The first night of MidPoint almost looked like it would be a typical rain-soaked affair, but the clouds relented and the festival’s kick-off was gorgeous and every bit as big as promised.

My first stop on the musical pub crawl that is MidPoint was not a band but a party...well, the whole bloody thing is a party, but this was an actual event thrown by the towering presence known as Brian Kitzmiller to celebrate the one year anniversary of his marketing company, Reveal Concepts. En route to Japp’s, I ran into bassist to the stars Sammy Wulfeck and guitarist/keyboardist extraordinaire Brandon Losacker, who were jimmying their bank accounts at an ATM for a little walking around green. Sammy dropped two bombshells; he’s going to be a father in less than two months, and Ric Hickey has returned from his soul-searching California sojourn. Birth and rebirth. I love synergy.

Brian’s party was a blast (any party with free OTRs is bound to be), populated by a wide variety of great people (detailed later), with incomparable Rock and Soul sides providing a brilliant soundtrack courtesy of DJ Bryan Dilsizian, the hardest rocking platter daddy in town. Now that’s a party.

I had intended to make my way to Grammer’s for Dressy Bessy but I was making rather merry at Japp’s and, to quote the legendary Shel Silverstein, I got stoned and I missed it. So I headed over to Mr. Pitiful’s for my first band of the evening, the Demos out of Rochester, New York. Head honcho/zen master Mike Breen yardsticked these guys against the likes of Wondermints, the Shins and Big Star, and I would be inclined to agree; the sextet’s facility for melancholy Pop melodicism, hooky jangle and stellar vocal harmonies is the equal to any of those lofty references. Naturally enough, in the live setting, some of the Pop subtlety of The Demos’ debut full length, last year’s Lovely, is jettisoned in favor of a more bracing sonic presentation, like the amped up Strokes-like storm kicked up on “Nervous.” This was The Demos’ Cincinnati debut, and they seemed to be enjoying themselves as much as they were being enjoyed, hopefully a sign that they’ll be coming back our way soon.

After a stop at Mr. Hanton’s for the most delicious hot dog on the planet (no snouts, hooves or ass jelly in these bad boys...it’s a meal on a bun), and a quick chat with MidPoint co-architect/bon vivant Sean Rhiney, my intention was to head down to the Blue Wisp to catch Black Taxi (which I heard was incredible) but, having gotten little sleep the night before, decided to conserve energy and drop in at the Main Event to catch Saturn Batteries and stick around for Sohio, one of my longtime local faves.

Saturn Batteries is the brainchild of Brad Gibson, who’s done bass stints in Walk the Moon, Young Heirlooms and Charlie Hustle, and is now trying his hand in the frontman role. If last night’s performance is the standard, Gibson should have made the leap a long time ago; Saturn Batteries taps into classic melodic Beatlesque Pop with a sugary Pixies icing, resulting in a sonic confection that is powerfully energetic without being jittery or pointlessly arty. The quartet churned out a good set and provided plenty of evidence that time and fine tuning could gain them a large and loyal following, locally and well beyond.

Next up at the Main Event was Sohio, a band whose studio efforts I’ve reviewed positively and often but have somehow managed to miss consistently in a live context. Sporting a new bass player, Sohio tore shit up good and proper and proved why they’ve been a fixture at MidPoint for a good many years. It’s a rare band that can direct traffic at the intersection of Americana, Rock both rootsy and garagey, Blues, Punk, Pop and Country without having an eight-genre pile-up. Sohio is that rare band, deftly balancing the noise that rattles rafters and the subtlety that breaks hearts. Their relative obscurity may be a product of their own design, but Sohio can and should be the next big thing.

I ducked out of Sohio’s gig a little early to hit Below Zero for a taste of the Terror Pigeon Dance Revolt, but the duo was still setting up when I arrived, so I witnessed a good deal more than I anticipated. TPDR is a wild rhythm ride, a gene splice of They Might Be Giants and Ween that’s been mutated into an Indie Rock mash-up of American Bandstand and Burning Man. The music is performed by a rotating cast of characters and programmed by Neil Fridd, and with the music safely stored on a hard drive, Fridd and his lovely partner (presumably Haley Riddering, but that’s a guess based on limited research done on deadline) are free to roam the crowd, form a conga line, fall into a suggestive pile on the dance floor, snake string lights into the pogoing audience and deploy a giant gray parachute for everyone to dance under like a silky umbrella. TPDR is a glittery interactive Indie Rock dance slam and if they should venture away from the Brooklyn, New York base and into our cozy confines again in the near or distant future, you would be well advised to get in line.

After TPDR, I headed back to the Main Event for the finish of Jody Stapleton and the Generals’ set. Sparrow Bellows big bass master Sammy Wulfeck is providing the pulse for the Generals these days, and the Black Owls’ Brandon Losacker is doing double duty on guitar and keys so I was curious to hear this new iteration of Jody’s sound. I was always a fan of the Stapletons back in the day, and the Generals are yet another fine example of Jody’s consummate ability to translate influence and inspiration into his own singular sound. The Generals’ frame of reference is the sunny Pop of ’70s AM radio and the roar of Classic Rock, dragged kicking and screaming into the 21st century. Jody’s hushed singer/songwriter vocals are a subtle counterpoint to the frenzy kicked up by Sammy, Brandon and drummer Nick Mavridoglou (spell check is obviously doing me no good here), kind of like Ray Davies recording a tribute to Wilco’s Summerteeth.

Finally, it was time for the last show of the first night of the 11th edition of MidPoint (that sounded a little more biblical than I’d intended), which for me was the inspired garage tumult of Nashville’s Turbo Fruits. From the opening stomp to the last ringing chord, Turbo Fruits (at one time, a side project for the late, lamented Be Your Own Pet) were alternately mesmerizing and pulverizing, whipping the assembled multitude at the Drinkery into a writhing mass of humanity, baptized in sweat, sanctified by volume and praising the gods of Rock for allowing them access to the forbidden Turbo Fruits.

At one point, frontman Jonas Stein gave a mighty Rock kick move and lost his shoe in the crowd, which someone was kind enough to return to the stage. Stein thanked the shoe samaritan verily, because, as he noted, he’d only brought two shoes with him. It was unclear whether he meant two pairs of shoes or just two shoes, but his gratitude was commensurate with that of a guy who was looking at going barefoot for the remainder of the tour. At any rate, Turbo Fruits kept their feet (with or without shoes) firmly on the necks of the MidPoint crowd for the duration of their hour-plus set, leaving everyone wanting for more at the conclusion and perfectly teeing up expectations for Friday night.

MidPoint 2012 Thursday Night Notes:

• Brian Kitzmiller’s one-year soiree for his new marketing outfit, Reveal Concepts, was, as noted, a blast. Mere moments after hearing Sammy’s news about Ric Hickey’s triumphant return, I walked into Japp’s and was greeted by the prodigal son himself. His relocation to California was a journey of self-discovery, an attempt to reconcile his past, present and future and come to grips with what he truly wants and how to get it. Sometimes you have to go a long way from home to realize what home means. And for Ric, this is home. Welcome back, old friend.

• Also was introduced to longtime photographer and soundman Chuck Madden, a guy that I saw running the board at every Raisins show I ever attended but never actually met. We traded a few stories over Brian’s free OTRs, and he gave me his card; I hope that we can trade more stories and quaff more brewage in the very near future.

• I ran into the Generals’ Brandon Losacker and Nick Mavridoglou at the Demos’ show, which they were digging but Mr. Pitiful’s $7.50 Jack and Coke sent them down to MOTR for the Filament. On my way out, I spotted Magnolia Mountain’s Mark Utley at the bar, who was anticipating the Space Capone show at the Blue Wisp.

• Ran into my Kroger pal and Faint Signal keyboardist/guitarist Paul Roberts on my way to the Midway. If you lament the days when bands like Rush, Pink Floyd, King Crimson and Yes were relevant, you owe it to yourself to check out the band’s self-titled debut. They’ve got a serious Prog vibe, but not in a wizardy, disappear-up-their-own-ass way.

• As previously noted, just before hitting Mr. Hanton’s for another brilliant hot dog (they call them handwiches, I call them awesome), I crossed paths with Sean Rhiney at the Midway. His lovely friend Susan offered to buy me a beer, but Sean wound up paying for the trio of Goose Islands and I got the tip. Susan observed that it must be her feminine wiles, to which I responded, “I wish I had boobs. Wait, I do. I just don’t know how to work them.” Perhaps having another beer at this point was not a sound idea. At any rate, we had a nice chat about the old days (Susan could actually claim some ownership in MidPoint; she was dating Bill Donabedian and introduced him to Sean, and the rest is history) and the new days and kids (Susan was trying to recruit Sean into the wild world of parenting; he didn’t seem to be drinking the Kool-Aid), then we hit the night in opposing directions.

• Sohio’s Mark Houk bought me not one but two beers at the Main Event. I believed him to be a prince among men, but a two beer evening is proof beyond proof. I raise my hangover cure to you, my friend.

• No Matthew Fenton sightings on the first night. I tried to e-mail him this week but the message bounced. And I saw his name on the Twitter feed at Below Zero, but it wound up being a message from last year. Classic tweets from MidPoints past? As Mike Breen noted, that is retro at its most contemporary.

• Had a long talk with Sammy Wulfeck about the trials and tribulations of parenting. There is nothing more rewarding or more likely to make you want to stick your hand in the garbage disposal than having children. You can’t intellectualize it, you just jump. No one is ever ready to have kids. You can’t get old enough to be ready. You just do it. And it’s great, and it’s not, which is a capsule description of life. Sammy assured me he’d give me a call if he needed any advice … I fully expect the phone to ring right after they cut the cord.

• As I was walking by the line to get into the Dirty Projectors, I heard what appeared to be an able-bodied Indie Rock man say to his companions, “There’s going to be chairs in there, right?” Really? (In fact, they did.) Look, if you’ve got some physical disability not plainly apparent to the naked (or beer-clouded) eye, then by all means chair up. But you looked hale and hearty to me, so come on, dude, I’m 55 and I manage to stand my fat ass up for about 75% of the MidPoint experience. When I told this story later to CityBeat publisher Dan Bockrath, he smartassedly noted that I was seated while telling this tale. It’s not nice to pimp slap your elders, Dan. It is nice to buy them a beer … I’ll see you tonight.

• Ran into Mike Breen, Fairmount Girl/Culture Queer’s amazing Dana Hamblen, former Mad Anthony bassist Dave Markey and MA’s inimitable Ringo Jones at the Drinkery. Ringo, as he is want to do, put an enormous beer in my hand, which ultimately led me to regale Mike with the strange circumstances of my bygone days of chemical ingestion. He wisely slipped away when I went to the bathroom. That or I hallucinated him into being there in the first place. I’m never quite sure, and it’s happened before.

Is it really that time again? It seems like just yesterday that we were jumping from one packed MPMF venue to another, checking out everyone from local favorites to national and international gems to local favorites turned (inter)national gems.

Yes, bands and artists the world over can now register to take part in the 2010 MidPoint Music Festival, a three-day (Sept. 23-25) downtown Cincinnati party that is rapidly becoming a highlight of the region’s musical landscape.

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Get ready, MidPoint Music Festival fans. This Friday, the first 10 or so artists booked for 2013's MPMF — returning to the streets and venues of Over-the-Rhine and Downtown Sept. 26-28 — will be announced. And longtime MPMF sponsor Dewey's Pizza will  have the scoop.

Friday, those wanting the info first should head to facebook.com/DeweysPizza ("like" their page, not just for the yummy grub they serve but for the support they've given MPMF and local music over the years). Then, of course, check this here music blog for a recap and more details.

Also of interest to MPMF fanatics are the lineups for this year's "Indie Summer" concerts, every Friday on Fountain Square from May 31-Aug. 30. The performers for the MidPoint- and CityBeat-sponsored shows are expected within the week. Keep an eye on this blog for the full announcement as soon as we get the green light to post it. (The lineups for the other themed Fountain Square music nights — six per week — are due very soon as well.)

For artists wanting to be considered for a performance slot at MPMF.13, the time to submit is now, as the deadline is quickly approaching. Submissions will be accepted (visit mpmf.com for directions) until May 11 at 11:59 p.m.

Several weeks ago, two pricing tiers of "early bird" and "loyalty" MPMF tickets sold out almost immediately. Tickets for MPMF.13 go back on sale this Friday through cincyticket.com ($69 for a three-day pass or $169 for "VIP Experience" tickets).

Saturday, one of the more anticipated bands performing at this year’s MidPoint Music Festival, Okkervil River, jump back on the road for several weeks of dates around North America, picking up the tour for its latest album, the Jagjaguwar Records release I Am Very Far. Before they get to Cincinnati (the third-last tour stop), the band plays West Coast dates with The Decemberists, several other festivals and shows around the Midwest/South with buzzing Indie duo Wye Oak. As the Indie group begins its road to MPMF ’11, a new 7-inch and free MP3 have been issued. Click the arrow above to listen to “Your Past Life As a Blast” (free download here), recently issued as a 7-inch vinyl single. Below is a video clip from IntoTheWoods.tv featuring a live performance of Okkervil outtake “I Guess We Lost.”

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I’ve sprained my neck.* I’m taking Vicodin and Thursday night is the first night of MidPoint Music Festival. When my editor told me my review should be first-person and to “think, Fear and Loathing in Las Vegas,” I snorted at just how closely it might come given my current intake of prescription drugs.

No longer stoked for the experience but realizing it’s far too late to get out of going, I texted my friend, Rachel, on Wednesday night. Was she going? Could I tag along with her? The buddy system seemed like a good idea this time around.  She immediately told me sure and that she had planned to see Andrew Bird, Best Coast & Dirty Projectors on Thursday.

Thursday evening, I stroll toward Washington Park. There aren’t tons of people out at 7:45, but it’s still early in the week and early in the night.  There are still enough people that it’s easy to walk mindlessly at the heels of a group of scarf-donning 20-somethings and end up where I need to be to meet my friends.

I glance around, but I don’t try too hard to find Rachel.  She’s one of those people you hear before you see. Instead, I find a spot near the sound booth between two relatively attractive and seemingly girlfriend-less guys, pull out my phone and begin to send texts and emails. 

By 8:10, I’m bitching, though.

She knows I’m jacked up on painkillers.  If I wander off with some heavily bearded rapist in skinny jeans, thinking he’s Rach, it’s all her fault. Mostly importantly, I’m absolutely distraught that I shaved my legs yesterday.  I’ve always had this strange idea that if I’m about to get raped, I’ll just say, “You don’t want me. It’s a hot mess down there.” I think he’ll be disgusted by my lack of feminine upkeep leave me alone. Now I’ll never know if that line works! Has anyone already tried it?  I’ll have to Google it later.

It's 8:20 and I still don’t see Rachel. I do, however, see a tall, lanky shadow near the ATMs and he’s laughing. It’s Dan. I text Rach for confirmation and then head over to find him with a few other people I know. (They have names, too, but they’re really irrelevant for tonight.)

We make a few bad jokes and then Andrew Bird starts with zero fanfare.  He just launches into his music, people applaud in surprise, and he carries on  It’s a beautiful view.  Andrew Bird has these slowly spinning art-installations that look like plumes of smoke and a very cool rotating double-Vitrolla-like thing. Above the roof of the stage glows the pretty, white flora-inspired window of Music Hall. Last time I went to Music Hall for the Opera, I was probably parked just about where my friends and I currently stood.

He’s good. His whistles have me staring at him in expectation. Where are the little animated birds fluttering toward him with ribbons for his hair and water for his face? It’s all just so pretty. I’m mesmerized.

Until my foot lands on something hard and round. Is it a sprinkler head? Yes. I know this without having to look at it. And yet, drop my head and try to find the small black circle as it hides out in the grass and my shadow. I don’t see it. But I feel it, right under my foot. It finally occurs to me that I should lift my foot and I immediately stumbled into Rachel and Dan, who shrug off my apologies. Figuring out how long I’ve known Dan requires higher math than I’m capable of, but he’s used to my stumbling into him.

The stumbling and bumping calls my attention to the fact that Andrew Bird is playing not only an entirely new song but also he’s in an entirely different spot. He’s near an upright bass, hovering over an old microphone and making music I love oh-so-much. Still, when it’s back to the usual stuff, I’m not the only one feeling the weight of his mellow music.

It’s decided that we need caffeine. Fast.

As half our group strides through back alleys and around clusters of people, Rachel tries, to no avail, to tell us that Yelp says Coffee Emporium closes at 8 p.m.  She’s like one of Andrew Bird’s birds, she sounds nice in all the chaos, but she’s having a hard time rising above it. In the end, it takes standing in front of Coffee Emporium’s darkened doors for Dan and I to admit defeat.

Ira’s (Iris? I can never remember) is closed, too. 

So, we do what any sensible, caffeine depraved people would do: We send Dan to his apartment to make us some while we go stand on Clay and watch Best Coast through a fence.

No one will ever convince me this isn’t the best view for their show.  Sure, you can’t see their faces.  But, you can still pick up on all their energy and hear things perfectly.  Mostly, though, you also get to see the rest of the crowd dancing like crazy fools, singing along and having an awesome time.  Standing outside that fence, I think I enjoyed the energy far more than I would if I were amidst those flying elbows and twitching hips.

Dan and, our friend, Erik are back. 

They brought camp chairs and no coffee.

We utilize the chairs and this awesome see-saw for a hot minute before Dan gets a text about Bluegrass at Mr. Pitiful’s and then we’re off, again.  I’m still not entirely sure what our friends were talking about at this point.  They came out giddy over the .5 seconds of music they heard that sounded Bluegrass and Irish.  (Despite knowing Dan for at least half my life, I’m still surprised by how absolutely stoked he is about this.)  They mentioned a name that I don’t see anywhere on Mr. Pitiful’s Thursday line-up.  However, on Friday we’re all meeting up at the Midway at 5p, where they are, apparently, playing again.

Despite multiple pleas of, “Are you sure we shouldn’t support our friend?” and “We could at least peak in and say ‘Hi,’” we don’t make it into Mr. Pitiful’s to say reassuring things to Young Heirloom’s Chris Rob.**  For a brief second I contemplate making a stand.  I’ll stand like Superman and demand we give this musician-man our dues!

Except they’re talking about caffeine, again, and if they go too far, I’ll never find them.  Even not on my best of days, OTR is like that tricked out maze in Harry Potter and The Goblet of Fire.  Except Lord Voldemort is played by a skinny, African American guy who comes up to Dan while we’re still on Main Street.

“Hey man, have you ever been tazed?” he asks my friend.

A bright light flashes and I’m terrified for my one-time best friend.  What’s that disarmament spell?  But it’s just a watch or a flash light or something and Dan, who I think I’ve only ever seen mad once (at me, of course), just shakes his head and tell the guy it’s not cool, he doesn’t even know him.

And then we’re just not there anymore.  We’re in 1215 Wine Bar and Coffee Lab.

But, I don’t actually like either of those things. All I’ve wanted all this time was a pop or a chai. They have chai, though.  And they’ll ice it!  And, you know what else? It doesn’t taste like my coveted goodness from Fido, in Nashville, but I think it’s better than Starbucks. Holy Shit. This place needs a drive-thru.

I’m talked out of seconds by Rachel, who is bound and determined we make it to The Emery for Dirty Projector. I’m ready to give up the ghost.  I just want another chai…or 10. There’s a cheese plate that looks good, too. Mm, Cheese. But, I remind myself that I’m supposed to be writing about the music. Also, I have no idea which direction I’d go to get back to my car once I’ve been properly filled with dairy products. 

So, off we go, to the Emery.

It’s packed. Thank goodness Cincinnati is filled with some seriously sweet people.  A bit of rearranging and the seven of us are in one long row in the balcony.  We’re only forced to sit and hide yawns for a few minutes before the music starts.

I like Dirty Projectors and their quirky, disjointed Pop Rock. It makes me want to dance. Except no one in the balcony dances.  I can see hints of movement and excitement below. But the people around me, the ones near the rafters, are zombie-like. No one moves, except to yawn or to leave. It’s hot, too, and I swear on anything that it smells like Skyline up there. 

They should have played at Washington Park. Out in the cool air and in the open field, where there aren’t seats to lull the tired, drunken masses to sleep. That would have been better for everyone.

When I find myself trying to calculate the likelihood of my death if the balcony collapses, I know it’s time to go.  It’s been a short night, but I’m done. If I stay much longer, I’ll fall asleep. Or I’ll throw up. I pop a Tums for the trip back to my car and duck out.

Once outside, I’m far less concerned than I should be about the fact that I have only a vague idea how to get to my car. 

There is one thing I know for certain, though: I’m stopping for Skyline on the way home and I want extra cheese.

*Who knew that was even possible? Not me.

**That’s his name with us, whether he likes it or not.

The 2010 MidPoint Music Festival is just three days away, so if you haven't firmed up your plans yet now's the time. And here's the big ticketing detail you need to be aware of: Three-day "all access" wristband sales end before the festival kicks off Thursday, replaced by one-day wristbands on sale each night at all venues.

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Two of the more recognizable names on next month's MidPoint Music Festival roster (to Indie fans, at least) are Deerhoof (pictured) and Xiu Xiu. The groups have more than a festival in Cincinnati in common. Both were founded in California. Both are currently on the same label, Polyvinyl Records. And both are boundlessly creative, two of the more popular acts making music that slants in an Avant Garde direction today. It makes sense that the bands' paths would cross at some point and it does frequently when both acts are on the road at the same time (MidPoint is far from the first fest both acts have ended up on). And given that shared sense of limitless imagination, it shouldn't be a surprise that members have joined forces creatively in the past, as well. The latest example — the second installment in Deerhoof's collaborative 7-inch series finds the two entities blurring the lines between them on the two-track Almost Xiu Xiu, Almost Deerhoof.

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Have fun at MidPoint on Friday? Did you temper your drinking habits and take care of your eardrums well enough to get back out there tonight? Below check out some audio/visual previews of a few of Saturday's best MidPoint Music Festival bets (read our previews off all of these acts and more at mpmf.com). And, again, feel free to pimp anyone we failed to mention in the comments below.

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This whole week has been overflowing with big-time concerts, from Radiohead to Red Hot Chili Peppers to Drake. If you went to any (and especially if you went to ALL), your pocketbook is probably a little lighter this weekend. So, in honor of all of you heroes who paid $15 just to park or spent $100 on three beers, tonight's live music recommendations are all FREE. And high-quality, to boot.

• Kick off your weekender on Fountain Square tonight for perhaps the most eclectic MidPoint Indie Summer series concerts of the year. Kicking off at 7 p.m., the free show is like a musical world tour that takes you from the early Reggae sounds of Jamaica (with local openers The Pinstripes) to the unique and exotic native-Blues of Timbuktu (Malian music legend Khaira Arby, pictured, and her band) to the grinding, deep Funk of Nashville's vintage Soul revivalists The Dynamites featuring Charles Walker on the mic. Dancing shoes are a must!

Walker and the Dynamites recently teamed with fellow soldier in the retro-funky revolution, Bettye Lavette, for the single "Yours & Mine." Check the phenomenal duet below.

• Local powerhouse power trio The Sundresses perform a freebie tonight at MOTR Pub in Over-the-Rhine. The 10 p.m. show also features Lexington rockers Oh My Me, making tonight's show a half-reunion of the "Midwest by Southwest" tour from this past spring (which also featured Wussy — who are currently headed to the west coast for dates — and Whiskey Daredevils from Cleveland).

Oh My Me has an intriguing and often captivating sound, mixing a groovy back-drop of fluid, hypnotic psychedelia with singer Erin Reynolds' stunningly soulful vocals weaving between the grooves — sort of a modern day Big Brother and the Holding Company. Lots of singers get the Janis Joplin comparison; Reynolds' voice and presence are so thoroughly alluring and absolutely natural, she's one of the few who actually deserves it.

Check the clip below for a taste.

More than just the openers, there's another reason to show up early. The first 20 people through the door tonight receive a free copy of the Cincinnati Entertainment Awards' 2008 Album of the Year, Barkinghaus, by headliners The Sundresses.



Click here for the full run down of tonight's live musical entertainment offerings.

Music Tonight: Lots of strong shows this evening to help usher in the weekend. Tonight’s free MidPoint Indie Summer concert on Fountain Square is headlined by one of Cincinnati’s best bands, Electro rockers Eat Sugar. Get a taste of the sweetness below in the band’s most recent music video (directed by ES drummer Greg Poneris) for the song “Clap Your Hands.” Solid local newcomers Starfox and Louisville Electronic Pop crew The Pass get things started.

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