The newly remodeled, freshly reopened Washington Park in Over-the-Rhine is shaping up to be one of the hottest music venues in the city. Last evening, the every-Wednesday "Bandstand Bluegrass" series kicked off with Jake Speed and the Freddies; tonight is the debut of the park's every-Thursday "Jazz in the Park" series (7 p.m., with Chris Comer and Napoleon Maddox of IsWhat?!); and tomorrow marks the debut of the R&B/Soul "Friday Flow" concerts, which will take place each Friday and begin with an appearance by fantastic Neo Soul singer Dwele (Selectas Choice DJs Rare Groove, Apryl Reign and DJ Pillo, as well as Under New Orders and Darris Sneed & The Pulse also perform at the 7 p.m. event).
And today it was announced that three of the biggest acts announced for September's MidPoint Music Festival will perform at Washington Park's new MPMF stage. A total of four acts will perform each night at the Park stage. The Washington Park shows will be accessible to those with MPMF All Music Access Passes or VIP Passes, or with "a la carte" individual tickets, which are on sale now.
Andrew Bird headlines the Washington Park stage on Thursday, Sept. 27. Tickets for that show only are $25. Grizzly Bear is the main MPMF act on the stage for Friday, Sept. 28 (single tickets: $30) and Sleigh Bells headlines the stage Saturday, Sept. 29 ($30). Click here for your ticketing options. Early Bird All Music Access and Loyalty Presale tickets are sold out. A limited number of All Music Access Passes ($69) and VIP Passes presented by CVG ($169) are still available.
The summer music festival season is winding down, but area fans of Americana/Folk/Roots music of varying stripes have a big one to look forward to this weekend, as the fifth annual Whispering Beard Folk Festival returns to the Old Mill Campground in nearby Friendship, Ind., starting in just a few hours.
Founded in 2008, Whispering Beard has showcased both the old and new guard of Americana, mixing legends, contemporary favorites and lots of Greater Cincinnati area artists. This year is no exception; in fact, it may be the best lineup yet. Check the full rundown of performers below, as well as video clips from each day's headliners.
11:30 a.m. Easy Tom Eby
12:20 p.m. Red Cedards
1:10 p.m. Ben Knight
2 p.m. Arlo McKinley and the Lonesome Sound
2:50 p.m. Rattlesnakin' Daddies
3:45 Kentucky Struts
4:40 p.m. Sassy Molasses
5:35 p.m. Al Scorch
6:30 p.m. Frontier Folk Nebraska
7:30 p.m. Charlie Parr
8:30 p.m. Pokey LaFarge and the South City 3
9:30 p.m. Whiskey Bent Valley Boys
10:30 p.m. Langhorne Slim
11:30 a.m. Jive Creek Ramblers
12:20 p.m. Billy Catfish
1:10 p.m. Terminal Union
2 p.m. My Brother the Bear
2:50 p.m. Shiny & the Spoon
3:45 p.m. Jeremy Pinnell & the 55s
4:40 p.m. Josh Eagle and the Harvest City
5:35 p.m. Henhouse Prowlers
6:30 p.m. Bloodroots Barter
7:25 p.m. Chicago Farmer
8:20 p.m. Caitlin Rose
9:20 p.m. The Tillers
10:20 p.m. Justin Townes Earle
11 a.m. Rabbit Hash String Band
11:50 a.m. The Blue Rock Boys
12:40 p.m. Mt. Pleasant String Band
1:30 p.m. Ma Crow and the Lady Slippers
2:25 p.m. Uncle Mike Carr
3:20 p.m. Magnolia Mountain
4:20 p.m. Ramblin' Jack Elliott (check out CityBeat's interview with the Folk legend here)
Weekend passes are $70 (it’s $40 for just Friday and Saturday and $20 for just Sunday). All-weekend on-site camping costs $40 or you can camp off-site for free (while spaces last).
Old Mill Campground is about an hour west of downtown Cincinnati. Here's a map from Fountain Square to Friendship.
View Larger Map
For complete info on this year’s Whispering Beard Folk Festival, visit www.whisperingbeard.com.
The annual MusicNOW festival, founded by Cincinnati native and guitarist for Indie Rock superstars The National, returns to various venues in Over-the-Rhine this March for a celebration of the festival’s 10 successful years. The event will utilize Music Hall and Memorial Hall (past MusicNOW venues), as well as the new Woodward Theater (the Contemporary Arts Center will also host a related music/art installation March 11-20). Heavy on collaborations again this year, the shows will run March 11-15.
Highlights from MusicNOW 2015 include a collaborative performance featuring The National and the Cincinnati Symphony Orchestra. The CSO will also perform “Songs from the Planetarium” with MusicNOW vets Sufjan Stevens, Nico Muhly and Dessner.
Here is the full lineup announced this morning:
Wednesday, March 11th
Woodward Theater - 1404 Main St, Cincinnati, OH
Thursday, March 12th
Woodward Theater - 1404 Main St, Cincinnati, OH
concert:nova with Jeffrey Zeigler
Friday, March 13th
Cincinnati Music Hall - 1241 Elm St, Cincinnati, OH
Cincinnati Symphony Orchestra, The National with the CSO and new commission by Caroline Shaw
Saturday, March 14th
Cincinnati Music Hall - 1241 Elm St, Cincinnati, OH
Cincinnati Symphony Orchestra, Songs from Planetarium featuring Sufjan Stevens, Nico Muhly & Bryce Dessner with the CSO, new commission by Daníel Bjarnasonand So Percussion
Sunday, March 15th
Memorial Hall - 1225 Elm Street, Cincinnati, OH
Perfume Genius, The Lone Bellow, Mina Tindle
Contemporary Arts Center- 404 E. 6th St, Cincinnati, OH
An ongoing Installation (see video below)
"Many of my most significant memories as a musician have taken place in Cincinnati during the MusicNOW Festival over the last 10 years," founder Bryce Dessner says in the press release. "When we started, we were driven to create an intimate music festival that was as much a creative refuge for the artists as it is for the audience to partake in intimate and rare performances. We have celebrated works in progress and new commissions, new collaborations, and detailed music of all kinds regardless of genre or popularity."
Beginning Sept. 3 at the Art Academy of Cincinnati's Childlaw Gallery (1212 Jackson St., Over-the-Rhine), the people behind the massive photography exhibition FotoFocus will set their lenses on the many great concert photographers in the region.
Reverberation: Capturing the Live Music Experience will coincide with the MidPoint Music Festival, located just off the 12th Street MidPoint Midway (the strip featuring vendors, food, live music the box truck carnival and much more). Hours will be extended during MPMF, with the exhibit staying open until 9 p.m. on Sept. 26 and 10 p.m. on Sept. 27-28. (Normal hours, starting Sept. 3, are 9 a.m.-9 p.m., Mondays-Fridays, and 9 a.m.-5 p.m. Saturdays and Sundays). The exhibit closes Sept. 29.
The work of 29 artists will be featured in the exhibit, including shots from legends like Melvin Grier (an award-winning photojournalist who shot many years for The Cincinnati Post) and Michael Wilson (whose portraits have been featured on the covers of albums by The Replacements, Over the Rhine, Lyle Lovett, Ron Sexmith and many others), as well as Maurice Mattei, Sean Hughes, Keith Klenowski and Kara Smarsh. (Click on the names to check out some of the artists' work.)
MusicNOW, the popular new music festival founded by Cincinnatian Bryce Dessner of internationally acclaimed Indie Rock band The National, will celebrate its 10th anniversary this year when the fest returns March 11-15 at Music Hall, Memorial Hall and first-time venue Woodward Theatre.
On March 10, the Over-the-Rhine fest will be celebrated with the digital release of a compilation album featuring musical highlights from MusicNOW’s first nine years. MusicNOW- 10 Years will feature previously unreleased performances by Dirty Projectors, Sufjan Stevens, Bon Iver’s Justin Vernon, Bonnie “Prince” Billy, Grizzly Bear, My Brightest Diamond and others.
The album’s “Trials, Troubles, Tribulations” by Sounds of the South, a project featuring Vernon, Sharon Van Etten, Megafaun, Matthew E. White and Fight the Big Bull, was recently released as a preview.
“The first track ‘Trials, Troubles, Tribulations’ gets at the spirit of the compilation and the event. It is an American bluegrass gospel song written by Estil C. Ball. Here it is performed by Sounds of the South, a project featuring Justin Vernon (Bon Iver, Volcano Choir), Sharon Van Etten, Megafaun, Matthew E. White, and Fight the Big Bull. The project, organized by Megafaun, initially appeared at Duke Performances in North Carolina and MusicNOW in Cincinnati, Ohio, and subsequently traveled to Sydney Festival in Australia.”
In the press release for the album, Dessner says, ““Many of my most significant memories as a musician have taken place in Cincinnati during the MusicNOW Festival over the last 10 years. When we started, we were driven to create an intimate music festival that was as much a creative refuge for the artists as it is for the audience to partake in intimate and rare performances. We have celebrated works in progress and new commissions, new collaborations and detailed music of all kinds regardless of genre or popularity."
This year’s MusicNOW festival features appearances by Stevens, Nico Muhly, So Percussion, Timo Andres, concert:nova with Jeff Zeigler, Cloud Nothings, Will Butler and more. The National will also perform at the festival on March 13 at Music Hall with the Cincinnati Symphony Orchestra. Click here for full details and ticket info.
Sounds of the South "Trials, Troubles, Tribulations"
Robin Pecknold "Silver Dagger"
Sufjan Stevens "The Owl & The Tanager"
eighth blackbird "Omie Wise"
My Brightest Diamond "I Have Never Loved Someone"
Dirty Projectors "Emblem Of The World"
Tinariwen "Imidiwan Ma Tenam"
Tim Hecker "Chimeras (Live) 2011"
Colin Stetson "Nobu Take"
Owen Pallett "E Is For Estranged"
Erik Friedlander "Airstream Envy"
Bonnie 'Prince' Billy "Love Comes to Me"
Grizzly Bear "While You Wait For The Others"
The Books with Clogs "Classy Penguin"
Andrew Bird "Section 8 City"
Justin Vernon "Love More"
Word has been trickling out over the past few weeks about a new Country music festival in Cincinnati, organized by Bunbury Music Festival founder Bill Donabedian. Today, the first four artists slated to appear at the inaugural Buckle Up Music Festival were announced. The festival is set for the weekend after Bunbury — July 18-20 — and will use the same grounds at Sawyer Point/Yeatman’s Cove along the Ohio River. (Think of it as Bunbury’s version of Coachella’s Stagecoach fest.)
The lineup will feature “upwards of 80 performers” and include both modern, commercial Country acts and variations on the Country theme — “folk, bluegrass, Americana, roots rock and more,” according to the press materials — something the initial lineup announcement reflects.
Legendary Country act Alabama (which for many years used the controversial Confederate Flag in its artwork, years before Kanye decided to reclaim it) and current Country hitmakers the Eli Young Band will be joined by up-and-comers J.T. Hodges (whose music has been described as “Country Soul with some Rock N’ Roll”) and eclectic Brooklyn-based Americana trio The Lone Bellow, which performed last November at Cincinnati’s 20th Century Theater (read CityBeat’s preview here).
Last night was a glorious night for music and glorious music was made. Combinations don't get much better than that. Things didn't start so well, though; a quick e-mail on Wednesday revealed that, for a variety of reasons, my friend Matthew Fenton wouldn't be making his annual pilgrimage from Chicago to our fair festival. And then the drive down I-75 was infuriatingly stop-and-go for no apparent reason, which had me grinding my teeth all the way downtown.
Every molecule of that dour energy was dissipated with the first show of the night as Cody ChesnuTT hit the Washington Park stage like a hydrogen bomb of positive vibration.
ChesnuTT's MidPoint appearance was also his Cincinnati debut and the sizable crowd that showed up to witness it was completely enthralled with his potent blend of Neo Soul, Reggae, Jazz and Pop.
ChesnuTT doesn't dress the part of Soul crooner; graphic T-shirt covered in cassettes, red cardigan, black sweats and an army helmet. The helmet is an odd sartorial choice, but ChesnuTT has explained that he's "fighting to keep the soul alive." Not the musical genre, but the spiritual essence at the center of all human beings. That's a pretty big mission for a singer/songwriter to assign himself, but last night's performance proved that ChesnuTT is more than up to the task.
Drawing strictly from last year's gorgeous Landing on a Hundred (he no longer does any songs from 2002's The Headphone Masterpiece, feeling that he's moved beyond the events in his life that inspired that album), ChesnuTT blew any trace of negativity into the stratosphere and replaced it with a rock-solid groove (courtesy of his absolutely stellar band) and a message of pure love. Not Barry White let's-ease-them-panties-down love, but love of self, love of mankind, love of life, which should ultimately lead to unconditional love for one other person.
Not that ChesnuTT doesn't recognize the world's dysfunction. In his brilliant "Everybody's Brother," he sings, "I used to smoke crack back in the day/I used to gamble rent money and lose/I used to dog nice ladies, used to swindle friends/But now I'm teaching kids in Sunday school and I'm not turning back." On the album, the song thumps along on a hearty Funk beat, but on stage, ChesnuTT delivers that opening verse with a sermon-like intonation, and the band swells around him with Gospel fervor and Soul intensity.
No matter what vibe ChesnuTT is channeling at any particular point in the show, he is a master showman, imploring the audience to join him, engaging them to become an integral part of the proceedings. And when he sings, when he digs deep into his creative core and unleashes his soul though his vocal cords, sweet mother of all that's holy, he sounds like the reincarnation of Marvin Gaye, the little brother that Stevie Wonder didn't know he had and the lost Marley sibling all rolled into one otherworldly package. Anyone who was not smiling at the end of Cody ChesnuTT's performance last night is damaged beyond the help of therapy and psychoactive drugs. Please come back to see us again soon, Cody. If Foxygen's slot is still open, Saturday night would be just fine. (Editor’s note: Cincy’s fantastic Wussy has claimed Foxygen’s Washington Park slot tomorrow.)
After Cody ChesnuTT's splendorous opening, it was Blues/Rock legend Shuggie Otis' turn to lead the Washington Park congregation, which he did in scorching style. Otis was barely in his teens when he started playing guitar with his father, R&B icon Johnny Otis, ultimately leading to session work with Al Kooper and Frank Zappa when he was just 16, and his 1970 debut solo album, Here Comes Shuggie Otis, at 17. And while Shuggie has laid low for long stretches in his nearly 50-year career, his current resurgence is sweet vindication for those periods when an indifferent music industry ignored his virtuosic brilliance, forcing Shuggie to turn away from the industry.
Shuggie's set started a little hesitantly as he acclimated to the stage set-up; at one point, he jokingly asked, "Can somebody show me how to work this shit?" Somebody did and he was off, peeling off incendiary riffs and razor sharp runs with a casual intensity. The set's sole slow spot was a new song called "Special," that sounded like Shuggie copying the numerous Pop artists who have copied him, but he followed it with a blazing version of "Me and My Woman" that erupted from the stage like a volcano and oozed through the assembled multitude with the heat and inevitability of the resultant lava flow. Once he and his stellar band got going, Shuggie Otis provided a transcendent moment in MidPoint history, the redemptive return of an astonishing talent that should never have gone away in the first place.
Only one thing could have dragged me away from the hair-raising, slack-jawed wonder of Shuggie Otis, and that's the triumphant return of Cincinnati’s Mad Anthony. Since the July van accident that could have been the band's literal epitaph, drummer Marc Sherlock was restrained by a neck brace and an order against all relatively physical activity. Outside of a little rhythmic tapping to keep his chops up, Sherlock was virtually drumless for three months, while guitarists Ringo Jones and Adam Flaig hit the road for some acoustic dates to keep the rent money coming, then set off for its first cross-country tour, which culminated with last night’s homecoming.
And so Mad Anthony took the triangular stage at The Drinkery, their first show with their full current lineup since the accident that nearly cost them everything. Jones and Flaig brought plenty of their patented frenzy to their acoustic gigs, but they've clearly missed their hypertalented timekeeper, which was evident from the visceral fury that permeated every note of last night's show. Sherlock couldn't have looked any happier; with every roll, every cymbal crash, every massive kick, his smile was a permanent fixture, and Jones and Flaig responded with a tumultuous joy that was a palpable presence in the room.
At a normal Mad Anthony show, the trio storms into an audience's frontal lobe with incomprehensible power. If The Stooges ate Black Sabbath and shit out three perfectly formed babies the next day that grew up and absorbed Punk, Pop and Rock influences like a bar towel, then wrung out those influences into shot glasses and downed them one liquor/beer/sweat/adrenaline slug, that would be Mad Anthony. Last night's return to The Drinkery was all that amplified to the third power. Naturally, they finished with "We Love This Fucking City." Naturally, this fucking city loves Mad Anthony. It's worked out so far.
After the major nut-kick of Mad Anthony, I tooled down to Arnold's to catch some Beatlesque sweetness courtesy of Canada’s The Shilohs. They were really quite good, and I definitely wanted to hear more of them, but they seemed intent on a mid-tempo set in the key of "If I Fell," and I wasn't quite in the mood for that. So I headed back to The Drinkery to catch locals Frontier Folk Nebraska's set.
After Mad Anthony's blistering presentation, I chatted up Kelly Thomas for a few minutes outside The Drinkery, and she had noted that Frontier Folk Nebraska was veering in a decidedly more electric direction, rather a shift from their traditional acoustic roots. When The Shilos didn't pan out for me, I decided to witness FFN's electric evolution for myself. Good decision.
The new FFN is plugged in and ready to whip any ass in the house. Imagine a world where The Ass Ponys channel Crazy Horse and the Bottle Rockets and Uncle Tupelo and you'll be close to the barely restrained muscle emanating from the new Frontier Folk Nebraska. All of this was evident on the band's eponymous 2011 album, but it's magnified to an incredible scale in the live setting. FFN recently lost founding bassist Steve Oder to a graduate program, which could have seriously altered the band's chemistry, but new bassist Matthew McCormick seems to have settled in nicely, alternating between a pulsing beat and runs that emulate lead solos, forming a slinky rhythm section with drummer Nathan Wagner. Meanwhile, frontman Michael Hensley and Travis Talbert create a tandem guitar attack that perfectly balances nuance and power. I liked where FFN was and I love where they are.
After FFN, I found my car and took a drive down to the Mainstay to catch London's blazing Rock power trio Leogun. Vocalist/guitarist Tommy Smith is a revelation, a genetic hybrid of Robert Plant and Jimmy Page in one electrified body, wringing sounds from his guitar that invoke all the greatest '70s translators of the Blues while maintaining a firm stance in the 21st century. Anchored by the thunderous rhythm section of bassist Matt Johnson and drummer Mike Lloyd, as slippery and as solid as Entwistle and Moon, Leogun swaggers and swings with retro inspiration and contemporary energy. They peeled through a set filled with tracks from their phenomenal debut, By the Reins, but one of the highlights was their completely unexpected and timber-rattling take on Kool and the Gang's "Jungle Boogie." Not sure when they'll be back, but I'll be there when they return.
• Music editor Mike Breen informed me that publisher Dan Bockrath was going to be making with the beers this year, but I had no idea he would begin his hop blitzkrieg so quickly and voluminously. Dan found me in the crowd at the start of Cody ChesnuTT's set and put a beer in my hand immediately. And just as I finished that first one, Dan reappeared at my side with yet another, claiming, "I feel so good I had to double down." After this MidPoint, I may be able to build a new wing onto the Beer Buying Hall of Fame with Dan's empties alone. You are a god that walks among men, Dan Bockrath, and I hope to see you every night this weekend.
• During Cody's lovely and moving "Love is More Than a Wedding Day," he announced that it might be a good time to dance with the one you love. I looked at Dan, Dan looked at me, but we dismissed the idea. It is a testament to Cody's soulful presentation that I actually considered it, though.
• Years ago, my good buddy Troy paid me the ultimate compliment when he spotted me at a show. He clapped me on the shoulder and said, "I know I'm at the right show when you're at it." The very same could be said for the ubiquitous King Slice. His appearance at a show is like the Good Housekeeping Seal of Approval. Follow him and see where he goes next. That's where the party will likely be the best.
• Also ran into Magnolia Mountain's Mark Utley, who's in the teeth of planning the next Music for the Mountains benefit show. The second MFTM disc is chock full of traditional goodness and the album and the concert will raise funds to help eliminate the mining practice of mountaintop removal. As Mark noted, "Nature gives women the ability to forget about the pain of childbirth so they'll ready to do it again. That's how it was for me with this concert." The pain is always worth it, man (says the guy who's not feeling the pain) … good luck and God speed.
• And on my way out of Shuggie Otis, I chanced upon Jim Blase, co-owner of Shake It Records and quite simply one of the finest human beings I've had the pleasure to and good fortune to know.
• Lots of folks turned out for Mad Anthony's return, including Kelly Thomas, who was an architect of two benefit shows to help the boys get back on their feet (and who is actually collaborating with the band on some new songs, which should be awesome). Also in attendance was former MA bassist Dave Markey, and his ebullient mom, who may have been the biggest fan in the room; I'm pretty sure she knew the words to every song. It was a beautiful thing.
• Jim Blase was also hanging out at the Frontier Folk Nebraska show, obviously showing support for Travis, who still puts in some time behind the Shake It counter. I was about to head over to say hello again but ran into old friend Danny Rupe, who I never get to see anymore except at random and all to infrequent MidPoint shows. He put my digits and e-mail add into his Jetsons phone, so maybe I'll hear from him with a little more timeliness now.
• Slice, The Black Owls' Brandon Losacker, Dave Markey and Ringo Jones were all hanging at the Leogun extravaganza. I was looking for my Class X compatriot Eddy Mullet, who had designs on the show, but I didn't see him so his plans must have changed. God, I hope it wasn't a kidney stone; that's what derailed his Bunbury experience. After the show, I had a quick chat with Tommy and Matt from the band as they were packing up to go, and then Ringo and I closed the Mainstay, as he regaled me with tales of Mad Anthony, and promises that their new material is the best they've ever done. I know they'll prove it when the time comes.
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is just four days away. All this week, CityBeat's music blog will be featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction.
Our next "sleeper" is Imagine Dragons, performing Saturday at 5:15 p.m. on the Bud Light Stage.
Founded in Las Vegas four years ago by primary songwriter Dan Reynolds, Imagine Dragons went through a variety of permutations before settling on the current line-up (guitarist Wayne Sermon, bassist Ben McKee, drummer Daniel Platzman). Since 2009, Imagine Dragons has turned out a quartet of impressive EPs, including the just-released Continued Silence, featuring the YouTube sensation “It’s Time,” all of which is a preview for the fall release of the band’s debut full-length, Night Visions. A quick spin through Continued Silence — the band’s first work for Interscope since signing last year and, like the new album, produced by renowned British Hop Hop boardsman Alex Da Kid — is like panning in a creek bedded with gold nuggets; glints of Coldplay, Everclear, Train and any number of other chart-topping Pop icons, but with a discernibly beat-driven Indie edge. As epic as Homerian poetry set to a U2 soundtrack and as intimate as a candlelight dinner in the Nevada desert.
This weekend brings the uniquely “underground” Ubahn Fest to downtown Cincinnati. The two-day music festival (its name a play on the German word for underground rapid transit systems) features a mix of Electronic music, DJs and Hip Hop artists, including many local and regional performers. Ubahn is a collaboration between the Cincinnati USA Regional Chamber, branding/”social intelligence” agency AGAR and Self Diploma, one of the leading independent event promoters in the region, presenting the popular every-Saturday music series on Fountain Square during the summer (among other events).
While Cincinnati has its share of music fests, this is a rare one that focuses on EDM and Hip Hop. Even more unique is the festival’s setting. Ubahn takes place in the tunnels of the vacant Riverfront Transit Center, located beneath Second Street and running between the Bengals stadium and Broadway. For fest-goers, the entrance is at 220 Central Ave., between Pete Rose Way and Third Street.
Along with the local/regional talent, Ubahn features two huge acts to top the bill each night. Friday’s headliner is A-Trak, one of the leading DJs/turntablists around, working frequently with Kanye West, doing production work and remixes for an array of artists, forming the popular duo Duck Sauce with Armand Van Helden, collaborating with the likes of Travis Barker, Jay-Z and Danny Brown and co-founding the esteemed Electronic/Hip Hop label, Fool’s Gold. A-Trak was featured on the cover of Billboard’s 2012 Dance music issue alongside Skrillex and Diplo.
Here is a clip featuring footage from A-Trak’s huge Bonnaroo set this year:
Saturday’s headliner is singer/songwriter/producer Mike Posner, who has built a large following with his memorable brand of eclectic Electro Pop. Posner has also found success working with a wide range of artists — everyone from Big Sean and 2 Chainz to Justin Bieber and Big Time Rush — as a producer, songwriter and/or guest artist. Posner’s much anticipated new album, Pages, is due next year.
Here’s the clip for Posner’s 2013 single, “The Way It Used to Be”:
DJs, EDM and Hip Hop artists from across the region joining A-Trak for Friday’s festivities include DJ Davey C, DJ Prism, The Animal Crackers, Erik Barnum, The Natives, Sh3llz, Eazy El Loco, DJ Vizion, Panzer, Disco Joe, DJ Worldpeace, DJ Fursur and Briz-Rain.
Cincinnati’s Puck also appears at Ubahn on Friday. The MC released a music video for his track “Outside” last month:
Another local MC performing Friday is Trademark Aaron, who kicked off the summer with a great new EP, For the People. More recently, Aaron posted the short film made to accompany a new track called “Shake,” featuring Sleep of 2 Man Cypher (Sleep performs Saturday at Ubahn):
Saturday’s lineup is rounded out by local and regional acts like Cal Scruby, K.M.F., CJ Townsend, Those Guys, Big Cam, DJ Donkis, DJ Magnificent, DJ Drowsy, Sleep, Nuk, Nick Youngerman and PRJR.
Cincy “new wave Hip Hop” act Valley High will also appear at Ubahn on Saturday. Here is their recent video release for the track “8 Ball”:
And here’s a recent track from local progressive Electronicists Black Signal called “Sai Pei.” The trio is also playing Ubahn on Saturday:
Another local Saturday performer is Hip Hop artist Buggs Tha Rocka who recently announced that modern Hip Hop legend Talib Kweli will executive produce his next album. Before that, Buggs will release a new mixtape next month. The MC recently posted the freestyle track “Gold Bars in Tha Safe,” which you can listen to and download below:
Last night, music fans at venues in four cities around the region (Newport, Columbus, Indianapolis and Lexington) got a sneak peek at some of the artists slated to appear at this year’s Bunbury Music Festival, which returns to Cincinnati’s riverfront parks July 11-13.
Last night, fans at the launch events tweeted out some of the lineup as it was announced (and some smart ass started a fast-spreading rumor that Vampire Weekend was playing; they are not). This morning, the lineup was released to the general public. It was previously announced that Fall Out Boy, Paramore and New Politics would be bringing their summer tour to Bunbury; those groups are scheduled to play the fest on July 12.
Here are the local and national artists that will be joining them at Bunbury’s third annual event (an additional headliner will be announced soon):
The Flaming Lips
Young the Giant
Fitz and the Tantrums
Red Wanting Blue
The Lighthouse and the Whaler
Fly Golden Eagle
Lamps and Voids
Family and Friends
Let It Happen
Kopecky Family Band
G.Miles and the Hitmen
Brent James & the Vintage Youth
The Fanged Robot
The Upset Victory
J. Roddy Walston & The Business
Lily & Madeleine
Brick + Mortar
Yellow Paper Planes
Aaron Lee Tasjan
Here Among the Mountains
Bronze Radio Return
Daniel in Stereo
Today is the last day to buy Bunbury tickets at their current rate; the prices increase at midnight. Right now, $130 gets you a three-day pass ($325 if you’d like the VIP experience) and one-day tickets are $55.