Adding to the ever-growing number of public art murals in Covington, Ky., BLDG welcomed the Brooklyn-based street art collective, FAILE in October to complete a massive painted Pop art installation in their torn collage style that spans three walls and either side of Sixth Street.
BLDG, the locally grown art gallery/branding firm, is responsible for numerous murals around Covington including (but not limited to) 10 recognizable black and white characters done by The London Police on notable Covington landmarks and businesses, as well as the current COV200 mural project for the city’s bicentennial celebration, which will involve more than 20 murals by the time it’s completed.
FAILE artists Patrick McNeil and Patrick Miller sent a crew of two studio assistants to begin the initial layout for the piece, which involved pouncing an outline of the design onto walls with cheesecloth bags filled with powdered pigment. Unfortunately for their studio assistants who had come to do the initial legwork, whenever it would rain (and before they could trace a more permanent outline with Sharpie), a storm shower would come and wash it all away.
Despite some less than ideal weather conditions during the two-week installation process, the artists themselves came into town the final two days of painting and were able to finish the grand installation by Oct. 23, when I met up with them at Arnold’s amidst a full table of BLDG employees, headed by Lesley Amann.
Amann recently stepped in as partner at BLDG after the founder — her husband, and the driving force behind BLDG’s commitment to public art — passed away a year ago this month. Lesley said that the FAILE mural was one of the last projects Mike began before he got sick and when I asked Miller and McNeil, “Why Covington?” McNeil echoed that sentiment.
According to the artist, a large factor in FAILE’s involvement was due to, “getting to know these guys and wanting to pull through for them and represent.”
Project leaders unveiled the new three-wall piece to the public on Oct. 23 and the mural included such iconography as the FAILE dog and a cat burglar on the opposing wall, as well as a visual reference to some of the collaborative’s newer works, which depict classic American muscle cars.
Patrick Miller puts their artistic approach in simple terms.
“Our work has always been about making images that people can find their own narrative in and relate to in their own way. It’s always more fun for us to see the way people react to the work — the kind of stories they make up about it. Whenever you’re doing public work, that’s the beauty of it: It’s meant for anyone to come see.”
Hey all! We’re just two days away from an end to the ceaseless campaign ads, yard signs, life-size cardboard cutouts, mailers and other political spam candidates have hurled our way for months now. That’s exciting. To celebrate, maybe go out and vote if you haven’t already.
Speaking of voting, early voter turnout in Ohio has been especially low in this election so far — 40 percent lower than 2010, the last mid-term election. No one really agrees why, by the fact that Ohio has seven fewer early voting days this year can’t have helped the dynamic. Democrats say the reductions have limited the ability of low-income and minority voters to get to the polls. Republicans point out that Ohio still has more early voting days than many states. Some, like Kentucky, don’t have any.
• For months, a fight has been brewing around the iconic and dilapidated Davis Furniture building, which is on Main Street near the intersection with Central Parkway. Today may be a decisive one in that fight as the city’s Historic Conservation Board votes on the building’s fate. The building is something of a landmark, with that weird guy dropping a bowling ball on some mattresses welcoming visitors into OTR’s arts corridor. The Stough Group, a local developer that owns the Hanke Building and others across the street, bought the building earlier this year and promptly applied for permits to tear it down. That caused protest among historic preservation advocates and a six-month delay by the preservation board as alternatives were researched. Stough says the building is too far gone to preserve in a cost-effective manner. Preservation advocates point out that other groups aiming to save the building, including 3CDC, have tried to purchase it so they can fix it up. The conservation board meets at 3 p.m. to vote on Stough’s demolition application.
• Four of the five clocks that once adorned the long-lost globe mural over Union Terminal’s now demolished concourse have recently resurfaced. The clocks marked time across the U.S. for passengers on cross-country train journeys boarding trains from the concourse at the rear section of the terminal. By 1974, those trains had stopped coming, and the concourse was seen as an antiquated liability. It, along with the enormous 16-foot high, 70-foot-long mosaic, were torn down that year.
And as far as anyone knew until recently, that was the end of the story. Other murals depicting the history of industry in Cincinnati were saved and moved to CVG International Airport, but the largest and most ornate of them ended up in the landfill. The terminal itself eventually became the Cincinnati Museum Center. But now, the clocks have surfaced again from the warehouse they’ve been resting in for 40 years. And the owner, whose father owned the rigging company that helped tear down the building, is looking to find a good place for them. Let’s hope these timepieces find their way back to their original home.
• A local mega-corporation is caught up in an international tax fight. P&G is temporarily barred from doing business in Argentina, which has accused the Cincinnati-based company of tax fraud over $138 million in imports from Brazil that went through a Swiss-based P&G subsidiary. The country has experienced a rocky financial road over the past decade plus, including two defaults on international debts.
• A gun group started by two Indiana women for women looking to pick up weapons in self-defense has skyrocketed in popularity, drawing hundreds of calls and steadily increasing membership. Women Armed and Ready started five months ago in Aurora, Indiana. Since that time, the group has opened up a second chapter in Batesville and looks to branch out nationally. The group, which offers gun safety and self-defense training, has received attention from national gun groups and will be featured in the National Rifle Association’s All Access TV program, which runs on the Outdoors Channel. They’re also set to appear in gun-themed magazines and other publications.
• Home ownership rates across the United States are at the lowest levels they’ve been in nearly two decades, driven by the lingering 2008 housing crisis, generational shifts in living patterns and other factors. It’s easy to find the trend in Ohio cities, and now Columbus is considering ways to address the shift. The city is mulling programs that could provide grants or low-interest loans for landlords who want to upgrade properties or renovate vacant ones for housing. The city is also looking at ways to continue to incentivize home ownership.
• Finally, to put into the “freedom of the press isn’t free” file, it’s come out that airspace restrictions requested by law enforcement in Ferguson, Mo. were put in place mostly to restrict media coverage of the massive protests happening over the Aug. 5 death of 18-year-old Mike Brown. Recorded conversations between law enforcement officials make it clear that the number one concern for those officials was restricting press helicopters and other aircraft, and that safety was at best a secondary concern. If you think that sounds like some conspiracy theory stuff, I agree. But this is the Associated Press reporting this, so yeah. Disturbing.
Toronto punk rockers PUP play MOTR Pub in Over-the-Rhine tonight. The free show also includes performances by NYC's Chumped and Washington, D.C., Garage Pop group Typefighter.
PUP put out its debut album last year on the Canadian label Royal Mountain Records and then the subsequent buzz landed them a deal with L.A.'s SideOne Dummy Records before the end of the year (the label reissued the self-titled debut album this past spring). The quartet has received a lot of positive notice for their adrenalized and melodic sound; Stereogum called them one of the best new bands of last year and Noisey proclaimed the LP a "perfect 10," saying, "If Weezer made a punk record somewhere between the blue album and Pinkerton, this would be it. Or if The Bronx covered Modest Mouse songs."
• Experimental/Industrial/Noise duo Ora Iso play Rake's End in Brighton tonight at 9 p.m. Inbreeder, Evolve, No Heat and DJ Inhuman also perform.
Brooklyn-based Ora Iso, featuring classically trained pianist/vocalist Kathleen Malay (born in Indonesia and former Australian resident) and guitarist Jason Kudo, released its debut album, Bathcat, on the Ba Da Bing! label just a few weeks ago. The twosome's Industrial/Post Punk sound has been likened to acts like Throbbing Gristle and The Dirty Three.
• Hip Hop acts Hoodie Allen and Chiddy Bang perform tonight at Bogart's in Corryville. Max Schneider also performs. Doors open at 6:30 p.m.
From Reyan Ali's Hoodie Allen preview for CityBeat:
People Keep Talking, which landed in mid-October, marks his inaugural full-length after a string of mixtapes and tours. Armed with a massive trove of pop cultural references, a handful of guests (Ed Sheeran, most notably) and a really solid repertoire of beats, Hoodie spends People speaking about ambition, money, life as an underdog and relationships. That last category is truly his specialty; although he occasionally shoots for the badass rapper vibe, he really has a sensitive Justin Timberlake thing going on that he’s never afraid to embrace. Markowitz recently tweeted his interest in touring with One Direction — a move definitely up his alley.
Beyond Pop: A Tom Wesselmann Retrospective opens to the general public today at Cincinnati Art Museum, with an Art After Dark Halloween costume party from 5-9 p.m. part of the celebrations for the late native-Cincinnatian, New York-based Pop artist.
But last night, members of the museum’s Founders Society level ($1,500-$50,000) got a special opening that included Wesselmann’s widow (and frequent model) Claire discussing her husband’s work with Jeffrey Sturges, studio manager for the Tom Wesselmann Estate.
The presentation started with Matt Distel, the museum’s adjunct curator for Contemporary art, praising the exhibit’s installation — especially the work of chief perparator Kim Flora. “You would hardly know how difficult and heavy those pieces are — they look like they float off the wall,” he said.
I would agree — some of Wesselmann’s complex pieces as gigantic canvases, some are shaped canvases with three-dimensional elements, some are assemblages with sculptural elements, and he did a series of “metal paintings” (oil or enamel on cut-out aluminum) that had to be difficult to handle and mount. None looks graceless or awkward in the gallery spaces.
Next, Claire presented the museum with a gift — one of Wesselmann’s metal paintings, “Barn Near Hilltop Airport.” And she explained how much her husband wanted a U.S. museum retrospective while he was alive, revealing that he saved important works for such an occasion and even prepared a speech in his diary.
She read an excerpt: “I loved being alive even though I buried myself alive in my work.”
(He died in 2004 at age 73. While he had European retrospectives, this is the first in the U.S./Canada. It has already been in Montreal, Richmond, Va., and Denver — this is the last stop. Montreal’s Museum of Fine Arts with the Estate’s assistance organized the first two stops; Cincinnati the last two.)
During her conversation with Sturges, Claire offered some insights into her husband’s work. One of his great early Pop innovations, the use of cutout images from billboard advertising posters as collage elements in his paintings, came about for practical reasons.
As a poor artist, he could get those for the asking — he wrote to companies to send them. And he knew how to get them free, too. “At that time, they took down subway posters and threw them in the can,” she said. “So then Tom came along and took them.”
She also revealed that Tom loved the Abstract Expressionist art in vogue in the mid- to-late 1950s, when they were attending New York’s Cooper Union college together. But he knew he needed to do something new. “Abstraction was the thing he really wanted to do, but he took another path,” she said. “But he came back to it.”
As Tom moved through different themes in his work, in the 1990s he started turning to abstraction in his metal paintings. A picture of one, 1993’s “Claire’s Thigh,” was shown at the presentation. “I like this very much, minus the title,” Claire said.
During the question-and-answer period, there was also discussion of Tom’s infatuation with Country and Western music. He wrote more than 400 songs and some were recorded. One, “I Love Doing Texas With You,” was played softly in the film Brokeback Mountain. The retrospective has a small display devoted to his music, although no way to hear any of it.
Claire said when she and Tom would visit his parents in Cincinnati from New York he’d listen to country music on the radio. “He’d take the car and we’d go driving and he’d flip on the country stations,” she said. He’d say, ‘I like the stories.’”Visit www.cincinnatiartmuseum.org for exhibit details.
I crowd surfed for the first time ever in Strasbourg, France. And I did it in a hot dog costume.
Man, I can’t wait to tell my grandkids this story.
The hot dog spawned from a Facebook Messenger conversation before we even left. As we were preparing for the trip, the group bought me a glow in the dark skeleton onesie. It proved far too comfy and warm for it to be a nightly outfit in dirty, sweaty bars. I know this because I happily wore it around my house on several occasions.
Through the conversation it was eventually decided that I needed an Elvis outfit to wear during shows. I agreed and took a trip to a local Spirit Halloween in search of my tour uniform.
I was quickly disappointed.
Not only did they not have any Elvis costumes, the employee told me that the only place she knew that had one was a costume rental shop across town. The price put the costume way out of my price range. So I had to come up with something just as American (i.e. over the top and ridiculous). I browsed around, shot down the idea of a German beer girl costume — no one needs to see that much of my upper thigh — and stumbled across an area of cheap, lazy costumes. One of which was the hot dog suit. I snapped a picture, sent it to the boys and was met with joyous approval. I was still under my assigned budget so I picked up a Flavor Flav-sized dollar sign pendant and made my way to the register. Now, I was truly ready for Europe.
The hot dog costume has made an appearance a handful of times at shows, typically during the last song of the set or the encore. Sometimes I’ll put it on and rush to the front of the stage to get the guys to laugh and mess up. Being the consummate professionals that they are, they’ve never flubbed a song as far as I can tell.
But recently, they’ve been requesting the hot dog from stage, meaning I have to quickly dig it out, throw it on and run out to the crowd. They usually do so for their own amusement or to drive sales at the merch booth by proclaiming they have the würst merch guy in history. I never said that these guys were comedians …
Now, the majority of crowds just look confused by the sudden appearance of a hot dog at a Rock show but some get it and boy are their reactions spectacular. You haven’t lived until you’ve headbanged with two long hairs in a sweaty Halloween costume. But the crowd reaction in Strasbourg takes the cake.
The show was Punk Rock all the way — the sound was awful, the fans were packed in like sardines and the beer was flowing freely. The crowd had already spawned a crowd surfer, which is an admirable feat due to the fact that the venue is in a basement. Crowd surfing and grazing the ceiling of a club rarely go hand-in-hand. When the band called for the hot dog, I pushed through and found myself in an open pit in the center of the crowd. The final song started and I began my “dancing” and headbanging with the crowd. Pictures were taken, laughs were had, and I thought that was the end of it.
Then I saw the universal “You want to go up?” hand signal. Apparently crowd surfing crosses language barriers. Before I knew it, I was on top of the crowd trying to simultaneously avoid being dropped to the floor or bounced into the ceiling. It was awesome and scary and ridiculous and unbelievable all at the same time. If that’s not a great commercial for Spirit Halloween, I don’t know what is.
Now I really can’t wait for our Halloween show tonight. We plan on having a merch guy who’s all skin and bones, a blinged out bassist and the würst drummer you’ve ever seen.
Hey, I never said I was a comedian, either.
Halloween shows abound tonight. Elsewhere on our site you can read about several of them, including 500 Miles to Memphis' release party at Southgate House Revival and Gov't Mule's tribute to Neil Young at Taft Theatre. In the Spill It column, find out about tonight's Injecting Strangers' release party at MOTR, as well as two great, free local music double bills in Northside — The Hiders/The Perfect Children at The Littlefield and The Pariahs/The Cincinnati Suds at The Comet. Another great double-bill free show is on Fountain Square. The 5 p.m. Rocktober on the Square happy hour concert tonight features The KillTones and The Sundresses.
There's also a fun show at Over-the-Rhine's The Drinkery; RamonerHead (a tribute to the Ramones and Motorhead), ThoseWhoCannotBeNamed (a tribute to debauched punks Dwarves) and Standinavian Leather (a tribute to Norway's Turbonegro) team up for the club's Zombie Prom. (Another fun tribute band show goes down Saturday at Silverton's MVP Sports Bar & Grille — The Rocket Queens, an all-female Guns N' Roses tribute band, headline.)
Here are a few more options for tonight and the rest of the weekend.
• Endlessly creative veteran L.A. rapper Murs first teamed up with Miami Rap group ¡Mayday! (featuring a pair of MCs and a full live band) on the latter’s first album, 2012’s Take Me to Your Leader. The two entities (both signed to Tech N9ne’s Strange Music imprint) connected so well they decided to reteam for this summer’s ¡MursDay!, an electrifying, high-energy album with an eclectic musical palette and dynamic live-instrument additives.
The album received positive reviews, with many noting that the music should translate incredibly well in a raucous live setting, meaning the collaborative’s show at Thompson House in Newport could be one of the more entertaining concerts to hit the area this fall. Showtime is 7 p.m. and tickets are $20.
• Successful Canton, Ohio Pop Rock band Relient K plays Bogart's in Corryville tonight with guests Blondfire. The band is celebrating the 10th anniversary of the release of Mmhmm, its breakthrough LP. The album spawned a pair of hits, including "Be My Escape," their most widely recognized track.
Doors for tonight's show open at 6:30 p.m.
• Austin, Texas' The Bright Light Social Hour have built up a nice following here in Cincinnati thanks to regular visits, though it's been a while since the group has graced a local stage. That all changes Saturday when the band comes back to MOTR Pub for a free, 10 p.m. show with Cincy Indie Pop masters Darlene.
The Texas indie psych rockers are gearing up for the release of their second album. In a recent interview with Fayetteville Free Weekly, BLSH's Jack O'Brien said the full-length is due early next year and will be titled Space is Still the Place.
• The Funkified Hoedown Tour featuring Zach Deputy and Hot Buttered Rum comes to the Ballroom at the Taft Theatre on Sunday. Showtime is 8 p.m. and tickets are $20 in advance/$25 day of show.
Deputy, a South Carolina native, describes his sound as "Island-infused Drum n’ Bass Gospel-Ninja-Soul." CityBeat's Charlie Harmon explains more in his preview of the show from this week's paper:
"When (Deputy) gets up on stage to start one of his infamous dance parties, it’s just him. He is the definition of a one-man band, usually donning just an acoustic guitar, four microphones and the pedals to handle all the looping and layering he does with them. Using the microphones, he creates drum and bass sounds, beatboxing almost all the percussion, as well as synthesized choir noises and soulful vocals."
For more live music options this weekend, click here. And feel free to plug other events in the comments.
Cincinnati Ballet will be spreading their wish to inspire hope and enchantment in the community by broadcasting the 2 p.m. performance of Peter Pan on Nov. 8 to Cincinnati Children’s Hospital live from the Aronoff Center. Patients and their families who might otherwise miss the magic will now be able to experience the spectacular tale of the flying boy who never grows up — straight from their hospital room.
The Ballet recently came together again with The Cure Starts Now, a cancer research and awareness foundation they’ve been working with since 2009, to bring oncology patients at Children’s the third year of “Ballerina for a Day.” In this behind-the-scenes event, children and their families were offered a chance to see the background of the ballet world with makeovers, crafts, dancing and costumes. With the show streaming right to the comfort and safety of their rooms, they can now complete the full circle of the ballet experience by enjoying a live show.
Cincinnati Ballet has also invited Leah Still — the dance-loving daughter of Devon Still battling stage 4 neuroblastoma and who has brought a plethora of attention to organizations like The Cure Starts Now — to perform in the show with a walk-on role. If her parents and doctor give the go ahead, this would mark 4-year-old Leah’s debut in a professional stage performance.
This wondrous benefit for dozens of children marks an incredible collaboration by various members of the regional community. Unions have waived fees, Children’s has cooperated in arranging the broadcast and camera operators have donated the use of their time, talent and gear in order for this to be possible, according to Victoria Morgan, artistic director and CEO of Cincinnati Ballet.
Peter Pan hits the stage Nov. 7-9, with performances 8 p.m. Friday, 2 and 8 p.m. Saturday and 2 p.m. Sunday. Look out for an interview with composer and music director Carmon DeLeone in next week’s issue.
Halloween is here. I’m taking an informal poll: how many folks are dressing up as Union Terminal and/or Music Hall tonight? I’m not knocking ya. I just wish I’d thought of that in time. Instead I have an Abraham Lincoln mask, American flag aviators, and a bow tie for a costume, so I will probably look like a very unappealing, election-themed male stripper. Procrastination is lame, folks.
These are painful times for the Cincinnati Enquirer. A reorganization has been happening for a while now, but recently, news broke that a number of newsroom veterans are leaving the paper, including No. 2 in command Laura Trujillio and social issues reporter Mark Curnute, whose stories I've always been impressed with. Over the past couple months, employees have been asked to reapply for their jobs under new, more digitally-oriented job descriptions. That's definitely ruffled some feathers, and has caused the biggest shake-up in the paper's history. The departures probably have something to do with the fact Gannett brass have been wrapping layoffs at the Enquirer and other papers in the disingenuous corporate speak of an exciting new opportunity to create "the newsroom of the future", but who knows?
• Right now the Ohio Department of Transportation is having its Southwestern Ohio town hall meeting on the future of public transit in the state. In Lebanon, because everyone knows that is the absolute hub of public transit in the region. You can watch the proceedings live here if you’d like to follow along at home. It’s standing room only there, maybe because I spread a rumor that there’s an ODOT party bus shuttling folks to some killer Halloween parties right after the meeting. That’s false, as far as I know.
• You’ve probably already heard about the controversy over a proposal by outgoing State Sen. Eric Kearney to change the name of State Route 562 from the Norwood Lateral to the Barack Obama Norwood Lateral Highway. I bet you can guess some folks’ reaction to that idea. Norwood Mayor Tom Williams doesn’t want a name change, but did throw out another, much different suggestion: naming it after Norwood-raised business magnate Carl Lindner, who died in 2011. Williams called Lindner, who owned Chiquita, Great American Insurance, and a number of other businesses “a beautiful individual” and said the several times he got to hang out with him were “an absolute thrill.” Hm. Maybe let’s just keep calling it the Norwood Lateral.
• More than 400 people in eastern Ohio were forced to leave their homes this week after a fracking operation there began leaking and “shooting an invisible gaseous discharge into the air.”
…no, I’m just not even going to go there. The blowout happened about 6 p.m. Tuesday. Homes within a 2 mile radius of the site where evacuated, though officials with the Ohio Department of Natural Resources say no permanent environmental impact was caused by the leak and residents were back in their houses by midnight. No word on the cause of the accident.
• Is the chairman of the Ohio Democratic Party on the way out? Could be. Some say those within the party are furious at the monumental disaster that Dem gubernatorial candidate Ed FitzGerald’s campaign has become, and party chair Chris Redfern could take the heat for that. We’ll see.
• Almost a year exactly after political brinksmanship and partisan wrangling ground the U.S. government to a halt, Senate Minority Leader Mitch McConnell says if voters in Kentucky choose him, it’s because “they want divided government.” It may be true, though. New polls heading into the Nov. 4 election show McConnell up five points over his Democratic challenger, Kentucky Secretary of State Alison Lundergan Grimes.
• Finally, I want to introduce you to perhaps the weirdest online quiz ever. Can you distinguish the wisdom passed down by ornery, Texan tea party favorite Sen. Ted Cruz from the golden, learned lessons of rapper and self-proclaimed genius Kanye West? The Washington Post wants to help you find out.
In this week’s CityBeat we review Patience, Child, the debut full-length from Cincinnati’s theatrical Progressive Pop madmen Injecting Strangers. Given some of the album’s playfully spooky tracks (including the two-part horror story “Nightmare Nancy”), it’s fitting that the band is celebrating the album’s release tonight at a free Halloween spectacular at Over-the-Rhine’s MOTR Pub. Nashville’s New Wave Rebellion opens the show at 10 p.m.
Here is a track from Patience, Child that would make a great addition to your Halloween mixtape. From the review: “‘Haunted Heavens’ also fits the (Halloween) vibe perfectly, with its sinister spoken-word passages and eerie choral background vocals. It’s like Michael Jackson’s ‘Thriller’ filtered through Queen, Public Image Limited and The Nightmare Before Christmas and then re-filtered through a modern Indie Rock mindset.”