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by Brian Baker 02.13.2014
Posted In: Local Music, New Releases, Reviews at 10:11 AM | Permalink | Comments (0)
 
 
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REVIEW: To No End's 'Peril & Paracosm'

Nick Dellaposta is a graphic designer, web developer, guitarist, vocalist and songwriter for Cincinnati/Dayton band To No End. If he did brain surgery on the side, he'd be Buckaroo Banzai. 

And for a guy with little discernible local profile, Dellaposta has a metric ton of history that begins with learning guitar and writing songs at age 14. His father Bob fronted the Broken String Band and the pair gigged together when Dellaposta the younger was a college student, which led to eventual studio experiences. 


Dellaposta formed To No End in 2012, leaning more toward an emphasis on the Dayton market; shortly after the band's first gig, Dellaposta took them into the studio to record their debut album, last year's Curio, a rootsy, Blues-drenched work that tapped into the Kenny Wayne Shepherd/Black Crowes/Gov't Mule end of the spectrum.


To No End's sophomore album, Peril & Paracosm, comes almost exactly a year after the band's debut, trumpeting a slight change in line-up and a new and darker sonic vision. Along with original drummer Patrick Lanham, new bassist Eli Booth and contributing guitarist/now full-fledged member Grant Evans, Dellaposta has invested TNE with an expansive and moody vibe that mines '70s Hard Rock like Budgie and UFO ("The Afterlife," "Bad Apple") while sharpening everything to a contemporary razor's edge. 


Peril & Paracosm finds Dellaposta exploring darker lyrical themes which naturally results in a brooding and muscular soundtrack that is both an extension of and departure from Curio's brighter sonic perspective. There's also a slightly more psychedelic feel to some of the tracks on Peril & Paracosm, and when TNE drifts into a rootsier Gov't Mule direction this time out ("Good Intentions," "When the Time Comes"), there seems to be a greater conviction, a more desperate passion and a deeper understanding of both the influence and its translation. 


We can only hope that the release of Peril & Paracosm signals To No End's expanded local presence because this kind of loud is always welcome.


Below is Peril & Paracosm track "Good Intentions." For more on To No End, click here


 
 
by Mike Breen 02.13.2014
Posted In: Local Music, Music News, New Releases at 10:00 AM | Permalink | Comments (0)
 
 
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New Wussy Album Due This May

Shake It Records announces spring release for ‘Attica’

Besides being rid of this depressing winter weather, there's another great reason for local music fans to be excited about the coming spring. One of the more celebrated and acclaimed bands in and outside of Cincinnati, Wussy, will release its new album, Attica, on May 6. The recording will be the band’s fifth full-length of all new material and is once again being issued on the local label Shake It Records. 

Below is a “rough mix” of the Attica track “To the Lightning.”  



Shake It has also announced that Wussy — which scored both Artist of the Year and Album of the Year (for Strawberry) honors at the 2013 Cincinnati Entertainment Awards — will have its excellent 2007 album Left for Dead re-issued on “baby blue” vinyl in honor of 2014’s international Record Store Day (April 19). 


Click here for Wussy’s comprehensive website for more info and to sample music from throughout the band’s entire career.  

 
 
by Mike Breen 02.12.2014
Posted In: Local Music, Music News, Music Video at 12:55 PM | Permalink | Comments (0)
 
 
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Local Hip Hop Artist Up for MTV Spins

Vote for Santino Corleon’s “Night Still Young” clip in MTVu’s The Freshmen competition

Cincinnati Hip Hop MC Santino Corleon’s latest music video, “Night Still Young,” is one of the five music videos by emerging artists currently featured in MTVu.com’s “The Freshmen” competition. If the 2013 Cincinnati Entertainment Awards nominee beats out the other nominees in the weekly contest, the clip will be put into “on-air rotation” on MTV’s television networks. 


Click here to check out the clip on MTVu.com and to vote now (and repeatedly — there appears to be no voting limits). Voting ends this Friday at 2 p.m.


The track “Night Still Young” is featured on Corleon’s most recent mixtape, Keep the Change, which is available for free download here. Below is the audio for “Night Still Young.”



 
 
by P.F. Wilson 02.12.2014
Posted In: Live Music, Reviews at 11:28 AM | Permalink | Comments (0)
 
 
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REVIEW: Arctic Monkeys at Madison Theater

It was quite a treat for area fans of (forgive the term) Alternative Rock as Arctic Monkeys rolled into Covington’s Madison Theater again this past Monday night. As one of the millennium’s most influential acts, the band from the English Midlands can normally be found playing arenas and large theaters, or headlining festivals throughout their homeland and the rest of Europe. Yet, they managed to schedule Covington on this tour, knowing they would easily be able put butts in the seats (even though there are few seats in the venue), which indeed they did. 

The sold-out but well behaved crowd witnessed the band flawlessly execute a 20-song set, that was heavy on new tracks, but still filled with “hits.” They got right down to business opening with “Do I Wanna Know?” before powering into “Brianstorm” and “Don’t Sit Down ‘Cause I Moved Your Chair.” Lead singer Alex Turner’s banter with the audience focused mostly on the correct pronunciation of “Covington.” He eventually adopted a passable American accent and assured the crowd that a good time was going to be had. That statement was not inaccurate. 

The band’s energy steadily increased, tempered only by Turner’s occasional breaks to comb back his hair — which the audience seemed to love. Their main set ended with the perfectly arranged trifecta of “I Wanna Be Yours,” “Fluorescent Adolescent,” and “505.” The encore was similarly paced, ending with fan-favorite “R U Mine?”

A pleasant surprise was opening act The Orwells. There’s been some heat on this Chicago-based quartet since the Arcs hand-picked them as their support act, and because of their very well-received appearance on The Late Show with David Letterman a few weeks back. Lead singer Mario Cuomo’s vacant yet engaging style captured the crowd’s attention, many dancing and bopping along to the band’s Post Punk stylings. Hope to see them back.

 
 
by Mike Breen 02.07.2014
Posted In: Live Music, Local Music, Festivals at 11:00 AM | Permalink | Comments (0)
 
 
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Winter Blues Fest Kicks Off Tonight

Cincy Blues Society’s annual winter fest showcases top-notch headliners, wealth of local talent

A satellite event to the Cincy Blues Society’s huge outdoor, summertime Cincy Blues Fest, the Winter Blues Fest — which returns to The Phoenix (812 Race St., Downtown, thephx.com) tonight and tomorrow — has truly grown into its own. This year’s lineup features two of the fest’s biggest national headliners yet. 


Celebrated Blues/Rock singer/guitarist Tinsley Ellis performs in the venue’s third floor Grand Ballroom on Friday at 9:45 p.m. Check out Ellis’ “Kiss Of Death,” from his recently released Midnight Blue album, below:



Accomplished singer/songwriter Janiva Magness performs in the Grand Ballroom on Saturday at 9:15 p.m. (For more about Magness, read Brian Baker’s preview from this week’s CityBeat). Here’s a clip of Magness and her band performing “I Won’t Cry,” which won her and co-writer Dave Darling “Song of the Year” honors at the Blues Music Awards (one of many Mangess has won over the past several years). 



Below is the full lineup (subject to change). Click each artist’s name for more info.


FRIDAY  

Third Floor Grand Ballroom

6:30-8 p.m.: G. Miles & The Hitmen

8:15-9:30 p.m.: Greg Schaber Band

9:45-11:15 p.m.Tinsley Ellis

11:30-12:45 p.m.The Blue Birds


Second Floor Cincinnati Room

6:30-7:45 p.m.: Bob Dellaposta

8-9:15 p.m.: Jimmy D. Rogers

9:30  - 10:45 p.m.: Leo Clarke & Chuck Brisbin

11 p.m.-12:45 a.m.: Dave Muskett Duo

 

Second Floor Archway Ballroom

7-8:15 p.m.: Blue Sacrifice

8:30-9:45 p.m.: The Juice

10:00-11:15 p.m.: Leroy Ellington Blues Band

11:30 p.m.-1 a.m.: The Blues Merchants

 

First Floor Presidents Room

6:15-7:45 p.m.: The Heaters With Ben Levin

8-9:30 p.m.Bekah Williams with Ricky Nye

10-11:15 p.m.: Ralph & The Rhythm Hounds

11:30 p.m.-1 a.m.: Ducttape & Dynamite

 
SATURDAY

3rd Floor Grand Ballroom

6-7:30 p.m.: The Tempted Souls Band

7:45-9 p.m.Doug Hart Band

9:15-11:15 p.m.: Janiva Magness

11:30 p.m.-12:45 a.m.: Johnny Fink & The Intrusion


Second Floor Cincinnati Room

6:30-7:45 p.m.: Brian Wallen

8-9:15 p.m.: Greg Schaber (Solo)

9:30-10:45 p.m.: TBA

11 p.m.-12:15 a.m.: The Twirlers


Second Floor Archway Ballroom

6:30-8 p.m.: Blues In The School Band

8:15-9:30 p.m.Chuck Brisbin & the Tuna Project

9:45-11:15 p.m.: The SoulFixers

11:30 p.m.-12:45 a.m.: Jay Jesse Johnson


First Floor Presidents Room

6:15-7:45 p.m.Little Red & The Rooster

8-9:15 p.m.Ricky Nye Inc.

9:30-10:45 p.m.Brad Hatfield Band

11 p.m.-12:45 a.m.: The Noah Wotherspoon Band


Tickets can be purchased in advance at cincybluesfest2014.brownpapertickets.com. Prices are $20 for one night or $32.85 for a weekend pass (there are smaller-than-usual service fees through the ticketing site). There will be food available and full-service bars throughout the venue. 


Visit cincyblues.org for the full schedule, artist details, ticket links, deals for special room rates at the nearby Garfield Suites Hotel and more.

 
 
by Brian Baker 02.04.2014
Posted In: Live Music, Local Music, Music Video, New Releases at 10:00 AM | Permalink | Comments (0)
 
 
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REVIEW: Black Owls' 'Wild Children'

If you are even a marginal fan of Black Owls (whose members split time between Cincinnati and Granville, Ohio) and have not yet visited their Bandcamp page to purchase a copy of their recent recorded triumph, Wild Children (which came out late last year), off with you. I'll wait. 

The Owls' fourth album is nothing less than the maturation of a supremely talented band that has been patiently waiting for the right pieces to fall into the right places almost from the beginning. The installation of drummer extraordinaire Brian Kitzmiller and the relocation of vocalist David Butler away from the drummer's chair and to the front of the stage was the first necessary shift, while adding second guitarist Brandon Losacker as a frenetic foil to Ed Shuttleworth's tightly coiled brilliance was inspired and equally required.

The bass position has been problematic only in its temporary nature; Nancy/National bassist Mike Brewer left to pursue his own thing, the thunderously wonderful Alan Beavers was forced from his role due to back issues and Goose four stringer Sammy Wulfeck was almost psychotically overextended and had to bow out; his work is all over Wild Children, a

tantalizing hint at what he brought to the Owls and further proof of his longstanding chemistry with Kitzmiller. (For the record, both Beavers and Brewer guest on Wild Children and remain welcome alumni in the Owls' extended family.)



On the whole, Wild Children is an expansion of the Owls' sonic mission statement of cross-pollinating early '70s-era Glam (see Bowie/Mott/Marc Bolan) with late '70s-era New York Punk (via Tom Verlaine's Television, Richard Hell's Voidoids and Lou Reed's simple fury). A good many of the songs on Wild Children have been worked out in live sets over the past year or so and will be familiar to anyone who has haunted the band's numerous local appearances; the effervescently charged "Incandescent Vultures," the melodically moody "She Invented Air," the propulsive and sinewy title track, produced into a beefy studio anthem. There's even a re-recording of "Julias Morningstar," one of the Owls' most recognizable and popular tracks from their 2008 debut, Lightning Made Us Who We Are. Wild Children shows that the Owls are gelling nicely and becoming even more comfortable and confident in the brilliant niche they've created for themselves.


And while Wild Children is patently excellent and an absolute necessity, perhaps even more exciting is the two-track glimpse into the Owls' future just revealed by Kitzmiller. A result of recent sessions featuring former Doc & the Pods/Roundhead four-stringer Kip Roe, an absolute prince of a human being and the perfect piece to complete the Owls' puzzle, the two songs find the quintet sounding less like the brilliant sum of their influences and more like a blazingly original band that has effectively incorporated their heroes into their creative vision without showing a seam

or dropping a stitch. "Gasoline" is a hard-charging, manic and relentless three minute thrill ride (and a prime candidate for the first single from the album that it will eventually crown), while "Rook" muscles along with the shivering, shimmering energy that has defined the Owls' best work over the past six years. These two as-yet-unmastered tracks show Black Owls evolving into a focused unit of astonishing power and unlimited potential.


More. Soon. Please. 


Black Owls perform for free this Friday at Newport’s Southgate House Revival in the Lounge room during The Black Angels/Roky Erickson concert in the venue’s Sanctuary.

 
 
by Mike Breen 02.03.2014
Posted In: Live Music, Live Stream, CEAs at 01:27 PM | Permalink | Comments (0)
 
 
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WATCH: The 2014 Cincinnati Entertainment Awards

Live video from Jan. 26 CEA ceremony now available courtesy of ICRCTV

Last Sunday's Cincinnati Entertainment Awards show — which featured 19 awards for local musicians and nine top-notch performances — is available to watch now courtesy of the fine folks at ICRCTV. Now's your chance to watch, in the comfort of your home, the show about which people have said was "fun," "blerg," "entertaining," "disappointing," "amateurish," "too noisy" and "lacking in chairs"! 

Click here for CityBeat's wrap-up of the show (plus the winners in each category), here for Jac Kern's observations as a first time host and here for oodles of photos from the event.

 
 
by Jessica Baltzersen 01.28.2014
Posted In: Local Music at 04:30 PM | Permalink | Comments (0)
 
 
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Local Guitarist Wins Master Class with Synyster Gates of Avenged Sevenfold

For most musicians, a trip to Hollywood to train with a legendary Rock star would be nothing more than a dream, but for local guitarist David Puthoff, it’s a reality. After winning a nationwide competition, the 19-year-old was one of 10 top prize winners chosen to be flown to Los Angeles to attend a VIP “Master Class” with Avenged Sevenfold’s lead guitarist, Synyster Gates.  

The Master Class with Synyster Gates of Avenged Sevenfold Contest, presented by Guitar Center, was a nationwide search to find the country’s most talented and creative guitarists. More than 1,500 contestants downloaded the provided signature Avenged Sevenfold backing tracks of their choice, to which they were challenged to re-write and add their own original guitar performance.

The competition was assessed in two parts: the popularity of fan growth over social media and the skill of the contestant’s performance, originality, style and technique by a panel of judges.

For his entry, Puthoff wrote and performed a refreshing duo combining both acoustic and electric guitar. The unique marriage of his classical guitar knowledge with his heavy-metal background worked in his favor, as it was not only a fan favorite, but was hand chosen by Gates himself in the final decision making process.

“It truly is a dream come true,” Puthoff says. “When I got the call that I had won, my heart dropped. I was completely speechless.

With Avenged Sevenfold’s City of Evil album artwork inked on Puthoff’s forearm, it’s evident that the group is his favorite band. The seductive dark tone of the Hard Rock/Metal band allured Puthoff in the sixth grade and the rest was Rock history.

“I always admired the band’s extreme uniqueness and use of tonality,” Puthoff says. But it was Gates’ rapid riffs and rhythms that mesmerized then-12-year-old Puthoff, making him his ultimate guitar hero. “He’s the reason why I wanted to play and get good at guitar,” he says.

In addition to the trip, which has been delayed due to weather, Puthoff won a Schecter Synyster Gates Special electric guitar, a behind-the-scenes tour of the Schecter factory and an Ernie Ball accessory prize pack. Although the bells and whistles are an added bonus, he’s really just looking forward to meeting and learning from his idol. “I really want to take in everything he teaches us,” Puthoff says.

Puthoff wants every piece of advice he can get, especially when it comes to how Gates got his start and achieved success. As lead guitarist of his own band, The Requiem, Puthoff is looking to use this trip as an opportunity to get an insiders point of view on how to make it in the music industry.

Puthoff and the other four members of The Requiem have been working hard to make a name for themselves here in Cincinnati. Performing at venues across the Tristate area and winning second place in a local battle of the bands competition, they’ve already built up a heavy amount of fan support and are currently working on recording and releasing their first album.

Although Puthoff’s skilled playing looks effortless, he’s been perfecting his craft and technique for over a decade. Fueled by countless hours of practice, dedication and hard work, he’s always strived to be the very best. At age 8, Puthoff started taking guitar lessons at Keller Music on the Westside of Cincinnati. In 2005, when the owner wanted to sell the store, Puthoff’s parents stepped in to purchase and take over as owners. As a Westside favorite for more than 40 years, they wanted to keep the business running so their son and daughter could continue to take lessons at their beloved childhood music domain.

In 2012 Puthoff joined forces with the family to become a teacher at Keller Music. The new and improved business recently renovated and expanded their store where they sell retail and offer lessons in guitar, bass guitar, drums, piano, mandolin and ukulele to adults and children of all ages. “The youngest student I taught was 5 years old, and the oldest was 75,” Puthoff says.

Although Puthoff enjoys teaching, his real love is performing. His dream is what any musical artist’s is: trying to make it big. He hopes for The Requiem to catch their big break, move to the innovative land of California and tour the world as full-fledged signed musicians. Although the starry-eyed guitarist has dreams of his “big breakthrough,” it truly is the music that ignites his passion and love for what he does.

“Music to me is a shoulder to cry on or a friend to celebrate with that will always be there for me,” he says. "It’s one of the very few ways where I can put my true emotion into something and hopefully have others feel the same way I feel.”

Check out Puthoff’s winning entry video here.

 
 
by Mike Breen 01.27.2014
Posted In: CEAs, Live Music at 09:04 AM | Permalink | Comments (0)
 
 
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CEA 2014 Winners

Who won what at the 17th annual Cincinnati Entertainment Awards

Check out a wrap-up of last night's 17th annual Cincinnati Entertainment Awards show in this Wednesday issue of CityBeat. (Spoiler alert: It was an amazing night.)

In the meantime, below are the winners in each of the CEA categories. Congratulations to all of the performers, presenters, nominees and other attendees for making last night's show at the Madison Theater such a success. (Here's a link to some footage from ICRCTV's Livestream stream last night.)

Cincinnati Entertainment Awards 2014 Winners

Rock: Electric Citizen 

Indie/Alternative: DAAP Girls

Metal/Hard Rock: Moonbow

Punk: The Dopamines

Folk/Americana: The Tillers

Bluegrass: Rumpke Mountain Boys

Country: Jeremy Pinnell and the 55’s

Singer/Songwriter: Molly Sullivan

World Music/Reggae: The Cliftones

Hip Hop: Buggs Tha Rocka

Electronic: Black Signal

Blues: Ricky Nye

Jazz: The Faux Frenchmen

R&B/Funk/Soul: The Cincy Brass

Best Live Act: Foxy Shazam

Best Artist Not Nominated: Young Heirlooms 

Best Music Video: “8 Ball” by Valley High 

Album of the Year: Fists of Love - I Sang My Heart Out to a Snake Once

New Artist of the Year: Tweens

Artist of the Year: Walk the Moon

 
 
by Brian Baker 01.24.2014
Posted In: Live Music, Local Music, Reviews at 10:10 AM | Permalink | Comments (0)
 
 
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REVIEW: The Tigerlilies - In the Dark

Longtime local rockers celebrate new album release tonight at MOTR Pub

It has been much too long since Patrick Hennessy and any viable version of The Tigerlilies have committed to a studio regimen and the clear goal of emerging with something/anything approaching the scorching delight of their first three discs, 1992's Deeper, 1997's Space Age Love Songs and 2003's Ceci N'Est Pas Pop. Hennessy's involvement with The Fairmount Girls began in 2004, a span of time that nearly equals the gap between the Tigerlilies' third release and its latest and perhaps greatest recorded document, In the Dark.


Vocalist/guitarist Hennessy, his drumming/singing brother Steve and bassist Brian Driscoll were joined by guitarist/vocalist Brendan Bogosian about midway through The Tigerlilies' long studio drought; Bogosian even did a little moonlighting of his own with Kry Kids. Somehow, the quartet managed to motivate themselves to pen a dozen new Tigerlilies classics and set to work with Culture Queer's Jeremy Lesniak at the console to create In the Dark. In fact, when I interviewed Culture Queer a little over a year ago, Lesniak was in the process of digitally tweaking In the Dark and promised that it would be their best album to date. That has turned out to be a promise well kept.


While The Tigerlilies are enamored with Rock's Glam period and Punk traditions, the band tends to filter it all through a greater love of Brit Pop in general, not to mention a proclivity toward a more defined Power Pop direction, resulting in a sound that suggests Cheap Trick and Husker Du teaming up for a Clash tribute. That position is made perfectly clear on In the Dark, from full throttle disc opener "Hold on Tight" to the melancholy joy of "Don't Let It Get You Down" to the Husker/Trick jittery jangle of "Sweetheart" and the anthemic Velvet Crush-like barnstorm of "Some Things Are Meant to Be." 


In the Dark isn't all bash-and-crash, with more than a few relatively quiet moments (the Beatlesque "Pull You In," "Five Will Get You Ten," the title track) offered as a bit of a breather, but even at their most sedate, The Tigerlilies bristle with an undeniable love of chiming Pop spiked with a bracing dose of melodic Punk. 



Don't miss The Tigerlilies' release party for In the Dark TONIGHT at MOTR Pub starting at 10 p.m. with openers Subsets.

 
 

 

 

 
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