In a recent conversation, Artistic Director Blake Robison described his program priorities and told me the Playhouse takes them seriously. “Variety is one of our hallmarks. We’re always going to make sure there are new works and culturally diverse works and that there are family-friendly or multigenerational things. We will find ways to continue to support and entertain the traditional audience while reaching out in various directions to new audiences. It’s our responsibility to bring the best theatrical material both old and new to our community.”
I’d say Robison’s third season sticks to his priorities.
Last Friday night, hundreds crammed into The Carnegie to witness local artist Pam Kravetz and a band of merry revelers open the show with a fanciful recreation of “The Mad Hatter's Tea Party.” While the artists entertained on a center stage/table surrounded by diners supping on handcrafted china, the rest of us enjoyed creatively crafted bites fashioned by local chefs. Especially tasty were the diminutive Belgian waffles topped with caramelized apples, shallots, goat cheese mousse and Sirop de Liège by chef David Kelsey of Taste of Belgium; a salad of spinach, pistachio relish, fig purée and goat cheese, topped with a tart cherry vinaigrette and wrapped in a cone of sopressata by chef Andrew Mersmann of La Poste Eatery; and The Rookwood’s chef Jackson Rouse’s offering of head cheese with frisée, pickled mustard seeds, crispy pig ear and blood orange.
And then there is of course the art. Art made of food. Art made to look like food. Look, but most definitely do not eat. And, without giving away any spoiler alerts, I will tell you two things: One, think twice before standing under the work of local artist Eric Brass — it could quite possibly put fear into the hearts of even the bravest of souls. And two, I was exceedingly tempted to lick the installation by Eye Candy Creative. It brought back one of my fondest childhood memories.
The Art of Food exhibition runs through March 15. More at thecarnegie.com.
About 1 in 20 Cincinnatians, many of them in the wealthiest neighborhoods, pay less in taxes because their home renovations and constructions are subsidized by a local tax program. While the program benefits the wealthy, it also hits Cincinnati Public Schools and other local services through lost revenue. The tax abatement program aims to keep and attract residents and businesses by lowering the costs of moving and living in Cincinnati. Anastasia Mileham, spokeswoman for 3CDC, says the tax abatements helped revitalize Over-the-Rhine, for example. Others say the government is picking winners and losers and the abatement qualifications should be narrowed.
With hotel room bookings back to pre-recession levels, Source Cincinnati aims to sell Cincinnati’s offerings in arts, health care, entrepreneurism and anything else to attract new businesses and residents. The Cincinnati USA Convention and Visitors Bureau established the organization to reach out to national journalists and continue the local economic momentum built up in the past few years. “Successful cities are those that have good reputations,” Julie Calvert, interim executive director at Source Cincinnati, told The Cincinnati Enquirer. “Without reputation it’s difficult to get businesses to expand or relocate or get more conventions or draw young diverse talent to work for companies based here.”
The harsh winter weather this year pushed Cincinnati’s budget $5 million over, with nearly $3 million spent on salt, sand and chemicals alone. . The rest of the costs come through increased snow plowing shifts and other expenses to try to keep the roads clean. The extra costs just compound the city’s structurally imbalanced budget problems. The need for more road salt also comes despite Councilman Charlie Winburn’s attempts to undermine the city’s plans to stockpile and buy salt when it’s cheap.
Mayor John Cranley says the success of The Incline Public House in East Price Hill, which he helped develop, speaks to the pent-up demand for similar local businesses in neglected Cincinnati neighborhoods.
Less than a month remains to sign up for health insurance plans on HealthCare.gov.
The estimated 24,000 students who drop out of Ohio schools each year might cost themselves and the public hundreds of millions a year, according to the Alliance for Excellent Education.
Ohio Attorney General Mike DeWine says meth abuse has reached “epidemic” levels in the state.
Ohio gas prices continued to rise this week.
Developers say they have funding for the first phase of a Noah’s Ark replica coming to Williamstown, Ky.
There’s a Netflix hack that pauses a movie or TV show when the viewer falls email@example.com.
In March of 1999, after running the Cincinnati-based Shake It Records label for several years, brothers Jim and Darren Blase opened a new record store in the Northside neighborhood. The store, also called Shake It Records, was an instant hit with local record-buyers, offering a huge chunk of vinyl alongside their CD stock, as well as books, magazines and various musical merchandise (among many other items).
Since then, word of Shake It’s awesomeness has spread far and wide — the well-stocked and unique shop has often earned nods in the national press as one of the best record stores in the country, and music heads from across the region always make trips to Shake It when in Cincinnati (or they make trips just to go Shake It). Indie Rock star/hardcore record lover Bob Pollard, for example, comes down from Dayton often and frequently leaves with a big stack of LPs for his (surely gargantuan) collection.
The beloved shop has also regularly featured in-store performances from both local artists and national touring acts (a Tegan and Sara in-store a few years ago drew the attention of local TV news stations because of the huge turnout to meet the Pop duo). To celebrate its 15th anniversary — a remarkable milestone considering Shake It’s rise coincided with the rise of digital music and the alleged death march of brick-and-mortar record stores — Shake it will be presenting a string of performances throughout March.
The free, intimate shows kick off tomorrow (Saturday, March 1) with a 7 p.m. performance from Cincinnati Pop/Rock guitar/songwriting legend Rob Fetters. Fetters, who kicked off the 2014 Cincinnati Entertainment Awards in January with a surprise performance, will be supporting his latest solo release, Saint Ain’t, and you’re bound to hear a few songs from his expansive songwriting legacy with the bands The Raisins, psychodots and The Bears.
Shake It recently released the schedule of in-store performances for the rest of the month, with more to be added. Not that an excuse is needed for a Shake It visit, but the following events are great chances to stop in and wish the store a happy birthday.
March 15: Cincy Honky Tonk ensemble Jeremy Pinnell & The 55's (7 p.m.)
March 19: Luther Dickinson of the North Mississippi Allstars, supporting his third solo release, Rock ’n’ Roll Blues, which comes out March 18. (time TBA)
March 21: Northern Kentucky singer/songwriter Daniel Martin Moore, who’s released acclaimed material through the Sub Pop label, and “Friends.” (8 p.m.)
March 22: The Shake It label’s biggest success story, Cincy rockers Wussy, who will preview their new album, Attica, which releases nationally on May 6. (7 p.m.)
March 29: Covington Indie Rock crew Frontier Folk Nebraska, whose releases are distributed through the Shake It label. (7 p.m.)
Each week our intern Amber will be exploring what Cincinnatians are interested in by scouring the local Twitter trends and reporting on what she’s found. From serious tweets to goofy hashtags, she’ll highlight what Cincy’s been buzzing about. So get to tweeting, folks.
Kilpatrick became the second player to score 2,000 career points at UC during the
Bearcats’ game against Louisville on Feb. 22. The only other Bearcat who tops
his record is Oscar Robertson, "The Big O," whose career points
totaled 2,973 by 1960. Fans from Cincinnati and beyond were showing their love
for Kilpatrick all over Twitter on Sunday.
As in Dale Earnhardt Jr., the superstar of NASCAR. Earnhardt won the Daytona 500 for the second year in a row and as part of his celebration, he finally decided to create a Twitter. In 10 hours, the racecar driver accumulated over 450,000 followers — 515,000 by Wednesday and 526,000 by Friday. I’ve had my Twitter for years and I’m barely pushing 200 followers. Anyway, who says NASCAR is only for the Southern folk?
A judge in Texas voided the ban on gay marriage in the state this week. An outpour of support for the judge’s decision was evident throughout the nation. Following suit in equality, an Arizona judge vetoed a bill that would allow businesses to refuse service to the LGBT community due to their “religious rights” being violated. Of course, Cincinnati also made moves toward a more equal community when announcements of a domestic partner registry for same-sex couples were made.
Thursday was the start of spring training for the Reds. The boys took the win, 8-3 over the Indians, in the Cactus League Opener. It doesn't matter if you think Homer Bailey's extension is a total waste or that Joey Votto should have won the Face of MLB competition, one thing we can all enjoy is the sweet sound of Marty Brennaman’s voice and the memories of warm weather it has brought with it for the past 50 years.
You know I had to do at least one funny trend. People just made up categories that should be in the Oscars:
Tyler Perry presents the Tyler Perry Oscar for best performance by Tyler Perry.
@startpuking: Movies so bad you yell, Sharkeisha! No!
@MnightShelton: Best Seth Rogan film in a non-Apatow production
Also trending: Stiles, #WatchingTop13, Taco Bell, #Scandal, Penn State, Son of God and #BBN.
An EP can serve several purposes — a stopgap release between full-length releases; fresh merch to offer at shows; a teaser for more material down the road; or an exploratory release to test the waters for a response to a new band or an existing band's new direction (among others).
In any event, whatever a band's reason might be for offering up a small dose of their material for reduced consumption, the inviolable rule of the EP is simple — always leave the listener wanting more. If you elicit even a modicum of boredom or disinterest in a spare handful of tracks, you're not likely to entice listeners to take a chance on a full-length or get them out to a show, which is, as stated, sort of the point.
Luckily, no such lapse is even remotely evident on Real Far East, Saturn Batteries' second EP in just over a year. Since the Cincinnati bands formation in 2010, guitarist/vocalist/lyricist Brad Gibson — who's put in bass time with the likes of Charlie Hustle, Young Heirlooms and Walk the Moon — has presented his brainchild as a trio, quartet and quintet along the way, all in the service of Beatlesque Pop filtered through the New Wave aesthetic of the Police and XTC and adrenalized with a heart needle full of the Pixies' jittery satellite Rock.
On last year's Ever Been in Love? Gibson and the Batteries du jour hewed a little closer to the John Lennon/Frank Black strands of their DNA, but Real Far East finds the freshly minted foursome (Gibson, guitarist Brad Rutledge, drummer Justin Sheldon, bassist Archie Niebuhr) drifting more toward the Paul McCartney/Andy Partridge end of their gene pool. And while the Batteries soften the edges ever so subtly and polish their surface to a slightly more reflective shine on Real Far East, these refinements don't diminish the band's energetic charm in the least.
One of the reasons for that is the Batteries have never forsaken one direction for another, preferring to incorporate differing elements into their foundational sound in an effective display of their diversity. The soulful "It's Not About the Money" and propulsive "Overtime" are both Pop gems that swing and swagger in a groove that isn't far removed from the benchmarks established by Walk the Moon in their march toward global domination. "You Really Live Twice" features previous members Rob Barnes and Rich Shivener, naturally hearkening back to the moody energy of Ever Been in Love? "Every Last Time" updates '60s/'70s AM Pop to the 21st century, while "Cherry Times" is a solid hybrid of the sweet and dissonant Pop that has characterized everything that Saturn Batteries has done well to this point in their history.
Real Far East shows that Saturn Batteries can have fun within their core Pop/Rock sound and clearly points the way toward a bright future for the quartet going forward.
Saturn Batteries celebrates the release of Real Far East tonight (Friday) at The Drinkery in Over-the-Rhine (click here for details). Below is the EP track “Every Last Time”; click the player or here to sample/download the entire release.
There's a magnificent production of the legendary musical Les Misérables at the University of Cincinnati's College-Conservatory of Music. I attended the opening performance at Patricia Corbett on Thursday
evening, and a show that I've seen umpteen times has been given new
life with fresh direction, impassioned staging and innovative design —
even if you've seen the legendary original with its turntable and
massive barricades, you'll find CCM's rendition, directed by Aubrey
Berg, an eye-opener. It's simpler and more dramatic (that's quite a
claim for a show designed to pluck your heart-strings), and it's
especially noteworthy for the leads' strong vocal performances — Jean
Valjean and Inspector Javert are double-cast, a demonstration of the
depth of talent in this nationally renowned program — as well as each
and every every performer in an ensemble of more than 40.
The 16-musician orchestra, conducted energetically by Steve Goers, sounds larger whole lot more, since several players handle three to five instruments. Berg's staging gives the show a clarity and power that makes it feel fresh and new. It has vivid feature characters and storytelling with momentum and emotional impact. This one is a must-see, so it's great that the production runs longer than many at CCM, where it's usually one-weekend and done: There are nine more performances through Sunday, March 9, which means that more tickets ($31-$35; $18-$24 for students) are available. Nonetheless, they'll be snatched up quickly, so you should call right away to get yours. 513-556-4183.
Andrew Lloyd Webber’s classic musical Evita is at the Aronoff Center through Sunday. It looks great with some epic scenery and excellent choreography. Josh Young as Che is charismatic and strong-voiced in his role as the show’s commentator. But Caroline Bowman’s Eva Perón is shrill, and Sean MacLaughlin's Juan Perón lacks the sinister gravitas that the role requires. So there's not nearly enough of the complex passion and manipulation that bonded them as a political machine. The tale of the ambitious woman who rose to the highest levels of power in Argentina then crashed and burned at age 32 is a memorable modern tragedy, and Andrew Lloyd Webber’s rock-opera tunes by will stick in your head. Tickets: 513-621-2787.
Taft's Ale House will be a new OTR brewery and pub, christened after Cincinnati's greatest political export, William Howard Taft — the 27th president of the United States, the 10th Chief Justice of the United States and the first person to hold both positions in their lifetime. He's also probably our greatest mustachioed export as well (and reportedly the last sitting president with facial hair). Taft's will be a full-service restaurant serving local beer as well as a variety of in-house brews.
The ale house will reside on all three floors of the former St. Paul's location. The historic Greek Revival church was built in 1850 and then abandoned in the 1980s, falling into disrepair. 3CDC started stabilization efforts several years ago.
Read more about the history of the building and its preservation in this Enquirer article or this fantastic piece from Digging Cincinnati History. And keep up with the progress of Taft's Ale House on Facebook.
The combined musical experience of the members of the Denim Road Band easily eclipses the century-and-a-half mark and encompasses every conceivable type of band and genre of music; local show/dance/cover outfits to nationally recognized entities playing Classic Rock, Blues, R&B, Jazz, Fusion, Top 40 Country, Funk and everything between and beyond.
DRB's sense of history and classicism invests their original material with the same soulful expanse and crisp Pop approach of the defining bands (The Doobie Brothers, Hall & Oates, Santana, Steely Dan) that have provided DRB with inspiration and a template for success.
There is certainly a formula to what the Denim Road Band does live and in the studio, but there's a huge difference between having a formula and being formulaic. On their third album, the silky smooth Blame It On the Stars, DRB hits the same markers as its previous discs (DRB's eponymous 2009 debut, 2010's Back to Mexico), utilizing George Harp's crystalline-yet-earthy vocal range, Craig Ballard's sinewy percussion and the almost impossibly adaptable journeymen rhythm section of bassist Robbie Lewis and drummer Kevin Ross to maximum groove effect.
Woven within that tightly knit fabric is the impeccable guitar work of Jim Zuzow, who channels everyone from Tom Johnston to Walter Becker to Steve Miller to the guitar legacies of the Eagles and Santana, creating a sound that is reminiscent of past Classic Rock glories
but delights in advancing the flag a little farther up the hill. Denim Road Band sets up shop at the corner of passion and professionalism and delivers the sophisticated goods with a showman's flair and a fan's devotion.
For more on Denim Road Band, click here.
City Council yesterday expressed support for a barebones parking plan that would upgrade all meters to accept credit card payments and increase enforcement around the city, which should boost annual revenues. The plan does not increase rates or hours at meters, as Mayor John Cranley originally called for. It also doesn’t allow people to pay for parking meters through smartphones. The plan ultimately means death for the parking privatization plan, which faced widespread criticism after the previous city administration and council passed it as a means to jumpstart new investments and help fix the city’s operating budget and pension system.
Councilman Christopher Smitherman plans to pursue changes to the city’s political structure to give more power to the mayor and less to the city manager. Smitherman says the current system is broken because it doesn’t clearly define the role of the mayor. Under Smitherman’s system, the mayor would run the city and hire department heads; the city manager, who currently runs the city and handles hiring, would primarily preside over budget issues; and City Council would pass legislation and act as a check to the mayor. Smitherman aims to put the plan to voters this November.
Commentary: “WCPO’s Sloppy Streetcar Reporting Misses Real Concerns.”
The Cincinnati Art Museum maintains five political cartoons from the famed Dr. Seuss (Theodore Seuss Geisel), but none are currently on public display. The cartoons call back to the history before World War II, when most of the world played ignorant to the horrors of the Holocaust and Americans had yet to enter the war. Dr. Seuss loathed the villains on the world stage, and his cartoons promoted a message of interventionism that would eventually lead him to join the Army to help in the fight against the Axis powers. When he returned home, he would write the famous stories and books he’s now so well known for.
Mayor Cranley and some council members appear reluctant to accept a routine grant application that would allow the Cincinnati Health Department to open two more clinics because of the potential effect the clinics could have on the city’s budget. Cranley and other council members also seem concerned that the Health Department played a role in the recent closing of Neighborhood Health Care, which shut down four clinics and three school-based programs after it lost federal funding.
Ohio legislators approved a bill that forces absentee voters to submit more information and reduces the amount of time provisional voters have to confirm their identities from 10 days to one week. For Democrats, the bill adds to previous concerns that Republicans are attempting to suppress voters. The bill now goes to Gov. John Kasich, a Republican who’s expected to sign the measure into law.
The Ohio legislature continues wrangling over how to give schools more snow days.
More than 175,000 claims have been filed over winter damage, potentially making this winter one of the costliest in decades.
Robot suits could make mixed martial arts firstname.lastname@example.org.
This evening at its Jackson Street headquarters in Over-the-Rhine, Know Theatre of Cincinnati revealed the lineup for the 11th annual Cincinnati Fringe Festival to a crowd of nearly 100 enthusiastic supporters and performers. The two-week festival begins Tuesday, May 27, with the CityBeat Fringe Kick-Off Party; it winds up 12 days later on Saturday, June 7, having presented 32 productions — 17 plays, two musicals, seven solo performers, and six dance presentations. In addition, there will be four FringeNext productions (selected from 11 applicants — a record number), featuring original material produced and performed by local students from the School for Creative and Performing Arts, Newport Central Catholic High School, St. Xavier High School and Highlands High School.
Performance Gallery is kind of the alpha and omega of the Cincinnati Fringe: They’ve been in all 11 festivals, including the 2008 hit show fricative. Producer Eric Vosmeier calls them the inspiration for much of what the Fringe is about: They were doing “fringe-like” work before the festival began, and they’ve returned annually with work that pushes the envelope. This time they’ll offer Heist, about three crooks of questionable ability. Vosmeier also cited Pones Inc., the dance-based company that returns for the seventh time with Traffick, a piece of audience engagement that explores issues of human trafficking. Vosmeier says, “This is the kind of work the Fringe was built to exhibit.”
“We had a great mix of new producers and returning favorites in the applicant pool,” Vosmeier says. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”
The Cincinnati Fringe differs from festivals elsewhere in that productions are screened and handpicked by a committee of local theater artists. Drawing from a large pool of applicants, comparable to last year’s record-breaking number, this yielded a balanced mix of local vs. out-of-town producers: 15 from Greater Cincinnati and 18 from beyond. The latter number includes three international shows, the most ever for the festival: Around Dark Matter, a Holocaust memory piece by Mica Dvir, is from Tel Aviv, Israel; A Brief History of Beer by Wish Experience from London, a company that has performed at festivals from Edinburgh to Adelaide; and Prefer Not to Say, an interactive piece by blueDragonfly Productions, another U.K. group, the presenter of And All the Rest is Junk Mail a year ago.
For Wednesday evening’s announcement event, members of the Fringe staff mentioned the shows they were most looking forward to. They named:
· An Unauthorized Autobiography of Benny Hill by Four Humors Theater (Minneapolis), the creative minds behind such past Festival favorites as Lolita: A Three Man Show, Bombus and Berylline and Harold. This will be their sixth consecutive Cincinnati Fringe appearance.
· Blogging Behind Bars by Unity Productions, creators of two past Fringe hits, The Wave and Nothing. This time it’s a true story about a young, nonviolent criminal who wrote a blog while incarcerated in a maximum-security prison.
· Papa Squat’s Store of Sorts by solo artist Paul Strickland from Indianapolis, whose Ain’t True and Uncle False was a “Pick of the Fringe” last year. His new show is a music-filled memorial for a guy who “once filled the emptiness in Big-Fib Cul-de-sac with his insightful songs.”
· Something Something New Vagina by Rebecca Kling, a transgender artist and educator from Chicago with a follow-up show to her 2012 production, Beneath Her Skin.
· The Ultimate Stimulus by Felipe Ossa, a Brooklyn-based playwright and a new artist to the Cincy Fringe, is presented in the form of a TED Talk that argues for concubinage as a way to address the problem of income inequality.
The festival is also a chance for Cincinnati’s local theater companies to show off. Clifton Performance Theatre will present Sarge, a piece by Kevin Crowley about the wife of discredited Penn State assistant football coach Jerry Sandusky. Untethered Theatre has prepared Where Edward Went, a new play by Ben Dudley and Adam Sievering about a screenwriter’s effort to make a documentary about Edward, the late fiancé of Elyse, a painter. They don’t quite agree about the portrait. New Edgecliff Theatre will offer TRAGEDY: a tragedy, described as “one of the funniest apocalypses of our time.” And Ensemble Theatre Cincinnati’s intern company always offers a fine showcase of young talent. This year it’s two one-act plays: Sheila Callaghan’s Crumble (Lay Me Down, Justin Timberlake) and Itamar Moses’s Authorial Intent.
In addition to the productions offered nightly, artists, audience members, staff and volunteers flock nightly at Know Theatre’s Underground and headquarters for the Fringe Bar Series, with a reasonably priced bar, some free food inside and offerings for purchase from food wagons on Jackson Street. Each evening after the Channel Fringe Hard Hitting Action News Update, everyone has a chance to be a performer with activities such as the Fringe Olympics, Fringe-A-Oke, Fringe Prom, Segway Night and the Night Without Technology. This year the Bar Series night adds Fringetoberfest, an evening of German-inspired food and brews from local craft beer creators.
Vosmeier expects the festival to attract more than 8,000 visitors this year. If you’re someone who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) providing access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can only make it once, a “One Night Stand” pass ($25) is available — admission to any two performances in an evening plus one drink at Know’s Underground bar. Single tickets to Fringe shows continue to be priced at $12; they’ll go on sale in mid-May.
There will be lots more — and the lineup can change. Hey, it’s the Fringe, so be ready for anything. You’ll find details on all these shows and more at cincyfringe.com.
The Contemporary Arts Center marks its 75th anniversary with the launch of its newly redesigned website, contemporaryartscenter.org.
By adding a timeline and a list of exhibits dating back to 1939, the updated site highlights some of the museum’s most notable attractions through videos and interactive learning. The historical timeline depicts an honest look at what Cincinnati was like in 1939 and displays the iconic artists that put the CAC on the map. In 1940, Picasso’s Guernica toured the Midwest for its first and only time and made a pit stop in Cincinnati. In 1963, the Pop art show An American Viewpoint was one of the first exhibitions of its kind. And in 1990, nearly 81,000 people visited the Robert Mapplethorpe exhibition.
Along with the illustrated timeline and videos, the CAC site also offers lesson plans, exhibit brochures, audio files and slideshows about past exhibits. New features like online ticket admission and family visitor information have been added. After 75 years and hundreds of amazing artists, the Contemporary Arts Center has proven it’s still the coolest place in Cincinnati to spark your creativity and become inspired.
FORM, a Cleveland-based creative services firm, designed the visual layout of the site.
Dining Out For Life is an annual event to raise funds for licensed AIDS service agencies in 60 cities across the nation. Started in 1991 by ActionAIDS in Philadelphia, today more than 3,000 restaurants donate a portion of their proceeds from one day to the aforementioned service agencies; more than $4 million is raised each year which goes directly to the agencies (except for a $1,150 licensing fee).
Cincinnati's Dining Out For Life event benefits Caracole, a nonprofit that provides housing and supportive services to individuals and families living with HIV/AIDS in eight counties across Southwest Ohio. Caracole currently serves more than 1,400 clients and their families.
Area restaurants participating include Arnold's Bar & Grill (donating 25 percent); Below Zero Lounge (donating 100 percent); Blue Jay Restaurant (donating 25 percent); Green Dog Cafe (donating 25 percent); Kitchen 452 (donating 25 percent); Tom+Chee (donating 25 percent); and more. Find a full list of participating restaurants and how much they're donating here.
Dining Out For Life is easy. Just follow three steps:
If you would like to participate or would like more information, please contact Megan Green, Caracole Community Investment Coordinator, at 513-619-1483 or at email@example.com.
Senior prom is a special
milestone for many American teens, but even traditions as old as school dances
change over time. Intimate one-on-one dates have given way to group dates and attending as friends. Flip-flops and cutout cocktail dresses replaced the overdone evening
look for many girls. And now a southern-fried specialty is getting in the prom
game. Kentucky Fried Chicken — What? Yes. — partnered with Louisville florists to create the chicken corsage. For $20, Louisville residents can purchase a corsage from Nanz and Kraft Florists that includes a $5 gift card to KFC, where folks can then go buy the perfect piece of chicken. It can only be assumed that after prom, girls will press the greasy chicken bone between their yearbook pages, just like their moms did with their corsages when they were young.
It’s confirmed: Stephen Colbert will take over the Late Show desk once David Letterman retires sometime in 2015. That’ll mean no more Colbert Report and, likely, the end of the host’s faux-servative character. Start the countdown to the announcement of a new reality show following Letterman, Leno (and, let’s just be honest — Craig Ferguson and Conan O’Brien) around Ex-Host Island. Move over, old people! Slightly younger people are takin' yer jerbs!
In the contemporary classic Mean Girls, Lindsay Lohan’s Cady describes Halloween as, “the one night a year when a girl can dress like a total slut and no other girls can say anything about it.” Well, Coachella must be kind of like Halloween for celebrities, except instead of wearing lingerie and some form of animal ears, they throw on the most jumbled assortment of terrible fashion fads. Not sure about the new cream-colored designer jumpsuit you purchased? Try it out in the middle of the desert! Want to channel Woodstock without ever having been to, read about or seen a photo of Woodstock? Grab a Native American headdress and wear that shit to Coachella. The fest is HQ for floral head wreaths, jorts and combat boots (often all worn at once), and for some reason I cannot pull myself away from the celeb photos of this mess. It’s like someone made a slot machine with various teenagers’ style blogs on Tumblr and everyone going to Coachella must take a spin to determine their outfit.
“Ooh, I got a bindi, a latex bra, a crocheted duster and gladiator sandals!” Just look at these famous attendees, capped off with Koachella Kweenz Kylie and Kendall Jenner.
But seriously, you need to see this video that’s (probably) of Leonardo DiCaprio Coachin’ it up (people say that, right?) at an MGMT performance, which makes me feel weird and old.
And since I brought up Lindsay, the supposedly sober starlet was supposedly washing down all that Coachella dust and glitter with vodka this weekend. The reports come days after the latest episode of her Oprah docu-series, in which she admits to drinking alcohol after her latest stint in rehab. Also, there were a lot of emo scenes of Lindsay filming herself crying. Get it together, girl. OPRAH WILL CUSS AT YOU AGAIN. And everyone knows if Oprah has to cuss at you twice, you will spontaneously burst into flames.
Celebrispawn in the media is quite the hot topic as of late, particularly thanks to Dax Sheppard and Kristen Bell vs. Papz (this will definitely be a court case our children will study in history class). But what about fake famous babies — fair game? OK! Leslie Knope is pregnant! Pawnee's upcoming addition will be the Prince George of fictional TV comedy births. Which is to say, a very big deal. Parks and Rec's Leslie and Ben will be the best parents ever. I think I speak for fans everywhere by saying we can't wait for his or her first playdate with the world’s most attractive child, Ann and Chris’ little Oliver.
Sunday was an epic night for television with the final Mad Men premiere (sort of) and a crazy-ass episode of Game of Thrones. These two are great popular, critically-acclaimed dramas, but they’re on complete opposite ends of the style spectrum. Mad Men’s seventh season debut was gradual and calculated (as always), giving viewers a chance to fill in the blanks between Season Six and now, speculate on what’s to come and read into every little detail. And by detail, I mean Pete’s California Ken Doll look, which was #flawless. Ratings were way down Sunday — the lowest-rated premiere since the second season's in 2008. Some attribute the drop to a lackluster episode, but the truth is probably that everyone was too busy losing their shit over this week’s Game of Thrones to get into the cool Mad Men mood.
Without giving too much away (and because I spoiled “the incident” for myself since I can’t stay off the damn Internet — so I know it sucks), Thrones fans who hadn’t already read the books were treated to a truly righteous, bubbly, bloody scene this week that totally flips the script for many of our favorite characters. Can’t these people get through one wedding without having to immediately plan a funeral?
New movie trailers to hit
the Interwebz: bestseller-turned-likely blockbuster Gone Girl;
two red band previews for 22 Jump Street (The
starring Cameron Diaz and a manorexic Jason Segel, a comedy that’s exactly what
you think it’s about; and Jon Favreau’s take on the foodie world, Chef.
The first good sign that consistent warmth is on its way is the announcement of the lineup for this year’s MidPoint Indie Summer series at downtown’s Fountain Square. The concerts are part of the Square’s free PNC Summer Music Series, which showcases different types of music (played mostly by local acts) five days a week. (The lineups for the every-Thursday Salsa on the Square shows have also been announced; visit myfountainsquare.com for details.)
The eclectic, free Indie Summer shows take place every Friday throughout the summer. This year’s lineup is perhaps the series’ strongest yet, with some higher profile national touring acts and the usual array of top-notch local talent.
Here’s the full rundown of Indie Summer shows so far (a few slots are still to be announced):
• August 15: The Nightbeast (a co-headliner will be announced in July)
The Indie Summer series is sponsored by the MidPoint Music Festival, CityBeat’s popular annual music extravaganza, which returns to the clubs and venues of Downtown and Over-the-Rhine Sept. 25-27. (Though all MPMF-worthy, the acts are booked through Fountain Square, not by MidPoint.) There will be a MidPoint booth on Fountain Square every Friday where music fans can find the latest MPMF info and purchase tickets to the three-day festival.
A limited amount of discounted early-bird passes for this year’s MPMF are available now at mpmf.cincyticket.com. Nail down your three-day tickets (or VIP Experience tickets) before the prices increase. And be sure to stay tuned to mpmf.com and the fest's various social media accounts for the latest updates.
“We had a great mix of new producers and returning favorites in the applicant pool,” says Producing Artistic Director Eric Vosmeier. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”
The pool of applicants, comparable to last year’s record-breaking number, has yielded a mix of local vs. out-of-town producers: 15 from Greater Cincinnati, including the return of Performance Gallery for the 11th consecutive year (it’s the only group that’s been in every Fringe) with a new piece, Heist, about three crooks of questionable ability. There will be 18 productions from beyond Cincinnati, including three international shows.
Vosmeier expects the festival to attract more than 8,000 visitors for 2014. If you’re one of those people who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) that gives you access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can be there for one evening, a “One Night Stand” pass ($25) is available, offering access to any two performances in an evening and one drink at Know Theatre’s Underground bar. Individual tickets to Fringe Festival shows continue to be priced at $12; they’ll go on sale in mid-May.
Look for more information at CityBeat.com after the 7 p.m. announcement tonight. More info: cincyfringe.com.