WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home - Blogs - Users Blogs - Latest Blogs
Latest Blogs
 
by Rick Pender 08.02.2013
Posted In: Theater at 08:10 AM | Permalink | Comments (0)
 
 
charlie cromer and maggie lou rader - photo jeanna vellacincy shakes - romeo & juliet (shakespeare in the park tour) -

Stage Door: Double Dose from CSC

Cincinnati Shakespeare Company is offering a double dose of entertainment this weekend. First and foremost is The 39 Steps at CSC's mainstage (CityBeat review here). If that title sounds familiar, it's because it was a classic espionage novel a century ago, made into a classic film by Alfred Hitchcock 80 years ago, now turned into a very funny riff on its predecessors as a play using only four actors to fill all the roles. CSC has ramped up the humor by using four of its best comedic actors — Nick Rose, Miranda McGee, Justin McComb and Billy Chace — who play the principals, plus much of the population of London, especially McComb and Chace who will make you dizzy as they shift from one part to another, sometimes within seconds. It's actually a faithful retelling of the story, but it's amped up to a high level of hilarity by the onstage shenanigans. It adds up to great summertime humor. It's being performed through Aug. 11. Tickets: 513-381-2273, x1.

One show isn't enough for CSC: This weekend they also launch their annual free Shakespeare in the Park tour with a performance of Romeo & Juliet at Boone Woods Park in Burlington at 7 p.m. on Saturday. (If you live north of the river, you'll get your chance next Wednesday evening at Eden Park's Seasongood Pavilion or at Burnet Woods in Clifton on Thursday.) As noted, these are free presentations, presented in classic Elizabethan style and use six actors from the company's resident ensemble. These are the same productions that CSC tours to schools and community centers, so they're great for the entire family. A week from now they'll start performing A Midsummer Night's Dream at some locations. For a full schedule, go here.

Shakespeare is behind the story of Toil and Trouble, the current offering at Know Theatre. It's a new play (this is just the second time its been produced; its world premiere was in California last fall) that offers a contemporary riff on Macbeth (CityBeat review here). Instead of kings and warriors, however, its characters are a pair of thirtysomething slackers and Beth, a wildly ambitious sportscaster who has more testosterone than either of the guys. There's a lot of wacky moments in this play, replaces Macbeth's witches with fortune cookies and the kingdom of Scotland with an almost unpopulated island off the coast of Chile. You can pick up on the laughs through Aug. 24. Tickets: 513-300-5669.

At the Covedale Center for the Performing Arts, the annual production by Cincinnati Young People's Theatre is Grease, a tried-and-true musical about kids in the ’50s at Rydell High. Sixty years haven't dimmed the musicality of the show, and the youthful performers will bring this one to life if you're in the mood for a classic. It wraps up with a matinee on Sunday. Tickets: 513-241-6550.

While the Cincinnati Symphony's LumenoCity isn't exactly theater, the performances in Washington Park on Saturday and Sunday evening — with a dazzling light show on the facade of Music Hall — will definitely be theatrical. It's the debut for Louis Langree as the CSO's new music director, and the program will feature performers from Cincinnati Ballet and Cincinnati Opera. But the big deal is the colorful illumination that will let you see historic Music Hall in a light you've never imagined. It's free, starting at 8:30 p.m. both nights; big crowds are expected, so come early. Don't you wish the streetcar were already here so you could ride it to Over-the-Rhine?

 
 
by Rick Pender 07.26.2013
Posted In: Theater at 10:19 AM | Permalink | Comments (0)
 
 
nick rose in the 39 steps at cincy shakes (for stage door 7-26) - photo rich sofranko

Stage Door: Curtain Goes Up

Finally, a weekend with some theater choices for your entertainment, even though the weather is beautiful enough to keep us outdoors. But you want to see a curtain go up somewhere, right?

You'll have fun for sure if you go to see The 39 Steps at Cincinnati Shakespeare Company. If that title sounds vaguely familiar, it's because Alfred Hitchcock made a classic film that's at the root of this very amusing piece of theater. Four actors play all the roles of what was a taut tale of murder and espionage. The story's still there, but the telling of it makes it a new experience. It's a chance to see four of CSC's best comic actors at work, too. Through Aug. 11. Tickets: 513-381-2273.

Speaking of vaguely familiar, this weekend is your first chance to check out a virtually brand-new show at Know Theatre, Toil and Trouble. It's a contemporary take on Shakespeare's Macbeth, but the characters are two slackers and an over-the-top ambitious girlfriend. It opens tonight (running through Aug. 24); so I haven't seen it yet, but I've read the script, and this one shows promise. It's only had one production,it's world premiere at Impact Theatre in Berkeley, Calif., last November.

If you prefer something definitely familiar, head to the Covedale for the 32nd annual summer musical by Cincinnati Young People's Theatre, which opens tonight. It's Grease, a show about rowdy teens in the 1950s. I suspect that local teens from all over Cincinnati will have a blast with this one. It has a short run, just through Aug. 4. Tickets: 513-241-6550.

One last suggestion: The Showboat Majestic is presenting Big River, a musical based on Mark Twain's Huckleberry Finn. Since it's about the adventures of Huck and Jim, a runaway slave, escaping on the mighty Mississippi (a river that wouldn't be much without the contributions of the Ohio), the 'boat seems like the perfect setting. Tunes by Pop composer Roger Miller make for a rollicking evening of music. It's one of my favorite shows; I've never been disappointed by a production of it. It wraps up this weekend on Sunday. Tickets: 513-241-6550.
 
 
by Rick Pender 07.17.2013
Posted In: Theater at 09:55 AM | Permalink | Comments (0)
 
 
todo_onstage_bigriver_hollyyurchison

Stage Door: All-Star Break

So we've moved into the second half of 2013, as evidenced by last night's American League win in the Major League Baseball All-Star Game. That means you might be seeking some theatrical entertainment. I thought there would be several opportunities, but Untethered Theater Company just let me know that the Clifton Performance Theater (on Ludlow Avenue) was flooded during the Independence Day monsoon, so they've had to postpone until the fall their production of Love/Stories (or, But You Will Get Used to It) that was scheduled to open last week. But never fear: The Showboat rides on the Ohio above the flood and is offering a classic musical, Big River.

There couldn't be a more perfect show for summertime on the river — this tuneful version of the story of Huck Finn and his friend Jim, a runaway slave, is a timeless classic. Roger Miller's award-winning score is one that many people (myself included) love, and there's plenty of comedy to keep everyone entertained. Mark Twain's sense of humor is front and center as we see Huck and Tom Sawyer get into and out of scrapes, Huck's drunken dad making life difficult, and a pair of ne'er do wells who are out to fleece people with an entertainment. Fear not, they'll just be entertaining audiences on board the majestic, not picking pockets. Big River runs through Sunday, July 28. Tickets: 513-421-6550. 

 
 
by Rick Pender 07.15.2013
Posted In: Theater at 08:20 AM | Permalink | Comments (0)
 
 
sound of music

Carnegie to Present 'Sound of Music' with KSO

Production to complete the Carnegie's 2013-2014 theater series lineup

Can't say whether the hills will be alive, but The Carnegie in Covington certainly will be in January when it presents a "lightly staged" production of Rodgers and Hammerstein's The Sound of Music in partnership with the Kentucky Symphony Orchestra. Presented Jan. 17-26, 2014, under the direction of Brian Robertson and KSO conductor J. R. Cassidy, the production continues a popular series that has appealed to audiences at the Carnegie's Otto M. Budig Theatre.

The story of a free-spirited nanny who brings joy and love back to the family of the Von Trapp family will be presented with an emphasis on words and music in this "lightly staged" production. That means a minimum of costumes, scenic design and props. The small orchestra will be onstage, and the performers fully enact scenes and sing the score from memory as they would in a full production.

This production completes the Carnegie's 2013-2014 theater series lineup, taking advantage of the renovated 465-seat Budig Theatre. Single tickets for The Sound of Music are priced at $28 for adults, $19 for students. The full series — which also includes the musical Chicago (Aug. 10-25); the comedy Boeing Boeing (Nov. 8-24), in a collaboration with CCM Drama; and the comedy Harvey (April 11-27, 2014) — can be purchased as a subscription for $63 to $69. For details, call 859-957-1940 or go to thecarnegie.com.
 
 
by Kenneth McNulty 07.01.2013
Posted In: Theater, COMMUNITY at 02:53 PM | Permalink | Comments (0)
 
 
ac_cc_shakespeareinthepark_cincinnatishakespearecompany

Free Shakespeare in the Park Tour Returns

Cincinnati Shakespeare Company presents seventh annual summer series

Cincinnati Shakespeare Company continues its summer tradition of Shakespeare in the Park as the free series returns for the seventh year this August. Romeo and Juliet and A Midsummer Night’s Dream will be showcased in parks around the Greater Cincinnati area and Northern Kentucky Aug. 3-30.

CSC Ensemble Member Nicholas Rose is directing the classic lovers tale, Romeo and Juliet. While the fantastic story of betrayal and magic in A Midsummer Night’s Dream is being directed by CSC Education Associate Miranda McGee. Six actors from the CSC Resident Ensemble will be acting in these performances. After the free park tour, they will continue to tour community centers, schools, venues and other performance centers into May of 2014.

Cincinnati Shakespeare Company is continuing its partnership with Cincinnati Parks and Recreation, offering free shows at Seasongood Pavilion in Eden Park, Burnet Woods, Mt. Echo Park and the new Smale Riverfront Park. Washington Park will see the group on their tour, alongside parks in Madeira, Colerain and Monroe in Ohio, and Burlington, Edgewood and Maysville in Kentucky. The acting troupe will have two performances at the Vinoklet Winery as well. Certain park locations will be accepting canned food and non-perishable items — CSC has a partnership with the Freestore Foodbank.

If a free, al fresco viewing of Shakespeare’s best sounds fun, then make sure to get to each performance early to ensure good seating. All shows are general admission with first-come, first-serve seating. For more information go to cincyshakes.com.

For show times and locations, refer to the list below:

Saturday, Aug. 3, Romeo and Juliet at 7 p.m. in Boone Woods Park, Burlington

Wednesday, Aug. 7, Romeo and Juliet at 7 p.m. in Eden Park – Seasongood Pavilion, Mount Adams

Thursday, Aug. 8 Romeo and Juliet at 7 p.m. in Burnet Woods, Clifton

Friday, Aug. 9 Romeo and Juliet at 7 p.m. in the Monroe Community Park, Monroe, Ohio

Saturday, Aug. 10 A Midsummer Night’s Dream at 6:30 p.m. in the Harry Whiting Brown Lawn, Glendale

Sunday, Aug. 11 Romeo and Juliet at 7 p.m. in the McDonald Commons Park, Madeira

Wednesday, Aug. 14 A Midsummer Night’s Dream at 7 p.m. in Browning Shelter, Maysville, Ky.

Thursday, Aug. 15 A Midsummer Night’s Dream at 7 p.m. in Mt. Echo Park, Price Hill

Friday, Aug. 16 A Midsummer Night’s Dream at 7 p.m. at the Vinoklet Winery, Colerain

Saturday, Aug. 17 A Midsummer Night’s Dream at 7 p.m. at the Miami Whitewater Forest – Harbor Point, Harrison

Sunday, Aug. 18 A Midsummer Night’s Dream at 7 p.m. in Washington Park, Over-the-Rhine

Wednesday, Aug. 21 A Midsummer Night’s Dream at 7 p.m. in Burnet Woods, Clifton

Thursday, Aug. 22 A Midsummer Night’s Dream at 7 p.m. in Colerain Park

Friday, Aug. 23 Romeo and Juliet at 7 p.m. at the Vinoklet Winery, Colerain

Saturday, Aug. 24 A Midsummer Night’s Dream in Keehner Park, West Chester

Sunday, Aug. 25 Romeo and Juliet at 6 p.m. in Presidents Park, Edgewood, Ky.

Tuesday, Aug. 27 A Midsummer Night’s Dream at 7 p.m. in Uptown Park, Oxford

Wednesday, Aug. 28 A Midsummer Night’s Dream at 7 p.m. at the Clifton Cultural Arts Center Lawn

Thursday, Aug. 29 A Midsummer Night’s Dream at 7 p.m. at the Smale Riverfront Park, Downtown

Friday, Aug. 30 A Midsummer Night’s Dream at 7 p.m. at the Eden Park – Seasongood Pavilion, Mount Adams

 
 
by Rick Pender 06.28.2013
Posted In: Theater at 07:44 AM | Permalink | Comments (0)
 
 
baskervilles - stage door image for 6-28

Stage Door: Wrapping Up Summer

Well, the big show that's on the way will be fireworks next week, of course. That means that most theaters are wrapping up early summer productions.

But you still have a chance to see The Hound of the Baskervilles at Cincinnati Shakespeare Company. It's a daffy take on a Sherlock Holmes mystery. In truth, it pretty well follows Sir Arthur Conan-Doyle's brilliant deducer as he unthreads a mystery surrounding a diabolical dog that seems to be pursuing a cursed family on the remote moors of Devon. But the story is told using just three actors — all male performers from Cincinnati Shakespeare's corps of veterans — who play male and female, making quick (and sometimes mistaken) costume changes. Nick Rose, Jeremy Dubin and Brent Vimtrup milk every last drop of humor from this amusing script, with the able assistance of director Michael Evan Haney. Haney, who has served as the Cincinnati Playhouse's associate artistic director for more than a decade brings out the best in comic timing, so you're sure to have a rollicking good time. Final performances at Friday, Saturday and Sunday at 7:30 p.m. Tickets: 513-381-2273, x1.

You can also catch The Odd Couple on board the Showboat Majestic through Sunday. Neil Simon's comedy about two divorced guys who just can't get along is an American classic, to be sure — so maybe that makes this a perfect show for the weekend before the July 4th holiday. Felix and Oscar would like nothing better than declaring their "independence," but instead, they slowly drive one another mad. Two good actors, Joshua Steele and Mike Hall, are no doubt making this an amusing piece of theater. Tickets: 513-241-6550.
 
 
by Rick Pender 06.23.2013
Posted In: Theater at 11:23 AM | Permalink | Comments (0)
 
 
lauren gunderman - playwright of toil & trouble

Know Announces Summer Comedy Opening July 26

Vosmeier to produce second production of Lauren Gunderson’s 'Toil and Trouble'

Eric Vosmeier says he’s stoked by a show he’s just added to Know Theatre’s production schedule for the summer. He’s set to direct a modern take on Shakespeare’s Macbeth called Toil and Trouble. Lauren Gunderson’s play had its world premiere at Impact Theatre in Berkeley, Calif., last November; Know is giving the show its second production, opening July 26 and running through August 24.

Landing it, Vosmeier says, is “another victory for our new schedule model by securing the rights for the first production of this show following its world premiere. We’ve been looking for a strong comedy for quite some time, and I think this fits the bill perfectly. This contemporary retelling of Macbeth is spot on, but with enough twists and turns to keep the audience guessing. It’s going to be a lot of fun.”

Toil and Trouble is the story of two ambitious guys and a badass lady who decide to fight the recession with dictatorial dreams. Instead of going to grad school like everyone else they know, Adam, Matt and Beth are Bay Area thirtysomethings with too much education and not enough employment. They’re overqualified to work at Borders, and Adam is brimming with ideas — but most of them involve robots.

Thanks to three fortune cookies with some creepy fortunes (remember, Toil and Trouble this is based on Macbeth, which commences with three witches predicting Macbeth’s rise to power), the trio settles for taking over a small island nation off the coast of Chile. The show throws baseball, investors, Wikipedia, hypothetical sex and real violence into one bubbling cauldron. The overlay of Macbeth brings hipster malaise and ridiculous modernity into the mix, demonstrating that hubris, greed, power and passion never go out of style.

Vosmeier has cast Breona Conrad as Beth, Joshua Murphy as Matt and Chris Wesselman as Adam. Conrad and Murphy have been touring for several seasons in Know’s production of the Fringe hit Calculus: The Musical. Vosmeier says, “I’m thrilled to have one more chance to work with Josh and Breona before they leave Cincinnati.”

You can purchase tickets in advance for $15; they’ll be $20 the week of performance, beginning Mondays at noon. (Your best deal is to purchase one of Know’s flex-passes, six tickets for $90. You can use some for Toil and Trouble, and save the rest for future shows.) Info: 513-300-5669.

 
 
by Rick Pender 06.21.2013
Posted In: Arts community, COMMUNITY, Theater, Visual Art at 09:13 AM | Permalink | Comments (0)
 
 
stage door image for human races avenue q - katie pees & andrew ian adams - photo scott j. kimmins

Stage Door: The Droll Days of Summer

Most of our local theaters are cooling their jets for the summer months, but you still have two more weekends to catch the hilarious, three-actor Sherlock Holmes spoof of Hound of the Baskervilles at Cincinnati Shakespeare Company. This one is definitely fine-tuned, featuring a trio of Cincy Shakes best actors — Jeremy Dubin, Nick Rose and Brent Vimtrup — directed by Michael Evan Haney from the Cincinnati Playhouse. It's a revival of a hit from last summer, so they have the comic timing of quick costume changes and fast-paced tomfoolery down pat. I understand that this weekend is almost sold out, but don't let that keep you from trying. Final performance is June 30. I hope you've deduced that you need to get for it this time around, even if you saw it before. (If you did, you know how funny it is.) It's elementary! Tickets: 513-381-2273, x1

The Showboat Majestic is a venue that floats along every summer with solid entertainment. Right now you can come on board for a classic piece of comedy by Neil Simon, The Odd Couple. It's a hit from 1965 in a production featuring a couple of great local actors: Joshua Steele as the prissy Felix and Mike Hall as the messy Oscar. They're a pair who know their way around a funny script, so it's a fine show for a summer's laugh. Tickets: 513-241-6550

Maybe you thought Sesame Street was funny when you were a kid. How'd you like to see some raunchy puppet behavior? Avenue Q is onstage in Dayton at the Human Race Theatre. The 2004 Tony Award-winning musical offers laugh-out-loud musical mayhem. But leave the kids at home: This one is aimed at those who are twentysomething and up, offering answers to a simple question: What happens to the kids who were raised on Sesame Street when they grow up? You'll find the answers — in songs like "It Sucks to Be Me" and "The Internet Is for Porn" — at the Loft Theatre, 126 North Main St. in downtown Dayton. Tickets: 937-228-3630

 
 
by Rick Pender 06.14.2013
Posted In: Theater at 08:34 AM | Permalink | Comments (0)
 
 
circque

Stage Door: Cirque du Soleil and More

Head to Dayton's Nutter Center this weekend to see Cirque du Soleil's classic show, Quidam. The show, at the time a big top production, spent several weeks in Cincinnati in August and September 2006 in a "grand chapiteau" on the Ohio River bank near the Suspension Bridge. It's the story of a bored kid named Zoé whose parents ignore her. We enter the world of her imagination when Quidam, a headless wanderer under an umbrella, hands her his blue bowler hat. As her self-absorbed parents float away, the story moves into the magical reality her imagination, populated by Cirque's physically astonishing performers. There's a "German Wheel," a pair of man-sized double hoops with a guy rolling around the stage; an amazing silk contortionist, high above the stage); and "Statue," a mesmerizing performance by a muscle-bound guy and a powerful woman who slowly balance in various positions. My favorite was Banquine, the finale by 15 acrobats, launching tumblers high into the air and catching them. Through Sunday. Tickets: cirquedusoleil.com

Other productions to consider for your theater calendar this weekend: The Odd Couple (just opened on the Showboat Majestic, 513-241-6550); The Hound of the Baskervilles (Cincinnati Shakespeare, 513-381-2273), Nunsense (Commonwealth Dinner Theatre at Northern Kentucky University, 859-572-5465) and, if you're looking to make a theater weekend in Dayton with Quidam on one evening, how about filling the other with the outrageously funny X-rated Sesame Street-inspired Avenue Q at Human Race Theatre Company (888-228-3630).
 
 
by Rick Pender 06.13.2013
Posted In: Theater, Dance, Visual Art at 08:42 AM | Permalink | Comments (0)
 
 
cirque

Cirque du Soleil's Quidam Is a Flight of Imagination

Onstage at Dayton's Nutter Center through June 16

Cirque du Soleil's classic show, Quidam, opens with Zoé (Alessandra Gonzalez), a bored little girl whose parents ignore her. We enter the world of her imagination when Quidam, a headless wanderer under an umbrella, hands Zoé his blue bowler hat. (This imagery will resonate with those who know the surrealist paintings of René Magritte, a 20th century artist whose paintings challenged traditional perceptions of reality.) Zoé's self-absorbed parents float away and we are transported to the magical reality of Cirque's physically astonishing performers.

The "world" presently inhabited by Quidam is Dayton's Nutter Center, on the campus of Wright State University, through Sunday, June 16. The show, which originated as a big top production (it spent several weeks in Cincinnati in August and September 2006 in a "grand chapiteau" on the Ohio River bank near the Suspension Bridge) is now an arena show, and it works beautifully in the Nutter. Five giant metal arches are used to suspend performers in mid-air, but you quickly lose sight of the mechanics thanks to the artistry, visual and musical, of Cirque.

To me, the greatest wonder — beyond the physical precision and discipline of Cirque's athletic artists — is the universality of shows like Quidam, which tour the world. (In a few months, this company will be performing in Europe, playing to audiences in cities including Vienna, Munich and London, where it has a month-long engagement at Royal Albert Hall.) The performers are ethnically diverse and the storytelling spans cultural boundaries: Wordless clowning (Quidam features a segment about making a silent movie that recruits a few audience members as "actors") is laugh-out-loud funny, and the ringmaster John (Mark Ward) borders on intentional incompetence in a way that endears him to the crowd even as he moves us from act to act without saying a word.

And what acts we see: German Wheel (a pair of man-sized double hoops containing a guy who rolls around the stage); Diabolo (spinning Chinese yo-yo's tossed high into the air from a string and caught); Aerial Contortion (Tanya Burka is an amazing silk contortionist, many feet above the stage); Skipping Ropes (using 20 acrobats); Aerial Hoops (three women spinning and pivoting through the air); Hand Balancing (incredible strength and flexibility by a woman on yard-high canes); Spanish Webs (five fellows on high, hanging and twisting on ropes); Statue (a mesmerizing performance by Yves Décoste and Valentyna Sidenko who slowly and powerfully balance in various positions); and finally Banquine (acrobatics). The latter section, Quidam's finale, uses 15 artists, launching tumblers high into the air and catching them. At one point they build a tower of four humans atop each others' shoulders. Each assemblage or toss seems more daring than the previous.

Quidam might be the product of Zoé's boredom, but the show expands imaginative horizons. It's definitely worth a one-hour drive from Cincinnati.
 
 

 

 

Latest Blogs
 
by Rick Pender 11.21.2014 3 days ago
Posted In: Theater at 09:30 AM | Permalink | Comments (0)
 
 
susan haefner as rosemary clooney at cincinnati playhouse - photo sandy underwood

Stage Door: A Girl Singer and Two Pairs of Twins

Many Cincinnati stages are momentarily paused, readying shows for the holidays. Last night the Cincinnati Playhouse in the Park opened its production of Tenderly: The Rosemary Clooney Musical. Susan Haefner does a remarkable job of channeling the "girl singer" from Maysville, Ky., who grew up in Greater Cincinnati. We learn how she became a star, rose to fame, almost lost it to pills and dissolute behavior, then battled back for a "flip side" to her singing career. All the other characters in her story — male and female, young and old, famous and unknown — are performed by Michael Marotta, who principally plays her counselor but is amusingly convincing as Bing Crosby, Frank Sinatra, Merv Griffin and many more. It's a thoroughly entertaining two hours on the Playhouse's Shelterhouse stage, and it's already appealing to audiences apparently, since the show's run has been extended from Dec. 28 to Jan. 4. Tickets ($30-$85): 513-421-3888

Cincinnati Shakespeare Company kicks off its next production of the 2014-2015 season tonight with The Comedy of Errors. The emphasis in this show, one of Shakespeare's earliest works, is definitely on the comedy, what with two pairs of twins whose adventures are hysterically compounded by mistaken identities when they end up in the same town on the same day. For this staging, it's set in a seaside resort in America of the 1930s in the midst of a classic carnival, adding to the story's hilarity. This one will only be onstage until Dec. 13, so this weekend is the perfect time to catch a performance, before holiday shows take center stage elsewhere. Tickets ($22-$36): 513-381-2273

One last treat I'll mention, which happens to be operatic rather than theatrical: It's Great Scott, a new work that Cincinnati Opera is nurturing in partnership with UC's College-Conservatory of Music. The production's creators have been in town all this week honing this brand new opera, the story of a struggling opera company and the hometown football team. They come into conflict when the team is to play in the Super Bowl on the same day the company has planned to premiere a long lost opera. To heighten the drama, the team's owner is married to the opera company's founder. The composer is Jake Heggie, who wrote the music for Dead Man Walking, a work produced by Cincinnati Opera at Music Hall in 2002, and Great Scott's script is by prize-winning playwright Terrence McNally. The week's work will culminate in a public reading on Tuesday evening. It's free, but you are asked to make a reservation by calling 513-241-2742 to see it at Memorial Hall (1225 Elm Street, next door to Music Hall; it's easy to park your car in the nearby Washington Park Garage).


Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 11.14.2014 10 days ago
Posted In: Theater at 09:51 AM | Permalink | Comments (0)
 
 
once_photo_joan_marcus

Stage Door: Broadway Here, Broadway There — It's Everywhere

If you're looking for good theater this weekend you have two great choices at downtown Cincinnati's Aronoff Center. It's your pick: Recent Broadway hit Once, in a touring production, or a past award-winner, Young Frankenstein, staged by one of Cincinnati's best community theaters.

The musical Once began life as an Academy Award-winning film in 2007; the song "Falling Slowly" won an Oscar. The film became an off-Broadway production as a musical in 2011 then a Broadway contender in 2012, where it won eight Tony Awards, including best musical. Since 2013 it's been a hit in London (the film is about musicians in Dublin, and the stage adaptation is set in an Irish pub) and on a national tour in the U.S. a year ago that's been much praised. It's that tour presently onstage at the Aronoff Center's big hall. It's a very contemporary love story that succeeds in part because it's unpredictable: Boy Meets Girl (yeah, that's a cliché) but despite their chemistry and potential for romance, it doesn't turn out as you might expect. Along the way, a great cast of actor/musicians play instruments onstage and sing their hearts out as the story unfolds. And it's fun: Arrive early enough and you can queue up to go onstage and order a pint from the bar there and mingle with some of the cast. If there's such a thing as a casual musical for contemporary music lovers, this is it. Through Nov. 23. Tickets ($33-$80): 513-621-2787.

Don't think that you'll see something less than professional if you choose to head to the Aronoff's Jarson-Kaplan Theater to see Young Frankenstein, presented by Cincinnati Music Theatre through Sunday. This company of local theater junkies knows how to make big musicals work, and this jokey show by Mel Brooks (based on his equally jokey classic comedy from 1974) is a great vehicle for a talented cast and crew. There are great sets (designed by Rick Kramer) and visual effects (by Jeff Surber), and the talented performers milk every laugh line to the nth degree. Charlie Harper is lots of fun as the latter-day scientist Frankenstein, Alison Evans is his fetching lab assistant Inga and Kate Mock Elliott has great moments as his twitchy fiancee Elizabeth. Chuck Ingram's portrait of the Monster is spot on, and his delivery of the show's big number, "Puttin' on the Ritz," will stick that tune in your head for days in ways that Irving Berlin never imagined. Tickets ($20-$24): 513-621-2787.

Broadway star Faith Prince is making a local appearance at Memorial Hall for an 8 p.m. concert tonight. It's part of a series of "Libations & Lite Bites," this one titled "Broadway & Bordeaux." The evening begins at 6:30 with hors d'oeuvres from local restaurants, wine and cocktails and concludes with dessert and more. Tickets ($47-$57): cincinnatimemorialhall.com.

If you've got Broadway on the brain and you're on Cincinnati's West Side, you should definitely check out the Covedale Center's production of Stephen Sondheim's fairytale musical Into the Woods, finishing up its run on Sunday. It's an entertaining classic (in December it will be on movie screens everywhere in a new film version featuring Meryl Streep and Johnny Depp), and the Covedale has a great cast to put it across. Tickets ($21-$24): 513-241-6550.

You still have a chance to catch one of our great local actresses, Dale Hodges, in Driving Miss Daisy at Covington's Carnegie through Sunday. She's playing haughty, elderly Daisy Wertham, unwillingly partnered with Hoke, an African-American chauffeur (Reggie Williams) hired by her solicitous son Boolie (Randy Lee Bailey). It's a solid ensemble and a very entertaining production. Tickets ($18-$25): 859-957-1940.

And if you're looking for something that's brand new and edgy, check out All New People by contemporary writer Zach Braff. It's onstage at Clifton Performance Theatre, staged by Untethered Theatre through Nov. 30. It starts with a suicide attempt on Charlie's birthday and spirals from there. I'm going to see it this weekend. Maybe I'll see you there. Tickets ($20): 513-939-0599.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here
 
 
by Samantha Gellin 11.07.2014 17 days ago
Posted In: Theater at 09:35 AM | Permalink | Comments (0)
 
 
driving miss daisy_ the carnegie_photo matt steffen

Stage Door: What You Can Learn at the Theater

Most of us go to the theater to be entertained. But we are often subtly educated and sometimes changed by the stories we witness. Take Driving Miss Daisy, for instance, Alfred Uhry's Pulitzer Prize-winning play from 1987, currently onstage at the Carnegie in Covington. It has just three characters, all from different points on the personality compass. There's the feisty Daisy Werthan, an elderly, wealthy Jewish woman in Atlanta, fiercely independent but actually in need of assistance for daily life; her rather patronizing son, Boolie, a businessman trying to ensure her safety; and Hoke Coburn, the African-American chauffeur who Boolie hires to keep his mother from risking life and limb by driving herself. Things don't go well initially, but over the course of a quarter-century Miss Daisy and Hoke become best friends, and we learn how people can connect across vast divides. Featuring three very capable local stage veterans — the brilliant Dale Hodges as Daisy, Reggie Willis as Hoke and Randy Lee Baily as Boolie — this swift play (about 90 minutes) is a story about understanding and caring for someone whose life experience is vastly different. It's done with a lot of gentle humor and insightful moments. Staged by Mark Lutwak, whose day job is at the Cincinnati Playhouse, this very satisfying production is a great choice for theater this weekend. Through Nov. 16. Tickets ($18-$25): 859-957-1940

At the Cincinnati Playhouse, the world premiere of Safe House (CityBeat review here) connects because it's a story about family dynamics that aren't all that unusual — a pair of brothers with opposing perspectives who are on a collision course — but it's made interesting because it's set in Northern Kentucky in 1843, and the characters are "free people of color" — not slaves but not exactly free. Addison is a hardworking, itinerant cobbler, dreaming of opening his own shop, while his younger brother Frank is impetuous and chafing at restrictions imposed on them despite their freedom. They're caught up in the chaos of helping others escape bondage via the Underground Railroad. Playwright Keith Josef Adkins based his new play on his own family's history, and this meticulously crafted production will keep you guessing about the outcome and leave you with a sense of how some things evolve and some never change. Through Nov. 15. Tickets ($30-$75): 513-421-3888.

Musicals are often at the far end of the lightweight entertainment spectrum, but if composer and lyricist Stephen Sondheim's name is attached, you can be sure there will be twists on stories and music that goes well beyond toe-tapping numbers. That's certainly the case with Into the Woods (CityBeat review here), currently onstage at the Covedale through Nov. 16. It's a mash-up of familiar fairy tales — Jack and the Beanstalk, Little Red Riding Hood, Cinderella, Rapunzel and more — that get entangled but seem to wrap up with happy endings by intermission. Then Act II comes along, and reality sets in. It's a show that's ultimately about understanding, caring and building community. Tickets ($21-$24): 513-241-6550.

Other productions worth checking out this weekend include Conor McPherson's adaptation of the psychological thriller The Birds (CityBeat review here) at Cincinnati Shakespeare (through Saturday; tickets, $22-$36: 513-381-2273); a creative stage adaptation of Herman Melville's Moby Dick (CityBeat review here) at Know Theatre (through Saturday; tickets: $20, 513-300-5669); Stephen Karam's comedy Speech and Debate about a trio of misfit teens (CCM Drama on the UC campus, through Saturday; free, but reservations required: 513-556-4183); and Zach Braff's All New People about a disrupted suicide (Untethered Theater at Clifton Performance Theatre through Nov. 30; $25: 513-939-0599). And Cincinnati Music Theatre, a community group that is both ambitioius and successful with musicals, takes on the silly but entertaining Young Frankenstein at the Aronoff Center's Jarson-Kaplan Theatre (through Nov. 15; tickets, $20-$24; 513-621-2787).

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 10.31.2014 24 days ago
Posted In: Theater at 08:36 AM | Permalink | Comments (0)
 
 
bruce_cromer_photo_ryan_kurtz

Stage Door: No Tricks, All Treats – Theater Choices for Halloween Weekend

Don't be scared. Just because it's Halloween, you don't have to miss out on good theater. In fact, there are some great deals available. For instance, this weekend is your last chance to see Ensemble Theatre's production of An Iliad (CityBeat review here), a one-man retelling of Homer's epic tale of the Trojan War. (The final performance is Sunday at 2 p.m.) Bruce Cromer has been turning in one of the best acting performances seen locally in years as "The Poet" who narrates the story of the tragic conflict — as well as about a dozen of the story's central characters. Several of the weekend's performances are sold out, but seats do remain tonight at 8 p.m. and Saturday at 2 p.m. and if you use the coupon code SPOOKY to order tickets for either one, you'll get them for $25 each (they're usually $44). Box office: 513-421-3555.

This is also the final weekend for Falcon Theater's staging of The Woman in Black in Newport's tiny Monmouth Theater (which the group recently purchased, so it now has a permanent home, renamed "Falcon Theater"). The final performance on Saturday is sold out, but if you attend the classic ghost story tonight at 8 p.m. in costume, you'll get a $2 discount on your ticket (normally $19; $17 for students and seniors): 513-479-6783.

Cincinnati Shakespeare Company's production of The Birds (CityBeat review here) is also intended to give you the creeps, so it's another good choice for Halloween weekend. If that title sounds familiar, it's because Alfred Hitchcock adapted Daphne Du Maurier's short story into a classic thriller back in 1963. Cincy Shakes is presenting a more recent stage adaptation, this one by Irish playwright Conor McPherson (who has his own reputation as a storyteller who knows how to scare an audience, with past hits like The Weir and The Seafarer). It's an evening of psychological twists and turns with a cast featuring four of the company's best actors. This one will be around for another week, but if you're celebrating Halloween, you'll have fun with this one. Tickets ($22-$36): 513-381-2273, x1.

Also onstage through Nov. 8 is Know Theatre's production of Moby Dick (CityBeat review here.) It's not exactly a ghost story, but the obsessive Captain Ahab is certainly haunted by the specter of the great white whale, and Know's retelling of Herman Melville's great American novel is inventive and engaging. Tickets ($18): 513-300-5669.

Other good choices onstage are Covedale Center's Into the Woods (CityBeat review here) and the Cincinnati Playhouse's Safe House (CityBeat review here.) The former (tickets, $21-$24: 513-241-6550) is Stephen Sondheim's classic musical that's a mash-up of fairytales; the Playhouse show is a world premiere of a play by native Cincinnatian Keith Josef Adkins about people like his ancestors, free people of color in 19th-century Kentucky (tickets, $30-$75: 513-421-3888).

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 10.24.2014 31 days ago
Posted In: Theater at 08:07 AM | Permalink | Comments (0)
 
 
safe-house_cincinnati-playhouse-_photo-sandy-underwood

Stage Door: Safe House and Spooky Performances

Last night I was at Cincinnati Playhouse in the Park for the opening of Keith Josef Adkins' new play, Safe House, the 71st world premiere staged by our Tony Award-winning regional theater. (CityBeat feature story here.)

It's a fascinating piece that's about the little-known circumstances of "free people of color" in 19th-century America — not slaves but not exactly free. They're put into complex and stressful situations, personified here by a pair of very different brothers: Addison is a hardworking, aspiring entrepreneur, dreaming of become a cobbler with his own store, while younger brother Frank is impetuous and chafing at the restrictions imposed on them. The heat gets turned up when runaway slaves through their Northern Kentucky county need shelter and perhaps passage to Liberia, something their Aunt Dorcas has quietly supported. The story is based on Adkins' family history in this region, and it comes to life in this provocative drama. Through Nov. 15. Tickets ($30-$75): 513-421-3888.

UC's College-Conservatory of Music only rarely gives more than one weekend to musical theater productions. This fall's privileged show is the very commercial Legally Blonde (a hit movie with Reese Witherspoon from 2001 that became a Broadway property in 2007). It's a genuinely entertaining show that actually has a meaningful message about living up to potential and not judging people by their exteriors. It also has a ton of dancing, so it's great news that this production is both being staged by veteran CCM choreographer Diane, who I profiled in my Curtain Call column this week. The production is happening at UC's Patricia Corbett Theater through Nov. 2. Tickets ($31-$35): 513-556-4183.

It's fairytale time at the Covedale Center with a production of Stephen Sondheim's Into the Woods. But proceed with caution: The first act takes more or less traditional stories of Cinderella, Red Riding Hood, Rapunzel, Jack and the Beanstalk and more, and mixes them into one happy stew. But in Act II, well, things aren't so "happily every after" when reality sets in. Big cast, great tunes, lots of humor — but some thoughtfulness, too. Through Nov. 16. Tickets ($21-$24): 513-241-6550.

The chance to see Bruce Cromer's one-man performance in An Iliad at Ensemble Theatre is an absolute must for anyone who's serious about theater. (CityBeat review here.) It's quite astonishing that one man can do so much and hold an audience's attention for 100 minutes in this retelling of the savagery of the Trojan War. It's all the more powerful because it's a condemnation of war across the ages. Don't miss this one. Through Nov. 2, and no chance that it will be extended, so call now for your tickets. Here's a tip, thanks to friendly relations with Know Theatre, just around the corner from ETC: Use the coupon code MOBY20 to get 20 percent off the price of two tickets for any remaining performances. Tickets ($28-$44): 513-421-3555.

With Halloween just a week away, several theaters are offering shows that will make your heart pound. There's creepy ghost in Falcon Theatre's production of The Woman in Black ($17-$19, 513-479-6783), and the characters in Conor McPherson's The Birds are under attack in ways that don't bode to well for human interaction ($22-$36, 513-381-2273). (CityBeat review here.) And while it's not exactly a Halloween story, Moby Dick at Know Theatre has some scary oddballs and a gargantuan villain out to murder everyone, so that qualifies, too. (CityBeat review here.) It's onstage through Nov. 8 ($18; 513-300-5669).

This weekend is last call for I loved, I lost, I Made Spaghetti at the Cincinnati Playhouse. (CityBeat review here.) Actress Antoinette LaVecchia spins some great stories about writer Giulia Melucci's bad taste in men, all the while making an aromatic Italian dinner — antipasti, wine, spaghetti Bolognese (homemade pasta and fresh sauce) — for a few lucky audience members. This is a totally charming show, great for weekend entertainment. Final performance is Sunday. Tickets ($30-$75): 513-2418-3888.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 10.17.2014 38 days ago
Posted In: Theater at 08:30 AM | Permalink | Comments (0)
 
 
bruce cromer_an iliad_etc _photo ryan kurtz

Stage Door: An Iliad, Varekai, and Other Items of Note

On Wednesday evening I attended one of the most remarkable solo performances I've ever seen: Bruce Cromer starring in An Iliad at Ensemble Theatre Cincinnati.  Based on Homer's epic poem about the Trojan War, the poetic but dynamic script calls on one actor to play a dozen or so characters. Cromer does everyone of them (sometimes interacting with one another) with both imagination and detail. But mostly he's "The Poet," trapped by his role to tell this story — and the story of war in general — for nearly three millennia. He lets us see the attraction of glory and the devastation of senseless combat often for trivial reasons (the stealing of one man's wife by another lit the fuse on the Siege of Troy). The play is a condemnation of war and an acknowledgement of its inevitability. But it's also a celebration of theater, and Cromer is an absolute marvel to watch: After 100 minutes (no intermission) he's dripping with sweat from the effort and bowing to a genuine standing ovation. This is a production that no theater fan should miss. Tickets ($28-$44): 513-421-3555

There's a Cirque du Soleil show, Varekai, at the Bank of Kentucky Center at Northern Kentucky University. Like most, it's light on content and high on entertainment: A winged man falls from the rafters into a magical world where he recovers, witnessing the delights of strange creatures — who also happen to be marvelous performers: tumblers, aerial artists, jugglers and acrobats. As always, there's a pair of clowns who have fun with a few audience members. I didn't find Varekai (it's a Gypsy word that means "wherever") quite as breathtaking as some of the Cirque shows I've witnessed, but that's a relative remark, not a judgment on this production. The "Russian Swings" just before the finale feature acrobats hurled high into the air by massive swings, landing in the arms of others or on canvas sails. (Don't try this at home.) Varekai is a great escape and totally family friendly. Final performance is Sunday at 5 p.m. Tickets ($28-$145): 800-745-3000

For a quick taste of Know Theatre's Moby Dick, check out this trailer: http://youtu.be/QMbqos66s0s. There's singing of sea shanties, hoisting of sails and a tremendous battle with the Great White Whale. I'm hoping that this ambitious production gets its sea legs soon: It felt a bit wobbly during the opening week. But Herman Melville's classic American novel has life breathed into it by a cast of eight hardworking actors. Onstage through Nov. 8. Tickets ($18, but performances on Wednesdays are free): 513-300-3669

Other items of note: On Monday evening, Know Theatre hosts the quarterly presentation of TRUEtheatre, real stories told by everyday people; this time around it's True Hair. … The following night at KNow, Cincinnati Fringe favorite Kevin Thornton is back in town to present another of his one-man shows of music and comedy, this one is called Talky Concert Thingy. He's a load of unpredictable talent, always watchable. … Falcon Theatre (they perform at the Monmouth Theatre in Newport) this weekend opens a production of the classic thriller, The Woman in Black. It's a good scare for the Halloween season. Tickets: 513-479-6783 … Children's Theatre of Cincinnati is offering public performances of Disney's Beauty and the Beast JR. at the Taft this weekend (and Saturday, Oct. 25). Tickets ($7-$25): 800-745-3000
 
 
by Rick Pender 10.10.2014 45 days ago
Posted In: Theater at 08:20 AM | Permalink | Comments (0)
 
 
moby dick_left to right montez o jenkins as queequeg _rico reid as ahab _photo_deogracias lerma

Stage Door: A Whale, Two Brothers and a Beast

Know Theatre sets sail this weekend with tonight's opening of Moby Dick. It's Herman Melville's great American novel stripped down to its bare essentials of men at sea doing battle with a creature that maimed their obsessive captain. It's Know's first main stage show staged by new artistic director Andrew Hungerford, who's teamed with co-director Michael Burnham, retired from CCM but no doubt as inventive as ever in bringing unusual material to audiences. Featuring the haunting music of sea shanties and a stage full of theatricality, it being performed through Nov. 8. Tickets ($20 in advance): 513-300-5669. And here's a tip: Wednesday evening performances are free as part of Know's "Welcome Experiment," intended to bring new audiences to its Over-the-Rhine facility.

UC's College-Conservatory of Music is presenting Willy Russell's powerful British musical Blood Brothers today and tomorrow in the Cohen Family StudioTheater. Set in 1950s Liverpool, it's about a woman with too many children who is talked into giving up one of a pair of newborn fraternal twins. Despite her efforts and those of the unstable woman who wanted a baby, the boys meet and become not just friends but "blood brothers." They don't know their history, they simply feel drawn to one another. That leads to a tragic, perhaps inevitable, confrontation. But there is humor and an energetic Pop Rock score along the way. Hannah Kornfeld is heartbreaking as the conflicted mother; Thomas Knapp and Karl Amundson turn in heart-breaking performances as the ill-fated boys, from age 7 to 22. This weekend only; the final performance is Saturday evening at 8 p.m. Tickets are free but need to be reserved (513-556-4183); call in advance — performances are often sold out.

Perhaps you'd like to take a kid or two to see a show. The Cincinnati Playhouse's "Off the Hill" production, Roses & Thorns, based on "Beauty and the Beast," would be a fine choice. It's a touring production for kids ages 7 and up, and it's making its way to various neighborhoods over the next month or so (through Nov. 2). I attended a preview recently and found it thoroughly enjoyable. It's a sweet retelling of the familiar story whose love and devotion saves her family and breaks a curse on a monstrous beast who's really a handsome prince. The show uses clever props and costumes, slapstick, satire and high camp styles; its four actors are professionals in training, and their work, playing multiple characters and making quick changes, is great fun to watch. This weekend it's onstage at the Lebanon Theatre Company (10 S. Mechanic St., Lebanon) on Sunday at 2 p.m. Check the Playhouse's website for future performances around the Tristate. Tickets in Lebanon are $5: 513-228-0932

If you missed Kevin Crowley's one-woman show Sarge during the Cincinnati Fringe Festival last June, it's getting a reprise this weekend and next (it's onstage tonight through Oct. 20). Christine Dye's performance as the devoted but deluded wife of Penn State football coach Jerry Sandusky, found guilty of molesting young boys, won the Critics Pick of the Fringe. Dye is remarkable in three monologues that reveal the mind of a woman who cannot accept her husband's true nature. It's being presented in a double bill with another short script by local actor and playwright Crowley, The Monkey's Paw, a dark comedy about a couple struggling with the anxieties of early parenthood. Performances at Clifton Performance Theater, 404 Ludlow Avenue. Tickets ($25): 513-861-7469

I gave Critic's Picks in CityBeat recently to two excellent productions recently, and they remain onstage this weekend. I Loved, I Lost, I Made Spaghetti at the Cincinnati Playhouse is a one-woman piece about cooking and relationships (charming actress Antoinette LaVecchia prepares an Italian dinner while describing her bad luck with men). Tickets ($30-$75): 513-421-3888 … The Little Dog Laughed finishes its run this weekend at New Edgecliff Theater at Hoffner Hall (4120 Hamilton, Ave., Northside. It's the story of a gay actor whose agent is trying to keep him from ruining his career by being public about his persuasion. It's surprising how a play from 2007 could present anxieties about something that today is much more accepted, but this production is great fun to watch thanks to four fine actors, especially Kemper Florin as the motor-mouthed, scheming agent. Tickets: ($20-$27): 888-428-7311
 
 
by Rick Pender 10.03.2014 52 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
antoinette lavecchia in i loved, i lost, i made spaghett_ photo sandy underwood

Stage Door: Spaghetti, Macbeth and More

Last night I was at the Cincinnati Playhouse for the opening of I Loved, I Lost, I Made Spaghetti, a charming one-woman play based on Giulia Melucci's foodie memoir from 2009. The frame of the show is that it's set in a stylish kitchen where actress Antoinette LaVecchia prepares a meal while sketching out her numerous disconnects in search of love, feeding boyfriends but finding herself starving. Four couples pay a bit more ($35 apiece beyond the ticket price) to sit at tables directly in front of her kitchen where she serves antipasti, salad and spaghetti Bolognese that she prepares as she talks about a series of amusing but unpromising relationships, convincingly painting portraits of her ill-fated choice in men. La Vecchia is so natural in the role (which she originated in 2012 and has played at several regional theaters since then) that you'll feel like you're one of her best friends. Running through Oct. 26, this Shelterhouse production gets a Critic's Pick. Tickets ($30-$75): 513-421-3888

I also thoroughly enjoyed New Edgecliff Theatre's production of The Little Dog Laughed (at Hoffner Hall, 4120 Hamilton Ave., Northside). The four-actor comedy by Douglas Carter Beane is about Diane, an acerbic agent, and Mitch, the actor whose career she's advancing. He's found a boyfriend he really likes (even though boyfriend is a male prostitute with a girlfriend), but she's convinced that this news could ruin his chances … and hers. Kemper Florin is a hoot as the motor-mouthed agent, spouting all sorts of crazy theories about how things should be in monologues that directly address the audience. The entire cast does a fine job, and I gave this one a Critic's Pick. Tickets ($20-$27): 888-428-7311


Area universities have two classics to offer. At UC's College-Conservatory of Music in a brief weekend run (through Sunday) it's Shakespeare's classic tragedy, Macbeth. In an unusual twist, the production features third-year female drama student Laura McCarthy as the power-mad military man who seizes the throne of Scotland. Tickets ($27-$31): 513-556-4183 … South of the Ohio River, Northern Kentucky University presents Euripides' The Bacchae, a play first performed in 405 B.C. The tale of power, revenge, decadence and debauchery takes place in Thebes, where citizens are torn between worship of the god Dionysus and the centrality of reason and humanism. Sunday will be the conclusion of a two-week run of the production. Tickets ($14): 859-572-5464

The musical Dirty Dancing, based on a hit movie from 1987 about young love at a family resort in the Catskills, wraps up two weeks of performance at the Aronoff Center. The touring production, presented by Broadway in Cincinnati through Sunday, features some dazzling video and lots of dancing. The story is pretty predictable, but it's one that people love. "Don't put Baby in the corner." Tickets ($39-$89): 513-621-2787
 
 
by Rick Pender 09.26.2014 59 days ago
Posted In: Theater at 07:56 AM | Permalink | Comments (0)
 
 
stage door 9-26 little dog laughed by new edgecliff theatre - nic pajic, jared earland, erin ward -  photo mikki schaffner

Stage Door: Dirty Dancing, Laughing Dogs and More

To see some of Cincinnati's finest actors working together in close quarters, check out Clifton Players' production of Kevin Crowley's new play The Riverside, onstage through Saturday at Clifton Performance Theatre (located just west of the Clifton/Ludlow business district at 404 Ludlow). It's 1989 and the denizens of a fictional bar in a very real Mt. Adams are riled up over Pete Rose's battle with the baseball commissioner gambling problems as well as the imminent closing of the family-owner bar where they all hang out. Although a few of the characters are rather caricatured, it's evident that Crowley is a close observer of everyday people. They drink and fight, love and cheat. And they have their passions, feelings that bubble up and over. The theater is a small space with seating for just a few dozen, but that's part of the fun — you feel like you're one of the regulars at the Riverside. Tickets ($25): https://cpt.tixato/com/buy

I caught a performance of Dirty Dancing, a musical based on the iconic 1987 movie about sensual dancing and the intermingling of guests and staff at a posh resort in the Catskills in 1963. This touring show is presented by Broadway in Cincinnati at the Aronoff Center, even though it has yet to land on Broadway. It uses a lot of creative video and projections, a constant reminder that its roots are cinematic. But it has an ensemble of vigorous dancers, especially Jillian Mueller as idealistic Frances "Baby" Houseman, who's eager to grow up, and Samuel Pergande as bad-boy dance instructor Johnny Castle. There's also Jenny Winton, whose dancing is especially watchable as the very sexy Penny Johnson. This is a dance show from start to finish, using familiar Pop tunes from the '60s plus a lot of sambas and rumbas. I realized as the performance  was winding up that the central characters never sang — not once. Mueller and Pergande look great as they recreate the iconic movie roles created by Jennifer Gray and Patrick Swayze, but virtually all the singing is handled by ensemble members Doug Carpenter and Jennlee Shallow — powerful vocalists who handle a number of singing styles, but who especially elevate the temperature with the show's best-known numbers, including "The Time of My Life." Don't go expecting great acting beyond the leads: Most of the rest of the roles range from shallow to silly. But trust me, you'll be surrounded by people who know and love this story, and they're having a good time, waiting until the moment when Johnny shouts, "Don't put Baby in the corner!" Through Oct. 5. Tickets: $39-$89: 513-621-2787

New Edgecliff Theatre has finally found a new home, Hoffner Lodge (4120 Hamilton Ave., Northside), after a season at the Aronoff. NET's first production at the former St. Patrick's church will be Douglas Carter Beane's The Little Dog Laughed, a very funny four-character comedy from 2006 about a Hollywood star, his controlling agent, his boyfriend and the boyfriend's girlfriend. Yes, it's that complicated, and that's the source of much of the humor as the agent tries to keep the lid on the gossip about her star client. Through Oct. 11. Tickets ($20-$27): 888-428-7311

A couple of well-received shows are still running, including Tennessee Williams' classic drama A Streetcar Named Desire at the Covedale Center (through Oct. 5; tickets: 513-241-6550), a stage version of The Great Gatsby at Cincinnati Shakespeare (through Oct. 4; tickets 513-381-2273), and a fast-paced mystery, Sherlock Holmes and the Adventure of the Suicide Club, at the Cincinnati Playhouse (through Oct. 4; tickets: 513-421-3888). Finally, this weekend is your last chance to see Showbiz Players' staging of the tongue-in-cheek musical Reefer Madness, about the "dangers" of marijuana, at the Carnegie in Covington. Tickets ($19.50-$22.50): 859-957-1940.
 
 
by Rick Pender 09.19.2014 66 days ago
Posted In: Theater at 08:05 AM | Permalink | Comments (0)
 
 
the riverside _daniel c britt _l_ and gary mcgurk_r_ photo provided

Stage Door: Riverside, Reefer and Sondheim

There are several good productions onstage around town — check out CityBeat coverage of Hands on a Hardbody (a musical at ETC), The Great Gatsby (a classic American novel adapted for the stage at Cincy Shakes), Sherlock Holmes and the Adventure of the Suicide Club (a new adventure for the great detective at the Cincinnati Playhouse) and Tennessee Williams' prize-winning A Streetcar Named Desire (at the Covedale) — but if you've seen those, you have other choices for onstage entertainment. Here are three suggestions for shows a little more off the beaten path:

Local actor/director/writer Kevin Crowley has written a play called The Riverside, rooted in Cincinnati (Crowley is a member of a family that's lived locally for generations) and getting a production — he's directing it, too — at Clifton Performance Theatre, just west of the Clifton/Ludlow business district (404 Ludlow). It's set in an imaginary (or rather an imagined) bar called the Riverside, where a bunch of folks in 1989 are following the Pete Rose case about gambling that eventually got him banned from baseball. But there's a lot more happening — like protests in Tiananmen Square and the fall of the Berlin Wall. In CPT's tiny space is filled up with a lot of talent — Michael Shooner, Daniel Britt, Buz Davis, Mike Dennis, Mindy Heithaus, Reggie Willis, Mark Bowen, MaryKate Moran, Gary McGurk, Pete Wood, Cathy Springfield and Paul Morris — playing folks who hang out and argue about what's going on. I haven't caught this one yet, but everyone who has says it's worth seeing. Through Sept. 27. Tickets ($25): https://cpt.tixato/com/buy

Community theater company Showbiz Players is staging the musical Reefer Madness at the Carnegie in Covington. It opens tonight (and runs through Sept. 28). This tongue-in-cheek show was inspired by a very serious film from 1936 designed to inspire fear and loathing when clean-cut kids fall prey to marijuana. The producers "warn" that it contains adult humor, religious parody and drug use — and note that it will go "straight to your head." Should be a lot of fun for those mature enough to get the jokes ... Tickets ($19.50-$22.50): 859-957-1940

Side by Side by Sondheim was the first musical revue created using songs by the guy who wrote the music and lyrics for shows including Company, A Funny Thing Happened on the Way to the Forum, Gypsy and A Little Night Music. That was in 1976 in London, but the tunes are just as fresh and vibrant today as they were nearly four decades ago. Middletown Lyric Theatre is presenting this collection of 25 numbers for two weekends (tonight and tomorrow, as well as Sept. 26-27) — using seven singers and two pianists. Tickets ($15): 513-425-7140
 
 
 
Close
Close
Close