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by Rick Pender 06.14.2013
Posted In: Theater at 08:34 AM | Permalink | Comments (0)
 
 
circque

Stage Door: Cirque du Soleil and More

Head to Dayton's Nutter Center this weekend to see Cirque du Soleil's classic show, Quidam. The show, at the time a big top production, spent several weeks in Cincinnati in August and September 2006 in a "grand chapiteau" on the Ohio River bank near the Suspension Bridge. It's the story of a bored kid named Zoé whose parents ignore her. We enter the world of her imagination when Quidam, a headless wanderer under an umbrella, hands her his blue bowler hat. As her self-absorbed parents float away, the story moves into the magical reality her imagination, populated by Cirque's physically astonishing performers. There's a "German Wheel," a pair of man-sized double hoops with a guy rolling around the stage; an amazing silk contortionist, high above the stage); and "Statue," a mesmerizing performance by a muscle-bound guy and a powerful woman who slowly balance in various positions. My favorite was Banquine, the finale by 15 acrobats, launching tumblers high into the air and catching them. Through Sunday. Tickets: cirquedusoleil.com

Other productions to consider for your theater calendar this weekend: The Odd Couple (just opened on the Showboat Majestic, 513-241-6550); The Hound of the Baskervilles (Cincinnati Shakespeare, 513-381-2273), Nunsense (Commonwealth Dinner Theatre at Northern Kentucky University, 859-572-5465) and, if you're looking to make a theater weekend in Dayton with Quidam on one evening, how about filling the other with the outrageously funny X-rated Sesame Street-inspired Avenue Q at Human Race Theatre Company (888-228-3630).
 
 
by Rick Pender 06.13.2013
Posted In: Theater, Dance, Visual Art at 08:42 AM | Permalink | Comments (0)
 
 
cirque

Cirque du Soleil's Quidam Is a Flight of Imagination

Onstage at Dayton's Nutter Center through June 16

Cirque du Soleil's classic show, Quidam, opens with Zoé (Alessandra Gonzalez), a bored little girl whose parents ignore her. We enter the world of her imagination when Quidam, a headless wanderer under an umbrella, hands Zoé his blue bowler hat. (This imagery will resonate with those who know the surrealist paintings of René Magritte, a 20th century artist whose paintings challenged traditional perceptions of reality.) Zoé's self-absorbed parents float away and we are transported to the magical reality of Cirque's physically astonishing performers.

The "world" presently inhabited by Quidam is Dayton's Nutter Center, on the campus of Wright State University, through Sunday, June 16. The show, which originated as a big top production (it spent several weeks in Cincinnati in August and September 2006 in a "grand chapiteau" on the Ohio River bank near the Suspension Bridge) is now an arena show, and it works beautifully in the Nutter. Five giant metal arches are used to suspend performers in mid-air, but you quickly lose sight of the mechanics thanks to the artistry, visual and musical, of Cirque.

To me, the greatest wonder — beyond the physical precision and discipline of Cirque's athletic artists — is the universality of shows like Quidam, which tour the world. (In a few months, this company will be performing in Europe, playing to audiences in cities including Vienna, Munich and London, where it has a month-long engagement at Royal Albert Hall.) The performers are ethnically diverse and the storytelling spans cultural boundaries: Wordless clowning (Quidam features a segment about making a silent movie that recruits a few audience members as "actors") is laugh-out-loud funny, and the ringmaster John (Mark Ward) borders on intentional incompetence in a way that endears him to the crowd even as he moves us from act to act without saying a word.

And what acts we see: German Wheel (a pair of man-sized double hoops containing a guy who rolls around the stage); Diabolo (spinning Chinese yo-yo's tossed high into the air from a string and caught); Aerial Contortion (Tanya Burka is an amazing silk contortionist, many feet above the stage); Skipping Ropes (using 20 acrobats); Aerial Hoops (three women spinning and pivoting through the air); Hand Balancing (incredible strength and flexibility by a woman on yard-high canes); Spanish Webs (five fellows on high, hanging and twisting on ropes); Statue (a mesmerizing performance by Yves Décoste and Valentyna Sidenko who slowly and powerfully balance in various positions); and finally Banquine (acrobatics). The latter section, Quidam's finale, uses 15 artists, launching tumblers high into the air and catching them. At one point they build a tower of four humans atop each others' shoulders. Each assemblage or toss seems more daring than the previous.

Quidam might be the product of Zoé's boredom, but the show expands imaginative horizons. It's definitely worth a one-hour drive from Cincinnati.
 
 
by Rick Pender 06.09.2013
Posted In: Theater at 08:00 AM | Permalink | Comments (0)
 
 
haney_m

Ensemble Theatre Announces Remainder of Season

Cincy Playhouse veterans Ed Stern and Michael Evan Haney to stage shows

If you enjoyed "great theater in a great theater" at the Cincinnati Playhouse in the Park during past seasons, you'll be pleased to learn that Ed Stern, former producing artistic director, and Michael Evan Haney, whose tenure as associate artistic director ends on June 30, have both been engaged to stage shows at Ensemble Theatre Cincinnati (ETC) for its 2013-2014 season. Haney will stage Nina Raine's Tribes (Jan. 29-Feb. 16, 2014) and Stern will co-direct the world premiere of Raymond McAnally's Size Matters (May 7-25, 2014); the playwright is also an actor (he co-starred in ETC's production of Mrs. Mannerly last fall) and he will be the solo performer of the one-man show.

Tribes is about Billy, the deaf son of an outspoken family obsessed with self-expression. He  has adapted to his family but not vice versa. Then he begins to connect with the deaf community, and his family resents his new "tribe." The show uses spoken and sign language as well as surtitles so  audiences can fully follow the action. The show has been a hit in New York (where it won the 2012 Drama Desk Award for outstanding play) and London, where it debuted in 2010 at the Royal Court Theatre. It's only been seen at a few theaters in the U.S. including the La Jolla Playhouse and the Guthrie in Minneapolis. As usual, ETC's Lynn Meyers is ahead of the curve in picking up great new works, and it's a good bet that Haney will make this a fine production. (Haney remains connected with the Playhouse as one of three artistic associates; he will direct A Christmas Carol as well as the world premiere of Anna Ziegler's A Delicate Ship during the Playhouse's 2013-2014 season.)

McAnally's comedy, Size Matters is even newer, of course, as a world premiere. It's about a "big guy," living in a crowded city and getting work based on his weight. McAnally, an actor who's weighed more than 280 pounds since he was 18, explores the impact his weight has had on who he is: It's apparent to him that "size matters" much of the time, but not always. The show about body issues and self-confidence is based on true events. Stern will co-direct with ETC's Meyers.

The balance of ETC's season was announced earlier: It opens on Sept. 4 with Jon Robin Baitz's Other Desert Cities, andincludes Gina Gionfriddo's Rapture, Blister, Burn, the holiday musical Around the World in 80 Days and Katori Hall's The Mountaintop about Martin Luther King Jr. Find more details here
 
 
by Rick Pender 06.07.2013
Posted In: Theater at 08:35 AM | Permalink | Comments (0)
 
 
know at night - photo eric vosmeier

Stage Door: Finishing Up Fringe

Two more days of the 2013 Cincy Fringe remain. In its 10th year, this year's festival has provided consistently high-quality offerings. If you're serious about the full range of theater, you owe it to yourself to catch a couple of them. I can't go into everything here, but you can check out my column from the current issue of CityBeat here or go straight to CityBeat's hub for web coverage where you can read coverage of all the shows, thanks to our dedicated corps of reviewers.

One further recommendation: Make your way to Know Theatre after 10 p.m. on Saturday to mix and mingle with the lively crowd and be among the first to learn which shows have earned "Pick of the Fringe" honors. There's no charge for admission; buy a drink or two and tip the bartenders generously. This is a volunteer-driven event, so you might also say thanks to anyone wearing a volunteer T-shirt.

Even as the Fringe sails off into the sunset, there's still plenty of theater onstage locally. For instance, Cincinnati Shakespeare Company opens its revival of its hit from last summer, The Hound of the Baskervilles. (Find CityBeat's review of last summer's CSC production here.) A three-man cast plays all the characters in a very funny take on the classic Sherlock Holmes tale. The actors, a trio of Cincy Shakes' best (Jeremy Dubin, Nicholas Rose and Brent Vimtrup), have been staged by the always inventive Michael Evan Haney, the Cincinnati Playhouse's associate artistic director and perhaps our finest local stage director, who manages to squeeze every possible ounce of entertainment from this hilarious script. The show had a sold-out run last July, and you can expect a similar response this month; the run continues through June 30. Tickets: 513-381-2273, x1.

Another option: Duck Hunter Shoots Angel, at Falcon Theater in Newport. It's a funny script by Mitch Albom (the author of Tuesdays with Morrie and The Five People You Meet In Heaven) about two bumbling Alabama duck hunters who think they’ve shot an angel. The story lands in a New York tabloid and explodes from there. Through June 15. Tickets: 513-479-6783.

For something more serious, I suggest Showbiz Players production of Spring Awakening at the Carnegie in Covington, the winner of eight Tony Awards (including best musical). It's a tale of teen angst and emerging sexuality, a powerful piece with a driving Rock score. Onstage through June 8. Tickets: 859-957-1940.

And there's still time to catch Shipwrecked! on the Playhouse's Shelterhouse stage (through June 16). It's a fantastic and family-friendly tale about adventure and storytelling, told imaginatively using three actors and a lot of clever sound effects and adaptation of everyday things to create exotic settings and dangerous moments, rescued by heroism or happenstance. (CityBeat review here.) A good show for the whole family. Tickets: 513-421-3888

Finally, a reminder: The Tony Awards, recognizing Broadway's best shows, will be be broadcast on Sunday evening on CBS, starting at 8 p.m., hosted by Neil Patrick Harris.
 
 
by Rick Pender 05.31.2013
Posted In: Arts community, COMMUNITY, Visual Art, Theater at 10:05 AM | Permalink | Comments (0)
 
 
fringefestival-loon

Stage Door: Fringe Your Weekend

The 2013 Cincinnati Fringe is at its first weekend with almost two dozen shows available for you to attend over the weekend. Pick a few and take a chance — read the commentaries by CityBeat reviewers posted here, if you want the inside scoop on various productions.

This is the 10th annual event, and it's become a big-time part of our local theater scene. You owe it to yourself to see some of these creative, odd, amusing, thoughtful pieces. And stop by Know Theatre's Underground Bar after 10 p.m. any evening to meet performers and talk with others who are enjoying the Fringe. It's a great way to get more perspectives.

More 2013 Fringe coverage:

• May 22 cover story: “Navigating the Novelties

• April 18 Curtain Call column: “Fringe Has Sprung

Complete festival schedule 

Official Fringe Festival guide



 
 
by Rick Pender 05.24.2013
Posted In: Theater at 08:55 AM | Permalink | Comments (0)
 
 
onstage 5-15 - measure for measure - kelly mengelkoch & brent vimtrup - photo rich sofranko

Stage Door: Near Season's End

Cincinnati Shakespeare Company finishes its run of Measure for Measure this weekend (CityBeat review here). It's a dark tale of hypocrisy and manipulation, with a few glimmers of ribald humor. Director Brian Phillips has transported the story from Renaissance-Era Vienna to the United States of the 1920s when Prohibition made everyday occurrences of fast living and bad behavior. (Can you say Boardwalk Empire?)  In 20 seasons, CSC has only staged it once before, but this is a production worth seeing because of the strong acting company — especially Brent Vimtrup, Kelly Mengelkoch and Nick Rose. Billy Chace does a nice job with the comic bits, too, even though they feel weird in this difficult story of self-righteousness and double-dealing. Tickets: 513-381-2273, x1.

For those into crooning, sentimental nostalgia, you'll find an ample supply aboard the Showboat Majestic's production of Forever Plaid. Jinx, Sparky Francis and Smudge conjure up a lot of good clean fun and close harmonies for their final concert. And I do mean final — in fact, they're kind of after the fact: Coming back from the great beyond for one last gig after a tragic bus accident on their way to a career-making gig. There's a lot of tomfoolery that makes this show amusing and entertaining. Through June 2. Tickets: 513-241-6550.

If you prefer the girls to the boys, Ensemble Theatre Cincinnati is into the extended run of The Mavelous Wonderettes: Caps and Gowns. The spunky gals — who also traffic in tunes from the ’50s and ’60s — provide two more rounds of melodies and moodiness. "Caps" is a reconstruction of their graduation night in 1958, while "Gowns" is a decade later at the wedding reception of Missy, who always has a plan, and Mr. Lee, a teacher she idolized. We get to see what life has brought to her three friends, love-'em-and-leave-'em Cindy Lou, jealous Betty Jean and vapid Suzy. ETC's casting gets an A+. Through June 1. Tickets: 513-421-3555.

For our early summer enjoyment, the Cincinnati Playhouse in the Park has put together the charming and family-friendly Shipwrecked! An Entertainment: The Amazing Adventures of Louis de Rougemont (As Told by Himself). I attended the opening on Thursday evening and witnessed three actors who play a host of characters, change costumes in plain view, create wildly imaginative scenery and make their own sound effects. It's a wistful story of adventure that revels in the adventure of storytelling. It's onstage through June 16. Tickets: 513-421-3888.
 
 
by Rick Pender 05.23.2013
Posted In: Theater, Visual Art, Arts community at 09:07 AM | Permalink | Comments (0)
 
 
todo_onstage_parade@carnegie_mattsteffen

Rising Stars

LCT singles out great theater productions and performers for 2012-2013

I wrote my Curtain Call column before the League of Cincinnati Theatres held its Monday night awards gala at The Know Theatre. So I thought you might want to learn the results. I'm glad to report that the LCT voters and I agreed about the season's best shows: I thought that Know Theatre's When the Rain Stops Falling was the best theatrical production, and that CCM Musical Theatre's production of Parade at the Carnegie was the most satisfying musical — and those are the productions that LCT cited, too.

LCT employed social media to identify audience favorites: Untethered Theatre's Red Light Winter won as the favored play, NKU's production of the musical Legally Blonde got the nod. I'm sure these were both fine productions, and it's nice to see Untethered, a new company, receive this recognition. But it's also apparent that some theaters lobbied supporters to vote for their productions, which is part of this game. So take such results with a grain of salt. Nevertheless, recognition is recognition, and that's what the awards are ultimately about — bringing good theater to the attention of the theater-going public.

There were some nice touches to LCT's program this year, including an "audience service award" that singled out people who serve audience members — box office managers and bartenders, for instance. Sue Bolger, who runs the ticket operation at NKU was named the winner, but all of these folks make going to the theater a pleasure — Brenda Berger at the Carnegie, Cal Harris at Cincy Shakes, Barb Marino with New Edgecliff and John Simpson, who runs the bar at the Playhouse.

LCT annually recognizes outstanding theater educators: This year's honorees, Mike Sherman from Colerain High School and Chad Weddle from Anderson High School, both gave grateful speeches thanking parents and hard-working kids for making it possible. These guys (and everyone who puts together high school productions) are heroes in my book: They instill a love of theater in kids, some of whom go on to careers, but many more who just come to love theater and enjoy a lifetime of happy audience membership.

Speaking of heroes, Cincinnati Playhouse Associate Artistic Director Michael Evan Haney received a standing ovation from the crowd of 200 or so when he was presented with the Rick Steiner Award for Excellence. Haney is marking his 40th year in professional theater, having spent more than 20 years staging shows for the Playhouse (including 20+ iterations of A Christmas Carol, a show he first appeared in as Bob Cratchit), as well as work at other local theaters including Ensemble Theatre and Cincinnati Shakespeare.

Four Rising Stars were also named, performers under age 25 who are on the front end of promising careers. Ellie Jamison (CCM Drama), Drew Blakeman (NKU), Jon Kovach (Miami) and Sydney Kuhlman (an Ohio Northern grad who has been a stage management intern at the Playhouse) each received a $1,000 check to get them started.

The full list of LCT winners (as well as other nominees), can be found at leagueofcincytheatres.info.

 
 
by Rick Pender 05.17.2013
Posted In: Theater at 08:39 AM | Permalink | Comments (0)
 
 
dale hodges in krisit - photo jim springfield

Stage Door: Choices, Choices

As the 2012-2013 theater season winds down, there are still several good productions worth seeing: You can still be entertained by the froth of The Marvelous Wonderettes: Caps and Gowns at Ensemble Theatre (which runs through June 1), intrigued by the dark comedy Measure for Measure at Cincinnati Shakespeare Company (through May 26; CityBeat review here) or titillated by the noir tale of lust and murder, Double Indemnity, at the Cincinnati Playhouse (wrapping up on Saturday; CityBeat review here).

But if you're looking for other options, you'll find them. Slightly more off the beaten path is Sunset Boulevard, the Andrew Lloyd Webber about a faded silent film star living in her grandiose memory of her glory days rather than in the cynical present of the 1940s. Cincinnati Music Theatre has assembled a fine production of the show at the Aronoff Center's Jarson-Kaplan Theater, onstage through Saturday evening. This is a big show in terms of cast, choreography, scenery and more, but CMT, a community theater, has the personnel to pull it off. Tickets: 513-621-2787.

Another tale of a film legend contemplating a return to the screen — but on a decidedly smaller scale — is offered in Krisit, a new play by local playwright Y York. Veteran actress Dale Hodges plays the title character in a show characterized by director Mark Lutwak as a funny play about a serious subject. York and Hodges have a history that goes back to New York City many years ago. It's onstage (through June 2) at Clifton Performance Theatre (the space once occupied by Sitwell's Coffee House, 404 Ludlow Ave.). Tickets: 513-861-7469.

Speaking of legends, at the Aronoff tonight (Friday) you'll find Hal Holbrook in Mark Twain Tonight! He's been presenting the humor, satirical wit and timeless observations of one of America's most iconic literary figures for more than a half-century. Holbrook is now 88, more than a decade older than Twain when he passed away in 1910. But he keeps his performances fresh and timely with constant edits and changes about politics, culture and the world, carefully attuned to the moment. (He has more than 16 hours of Twain material in his repertoire!) His performance is in the Procter & Gamble Hall at the Aronoff Center. Tickets: 513-621-2787.

If you've already enjoyed the Wonderettes at ETC, you might want to attend Forever Plaid, which just opened the 2013 summer season on board the Showboat Majestic. It's a similar story, a quartet of singers aspiring for their big musical break. They get it, but at a high (and highly comic) price. Lots of great tunes from the ’50s, surrounded by nostalgic humor. It's onstage through June 2. Tickets: 513-241-6550.

Finally, if you're a regular theatergoer in Cincinnati, you might want to attend the League of Cincinnati's awards program on Monday evening, 7 p.m. at Know Theatre. Details here.
 
 
by Rick Pender 05.10.2013
Posted In: Theater at 08:52 AM | Permalink | Comments (0)
 
 
cock photo- deogracias lerma

Stage Door: Stock Up

Nothing new onstage this week, but lots of good work continues as we head toward the summer when theater gets scarce. Now's the time to stock up.

This is the final weekend for Cock at Know Theatre. (Some publications call it The Cockfight Play, but Cock is Mike Bartlett's actual title for his play.) It's the story of a man who thought he was gay but now finds himself powerfully drawn to a woman. (CityBeat review here.) His former lover and his new passion both push him to make a choice, and he's torn. It's a great piece of theater, fueled by strong acting and interesting staging. Tickets: 513-300-5669.

Ensemble Theatre's production of The Marvelous Wonderettes: Caps and Gowns is off and running — and on its way to being another box-office hit for ETC. It's the same four spunky gals who audiences loved back in 2010 (in ETC's best-selling show ever), with new tuneful glimpses into their high school graduation in 1958 and a wedding reception in 1968. Talented singers, individually and as a quartet, make this a fine evening's entertainment. If you've seen it before, you know the drill — and you're probably ready for more. Tickets: 513-421-3555

James M. Cain's novel of crime and deception, Double Indemnity, continues at the Cincinnati Playhouse. (CityBeat review here.) If you think you know this show from Billy Wilder's 1944 film (one that defined the noir genre), you're in for a treat: While this production adopts the elements of terse narration, tough guys and sexy dames, the playwrights tell the story differently for the stage. And the Playhouse stages it inventively — one might even say cinematically. Tickets: 513-421-3888.

Shakespeare's Measure for Measure is a strange piece, a comedy with a deeply disturbing story about hypocrisy. (CityBeat review here.) A judgmental official condemns men for their licentious behavior, then turns around and propositions a virtuous woman pleading to spare her brother. This troublesome tale is interspersed with comic moments as minor characters wend their way through a time of sordid behavior — in Cincinnati Shakespeare's production it's been moved to Prohibition-era America. If you're a Shakespeare buff, this one is worth seeing, since it's not often staged. (It's been 18 years since it's been presented locally.) Tickets: 513-381-2273 x.1.

The musical Sister Act, based on the Whoopi Goldberg film from 1992, continues at the Aronoff. (CityBeat review here.) It's an evening of silly fluff, but the touring production, onstage through Sunday, is polished and entertaining. The plot is implausible, but it's a framework for some great singing and an eye-popping series of set pieces. Tickets: 800-982-2787. 

If you prefer a musical with a little more grit, head to Dayton where the Human Race Theatre Company is presenting next to normal at the Victoria Theater. This Rock musical about a paranoid schizophrenic mom and the damage her affliction imposes on her family is a powerful show, one that Cincinnati's Ensemble Theatre gave a well received production in 2011 that was revived a year ago. The show was an unusual winner of the 2010 Pulitzer Prize for drama. It's onstage in Dayton through May 19. Tickets: 937-228-9360.
 
 
by Rick Pender 05.03.2013
Posted In: Theater at 08:50 AM | Permalink | Comments (0)
 
 
measure for measure copy 2

Stage Door: Shake It Up

Cincinnati Shakespeare Company opens its production of the infrequently staged Measure for Measure tonight. Director Brian Isaac Phillips says, “We have discovered a lot of satire and wit as we explore the biting social criticism in this play. The behavior of these characters … is like a dark comic mirror, held up to nature. Shakespeare has written a play that begs us to examine modern day decadence and hypocrisy.” Phillips has set the production in the corrupt and hypocritical Prohibition Era, to "give modern audiences a context for the actions and the characters' deeply held opinions." It's onstage through May 26. Tickets: 513-381-2273 x.1.

The Marvelous Wonderettes are back at Ensemble Theatre Cincinnati with another sequel to the 2010 show that set box-office records. This time the theme is "Caps and Gowns" — which means graduation (in 1958) and a wedding (in 1968). The quartet of girl singers are lively and sometimes harmonious, although each one has her quirks and pet peeves. The spread of a decade allows a range through two distinct periods of Rock & Roll, one innocent, the other a bit more knowing. ETC has reunited three of the four actresses who've played these parts before, and the fourth slot – filled by Leslie Goddard — is a petite stick of dynamite in cats' eye glasses. The show opened on Wednesday, and it will surely be a hot ticket again — ETC has already extended it by two weeks beyond its original closing date. Tickets: 513-421-3555.

I went to see Sister Act, based on the Whoopi Goldberg film from 1992 about nuns and disco, with low expectations. I was pleasantly surprised: This is a solid production of a very silly show, with some genuine talent in the leading roles, and plenty of energy in the ensemble. The music (by composer Alan Menken, who also wrote Little Shop of Horrors, Beauty and the Beast, The Little Mermaid, Newsies and many more) is entertaining, the production looks great — lots of glitter and sequins — and some moments of touching emotion (cliched, but moving nonetheless). Don't expect anything profound and you'll have a good time. It's onstage at the Aronoff Center. Tickets: 800-982-2782.

If you're in a darker mood, check out Double Indemnity at the Cincinnati Playhouse. It's a stage version of a noir classic, a pair of lovers plot to murder her husband and score a big insurance take (boyfriend is an insurance salesman). But things don't quite work out as planned. Very stylish imagery and actors who get the hard-boiled tough-guy style of story-telling from the 1940s. Paul Shortt's cleverly designed set moves the action quickly from scene to scene using two turntables, so it's almost like a movie with "wipes" from once setting to the next. Tickets: 513-421-3888.
 
 

 

 

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by Rick Pender 09.26.2014 4 days ago
Posted In: Theater at 07:56 AM | Permalink | Comments (0)
 
 
stage door 9-26 little dog laughed by new edgecliff theatre - nic pajic, jared earland, erin ward -  photo mikki schaffner

Stage Door: Dirty Dancing, Laughing Dogs and More

To see some of Cincinnati's finest actors working together in close quarters, check out Clifton Players' production of Kevin Crowley's new play The Riverside, onstage through Saturday at Clifton Performance Theatre (located just west of the Clifton/Ludlow business district at 404 Ludlow). It's 1989 and the denizens of a fictional bar in a very real Mt. Adams are riled up over Pete Rose's battle with the baseball commissioner gambling problems as well as the imminent closing of the family-owner bar where they all hang out. Although a few of the characters are rather caricatured, it's evident that Crowley is a close observer of everyday people. They drink and fight, love and cheat. And they have their passions, feelings that bubble up and over. The theater is a small space with seating for just a few dozen, but that's part of the fun — you feel like you're one of the regulars at the Riverside. Tickets ($25): https://cpt.tixato/com/buy

I caught a performance of Dirty Dancing, a musical based on the iconic 1987 movie about sensual dancing and the intermingling of guests and staff at a posh resort in the Catskills in 1963. This touring show is presented by Broadway in Cincinnati at the Aronoff Center, even though it has yet to land on Broadway. It uses a lot of creative video and projections, a constant reminder that its roots are cinematic. But it has an ensemble of vigorous dancers, especially Jillian Mueller as idealistic Frances "Baby" Houseman, who's eager to grow up, and Samuel Pergande as bad-boy dance instructor Johnny Castle. There's also Jenny Winton, whose dancing is especially watchable as the very sexy Penny Johnson. This is a dance show from start to finish, using familiar Pop tunes from the '60s plus a lot of sambas and rumbas. I realized as the performance  was winding up that the central characters never sang — not once. Mueller and Pergande look great as they recreate the iconic movie roles created by Jennifer Gray and Patrick Swayze, but virtually all the singing is handled by ensemble members Doug Carpenter and Jennlee Shallow — powerful vocalists who handle a number of singing styles, but who especially elevate the temperature with the show's best-known numbers, including "The Time of My Life." Don't go expecting great acting beyond the leads: Most of the rest of the roles range from shallow to silly. But trust me, you'll be surrounded by people who know and love this story, and they're having a good time, waiting until the moment when Johnny shouts, "Don't put Baby in the corner!" Through Oct. 5. Tickets: $39-$89: 513-621-2787

New Edgecliff Theatre has finally found a new home, Hoffner Lodge (4120 Hamilton Ave., Northside), after a season at the Aronoff. NET's first production at the former St. Patrick's church will be Douglas Carter Beane's The Little Dog Laughed, a very funny four-character comedy from 2006 about a Hollywood star, his controlling agent, his boyfriend and the boyfriend's girlfriend. Yes, it's that complicated, and that's the source of much of the humor as the agent tries to keep the lid on the gossip about her star client. Through Oct. 11. Tickets ($20-$27): 888-428-7311

A couple of well-received shows are still running, including Tennessee Williams' classic drama A Streetcar Named Desire at the Covedale Center (through Oct. 5; tickets: 513-241-6550), a stage version of The Great Gatsby at Cincinnati Shakespeare (through Oct. 4; tickets 513-381-2273), and a fast-paced mystery, Sherlock Holmes and the Adventure of the Suicide Club, at the Cincinnati Playhouse (through Oct. 4; tickets: 513-421-3888). Finally, this weekend is your last chance to see Showbiz Players' staging of the tongue-in-cheek musical Reefer Madness, about the "dangers" of marijuana, at the Carnegie in Covington. Tickets ($19.50-$22.50): 859-957-1940.
 
 
by Rick Pender 09.19.2014 11 days ago
Posted In: Theater at 08:05 AM | Permalink | Comments (0)
 
 
the riverside _daniel c britt _l_ and gary mcgurk_r_ photo provided

Stage Door: Riverside, Reefer and Sondheim

There are several good productions onstage around town — check out CityBeat coverage of Hands on a Hardbody (a musical at ETC), The Great Gatsby (a classic American novel adapted for the stage at Cincy Shakes), Sherlock Holmes and the Adventure of the Suicide Club (a new adventure for the great detective at the Cincinnati Playhouse) and Tennessee Williams' prize-winning A Streetcar Named Desire (at the Covedale) — but if you've seen those, you have other choices for onstage entertainment. Here are three suggestions for shows a little more off the beaten path:

Local actor/director/writer Kevin Crowley has written a play called The Riverside, rooted in Cincinnati (Crowley is a member of a family that's lived locally for generations) and getting a production — he's directing it, too — at Clifton Performance Theatre, just west of the Clifton/Ludlow business district (404 Ludlow). It's set in an imaginary (or rather an imagined) bar called the Riverside, where a bunch of folks in 1989 are following the Pete Rose case about gambling that eventually got him banned from baseball. But there's a lot more happening — like protests in Tiananmen Square and the fall of the Berlin Wall. In CPT's tiny space is filled up with a lot of talent — Michael Shooner, Daniel Britt, Buz Davis, Mike Dennis, Mindy Heithaus, Reggie Willis, Mark Bowen, MaryKate Moran, Gary McGurk, Pete Wood, Cathy Springfield and Paul Morris — playing folks who hang out and argue about what's going on. I haven't caught this one yet, but everyone who has says it's worth seeing. Through Sept. 27. Tickets ($25): https://cpt.tixato/com/buy

Community theater company Showbiz Players is staging the musical Reefer Madness at the Carnegie in Covington. It opens tonight (and runs through Sept. 28). This tongue-in-cheek show was inspired by a very serious film from 1936 designed to inspire fear and loathing when clean-cut kids fall prey to marijuana. The producers "warn" that it contains adult humor, religious parody and drug use — and note that it will go "straight to your head." Should be a lot of fun for those mature enough to get the jokes ... Tickets ($19.50-$22.50): 859-957-1940

Side by Side by Sondheim was the first musical revue created using songs by the guy who wrote the music and lyrics for shows including Company, A Funny Thing Happened on the Way to the Forum, Gypsy and A Little Night Music. That was in 1976 in London, but the tunes are just as fresh and vibrant today as they were nearly four decades ago. Middletown Lyric Theatre is presenting this collection of 25 numbers for two weekends (tonight and tomorrow, as well as Sept. 26-27) — using seven singers and two pianists. Tickets ($15): 513-425-7140
 
 
by Rick Pender 09.12.2014 18 days ago
Posted In: Theater at 10:09 AM | Permalink | Comments (0)
 
 
stage door 9-12 - sherlock holmes and the adventure of the suicide club - cincinnati playhouse - photo sandy underwood

Stage Door: Sherlock Holmes & More

Sherlock Holmes and the Adventure of the Suicide Club opened last night at the Cincinnati Playhouse in the Park. It's a new adventure for the Victorian sleuth. How can that be, you might ask, if you're a Sherlock fan — this isn't a familiar title. That's because playwright Jeffrey Hatcher picked up Sir Arthur Conan Doyle's memorable detective, a master of deductive observation, and plugged him into a tale of mystery and intrigue conceived by Robert Louis Stevenson back in 1878. No spoilers here, but I will tell you that the plot of this show requires closely following a complex tale of both personal and political intrigue. Hatcher has set the story in 1914, on the brink of the first World War, and the state of international relations in Europe is woven into the tale. But there's nothing dry about this story, and Steven Hauck's performance as Sherlock is very satisfying: He brings a quirky physicality as well as a sharp wit to the character that makes him very engaging. Fans of Sherlock will not be disappointed by this show. Through Oct. 4. Tickets ($30-$85): 513-421-3888.

 

I attended the opening of The Great Gatsby at Cincinnati Shakespeare Company last week. In my review, I said, "the production gets the story and the era right," and I added that CSC's Justin McCombs "perfectly embodies" Nick Carraway, the honest narrator of this Jazz Age tale of nouveau riche Jay Gatsby and Daisy Buchanan, the one-time debutante who obsesses him. There's lots to like about this production, which captures the essence of lavish parties and the fast life of the Roaring Twenties. Cincy Shakes is committed to bringing classic literary works to the stage, and this production is a good example of how they get it done. Simon Levy's script hews close to F. Scott Fitzgerald's 1924 novel, and the company's actors bring life to the characters. Through Oct. 4. Tickets ($22-$36): 513-381-2273.

 

Everyone I've talked to about Hands on a Hardbody at Ensemble Theatre has been enthusiastic about the show that brings to life a contest to win a Nissan pickup truck by keeping one hand on it the longest. It's a true story (it was a 1997 documentary) and these feel like real people, down on their luck but dreaming what a difference that winning could make. The music is by Trey Anastasio (of Phish) and Amanda Green, and the script was written by Pulitzer Prize winner Doug Wright. ETC has staged memorable productions of his play I Am My Own Wife and his musical, Grey Gardens. But the real attraction is an excellent cast who make you believe in these people, struggling to stay away and outlast one another under the brutal sun beating down on the Texas parking lot of a Nissan dealership. It's a fine entertainment. Through Sept. 21. Tickets ($28-$44): 513-421-3555.

 

Just opened at the Covedale Center for the Performing Arts is a production of Tennessee Williams's great American play, A Streetcar Named Desire. It's about a woman who's down on her luck but unwilling to admit it. When genteel Blanche DuBois moves with her pragmatic sister and her brutal, blue-collar husband, Stanley Kowalski, is a rude awakening that goes downhill fast. Through Oct. 5. Tickets ($-$): 513-241-6550.

 

If you've become a fan of shows in the intimate Clifton Performance Theatre, you might want to check out The Riverside, a play written and directed by local theater artist Kevin Crowley. It's a story set in a Cincinnati bar in 1989 as locals follow the saga of Pete Rose's demise in baseball, the fall of the Berlin Wall and Tiananmen Square. But the bar itself is changing, too, impacting the lives of the family that owns it as well as its patrons.

Through Sept. 27. Tickets ($25): https://cpt.tixato.com/buy/.

 
 
by Rick Pender 09.05.2014 25 days ago
Posted In: Theater at 01:10 PM | Permalink | Comments (0)
 
 
stage door 9-5 - etc hands on a hardbody - dallas padoven as chris alvaro - photo ryan kurtz

Stage Door: 'Tis the Season for Theater

If you'd like to go to the theater every evening for the next four days, there are plenty of options for you to consider as the 2014-2015 season is getting underway on stages all over town. Here are some good choices to consider:

Hands on a Hardbody opened on Wednesday at Ensemble Theatre Cincinnati, and CityBeat reviewer Stacy Sims called it "effervescent" and "offbeat" in her review, giving it a Critic's Pick. I was there, too, and couldn't agree more about the infectious, heartfelt joy coming from the big cast of 15. The show is based on a true story (the subject of a 1997 documentary) about people in a downtrodden Texas town who enter a contest to win a Nissan pickup truck by outlasting others who vow to keep one hand on the vehicle. The cherry-red truck is as much a character as any of the contestants, the physical embodiment of their hopes and dreams — which take the form of songs by Trey Anastasio (of Phish) and Amanda Green. The script by Pulitzer Prize winner Doug Wright treats these diverse, down-on-their-luck folks with dignity, and the performers (who often perform with the truck as their dance partner) bring every one of them to life in vivid ways. This one is a must-see, a great way to kick-off ETC's theater season. Through Sept. 21. Tickets ($28-$44): 513-421-3555

The Great Gatsby kicks off Cincinnati Shakespeare Company's season tonight. You didn't know Shakespeare wrote it? Well, he didn't. This theater company focuses on the Bard, to be sure, but it frequently branches out to present stage versions of other classics, in this case an adaptation of F. Scott Fitzgerald's 1925 classic about a mysterious nouveau-riche millionaire who's obsessed with a one-time debutante. Set in the Jazz Age and inspired by lavish parties the high-flying Fitzgerald attended on the prosperous North Shore of Long Island, Gatsby is a story about the ups and downs of the American Dream. Simon Levy's script is the only one authorized by Fitzgerald's estate, and Cincy Shakes is presenting its regional premiere. (And here's a tip: on opening nights at 6 p.m., the theater offers ticket holders a complimentary catered meal, beer and wine.) Through Oct. 4. Tickets ($22-$36): 513-381-2273

Sherlock Holmes and the Adventure of the Suicide Club opens next Thursday at the Cincinnati Playhouse, but previews begin for the season opener this Saturday (through Wednesday). Tickets for these performances are discounted, and you'll be seeing a show that's pretty much ready to go. Jeffrey Hatcher's script should be lots of fun for fans of the Victorian sleuth. He's taken the character created by Sir Arthur Conan Doyle and dropped him into a tale conceived by another inventive writer, Robert Louis Stevenson, for a mash-up that will keep even Baker Street regulars guessing. Tickets: 513-421-3888

Serials! at Know Theatre, which has presented episodes of six Fringe-like shows at two-week intervals all summer long, culminates on Monday evening at 8 p.m. with finales of each tale. Who will win the ultimate fist fight with the Devil in Flesh Descending? How long can Luke really stay in his bedroom during The Funeral? Will we ever find out what's really happening in Mars vs. The Atom? These questions and more will be answered on Monday. Even if you've missed a few episodes, don't worry: Each 15-minute performance begins with a brief recap of the story so far. Zany and fun for anyone who's enjoyed the annual Cincinnati Fringe Festival. Tickets ($15): 513-300-5669

Finally, a tip for an eye-opening theater experience next weekend: On Sunday, Sept. 14, the Cincinnati area's first-ever South Asian Theater Festival happens in an all-day event at the Anderson Theater (7850 Five Mile Rd.). Five plays are scheduled to be presented, as well as panel discussions, seven hours of programming in all. The day begins at 12:30 p.m. and is set to conclude around 8 p.m. A limited number of tickets remain ($19-$29): SATFCincy.org

 
 
by Rick Pender 08.15.2014 46 days ago
Posted In: Theater at 09:21 AM | Permalink | Comments (0)
 
 
for stage door 8-15 - know theatre presents harry & the thief by sigrid gilmer id left to right sola thompson as vivian - darnell pierre benjamin as knox - photo by deogracias lerma

Stage Door: Busy August

Not too many years ago August was a very quiet month on local stages. No longer. You have plenty of good choices this weekend.

Stacy Sims reviewed Know Theatre's production of Harry & the Thief, which opened last week. She called it "a wonderfully ridiculous, history-twisting, large cast mash-up of a play," and that's just the beginning." Sigrid Gilmer's play is a riot of modern perspectives and Civil War values, a mingling of contemporary attitudes with opinions and behaviors long since set aside — but not so far off that we can't recognize them as prejudice, misogyny and racism. But Gilmer's weaves a lot of humor and satire around Harriet Tubman (a real woman who led many people out of slavery into freedom in the 1850s and 1860s). The play has been staged by guest director Holly Derr to spotlight a zany streak of humor that the playwright has generously salted across her script from start to finish. This feels a lot like a Fringe festival show, and that makes sense, since Know is the annual producer of the Cincy Fringe, and Harry & the Thief kicks off its 2014-2015 season.

As Stacy noted, "this bodes well" for the theater now being managed artistically by Andrew Hungerford. I watched a performance earlier this week with a full house resulting from Know's "Welcome Project," throwing its doors open to anyone who wants to come on several Wednesday evenings (hoping that a few of them will pay something, but requiring nothing more than showing up). I suspect many of those in attendance will be recommending this production to friends. Through Aug. 30. Tickets ($20 most of the time, although you can get rush tickets for remaining seats 10 minutes before curtain time, and free next Wednesday, Aug. 20): 513-300-5669.

Speaking of the Fringe, Know presents occasional encores from past festivals. On Sunday evening at 8 p.m. (one night only) you can catch one of the best acts I've ever enjoyed in the Cincy Fringe: David Gaines returns with 7(x1) Samurai, retelling Kurasawa's classic 1954 film in a one-man show that was a hit of the 2009 festival. It's true to the source about victimized peasants, marauding bandits and samurai warriors, astonishing to watch and one hell of a performance. Tickets ($15): 513-300-5669.

There's another astonishing, virtuoso work of theater onstage, this one south of the Ohio River at Covington's Carnegie Theatre. It's Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street. I plan to see it on Friday evening (it opened last week), but people are already saying that Justin Glaser brings a great voice to the maniacal killer and Helen Raymond-Goers sings the role of the meat-pie-baking Mrs. Lovett with both wit and polish. This is one of the greatest musicals of the late 20th century, and all indicators are that this is a production worth seeing. Through Aug. 23. Tickets ($21-$28): 859-857-1940.

Cincinnati Shakespeare Company will double your choices this weekend. At its Race Street theater you'll find the final performances of The Complete Works of William Shakespeare (Abridged), a comic rendering — or at least passing references to — all 38 of the Bard's plays, his sonnets and some amusingly presented "facts" about his life. It's a romp from start to finish, featuring three of Cincy Shakes' best actors having a hell of a good time onstage, Jeremy Dubin, Justin McCombs and Nicholas Rose. Tickets ($22-$31): 513-381-2273.

If you want something a tad closer to the original, find one of CSC's free touring productions at an area park: Macbeth on Friday night (7 p.m.) at Keehner Park in West Chester and Saturday evening (7 p.m.) at Cottell Park in Mason or A Midsummer Night's Dream on Sunday evening (6 p.m.) at Washington Park. These are somewhat reduced productions (done in two hours) using just six actors: That makes them all the more exciting to watch — and to be dazzled by actors who can convincingly play multiple roles.
 
 
by Rick Pender 08.01.2014 60 days ago
Posted In: Theater at 09:35 AM | Permalink | Comments (0)
 
 
shakes

Stage Door: Free Shakespeare!

The big show this weekend will be Lumenocity in Washington Park. If you were lucky enough to get a ticket, you'll be seeing some great images on Music Hall's facade with accompaniment by the Cincinnati Symphony. If you weren't so lucky, you can still enjoy the show via radio (WGUC), television, big screens (at Fountain Square and Riverbend, for free) or via live streaming at lumenocity2014.com.

If you want to check out a free show at another park, how about free performances of A Midsummer Night's Dream? Cincinnati Shakespeare kicks off its Shakespeare in the Park tour this weekend. They'll be at Seasongood Pavilion at Eden Park on Friday evening, at Harry Whiting Brown Lawn in Glendale on Saturday and the Community Park Pavilion at the Milford Historical Society in Milford on Sunday. Performances generally begin around 7 p.m. Show up earlier to get a good seat and enjoy six of Cincy Shakes actors playing a bunch of characters in a very funny comedy.

On the West Side, it's the final weekend for Footloose The Musical, presented as the 33rd annual summer show by Cincinnati Young People's Theatre at the Covedale Center for the Performing Arts. This is a program that gives teens from across Greater Cincinnati a chance to work onstage and backstage. During the past three decades more than 2,300 kids have participated. The show, based on a popular movie from 1984, is about a teenager and his mother who move from Chicago to a small farming town where dancing is frowned upon by the local preacher. But his rebellious daughter shakes things up and love wins out. It's a fine show for teens. Tickets ($12-$16): 513-241-6550.

If you're willing to make the drive to Dayton, you have the opportunity to check out workshops of new musical theater material at the Human Race Theatre Company. Molly Sweeney is about a young woman whose blindness becomes an obstacle for her new husband to overcome, even though she has a different perspective. (It's happening Friday night at 8 p.m. and Saturday at 2 p.m.) The second work is a songwriter showcase (Saturday at 8 p.m.) by a dozen creators who are working on new shows. It's being hosted by Dayton native Susan Blackwell, creator of the clever [title of show]. Advance tickets ($15): 888-228-3630 – or $20 at the door at the Loft Theatre (126 N. Main St., Dayton).
 
 
by Rick Pender 07.25.2014 67 days ago
Posted In: Theater at 11:07 AM | Permalink | Comments (0)
 
 
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Stage Door: Shakin' It

If you paid attention to the local theater season just concluded, you will recall that Cincinnati Shakespeare Company completed a herculean task: During its 20-year existence, the classic theater has produced all 38 of Shakespeare's plays. This summer three of Cincy Shakes' best actors are repeating the feat — sort of — with a production of The Complete Works of William Shakespeare (Abridged), opening tonight. Jeremy Dubin, Justin McCombs and Nicholas Rose will be careening through the comedies, histories and tragedies digging props, wigs and ridiculous costumes out of a trunk. This is a perfect summer laugh-fest, and it's been a predictable hit in past seasons for Cincy Shakes, so tickets are sure to sell fast. Through Aug. 11. Tickets ($22-$35): 513-381-2273.

Summertime musicals are another great tradition, and Cincinnati Young People's Theatre has been presenting them with big casts of high school students for three decades. In fact, the just-opened production of Footloose at the Covedale Center for the Performing Arts is the 33rd summer show. It's the stage version of the popular 1984 movie musical, and it's a perfect vehicle for youthful energy focused on a group of high school kids — despite a repressive conservative atmosphere, kids in a small farming town just want to dance and have fun. With Tim Perrino at the helm, CYPT has steered more than 2,300 teens through entertaining shows, and this one will be another notch in his director's belt, providing experience for performers and techies alike. Through Aug. 3, you'll be able to come out and "Hear It for the Boy"! Tickets ($12-$16): 513-241-6559.

I wrote a CityBeat column a week ago about John Leo Muething, an ambitious young theater artistic who's staging a couple of shows this summer at the Art Academy's auditorium on Jackson Street in Over-the-Rhine. His second of three shows, repertory theatre, will be produced this weekend (Friday and Saturday at 7:30 p.m.). It's about a timid young playwright who approaches a veteran director about his new play. With Shakespeare's Hamlet echoing throughout, things get wilder and wilder. This show was a hit at the Edinburgh Fringe for two years, and its original production is still touring in England; this is its U.S. premiere. Tickets ($10) at the door.

The Commonwealth Theatre Company's Route 66 winds up its run at Northern Kentucky University this weekend on Sunday. It's the tale of a band headed for the West Coast in the 1960s stopping at juke joints, diners, cheap motels and curio shops along one of America's legendary highways. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele play The Chicago Avenue Band. Dinner and the show ($30): 859-572-5464.

If Monday evening arrives and you're still yearning for something entertaining onstage, you can't go wrong with the next quarterly installment of TrueTheatre. This time around it's trueBLOOD, with the warning that if you cringe easily, this might not be the show for you. Whether it's stories that make your blood run cold — or just run — you can be sure that there will be first-person tales of memorable experiences. Great fun with a lively audience. One night only, Monday evening at 7:30 p.m. at Know Theatre. Tickets ($15, only a few left): 513-300-5669.

 
 
by Rick Pender 07.18.2014 74 days ago
Posted In: Theater at 09:15 AM | Permalink | Comments (0)
 
 
route 66 - commonwealth theatre company - photo tyler gabbard

Stage Door: Kentucky's the Place for Theater this Weekend

The Commonwealth Theatre Company's production of Route 66 continues its dinner-theater run at Northern Kentucky University. It's about a band traveling from Chicago to the West Coast in the 1960s along one of America's most legendary highways. Along the way, they meet a lot of colorful characters and see a lot of America. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele make up "The Chicago Avenue Band," who make stops at juke joints, diners, cheap motels and curio shops in this coming of age story. Through July 27. Dinner and the show ($30): 859-572-5464.

Last Saturday evening I ended up at Highlands High School in Fort Thomas to see teacher Jason Burgess's production of The Addams Family featuring a herd of high school kids from all over Greater Cincinnati and Northern Kentucky. It's a perfect musical for the program Burgess has created (C.A.S.T, the Commonwealth Artists Summer Theatre), bringing together a ton of students who are in love with theater. Surrounding the central characters in The Addams Family, nicely portrayed by Aaron Schilling as Gomez, Lindsey Gwen Franxman as Morticia and Harrison Swayne as Uncle Fester, are 18 ghostly "ancestors." Each one is costumed (designer Laura Martin) from various periods with a clearly evident character; together they sing and dance as a coherent company. (Amy Burgess served as the production's choreographer, and Alex Gartner is the music director — in creepy makeup.) Through Sunday at 2 p.m. General admission ($10) at the door or online via www.showtix4u.com.

Monday evening at 8 p.m. brings the third installment of Serials! at Know Theatre (1120 Jackson St., Over-the-Rhine). It's a wacky summer-long set of a half-dozen episodic plays by local playwrights. So far we have seen meat falling from the sky, an NSA spook monitoring a contentious couple, a kid refusing to go to a funeral, a philosophical fetus, a suicidal pair competing over techniques and more. Each 10-15 minute episode is preceded by a clever recap to catch you up, even if it's your first time there. Rest assured there are cliffhangers — not to mention Know's well-stocked Underground Bar. Admission is $15. Tickets: 513-300-5669.

 
 
by Rick Pender 07.11.2014 81 days ago
Posted In: Theater at 11:22 AM | Permalink | Comments (0)
 
 
todo_onstage_addamsfamily

Stage Door: Opera, Dinner Theater and More

I saw Cincinnati Opera's production of Silent Night on Thursday evening. It's the regional premiere of a work that won the 2011 Pulitzer Prize for music, and our local opera is doing a bang-up job of presenting it. And "bang-up" is the operative term: This opera is set during some of the darkest days of World War I, and the opening segment of the production reproduces the violent and deadly combat between troops from England (actually a regiment from Scotland), France and Germany. You're not likely to see a more gripping onstage representation of battle than what's happening at Music Hall. Before Thursday's performance I listened to composer Kevin Puts and librettist Mark Campbell talk about how to "musicalize" such a scene: Their research included studying the opening sequence of the Saving Private Ryan, the graphic, Academy Award-winning film of the D-Day invasion during World War II. It's a powerfully real scene, a perfect opening to the moving tale of soldiers pitted as enemies who found common ground in one another's humanity on Christmas Eve 1914. You can get good seats for the concluding performance on Saturday evening (7:30 p.m.) for $30-$45 by calling the Opera's box office: 513-241-2742.

Area high school students are the talent in onstage for Commonwealth Artists Summer Theatre (C.A.S.T.) at Highlands High School (2400 Memorial Pkwy., Fort Thomas). Starting tonight is a two-week run (July 11-20) of The Addams Family, a Broadway musical based on cartoonist Charles Addams' bizarre and beloved family of characters. The group is headed up by Fort Thomas theater instructor Jason Burgess, who has assembled theater kids from the Greater Cincinnati and Northern Kentucky who are eager to develop their skills in performance and production. Tickets: $10 (http://www.showtix4u.com) or at the door.

The Tony Award-winning musical next to normal, about a woman with bipolar disorder, gets not one but two productions by Cincinnati-area community theaters: Sunset Players on the West Side and Paradise Players for East Side siders. You can choose between them tonight. The venerable Sunset Players, which presents shows at the Dunham Arts Center (in the Dunham Recreation Complex, 4320 Guerley Rd., Price Hill), has performances through July 26, mostly at 8 p.m. Tickets ($14-$16): 513-588-4988. Meanwhile, Paradise Players, a newish group offering summer productions at McNicholas High School's Jeanne Spurlock Theatre (6536 Beechmont Ave.), is presenting its rendition of the show this weekend only, tonight at 7:30 p.m. and Saturday at 2:30 and 7:30 p.m. Tickets: $15 (http://mcnhs.seatyourself.biz).

Tickets tend to be a bit harder to come by at Northern Kentucky University for a dinner-theater production by Commonwealth Theatre Company of Route 66. It's about a band traveling from Chicago to the West Coast in the 1960s along one of America's most legendary highways. Along the way, they meet a lot of colorful characters and see a lot of America. The production features four solid local performers: Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele are likely to make this a very entertaining evening. Through July 27. Dinner and the show ($30): 859-572-5464.

 
 
by Rick Pender 07.07.2014 85 days ago
Posted In: Theater at 08:12 AM | Permalink | Comments (0)
 
 
andrew hungerford

Stage Door: Cincinnati Stages Are Waking up This Week

Cincinnati stages were pretty quiet over the Independence Day weekend, but this week they start waking up and getting ready for more. Tonight at 8 p.m. is the second installment of Serials! at Know Theatre. You can see six fresh, 10-minute episodes of brand-new plays by local playwrights — Trey Tatum, Chris Wesselman, Jon Kovach, Ben Dudley, Michael Hall and the team of Lauren Hynek and Elizabeth Martin — and featuring lots of Cincinnati-area actors. New artistic director Andrew Hungerford calls it a "theater party" offering cold beer, air-conditioning and world-premiere stories in Know's Underground bar (1120 Jackson St., Over-the-Rhine). Even if you missed the "pilots" on June 23, you'll get caught up with a recap before each episode. I had a blast watching these tantalizing tidbits two weeks ago, and I suspect tickets will become harder to get as the summer progresses. (Subsequent performances on July 21, Aug. 11 and 25 and Sept. 8.) Tickets ($15): 513-300-5669.


Ensemble Theatre Cincinnati is assembling a cast for its season opener, Hands on a Hardbody (Sept. 3-21), a recent Tony-nominated musical about 10 people vying to win a truck by outlasting their competitors and keeping their hands touching the vehicle — which will be onstage at the Over-the-Rhine theater (1127 Vine St.). ETC is seeking actors, singers and dancers for the show with an open audition on Wednesday this week (July 9, 5-8 p.m.). All are welcome, but an appointment is required. (Contact bholmes@ensemblecincinnati.com) Ensemble Theatre is an AEA Theatre. Union and non-union actors are encouraged to apply. Rehearsals begin August 11. ETC is seeking a diverse cast, and all ethnicities are encouraged to apply, especially African-American men and Hispanic males and females.

ETC had a big hit on its hands three years ago with the Tony Award-winning musical next to normal about a woman with bipolar disorder. In fact it was such a draw that they revived it in the summer of 2012. Although the Rock musical is a challenging work, this week features not one but two productions by Cincinnati-area community theaters: Sunset Players on the West Side and Paradise Players on the East Side. Both productions open Friday evening. The venerable Sunset Players, which presents shows at the Dunham Arts Center (in the Dunham Recreation Complex, 4320 Guerley Rd., Price Hill), has performances through July 26, mostly at 8 p.m. (July 20 is a 2 p.m. matinee.) Tickets ($14-$16): 513-588-4988. Meanwhile, Paradise Players, a newish group offering summer productions at McNicholas High School's Jeanne Spurlock Theatre (6536 Beechmont Ave.), will offer the show just this week, July 10-11 (7:30 p.m.) and July 12 (2:30 and 7:30 p.m.). Tickets: $15 (http://mcnhs.seatyourself.biz

Area high schoolers now have Commonwealth Artists Summer Theatre (C.A.S.T.) as a summer outlet for theatrical opportunities at Highlands High School (2400 Memorial Pkwy., Fort Thomas). Starting Friday is a two-week run (July 11-20) of The Addams Family, a Broadway musical based on the bizarre and beloved family of characters created by cartoonist Charles Addams. C.A.S.T., headed by Fort Thomas Independent Schools' theater instructor Jason Burgess, enables kids from the Greater Cincinnati and Northern Kentucky to develop their skills in performance and production beyond their school year and beyond their school population. Tickets: $10 (http://www.showtix4u.com) or at the door.
 
 
 
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