More than 200 Ohioans gathered at the Ohio Statehouse on Saturday to call on U.S. Sens. Sherrod Brown and Rob Portman to support federal regulations that would attempt to curtail human-caused global warming.
The regulations would impose stricter pollution limits on power plants across the nation, which Environment Ohio says are responsible for 41 percent of U.S. carbon emissions — a primary contributor to global warming.
The new rules are part of the climate plan President Barack Obama proposed in June to skip legislative action from a gridlocked Congress and slow down global warming by using the already-established regulatory arm of the Environmental Protection Agency (EPA).
“Our message today is clear. The time is now to act on climate,” said Christian Adams, state associate with Environment Ohio, in a statement. “Global warming threatens our health, our environment and our children’s future. Ohioans support President Obama’s plan to clean up the biggest carbon polluters.”
The Obama administration proposed regulations on new power plants on Sept. 20 that effectively prevent any new coal power plants from opening up if they don’t capture and sequester carbon pollution. Experts argue those limits will have little effect on future carbon emissions because new coal power plants are already being phased out by natural gas.
But the statehouse rally asked Ohio’s senators to support incoming regulations that will impose further restrictions on existing power plants and — if they’re effective — reduce the amount of carbon going into the atmosphere.
The regulations could have large implications for Ohio. A previous report from Environment Ohio found Ohio’s power plants pollute more than those in any state except Texas.
Coal companies warn the regulations could cost jobs. St. Louis-based Patriot Coal says “burdensome environmental and governmental regulations” have already “impacted demand for coal and increased costs.”
But the regulations could simply shift jobs to cleaner energy sectors. A 2012 report from Environment Ohio found Cincinnati could become the regional capital of solar power and help revitalize its economy with new jobs in the process.
Scientists have historically called for reducing global warming to 2 degrees Celsius to avoid the worst effects of climate change. That would involve greatly reducing the amount of carbon that goes into the atmosphere over the next few decades, according to the Intergovernmental Panel on Climate Change (IPCC).
In the IPCC’s 2013 report, scientists said they are at least 95 percent certain that human actions contribute to global warming.
Many economists argue a carbon tax and a cap-and-trade system
are better ways to tackle climate change than regulations. But those
policies would require legislative action that is unlikely in the
current political climate, especially since many Republican legislators deny the science behind human-caused global warming.
Jonathan Tyler and the Northern Lights (JTNL) is a Texas-born/California-based Rock band with a bluesy, rootsy edge that has been a workhorse on the road, touring anywhere and everywhere since forming in 2007. Along with tour jaunts with musical giants like ZZ Top, JTNL has also been very popular on the festival scene, every summer playing to large crowds all over the country. Although the band hasn’t released an album since 2010’s major label debut, Pardon Me (on F-Stop Music/Atlantic), there was promise of a lot of new music on their current tour when Tyler spoke with CityBeat recently. JTNL plays Bogart’s this Wednesday with friends and fellow rockers Taddy Porter. (Click here for tickets and further show info.)
CityBeat: You are currently on tour with Taddy Porter. How did this tour come about?
Jonathan Tyler: We have toured with them a lot in the past. Both of our bands formed around the same time. I think about three or four years ago. We started playing shows together and became friends. When we were looking into a tour this fall, their name came up and everybody was really excited about it. It just came together naturally.
CB: You have been touring pretty extensively since 2007. What is the best part of being on the road for you?
JT: I love playing music live. There is something really special about it. It is one of my favorite things to do. It is really fun to get in front of a live audience and play songs and to just kind of get that energy going between the crowd and the band. It is fun to see what happens, a lot of unique, special, unexpected things happen sometimes and it makes it more fun. It is always fun to try out new songs on people as well.
CB: Are you guys working on new music currently?
JT: Oh yeah, pretty regularly, all the time. We will be playing new songs at the Cincinnati show.
CB: What does the perfect day look like for you?
JT: Well, I live in California so I love to go to the beach and I love to surf and I love to eat good food and spend time with my girlfriend. When I am on the road, I love to walk around. We usually travel during the day, early in the morning, to the city we are playing in. We will set up our gear and we usually have a few hours off. I try to find a good restaurant in town and try out new places basically. I try to see what the city is all about.
CB: I know you are in different cities every day so it all merges together sometimes.
JT: Yeah. For some reason we haven’t played Cincinnati very much. I don’t know why. We are looking forward to it.
CB: At one point weren’t you living in Texas?
JT: Yeah, that is where the band was formed. I moved in January to California.
CB: What music are you currently listening to that is inspiring you?
JT: There is a lot of different stuff. I really like the band Endless Boogie from New York. It is like a ZZ Top style Rock & Roll band. I really like those guys. There’s some Electronic music also that I like, which probably doesn’t seem likely because I play Rock music and it may surprise some people. I listen to a lot of different music, really anything that will inspire me. I’m also really into Bruce Springsteen right now.
CB: Some people are saying that Rock is dying. Do you believe that, with the popularity of EDM and other genres of music, that is happening right now?
JT: Yeah, I do. I think it will come back around. I think everything kind of goes in cycles. I think it is easier right now for musicians to do the Electronic thing because it is cheaper. You can just make it with one person really. You don’t need an entire band to make tracks and people are making recordings out of their houses. The whole industry is turned up on its side. It’s interesting for sure, but I think Rock is always going to live on.
CB: If you could trade places with anyone for a month who would it be?
JT: I have to think about that. I really don’t want to be anyone else. That’s a hard one. I honestly can’t say.
CB: Do you have any habits you’d like to break?
JT: So many. Smoking cigarettes would probably be the No. 1 thing. I guess I don’t want to break it that badly since I still do it.
CB: What can the fans look forward to in Cincinnati next week?
JT: They can look forward to some new music. We will probably play a lot of new songs. They can look forward to a high-energy Rock & Roll show.
CB: I have seen you many times over the years. I look forward to it. It is always high energy and great Rock & Roll.
JT: Well thanks, I appreciate that. We will probably play half new music and half of the older songs. I think people will be happy to come out and see something different if they have seen us before, but maybe hear the songs they love as well.
A lot of the great up-and-coming touring artists that made September’s MidPoint Music Festival one of the best yet have been building on their MPMF momentum and returning to the area. Even some of the bands that canceled their MPMF appearances have made their way back.
Korea’s Love X Stereo had travel issues and missed this year’s MidPoint, but recently played MOTR Pub (the club owned by MPMF artistic director Dan McCabe) and now the amazing seven-piece Wisconsin crew PHOX (who missed MPMF to tour with Blitzen Trapper) is headed to the same venue tonight for a great double-bill with San Francisco Psych Rock/Shoegaze outfit (and MPMF alumnus) Sleepy Sun.
The wonderfully eclectic PHOX, which recently announced a new recording was in the works, appear to be on the verge of very big things; seems like everyone who hears the band’s gorgeous and unique mesh of Folk, Indie Rock, Soul, Americana, Jazz, Chamber Pop and other styles instantly falls in love with them. In September, the group issued a live EP taken from its appearance at the ITunes Festival in London. It was the follow-up to its Confetti EP, released earlier this year with an endearing companion “music video EP” featuring clips for each track on the release. Check it out below:
Tonight’s show at MOTR (the venue’s website is calling it “a once-in-a-lifetime MUST SEE Mind Melting Monday Mash-Up”) starts at 9:30 p.m. and, like all MOTR shows, is free.
The main event Thursday evening was not a part of Performa 13. Instead, the evening saw my virgin visit to the Metropolitan Opera to take in the final night of composer (and frequent Cincinnati visitor) Nico Muhly's Two Boys. Muhly became the youngest composer to be commissioned by the Met when they asked him to create a new work in 2006. Having a run in 2011 in London in a co-production with English National Opera, Two Boys finally made its American debut last month.
Based on true events in Manchester, England, 10 years ago, the story centers on a seemingly normal 16-year-old boy and his involvement in a confusing web of chat room relationships that ultimately lead to him stabbing and nearly killing a 13-year-old boy. It was, shall we say, not your standard opera fare. While I've not been to many an opera in my life thus far, I don't imagine there have been many to have featured projected chat acronyms and two separate instances of onstage masturbation. But on to the show.
The story of Two Boys is a complicated one, without question. A young boy has been stabbed, his friend and the only witness, Brian, is the key suspect, and an over-worked and under-appreciated police detective is tasked with putting the pieces together in a case she never wanted to take. As we begin to learn more about Brian, we are shown a world of chat room conversations and desperate boys seeking connections that mean something. By the end, we understand that the young boy pretended to be three different people in various roles and chats with Brian, concocting an insanely complex story before, essentially, convincing Brian to stab him while he would repeat, “I love you, bro” to the dying boy. Everyone has access to a search engine, so I'll let you look up the story on your own...
A certain triumph for Two Boys is the set design and realization of an online world on a physical stage. Multiple large-scale projections land upon movable walls that dance across the stage at various depths. Frequently these walls become transparent and reveal young people inside, half-illuminated by laptop screens. The multimedia execution inspired and amazed, serving to highlight the production's digital world concept and add a new and exciting layer to a traditional performance form.
Knowing Muhly's work rather well, and having enjoyed the chance to see him twice in Cincinnati in the past 18 months as part of MusicNOW and Tatiana Berman's Constella Festival, I was eager to hear what he had done for Two Boys. I was somewhat surprised — though pleased — to find that this work did not veer too far from his compositional oeuvre; dark with intricate rhythms, the score never threatens to take complete control of the production, while the influence of modern composers like Benjamin Britten and Meredith Monk, as he acknowledged in the program notes, could be felt throughout. For me, the standout compositional moments came in the form of choral scenes performed by the company carrying laptops in their hands, faces lit and animated by the screens, feeling like a reference to the pull of the digital world and the countless hours young people like Brian spend seeking something of meaning in an environment of empty promises. Multi-layered lines repeating chat room requests and responses, the voices build to a disorienting swirl. In these moments, the marriage of precocity, tradition, and progressivism felt too immense to not hold your breath.
JobsOhio, the state-funded privatized development agency, grants more tax credits around Columbus, the state capital, than anywhere else in the state. According to The Cincinnati Enquirer, the discrepancy might be driven by Columbus’ high growth rate and the city’s proximity to the state government, which could make Columbus officials more aware of tax-credit opportunities. But Hamilton County Commissioner Greg Hartmann also blames local governments in southwest Ohio for failing to act in unison with a concerted economic plan to bring in more tax credits and jobs.
Hartmann today plans to introduce a partial restoration of the property tax return that voters were promised when they approved a half-cent sales tax hike to build Great American Ball Park and Paul Brown Stadium. The return was reduced when there wasn’t enough money in the sales tax fund to pay for the stadiums last year, but there might be enough money now to give property taxpayers more of their money back. It was unclear as of Sunday how much money someone with a $100,000 home would get back under Hartmann’s plan.
Hamilton County’s Tax Levy Review Committee will recommend a tax levy for the Cincinnati Museum Center only if a few conditions are met, including transfer of ownership of the Union Terminal from the city to a new, to-be-formed entity and allocation of public and private funds to renovate and upkeep the terminal in a sustainable fashion.
City Council last week asked the city administration to find and allocate $30,000 for the winter shelter, which would put the shelter closer to the $75,000 it needs to remain open between mid-to-late December and February. The shelter currently estimates it’s at approximately $32,000, according to Josh Spring, executive director of the Greater Cincinnati Homeless Coalition. The city administration now needs to locate the money and turn the transaction into an ordinance that needs City Council approval and would make the allocation of funds official. To contribute to the winter shelter, go to tinyurl.com/WinterShelterCincinnati and type in “winter shelter” in the text box below “Designation (Optional)” before making a donation.
Defense contractor Lockheed Martin announced Thursday that it plans to cut about 500 jobs
in Akron, Ohio. State officials were apparently aware of the plan
in October but underestimated how quickly Lockheed Martin would carry
out the cuts. Ohio Democrats jumped on the opportunity to mock JobsOhio
for failing to move at the “speed of business,” as Republicans claim
only the privatized development agency can, to develop an incentive
package that could have kept Lockheed Martin in Akron. But state
officials say they were led to believe Lockheed Martin’s move would take
Intense storms and tornadoes swept across the Midwest over the weekend, killing at least six.
Ohio has issued a record-breaking amount of concealed-weapons licenses this year. The state issued 82,000 licenses in the first nine months of 2013, more than the 64,000 in 2012 that set the previous record. About 426,000 permits have been issued since the state began the program in 2004.
This week, Ohio gas prices jumped back up but remained lower than the national average.
Popular Science looks at how artificial meat could “save the world.”
City Council’s Budget and Finance Committee on Thursday called for the city administration to locate $30,000 to help fund the winter shelter, which would push the shelter closer to the $75,000 it needs to remain open from mid-to-late December through February.
The shelter currently estimates it’s at approximately
$32,000 in contributions, according to Josh Spring, executive director
of the Greater Cincinnati Homeless Coalition.
The city administration now needs to locate the money and turn the transaction into an ordinance, which will officially allocate the funds. Spring says that should go in front of the Budget and Finance Committee in the next couple weeks.
Although the $75,000 is often cited as the shelter’s goal, Spring emphasizes that it’s only the minimum. If early March turns out to be a particularly cold, the shelter would prefer to stay open for some extra time, which would require money above the $75,000 minimum.
But without the city’s contribution, the shelter won’t have enough money to stay open beyond even 30 days.
Spring says the program is necessary to keep Cincinnati’s homeless population from freezing to death. Councilman P.G. Sittenfeld echoed the sentiment at Thursday’s committee meeting, saying it would be shameful if the city allowed people to die due to winter conditions.
The winter shelter aims to house 91 people each night and kept roughly 600 people from the cold throughout the 2012-2013 season, according to Spring.
“It’s a relatively cheap program to run,” Spring previously told CityBeat. “To serve about 600 people with $75,000 is pretty good.”
Still, Spring says money has been more difficult to collect this year. He attributes that to reduced enthusiasm as the concept becomes more commonplace.
“When we started doing this three years ago, it was sort of a new thing,” Spring explained. “It’s not so new anymore, which makes bringing in dollars more difficult. But the need hasn’t changed.”
The shelter is put together by the Greater Cincinnati Homeless Coalition, Drop Inn Center, Strategies to End Homelessness, Society of St. Vincent De Paul and Metropolitan Area Religious Coalition of Cincinnati. It’s supported largely by private contributions.
Anyone can donate to the winter shelter — and Drop Inn Center — at tinyurl.com/WinterShelterCincinnati. To contribute specifically to the winter shelter, type in “winter shelter” in the text box below “Designation (Optional).”
Hundreds of streetcar supporters packed the Mercantile Library last night outlining the several different ways they plan to campaign to save the project — including various forms of litigation The Enquirer typically enjoys playing up as potentially costly to taxpayers — a story similar in concept to the anti-streetcar protests The Enquirer gave attention to leading up to the election.
The Enquirer’s cursory wrap-up of the event was removed from the cincinnati.com homepage this morning, and it's currently not even listed on the site's News page even though it was published more recently than several stories that are. Left behind on the homepage is a real joke of analysis: the fact that the $1.5 million monthly construction cost divided by 30 days in a month amounts to $50,000 per day, assuming workers put in the same amount of time every day in a month and the city gets billed that way, which it doesn’t.
The $1.5 million figure has been known for weeks, but $50,000 per day sounds dramatic enough that concerned taxpayers everywhere can repeat it to other ill-informed people at the water cooler. If these math whizzes wanted to really piss people off they would have broken it all the way down to $34.70 per minute, 24 hours a day. Man, fuck that streetcar!
At least the story’s third paragraph offered a piece of recent news: Halting construction will still cost the city $500,000 per month because it will be on the hook for workers who can’t be transferred and costs of rental equipment that will just sit there. (For Enquirer-esque context: It will still cost $16,667 per day or $11.57 a minute to temporarily halt the project.)
Also, the note in the headline (“Streetcar, which Cranley plans to cancel, still costing $50K a day”) reminding everyone that Cranley plans to cancel the project that is currently costing money seems unnecessary considering THE ONLY THING ANYONE HAS HEARD ABOUT SINCE THE ELECTION IS THAT CRANLEY PLANS TO STOP THE STREETCAR. It does nicely nudge readers toward the interactive forum they can click on and publicly lament how people who don’t pay taxes have too much control over our city.
(Additional professional advice: Consider changing the subhed from, “It'll be costly to stop, and costly to go on, but work continues until Cranley and new council officially stop it” to something that doesn’t sound like you have no idea what the fuck is going on.)
For context, the following are the streetcar stories currently presented on the website homepages of local media that have more talent/integrity than The Enquirer:
Cincinnati Business Courier: Feds: If you kill the streetcar, we want our money back
CONSERVATIVE MEDIA BONUS: 700WLW even has a relevant piece of streetcar news, although you have to scroll past a video of Russian kids wrestling a bear and an article suggesting that Obamacare is the president’s Katrina (whatever that means): Feds: Use money for streetcar or pay it back.
Last Friday we featured the first video from a series of clips created by The Queen City Project from footage shot at “The MidPoint Sessions,” a day party at the Art Academy of Cincinnati held during September’s MidPoint Music Festival in Over-the-Rhine/Downtown.
The first clip featured Athens, Ohio’s The Ridges, who curated the acoustic performances, bringing in three fellow Ohio acts to join them. Today we premiere the second video from the great Sessions series to emerge. The new video features talented and adventurous Cincinnati Indie Chamber Folk foursome The Happy Maladies performing their song, “Peter’s Sweet 16.”
The Happy Maladies have been playing a lot of out of town shows over the past year, hitting regional venues, Chicago and the East Coast fairly regularly. The band released its debut album, Sun Shines the Little Children, in 2009, followed last year by the magnificent, mesmerizing EP new again (check it out here).
The band is currently working on a new album, which is expected to release in early summer next year. In July, The Happy Maladies announced “Must Love Cats,” an intriguing project that celebrates the collaborative spirit in creativity. The band is soliciting original pieces written for the group from composers of all stripes. Until Jan. 1, interested artists can send the group new “compositions, songs, ballads, marches, sound poems, farcical musicals, improvisational games, panic attacks, etc.” The musicians will chose five pieces and work with the composers to get it in performance shape. In the springtime next year, The Happy Maladies will play the compositions during a special concert series, which will be documented and turned into a concert film, album and booklet with profiles of the composers.
You can find complete details about the Must Love Cats project here on the band’s website. Here is a video featuring the band members explaining the project.
Visit thehappymaladies.com for more on The Happy Maladies.
Acoustic guitar phenom Andy McKee performs downtown tonight at the Ballroom at Taft Theatre. Admission is $18 for the 7 p.m. show which, unlike most Ballroom performances, will be a seated affair.
Though he works his magic with just wood and strings, technology played a big role in McKee’s success story. About seven years ago, McKee’s label at the time posted on YouTube a few low-production videos of the fingerstyle guitar instrumentalist showcasing his compellingly original approach, which involves a lot of rhythmic slapping, alternate tunings, unusual fret fingering and other atypical elements.
Those simple videos launched McKee — who counts players like Michael Hedges and Preston Reed among his biggest influences — into the the upper echelon of viral video sensations, not because of something stupid (like most super-popular YouTube videos), but because of his gripping acoustic wizardry. The clip below, featuring his composition “Drifting,” was one of the first posted; it now has more than 48 million views (other clips have a similarly stratospheric number of views).
McKee had released two critically acclaimed albums before 2005’s Art of Motion, which featured the songs that would make him one of YouTube’s biggest musical success stories. By the time 2007’s Gates of Gnomeria was released, McKee was able to successfully tour the globe and play for large audiences everywhere he went, something that continues to this day (though he slowed down just slightly when he and his wife welcomed their first child). The Kansas native moved up to the Razor and Tie label for distribution and would go on to found the Guitar Masters Tour, sharing the spotlight with other acoustic alchemists and also helping the next generation of players with various guitar workshops. McKee’s most recent release is 2010’s Joyland; on his website in June, McKee said that he will be releasing new material gradually over several months instead of saving up material for a single album release.
• Tonight in the Taft Theatre’s big room, Trampled By Turtles returns. The Minnesota band has built up a huge following by eschewing most of the traditional music biz support systems, like record labels. The DIY success story is ongoing as the progressive Americana/Bluegrass ensemble’s popularity continues to skyrocket. The band just released its live album/DVD package Live at First Avenue earlier this week. Check out CityBeat’s preview of the show and then take a look at a clip from the new release:
Tonight’s show at the Taft starts at 9 p.m. with Nashville Indie Roots group The Apache Relay opening.Tickets are $22.50.
• While it’s likely that most area fans of EDM are going to be checking out the big Ubahn Fest downtown tonight (and tomorrow; click here for details and previews), The Mad Frog in Corryville is also presenting a showcase of diverse, progressive Electronic music.
Named after a mini-game within Nintendo 64’s Mario Party video games — a nod to 8-bit and gaming culture influences — Shy Guy Says is the work of rising Electronic music artist Jarrod Linne, who works out of Bloomington, Ind. Linne creatively mixes Hip Hop grooves and other elements with a multitude of EDM styles (Glitch, Trap, Electro, Downtempo House, etc.), never allowing himself to be easily pigeonholed by constantly exploring new sonic realms. The next Shy Guys Says release is the EP The Hellephant, coming out through the Rad Summer label. Look for the EP on Beatport this Monday and everywhere else Dec. 2. On Wednesday, TheUntz.com previewed the new EP track “Round 1 (They Meet).” Check it below:
Shy Guy Says will be joined by Indianapolis’ Magnetic for tonight’s Mad Frog show. Taking the same genre-blurring approach as Shy Guy, Magnetic’s DJ sets blend remixes of other people’s music with original tracks and are said to be uniquely engaging and energized. Rounding out tonight’s bill is another Indy artist, Kodama, and Cincinnati’s own Kaiten (aka Kurt Heer), who works with the label/promo group/management agency, Massive Detroit Records.
Doors open at 8 p.m. and music begins at 9 p.m. Cover charge is $5.
• Country music star Justin Moore pulls his tour into Bank of Kentucky Center tonight in Highland Heights, Ky. After performing in bands and writing songs for others, Moore scored a deal with Valory Music Group (part of Big Machine Records) in 2008. After a few successful singles, Moore’s self-titled debut album was released in 2009 and promptly shot to No. 3 on the Country charts and No. 10 on the overall album chart. Moore recently released his third album, Off the Beaten Path, which hit No. 2 on the album chart (and No. 1 on the Country chart). Read more about Moore in CityBeat’s preview here. And here’s the video for the new album’s single, “Point at You”:
Tonight’s Bank of Kentucky Center show features openers Randy Houser and Josh Thompson. The show starts at 7 p.m. Tickets range from $26.75-$39.75.
Livability.com — an online resource that explores what makes small to mid-sized cities great places to live, work and visit — has ranked Cincinnati as the No. 1 place to retire.
Using data collected from their list of the Top 100 Best Places to Live (Cincy ranked 73), the editors concluded that due to our highly ranked hospitals, affordable housing and vast collection of parks and cultural amenities, the Queen City is the BEST. Yes. The best. Beating out cities like Pittsburgh and St. Louis.
According to a press release, “If the only factor in your retirement planning is playing golf on a daily basis, your choices are pretty clear,” Matt Carmichael, livability.com editor, says. “But for everyone else, we wanted to put together a list of great cities that have more to offer than green grass and easy tee times. Not everyone moves when they retire, but for those who do, here are 10 cities and towns to consider.”
And the piece extolls the benefits of local gems like Krohn Conservatory, the continuing education program at the University of Cincinnati, the Reds, the Bengals, our minor league teams, the Cincinnati Museum Center, Horseshoe Casino and more.
Read the entire story here.