent Falcons show I witnessed over the next seven years, give or take, and they were legion. At Dollar Bill's, Shipley's, Bogart's, Cory's, all the way out at the Townshipn Tavern and any number of places in between, the Warsaw Falcons never gave any less than their absolute all, tearing shit up with gleeful intent, putting it back together with ramshackle abandon and ultimately reducing it to smoke and ash with the zeal of blissed-out revolutionaries, confident in their cause and the destruction it inspired.
Through any number of lineup shifts, the Falcons delivered the goods night after night, set upon set upon set. There were gaps in the band's history when Brown lit out for Austin, Tex., and Nashville, Tenn., but he returned with more riffs to play, more stories to tell, more challenges to conquer. Brown shuttered the Falcons just after taking them into John Curley's Ultrasuede Studio to record their only full-length album, the righteous and red hot Right It on the Rock Wall. That incarnation of the band included legendary session saxophonist Bobby Keys. Brown dusted off the Falcons in 2001, turned out a couple of EPs and played out a bit but shelved them again when a proposed record contract fell victim to the post-9/11 downturn.
In the new millennium, things have been different. Music is ones and zeros instead of a spiraled groove or a spun tape reel, and David Rhodes Brown has reinvented himself a half dozen ways to Sunday. He had Ricky Nye teach him the rudiments of Boogie Woogie piano, he learned the Hank Williams songbook and joined Ryan Malott's 500 Miles to Memphis as a lap steel shredder and vocalist, helping transform it from cool local entity to national semi-sensation. Then he taught himself clawhammer banjo, grew a Rip Van Winkle-meets-ZZ Top beard and started playing old time music with the same dedication and intensity that marked his time in the Falcons, with less actual electricity and an improbable rise in passion and workload. He spread his attention over numerous full and part time projects, leading inevitably to his debut solo album, 2010's exquisite Browngrass & Wildflowers.
And then, as so often happens, fate intervened in the form of last November's celebration/roast of the David Rhodes Brown on the occasion of his 50th year in the entertainment racket (if you count his being paid to sing requiems at Catholic mass, which he does). The event was organized by one of the scene's greatest boosters and its unceasing heartbeat, the amazing Kelly Thomas, ably assisted by Brown's biggest supporter, fan and sugar mama, the incomparable Bobbi Kayser, who together assembled a veritable murderer's row of artists and friends in order to pay deserved tribute to DRB, if for no other reason than to thank him for his role in helping to build the solid foundation upon which the greater Cincinnati music scene has built its magnificent house over the past four decades.
And in a moment of divine inspiration, the once and future David Rhodes Brown called up the two other most recognizable components of the Warsaw Falcons — bassist John Schmidt, whose stoic demeanor on stage was always at odds with the blistering pulse he provided, and drummer Doug Waggoner, whose maniacal approach to rhythm was to beat it into submission, hammering it into new and exotic shapes with Thor's thunder and Odin's lightning. The Falcons' frenetic six-song set at the end of the evening — with Brown in the teeth of a mutant flu strain that would have coldcocked the sturdiest lumberjack or dockworker — was the stuff of local legend. And as the last chords were still ringing through the Southgate House's Sanctuary, Brown (clean-shaven for the express purpose of revisiting his youthful past) informed us that he, Schmidt and Waggoner had worked too hard and had too much fun to lock the Falcons back in their respective trophy cases and that they would be returning, badder and better than ever.
That promise was teased with the Falcons' opening slot for 500 Miles to Memphis at the Southgate House last New Year's Eve, but it was fulfilled with a righteous vengeance last Friday night when the trio headlined their first club date in nearly a decade and a half, transforming the swank surroundings of the newly refurbished Woodward Theater into an edge-of-town roadhouse, with all the danger and chicken-wire that implies.
The evening began with a spirited set from JetLab, the compelling Synth Rock trio that made a serious local splash with their eponymous 2014 debut album and earned a well-deserved Best New Artist CEA nomination earlier this year. In the studio, the trio — Elle Crash (a huge fan of DRB's since way back), Nick Barrows and Dave Welsh — churn out an arty Flying Lizards/Gary Numan/Breeders/Tom Tom Club-tinged soundtrack, but in the live setting, JetLab channels their performance adrenaline into a manic Soul Coughing/Mike Doughty ethic, with brush strokes from the pallets of early Talking Heads, B-52s and our own Perfect Jewish Couple from back in the day. Barrows and Crash take their turns on the Korg, accompanying each other on electric and acoustic guitars with Crash occasionally strapping on the bass to beef up the bottom. Through it all, Welsh provides the slippery beat to hold it all together, shifting seamlessly from tough-edged shuffle to hard-hitting machinegun attack. JetLab has already amassed a sizable and suitably loyal local following, but its rapidly maturing live presence shows the trio is stocked with brains and muscle and its best days lay just ahead.
Next up on was yet another standard stellar appearance by The Tigerlilies, whose greatness has been trumpeted in our pages and on this site for a good long time. Friday's show was solid evidence to support that stance. The band's fourth and undeniably best album, last year's In the Dark, was handed out with each ticket sold and anyone who didn't already have it was the proud recipient of one of the best albums of 2014, period. In my review of In the Dark, I name-checked Cheap Trick, Husker Du, The Clash and The Beatles and I confidently stand behind those reference points. In the live context, however, The Tigerlilies' energy level rises exponentially and they shift into a sixth gear that is almost impossible to quantify. With an audience to spur them on, The Tigerlilies blenderize all of the above and throw in heaping handfuls of the Dictators and Voidoids to create a sound that is Power Pop at a blistering yet amazingly nuanced Hard Rock level. Bassist Brian Driscoll and drummer Steve Hennessy have the kind of telepathic beat mentality that is the hallmark of every great rhythm section, and Pat Hennessy and Brendan Bogosian are proving to be one of the most adaptable and multidimensional guitar tandems in the city, able to pummel with Punk passion and pacify with Pop persuasion. Pat once took guitar lessons from DRB, distinguishing himself to his instructor by bringing him a Johnny Burnette single with the intent of learning the song. That breadth of interest and experience still informs everything he does with The Tigerlilies.
Inevitably, it was time for the Warsaw Falcons to take the stage. Suited up in dapper black like Sopranos extras ready for their close-ups, Msrs. Brown, Schmidt and Waggoner opened the evening with the one-two punch of their slinky and seductive "Skinny Anklebone," the Falcons' first 7-inch from back in 1984, followed by the propulsively thunderous "Mix Your Mess," and it was a slightly mannered free-for-all from there. As always, the Falcons proved themselves to be masters of pacing, knowing exactly the right time to draft and when to accelerate, slowing things down with the swaying Rockabilly/Doo Wop intensity of "I Fall Apart," heating things up with the insistent thump and throb of "Two Cigarettes in the Dark" and "You Can't Talk to Me." And the evening's special status was cemented with a backing vocal cameo from Mark Utley, taking a break from Bulletville and Magnolia Mountain (the latter of which once claimed DRB as a member) to sing harmonies on "You Can't Talk to Me" and "Melody" and provide appropriate shouts on "Cat Daddy."
When the Falcons finally closed with a rafter-rattling spin on "Never My Lover," the understandably frenzied crowd erupted with some fireworks of their own, stomping on the Woodward's dance floor with seismic fury until the trio retook the stage to finish the night with the hypnotic rumpshake of "Bertha Lou" and the incendiary barnstorm of "Swingin' on the Way Down."
As the lights came up on the dazed but exultant attendees (which included everyone's favorite politico/city booster Jim Tarbell; as Brown noted earlier in the night, "Well, when Jim Tarbell shows up, you know you've got a thing"), it was clear that the audience was comprised of two distinct factions — old fans who were basking in the glow of memories of ancient Falcons triumphs and the unexpected prospect of new frontiers ahead and new fans who had just witnessed a scorching force of nature whose earliest gigs may have preceded their births or at least coincided with their formative elementary school years. These younger fans had never seen the trio in their heyday, and I assured them that what they had just experienced was played out in that same fashion, at least five nights a week, three sets a night, back in the ’80s. Their jaw-dropped reaction was proof positive that the Warsaw Falcons belong back together, belong on the current scene with their (much) younger contemporaries and have more than enough fuel to go wherever they bloody well want to go.
Clearly the Falcons themselves and those of us who followed them with unfailing fervor from the start bear all the marks of the passing decades. There is considerably more salt in our once peppery hair, but you know what they say about snow-covered roofs and the fire stoked furnaces beneath them. The Warsaw Falcons may well be looked at as the grandfathers of the Cincinnati scene, but they built this city on Rock and soul and the music they made is as timeless as the seasons, as immutable as the laws that govern the universe and as relevant as tomorrow's headlines.
Friday night's show at the Woodward was the first in a series of gigs where the headlining Falcons will be supported by bands whose members can claim some connection to DRB and his intrepid band of riffmongers, joined by special guests both past and present. Think the Warsaw Falcons are just the new geezer Rock? Get your mind right, kids, and talk to the virgins who got popped at the Woodward last week. They drank the Kool-Aid and they believe. You will, too … right down to your skinny anklebones.
Morning all! Let’s get started on this news thing right away. I’ll be brief today.
Good news for transit drama junkies: The next episode of the streetcar soap opera just dropped, and it’s a double feature. Turns out the 2013 pause in streetcar construction while Mayor John Cranley railed against the project and Cincinnati City Council mulled pulling the plug could end up costing the city $2 million. The city has already spent about $1 million on costs associated with the pause, and now the team responsible for the streetcar is negotiating with a consultant involved in the construction of the streetcars over how much it owes for other costs related to the work stoppage. The cars themselves will be delayed six months because of the three-week pause, the streetcar team says, since the company making the cars thought the project was dead at the time. That cash will have to come out of the streetcar’s contingency fund, which will have about $1 million left after payments related to the pause are made.
Meanwhile, estimates for how much money the streetcar will rake in every year are down, according to the Southwest Ohio Regional Transit Authority. Adjustments in the way passengers will pay fares (by time spent on the cars, not on a per-ride basis), factoring in subsidized rides for low-income riders and revised advertising revenue estimates mean the streetcar is likely to pull in just $781,000 in its first year, much less than the originally-estimated $1.35 million. That means the transit project may have to tap into a $9 million fund provided by the Haile Foundation to help fund the streetcar’s first decade in operation.
• We’ve known for a while that the current site of the Anna Louise Inn, an historic women’s shelter downtown near Lytle Park, is slated to become a luxury hotel. Now we know which luxury hotel. Marriott announced yesterday it is bringing its Autograph Collection hotel concept to the site. Autograph Collection hotels are high-end, boutique accommodations. Others include European palaces and swanky hunting lodges. Plans have been in the works to relocate the century-old women’s shelter after a protracted and contentious legal battle between the city, Anna Louise Inn operators Cincinnati Union Bethel and insurance giant Western & Southern ended in 2013. A new CUB facility is being constructed in Mount Auburn.
• Here’s a quick one: Two Cincinnati lawyers have filed a lawsuit hoping to legalize prostitution in San Francisco. Lou Sirkin and Brian O’Connor of Cincinnati-based firm Santen and Hughes have filed in a California U.S. District Court on behalf of an organization called the Erotic Service Provider Legal, Education and Research Project. Three sex workers and a prospective client of sex workers are named as plaintiffs in the suit, which Sirkin and O’Connor say is a constitutional issue. Sirkin has worked on a number of constitutional and individual rights cases across the country.
• Lebanon City School District is facing a civil rights complaint from the mother of one of its students. Heather Allen has filed the complaint with the U.S. Department of Education alleging that issues of racial discrimination and bullying haven’t been taken seriously by the district. Allen says her biracial children, as well as other black children in the district, have been subject to racist jokes, taunting, repeated use of racial slurs including the n-word and an alleged threat from another student who Allen says had a knife. Nine incidents total are listed in the complaint, which comes a few weeks after an Instagram photo surfaced from a district student bearing racial slurs and a threat toward a black Lebanon student. The district thus far has not responded to media inquiries about the complaints, though it did address the Instagram photo, saying it didn’t have jurisdiction over that issue since it happened off school property.
• Former death row exonerees took to the capitol yesterday to advocate for changes to Ohio’s death penalty. Six men who had been wrongfully convicted of murder and who spent time in prison for their wrongful convictions gathered to urge lawmakers to adopt 57 recommendations for changes to the way the state administers justice made by the Ohio Supreme Court Task Force on Capital Punishment. Among them was Ricky Jackson, who was finally freed last November after spending 39 years in prison for a murder in Cleveland he didn’t commit. Jackson was exonerated thanks to the work of UC’s Ohio Innocence Project, an initiative co-founded by Mayor John Cranley in 2003. The Innocence Project is the subject of this week’s CityBeat news feature — it just won a new trial for three other Cleveland men who may have been wrongfully convicted in another murder. Check it out.
• Finally, your 2016 update: U.S. Senator Marco Rubio of Florida entered the presidential fold Monday, declaring he’ll seek the Republican nomination. Meanwhile, there is noise about who former secretary of state and current Democratic frontrunner Hillary Clinton will tap for vice president. Will it be former San Antonio mayor and current Department of Housing and Urban Development Secretary Julian Castro? Some think-piece writers think so. It seems clear that Castro, along with his brother, U.S. Rep Juan Castro, are both being groomed by the Democratic Party for bigger things. The Castro brothers are promising stars in the party, to be sure, but there’s also a pretty calculated element to the speculation: Rubio is strong with Hispanics thanks to his own Hispanic background, and Castro as VP could be a way to counteract that, political pundits say. Ew. Politics is gross.
That’s it for me. Tweet at me. Email me. You know the drill.
The surefire signs of spring seem as if they’re finally here to stay. Annuals are sprouting everywhere, joggers are jogging and that most significant local spring holiday — Opening Day — is in our rear-view mirror. It’s finally time to trade boots for sandals and spend every single one of our sunshiny days eating and drinking outside. Here’s a cultivated list of perfect patios that should keep you busy for at least a week.
With Anchor, you get dinner and a show. Where else can you sit next to Washington Park and enjoy any of the programming for free while dining on chef Derek dos Anjos’ super fresh fare from the sea? Our favorite nights are Tuesday, when lobster rolls are only $20, and Thursday, when oysters are a buck. 1401 Race St., Over-the-Rhine, 513-421-8111, theanchor-otr.com.
Avril-Bleh & Sons Marketplace and Deli
Fast food doesn’t need to be crap food. Head down to Court Street, where every lunch Tuesday-Friday (weather permitting), the good folks at Averil-Bleh will be grilling their tasty, housemade sausages as well as burgers. Wanna be super fancy? Stroll inside, pick up some fresh homemade salads, like German potato and coleslaw, head to a park and have yourself a picnic. 37 E. Court St., Downtown, avril-blehmeats.com.
Bouquet Restaurant and Wine Bar and Otto’s
We’re super stoked when we don’t have to travel too far for a street-side gourmet progressive dining experience. Pick cocktails and apps at MainStrasse’s Bouquet Restaurant and Wine Bar — chef Stephen William’s housemade charcuterie and pickles are to die for — then literally walk a couple feet for your main dish at Otto’s. If you prefer a slightly less pedestrian feel to your meal, take a seat on the back patio of either establishment. Bouquet, 519 Main St., Covington, Ky., 859-491-7777, bouquetrestaurant.com; Otto’s, 521 Main St., Covington, Ky., 859-491-6678, ottosonmain.com.
Django Western Taco
Tasty tacos and other Southwestern favorites, tequila-based drinks, live music on Thursday nights and a secret stash of Nerf guns for the occasional Nerf war are the super-sweet lures chef Andrew Mersmann has tucked away on his back patio in Northside. Kids are welcome, but why would you want them in the way of all of that grown-up fun? 4046 Hamilton Ave., Northside, djangonorthside.com.
The 50-seat patio at Dutch’s makes it the perfect place in East Hyde Park to stop after work. Fire pits keep you warm while bocce ball keeps you entertained as you nibble on everything from the housemade truffle popcorn to a selection of charcuterie plates that go perfectly with Dutch’s outstanding beer and wine selection. Feeling a bit more ravenous? No problem. Try one of Dutch’s mouthwatering sandwiches, including an extremely decadent short rib grilled cheese. 3378 Erie Ave., Hyde Park, 513-871-1446, facebook.com/dutchslarder.
Not only has the inside of the former Lavomatic received a complete indoor facelift, but the rooftop deck has received a total overhaul as well and is ready for its debut season as one of the loveliest outdoor dining spots in Over-the-Rhine. The elevated location offers the perfect opportunity to enjoy your meal, removed from the hullabaloo of Vine Street below. 1211 Vine St., Over-the-Rhine, 513-834-8670, facebook.com/kruegerstavern.
Whether you choose to hang on the patio in the Madeira location or under the tent at the Newtown restaurant, chef Suzanne DeYoung’s soup serves two purposes: to fill your belly and also the many other hungry bellies in our community. For every quart sold, a bowl is donated from this for-profit soup kitchen with the heart of gold. 7701 Railroad Ave., Madeira; 4150 Round Bottom Road, Newtown, lasoupecincinnati.com.
Mac’s Pizza Pub
Pizza isn’t just something that gets delivered to your door. Venture out for your pie, literally. All three Mac’s locations have something different to offer — the vibe at Clifton is all crazy mural and ferns, Landen has a new volleyball court and a pool table, and Wooster Pike offers a gazebo. But there are plenty of TVs to be had at each, so you can follow your favorite team while you eat and drink. 205 W. McMillan, Clifton Heights; 2920 W. US 22 and 3, Mainville; 6309 Wooster Pike, Mariemont, macspizzapub.com.
Although Catch-a-Fire Pizza is setting up permanent shop at MadTree Brewing, the super popular Hop-Up Dinners at the brewery will continue. Each week a different local chef sets up a pop-up shop for one night only — last week it was The Meatball Kitchen’s chef Jason Louda. There’s a large patio with picnic tables, a fire pit, corn hole and a TV. As for the ambience, Kenny McNutt, MadTree’s self-proclaimed “Beer-ded Baron” says, “The tall fence helps to hide the Motel 6.” 5164 Kennedy Ave., Oakley, 513-836-8733, madtreebrewing.com.
There’s no need for a pricey trip to Italy when the absolutely gorgeous wisteria-covered, fern-laden patio at Nicola’s is waiting for you. Just grab one of the 10 tables out back, order some of chef Joel Molloy’s authentic contemporary Italian cuisine and you’ll be instantly transported. 1420 Sycamore St., Over-the-Rhine, 513-721-6200, nicolasotr.com.
Chef Jackson Rouse is especially proud of his “pimp of the pimps double deck,” as he calls it, with a fire pit, adult swings, fresh new cedar tables and a full rocking bar. It’s the best place to be on Sunday for a seriously funky brunch hosted by Ria Matlib, aka DJ Mowgli. 1077 Celestial St., Mount Adams, 513-929-0525, therookwood.com.
Post Hyde Park Farmers Market, head to chef Julie Francis’ very secluded, super European-looking back patio for a relaxing Sunday brunch. All of that shopping will have burned so many calories you’ll be ready for her almost immoral Blue Oven French Toast (honey orange mascarpone, candied almonds, champagne and pear compote, and hickory smoked bacon). 1000 Delta Ave., Mount Lookout, dineatnectar.com.
Taste of Belgium
While Taste of Belgium’s original OTR location has only a few outdoor tables — and honestly they’re often tough to get — the Clifton patio is huge and a spot is often easier to snag. Also, there’s the Findlay Market counter, where you can grab your waffle or crepe and people-watch outside. And at the end of May the new Rookwood location will be open with 50 outdoor seats. authenticwaffle.com.
The lineup for this year's MidPoint Indie Summer was announced this morning. Along with a slew of solid local acts, this year's free Friday night concerts on Fountain Square will feature more well known national acts than ever before.
Shows run 7-11 p.m. from May 29-Sept. 4.
May 29: Surfer Blood; The Yugos; Automagik; Harbour
Jun 5: The Mowgli's; One Day Steady; Nevele; Beloved Youth
Jun 12: Kopecky; Broncho; Coconut Milk; Near Earth Objects
Jun 19: Buffalo Killers; Ohio Knife; Mad Anthony; Go Go Buffalo
Jun 26: Sloan; Mother Mother; Old City
Jul 3: Red Wanting Blue; Young Heirlooms; Motherfolk; Chris Salyer
Jul 10: Saint Motel
Jul 17: The Ting Tings; Brick + Mortar; Black Signal
Jul 24: Givers; Prim; Even Titles
Jul 31: The Whigs; Multimagic; Pop Goes the Evil; Never Setting Suns
Aug 7: Tweens; Leggy; Smut; Shark Week
Aug 14: Judah & The Lion; Seabird; Matt Hires; Along the Shore
Aug 21: San Fermin; Lemon Sky
Aug 28: Wussy; Pike 27; The Perfect Children; JetLab
Sep 4:The World is a Beautiful Place and I am No Longer Afraid to Die; Injecting Strangers; Moonbeau: Edison
The shows are sponsored by CityBeat's MidPoint Music Festival (MPMF does not book artists for the Fountain Square events). MidPoint returns this year Sept. 24-26. The festival is currently accepting applications from artists interested in playing MPMF 2015. Click here for details.
As I said in my in Silverado review, western films fell out of popularity during the ‘80s and ‘90s with some obvious exceptions. One of these was the TV miniseries Lonesome Dove, based on the novel of the same name by Larry McMurtry. On a side note: Lonesome Dove is probably my favorite novel of all time and you should all read it.
What connection does that miniseries have to today’s film Quigley Down Under? Both feature the same director, Simon Wincer, and the same music composer, Basil Poledouris, but unfortunately the film was sort of passed over when it should have been watched and at least given the compliment of, “that was pretty good.”
Quigley Down Under is the story of an American cowboy and skilled sharpshooter named Matthew Quigley (Tom Selleck) who receives a job on an Australian ranch run by Elliott Marston (Alan Rickman). But upon his arrival, Quigley runs into a woman named Cora (Laura San Giacomo) who confuses Quigley for her abandoning husband Roy and he finds out that his job will be shooting the native Aborigines. Quigley disapproves of what Marston wants to do and goes against him, only to be left for dead in the Australian desert with Cora. He must survive the harsh environment and then stop Marston from continuing his cruel treatment of natives.
It does kind of surprise me how well Australia’s Outback works as a setting for a western. It really shouldn’t, though — the scale of the desert almost matches the grand scale of Monument Valley on the Arizona-Utah state line. Add in the intense heat and it adds another element of suspense for the story.
One of the best elements in the movie is the script itself. It has a very good story and some great dialogue, which is delivered with charm courtesy of Magnum, P.I.’s Selleck. It makes me wonder why this film was passed up by Warner Bros. The role of Quigley was originally offered to Steve McQueen and Clint Eastwood, and while I could see Eastwood doing this kind of role I think Selleck fits perfectly.
The other performances are also very good. Rickman is also great as the villain who wishes to be a Wild West gunslinger. So, yes Harry Potter fans, you get to see Prof. Snape in a gun duel.
The real highlight performance comes from Laura San Giacomo. She just steals every scene she’s in as the half-crazed woman who has demons of her own. During her first few scenes she could be seen as a just another forced comedic character but as time goes on we hear about her back story and see what led her to her crazy attitude.
As I mentioned before, the movie’s film score was compose by the last Basil Poledouris. To me, Poledouris is a film composer that deserves to be held in the same regard as people like Elmer Bernstein and John Williams. The music he composed for this movie, along with Robocop, Starship Trooper and every other film he’s worked on is amazing. It can capture a sense of excitement and it can be touching as well.
haven’t checked this film out then do yourself a favor and track down a couple
in the near future.