Delving into Modernism’s relationship to today’s Contemporary artists, Cincinnati Art Museum in 2016 will present the traveling show MetaModern. It is organized by Krannert Art Museum at the University of Illinois at Urbana-Champaign in collaboration with curatorsquared of Winter Park, Florida, and Boston. In Cincinnati, it will be curated by Amy Dehan, Decorative arts and Design curator, and Matt Distel, adjunct Contemporary curator.
According to the website of the Krannert, where the show opens on Jan. 30, the participating artists “adopt the actual vocabulary of the modern movement to question the content of style and its relationship to history. Their work challenges the tenets of modernism head-on. Some of them recast iconic forms in materials that inherently question the precepts of the originals.”
Among the 20 international artists are several familiar names to Cincinnati Art Museum visitors — Jill Magid, whose videos are in the current Eyes on the Street exhibit, and photographer James Welling, subject of a 2013 exhibit. Other participating artists include Terence Gower, Conrad Bakker, Edgar Orlaineta, Gabriel Sierra, Kendell Carter and Fernanda Fragateiro and Barbara Visser.
In Cincinnati, the curators plan to borrow Mid-Century Modern design objects and graphic works from local collections to show with the traveling exhibit’s new art that, in essence, comments upon the older work.
Thus, the show here will connect Modernism with today’s (Postmodern) Contemporary art. The local curators also hope the show educates the public that Cincinnati has a strong tradition of support for Modernist art, design and architecture, which is now enjoying a revival
The tentative dates for the Cincinnati exhibition are June 18 to Sept. 11, 2016. Other cities planning to present the exhibit are Scottsdale, Ariz., Orlando, Fla., Palm Springs, Calif., and Marquette, Mich. (home of Northern Michigan University).
Seasonal Fundraiser for New Edgecliff. The classic holiday story, Miracle on 34th Street — yes, the one with Kris Kringle and Natalie Wood as a child actor — will be brought to life as a radio production on Sunday evening at the Northside Tavern (4163 Hamilton Ave.) as an old-time radio drama. Produced by New Edgecliff Theatre with sound effects by WMKV's Mike Martini, it's a benefit to the theater group. Admission is $35, and it includes a dessert buffet at intermission provided by Cincinnati State's Midwest Culinary Institute. Tickets: 888-428-7311 (or at the door).
Rosie Keeps Singing. The Cincinnati Playhouse's production of Tenderly: The Rosemary Clooney Musical seems to be a big hit. The show, onstage in the Shelterhouse, opened on Nov. 20, and on its first night artistic director Blake Robison announced that sales were brisk enough to make it possible to extend the production a week beyond its intended closing date (Dec. 28) to Jan. 4. Demand for tickets has continued, so the Playhouse has extended the show another week, now closing on Jan. 11. Tickets: 513-421-3888.
If you've read Margaret Atwood's 1985 novel The Handmaid's Tale,
you know it's a creepy vision of the not-too-distant future in which the United
States has become a theocracy called the Republic of Gilead. An oppressive
regime forces women to bear children for population growth, but Offred resists
the demands made of her. Cincinnati Shakespeare gave Joe Stollenwerk's
adaptation of the show a workshop in 2009 and a short-run production in 2011
featuring veteran Cincy Shakes actress Corinne Mohlenhoff as Offred. Next month
Know Theatre fills in a TBA slot in its season with the show's first
full-fledged production (Jan. 23-Feb. 21). Cincy Shakes' Brian Phillips will
stage the one-woman piece with Mohlenhoff. They are married, so this is an
unusual opportunity for them to work together on a new work rather than the
classics that Cincy Shakes usually stages. Tickets ($20) are now available: 513-300-5669.
National Gallery, the latest film by the great American documentarian Frederick Wiseman, will get a free screening at Cincinnati Art Museum at 1 p.m. on Jan. 25, 2015. No tickets or advance reservations are required.
Typical of Wiseman’s inquisitively reportorial and humanistic work, this carefully and thoughtfully takes viewers inside the world of London’s National Gallery — one of the world’s finest museums. The film is three hours long.
Wiseman, who is 84, has been making films that carefully examine societal institutions — cultural, social, educational, medical and political — since his 1967 landmark Titicut Follies, about life inside the Bridgewater State Hospital for the criminally insane in Massachusetts.
His much-lauded more recent films — which did not have a showcase theatrical screening in Cincinnati — include last year’s At Berkeley and 2009’s La Danse, about the Paris Opera Ballet.
That National Gallery will be presented in a theater here — the art museum’s auditorium holds some 300 — shows the ambition of the museum’s associate photography curator, Brian Sholis, to offer more and a wider variety of films as part of his programming.
A lower-profile (compared to National Gallery) presentation last Sunday of a new documentary about digital photography, Harvey Wang’s From Darkroom to Daylight, brought a surprisingly good turnout of 55 people to the art museum’s library.
Edwin G. Fischer, M.D., President of the Board of Directors of the Redwood Library & Athenæum, announced the appointment of Benedict Leca, Ph.D., as its new Executive Director, effective January 15, 2015, following a competitive national search.
“This is tremendous news for the Redwood,” stated Dr. Fischer, “An expert in 18th-century art, history, and material culture, Benedict is uniquely qualified to move the Library into the national spotlight as a center of thought and culture. He has a wealth of experience and is extremely well-suited to lead this 268-year old cultural institution.”
As Executive Director, Leca will articulate and advance the Redwood’s historic mission as a hybrid cultural institution with “nothing in view but the good of mankind.” Building on the Redwood’s unique position as a catalyst for dialogues about education across periods and disciplines, Leca’s work will focus on fully realizing the opportunities inherent to the athenæum model through an expanded array of public programs, forums, and exhibitions—both on-site and on-line—that will foster networks of intellectual exchange locally, regionally, and around the world.
Prior to his current tenure at the Art Gallery of Hamilton, Ontario, as Chief Curator and Director of Curatorial Affairs (2012-14), Leca was Curator of European Painting, Sculpture and Drawings at the Cincinnati Art Museum.
He was the first Andrew Mellon Post-Doctoral Fellow in the French Paintings department at the National Gallery of Art in Washington (2003-2007), and served on the staff of the Fogg Art Museum, Harvard University (1999-2000). Mr. Leca also currently holds the position of Adjunct Assistant Professor of Art History in the School of the Arts, McMaster University in Hamilton, Ontario.
Mr. Leca has curated many important exhibitions: Charles-Nicolas Cochin: Draftsman of the Enlightenment (2003); Rembrandt: Three Faces of the Master (2008); Thomas Gainsborough and the Modern Woman (2010—2011); Monet in Giverny: Landscapes of Reflection (2012); The Painter Pictured: French Nineteenth-Century Paintings and Portrait Photographs (2013); the current The World is an Apple: The Still Lifes of Paul Cézanne, executed in partnership with the Barnes Foundation, Philadelphia (2014-15), and the forthcoming Illuminations: Italian Baroque Masterworks in Canadian Collections to be held at the Art Gallery of Hamilton and the Art Gallery of Alberta, Edmonton, in 2015.
(Thanks to Judith H. Dobrzynski's Real Clear Arts blog at http://www.artsjournal.com/