Right around Thanksgiving time, CityBeat began to receive several queries via email, Twitter and Facebook, all essentially asking, "What the hell happened to the Cincinnati Entertainment Awards?"
CityBeat's annual celebration of Greater Cincinnati's best original music had been held for 15 years on the Sunday before Thanksgiving. The reasoning was that musicians who tour a lot would hopefully be home for the ceremony and regular weekly giggers might be less likely to have an every-Sunday residency. Also, we thought, perhaps the holiday timing would allow us to nab a few of the city's favorite sons and daughters (Jerry Springer? SJP? Any Lachey we could get our hands on?) as presenters.
In the end, the timing of the ceremony never really had much effect. We did have Jerry Springer — via video tape from Chicago — at the very first CEAs (held at the old Sycamore Gardens in Over-the-Rhine), but the video malfunctioned. Maybe it was an omen. We also spent many years attempting to lure the Isley Brothers to perform and be inducted into the CEA Hall of Fame, but the Isleys haven't been "local" in almost half a century, so the Thanksgiving timing was irrelevant (and the Isleys would have cost a fortune to bring to town).
We also discovered those hard-touring musicians tour so hard, having an off day the Sunday before Thanksgiving is hardly a given. Last year, for example, Artist of the Year winners Walk the Moon were on the road and unable to attend (though they still created one of the show's better moments by having their mothers accept on their behalf).
Having the ceremony in November was also a hassle once CityBeat acquired the MidPoint Music Festival, which occurs annually in late September. The CEAs bumped up a little too close to MPMF, making the organization of the awards a hectic endeavor.
So, starting with the 2012 Cincinnati Entertainment Awards, the ceremony will now be held in January. This change allows our staff to fully focus on the CEAs without battling MPMF fatigue. And it creates an easier-to-track window for nomination consideration. In the future, the Album of the Year category's eligibility timeframe will be anything released that year. Previously, the timeframe was approximately October of the previous year to October of the current year. (This year, eligibility will be extended to anything released in 2012, but also includes releases that came out October-December 2011.)
The 16th annual Cincinnati Entertainment Awards ceremony will be held at Covington's Madison Theater on Jan. 27. This year's host will be the very funny Ted Clark, who is also making plans to do his popular "live talk show" at the after-party (read more about Ted here). And there will be more live performances at the CEA ceremony than ever before. Ticket info, the lineup of performers and more details will be released soon.
(Let's get this out of the way right up front, since the Northern Ky. locale always gets mocked every year — yes, the "2012" "Cincinnati" Entertainment Awards will be held in Covington in 2013. How odd!)
Another new wrinkle for the CEAs this year will be a live showcase of the "New Artist of the Year" nominees; the winner of the category (normally decided by the nominating committee) will be largely determined by audience vote at the showcase, which is scheduled for Friday, Jan. 18 at Bogart's. More details to come.
The 2012 CEA nominees — determined by a large pool of local music experts, including writers, bloggers, club owners, radio show hosts and others (this year's committee is the largest yet) — will be announced Dec. 12. The ballot will go live at citybeat.com and then it's up to you. Fan voting determines all categories except for the "Critical Achievement" ones — Artist of the Year, Album of the Year — which are voted on by the committee.
Stay tuned for many more CEA announcements to come. And visit citybeat.com's CEA page here for a look at past nominees, winners and more.
Last night, Fox 19's website reported that veteran local musician, talent booker and event promoter Johnny Schott passed away unexpectedly on Wednesday morning in his home in Tennessee.
After months of planning and judging and selecting and scheduling and designing and implementing, the big night has arrived at last. The first night of MidPoint 2009. You can almost smell the impending disaster in the air.
Well, perhaps disaster is a bit strong. It’s been a long time — well, a couple of years anyway — since MidPoint has been baptized by a significant rainfall, and right out of the chute last night’s precipitation claimed its first victim for me. As much as I wanted to see The Elms, I wasn’t prepared to walk up to Grammer’s in the pouring rain and then watch them while outside soaking wet. I hear the tent is nice and, as it turned out, I probably would have been better off to take the wet walk.
We caught up with Shannon Larkin Sunday afternoon before the show on the bus to talk about football and about his musical influences. When I arrived I waited in their outdoor football viewing area where a TV comes out of the side of the bus and is setup for group viewing. You can tell members of these three bands are die hard football fans.
I had already done my research to know that Shannon loves the Oakland Raiders and has pretty strong feelings about them bringing down the San Diego Chargers last week for the first time in many years.
CB: Do you feel like your Oakland Raiders are doing better than they should be? (Laughing)
Shannon: No. No I don’t. I feel like they are doing a lot worse than they should be. My Raiders story goes back to growing up. I was raised in Virginia area and my dad is a Notre Dame guy. He went to Notre Dame so I grew up watching ND football ever Saturday. Tim Brown, who was a number one draft pick and Heisman winner, went to play for the Raiders in 1987 or 1988. After that I always liked the Raiders. I also went to Redskins games at RFK growing up in Virginia, so the Raiders were my AFC team and I always loved the Skins. The last few years the Redskins have been terrible and they had Jason Campbell as their quarterback and then he got traded to Oakland and I didn’t understand why.
CB: Now he is the starter right?
Shannon: Yes because Gradkowski got hurt. Al Davis has been very influencial with things he has done for the NFL. He has done some great things, but he is so old now like 88, he needs to let the team go and get some younger people. Let them win again.
CB: Well, San Diego is losing today so you should be happy.
Shannon: Last week was so amazing. Every year, I watch the Raiders lose those two games against San Diego and last week Sully and I were jumping up and down when Oakland won for the first time in a long time.
CB: Well, we are here in Bengals country, do you have any favorite Bengals?
Shannon: They are exciting this year with T.O. and Chad. Terrell Owens is still making amazing plays and touchdowns every game and is fun to watch. Carson Palmer is a great quarterback and hopefully he can prove himself in the big games.
CB: Well maybe the Raiders and Bengals will see each other in the playoffs.
Shannon: I can only hope.
CB: In music, you have played with legendary bands
like Stone Sour, Black Sabbath, Candlebox, and others, but I read that
you love to play funk music. We have the Bootsy Collins connection here
in Cincinnati. Have you ever met Bootsy?
Shannon: I have never met Bootsy. It is funny last night we played Detroit and after the show there were fans waiting outside on the street and I always try to go out and sign autographs and take pictures with the fans. There was this older gray-haired black guy who came up to me and said he was in the P-Funk Allstars with George Clinton. He came up and said hi and that he liked the show. I love funk so that was interesting.
We were a family where the TV was mainly used for Saturday Notre Dame games. After dinner, we would go downstairs and my parents would play records for my sister and I like the Beatles and Creedence. One of the main records was Sly and the Family Stone Greatest Hits.
CB: So you have always had it around.
Shannon: Yes, Sly and the Family Stone is the shit to me. It just has such a positive message in every song where all the musicians can shine. In my later years, I got into Zeppelin, RUSH, Slayer, Metallica of course. I am giving away my age. In 1984, it became Black Flag and punk bands. Everything kind of circles around. Now I am forty-something I am going back to my roots with 60’s and 70’s rock.
CB: What are you listening to right now?
Shannon: My latest downloads have been “Pet Sounds” by the Beach Boys, which is another record my parents used to play and Paul McCartney’s “Wings.” People won’t believe it reading this.
CB: Have you met Paul?
Shannon: Oh my god no. I wouldn’t even know what to say. After a long hard battle with myself after someone asked me who my top 5 bands were, I ended up picking Ramones, Beatles, Zeppelin, Jimi Hendrix Experience, and Sly and the Family Stone. Those are my influences and I wear them on my sleeve.
CB: Is there anyone that you would like to collaborate with that you haven’t worked with yet.
Shannon: I’d love to work with George Clinton someday since he invented the word funk. Funk to me becomes about being in a room with friends to just jam with and you just make music and there is no pressure to make a record. You just get stoned and have a shot of tequila and just jam for three hours. It always becomes a funk riff that you can loop over and over where everyone can take their little part to shine. I would love someday to create some funk-pop music like Sly and Family Stone. Sly is like a freak that disappeared off the face of the earth so I know I will never get to play with him. George is still out there though with his crack pipe so there is a chance maybe I will be able to play with him.
CB: You just played Sturgis this summer. Did you have fun? Any crazy stories?
Shannon: It was horrible for us.
CB: Really? I thought you always enjoyed it.
Shannon: Well we are usually on tour when we play there and this time we weren’t so we didn’t have our bikes. It sucked. There were 500,000 people and bikes and we didn’t have ours. The show was fun but it was like putting a kid in the candy store and telling him he can’t have any and he has to watch all the other kids eat the candy.
CB: What kind of bikes do you have?
Shannon: I have a 07 Heritage Softtail that is my reliable bike. I have a 77 Shovelhead that is my bar hopper bike. In fact my 77 Shovelhead is from a guy here in Cincinnati, Jeff Cochran with Speed King Customs. I ordered it from him here when I found out we would be working on the Oracle album in LA for four months. I knew I would need a bike in LA so I called him after I had seen him when I played here. He brought a whole bunch of bikes out and I fell in love with a red one with a suicide shifter. He came across the 77 and thought it would fit me better so he sent it out to me and I love it.
CB: You guys have the new Oracle album which came out in the spring. What is your favorite song to play on the new album?
Shannon: “Oracle.” It is a 7.5 minute instrumental. At shows like Rock on the Range, when the album first came out we weren’t ready to tour so we would fly in for radio festival shows. It ended up being like a “best of” with two or three songs off the new record where as this is “The Oracle Tour.” It is Oracle heavy and we play 5 or 6 songs off the new record which makes it far more interesting to us to play new stuff that we haven’t played live before.
CB: The “Love-Hate-Sex-Pain” song is all over the radio right now.
Shannon: That is so great to hear and what we did for all the songs in the show tonight is strip down the videos and make all new videos to go with each song. We hired a video guy from Motley Crue and dug through years of video tape trying to find stuff that would look cool on the big screens. Everything is brand new visually even if you don’t know all the new songs yet.
CB: So are we going to see any pyro tonight?
Shannon: We actually have a laser show this time. Laser technology has kind of taken over the past few years and it is sick visually. You can get any can get any color lasers now and it actually takes two guys to run the lasers. It is actually cool from my vantage point as well to see the lasers over the crowd.
CB: I know you have a family now. Do they ever come out on the road with you?
Shannon: No they don’t really, but we did start this tour in Florida so my wife and kid got to come out and experience the first two shows. They love it. My daughter is 12 now so she is at an age where she can appreciate it and have fun.
CB: Do you ever worry about exposing her to it?
Shannon: No, we are all in our 40’s and we don’t do any of that crazy shit anymore. We did it all in previous bands before we joined Godsmack. I was 36 when I joined the band and was already married and had my daughter. The only thing I worry about is the language. You know we are a rock band and so when she comes backstage she’ll see people smoking and doing shots. We also did this one DVD called “Changes” and on the DVD I was late to sound check and Sully keeps yelling “Shannon Fucking Larkin” over and over. Now when fans see me and I am walking with my twelve year old people yell out, “Shannon Fucking Larkin” so she is exposed to that sometimes and I want to put ear muffs on her. As far and the drugs and girls though we are way over that.
CB: I have spoken to a lot of drummers this year
and some of them like Ray from KORN talk about playing drums all the
time everyday even when they are not touring. When you are not touring,
do you play all the time or do you take a break?
Shannon: I play all the time. When I am home, I go in my garage and put on my Ipod and play along with every song on random shuffle. One minute it is the Stones and the next it is Slayer. It is a fun way to practice. Usually when the band is together without Sully, we just jam and play funk and other sounds as well. The other band members live in New Hampshire and I live in Florida so I don’t really have anyone to play with so I jam to the Ipod.
CB: Does your daughter do any music?
Shannon: Yes she plays the trumpet in the school band which is cool. Maybe a funk duo is in the future who knows?
CB: What is up next for the band? I know the record is still pretty new, but are you working on new music?
Shannon: No new music right now. We actually write by ourselves. Everyone has a little recorder that we use. Tony is actually back there playing guitar right now. He plays all day and when he gets a riff he likes, he will record it. By the time we start to write songs, we all have like 20 riffs as a starting point. We use those to write songs and a chorus. Right now we are just all focused on this tour. It is a pretty big production. Even though the set list is the same, the production changes and is ever evolving. Last night Sully came on the bus and we came up with a new ending to the set. We also just came up with a video for “The Enemy.” It is changing as we go, as we see parts that are weak, we make changes. Our video guys says he goes to sleep dreaming about edits.
Peter Frampton was a leader of English Rock & Roll movement in the 1970s, sparked by the massive popularity of his epic 1976 live album, Frampton Comes Alive. Frampton is celebrating the 35-year anniversary of the album on the road with his "Comes Alive 35 Tour," which comes alive at Riverbend's PNC Pavilion this Sunday and features a performance of the entire milestone album in the first set. Frampton continues to evolve as an artist, as evidenced on his Grammy-winning 2006 album Fingerprints and his newest record, Thank You Mr. Churchill, released last year. CityBeat spoke with Frampton recently about the album's impact and how special music still is to the legend.
We received word this afternoon that legendary Funk guitarist and Cincinnati native Phelps “Catfish” Collins succumbed to cancer today at the age of 66. Collins (along his younger brother Bootsy) was an architect of Funk as a member of James Brown’s JB’s, Parliament/Funkadelic (fellow P-Funk guitarist Gary Shider passed away just a couple of months ago) and Bootsy’s Rubber Band and was responsible for some of the greatest Funk guitar riffs every laid down.
The city of Cincinnati is prepared to formally recognize King Records’ place in the city’s cultural history with a historic marker, a partnership with the Rock and Roll Hall of Fame, a King-oriented class or lecture series, a King Records Center on the campus of Xavier University and a prominent role in this year’s Cincinnati Entertainment Awards for Music (CEAs). City Councilman John Cranley, Bootsy Collins and others announced the plans at a news conference this morning at the former King Records site in Evanston.
[See photos from this morning here.]
Cranley read from a motion he introduced to City Council that asks for up to $10,000 in city funds to install a historic marker on the former King Records office/studio in Evanston to be unveiled on Nov. 23, with the remaining funds used to book a former King recording artist to perform at that night’s CEAs. This year is the 65th anniversary of the founding of King Records in Cincinnati.
The Rock Hall of Fame in Cleveland has agreed to construct, donate and maintain the historic marker, and if Cranley’s funding request is granted the Rock Hall president has agreed to attend the marker unveiling and the CEAs. The institution also will work to develop a class or lecture series on King Records at Cincinnati State.
Other newsworthy items from this morning:
• Xavier officials are looking into developing a King Records Center on campus, a history exhibition that also could be a working recording studio for use by students and the public.
• CityBeat Marketing and Promotions Manager Dan McCabe announced that the 12th annual CEAs for music will be the first event held at the reopened Emery Theater in Over-the-Rhine. The CEAs were the final public event at the Emery just before it closed in 1999.
Other than an intermittent and often heavy rainfall and a cancelled show or five, Thursday was a very good opening night. The lessening rain upon arrival in downtown Friday night boded well for a drier and less drippy MidPoint experience, and so it was. For the most part.