WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home - Blogs - Staff Blogs - Popular Blogs
Latest Blogs
 
by Mike Breen 06.26.2012
 
 
andrew_bird

Twenty More Acts Announced for MidPoint 2012

MPMF.12 to include Andrew Bird, The Walkmen, Ralph Stanley, The Antlers and more

Several local acts have been notified in recent weeks that they have been chosen to perform at this fall’s MidPoint Music Festival. Organizers today revealed its second wave of national acts that will join them at the Sept. 27-29 fest — Andrew Bird, Ralph Stanley and his Clinch Mountain Boys (revealed a couple of weeks ago at a MidPoint Indie Summer concert), The Walkmen, The Antlers, Hospitality, Rich Aucion, Stepdad, Eternal Summers, White Arrows, Dirty Bourbon River Show, Hume, Sidewalk Chalk, Holy Ghost Tent Revival, Kitten, F. Strokes, Wooden Wand, Hundred Waters, Golden Boy, Tim Easton and Army Navy.

Keep up to date with the latest MPMF news at mpmf.com and this here music blog at citybeat.com. Early Bird All Music Access and Loyalty Presale passes are sold out. A limited number of All Music Access Passes ($69) and VIP Passes presented by CVG ($169) now on sale. Washington Park Day Tripper passes will be available soon. Get your tickets now at CincyTicket.com.

Check out news songs from The Antlers and (previously announced MPMF band) Grizzly Bear at NPR here.

Here's the latest music video from The Walkmen, for their tune "Heaven."


And here's a recent CNN piece on Andrew Bird.


 
 
by Brian Baker 09.28.2012
 
 
25048_med

MPMF.12 Day 1: Sky is Dry, Beer is Wet, Music is Fantastic

The first night of MidPoint almost looked like it would be a typical rain-soaked affair, but the clouds relented and the festival’s kick-off was gorgeous and every bit as big as promised.

My first stop on the musical pub crawl that is MidPoint was not a band but a party...well, the whole bloody thing is a party, but this was an actual event thrown by the towering presence known as Brian Kitzmiller to celebrate the one year anniversary of his marketing company, Reveal Concepts. En route to Japp’s, I ran into bassist to the stars Sammy Wulfeck and guitarist/keyboardist extraordinaire Brandon Losacker, who were jimmying their bank accounts at an ATM for a little walking around green. Sammy dropped two bombshells; he’s going to be a father in less than two months, and Ric Hickey has returned from his soul-searching California sojourn. Birth and rebirth. I love synergy.

Brian’s party was a blast (any party with free OTRs is bound to be), populated by a wide variety of great people (detailed later), with incomparable Rock and Soul sides providing a brilliant soundtrack courtesy of DJ Bryan Dilsizian, the hardest rocking platter daddy in town. Now that’s a party.

I had intended to make my way to Grammer’s for Dressy Bessy but I was making rather merry at Japp’s and, to quote the legendary Shel Silverstein, I got stoned and I missed it. So I headed over to Mr. Pitiful’s for my first band of the evening, the Demos out of Rochester, New York. Head honcho/zen master Mike Breen yardsticked these guys against the likes of Wondermints, the Shins and Big Star, and I would be inclined to agree; the sextet’s facility for melancholy Pop melodicism, hooky jangle and stellar vocal harmonies is the equal to any of those lofty references. Naturally enough, in the live setting, some of the Pop subtlety of The Demos’ debut full length, last year’s Lovely, is jettisoned in favor of a more bracing sonic presentation, like the amped up Strokes-like storm kicked up on “Nervous.” This was The Demos’ Cincinnati debut, and they seemed to be enjoying themselves as much as they were being enjoyed, hopefully a sign that they’ll be coming back our way soon.

After a stop at Mr. Hanton’s for the most delicious hot dog on the planet (no snouts, hooves or ass jelly in these bad boys...it’s a meal on a bun), and a quick chat with MidPoint co-architect/bon vivant Sean Rhiney, my intention was to head down to the Blue Wisp to catch Black Taxi (which I heard was incredible) but, having gotten little sleep the night before, decided to conserve energy and drop in at the Main Event to catch Saturn Batteries and stick around for Sohio, one of my longtime local faves.

Saturn Batteries is the brainchild of Brad Gibson, who’s done bass stints in Walk the Moon, Young Heirlooms and Charlie Hustle, and is now trying his hand in the frontman role. If last night’s performance is the standard, Gibson should have made the leap a long time ago; Saturn Batteries taps into classic melodic Beatlesque Pop with a sugary Pixies icing, resulting in a sonic confection that is powerfully energetic without being jittery or pointlessly arty. The quartet churned out a good set and provided plenty of evidence that time and fine tuning could gain them a large and loyal following, locally and well beyond.

Next up at the Main Event was Sohio, a band whose studio efforts I’ve reviewed positively and often but have somehow managed to miss consistently in a live context. Sporting a new bass player, Sohio tore shit up good and proper and proved why they’ve been a fixture at MidPoint for a good many years. It’s a rare band that can direct traffic at the intersection of Americana, Rock both rootsy and garagey, Blues, Punk, Pop and Country without having an eight-genre pile-up. Sohio is that rare band, deftly balancing the noise that rattles rafters and the subtlety that breaks hearts. Their relative obscurity may be a product of their own design, but Sohio can and should be the next big thing.

I ducked out of Sohio’s gig a little early to hit Below Zero for a taste of the Terror Pigeon Dance Revolt, but the duo was still setting up when I arrived, so I witnessed a good deal more than I anticipated. TPDR is a wild rhythm ride, a gene splice of They Might Be Giants and Ween that’s been mutated into an Indie Rock mash-up of American Bandstand and Burning Man. The music is performed by a rotating cast of characters and programmed by Neil Fridd, and with the music safely stored on a hard drive, Fridd and his lovely partner (presumably Haley Riddering, but that’s a guess based on limited research done on deadline) are free to roam the crowd, form a conga line, fall into a suggestive pile on the dance floor, snake string lights into the pogoing audience and deploy a giant gray parachute for everyone to dance under like a silky umbrella. TPDR is a glittery interactive Indie Rock dance slam and if they should venture away from the Brooklyn, New York base and into our cozy confines again in the near or distant future, you would be well advised to get in line.

After TPDR, I headed back to the Main Event for the finish of Jody Stapleton and the Generals’ set. Sparrow Bellows big bass master Sammy Wulfeck is providing the pulse for the Generals these days, and the Black Owls’ Brandon Losacker is doing double duty on guitar and keys so I was curious to hear this new iteration of Jody’s sound. I was always a fan of the Stapletons back in the day, and the Generals are yet another fine example of Jody’s consummate ability to translate influence and inspiration into his own singular sound. The Generals’ frame of reference is the sunny Pop of ’70s AM radio and the roar of Classic Rock, dragged kicking and screaming into the 21st century. Jody’s hushed singer/songwriter vocals are a subtle counterpoint to the frenzy kicked up by Sammy, Brandon and drummer Nick Mavridoglou (spell check is obviously doing me no good here), kind of like Ray Davies recording a tribute to Wilco’s Summerteeth.

Finally, it was time for the last show of the first night of the 11th edition of MidPoint (that sounded a little more biblical than I’d intended), which for me was the inspired garage tumult of Nashville’s Turbo Fruits. From the opening stomp to the last ringing chord, Turbo Fruits (at one time, a side project for the late, lamented Be Your Own Pet) were alternately mesmerizing and pulverizing, whipping the assembled multitude at the Drinkery into a writhing mass of humanity, baptized in sweat, sanctified by volume and praising the gods of Rock for allowing them access to the forbidden Turbo Fruits.

At one point, frontman Jonas Stein gave a mighty Rock kick move and lost his shoe in the crowd, which someone was kind enough to return to the stage. Stein thanked the shoe samaritan verily, because, as he noted, he’d only brought two shoes with him. It was unclear whether he meant two pairs of shoes or just two shoes, but his gratitude was commensurate with that of a guy who was looking at going barefoot for the remainder of the tour. At any rate, Turbo Fruits kept their feet (with or without shoes) firmly on the necks of the MidPoint crowd for the duration of their hour-plus set, leaving everyone wanting for more at the conclusion and perfectly teeing up expectations for Friday night.

MidPoint 2012 Thursday Night Notes:

• Brian Kitzmiller’s one-year soiree for his new marketing outfit, Reveal Concepts, was, as noted, a blast. Mere moments after hearing Sammy’s news about Ric Hickey’s triumphant return, I walked into Japp’s and was greeted by the prodigal son himself. His relocation to California was a journey of self-discovery, an attempt to reconcile his past, present and future and come to grips with what he truly wants and how to get it. Sometimes you have to go a long way from home to realize what home means. And for Ric, this is home. Welcome back, old friend.

• Also was introduced to longtime photographer and soundman Chuck Madden, a guy that I saw running the board at every Raisins show I ever attended but never actually met. We traded a few stories over Brian’s free OTRs, and he gave me his card; I hope that we can trade more stories and quaff more brewage in the very near future.

• I ran into the Generals’ Brandon Losacker and Nick Mavridoglou at the Demos’ show, which they were digging but Mr. Pitiful’s $7.50 Jack and Coke sent them down to MOTR for the Filament. On my way out, I spotted Magnolia Mountain’s Mark Utley at the bar, who was anticipating the Space Capone show at the Blue Wisp.

• Ran into my Kroger pal and Faint Signal keyboardist/guitarist Paul Roberts on my way to the Midway. If you lament the days when bands like Rush, Pink Floyd, King Crimson and Yes were relevant, you owe it to yourself to check out the band’s self-titled debut. They’ve got a serious Prog vibe, but not in a wizardy, disappear-up-their-own-ass way.

• As previously noted, just before hitting Mr. Hanton’s for another brilliant hot dog (they call them handwiches, I call them awesome), I crossed paths with Sean Rhiney at the Midway. His lovely friend Susan offered to buy me a beer, but Sean wound up paying for the trio of Goose Islands and I got the tip. Susan observed that it must be her feminine wiles, to which I responded, “I wish I had boobs. Wait, I do. I just don’t know how to work them.” Perhaps having another beer at this point was not a sound idea. At any rate, we had a nice chat about the old days (Susan could actually claim some ownership in MidPoint; she was dating Bill Donabedian and introduced him to Sean, and the rest is history) and the new days and kids (Susan was trying to recruit Sean into the wild world of parenting; he didn’t seem to be drinking the Kool-Aid), then we hit the night in opposing directions.

• Sohio’s Mark Houk bought me not one but two beers at the Main Event. I believed him to be a prince among men, but a two beer evening is proof beyond proof. I raise my hangover cure to you, my friend.

• No Matthew Fenton sightings on the first night. I tried to e-mail him this week but the message bounced. And I saw his name on the Twitter feed at Below Zero, but it wound up being a message from last year. Classic tweets from MidPoints past? As Mike Breen noted, that is retro at its most contemporary.

• Had a long talk with Sammy Wulfeck about the trials and tribulations of parenting. There is nothing more rewarding or more likely to make you want to stick your hand in the garbage disposal than having children. You can’t intellectualize it, you just jump. No one is ever ready to have kids. You can’t get old enough to be ready. You just do it. And it’s great, and it’s not, which is a capsule description of life. Sammy assured me he’d give me a call if he needed any advice … I fully expect the phone to ring right after they cut the cord.

• As I was walking by the line to get into the Dirty Projectors, I heard what appeared to be an able-bodied Indie Rock man say to his companions, “There’s going to be chairs in there, right?” Really? (In fact, they did.) Look, if you’ve got some physical disability not plainly apparent to the naked (or beer-clouded) eye, then by all means chair up. But you looked hale and hearty to me, so come on, dude, I’m 55 and I manage to stand my fat ass up for about 75% of the MidPoint experience. When I told this story later to CityBeat publisher Dan Bockrath, he smartassedly noted that I was seated while telling this tale. It’s not nice to pimp slap your elders, Dan. It is nice to buy them a beer … I’ll see you tonight.

• Ran into Mike Breen, Fairmount Girl/Culture Queer’s amazing Dana Hamblen, former Mad Anthony bassist Dave Markey and MA’s inimitable Ringo Jones at the Drinkery. Ringo, as he is want to do, put an enormous beer in my hand, which ultimately led me to regale Mike with the strange circumstances of my bygone days of chemical ingestion. He wisely slipped away when I went to the bathroom. That or I hallucinated him into being there in the first place. I’m never quite sure, and it’s happened before.
 
 
by mbreen 02.02.2009
 
 
-

MidPoint Music Festival Taking Submissions

It seems like only yesterday that we were running all over Downtown trying to see a bazillion bands perform for the 2008 MidPoint Music Festival. Now it’s time to start preparing for a bigger, badder, better MidPoint in 2009.

Read More

 
 
by mbreen 06.04.2010
Posted In: MidPoint Music Festival at 10:45 AM | Permalink | Comments (0)
 
 

MidPoint Tickets on Sale TODAY

This evening is the kick-off of the free MidPoint Indie Summer series on Fountain Square — starting at 7 p.m. with The Trouble with Boys and also featuring Paper Airplane, The Love Language and Camera Obscura — and it’s also the first time you can buy tickets for this September’s MidPoint Music Festival … at a greatly discounted rate.

Read More

 
 
by mbreen 05.13.2011
Posted In: Music News, MidPoint Music Festival at 11:42 AM | Permalink | Comments (0)
 
 
-

MidPoint Submission Deadline Looms

Any musical act interested in performing at this September's 10th anniversary installment of the big MidPoint Music Festival has just a few days left to turn in submissions for consideration if they haven't already. The official deadline is this coming Monday night (May 16) at 11:59 p.m. Miss it and miss out.

Read More

 
 
by Deirdre Kaye 09.28.2012
 
 
24786_med

MPMF.12 Day 1: Fear, Loathing and Vicodin

MidPoint Night 1 through the eyes of pain-killers

I’ve sprained my neck.* I’m taking Vicodin and Thursday night is the first night of MidPoint Music Festival. When my editor told me my review should be first-person and to “think, Fear and Loathing in Las Vegas,” I snorted at just how closely it might come given my current intake of prescription drugs.

No longer stoked for the experience but realizing it’s far too late to get out of going, I texted my friend, Rachel, on Wednesday night. Was she going? Could I tag along with her? The buddy system seemed like a good idea this time around.  She immediately told me sure and that she had planned to see Andrew Bird, Best Coast & Dirty Projectors on Thursday.

Thursday evening, I stroll toward Washington Park. There aren’t tons of people out at 7:45, but it’s still early in the week and early in the night.  There are still enough people that it’s easy to walk mindlessly at the heels of a group of scarf-donning 20-somethings and end up where I need to be to meet my friends.

I glance around, but I don’t try too hard to find Rachel.  She’s one of those people you hear before you see. Instead, I find a spot near the sound booth between two relatively attractive and seemingly girlfriend-less guys, pull out my phone and begin to send texts and emails. 

By 8:10, I’m bitching, though.

She knows I’m jacked up on painkillers.  If I wander off with some heavily bearded rapist in skinny jeans, thinking he’s Rach, it’s all her fault. Mostly importantly, I’m absolutely distraught that I shaved my legs yesterday.  I’ve always had this strange idea that if I’m about to get raped, I’ll just say, “You don’t want me. It’s a hot mess down there.” I think he’ll be disgusted by my lack of feminine upkeep leave me alone. Now I’ll never know if that line works! Has anyone already tried it?  I’ll have to Google it later.

It's 8:20 and I still don’t see Rachel. I do, however, see a tall, lanky shadow near the ATMs and he’s laughing. It’s Dan. I text Rach for confirmation and then head over to find him with a few other people I know. (They have names, too, but they’re really irrelevant for tonight.)

We make a few bad jokes and then Andrew Bird starts with zero fanfare.  He just launches into his music, people applaud in surprise, and he carries on  It’s a beautiful view.  Andrew Bird has these slowly spinning art-installations that look like plumes of smoke and a very cool rotating double-Vitrolla-like thing. Above the roof of the stage glows the pretty, white flora-inspired window of Music Hall. Last time I went to Music Hall for the Opera, I was probably parked just about where my friends and I currently stood.

He’s good. His whistles have me staring at him in expectation. Where are the little animated birds fluttering toward him with ribbons for his hair and water for his face? It’s all just so pretty. I’m mesmerized.

Until my foot lands on something hard and round. Is it a sprinkler head? Yes. I know this without having to look at it. And yet, drop my head and try to find the small black circle as it hides out in the grass and my shadow. I don’t see it. But I feel it, right under my foot. It finally occurs to me that I should lift my foot and I immediately stumbled into Rachel and Dan, who shrug off my apologies. Figuring out how long I’ve known Dan requires higher math than I’m capable of, but he’s used to my stumbling into him.

The stumbling and bumping calls my attention to the fact that Andrew Bird is playing not only an entirely new song but also he’s in an entirely different spot. He’s near an upright bass, hovering over an old microphone and making music I love oh-so-much. Still, when it’s back to the usual stuff, I’m not the only one feeling the weight of his mellow music.

It’s decided that we need caffeine. Fast.

As half our group strides through back alleys and around clusters of people, Rachel tries, to no avail, to tell us that Yelp says Coffee Emporium closes at 8 p.m.  She’s like one of Andrew Bird’s birds, she sounds nice in all the chaos, but she’s having a hard time rising above it. In the end, it takes standing in front of Coffee Emporium’s darkened doors for Dan and I to admit defeat.

Ira’s (Iris? I can never remember) is closed, too. 

So, we do what any sensible, caffeine depraved people would do: We send Dan to his apartment to make us some while we go stand on Clay and watch Best Coast through a fence.

No one will ever convince me this isn’t the best view for their show.  Sure, you can’t see their faces.  But, you can still pick up on all their energy and hear things perfectly.  Mostly, though, you also get to see the rest of the crowd dancing like crazy fools, singing along and having an awesome time.  Standing outside that fence, I think I enjoyed the energy far more than I would if I were amidst those flying elbows and twitching hips.

Dan and, our friend, Erik are back. 

They brought camp chairs and no coffee.

We utilize the chairs and this awesome see-saw for a hot minute before Dan gets a text about Bluegrass at Mr. Pitiful’s and then we’re off, again.  I’m still not entirely sure what our friends were talking about at this point.  They came out giddy over the .5 seconds of music they heard that sounded Bluegrass and Irish.  (Despite knowing Dan for at least half my life, I’m still surprised by how absolutely stoked he is about this.)  They mentioned a name that I don’t see anywhere on Mr. Pitiful’s Thursday line-up.  However, on Friday we’re all meeting up at the Midway at 5p, where they are, apparently, playing again.

Despite multiple pleas of, “Are you sure we shouldn’t support our friend?” and “We could at least peak in and say ‘Hi,’” we don’t make it into Mr. Pitiful’s to say reassuring things to Young Heirloom’s Chris Rob.**  For a brief second I contemplate making a stand.  I’ll stand like Superman and demand we give this musician-man our dues!

Except they’re talking about caffeine, again, and if they go too far, I’ll never find them.  Even not on my best of days, OTR is like that tricked out maze in Harry Potter and The Goblet of Fire.  Except Lord Voldemort is played by a skinny, African American guy who comes up to Dan while we’re still on Main Street.

“Hey man, have you ever been tazed?” he asks my friend.

A bright light flashes and I’m terrified for my one-time best friend.  What’s that disarmament spell?  But it’s just a watch or a flash light or something and Dan, who I think I’ve only ever seen mad once (at me, of course), just shakes his head and tell the guy it’s not cool, he doesn’t even know him.

And then we’re just not there anymore.  We’re in 1215 Wine Bar and Coffee Lab.

But, I don’t actually like either of those things. All I’ve wanted all this time was a pop or a chai. They have chai, though.  And they’ll ice it!  And, you know what else? It doesn’t taste like my coveted goodness from Fido, in Nashville, but I think it’s better than Starbucks. Holy Shit. This place needs a drive-thru.

I’m talked out of seconds by Rachel, who is bound and determined we make it to The Emery for Dirty Projector. I’m ready to give up the ghost.  I just want another chai…or 10. There’s a cheese plate that looks good, too. Mm, Cheese. But, I remind myself that I’m supposed to be writing about the music. Also, I have no idea which direction I’d go to get back to my car once I’ve been properly filled with dairy products. 

So, off we go, to the Emery.

It’s packed. Thank goodness Cincinnati is filled with some seriously sweet people.  A bit of rearranging and the seven of us are in one long row in the balcony.  We’re only forced to sit and hide yawns for a few minutes before the music starts.

I like Dirty Projectors and their quirky, disjointed Pop Rock. It makes me want to dance. Except no one in the balcony dances.  I can see hints of movement and excitement below. But the people around me, the ones near the rafters, are zombie-like. No one moves, except to yawn or to leave. It’s hot, too, and I swear on anything that it smells like Skyline up there. 

They should have played at Washington Park. Out in the cool air and in the open field, where there aren’t seats to lull the tired, drunken masses to sleep. That would have been better for everyone.

When I find myself trying to calculate the likelihood of my death if the balcony collapses, I know it’s time to go.  It’s been a short night, but I’m done. If I stay much longer, I’ll fall asleep. Or I’ll throw up. I pop a Tums for the trip back to my car and duck out.

Once outside, I’m far less concerned than I should be about the fact that I have only a vague idea how to get to my car. 

There is one thing I know for certain, though: I’m stopping for Skyline on the way home and I want extra cheese.

*Who knew that was even possible? Not me.

**That’s his name with us, whether he likes it or not.

 
 
by mbreen 09.23.2010
Posted In: MidPoint Music Festival at 10:47 AM | Permalink | Comments (0)
 
 

As MPMF Begins, Justin Townes Earle Cancels

Yesterday we received word that headlining MidPoint Music Festival artist Justin Townes Earle was canceling his tour, including his appearance tonight for MPMF at Know Theatre. Attempts were made to keep Earle’s tourmate Jessica Lea Mayfield on the bill, but she has returned home following the tour cancellation announcement. (Those artists will not be replaced, but local singer/songwriter Nathan Holscher and his band will still play at 9 p.m. at Know; the show has been made free.) This is a great example of why attendees should check mpmf.com before they head out to the fest each night — cancellations and schedule changes are inevitable.

Read More

 
 
by mbreen 05.16.2014 68 days ago
 
 
jessefox

Lineups for Fountain Square, Washington Park Music Series

The impending summertime brings almost daily free music to the city’s center

When the lineups for the every-Friday MidPoint Indie Summer concerts on Fountain Square were announced, showcasing a solid lineup of local and touring Indie Rock acts, a colleague in Charlotte, N.C., Jeff Hahne, bemoaned his own city’s lackluster “outdoor free music” offerings. Writing on the blog of the city’s Creative Loafing weekly, he said he was increasingly disappointed by the cover bands and “’90s alt-rock” acts that populate two of Charlotte’s free outdoor music series. 

“Charlotte may have twice the population and enjoy warmer weather,” Hahne wrote, “but as far as a summer music series goes, Cincinnati clearly wins.”


It was a good reminder of how good things are for live music fans in Cincinnati. And Hahne wrote this about only one small part of the overall free, outdoor, live music offerings the city provides. There are events for fans of cover bands, too, like the every-Wednesday Party in the Park shows at Yeatman’s Cove on the riverfront, but, besides Indie Summer, downtown’s Fountain Square and Over-the-Rhine’s Washington Park present a wide variety of styles of music every year once the warmer weather rolls around. And every series draws respectable-to-blockbuster crowds, showing that our city has more than enough music lovers to support the multitude of musical events each summer. (Even these two spaces’ series only represent a portion of the overall outdoor, live music action downtown; there are also events like next weekend’s Taste of Cincinnati that have a wide variety of local musicians performing.)


The lineups for the musical performances at Washington Park and Fountain Square (officially known as the PNC Summer Music Series and presented by 3CDC and a wide range of different sponsors) have leaked out gradually over the past few weeks. Now that most of the artists booked for the various series have been announced, we’ve collected them below for you to marvel at the quantity and quality of what our city core has in store this summer for music fans. (Visit Fountain Square’s site here and Washington Park’s site here for more info and some links to check out some of the artists ahead of time.)


Washington Park (SHOWS 7-10 P.M. WEEKLY UNLESS NOTED)

WEDNESDAYS: CROWN JEWELS OF JAZZ

May 28: Rashon Murph & Randy Villars

June 4: Marc Fields

June 11: Tropicoso

June 18: Patricia & Chris Berg

June 25: Siobhan and the Situation

July 2: Rick Van Matre

July 9: NKU Faculty Band 

July 16: Anne Stephens

July 23: Art Gore featuring Delfeayo Marsalis

July 30: No concert
Aug. 6: Sylvain Archer

Aug. 13: Fo/Mo/Deep

Aug. 20: Dick Sisto

Aug. 27: Mike Wade 


THURSDAYS: BANDSTAND BLUEGRASS 

May 29: Jake Speed & The Freddies andThe Red Cedars

June 5: The Comet Bluegrass Allstars

June 12: Wild Carrot & the Roots Band

June 19: Ma Crow & The Lady Slippers

June 26: The Downtown County Band

July 3: Northern Kentucky Bluegrass Band and Woody Pines

July 10: Steve Bonafel & One Iota

July 17: Buffalo Wabs & The Price Hill Hustle

July 24: The Rattlesnakin’ Daddies

July 31: No concert

Aug. 7: The Tillers

Aug. 14: Hickory Robot

Aug. 21: Bulletville

Aug. 28th: Whiskey Bent Valley and Al Scorch


FRIDAYS: FRIDAY FLOW

(Note: Local DJ crew Selectas Choice spins between sets)

May 30: EU, Jameze and performers from Elementz
June 6: Natural Progression and Collective Peace
June 13: Hotsauce, Tyshawn Colquitt and more TBA

June 20: Carpe Diem, Ron C and more TBA
June 27: Bobby Valentino, L’ Renee and performers from Elementz
July 4: Playa (featuring Smoke & Black), Deuces and more TBA
July 11: Carl Moore, Marwan (Soul Flow)

July 18: 2nd Wind, The Ingrid Rachel Project
July 25: (3 p.m. start) Sei High, 432, performers from Elementz and more TBA
Aug. 1: No Friday Flow; LumenoCity returns

Aug. 8: Flawless and Keenan West
Aug. 15: Big Jim and Erica P
Aug. 22: Gregory Porter and Mandy Gaines

Aug. 29: Tiara Purifoy (American Idol), performers from Elementz and more TBA


Fountain Square (SHOWS 7-10 P.M. WEEKLY UNLESS NOTED)

TUESDAYS: AMERICAN ROOTS

May 27: Jeremy Pinnell & the 55s and Ben Knight & the Welldiggers

June 3: Kim Taylor and Peter Mulvey

June 10: The Black Lillies and The Kentucky Struts

June 17: Buffalo Wabs and the Price Hill Shuffle and Arlo McKinley

June 24: Dallas Moore Band

July 1: The Tillers and Red Cedars

July 8: Pure Grain and Shoot Out the Lights

July 15: Chuck Mead and Straw Boss

July 22: The Wheeler Brothers and Shiny & the Spoon

July 29: Bulletville and Bucktown Kickback

Aug. 5: Josh Eagle and The Hiders

Aug. 12: The Ragbirds and The Happy Maladies

Aug. 19: Tony Furtado and Rumpke Mountain Boys

Aug. 26: Birds of Chicago


WEDNESDAYS: REGGAE WEDNESDAY

May 28: Super-Massive (Summer Splash Happy Hour DJ: Frankie D)

June 4: Driftaways (Summer Splash Happy Hour DJ group: Avalanche Sound)

June 11: Peach Freedom and Connect (Summer Splash Happy Hour DJ: Frankie D)

June 18: Aaron Kamm and the One Drops (Summer Splash Happy Hour DJ group: Queen City Imperial Sound System)

June 25: Milele Roots (Summer Splash Happy Hour DJ: Frankie D)

July 2: Jah Messengers (Summer Splash Happy Hour DJ group: Avalanche Sound)

July 9: Zvuloon Dub System (Summer Splash Happy Hour DJ: Frankie D)

July 16: Gato’s Gullah Gumbo (Summer Splash Happy Hour DJ: DJ Mowgli)

July 23: Ark Band (Summer Splash Happy Hour DJ: Frankie D)

July 30: 77 Jefferson (Summer Splash Happy Hour DJ group: Avalanche Sound)

Aug. 6: Rashita Astemari (Summer Splash Happy Hour DJ: Frankie D)

Aug. 13: The Drastics (Summer Splash Happy Hour DJ group: Queen City Imperial Sound System)

Aug. 20: Big Wig Mechanics (Summer Splash Happy Hour DJ: Frankie D)
Aug. 27: The Cliftones  (Summer Splash Happy Hour DJ: DJ Mowgli)


THURSDAYS: SALSA ON THE SQUARE

(Note: Salsa on the Square kicked off May 1)


May 22: Grupo Tumbao

May 29: Mambo Diablo

June 5: Son Del Caribe

June 12: Tropicoso

June 19: Kandela

June 26: Grupo Tumbao

July 3: Zumba

July 10: Mambo Diablo

July 17: Kandela

July 24: Son Del Caribe

July 31: Tropicoso

Aug. 7: Clave Son

Aug. 14: Grupo Tumbao

Aug. 2: Son Del Caribe

Aug. 28: Kandela

Sept. 4: Clave Son

Sept. 11: Tropicoso

Sept. 18: Latin Beat Project


FRIDAYS: MIDPOINT INDIE SUMMER (7-11 P.M. WEEKLY)

May 30: WHY?, Yip Deceiver, Badboxes, Dark Colour

June 6: Wussy, The Tigerlilies, Honey & Houston, Mason School of Rock

June 13: Betty Who, Vito Emmanuel, Captain Kidd, Pluto Revolts

June 20: Those Darlins, The Harlequins, The Frankl Project, Those Crosstown Rivals

June 27: Moon Taxi, Peridoni, Nevele, Acarya

July 4: Local H, Mad Anthony, New Strange, One Day Steady

July 11: Soledad Brothers, Electric Citizen, Pop Goes the Evil, Grotesque Brooms

July 18: Wesley Bright & the Hi-Lites, DAAP Girls, Mardou, Young Colt

July 25: Clap Your Hands Say Yeah, Public, Dream Tiger, Danny & His Fantasy

Aug. 1: The Spiders (A tribute to David Bowie), The Honey Spiders, Bad People, To No End

Aug. 8: Man Man, Injecting Strangers, Ohio Knife, Skeleton Hands

Aug. 15: The Nightbeast, more TBA

Aug. 22: psychodots, Lemon Sky, Tonefarmer, Heavy Hinges

Aug. 29: Islands, The Pass, The Yugos, Joey Cook & The Keepers of the Secret


SATURDAYS: BEATS BY SELF-DIPLOMA (7-11 P.M. WEEKLY)

May 31: Cal Scruby, Matt Persin, NJ + drummer, Nuk, Federal & Company, TJC with DJ Vizion, Beatboxer Nav & Jake

June 7: Chingy, DJ Diamond, Sleep, Planet Venus, Chestah T & Snowball, Razook, Alexander the Bear
June 14: DJ Clockwork, DJ Etrayn, Buggs Tha Rocka, Jon Schuyler, Ingrid Rachel Project, SSE, DJ RiQ The Professor, Miles Mulligan
June 21: OCD: Moosh & Twist, Puck, Hafrican, Jayme Shaye, Eazy El Loco, A1 & Juice Jones, DJ iGrind

June 28: DJ Bandcamp, Junya Be, Macho Means, Aysia Marie & Ajax Stacks, Nate Paulson, Mad Snipes, EddieO

July 5: The Knocks (DJ set), Millennium Robots, Disco Joe & Friends, Aviators, T3CCHTUNE, Mr. Fantastic, Keyyz

July 12: Mike Stud, James Dapper, The S.A.U.C.E., SkeetR V. Twinkiee, Kid Quill, Blue Society

July 19: DJ D-LO, Joseph Nevels, Oregonia, Spearpoint, Brad Redford, Banducci and the Wheels, Kyle English

July 26: DJ Kid Capri, Khimera Records (8:30 p.m. start)

Aug. 2: Hi-Tek and Friends, Jillian Faith, Suave & Under New Order, Frankly Speaking, B. Soul, Haze

Aug. 9: Dizzy Wright, Trademark Aaron, Young ILL, Jaylee, Odd Fella, MCB, Jameze Latrail

Aug. 16: Trentino, DJ Skills, Ingrid Woode & the Woode Tribe Orchestra, DJ Will Kill, Mark Moore (8 p.m. start)

Aug. 23: Sound Remedy, Bob A Dob, Panzer, Black Signal, Randi Floss, Skyelle, Button Mashers

Aug. 30: Capitol Thrill, Firecat 451, Riot Ten, DJ B-Funk, Reaux, Chris Alarcon, DJ Edge


 
 
by Leyla Shokoohe 09.27.2013
 
 
1378516_10151891175824938_867704425_n

MPMF Day 1: Box Trucks and Missing Kurt

Ahhhh, MidPoint! I look forward to it every year. September, for this lady, holds promise, romance, intrigue and MPMF. I started my MPMF.13 off right: grabbed a baller parking spot right after work in front of Coffee Emporium, grabbed a baller iced Americano and grabbed my (you thought I was going to say baller? How presumptuous) press pass. I think I did say out loud to myself: Let's GOOOO.

The first band I wanted to see was my pal Molly Sullivan at 8:15 p.m. at Japp's Annex. I had some time to kill, so I hung out on the Midway. Sidewalk Chalk was still grooving; they've got a rocking brass section, shimmery drums and soulful singers. I previously saw them on Fountain Square last year as part of the Indie Summer Series, and really enjoyed everything they had to offer. Great fun way to kick off MPMF.

I wandered around the Midway for a bit, checking out the numerous box trucks that comprise the Box Truck Carnival presented by ArtWorks. The Midway itself is pretty awesome, easily accessible and kind of reminds me of a corral for progressively more intoxicated adults. I don't mean that in a derogatory way; I, too, enjoy consuming beer freely in the open on 12th Street. The Box Trucks this year held a lot of potential  — I wrote about the Midway for the MPMF Guide in CityBeat a few weeks back, so I was well-briefed on what to expect. Well, kind of.

The first truck I checked out was the Glam Rock Box Truck. Anyone who knows me is aware of the siren call the word "karaoke" holds, so of course I went in.The premise was great (for karaoke nerds like me), but box trucks just don't do karaoke justice, honestly. There are a number of songs to pick from, but not as many karaoke staples as one might expect. And for being called the Glam Rock truck, I didn't really see any Glam Rock hits on the list. The ladies running the truck seemed to be having a good time, though, so I did my best version of "Semi-Charmed Life" and went off to continue leading mine.

I wandered around the Midway some more, stopping in the Short Order Poetry Box Truck, which was 19 kinds of adorable. You step inside the truck, get paired with a stranger who asks you random questions (hi Adam!) and then they'll create a poem, on a typewriter no less, just for you, ready in just about 10 minutes. Mine had a lot of death and blood and dream imagery, just how I like 'em.

I listened to a few minutes of stand-up in the comedy Box Truck before heading to Lucy Blue's. I notoriously put off eating until I'm ravenous, so I decided to carb-up on pizza in preparation for the long night ahead. I met up with friends at Japp's and we ordered drinks and chatted before wandering to the Annex to hear Molly Sullivan.

Every time I see Molly perform, I'm more and more impressed. She's really fleshed her sound out (the addition of friends on the drums and bass is the perfect complement to her singer/guitarist combo), and lots of people are noticing — she recently won the Last Soloist Standing contest at FBs, grand prize being a large cash sum. Molly's a charming vocalist; her voice is flexible and searching, and she's always been good at melancholy intonation. I heard a fresh version of "So It Goes" from the No No Knots days, and some of her newer material had an almost Jewel-when-she-still-had-a-snaggle-tooth quality to it. I really, really dug it. So did a number of other people — quite a dedicated following was there. I'd say Molly Sullivan's first solo show at MPMF was a great success.

I had been planning all week to see Kurt Vile at Grammer's, but there was about half an hour before he was supposed to go on and I ran into my pal Caitlin, who told me the mythical history of Shuggie Otis. I was intrigued, so I walked with her to Washington Park. I still don't know how I feel about the fact that they've moved the stage to the permanent pavilion instead of in front of Music Hall; there's such a grandiosity to playing in front of that gorgeous building that just isn't matched by the pavilion — and I know there are lots of sad Instagram accounts crying right now — but I understand the convenience. We'll see how I feel about it tonight.

Anyway. Shuggie Otis. Skyrocketed to fame by age 21 and receded into the abyss of obscurity? And then he joins David Byrne's label and comes back? Tell me more. Shuggie had a groovy Soul/Funk sound brought to life by a huge backing band, complete with a stellar saxophonist. Glad I caught a few minutes, but I was on a Kurt Vile MISSION, so I started the trek to Liberty Street and Grammer's.

Well, by way of my car. I grabbed a jacket and was headed north, but as I walked by Below Zero Lounge, I heard a voice too great not to stop. If Ryan Adams and Adam Levine and the bearded lead singer from Maps & Atlases had an Asian baby, it would be St. Lenox. He was just plain awesome. I wanted to hang out with him, I wanted him to sing an album of lullabies, I wanted to stay for his whole set, but I'll be damned if I wasn't going to see Kurt Vile.

I didn't see Kurt Vile. Whoever guessed that two paragraphs ago knows that my ominous overtone was poorly done. I got stopped again walking by MOTR, this time by Fort Shame from Columbus, Ohio. I feel like so many times when a woman is a lead singer of a rock outfit, the instinct is to compare her to another female vocalist, but it has to be one who's personality is somehow perceived as similar, or stylistically akin (and I do mean clothes, not just shredding), so I'm not going to compare Fort Shame's Sue Harshe to anyone, because I don't think that's fair and, honestly, it's a little reductive. I'm just going to say that she does credit to anyone singing Rock. And the band had a star saxophonist, which was super fun.

I did hear via Twitter that Kurt Vile sang the word "yeah" for like fifteen minutes at the beginning of his set, so I said it a bunch to myself as I walked back to the Midway to hear Ha Ha Tonka and didn't feel too bad about it.

The first time I saw Ha Ha Tonka was two (or three? who knows) Midpoints ago at The Drinkery. These guys have all gotten hair cuts since then, but they sound even better. They sound like what folky Rock cut with a raucous night of varying emotions that ends with hanging out with friends and beer staring at the river would sound like. You know the kind of night I'm talking about. They're just the tops. Tight and talented musicality and great stage presence is only topped by their impeccable four-part harmony. Just magnetic. Second or third time's the charm, gentlemen.

I finished my night seeing Bleached at the Know Theatre, which last year held all the buzz bands I wished I'd been able to get inside and see (something about being "at capacity"), and I wasn't disappointed. Punk Rock girls with a guy drummer. Ramones cover. Misfits cover. I thoroughly enjoyed my attempt at head-banging AND the fact that these girls didn't try too hard. I feel like a lot of Punk-esque bands nowadays are all like "I AM PUNK! LOOK, SEE, I AM!" but Bleached was more like, "Fuck Punk. We're just Bleached." Own it, dudes.

And then I walked back to my car and went home and passed right the heck out. I'll see ya at MPMF for round two tonight.

 
 
by C.A. MacConnell 09.24.2011
Posted In: Live Music, Reviews, MidPoint Music Festival at 10:06 AM | Permalink | Comments (0)
 
 
js6e3076

MPMF.11 Day 2: Downtown Takeover



Started the night off with a bang, bang — Jagjaguwar Records’ Okkervil River at Grammer’s. The tent was packed — so packed that it was hard to weave to the front — but I was sneaky. From Austin, Texas, and labeled Folk Pop, Okkervil didn’t disappoint. Will Sheff, frontman with a beard and black-rimmed glasses, busted out a clear, deep, penetrating voice. Between the strings, bass, guitar, tambourine, keys and more, this band built a series of startling crescendos, while still allowing for some playful guitar solos. The music would surge to rise, then dive, pulling off a true independent spirit that was uplifting, but mixed with the bass vocals, there was yet another layer of complexity that made it artistic and multifaceted. This band has truly grown and tightened over time, becoming mature, and they’ve carefully molded the tunes into a creative shape, while maintaining a structure worth following.

Read More

 
 

 

 

 
Close
Close
Close