On Aug. 11, 2014, the world lost one of its greatest entertainers of the last century — Robin Williams. I can remember where I was when I heard about his passing. I just got home from my day job as a security guard at King’s Island, logged onto Facebook and the first thing I saw was the headline reading “Robin Williams dies at 63.” To say that I was upset would be putting it lightly.
I think I can say with confidence that the whole world loved Williams because he touched us with his movies, television shows and stand-up specials. Of course anyone who grew up in the ‘80s and ‘90s will list off countless movies that left an impression on them, be it his game-changing performance in the Disney classic Aladdin (1992, directed by Ron Clements and John Musker) or his heartfelt and inspiring role in Dead Poets Society (1989, directed by Peter Weir). But the movie I’ve singled out this time was a go-to rental for me when I was a kid, when video stores were still a thing. That film is Steven Spielberg’s Hook (1991).
I’m sure many people are calling shenanigans on this being a “forgotten” film mainly due to Robin Williams in the lead role and Steven Spielberg being the director. I would be amongst those crying outrage as well, but when I began to think about it I realized most fans know of it only because of the nostalgia factor.
When it comes to listing the best of Spielberg or Williams, there are other films that would’ve been listed before this one. Even Spielberg himself had stated that the final product isn’t what he wanted and that he basically wants someone to remake it. But I can say that the product we have is a more than suitable film: the story of the workaholic lawyer Peter Banning (Williams) who ventures off to Neverland to rescue his children who have been captured by villainous Captain Hook (Dustin Hoffman). In that quest he discovers why his children were kidnapped — Hook did it to draw Peter Pan back to Neverland and fight him, and it turns out that Bannings is Pan. The catch is that Peter has forgotten who he is. Throughout the film Peter goes on a spiritual journey to rediscover who he is and rescue his children with the help of his ever faithful Tinkerbell (Julia Roberts) and the Lost Boys.
Williams is absolutely flawless in this role. He perfectly conveys both the uptight and work-centered lawyer and the childlike energy of the boy who refused to grow up. The lesson he learns in the end is something that is very logical and is something that should speak to anyone — while we all must grow up, we mustn’t lose our sense of adventure and wonder.
Peter’s journey to that conclusion is drawn in comparison to his archenemy Captain Hook. Ironically enough, it’s the adult who stays at a more immature stand point. In the original J.M. Barrie story, one could says that Peter is the hero not only because he rescues his friends from the villain but also because he lives in the moment and doesn’t oppose over anything, while Hook is all about revenge and will not rest until he has it.
At the beginning of the film Peter has his mind set on only one thing and that’s being a lawyer. That singular mindset leads Wendy (Maggie Smith) to say, “Peter, you’ve become a pirate.”
Peter’s son Jack (Charlie Korsmo) almost becomes like Hook as well when all he seems focused on is bitterness and hatred towards his father. Hook focuses on Jack’s anger and uses that as a weapon against the now aged Peter. But this ties in with another reason why Hook can be a considered a villain — he lets his anger control his life. Peter and Jack soon realize how petty and how unfulfilling holding a grudge is.
While I do see a couple problems in the film, mainly in the script department, I can’t deny the fact that I still find this film enjoyable and well made to this day. This was also a film that truly displayed why Williams was so beloved: He made us laugh, cry, and gave us that warm feeling that we all pine for. I guarantee that in years to come, this performance — among many others — will be fondly remembered.
Hey all! Here’s the news today.
A well-known former attorney has filed a federal lawsuit against the Kentucky Bar Association to get his license back after it was suspended. Eric Deters has served three suspensions over his career for making false statements in court, failing to return a fee to a client and other infractions. The latest suspension was handed down by the Kentucky Supreme Court in April. The court has an agreement with the high court in Ohio, keeping Deters from practicing here as well. Now Deters says he’s served his suspensions and wants to go back to practicing law, and says the Kentucky Supreme Court should reinstate him. Deters retired rather than seek reinstatement in Kentucky and Ohio, and indicated at the time he had no interest in practicing law again in either state. He’s acting as his own attorney, which has led to this pretty amazing complaint:
"Deters is no saint," he writes of himself in his complaint. "He is a sinner. But Deters is fit to practice law. Lawyers are not a choral of angels." Choir? Corral? Whatever. Deters is too tough for the haters. “What Deters incurred, lesser men would have have crumbled long ago," he says of the emotional and physical toll his suspension has caused. He blames an infection that nearly took his arm on the stress and strife his suspension has inflicted on him.
• You can never ban the devil’s weed too early or too often. At least, that’s the prevailing wisdom on Hamilton’s City Council, which banned sale of the drug in the city limits yesterday in a 5-1 vote. Though marijuana is already illegal in Ohio, council members wanted to have a municipal ordinance in place just in case a potential ballot initiative legalizing the measure passes in November and all hell breaks loose. ResponsibleOhio, the group filing the initiative, still needs to collect 300,000 signatures by July to even get the measure on the ballot, but better safe than sorry, Hamilton officials say.
“It's just being prepared for what happens if anything happens whether it be legislature or amendment, it's just being prepared for the next step," Hamilton Mayor Pat Moeller said.
• The Kentucky House passed a bill yesterday allowing the state to participate in public-private partnerships, clearing another hurdle for a toll-based Brent Spence Bridge replacement. However, several key changes were made to the bill to make it more friendly to Kentucky residents and lawmakers who may oppose tolls. These include requiring any tolls levied as part of a public-private partnership to expire once debt on the project is paid off, requiring analysis of any public-private partnership to make sure it’s the best way to do a project and requiring a majority of lawmakers on project oversight commissions be from the county where the project is happening. Next, the bill goes to the Kentucky Senate, where it will face opposition from GOP senators who are staunchly opposed to tolls on the Brent Spence project.
• Here’s another tidbit from Gov. John Kasich’s State of the State address earlier this week. Kasich devoted part of his speech to education in Ohio, defending his public school funding scheme and also his support of the state’s embattled charter school system. Kasich defended putting more money into that system despite low performance by many charter schools and questions about some schools’ integrity. He agreed that the system should have more oversight in the wake of allegations of wrongdoing at some schools across the state, but also defended schools that have simply been low-performing. Here, he made a pretty stunning statement:
“Let’s not judge someone as not doing their job because they’ve inherited a group of students who are just struggling,” he said.
Here’s the thing: This is the same (I’d say very fair and correct) logic many have used to defend struggling public schools the charter system was meant to compete with and do better than. That is more or less the whole reason charter schools exist, according to their creators and supporters. Sooo… blame public schools for their inability to educate students who struggle under the weight of very real massive systemic problems that make it difficult for them to learn, but don’t blame charter schools that take money from those schools and make their jobs even more difficult for the same thing. Got it.
• Speaking of Kasich, he’s finally getting some national attention as he steps up his efforts to run for the GOP presidential nomination in 2016. Maybe it’s not always the attention he wants — this story calls him out on his efforts to create a Rondald Reagan-inspired balanced budget amendment to the U.S. constitution — but on the other hand, if you’re a Republican governor looking to run for president, perhaps a piece in liberal Mother Jones magazine about how lame your policy ideas are means you’ve finally arrived. So, uh, congrats on the milestone, governor!
• Let’s talk about a former governor for a minute, specifically Democrat Ted Strickland, who just jumped into the 2016 U.S. Senate race. As we’ve already discussed, Strickland’s announcement earlier this week caused a big stir, and now he’s already getting hit by GOPers and concerned editorial writers across the state. Ohio GOP Chairman Matt Borges mocked Strickland’s entrance into the race on Twitter today, saying, “same old @ohdems. Can’t get their act together” in response to an article about Strickland possibly having to face Cincinnati City Councilman P.G. Sittenfeld in a primary. There are worries that a very contentious primary could sabotage Democrat’s chances at picking up incumbent Sen. Rob Portman’s seat, which is dearly needed if Democrats want to take back control of the Senate in 2016. On the other hand, having two strong candidates could be seen as an encouraging sign for the party, and the early level of mockery from Republicans shows they’re taking the threat from Strickland seriously. It’s already clear this isn’t last year’s governor’s race, where Kasich straight-up didn’t acknowledge Dem opponent Ed Fitzgerald during a debate because he didn’t have to.
• Finally, the Federal Communications Commission is voting on net neutrality today. This is a huge day for the Internet. If you don't know what's up, uh, start reading.
Update: the FCC voted 3-2 to require internet providers to operate as neutral gateways through which internet service flows. That ruling prohibits providers from making so-called "fastlanes" that would provide higher-speed connections for some companies and content. Also today, the FCC struck down state laws prohibiting cities from establishing their own internet services, allowing municipalities to create their own internet services in places that may only have one (or no) reliable internet service provider.
That’s it for me. You know the drill. Tweet at me. Email me (firstname.lastname@example.org). Messenger pigeon me. Whatever you gotta do to get those news tips and whatever else you want to talk about.
The Bunbury Music Festival will present its fourth annual three-day event on Cincinnati’s riverfront (Sawyer Point and Yeatman’s Cove) June 5-7 this year (moved up from the usual July dates due to Reds/All Star Game activities). This morning, organizers of the festival — which was purchased by Columbus-based PromoWest Productions late last year — officially announced the lineup this morning.
Bunbury 2015 will feature headliners The Black Keys, Snoop Dogg and The Avett Brothers. The rest of the lineup includes Brand New, Tame Impala, The Decemberists, Old Crow Medicine Show, twenty one pilots, Walk the Moon, Matt and Kim, Bleachers, Royal Blood, Manchester Orchestra, Father John Misty, Atmosphere, Temples, Shakey Graves, Kacey Musgraves, The Devil Makes Three, Reverend Horton Heat, Lindsey Stirling, Catfish & The Bottlemen, Jamestown Revival, Mikky Ekko, The Reverend Peyton’s Big Damn Band, Mini Mansion, The Front Bottoms, Jessica Hernandez, Secret Sisters, Lil Dicky, machineheart, Go Analog, Bummers and Indigo Wild.
So far, Cincinnati acts on the bill include Multimagic, Buggs Tha Rocka and RCA recording artists Walk the Moon, who have been touring relentlessly behind their sophomore major label release, Talking Is Hard (the band recently appeared on The Tonight Show; see video below). More artists are expected to be announced leading up to the festival.
One-day and three-day tickets for the 2015 Bunbury fest are available now. Click here for pricing and links.
Good morning readers. I hope you're all surviving the bleak, cold, dark days of February better than I am. I can't stop myself from browsing the "Getaways" section of Groupon — five night, all-inclusive stay in Punta Cana? Sign me up! I'll go anywhere the sun is shining and the heat is brimming.
As I wrote on Monday, season announcements from Cincinnati theaters are a sure sign that warmer days are ahead. The temperature cranked up a few more notches tonight when Cincinnati Shakespeare Company announced its 2015-2016 season. It’s no secret that CSC’s history and stock-in-trade are plays by William Shakespeare, of which they’ll offer four in the coming months. But their broadened scope includes definitive works of drama and stage adaptations of literary classics by great writers. Here’s what will be onstage at 719 Race St. from August 2015 through June 2016:
THE COMPLETE HISTORY OF AMERICA (ABRIDGED) by Adam Long, Reed Martin and Austin Tichenor. Cincy Shakes has had tons of fun with The Complete Works of William Shakespeare (Abridged). But Long, Martin and Tichenor have been generating laughs with numerous other subjects, and this is one of their best works. (It was staged at the Cincinnati Playhouse 10 years ago.) This one is a wild ride through our nation’s past featuring three actors, who probably did not pass high school history, who set off on a whirlwind historical tour that’s finds laughs in many of our nation’s greatest hits and misses. This production is a “season extra,” not included in subscription packages. July 24-Aug. 15, 2015.
CYRANO DE BERGERAC (based on Anthony Burgess’s translation of Edmond Rostand’s 1897 French play). Cincy Shakes will kick off the fall theater season with this classic romantic tale of the valiant and clever Cyrano de Bergerac, with long-time ensemble member Jeremy Dubin in the title role. Cyrano epitomized panache: In fact, that French word a feather or a plume was the hallmark of this dazzling swordsman and brilliant 16th-century poet. But he has a flaw, a gargantuan nose. He loves the beautiful and brilliant Roxane but is convinced his clownish appearance means he has no chance with her. Unaware of his feelings, Roxane tells him she loves Christian, a handsome but dull solider; Cyrano intercedes by writing letters and verses to her as if they were from Christian. The play has wit, swashbuckling adventure and profound romance. Sept. 1-Oct. 3, 2015.
Jeremy Dubin as Cyrano in Cyrano de
Bergerac. Photo: Mikki Schaffner.
DEATH OF A SALESMAN by Arthur Miller, written in 1949, won multiple Tony Awards as well as the Pulitzer Prize for drama. The story of the waning days of an aging salesman who still yearns to make it big is one of the great plays of the 20th century. Cincinnati stage veteran Bruce Cromer will play Willy Loman, the show’s memorable loser. This poignant tale of an average man trying to achieve the American Dream, surrounded by his strident sons and his loving wife is an exploration of failure and success that still resonates today. Oct. 16-Nov. 7, 2015.
AS YOU LIKE IT by William Shakespeare is the first of Shakespeare’s plays for the season and one of the Bard’s most popular, a predictable bestseller for Cincy Shakes. This time it will be the company’s offering around the holidays, featuring ensemble member Sara Clark playing the spirited Rosalind, banished to the Forest of Arden with only her cousin and a fool for company. She dresses as a man for protection and comedy ensues in the woods where love poems to her are posted on the trees. The lovelorn poet is handsome Orlando, whom she tests while hiding behind her boyish disguise. This show is great fun because it features numerous comic characters, delightful music and warm-hearted romance. Nov. 20-Dec. 12, 2015.
Sara Clark as Rosalind in As You Like It. Photo: Mikki Schaffner.
EVERY CHRISTMAS STORY EVER TOLD (AND THEN SOME!) by Michael Carlton, James Fitzgerald and John K Alvarez. Cincy Shakes finishes up As You Like It just in time to celebrate the 10th anniversary of its annual holiday hit, an irreverent look at umpteen BHCs — the show’s acronym for “Beloved Holiday Classics.” The evening starts out innocently enough as one character endeavors to perform a solemn reading of A Christmas Carol. But before long audiences are entangled in the stories of Frosty, Rudolph, Charlie Brown and George Bailey. Four of Cincy Shakes’ veteran actors (one as a highly inebriated Santa) send up everything from Dickens to Dr. Seuss. It’s another “season extra” (outside regular subscriptions) and definitely not for anyone who still believes in Santa. Dec. 16-27, 2015.
HENRY VI , PART I by William Shakespeare. The company has committed parts of several seasons to work its way through Shakespeare’s cycle of history plays. This year it’s the first of three parts that tell the story of Henry VI. Actors continue to reprise roles they’ve played for several seasons in two parts of Henry IV and Henry V. In this installment, the untimely death of Henry V puts his infant son on the throne, and the War of the Roses, pitting the houses of York and Lancaster against one another, is off and running. Jan. 22-Feb. 13, 2016.
JANE AUSTEN’S EMMA (adapted by Jon Jory). Cincy Shakes has struck gold with stage productions of Pride and Prejudice and Sense and Sensibility, Jane Austen’s novels of early 19th-century manners as adapted by Jon Jory, the longtime artistic director of Actors Theatre of Louisville. These shows appealed to audiences in part because the company has a corps of talented female actors (presently showcased in Little Women) who will find great opportunities in Austen’s tale about amateur matchmaker Emma Wodehouse who lives to meddle in others’ love lives. When she tries to set up her less than promising friend Harriet, the plan goes awry, and Emma must try to undo the damage. It’s another classic story of wit, whimsy and anxious romance. Feb. 26-March 26, 2016.
JULIUS CAESAR by William Shakespeare. Part one of a season-ending epic pairing of two of the Bard’s great plays begins with this tragedy about the brilliant general, a cunning politician and beloved leader of ancient Rome. Jealous Roman patriots decide his ambition is a threat to the Republic and assassinate him on the senate floor. The result is a civil war that tests friendships and loyalties; it also determines the fate of the Roman Empire. April 8-May 7, 2016.
ANTONY AND CLEOPATRA by William Shakespeare. The second part of the company’s special event offers this rarely staged epic sequel to Julius Caesar. The civil war has ended and the empire has been divided. Marc Antony heads to Egypt to rule his corner of the globe, but his plans are sidetracked by Egypt’s Cleopatra. Their love affair pits Rome and Egypt against each other and changes the ancient world forever. May 13- June 4, 2016.
Subscriptions ($143-$233) are sold in flexible sets of seven that can be used one per production or in other combinations. Subscriptions and single tickets are now for sale via cincyshakes.com or by calling 513-381-2273, x1.
Shinji Turner-Yamamoto's 2012 Global Tree Project: Hanging Garden — two trees suspended by wire inside Mt. Adams' deconsecrated (and crumbling) Holy Cross Church — is now generally recognized as one of the high points of public art in Cincinnati in recent years.
In addition to proving inspirational for us in terms of what large-scale, site-specific art can be and what local artists can accomplish, it also has attracted ongoing international attention for him.
The latest development is his inclusion in an exhibition, About Trees, opening this fall at the Zentrum Paul Klee museum in Bern, Switzerland. For his site-specific work in the museum's main hall, he will work with a dying linden tree on the museum grounds.
The exhibit — part of a trilogy of related shows that continues into 2017 — is dedicated to the tree as a motif in international contemporary art. Turner-Yamamoto finds himself in some very impressive company. Others with work in the show include Paul Klee, Carlos Amorales, Louise Bourgeois, Paul McCarthy, Ana Mendieta and Shirin Neshat.
Meanwhile, a large-scale photograph of the Hanging Garden installation was commissioned by Caroline Kennedy, U.S. Ambassador to Japan, for the ambassadorial residence in Tokyo as part of the Art in Embassies Program.
Also, he will have a show at the Weston Gallery here next year.
Morning y’all. Let’s talk about the news real quick. I think winter is getting to me, because this update got pretty opinionated pretty quickly.
Can you think of anything useful, even vital, on which the county could spend $7.5 million? Maybe chipping in a bit more toward the Union Terminal renovation, or giving a bit to the effort to shape up Music Hall? Maybe addiction treatment or some other human services funding? More sheriff’s deputies on the streets? Or, you know, maybe they could put that cash toward a new crime lab and morgue, both of which are critically crowded and out of date. Or etc. I ask because $7.5 million is the recently-announced amount county taxpayers will pay for new Bengals scoreboards as part of some $12 million overall the county will cough up from its sales tax fund for stadium improvements. Is there any estimate on return on investment for the county on this? Will the new high-definition scoreboards create at least $7.5 million in sales taxes for the county somehow? In return for this outpouring of county largess tied to the 15-year-old albatross of a stadium deal, the Bengals made an exception for projects at The Banks to a provision in their lease that stipulates the height of buildings around the stadium. That’s nice of them. These are all things I will receive exactly zero benefit from in my lifetime.
• Anyway. Speaking of the county, it has settled with the families of three women whose corpses were abused by a former morgue employee from the 1970s to the 1990s. The county will pay $800,000 to the families to end a lawsuit centered around the behavior of Kenneth Douglass, who is believed to have abused more than 100 bodies in the years he worked for the morgue.
• This is pretty cool, I think. The University of Cincinnati will redevelop the old Sears building on Reading Road and Lincoln Avenue in Corryville into an innovation hub for UC-related startups. The university will spend about $16 million to turn the 130,000-square-foot structure, which has a distinct Art Deco vibe, into a business and tech incubator. The building was the first Sears store in the city when it was built in 1929. I’ve always really liked this building, and recently, with the fencing that has surrounded it, I’ve been afraid they would tear it down. UC bought the building in 1981 and it housed the university’s campus services until last year. When I was an Americorps member a few years ago, the UC-affiliated nonprofit I worked for had storage space in the building. I know its creepy, dimly-lit hallways well and I’m excited to see it restored.
• It’s official. Former Ohio Governor Ted Strickland has entered the 2016 Senate race. Strickland, who will be 75 by that time, could face off against Republican incumbent Sen. Rob Portman, creating a high-profile battle between two of the biggest names in state politics. Portman is popular, with millions in the bank for his next campaign, but Strickland is a formidable opponent and perhaps Democrats’ best shot. However, at the moment, Strickland’s got some competition for the Democratic nomination in the form of Cincinnati City Councilman P.G. Sittenfeld. Sittenfeld, 30, announced his intentions to run last month and has raised $500,000 for his campaign thus far. He’s a dynamic young candidate who has done a great deal in a short time and looks to still be on the rise. Some within the party believe he’ll bow out to the higher-profile and more experienced Strickland, but some of Sittenfeld’s own funders have indicated they’re backing him no matter who else is in the game. Will P.G. keep running, or will the state party convince him to sit this one out?
• Speaking of state politics, Gov. John Kasich gave his State of the State address last night. During the hour-and-a-quarter long speech, Kasich tacked rightward, mostly emphasizing his plan to cut income taxes as a way to encourage economic growth. The speech is an important moment for Kasich as he seeks a larger spotlight. Kasich’s been traveling and fundraising in connection with his bid for the Republican Party nomination for the 2016 presidential election. Kasich’s recent budget proposals, which he again touted in his speech, suggest he’s trying to balance the demands of the Republican party’s right wing — cut taxes to the bone, ease regulations on businesses — with a need to stay viable in a general election by appearing to be a compassionate conservative who cares about the plight of the poor, education funding and so forth. It makes sense that Kasich would emphasize the more conservative elements of his plan in his address last night — the yearly oratory is traditionally aimed at the state legislature, which is dominated by rightward-leaning Republicans. Those lawmakers don’t seem super-enthused by Kasich’s plans, however, balking at tax increases on cigarettes and oil drilling, for instance. One last note on Kasich’s big speech — he awarded the Governor’s Courage Award to Cincinnatian Lauren Hill, the Mt. Saint Joseph student and basketball player who is fighting an inoperable brain tumor.
• Finally, I generally like the New York Times. They often do fantastic work. But this piece today about downtown Cincinnati’s resurgence following the 2001 civil unrest is mystifying to me. First, there are about a million things that made Cincinnati sluggish and grim before and after the unrest, including many systemic issues that haunted and continue to haunt the city specifically and others endemic to a lot of other urban areas. There are about a million other things that have happened since the unrest that have made the city’s center, and many other downtowns, take off. Tying the two things together while saying that memories of the unrest are “fading” (probably not true) seems to miss a number of things. The article doesn’t mention the city’s pervasive poverty problem, the fact we’re at the bottom of the list in America for infant mortality, the fact that its police force (30 percent black) still doesn’t match the demographics of the city (which is 45 percent black). It barely glances at the issue of gentrification, a problem many say is accelerating in the urban core and a subject that has been hugely divisive over the past decade. Anyway. That’s my media criticism for the day.
Tweet at me (@nswartsell) or give me an e-mail (email@example.com) if I bummed you out hating on the Bengals, or if you feel the way I do about the team's blinging new big screens.
While Jess Lamb’s American Idol journey may be over, the show is still very much a part of her everyday life. Fans of the show know that the performers often leverage their appearances into work on other projects, such as backup singing or working with national acts in collaborations. It is a process that takes a great deal of time and effort but there is another aspect of being an Idol contestant (current and former) that many fans may not consider — namely, keeping up with the social media explosion that coincides with debuting on the show. It’s a deluge of activity that, initially, can’t be adequately prepared for and it’s one that Lamb experienced firsthand.
“At first, after my audition aired, my sites couldn’t keep up. My stuff was literally shut down,” Lamb explains.
As a local artist, Lamb was used to receiving a friend request on sites like Facebook, Twitter, Tumblr or Instagram fairly often. She relied (and still does rely) on social media for the majority of her publicity regarding upcoming shows and releases. But after her premiere, the number and frequency ballooned in a very short period of time. Furthermore, friend requests from friends of friends or local fans morphed into a nationwide fan base that searched Lamb out on her social media outlets.
“It’s crazy that I can make a post about a song and get 90 likes and in two days see hundreds of streams,” Lamb says. “It’s actually reaching people who are friends of mine because they want to hear the music, not because they’re interested in the scene. They’re literally curious about what I’m doing — they want to hear more.”
But this influx of attention has heightened Lamb’s time on said social media, simply so she can keep up with all of the activity across her accounts, while still trying to maintain a public presence and keeping her fans up to date with her myriad projects. In fact, Lamb has had to cut back on the time she spends at her 9-5 job so she can answer fan requests and emails in between interviews, studio work and live performances.
It’s been a dramatic transition for Lamb who, before Idol, rarely used her social media for any personal or professional purpose. In fact, it was her fiancé who initially showed her the value of using social media to self-promote. Social media activity actually lines up with Lamb’s well established indie sensibilities. She takes pride in having a control over her public output, whether that be an Instagram photo or uploading a new song onto iTunes.
“I still own all the songs, I’m not going to get slapped on the wrist for releasing songs because I’m not releasing for a label —it’s still mine, it’s on me. If I fail, I’m the one filing bankruptcy. If I succeed, I get to hire more people,” Lamb says.
She also leverages her public output to help other artists that she works with as well. For example, many of her fans have seen clips of Lamb’s work with local Electronica act Black Signal or marveled at her unique jewelry and clothing, much of which comes from local boutique Lulu White. Lamb has been repeatedly asked about her collaborations and takes great pains to make sure that her partners get the recognition they deserve. In doing so, she is able to shine a light on not just projects that she is personally a part of, but also projects that she is a personal fan of, showing her fans another aspect of her personality and artistic output.
In many ways, keeping up with her social media has become another job for Lamb, requiring large amounts of time and thought to be put into its upkeep. But it’s a job she enjoys doing and one that she has no intention of passing off to anyone else.
“I would prefer to spend my time doing the social media stuff, I really do enjoy it. It helps me to come out of my shell when I’m sitting behind the computer,” Lamb says.
For her fans this is great news, because they can be assured that anything they see coming from Lamb online is actually coming from her and not a hired gun. It’s a genuine correspondence, which in today’s pop music world is a rarity.
Last year, Cincinnati Hip Hop artist MC Till (aka Adam Hayden) did the unexpected and released The Neighborhood, an amazing album that brilliantly fused Jazz with Hip Hop rhymes. This year, Hayden is working on another delightful musical curveball — a Hip Hop-centric album (available on vinyl) and book project for children titled The Corner.
The seeds of the project were planted several years ago when his friend, graphic designer/videographer/rapper Vernard Fields, who has worked over a decade with special needs children in the Cincinnati Public Schools system, mentioned to Hayden that he wanted to make a Hip Hop album for kids. In 2012, while Hayden was working as an assistant CPS teacher, he discovered that by rapping some children’s poetry, he quickly and easily captured the attention of the first grade class in which he was in charge. Recalling Fields orginal suggestion, Hayden got back in touch with him and the pair worked out some material and presented it to an even younger audience (pre-schoolers), where they were again a big hit. Hayden and Fields then teamed up with illustrator Charlie Padgett to create the visuals for The Corner.
The high-quality book and album will be made available as hard copies and digitally (an app and website are also in the works) and the trio hopes that schools will be interested in using their project in the classroom. The Kickstarter perks offered for the campaign for The Corner include having bundles sent to specific teachers and schools (there’s even an accompanying study guide for teachers).
The ambitious project won’t be cheap to produce; the three artists are currently aiming for more than $48,000 in their Kickstarter campaign. If you’d like to contribute and/or check out the project, click here or on the video below.