It's already November? It seems like it just yesterday that The Hurt Locker took home a surprising (and much deserved) Best Picture win. We're now entering the stretch drive of the fall movie season, a period laden with the big studios' “prestige” films — those they believe have the best chance to grab awards love (thus bigger box-office numbers and the media attention that follows), none more important than that shown by the Academy.
Nowhere has that sentiment been more obvious than at the multiplex, where a smattering of offerings have been pretty solid (Bridesmaids, Fast Five, Kung Fu Panda 2, Super 8, X-Men: First Class) and a smorgasbord have been solidly (if not heinously) flawed (Bad Teacher, Cars 2, Green Lantern, The Hangover Part II, Larry Crowne, Pirates of the Caribbean: On Stranger Tides, Thor and Transformers: Dark of the Moon, to the pinpoint the most obvious culprits).
The local cinematic universe gets a much-needed shot of adrenaline this week. Even the Hollywood studio efforts look palatable.
Curious about where Sacha Baron Cohen, the Andy Kaufman-esque comedic genius behind Borat and Bruno, might set his satirical sights next? Wonder no more, as we now know the identity of his next character: climate change skeptic Lord Monckton.
A fine last-minute option for the movie buff on your Christmas list, the fifth edition of David Thomson’s The New Biographical Dictionary of Film was published in late October. I finally got around to cracking it open this week … and I’ve yet to close it. Thomson’s 1,076-page tome is as addictive as ever, bound to keep one engrossed as they move from entries that have appeared in every edition since the first, in 1975, to new and/or updated capsules on those who’ve emerged since his most recent edition in 2004.
George Clooney's The Ides of March opens today. Given the avalanche of local press its already received (mostly by the endlessly smitten Enquirer, but also via hordes of social-media geeks), need much more be said about the behind-the-scenes aspects of Clooney's political thriller? (If you answered “yes” to that question, read my interview with Ides of March actor Max Minghella here.)
The burning question now is whether The Ides of March is any good.
It's interesting that Cole Smithey would evoke the name of Nicolas Cage when commenting on Liam Neeson's recent fondness for genre pictures that would seem beneath his talents. In his review of Unknown, which opens here at 12:01 a.m. tonight, Smithey says, “How Liam Neeson went from being that rare thespian animal of a leading-man character actor to a full-on action star while still keeping his artistic integrity is a mystery. It's certainly more than Nicolas Cage could do.”
While the latter is hard to argue against — though I'm not giving up hope on Cage just yet (see 2009's Bad Lieutenant: Port of Call New Orleans) — I'm not so sure the former is still accurate.
On the morning of Feb. 28, 1958, a school bus carrying 48 elementary and high school students ran over an embankment and plunged into the Big Sandy River in Prestonsburg, Ky. Twenty-six kids and the bus’ driver lost their lives in the crash, forever altering the small, close-knit Floyd County town’s inhabitants.
Michael Crisp’s appropriately somber documentary, The Very Worst Thing, meticulously re-creates the events surrounding the accident via vintage radio recordings and photos and modern-day interviews with people — from a survivor of the accident to those who want to keep the victims’ legacy alive — connected to that day more than 50 years ago.
Unless you've understandably been stricken with Apocalyptic anxiety while hiding out in your basement since John Boehner was named Speaker of the House, you probably recall that area native/Hollywood bigwig George Clooney was in town earlier this year shooting his fourth directorial effort, a political drama called Ides of March.