Freekbot features Freekbass (a.k.a. bassist/singer Chris Sherman of Funk crew Freekbass) and Tobotius (a.k.a. Tobe Donohue, producer and founder of world-renowned turntable crew Animal Crackers) in an Electronica/Dance/Groove duo configuration.Freekbot makes its Cincy debut at The Mad Frog in Corryville this Saturday. Showtime is 9 p.m. and admission is $10. MC/DJ Firecat 451 opens the show and famed keyboardist Razor Sharp Johnson (P-Funk, Bootsy’s Rubberband) will sit in with the duo.
We recently chatted with Sherman via email about what fans can expect from Freekbot and what the duo has in store for the future.
The Eli Young Band brings a taste of Red Dirt music to the forefront of Country music. The band has an upbeat and distinct sound that has caught on quickly on a national scale. EYB saw mild success through the years touring on Jet Black and Jealous and hit a major stride with its most recent album, Life At Best, featuring the hits “Even If It Breaks Your Heart” and ACM "Song of the Year," “Crazy Girl.”
The Eli Young Band has now reached a new height, opening Kenny Chesney’s current tour (which is hitting mostly stadiums). CityBeat was able to catch up with band drummer Chris Thompson to get the band’s feeling on its new found success and life on tour with Kenny. The tour comes to Cincy tonight at Riverbend Music Center for a sold-out stop (the tour moves to Crew Stadium in Columbus on Saturday night). It is truly the most impressive tour in Country music.
CityBeat: How did the tour come about with Kenny Chesney?
Chris Thompson: A lot of people don’t know this but Kenny is really involved in who he picks to go on tour with him. In a lot of other tours, a record label will put someone on the bill or management will partner up with other management to find a tour that works with that kind of artist, but Kenny is super hands-on.
Two years ago at the Academy of Country Music Awards, we were nominated for "Song of the Year" and so was Kenny, and we actually beat him, we won the category. I guess shortly after, there was a text going around from Kenny to his management, “Who are these guys that beat me?” and “I want to find out more about them.” He started getting into our music and shortly after we got the phone call that we were invited to go out on tour with him.
It’s just a huge honor. Like I was saying, he hand picks the folks that are out here on the road with him. It’s the biggest tour in Country music and we are just happy to be here.
CB: I was there the night you guys won the "Song of the Year" award. I was so happy for you guys. I know you have worked very hard over the years. What was the highlight of CMA for the band this year in Nashville?
CT: We were only there for a couple hours really. We flew in that morning and did a signing for two or three hours and then had a couple meetings. Then, we were out of town.
We have been going to CMA Music Fest for seven or eight years now. Back in the day we would stay for three or four days and play a show or two and be able to hang and meet as many people as we could. It seems like more and more nowadays, especially with the tours we have been on and our headlining tours, we are only able to get in for a day and get out.
It is always fun to do the signings because you meet people from all over the country and from all over the world really who love Country music. They are so excited to meet you. They are die hard fans. They bring pictures from five years ago when we met. It’s just cool that Country music does that. We are the only genre of music that has anything like that where fans can go and interact directly with the artists and have one-on-one face time with them.
CB: Tell me a little bit about “Drunk Last Night,” the new single.
CT: I think “Drunk Last Night” is a lyric we can all relate to. When we all first heard the song, we were like, “Yes, this is a song for us."
A lot of people hear a title and automatically think it’s a drinking song. We went through some of that with “Crazy Girl.” A lot of people saw the title and went “Oh, I know what this song is about,” and I think they were wrong.
I think people will find this is not the standard drinking song. It is all about, I hate to sum it up as drunk dialing, but it is kind of like the thought of doing that and alcohol feeding that desire a little bit more than in daily life.
It is also a song that we went in the studio and recorded (and) as soon as we finished the session, we could go out and play (it) live right now because it’s a great track, it’s rocking, it’s in our wheelhouse and we actually did. We started playing it at the very beginning of the Chesney tour before it was even picked as a single. The crowd really seemed to dig it and now here it is, going to be a single. Good stuff.
CB: Do you guys know or do you have a feeling when you have a hit or when you hear a hit presented to you?
CT: Yeah. I think sometimes you hear a song, sometimes people say the song gives them chills and they know that’s the one. Sometimes you get that feeling in your gut. When you hear a song sometimes, you write a lyric and you feel that, it is almost like that feeling of falling in love. Your chest kind of swells.
When multiple people feel that way at the same spot or for the same song, then I don’t know if anybody can guarantee a hit, but you know that it is at least a lyric or a song that people can relate to and I think typically good songs are universal in that sort of way.
CB: I loved your “The Cuss Jar” video — I could buy a house if I implemented that process. I wanted to know if you had bought anything fun with the money?
CT: No, actually I think that era ended. The jar got too full and I think we used that jar for laundry money one day when we stopped somewhere on the road and had a few days off and emptied the whole thing for band and crew’s laundry. Then we got too lazy to keep up with it.
CB: What has been your craziest tour story recently?
CT: I think playing Cowboys Stadium in Dallas on the Chesney tour was probably the craziest thing because we are from Dallas and we have played every tiny bar around the stadium. To just get up on stage at the biggest stadium in America was totally wild. All of our families were there; it was craziness.
CB: That’s such a special moment, I am sure you have plenty of those all the time. Do you do anything special yourself to keep the tour memories? Do you take photos or journals? Some bands blog or journal and do things to keep it fresh.
CT: Yeah, we have been fortunate on this tour, since the beginning of this year, we have had a guy out on the road with us that has started doing social media. Mainly he is taking pictures. Since January, this whole thing has been documented and we really appreciate that.
It is definitely hard for us to get good photos when we are on stage playing, when we are really in the moment, because we are playing, so he is out there doing that. This is the biggest tour we have ever done and just the momentum that this year is building, we are just happy about that.
CB: What does a typical day look like for you?
CT: On the Chesney tour when we are doing stadiums like we are doing today, we will go out and do a tailgating event, at 1 or so in the afternoon, we will all get into some golf carts and we will go out to where all the fans are tailgating and they will bombard us with jello shots and beer bongs and the local foods they have.
We hang out with them for an hour or two then we will start doing radio events where we will play a couple songs acoustic, sitting on our bus or backstage for various winners. Then we will do a meet and greet for about 60-100 people. Then, we will grab a bite to eat around then. Then we hit the stage and rock out for about an hour.
After that, we will go hang out with some radio folks or some friend that are in town and wind down about the time Kenny hits the stage so we can watch him. It’s pretty cool. It’s pretty unreal.
CB: If you could trade places for anyone for about a month, who would it be?
CT: Right now it feels like we are living the dream. I think the four of us are really happy with what is going on in our careers right now. We have had some national success. It feels like we have broken out of being a regional band and it feels like we are on the cusp of something more than that. It’s a great time for Eli Young Band and it is important for us to enjoy this. I probably wouldn’t want to trade places with anyone right now.
CB: What can the fans look for from you guys tonight in Cincinnati?
CT: We try to always bring a high-energy show. We were playing a show last night and there was this older gentleman almost in front row sitting in his chair arms crossed and it looked like he wasn’t really enjoying himself. About halfway through our set he leaned over to his wife and he points at us and he goes, “Those guys are workin’ up there.” Then he smiled real big.
We want to bring that energy. We want to get on stage and have a good time and fire up the crowd. We go on right after Kacey Musgraves. Kacey is real cool and laidback and all that when she does her thing and it’s great. Then we get to come in and kick the audience in the butt a little bit.
During our set we have some new music in there and some cover songs I think gets the crowd up and clapping. After that Eric (Church) comes up and burns it down. Then Kenny Chesney comes out and the place goes nuts.
Volbeat has been headlining huge shows in Europe for nearly a decade and now they are bringing their Metal sound to the States. In the position of up-and-comer again, they bring their high level energy to American, which has translated into sold out shows across the country. Currently Volbeat is touring on its new album, Outlaw Gentlemen and Shady Ladies.
CityBeat was able to catch up with new band member and former Anthrax lead guitarist Rob Caggiano in preparation for the band's upcoming show in Cincinnati to discuss the transition into a new band and his broad musical influences that have helped him evolve since childhood. He definitely has brings a strong, veteran presence to a band that was already rising to new heights. Check out Volbeat headlining the Rock Allegiance Tour at US Bank Arena this Sunday with HIM, All That Remains and Airbourne.
CityBeat: Could you tell me about the moment in the studio working with Volbeat on their new album that you realized you really could be in the band or it would be a good fit?
Rob Caggiano: They had asked me to be a part of it two weeks into the process of recording. So it was pretty early on into the whole thing. I think it really stemmed from the first meeting we had when they called me initially when I left Anthrax and put the press release out there. A couple days later I flew to Denmark and sat down with Michael and went over the tunes and then ideas for the new record. We ended up collaborating and making music together. It was such a fun vibe and such a great chemistry. I think that was kind of a catalyst for everything else.
CB: I saw you guys at Rock on the Range for the first time playing together. It was really amazing. What was your favorite Rock on the Range moment this year?
RC: We definitely had a really good time during our show. It was a lot of fun. Rock on the Range, to me, is one of the coolest festivals here in the States. It seems like America is catching up finally with what is going on in Europe with these outdoor festivals. Rock on the Range is very well put together, very organized, just very pro and well done. It’s always a good time. I did get a chance to see Lamb of God play, about half their set and that was killer. It was great to see Randy back up on stage.
CB: Has there been any hazing or initiation since you joined the band?
RC: Not really, I was doing all the hazing. It has been pretty cool, pretty seamless, the whole transition. The way it went down, it was very organic and felt very comfortable from the beginning. It has been cool. We are having a blast.
CB: I know it must have been a difficult decision to leave Anthrax which had been your job for the last 12 years. What were the factors for moving on?
RC: I just had this feeling of being stuck. I just felt like I was on a conveyor belt, doing that for so long. I still love those guys dearly and they are like my family. I just wasn’t happy. It got to the point where I just wasn’t happy and I was questioning myself and what I am doing here. What are we doing? What’s going to happen in the future? I just came to the conclusion I needed a change.
I think the main part of the problem was that Anthrax was never a creative outlet for me. By no choice of my own, that was just the way it had been. I think after all those years my heart wasn’t in it anymore and I needed something different. It was definitely an emotional, difficult decision to make but it was something that needed to be done.
CB: What is your favorite guitar solo to play on the new Volbeat record and out on tour?
RC: I have two favorites. I enjoy playing the “Lola Montez” solo and the “Doc Holliday” solo.
CB: I know you have been producing for several years helping out bands and doing Anthrax and Volbeat records. Do you ever see yourself stepping out of Rock or Metal and producing other genres? There are a lot of collaborations happening right now with different genres of music.
RC: Absolutely. I never saw myself as a solely a Metal producer. To be honest, when I am at home, I don’t really listen to Metal. It’s probably because it is what I do all the time. My influences are really varied and I listen to so many different albums and genres of music. I just consider myself a musician. I put 100% of my heart into whatever I am working on. With all these different influences, I can definitely do a lot of different things and have done a lot of different things in the past.
CB: What are you listening to right now? What is influencing you?
RC: My favorite record right now, if we are talking about new bands and newer records, is this band called The National. I think (they're) phenomenal.
CB: They are actually from Cincinnati.
RC: Yeah, it seems like they are doing pretty well all over the world. Their new record is phenomenal. I think it is just great, the production is amazing, the songs are great. I have never met the band. I had heard the name but I had never heard the music. We were doing a record signing in Copenhagen and I asked one of the girls at the store what was her favorite record, what should I check out, what came in that is the new hot record. She said to get the new National record. I said “Ok, I’ll give it a shot.” She was right. I dig it. I like Lana Del Rey too.
CB: Do you ever plan to sit down and write your Rock biography?
RC: Maybe one day down the road. I don’t know if I’m ready yet.
CB: I’m sure you have plenty of stories. What is your craziest tour story with Volbeat right now?
RC: It really isn’t that crazy on the road with these guys. It’s pretty mellow. It is a very focused thing. We do our show … the thing about being on tour, especially with Volbeat, we are headlining a lot of these festivals in Europe so we are going on late. We get there early at these festival sites and have a whole day of nothing. It is kind of boring just waiting to go on stage. Nothing really crazy has happened yet but I will keep you posted.
CB: I am shocked you haven’t seen crazy things at the European festivals with fans.
RC: I guess it depends what you call crazy.
CB: Yeah, your idea of crazy may be different than mine. You may be like, “That’s totally normal.”
CB: What was the name of your first band?
RC: My first band ever was when I was 14 years old. We were called “Wild Heart.”
CB: Do you keep in touch with those guys?
RC: Kind of. I saw the other guitar player recently in Florida. He has been a friend of mine forever. The rest of the guys I have not spoken to in a long time.
CB: Do you play any other instruments?
RC: Yeah, I play drums. I play keys. I do our programming when I need to. I just make noise basically. I can pretty much get anything to sound decent. As a kid, I started out playing drums so that has always been in my heart. I went to the guitar from that.
CB: Your parents were supportive of the drums in the house?
RC: Well they bought them. Yeah, my parents were huge supporters of my music. My Dad is really into the music thing. It was definitely a very healthy atmosphere growing up for creativity and inspiration. There was always music around which was cool.
CB: I started hearing about Volbeat and listening to Volbeat about two years ago when they were just coming to the U.S. Obviously they are huge in Europe, beyond headlining. What do you think is the biggest difference so far in the U.S. shows and the European shows?
RC: In the U.S. it is very much on the rise, the shows over here are getting bigger and bigger and bigger. With them, we did two legs, two U.S. legs and every show was killer. Back in 2010, that is when I first met these guys with my other band, The Damned Things, they took us on tour. That’s when I first heard the music and met the guys and became friends. Even that tour was sold out every night. It was an awesome tour. Volbeat is definitely on the rise in America. In Europe obviously it is crazy. It is just a really good feeling all around. There is a lot of excitement about this band and the new record, just good vibes.
Alt/Funk/R&B/Rock crew Fitz and the Tantrums is one of hottest buzz bands in the land right now. The group’s debut record from last year, Pickin’ Up the Pieces, reached No. 1 on the Billboard Heatseeker chart and its song “Money Grabber” became an activist anthem for the Occupy Wall Street movement across America.
CityBeat spoke with frontman Michael Fitzpatrick recently, in advance of the band's show this weekend at the Super Bowl Village in Indy. Fitz and the Tantrums performs tonight at 7 p.m. The show is free. (Click here for details.)
Las Vegas-based Rock band Adelitas Way has skyrocketed through the ranks and charts in the last year. The group's second studio release, Home School Valedictorian, hit music shelves earlier this summer and the first single “Sick” reached No. 1 on the Active Rock charts in the U.S. The band is currently on the Carnival of Madness Tour, which hits Dayton's X-Fest this Sunday at the Montgomery County Fairgrounds.
The Beach Boys have been blessing audience’s ears with happy and fun tunes (with occasional blasts of melancholy) for 50 years. As they embark on a 50th anniversary tour, they are preparing to release their 31st album, titled That’s Why God Made The Radio, which is also the title of the first single. Almost anyone who listens to music can think a happy thought as it relates to Beach Boy classics like “Good Vibrations,” “Kokomo,” “Surfin USA” or one of their other countless hits.
I was able to speak with Mike Love and Brian Wilson before the tour kickoff and it proved to be one of my toughest interviews to date when I spoke with Wilson.There were moments when you had to wonder why he is speaking to the press at all and others when you remembered the pure genius inside his head as he spoke about mixing harmonies on the new album and just being happy to play again with the band that made him a legend. We reached a nostalgic and introspective point as the legends looked back on a remarkable career.
The Beach Boys' 50th anniversary tour comes to Riverbend Music Center this Tuesday.
CityBeat: If you were writing “California Girls” today, how would you describe them and what are the big changes?
Mike Love: The thing about “California Girls” is that it is a riveting song saying, “I wish they all could be California Girls,” and then talk about all the places around the country. I don’t think there would be much changing to do. Of course our original fans are now California mothers and grandmothers. I believe it is all the same.
Brian Wilson: No, I would do it the same as it was.
CB: What has been your process for putting together the set list of songs for the shows coming up?
Brian: We all got together and chose the songs together and we finally narrowed it down to two hours or two and a half hours of songs.
Mike: I’ll tell you what, there are several songs that we absolutely do at every single show we do — “California Girls” being one of them, “Good Vibrations” being another, “Kokomo” being our biggest hit of all. “Good Vibrations” was our biggest hit that came out in 1966, until “Kokomo” came out in 1988 and apparently surpassed that. And then there are songs like “I Get Around” and “Fun Fun Fun” and “Surfin’ USA” and “Help Me Rhonda” — we are always going to do those big hit songs because we believe people are going to come see you for what you are known for. We are most famous for those big hit recordings we have had.
Then there are other songs we are doing on our set list called album cuts that are a little more subtle, a little more esoteric. Then there is a song called “Why Do Fools Fall in Love” originally done by Frankie Lymon and the Teenagers during the ‘50s. My cousin Brian came up with a really great vocal arrangement so we enjoy doing that song. Whether it is a point of view of doing a song we feel hardcore fans know or the Beach Boys music that I can recall, we like to do some songs that will please them as well so we balance the songs, the set list, the selection of songs all throughout the years, up to and including our newest record which is called That’s Why God Made the Radio.
CB: On the new album there are fun and upbeat songs, as always, but there are also songs embracing some melancholy of the past like “Pacific Coast Highway.” Why was it important to have both on the album?
Mike: I think there has always been melancholy and upbeat aspects to our songs. For instance “Surfer Girl” is slower and romantic. “In My Room” is kind of introspective, and if you will a little melancholy like ("Warmth of the Sun"), which is also a beautiful, slow ballad, but I think mainly it is the result of the collective nature of all of us.
There is the obvious sun part of life that we have here in Southern California growing up, you know with the featured years and when we recorded “Barbara Ann” and “Lookin’ For Romance” and then “California Girls” and going around the world and experiencing upbeat and positive things like car songs or surfing songs. There is that aspect of it. Then there is also that more internal, introspective aspect of things. So there are definitely both types of music in the Beach Boys catalog, definitely. There is the melancholy and the happy and upbeat.
I think that is how life is. Sometimes, people experience moods or situations in life that are not so much upbeat or fun, death of a loved one or breaking up with somebody. There are situations in life that lend themselves to the more serious or somber or melancholy. Then there are the activities and situations in life that are far more upbeat and fun.
CB: What is it like having three generations of fans singing along at the shows now?
Mike: It is pretty amazing. It is really wild how well people have responded to us all being together. It re-establishes the theorem from math that the whole is greater than the sum of its parts. Brian Wilson has been doing his own solo projects and recordings and touring for the last several years. I have been touring as the Beach Boys with Bruce Johnston and occasionally David Marks, our original guitarist. Al Jardine has been doing his own thing but we all got together because of the specialness of the 50th anniversary of the Beach Boys.
That is the real catalyst that got us together. In addition to that remarkable milestone, there is the fact Capitol Records gave us an opportunity to record a new studio album, so we all got together, a lot of time had passed since we last did an album but it was kind of weird how familiar the whole process felt and how normal it sounded when we were listening to our performance coming back through the speaker in the studio. A lot of time had passed but not much had changed really in terms of Brian’s ability to structure the harmonies and chord progressions and our abilities to harmonize and perform the songs. It was really cool, the two things together, the 50th anniversary and going out to tour together along with doing the new record, those two things, gave us the encouragement to get together and do this together. And the response from the public and so many places have been phenomenal, the Hollywood Bowl in Southern California sold out 17,500 seats.
I started out the second day of the Forecastle festival in Louisville by getting caught in the rain and being picked up like a hitchhiker by the Everest band van on the way to setup for their set on the main Mast Stage of the festival. The band agreed to let me hang for “A Day in the Life” photo series as they prepped to play the 10th Anniversary of Forecastle. They were laid back as the rain moved in and gear was unplugged and wrapped in saran wrap.
Everest has been on the road promoting their third album Ownerless. On Ownerless, you can hear a refined sound in which the band speaks about powerful issues as they took their time to record and find their true voice, writing from the heart and soul. The band consists of members Russell Pollard (vocals/guitar/drums), Joel Graves (guitar/keys/vocals), Jason Soda (guitar/keys/vocals), Eli Thomson (bass/vocals) and new addition Kyle Crane (drums).
Everest are rising stars in the alternative music scene and have toured with My Morning Jacket and they will be heading back on the road with Neil Young this fall.
It turned out to not be such a typical “day in the life” as the show was held back because of lightning in the area but the band unloaded and prepared to play even as heavy rain descended on the festival. The festival opened an hour late due to rain delays but they did make time for all the planned acts to perform (albeit with shorter set lists).
Everest played loud and rocked the crowd as it gathered to hear this band singing my favorite track on the new album as the opening song “Rapture.” Founding member Pollard’s raspy vocals were captivating and I instantly became a fan of this band as they sang older tunes and new record songs like “Into the Grey.” The Watson Twins joined the band for a few songs on backing vocals to round out their set.
Overall it was a great day to play music in Louisville as fans gathered to celebrate 10 years of the fest, which self-defines itself as being all about "music, art and activism." The Preservation Hall Jazz Band took the main stage by storm and had fans dancing in the grass; special guests onstage including Jim James and Andrew Bird playing classic tunes with the legendary jazz musicians from New Orleans. James' band (and hometown heroes) My Morning Jacket played over two hours to close out the night while Girl Talk played on the second stage and had a festival rave in full action on the banks of the Ohio river.
Red is a Christian Rock band that has ascended into the mainstream alongside Rock acts like Papa Roach and Korn. The band members let their faith creep into their music and their message, but do not let it define them. Earlier this year Red released its fourth studio album, Release the Panic. The album debuted in the Top 10 of the Billboard album chart, showing their strength as a national act (Red's previous release, Until We Have Faces, debuted at No. 2 in 2011).
CityBeat recently caught up with Anthony Armstrong, the band’s guitar player, who spoke about the band’s inspirations and vision for the future of Rock music. Red is playing on Friday at King’s Island in Cincinnati for Spirit Song 2013, which runs Thursday-Saturday and features some of the biggest names in Contemporary Christian music.
CityBeat: I saw you guys at (Columbus, Ohio, Hard Rock fest) Rock on the Range. What was your favorite Rock on the Range moment this year?
Anthony Armstrong: That’s a tough one. You know what is really sad, our good buddies Sevendust played right before us and we didn’t get to see their set so I was really disappointed. Papa Roach put on an incredible show every single time they take the stage, so I would say they are up there as one of the best. It was cool to see Bush. That was really cool to feel like I was in high school and to see those guys doing their thing. When they started playing “Come Down” I felt like I was right there back watching. There was an old movie from the ‘90s called Fear with Reese Witherspoon and Mark Wahlberg, and I think Bush was the entire soundtrack to that movie. I just felt like I was back in the ‘90s and high school listening to Bush records. It was cool.
CB: You guys play Christian music and are a Christian band. Is it ever hard to be on tour or at these festivals in this non-Christian atmosphere?
AA: It’s never for us. I think media outlets and sources, even in interviews like this, people are so curious about that. They ask the question because they want to understand and know the answer to how we deal with that. For us, we don’t see it any different than if we are playing a Christian show. We are all just people in general. You are going to see crazy stuff happen at those shows too. We like to hangout and we like to have a good time. We don’t get too out of control. We hang out with all these guys. We love these guys and they love us. We just show them we aren’t any different than them because we love God and we believe in God. We don’t feel like it should be something that draws a line or creates a wall that we can’t get past. It is just what we believe. There are plenty of guys up on those stages in all the different bands that believe different stuff. I say come see one of our shows. We are going to do exactly what those bands do just as good if not better. We aim high and we really try not to focus on that kind of stuff. It just complicates things. We are just a Rock band.
CB: I have seen you tour three times over the years and you never look any different or sound any different than the other bands. It is just a different message through the words.
AA: Yeah, that’s the thing with the message. We are not going in there with some sort of agenda. We are not going into these shows with some sort of recruiting mentality. We are just going to play some Rock songs. Wherever these songs reach, wherever they are in their life, if these songs inspire them, then we did our job. That’s all we care about doing. We’ve done many of the things people standing in the crowd are doing. We know they don’t work out for us. We know they are bad for us. We know the one thing that works for us is our faith. A lot of people want to hold you over the coals for it because they think it’s lame; they think it’s cheesy and you are not hardcore if you believe in God. I know more crazy, jacked-up people that believe in God than I know that don’t believe in God. We are the ones that are here because we need God because we can’t get out of our own way. A lot of the guys that turn to God and live that lifestyle were at that point. Brian (“Head” Welch) from Korn is a perfect example of that. The guy was literally on his death bed constantly getting high. He reached out and said, “If you are real I want to know. I want you to show it to me.” And God did that for him. That was just a cool story for him to hear.
CB: I know you tour a lot over the years. Do you take time out to write as a band or do you write when you are on the road?
AA: We write so much it’s ridiculous. It’s a love-hate relationship. It takes more love than anything. It’s really cool. We just released a record. We probably won’t really start diving into writing until about January or February of 2014. We usually put records out about every two and a half years. That’s about the time you start digging into the new stuff. You take this first part of a new record release to key in on the new songs and translate and see how everything goes, start paying attention to what is going on in the world. You start collecting the inspiration you need to write another record. That’s one of the things we’ve always focused on.
CB: One of my favorite songs that you guys have was your first single, “Perfect Life” — could you tell me the story behind that song?
AA: Yeah, we were out in L.A. with our new producer, we had never used him before, his name was Howard Benson. We had three records with the same guy that we still love. We will probably do another record with Rob Graves. It was just a transition for us. We wanted to try something new. We were out there in the Hollywood hills hanging out at Howard’s huge house. You could probably fit our tour bus in there three times. We were hanging out on his back patio talking about the record and what we were about to do. He said, “Check this out guys,” and we look out and there is Kim Kardashian in the compound in front of us. We started talking about that TV show and that transitioned into what it is really like out in Hollywood and what the media projects as what life really is on the Jersey Shore and all this other stuff. What life is all about when you can have these things and be this glamorous and have this lifestyle. This is the perfect life. This is what you want. This is what you can attain. We were like, “This is complete bull. You can be happy no matter what you are doing” It’s about chasing down the things people think are important. The perfect life is projected to us in a certain way. For us we are saying, find out for yourself. What is the perfect life for you? It shouldn’t be what other people do. It should be what you do.
CB: Is it hard being on the road with your brother?
AA: No, it’s not. It’s amazing. It’s really cool because in a band, when you have a band of four individuals, when you have a fight or an argument it gets pretty awkward. Randy and I are like the unofficial leaders of Red. We take care of everything from the administration to the music. I am really involved with the writing side of things. Randy is really involved in managing our affairs. When something goes down, Randy and I can usually sort it out between the two of us. We will discuss things together as a band and a group of guys. Ultimately, Randy and I can bounce things off each other and get a little heated but the guys just know we are brothers and that’s the way brothers are. We have been competitive towards each other our whole lives and now we are in a rock band together. We have never been separated. We have always been together. We went to college together. We roomed together for four years. We might as well have dated the same girls. It was just wild. I love the dynamic. They say never mix business with family, and I haven’t really experienced it being a bad thing with me and Randy being in the band together.
CB: I hear also that you cause the occasional accident over the years on stage. Any new accidents lately? I am personally surprised Michael doesn’t hurt himself more jumping around the way he does.
AA: We are more afraid of the fire now. We are pretty scared of getting burned. We have had a couple near accidents. If you get too close to the flames, it singes all the hair off your arms. Nothing has been like it used to be with injuries. I hit Michael in the head twice, sent him to the hospital once. I opened his eye and had seven staples in his head with my guitar. My brother has hit me in the face with his bass guitar and cut my eye wide open. Rock & Roll.
CB: What is your favorite guitar to play?
AA: I have a custom 24 PRS that I named Vegas after my Bulldog. It was my first PRS guitar they made for me and only me. I have a love affair with that guitar.
CB: A lot of people right now are saying that Rock is dead and Rock music is dying, that Country is the new thing selling out the stadium, it’s the new Rock. Do you believe that?
AA: I don’t believe it because when I went to Rock on the Range and I saw it is alive and well. I don’t believe that Rock & Roll has its act together. We live in Nashville, Tenn. We see the CMA Awards and the CMT Awards. You see how it is such a different animal. It would be really cool to see Rock get its act together and have that sort of Rock N Roll Awards. The MTV Awards used to be about Rock. We don’t have anything specific to us. We don’t have anything specific to Rock Music in general. It’s the Grammys or we are part of something. I would love to see that sort of thing happen. Other than that, I don’t think in a million years the world would be livable without Rock N Roll. It’s something in Rock music makes you feel. It gets you fired up and people love that feeling. It’s like drugs.
CB: What current music is inspiring you guys or you personally?
AA: There is such great music right now. In Rock N Roll right now, I’d say, we are big Muse fans. We have always been huge Sevendust fans. When we first moved here, I think I had to buy their record three times because I listened to it over and over and over. We are inspired by not just the music. We get out on the road with these guys and see what kind of guys they are. They work their tails off. We are all scratching for our place and hoping things just work out and it is just cool to see other bands doing things we do.
CB: I am sure you guys are going to have a great set here in Cincinnati at Kings Island.
AA: They won’t let us use fire this weekend.
CB: I have seen your show with fire and without fire and it is always good.
AA: We consider it icing on the cake, another cool thing. We want to be able to stand alone without it. When we can use it, we use a lot of it. What is funny, Rock on the Range, this summer when we play festivals, we do 28 points of flames, 28 different nozzles of fire. It’s just fire but it is so much fun. It is such a cool thing.
CB: After that show, are you going back on tour this summer?
AA: Yeah. Right now, the summer is chalked full of festivals. We will play festival dates and it is really cool for us because we play the big late night stages where we can do the pyro and stuff. After that we will get into the fall and have a couple tour options but we are not allowed to talk about the yet because they haven’t been announced. We are going overseas. We are going to Europe for three weeks right before Thanksgiving. We have some stuff happening.
Peter Frampton is a true guitar legend, revered by every single one of his peers. As his Guitar Circus tour rolls into town this week, crowds will be amazed by the beautiful music from his catalog of 40 years of music, as well as performances by Blues legend B.B. King and special guests Sonny Landreth and Dave Hidalgo (Los Lobos).
CityBeat caught up with Frampton in advance of Wednesday’s tour stop at Riverbend’s PNC Pavilion and discussed how this tour concept came together and what it has been like working with one of his heroes on a nightly basis.
CityBeat: What has been the highlight of Frampton’s Guitar Circus so far?
Peter Frampton: It is hard to say because we have had so many incredible guitar players play with us already. The list is growing every day. From the other night, Vinnie Moore to Vince Gill to Don Felder to Roger McGuinn. It is like every night is so different. Every night is a highlight with all of these amazing players. Sometimes we only have someone for one night because of scheduling, like Vinnie Moore was only one night. John Jorgenson was only one night from Elton John’s band, who is also a wonderful Jazz artist (and) was with me on my Fingerprints CD. Some nights we get one, some nights we get three and sometimes we are lucky enough and we get Don Felder for six (shows) and Roger McGuinn for six (shows). They are all split up and don’t happen at the same time. I can’t really pick one.
CB: When did you come up with the idea and how did you bring it all together for the tour this year?
PF: It was last year after my little sabbatical, my year off after the Comes Alive (anniversary) tour. I was going, “What can I follow this with?” because it was a very successful tour and probably one of the most successful tours I have done in years.
It was one of those things where I said I have got to do something with other artists. We had been doing shows for quite a few years now with just me, "An Evening with," as it were. It was something I wanted to do with as many guitarists as I could, to have an opening act with a great guitar player and then have some guests. The idea was there. I sat down with my manager Ken Levitan and I said what I wanted to do. He said, “Why don’t we call it something like a 'guitar circus'?" I said that was great. It was fantastic. I have to give him credit. He came up with the idea and then we have as many guests as we can along the way.
At that point, we decided we would try to have a three-act show, which is what it is in Cincinnati, where it is Sonny Landreth opening it up. He is not an opening act, he just starts the evening because he is a headliner himself. He is a phenomenal player and has such a great history. We have him starting the evening off for us with his amazing band and himself.
The person that when we first put our feelers out (for) who might be interested in coming along with us on the Guitar Circus and said yes was B.B. King, which blew me away. That set the whole tone for the whole Guitar Circus because everyone said, “If B.B. King is doing it, I’ve got to do it.” It gave us great credibility right from the start. So B.B. King will come on. We played for the first time with him the other night. I got to sit in and jam with him, which was a dream come true.
After B.B. goes off we come on and do our hour and a half. During that period, David Hidalgo will come on, he is our guest in Cincy, from Los Lobos. He has played a couple dates with us already and it is incredible. We become Los Lobos and it is phenomenal. It is just great. It is very exciting every night. It is a challenge to be that person’s band when they come on. I’ve got an excellent band so we do a really good job.
CB: You mentioned B.B. King, who is an all-time legend. What do you talk to B.B. King about backstage?
PF: Well, I went back and saw him when he arrived in his own bus. I thanked him for being the reason why this whole tour is being successful, because he was the first person to say yes. I said, “Not only is it an honor that you are on one date, but you are on nearly four weeks of dates with me, every night.” I just couldn’t thank him enough. He said he was thrilled to be a part of it. I think there is a mutual respect as guitarists, definitely my way. To be able to sit and play with him the night before last was incredible. He is going to be 88 and he is still doing it. It is absolutely incredible that he is, and we are all thrilled that he is. He is just the sweetest guy. You wouldn’t think that someone as legendary as him is that nice but he is. He is a sweet, sweet man. You can’t believe it. It is how you wish everybody could be when you meet them. He takes the cake that is for sure.
CB: I can hear you smiling through the phone just talking about playing with him.
PF: It doesn’t get any better. It is one of those moments I won’t ever forget. I am not sure I will be doing it every night. I hope so. He said I can tell him what I want to do and walk out and play. He means what he says. I am just getting to know him. It is unbelievable that we had never met before until the other night. Now it feels like we have known each other for years.
CB: I saw you recently perform this Spring on The Voice. You went on with Terry McDermott during the finals. A lot of artists are coming out and speaking negatively about shows like this that try to make people stars overnight because they don’t have to pay their dues over years. Do you have any feelings about that?
PF: I am not a big fan of those shows in general. The part that I don’t like is that it is this nationwide talent show. These people come on, and it’s their fault, they put themselves in that position to have someone ream them on national TV. I sort of cringe every time I see that, (no matter how) rightly or wrongly how the judge is.
I have been asked to be a judge on those things. You will never see me as a judge. I would be saying everybody stays. That’s not me. I know what I like and everything, and I will say it in private, but I am not going to say, “You suck and get out of here,” which is basically what happens.
They asked me over a weekend, like two days before the show, if I would do The Voice. I asked them to fill me in and tell me what it was about. Then I listened to Terry and liked him a lot, all his clips and everything. I thought it was just excellent. It was a wonderful opportunity for me to go on there and do a duet. For me it was just a performance within one of those types of shows. I wasn’t part of voting anybody on or off. It was something I enjoyed doing and I think it came off really well. We got such a demand for the song, we mixed it and released it as a single. So it is on iTunes as well.
CB: What is your favorite guitar to play?
PF: I just got my Phoenix back, that is what it has been called. It is the guitar that was supposedly lost and burnt up in the plane crash in South America in Venezuela. After having that back for a year and a bit now, it is definitely my favorite. I have other favorites, but there is something about that one and the history, you know of me getting it in time to play on Humble Pie’s live record, Rockin’ the Fillmore, and everything I did in the 70s, all my solo records. It was one of only two electric guitars that I had. To have that back, it has become my favorite again overnight.
CB: I own a few Jim Marshall photographs and one is of you at Oakland Stadium in 1975. Do you remember that day? Obviously that photograph is iconic itself, but is there anything special about that day in California? Did that photo change you in any way?
PF: In San Francisco and Detroit and New York, we were already pulling huge crowds just from word of mouth and the solo albums I had out, and obviously my time with Humble Pie. I think that was the very first time we did it at a stadium. There is nothing quite like looking out to 65,000 people … I think the biggest place we had played was Madison Square Garden. There is a huge energy-level discrepancy between an arena and a stadium. There is nothing quite like the adrenaline it gives you to see 65,000 people with their hands in the air shouting at you. You never forget that first time. There were many after that in stadiums, but that first one was pretty incredible.
CB: I speak to a lot of guitar players. I spoke to one the other day that said a guitar broke up his relationship. Have you ever had a guitar break up a relationship?
PF: No, but it has come really close. The guitar, she is the other woman, always. The passion you have for music is very strong and it does come with jealousy sometimes when you prefer to play the guitar than be with the woman.