On this date in 1980, the British awards program honoring songwriters, The Ivor Novello Awards, bestowed the awards for best Pop song and best lyrics to The Boomtown Rats, the Irish Punk band featuring Live Aid founder Bob Geldof. The song that won the honors was the band's biggest, "I Don't Like Mondays," a tune written by Geldof after reading about the news of a 16-year-old high school student who started a shooting spree on a playground in San Diego in early 1979.
The young girl killed two adults and injured eight kids and one cop. With a rifle given to her by her father as a gift, she began shooting from her house across the street from the elementary school playground. When she was asked by a reporter why she did it, she said, "I don't like Mondays. This livens up the day." She also told police during a six-hour standoff that "there was no reason for it, and it was a lot of fun." She was sentenced to 25 years to life and has been denied parole multiple times. During parole hearings, the woman has made various excuses, from claiming that it was the cops who fired the shots that killed and hurt people to insisting she was sexually abused by her father to proclaiming she was on alcohol and hallucinogenic drugs at the time.
She is not eligible for parole again until 2019.
The Boomtown Rats released "I Don't Like Mondays" that summer. The song gave the Rats their second No. 1 in the U.K. (it only made it to No. 79 in the States) and became the tune for which they're best known. The tune wasn't a celebration of the girl, nor was it a tribute to the victims. Rather, it was a clever, emotional look at mental illness and how it can effect anyone, even those you'd least suspect.
Russell Brand referred to the song when he hosted the NME Awards in 2006. When the often curmudgeonly Geldof won the "Best DVD" award for the Live 8 disc (ooh, what an honor!), he began his speech by saying, "Russell Brand … what a cunt." Brand shot back and won the diss battle instantly, saying "It's no wonder Bob Geldof knows so much about famine — he's been dining out on 'I Don't Like Mondays' for 30 years."
Here's a clip of Geldof and Rats pianist Johnny Fingers performing my favorite version of the song, at the 1982 Secret Policeman's Ball benefit concerts for Amnesty International.
Click below for Born This Day featuring Andrew W.K., Billy Joel, Richie Furay and Ghostface Killah.
Scott Preston and his excellent local music web mag Cincy Groove are presenting a benefit concert at Southgate House Revival tonight to help keep a spotlight on the Cincinnati area’s outrageously rich musical history and influence. The 9 p.m. show will raise funds for the Cincinnati USA Music Heritage Foundation, a non-profit that has done great work drawing attention to Cincinnati’s impact on popular music by promoting and hosting numerous creative events to honor historical moments like Hank Williams’ Cincy recording sessions and the immeasurable impact of King Records.
To become a member of the CUMHF's supporters group The Funky Drummer Society and read more about their mission to expose and celebrate Cincy's important place in music history, visit the Foundation's official website here or on Facebook here.
Tickets for tonight's benefit show are $10 for those 21-and-up; it's $12 for those 18-20. Music will take place on all three of the recently opened venue's stages. Below is the lineup of performances. Click each artist's name for audio samples and more.
9:15 - 9:55: Bri Love
10:15 - 10:55: Hank Becker (of The Rubber Knife Gang)
11:15 - 11:55: Terminal Union
12:15 - 12:55 : Andyman Hopkins
9 - 9:40: The Young Heirlooms
10:00 - 10:40: Shiny Old Soul
11:00 - 11:40: The Stories
12:00 - 12:40: SOUSE
1:00 - 1:40: Sassy Molasses
9:00 - 9:40: Shoot Out The Lights
10:00 - 10:50: Kelly Thomas with Arlo McKinley & Lonesome Sound
11:10 - 12:10: The Cincy Brass
12:30 - 1:40: The Cliftones
Kelly Thomas, Arlo McKinley and Lonesome Sound will be doing an all-Hank Williams set tonight in honor of Hank's ties to Cincy through his historic recording sessions at Herzog Studios. Thomas and McKinley recorded a version of "Lost Highway" at the old Herzog space earlier this year and filmed the proceedings. The song and footage became the centerpiece of Thomas' first in a series of short films featuring her favorite songs and local musicians called Sacred Harp Sessions. A new video and song will be released monthly for the Sessions; Thomas recently unveiled Episode 2 featuring Ricky Nye and the tune "Come On In My Kitchen." Click here to check it out; below is Episode 1, in honor of Cincinnati's music heritage and tonight's concert.
Thirty five years ago today, the original Apple Computer — now called Apple I — was introduced. This week it was revealed that Apple's market value hit $600 billion. Only one other company — Microsoft — has ever reached that value level (it's now back down to a paltry $255 billion, according to the Associated Press).
Not even its creator could have known that the little box designed and hand-built by Steve Wozniak (with entrepreneurial spiritual guidance by Steve Jobs) would lead to multiple revolutions, including in the worlds of technology, telecommunications, media, music and likely hundreds of other fields.
Who knows where those fields would be today were it not for Apple. One thing that certainly would not exist today is the following song tribute to Jobs by New York City-based progressive House DJ/producer AzR featuring only sounds and tones from an Apple computer (aside from some Jobs quotes). Every time I hear that "chirp," I think my iPod connector cable is going haywire.
Born This Day: Musical movers and shakers sharing an April 11 birthday include early Jazz musician Nick LaRocca (1889); Pop and Jazz music's first African-American personal manager (and also a noted Jazz bassist) John Levy (1912); composer of Rock classic "Louie Louie," Richard Berry (1935); original member of The Specials (and singer in Special Beat with The English Beat's Ranking Roger) Neville Staple (1955); late singer/guitarist for one hit wonders Big Country ("In a Big Country") Stuart Adamson (1958); co-founder of Gin Blossoms (who later committed suicide after leaving the band) Doug Hopkins (1961); British Soul/Pop vocalist Joss Stone (1987); and singular actor/musician Vincent Gallo (1962).
Gallo is best known as an indie film actor with a public persona so over the top, many find him obnoxious. Though he's never had a mainstream breakthrough (in part thanks to his refusal to go the Nic Cage route and make shitty, big-budget craptaculars just for the paycheck), he remains one of America's great underrated actors. And his stellar feature Buffalo ’66 (in which he starred and directed and wrote) is one of the best twisted RomComs of all time, second perhaps only to Billy Wilder's The Apartment. Hopefully he'll make another masterpiece at some point. But his experimental streak seems pretty domineering.
Gallo has been as adventurous in his musical work as he has in celluloid. When Gallo moved to NYC in the ’70s, he played in a band with art legend Jean Michel Basquiat and later performed in other groups and as a solo artist. He continued to write music for his films (notably Brown Bunny and Buffalo) and has put out a few releases on U.K. electronic/experimental label, Warp Records.
Gallo has directed music videos (including John Frusciante's "Going Inside") and appeared in several clips as well, the most famous being Jay-Z's "99 Problems."
In 2005, Gallo curated a weekend of show at the All Tomorrow's Parties festival in the U.K., booking Yoko Ono, Frusciante (Gallo, coincidentally, toured in 2001 with a band that included Frusciante's Chili Peppers replacement, Josh Klinghoffer) and Yoko Ono (Gallo and Ono's son Sean Lennon also made an album around that time that has yet to be released).
Here's the first song on his 2001 solo album When, "I Wrote This Song For the Girl Paris Hilton" (for no clear reason).
Boston’s Barrence Whitfield & the Savages have returned to Cincinnati in a big way this week. The R&B/Soul-rockin’ crew has several local ties, including employing prolific locally-based drummer Andy Jody on the skins. The group also features Peter Greenberg of pioneering Boston band DMZ (as well as The Lyres) and groundbreaking Cincy Garage rockers The Customs (fellow Custom Jim Cole records with the band but doesn’t play live). The Savages recorded two albums in the ’80s; their 1985 Rounder Records release, Dig Yourself, was their last until the group's recent reunion activities.
"I met Peter at The Customs reunion in 2008, drummed for them the following year, which led to him contacting me to record Savage Kings upon the reformation of the original Savages," Jody says about his initiation into the band.
The Savages are in town to record a new album, returning to Ultrasuede studios, where they recorded Savage Kings.
"We decided to record here, partly logistics and partly in tribute to King Records," Jody says, "and it was the same studio where The Customs cut (their trademark tune) 'Long Gone.' "
Last night, Whitfield & the Savages debuted some of the new material at Shake It Records. Shake It, the label, released the Savage Kings in the States; The Customs' "Long Gone" single was the first release on the Shake It imprint.
The Savages will be warming up for recording this weekend with a two-night stand (Friday and Saturday) at The Comet in Northside. Both shows are free and kick of at 10 p.m. (Friday a DJ warms things up and Saturday Customs-inspired local rockers The Long Gones fittingly open the show). Click here for more info on the band. Below is a live clip filmed in Paris last year.
And here's a clip (with performances and interviews) from the band's earlier days when they were featured on the BBC.
This particular version of "Many Rivers to Cross," featuring Greater Cincinnati greats Kelly Thomas and The Mudpies, has been haunting me all week (in a great way). It was recorded as the third episode in a brilliantly conceived yearlong project by Thomas and several of her creative pals, The Sacred Harp Sessions, in which she documents her musical inspirations in monthly installments.
"Many Rivers" is such a great song, with its uplifting and optimistic Gospel vibe shining through the lyrical desperation. Thomas and The ’Pies version might just be the best I've heard outside of Jimmy Cliff's original version (sorry, UB40). And I thought it kind of fitting for New Year's Eve (or, perhaps more fittingly, New Year's Day morning) because, although there is a bittersweet aura, Cliff wrote and sang about overcoming his heartbreak and moving on to cross many more rivers in his future. Though he's devastated that his "woman left … and … didn't say why," he knows he'll live through it thanks to his strong will and pride. If you had a tough 2012, make this your theme song on your way to a better 2013.
The Sacred Harp Sessions (produced, on the video end, by Alex and Tiffany Luscht of Mind Igniton) is an engaging passion project, with Thomas choosing songs, area musicians and even local studios she admires and appreciates. Ultimately, it's a tribute to the things that have made Thomas who she is today as an artist (and person).
In the accompanying videos, Thomas talks about what the songs mean to her, but the short films are not purely autobiographical — they can also be educational. The first episode, for example, discussed Cincinnati's King Records and the city's Hank Williams connection; Kelly recorded Williams' "Lost Highway" with Arlo McKinley at the location of downtown's former Herzog recording studio, believed to be the last standing building in which Williams recorded.
Episode 2 of The Sacred Harp Sessions found Thomas teaming up with Cincinnati Blues piano legend Ricky Nye at downtown studio Sound Images for a great take on Robert Johnson's "Come On In My Kitchen."
Click here to subscribe to Thomas' YouTube channel so you know when the latest installments drop and can watch and re-watch your favorites. And keep an eye on Thomas' website for any updates and for limited-edition free downloads of the latest tracks recorded for the project ("Many Rivers" is currently available).
Thomas is currently singing in three bands — her longtime Kelly Thomas and the Fabulous Pickups crew, the classic Country outfit The Tammy WhyNots and The Lonesome Sound (which formed recently after the aforementioned Hank Williams sessions). She'll be starting off 2013 with free shows with all three acts — The Fabulous Pickups join Sassy Molasses at Northside Tavern Jan. 4, on Jan. 5 The Tammy WhyNots play with Tex Schramm and The Radio King Cowboys and Doctor Bombay and The Atomic Bachelor Pad at Over-the-Rhine's MOTR Pub and The Lonesome Sound has a gig on Jan. 12 at downtown's Taqueria Mercado.
On this day in 2003, proto-Rock & Roll singer/songwriter Hank Ballard died after a battle with throat cancer. One of the under-heralded heroes of the development of Rock & Roll, Ballard's career is inexorably tied to Cincinnati, where he recorded for locally-based King Records (as well as the related Federal imprint). Ballard was a member of early ’50s Doo-wop grope The Royals, which had an R&B hit with the Federal single "Get It" in 1953 (despite it's alleged "sexually-suggestive" lyrical content).
The group became The Midnighters and landed a No. 1 R&B hit with Ballard's "Work With Me, Annie," another risque tune that was banned by the FCC from radio play. In 1959, the group became "Hank Ballard and the Midnighters" and moved to the King label proper. A 1959 B-side written by Ballard was covered by Chubby Checker and became a No. 1 smash on the Pop charts in 1960 and again in 1962. The song and accompanying dance (said to have also been developed by Ballard) became an international craze. The book Behind The Hits: Inside Stories of Classic Pop and Rock and Roll called the song's success "a major turning point for adult acceptance of rock and roll music."
Despite having one of their songs co-opted and turned into a cultural phenomenon, the early ’60s did bring Ballard and the Midnighters several Pop chart hits, including "Let's Go, Let's Go, Let's Go" and the Grammy-nominated "Finger Poppin' Time." Ballard began a solo career in the late ’60s (despite support from James Brown, it never fully took off) and performed with a version of The Midnighters off and on until the year before he died. In 1990, Ballard was inducted into the Rock and Roll Hall of Fame (without his Midnighters).
The footage is a little rough, but here's a cool clip of Ballard from 1989 performing "Work With Me, Annie" on one of my favorite live-music TV shows ever, David Sanborn's Night Music.
Click on for Born This Day, featuring Lou Reed, Chris Martin and … Dr. Seuss?
Today's a big one for synthesizer fans. You know partly what I'm talking about if you've visited Google today (see below). But today also marks the 30th anniversary of a drastic and controversial move by the UK Musicians' Union. The union proposed a ban on synthesizers and drum machines because, to quote South Park, "Thur takin' our jaabs!" This is 1982, mind you, when Synth Pop and New Wave were huge and Hip Hop was beginning to find its legs in the mainstream. Musician unions worldwide struggled to come to peace with the existence of electronic instruments, many proposing tax hikes on the instruments to discourage use (like the U.S. does with cigarettes now).
The UK union's support of a ban caused a splinter group to form — the Union of Sound Synthesists was created to protect Electronic musicians' rights (or anyone else who wanted to use a "non-traditional" electronic instrument).
The attacks on synthesizers and drum machines due to a fear that one day a computer will be able to make ENTIRE SONGS seems a little funny given today's electro-heavy musical landscape.
On this date in 1977, there was another attack on "electronic" (or perhaps more appropriately "electric") instruments. Jefferson Starship's planned concert at San Francisco's Golden Gate Park was cancelled by the city because it violated a ban on electric instruments being used in the public park. The greatest tragedy of the incident was that it partially inspired one of the worst songs ever made, Starship's "We Built This City" (the song was not written by the band, as many have cited; Elton John songwriting partner Bernie Taupin, J. Geils Band singer not-the-J.-Geils-Band's Peter Wolf, Martin Page and Dennis Lambert are to be credited/blamed for the tune).
Born This Day: Musical movers and shakers sharing a May 23 birthday include regional native and legendary vocalist Rosemary Clooney (1928); singer for ’80s Pop band Baltimora ("Tarzan Boy"), Jimmy McShane (1957); former MTV VJ Karen Duffy (1961); Radiohead drummer Phil Selway (1967); Maroon 5 drummer Matt Flynn (1970); modern Soul singer Maxwell (1973); singer/songwriter Jewel (1974); original blink-182 drummer Scott Raynor (1978); singer for Indie Pop girl group The Pipettes, Gwenno Saunders (1981); singer/songwriter Tristan Prettyman (1982); and Electronic music pioneer Robert Moog (1934).
First things first — it's pronounced "Mogue" (rhymes with "vogue"), not "Mooo-g."
After manufacturing theremins, Mr. Moog (who passed away in 2005) founded Moog Music and invented the Moog synth, one of the first widely used, commercially available synthesizers. Early Moog users like Wendy Carlos (who did the soundtrack to A Clockwork Orange with Moogs and helped Bob design the machines), Keith Emerson, John Cage and Rick Wakeman helped popularize the instruments.
The instrument can be heard on hundreds of thousands of popular tracks since Moog first showed off his concept in 1964 at the Audio Engineering Society's annual convention. Paste magazine picked its Top 10 "quintessential" Moog moments last year, which included tracks by Kraftwerk, Rush's "Closer to the Heart" and this one from the late Donna Summer.
Paste also made a cool list of the best of today's Moog boosters, including St. Vincent, Wilco and Mastodon.
Google today has one of its best "Google Doodles" yet. In honor of Bob Moog's 78th birthday, the search site features a fully playable Moog synth on its front page; you can even record your Moog squiggles!
Today Moog Music Inc. is donating 50 percent of all clothing and merchandise (though not instruments) sales proceeds to the Bob Moog Foundation. The online shop has some very cool new T-shirts and other goodies.
"Moog Music and our customers celebrate Bob’s pioneering legacy. In a time when science achievement is declining in this country, we are proud to support the Bob Moog Foundation in their efforts to bring science alive through electronic music. We invite all of our customers to make a purchase online on May 23rd and support the Foundation’s important work,” said Mike Adams, Moog Music President & CEO, in a press release.
On this day in 1968, one of Rock & Roll's Shakespearean tragedies came to an end as singer Frankie Lymon, a Pop superstar in the mid-’50s with Rock & Roll/R&B vocal group The Teenagers, died from a heroin overdose at the age of 25.
Actually, if you've ever seen the 1998 film Why Do Fools Fall in Love
(named for Lymon and the Teenagers' biggest hit), you know that the
singer's death was a trick ending. The story of Lymon's sad legacy
(blockbuster hit leads to lead singer ego explosion; quits group; can't
find solo success; finds drugs; gets drafted; quits drugs; mounts
comeback; celebrates with drugs; dies) took an unusual turn in the ’80s.
Three different women came forward claiming to be Lymon's widow and
entitled to his estate. Turns out, they were all
telling the truth — Lymon had married all three but never divorced any
of them. Ultimately, the singer's estate was awarded to his third wife;
if that conclusion was reached on a coin-flip, could you really blame
Here's archival footage of Lymon's last TV appearance, a 1965 slot on the program Hollywood A Go-Go where the 22-year-old singer lip-synched to the original version of "Why Do Fools Fall in Love" — recorded when he was 13.
Born This Day: Musical movers and shakers sharing a Feb. 27 birthday include Jazz legend Dexter Gordon (1923); ex-WKRP in Cincinnati DJ, Dr. Johnny Fever, aka Howard Hesseman (1940); Journey guitarist and MILF pilfer Neal Schon (1954); guitarist/songwriter with Metal giants Iron Maiden, Adrian Smith (1957); Sex Pistols hanger-on Nancy Spungen (1958); singer with R&B/Hip Hop/Pop trio TLC, Rozonda "Chilli" Thomas (1971); and Classical/Pop vocalist Josh Groban (1981).
Groban is the kind of singer who would be really easy to make fun of if he didn't have such a good sense of humor about himself already. One of those Classical/Opera crossover Pop stars (like Charlotte Church or Il Divo) who approaches Pop and Rock material with the same overly careful enunciation and melodrama, Groban has parodied himself on various comedy programs, including Tim & Eric Awesome Show, Great Job! and this bit from Jimmy Kimmel Live, where the singer used his talents to make Kanye West's nutty tweets sound even nuttier.
Today is the 40th anniversary of the release of one of Rock & Roll's greatest albums, David Bowie's The Rise and Fall of Ziggy Stardust and the Spiders From Mars. The concept album based around the story of an alien rocker who's come to spread hope five years before the end of the world (but gets sucked in by the earthly treats being a Rock God brings) reached No. 5 on the U.K. charts, but only made it to No. 75 in the U.S. Rolling Stone called the album the 35th best album in the history of humankind on its 500 Greatest Albums of All Time list.
All 11 songs on the album are amazing and about half our bona fide classics, including "Ziggy Stardust," "Suffragette City," "Starman," "Moonage Daydream" and "Hang on to Yourself."
The concert film/documentary Ziggy Stardust and the Spiders from Mars came out the following year, directed by the great D.A. Pennebaker. The film captured Bowie's surprise announcement that it was "Ziggy" and the band's last show. Just before playing "Rock 'n' Roll Suicide," Bowie says, "Not only is this the last show of the tour, but it's the last show that we'll ever do." Some thought Bowie himself was retiring (including several U.K. newspapers), but he was only retiring the character.
Here's the film — one of the best concert docs ever — in full.
On this day in 1973, the musical act Richard Nixon dubbed "young America at its best" performed at The White House. At Nixon's request, Adult Contemporary superstars The Carpenters performed for the Pres and visiting German Chancellor Willy Brandt.
Laugh now, but that will seem cutting edge after the fourth or fifth time The Osmonds play Mitt Romney's White House.
Meanwhile, at the Obama White House, Bob Dylan will be given the Presidential Medal of Freedom, the nation's highest civilian honor, later this spring, along with Madeleine Albright, John Glenn, Toni Morrison, basketball coach Pat Summitt and several other honorees.
Born This Day: Musical movers and shakers sharing a May Day birthday include vocalist (best known for her rendition of "God Bless America") Kate Smith (1907); Country/Pop crossover star ("Young Love") Sonny James (1929); the Charlie Parker and/or Jimi Hendrix of Blues Harmonica, Little Walter Jacobs (1930); Jazz singer/pianist Shirley Horn (1934); singer/songwriter Judy Collins (1939); the singer forever tied to Ghostbusters, Ray Parker, Jr. (1954); half of Wang Chung, Nick Feldman (1955); Country star Tim McGraw (1967); original bassist for The Smashing Pumpkins, D'arcy Wretzky (1968); late Garage Punk artist Jay Reatard (1980); and singer Rita Coolidge (1945).
Along with her hits with versions of Jackie Wilson's "(Your Love Keeps Lifting Me) Higher and Higher" and Boz Scaggs' "We're All Alone," Coolidge was something of an artistic muse in the ’70s. Leon Russell wrote "The Detla Lady" about her, she was married to Kris Kristofferson for seven years and Willie Nelson's refers to her in "Devil in a Sleepin' Bag" ("Just got back from New York City/Kris and Rita done it all/Bought perfection there for all the world to see/Lord, I heard an angel singing in that Philharmonic Hall/Rita Coolidge, Rita Coolidge, cleft for me").
Coolidge continues to record and tour. She formed a group with her sister and niece called Walela, which performed in a traditional Native American style (Coolidge is part Cherokee). Check out Rita's Facebook page to see what she's up to lately.
Here is Coolidge and Kristofferson on the U.K. show The Old Grey White Test in 1972.