On this day in 1984, arguably the greatest concert film ever made, Talking Heads' Stop Making Sense, premiered. The film was directed by Jonathan Demme (The Silence of the Lambs, Philadelphia, a trio of Neil Young documentaries) and shot during three concerts at Hollywood's Pantages Theater in December of 2003. Along with being a compelling piece of art in itself, the movie was also groundbreaking in that it was the first made with all digital audio.
The film was also noteworthy due to Demme and the band's avoidance of concert movie cliches. The audience was barely shown; no color lighting was used onstage; there were no fast edits, behind the scenes footage, interviews or close ups of intense guitar soloing; and crew members are shown shuffling set props and equipment on and off the stage (instead of the usual "It's all magic!" approach).
Here's a song from the flick, "This Must Be the Place (Naive Melody)," from the Speaking in Tongues album (which was the record the band was touring when the film was shot).
Born This Day: Musical movers and shakers sharing an April 24 birthday include: Jazz tenor saxophonist Joe Henderson (1937); singer/actress Barbra Streisand (1942); legendary producer (Bowie, T. Rex, Sparks, Thin Lizzy) Tony Visconti (1944); drummer for classic rockers CCR, Doug Clifford (1945); bassist for New Wave/Pop group Blondie, Nigel Harrison (1951); Punk trailblazer with The Damned, Raymond Burns, better known to the world as Captain Sensible (1954); singer/bassist for ’80s rockers Knight Ranger, Jack Blades (1954); drummer for The Cure (1984-1993), Boris Williams (1957); singer for underrated "really AltCountry" band Tarnation, Paula Frazer (1963); bassist for eclectic rockers Faith No More, Billy Gould (1963); Pop superstar (and American Idol's primary "success story" testimonial) Kelly Clarkson (1982); singer for Pop/Rock band All American Rejects, Tyson Ritter (1984) and Alt music pioneer with Bauhaus, Tones on Tail and Love and Rockets, David J (1957).
Born David John Haskins (his younger brother, Kevin Haskins, was also drummer in Bauhaus, Tones and L&R), J — like Peter Hook of New Order/Joy Division — had a very distinctive sound, which is rare for a bassist. Never one to rest on his laurels, J seems to be in a consistent state of creativity, releasing records and recording with numerous collaborators outside of the Bauhaus/L&R realm. Late last year, J released his latest solo album (the first for him in eight years), Not Long for This World, and staged the premiere of his avant-garde play, The Chanteuse and the Devil's Muse, based on The Black Dahlia murders.
J — who also wrote and sang several Love and Rockets songs (including the hit "No New Tale to Tell") — has benefited greatly from Kickstarter, the website that helps artists find funding for projects via fan contributions. Both the play and his latest solo album were funded with Kickstarter. (As if that wasn't plenty on his plate, around the same time, J also staged the one-woman show he wrote and directed, Silver for Gold: The Odyssey of Edie Sedgwick. Check out J's site for a look at/listen to more of his recent projects.)
Here's J's Kickstarter video for Not Long, as well as the track, "Spalding Gray Can’t Swim."
On this day in 1995, Rap star Eazy-E died. The N.W.A. cofounder got sick in late February and went into the hospital from what he believed was an issue with asthma. He was told, instead, that he had AIDS. Less than a month later, he released a public statement announcing that he had been diagnosed with the disease. He died from pneumonia a month after being admitted to the hospital at the age of 31.
The coverage of Eazy's death wasn't like when most famous Hip Hop stars die too young, nor did it approach the level of coverage/impact Magic Johnson's AIDS announcement had a few years earlier. Perhaps it was Eazy's polarizing career, in which he managed to make many enemies, including his pals from N.W.A. Perhaps it was the tales of how he was merely the "money man" in N.W.A., allegedly providing a financial base from his drug/gang activities for the group (and Ruthless Records) as long as he could be a member and his "solo" album (essentially an N.W.A. album, with writing and production contributions from the whole crew) came out first? Maybe it was the back-and-forth beefs with Ice Cube, Dr. Dre and their collaborators, which led many to side with Eazy's foes?
Though he never addressed how he contracted the disease, many assume it was through unprotected sex (Eazy had seven kids with six different women, so his promiscuity and hetero-ness is hard to doubt). Did Eazy's death have a positive impact as a cautionary tale for fellow artists and fans? It's hard to gauge, but the suddenness and unexpectedness of Eazy's passing certainly scared the hell out of a lot of people, including fellow rappers who knew it could have easily been them in his place. There hasn't been another major Rap star who has (at least publicly) acknowledged they are HIV positive since Eazy's death.
Here is a nice homage to Eazy by his daughter E.B. Wright (an aspiring Pop/Rock artist) from XXL magazine's site.
Click on for Born This Day, featuring Diana Ross, Kenny Chesney, Steven Tyler and James Iha.
On this date in 1990, singer/songwriter Tom Waits won a lawsuit against Frito-Lay. Waits sued the company claiming they approached him about using one of his songs in a commercial; when he declined, they found a soundalike to sing a tune very similar to Waits' "Step Right Up." He was awarded almost $2.5 million and was one of the first artists to successfully sue a company for using a soundalike.
It was not the last time Waits would battle the advertising world. In 1993, he sued Levi's after they used a cover of his song "Heartattack and Vine" by Screamin' Jay Hawkins. Levi's pulled the commercial and ran a full page apology in Billboard. In 2006, he won a suit against Volkswagen-Audi, which, like Frito-Lay, originally approached Waits about using his version of "Innocent When You Dream" for a Spanish commercial. He — as always — declined and the company tried to run a cover version instead. Waits received an undisclosed settlement. In 2007, Waits also settled a suit with Adam Opel AG, a German car company, on similar "soundalike" charges.
Hey advertising world — yes, he has a beautiful singing voice (?!) but maybe it's time to look for artists who won't sue your pants off to use in your adverts? Just a thought …
Waits is steadfast in his refusal to have his music co-opted to sell product (he famously said, "If Michael Jackson wants to work for Pepsi, why doesn't he just get himself a suit and an office in their headquarters and be done with it"), but did do voice-over work for a dog food company once in the early ’80s.
Here's Waits on the ’70s talk show parody Fernwood Tonight singing "The Piano Has Been Drinking." Hey, that'd make a great commercial for Steinway Pale Ale. (If it existed …)
Born This Day: Musical movers and shakers sharing a May 8 birthday include the most legendary of legendary Blues musicians, Robert Johnson (1911); TV-turned-Pop-turned-Folk-Rock star Ricky Nelson (1940); the co-captain of cheesy ’70s Pop act Captain & Tennille ("Love Will Keep Us Together"), Toni Tennille (1940); former Glam Rock star ("Rock and Roll, Parts One and Two") Gary Glitter (1944); Jazz pianist Keith Jarrett (1945); singer with Funk kings Earth, Wind & Fire, Philip Bailey (1951); Talking Heads/Tom Tom Club drummer Chris Frantz (1951); Van Halen drummer Alex Van Halen (1953); Blur drummer Dave Rowntree (1964); Canadian singer/songwriter Martha Wainwright (1976); Blues Rock guitar phenom Joe Bonamassa (1977); and the man responsible for remarkable music videos for The White Stripes, Radiohead and The Chemical Brothers, French filmmaker Michel Gondry (1963).
Gondry won an Academy Award for co-writing the screenplay for Jim Carrey's second best movie (behind Mr. Popper's Penguins), Eternal Sunshine of the Spotless Mind (which he also directed). Gondry has also directed flicks like The Green Hornet, Dave Chappelle's Block Party and Be Kind Rewind, but Gondry is the rare filmmaker whose shorter works seem to be equally (if not more) acclaimed.
Gondry has done extensive work in TV commercials — his "Drugstore" clip for Levi's is the most awarded commercial in history according to the Guinness World Records folks (though it never aired in the U.S. because the plot revolved around buying condoms. God forbid!).
But it's the field of music video that first brought Gondry to the film world's attention. In 2003, along with directors like Spike Jonze and Mark Romanek, he was part of a DVD series consisting of different volumes featuring one specific director's music video work. Here's a partial look at the "tracklisting," to get a sense of his rich music-videography: "The Hardest Button to Button," "Dead Leaves & the Dirty Ground" and "Fell in Love with a Girl" by The White Stripes; "Let Forever Be" and "Star Guitar" by The Chemical Brothers; "Army of Me," "Hyperballad," "Human Behavior" and "Bachelorette" by Bjork, "Deadweight" by Beck, "Around the World" by Daft Punk and "Everlong" by Foo Fighters.
Gondry's work features heavily in the current Contemporary Arts Center exhibit, Spectacle: The Music Video, a retrospective of the history and artistry of musical film clips. It's safe to say that, in the world of music video, he's like Scorsese (crossed with David Lynch and Salvador Dali).
Click below for a trio of lesser known clips from the director.
On this day in 1956, innovative guitar builder Leo Fender was awarded the patent for a "Tremolo Device for Stringed Instruments," commonly known as the "whammy bar." The device was misnamed — it's more accurately a vibrato bar (tremolo is a "wavering effect in a musical tone, produced by rapid reiteration of a note, by rapid repeated variation in the pitch of a note," according to the dictionary) — but that didn't stop musicians from using it in a variety of ways to create new sounds and techniques. The bar was introduced with Fender's Stratocaster, which was invented a couple of years earlier.
The Greater Cincinnati area has given the world two "twang bar kings" (or maybe "twang bar Picassos" is more appropriate) —pals and bandmates in The Bears, Adrian Belew and Rob Fetters.
On this day in 2000, brilliant Icelandic musician/singer/composer Björk won the Best Actress prize at the Cannes Film Festival for her starring role in Lars von Trier's gloomy "musical" Dancer in the Dark. The film also won the festival's highest honor, the Palme d'Or.
The movie is amazing but also difficult to watch because of its emotional weight. Björk played an impoverished Czech immigrant who moves to the U.S. with her son and gets a job at a factory. Her character, Selma, is going blind and she's sure her son will also inherit the disease that caused it, so she saves all her money to pay for an operation for him. Through a series of unfortunate events, she gets the money, but at a high price — she ends up being sentenced to death.
The genius of the film is in Björk's character's daydreams, where she imagines her life is like the Hollywood musicals she so adores. The singer wrote and recorded the soundtrack, which was released as Selmasongs: Music from the Motion Picture Soundtrack Dancer in the Dark. Reportedly drained from her physically and emotionally demanding performance, Björk announced that she'd always wanted to do a musical and that was the one — she said she was retiring from acting forever. So far, she's kept the promise.
Here is a clip of the film featuring the song "I've Seen It All." On the album, Thom Yorke of Radiohead sings the male lead. Here it's sung by co-star Peter Stormare.
Born This Day: Musical movers and shakers sharing a May 21 birthday include pioneering Jazz/Blues pianist Fats Waller (1904); Jazz tuba player (who appeared on Miles Davis classics Birth of Cool and Sketches of Spain) Bill Barber (1920); Jump Blues singer (and huge influence on Little Richard) Billy Wright (1932); influential British Folk singer and guitarist Martin Carthy (1941); Cincinnati native and hugely influential singer and songwriter with The Isley Brothers (and beyond), Ronald Isley (1941); successful ’70s Pop singer/songwriter ("You Make Me Feel Like Dancing," "When I Need You") Leo Sayer (1948); dynamic guitar wizard Marc Ribot (1954); singer/guitarist for noisy, influential Shoegaze outfit My Bloody Valentine, Kevin Shields (1963); singer and guitarist for cult faves Jawbreaker and Jets to Brazil, Blake Schwarzenbach (1967); half of Hip Hop twosome Mobb Deep, Havoc (1974); current hitmaker ("Somebody That I Used to Know") and satirist target Wally De Backer, better known as Gotye (1980); and slain Rap superstar Christopher Wallace, aka The Notorious B.I.G. (1972).
Biggie would have been 40 today had he not been murdered in 1997 when he was just 24. Here's a rare live clip recently discovered featuring B.I.G. and Jay-Z performing together.
And here's an interview with the Rap legend discovered last month.
What's your favorite Biggie jam? Pop Crush is running a poll; vote for your fave here. And here's a short interview with the late MC's mother reflecting on her son's legacy (from The Source).
Today marks the 60th anniversary of what is widely considered the first Rock & Roll concert, DJ Alan Freed's deliciously monikered "Moondog Coronation Ball." The concert (co-produced by local record store owner Leo Mintz) was another testament to the underrated importance of Ohio in the development of Rock & Roll, taking place in Cleveland at the Cleveland Arena, which hosted hockey and basketball games (it was demolished in 1977). Freed, of course, was the great Cleveland DJ (and "King of the Moondogers") who was crucial in the popularization of Rock & Roll, introducing both the genre's name and the music to the world through his radio program on AM station WJW.
In an era when segregation was very much prevalent in society, the Moondog Coronation Ball drew attention for its unsegregated bill, featuring both black and white performers, as well as welcoming both black and white fans to attend. (Freed's black fans were reportedly shocked to discover at the concert that the DJ was actually white.) The popularity of this new-fangled Rock & Roll music became apparent the evening of the show when wwaaaaayyy more people showed up for the concert than the arena could accommodate. The arena held just under 10,000 people, but 20,000 turned up, partly due to additional tickets being accidentally printed. Fans stormed the gates, overcrowding the arena and leading the media to call it a "riot" (adding to Rock & Roll's reputation for being "dangerous," which only made it more popular). The Moondog Coronation Ball is still held today, though the excitement level, of course, is a little more muted.
Read more about that historic concert from the BBC (which declares that the Moondog event "laid the foundations for every rock gig that followed, from Woodstock to Glastonbury") here. Here's a clip from a documentary about Freed (the concert is discussed at around the 4:30 mark) by fellow DJ Frank Allan. (Be sure to check out this excellent site maintained by Freed's family about the legendary music man.)
Click on for Born This Day featuring DJ Premier, Solomon Burke, Deryck Whibley and Son House.
On this date in 1980, the British awards program honoring songwriters, The Ivor Novello Awards, bestowed the awards for best Pop song and best lyrics to The Boomtown Rats, the Irish Punk band featuring Live Aid founder Bob Geldof. The song that won the honors was the band's biggest, "I Don't Like Mondays," a tune written by Geldof after reading about the news of a 16-year-old high school student who started a shooting spree on a playground in San Diego in early 1979.
The young girl killed two adults and injured eight kids and one cop. With a rifle given to her by her father as a gift, she began shooting from her house across the street from the elementary school playground. When she was asked by a reporter why she did it, she said, "I don't like Mondays. This livens up the day." She also told police during a six-hour standoff that "there was no reason for it, and it was a lot of fun." She was sentenced to 25 years to life and has been denied parole multiple times. During parole hearings, the woman has made various excuses, from claiming that it was the cops who fired the shots that killed and hurt people to insisting she was sexually abused by her father to proclaiming she was on alcohol and hallucinogenic drugs at the time.
She is not eligible for parole again until 2019.
The Boomtown Rats released "I Don't Like Mondays" that summer. The song gave the Rats their second No. 1 in the U.K. (it only made it to No. 79 in the States) and became the tune for which they're best known. The tune wasn't a celebration of the girl, nor was it a tribute to the victims. Rather, it was a clever, emotional look at mental illness and how it can effect anyone, even those you'd least suspect.
Russell Brand referred to the song when he hosted the NME Awards in 2006. When the often curmudgeonly Geldof won the "Best DVD" award for the Live 8 disc (ooh, what an honor!), he began his speech by saying, "Russell Brand … what a cunt." Brand shot back and won the diss battle instantly, saying "It's no wonder Bob Geldof knows so much about famine — he's been dining out on 'I Don't Like Mondays' for 30 years."
Here's a clip of Geldof and Rats pianist Johnny Fingers performing my favorite version of the song, at the 1982 Secret Policeman's Ball benefit concerts for Amnesty International.
Click below for Born This Day featuring Andrew W.K., Billy Joel, Richie Furay and Ghostface Killah.
On this day in 1964, The Beatles had the top five singles on the Billboard Hot 100 chart. It's been said that it's an unrivaled feat that will likely never be duplicated but those sorts of records always seem to eventually be broken (especially in the the ever-evolving music biz). The kids on Glee will probably occupy the entire Top 20 this year sometime or Vanilla Ice will die and spark a massive revival, smashing any and all previous chart records.
Until then, here are those Beatles singles in their chart positions the week of April 4, 1964:
1) "Can't Buy Me Love"
2) "Twist and Shout"
3) "She Loves You"
4) "I Want to Hold Your Hand"
5) "Please Please Me"
The group had a remarkable 12 songs on the chart that week. The other songs in the Top 100 were "I Saw Her Standing There" (No. 31), "From Me To You" (No. 41), "Do You Want to Know a Secret" (No. 46), "All My Loving" (No. 58), "You Can't Do That" (No. 65), "Roll Over Beethoven" (No. 68) and "Thank You Girl" (No. 79).
The chart even contained two Beatles-inspired novelty ditties — "A Letter to The Beatles" by The Four Preps (No. 85) and The Carefrees' "We Love You Beatles" (No. 42).
Curren$y and Jill Scott.
On this date in 1967, Floridian Psychedelic Folk band Pearls Before Swine (a precursor to contemporary so-called "Freak Folk") began the three-day sessions for its debut album, One Nation Underground. The album would become a moderate success, selling nearly a quarter of a million copies.
One of the album's tracks, "(Oh Dear) Miss Morse," was the source of some controversy. The subversive chorus of the weird little song (essentially a banjo riff with some organ blips) consists of vocalist/songwriter Tom Rapp (and that organ) "singing" in Morse code the letters "F," "U," "C" and "K" (Dit Dit Dah Dit/Dit Dit Dah/Dah Dit Dah Dit/Dah Dit Dah).
And they would have gotten away with it, too, if it weren't for some meddling kids! Famous New York DJ Murray the K was busted after playing the song on the air when a few smarty-pants Boy Scouts reportedly recognized the code and called in to complain about the veiled obscenity (or maybe brag that they figured it out).
It's not the only song to feature secret Morse code messaging. Mike Oldfield's album Amarok (featuring, essentially, one hour-long track) came towards the end of his contract with Virgin Records in 1990. Oldfield sent a little note to his boss on the album; towards the end, there's a Morse code message that spells out "Fuck Off RB," referring to Virgin label chief Richard Branson.
The Rush song "YYZ" from the 1981 album Moving Pictures also features Morse coding, in a pretty ingenious manner. Drummer Neil Pert's rhythm on the song is based on Morse for "YYZ." The letters weren't especially controversial, though — they were simply the code for Toronto's airport (Rush is from the area).
Other instances of Morse code in popular music: Roger Waters' album Radio KAOS features several Morse messages; Kraftwerk used it throughout their 1975 track "Radioactivity" (it simply spells out the title); and The Clash's "London Calling" has choppy guitar feedback at the end of the song that spells out "S.O.S."
Here's the Pearls Before Swing tune. NSFW (if you work for a former Boy Scout or telegraph expert).
Born This Day: Musical movers and shakers sharing a May 7 birthday include late drummer for influential Rock bands New York Dolls and Johnny Thunders and the Heartbreakers, Jerry Nolan (1946); Disco diva ("Don't Leave Me This Way"), singer/songwriter and actress Thelma Houston (1946); masterful German Boogie Woogie pianist Axel Zwingenberger (1955); Motorhead guitarist Phil Campbell (1961); Swedish one-hit-wonder, son of Jazz legend Don Cherry and half-brother to Neneh Cherry, Eagle-Eye Cherry (1971); drummer for British Pop/Rock stars Arctic Monkeys, Matt Helders (1986); and British singer Martina Topley-Bird (1975).
Topley-Bird is probably best known as a crucial part of Trip Hop pioneer Tricky's early (and biggest) success as vocalist on his classic album, 1995's Maxinquaye. The album made Tricky a Pop star, something that he admittedly was not prepared for and which drove him a little nuts. He recently told U.K.'s The Guardian that, going into the album's release, "I thought I'd be an underground artist. I had no idea it was going to do that and I was not ready for it." He says he spent much of the rest of his career trying to become more of a cult artist than a superstar. And he succeeded.
Topley-Bird parted ways with Tricky in 1998 and has made a trio of solo album (and worked with Gorillaz and Massive Attack). But late last month, she rejoined Tricky in England to perform Maxinquaye in its entirety. Well, that was the plan, anyway. Tricky reportedly disappeared during parts of the performances, which didn't exactly live up the "play the full album" billing. In a review of the performance in Manchester, ClashMusic.com wrote that the Tricky concert ultimately became "the Martina Topley-Bird show, with the singer providing the only reliable musical seam throughout, in contrast to an erratic and seemingly disengaged Tricky."
Here's Martina Topley-Bird's "Anything" from her acclaimed debut solo album, Quixotic.