The Carol Ann’s Carousel was named to honor the life and philanthropy of Carol Ann Haile, according to the information page at mysmaleriverfrontpark.org, and is being funded by a $5 million donation from the Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation.
It will sit in a tree-lined plaza amongst a two-story staircase, water cascade and a series of water curtains. The plaza’s lower level will hold a conference center and offices, which will open up to Mehring Way and overlook the lower area of the park. The riverfront carousel is slated to open May 2015.
There will be 44 animals and characters featured on the carousel’s platform, and community engagement sessions are currently being hosted in order to gather as many ideas as possible. The public is invited to share their ideas until June 9, when later the park design team will decide on the final designs based on the city’s suggestions.
Carousel Works of Mansfield, Ohio, the world’s largest wooden carousel manufacturer, will hand carve and paint each animal and character chosen. Ideas are also being gathered for several mural scenes to be painted on the carousel. Jonathan Queen, a local artist, will paint based on what citizens deem what makes Cincinnati unique — its parks, traditions, landmarks.
This riverfront icon will offer a standard two-minute ride and operate year-round.
It was sad news to hear that Thom Shaw, a well-known local printmaker and artist, passed away July 6 from complications due to diabetes. Unfortunately, I heard the news too late to write something in time for the memorial service that took place July 17.
On Saturday afternoon, I attended my first "Met Opera: Live in HD" transmission at the Regal Cinema in Deerfield Township — John Adams' Doctor Atomic.
Cincinnati Shakespeare Company Artistic Director Brian Isaac Phillips, says, "Secrets can be good and bad." But there's one less secret today, now that he's announced the company's 17th season, eight productions, kicking off in July.
If you're looking for a ride in the time machine this weekend, I recommend that you try to score a ticket for How to Succeed in Business Without Really Trying at the University of Cincinnati's College-Conservatory of Music (CCM). The 1962 Tony Award and Pulitzer Prize winner satirizes the corporate world of the early 1960s, and there are some echoes that sound pretty funny 56 years later.
Even as the Showboat Majestic opens another show this summer (The Art of Murder by Joe DiPietro kicks off tonight and continues through Aug. 28), it’s time to announce the ’boat’s 90th season in 2012, featuring an all-American slate of musicals and comedies to please patrons aboard America’s last showboat, a National Historic Landmark. Here’s the 2012 season:
Taft Museum of Art has named its new director/CEO to replace Eric Lee, who left in the spring to head the Kimbal Art Museum in Fort Worth. She is Deborah Emont Scott, recently chief curator at the Nelson-Atkins Museum of Art in Kansas City and before that the museum's Sanders Sosland curator of 20th Century. She becomes the sixth director in the Taft's 77-year-history.
Over the weekend, Ensemble Theatre of Cincinnati announced its 2009-10 season, and it’s full of works you’ve never heard of but will be glad that D. Lynn Meyers has picked. ETC generally offers premieres of works that have been presented elsewhere, but not locally, and she’s kicking off the season with a powerful piece, Moisés Kaufman’s 33 Variations (Sept. 2-20).
Cincinnati Playhouse in the Park Producing Artistic Director Ed Stern today announced that he will leave the esteemed regional theater after two more seasons, following the 2011-12 season, his 20th. Ed’s tenure at the Playhouse predates CityBeat’s coming into existence: He began in 1992, two years before CityBeat began publishing. I had the pleasure of writing about the recovery of the theater under Stern for EveryBody’s News and then for CityBeat; the Playhouse was in desperate financial straits when Stern and Executive Director Buzz Ward took over — a $1.25 million accumulated deficit.
The Cincinnati literary scene suffered a loss last summer when Brock Clarke moved to Portland, Maine, to take a job teaching creative writing at Bowdoin College. Through his work as a writer (via two short-story collections and three novels, including 2007's well-received An Arsonist's Guide to Writers' Homes in New England) and educator (he taught creative writing at UC where he brought in such guest speakers/authors as Chris Bachelder, Sam Lipsyte, Heidi Julavits and Jonathan Lethem), Clarke was a one-man literary juggernaut who produced, nurtured and promoted the written word with unwavering commitment, creativity and good taste.