Those jonesing for more music fest goodness after last weekend’s spectacular MidPoint Music Festival have some great options this weekend. Bluegrass fans should be especially excited for a couple of them.
• The Bend in the River Art & Music Festival debuts this Saturday and Sunday in Lower Price Hill (2104 St. Michael St., next to The Sanctuary: Center for Education and the Arts). The festival/fundraiser runs 5-11 p.m. Saturday and noon-6 p.m. Sunday with the goal of bringing the community together (and showcasing it to others) and raising money for the Community Matters (cmcincy.org) and Education Matters (emcincy.org) organizations.
Along with food trucks and booths, beer from MadTree Brewing and Rhinegeist and a variety of vendors and artists showing their wares, local musical acts from a variety of genres will provide live music. Tim Caudill, Pike 27, Blue Caboose, Under New Order, The Part-Time Gentlemen and Ohio Knife perform Saturday, while Wild Carrot, Sibling Rivalry, Matthew Schneider and Phoenix (the local Rock cover band, not the internationally famous French Indie Pop group) play Sunday.
Admission to the Bend in the River Art & Music Festival is $7 or $10 for a two-day pass (Lower Price Hill residents receive a coupon to attend for free).
• The DevouGrass Festival presents its first-ever event Saturday at the Devou Park Bandshell (1700 Montague Road, Covington). The family friendly event runs noon-dusk, and while there is no admission charge (even free parking is available throughout the park), organizers are asking for donations to the Children’s Home of Northern Kentucky.
Along with food trucks, other vendors, various children’s activities and performances by Circus Mojo and kids’ fave Joel the Singing Librarian, DevouGrass will also feature sets by area Roots/Bluegrass outfits Blue Caboose (noon), Ma Crow and the Lady Slippers (3 p.m.), Hickory Robot (3 p.m.) and the Downtown County Band (6 p.m.).
For complete festival info, visit devougrass.com.
• The Versailles State Park Bluegrass Festival returns with a new location and name: the Friendship Music Festival at the Old Mill Campground in Friendship, Ind. (facebook.com/oldmillcampground), which hosts the very popular Whispering Beard Folk Festival annually and is only about an hour drive southwest of Cincinnati. Despite moving from the state park and changing the moniker, the fest will continue to spotlight some of the region’s finest Bluegrass and Roots music practitioners.
On Saturday, the music starts at noon with a lineup featuring Mamadrones, Common Ground, Rural Route 2, Lee Sexton with John Haywood and Brett Ratliff, Whiskey Bent Valley Boys, The Tillers and Bradford Lee Folk & the Bluegrass Playboys. The music picks back up Sunday at 11 a.m. with Mt. Pleasant String Band, followed by James White & Deer Tick, Blue Mafia, Whipstitch Sallies, Rattlesnakin’ Daddies and Tony Holt and the Wildwood Valley Boys.
Weekend passes for the Friendship Music Festival are $10; one-day passes are $5. Camping is available. Visit friendshipmusicfestival.com for full details.
Heya! CityBeat reporters fanned out across the city this morning picking up what’s happening. We’re omnipresent, omniscient and fueled by dangerous amounts of coffee. Nah, just kidding. There were two of us, and we each swooped in on a story or two. Here’s what we found.
Cincinnati Police officers in the Central Business District as well as some neighborhood-based officers will begin carrying the overdose reversal drug naloxone today. Some medical personnel with the city’s fire department already carry the antidote, but select CPD officers will carry it on a six-month trial basis since officers are usually the first on the scene of drug overdoses. If the trial is successful, the practice of carrying the antidote may be expanded throughout CPD. The drug prevents respiratory failure from overdoses of heroin and prescription opiates.
• Cincinnati’s domestic partner registry kicked off today. The registry lets same-sex couples register with the city so that employers who offer same-sex benefits can verify employees’ partner status. Councilman Chris Seelbach, who sponsored the original measure in council, held a kick-off at City Hall this morning. Several couples filled out applications and a notary was on site to notarize them. The registry will make it easier for businesses that provide same-sex partners benefits, since the companies won’t need to spend their own resources verifying couples’ partner status.
• On the other side of downtown, Councilman P.G. Sittenfeld held an event announcing a voluntary initiative encouraging Cincinnati businesses to pay employees higher wages. The initiative will recognize local businesses that pay employees at least $10.10 an hour. That rate, initially proposed by President Obama, has been batted about in Congress for the last six months. The event took place at soon-to-open Pi Pizza, a St. Louis-based company that has been paying workers at its seven locations in St. Louis, Washington, DC and elsewhere $10.10 for four months. The pizzeria is located at Sixth and Main and will open Oct. 13. Along with Pi, long-time Cincinnati business Grandin Properties is also among the first organizations to be recognized by the city for paying its workers a living wage.
• Lincoln Heights Fire and Police Departments were both shuttered this morning due to a lapse in insurance coverage. Dispatchers for Hamilton County said both stopped responding to calls at midnight. Lincoln Heights leaders are meeting this morning to discuss the situation, and neighboring municipalities, including Lockland, have taken over response to emergency calls in the meantime. The Lincoln Heights Police Department has been rocked by recent allegations of corruption, though there is no indication the sudden closure of the department is related to the accusations of widespread officer misconduct.
• If you’re planning on heading to the West Side this weekend, be advised: the lower deck of the crumbling Western Hills Viaduct will be closed most of the day this Saturday for emergency repairs. The exit ramp from southbound I-75 to Harrison Ave. will also be closed until 10 a.m. that morning. The aging viaduct has been the focus of a lot of attention over the past number of months as engineers develop plans to replace it.
• State Rep. Dale Mallory is under investigation for campaign finance violations stemming from his failure to accurately report Bengals tickets he received from lobbyists. The Democrat, who hails from the West End and whose family has a half-century history in state politics, could face legal repercussions for not reporting tickets worth nearly $400 given to him by payday lender Axcess Financial and law firm Taft, Stettinius and Hollister. The lobbyists have already paid fines for failing to report the gifts. Mallory’s lawyer calls the issue a “paperwork error or technical violation” and says he is working with the Franklin County Prosecutor’s office to resolve the matter. Mallory faces misdemeanor charges for filing false disclosure forms, which could result in a maximum penalty of 180 days in jail and a $1,000 fine.
• Kentucky’s intense Senate race may come down to one key issue: coal. This long-form piece explores how both Republican Senate Minority Leader Mitch McConnell and his Democratic challenger Alison Lundergan Grimes are falling over themselves to be seen as a big friend to big coal, which for years has held the fate of Kentucky in its hands. Yes, the piece is from Yahoo News. Stay with me here, it's pretty good. It’s shaping up to be the most expensive Senate race in history, and it has big implications for whether Democrats keep their slim majority there.
• Finally, Ohio is America's 44th happiest state, and Kentucky is 47th, according to a study by finance website WalletHub. Funny, I felt much less happy in the other states I've lived in, but I guess the data says that's just me and I'm a weirdo because I like it here.
It was an eventful night at the Madison Theater in Covington when CHVRCHES came to town Sept. 29. A pretty good sized crowd turned up at Covington’s Madison Theater, which was a little surprising, since they shamefully receive almost no local radio airplay. Oddly, our local “alternative” station The Project sponsored a meet and greet contest with the band, even though the station has never played a CHVRCHES song. Across the river, WKNU has played them. Once. Five months ago, according to a search of the station’s online playlist.
The make-up of the crowd was another surprise. It was an almost teen-free show, with most folks falling between late college and near retirement. That could be due to the fact that CHVRCHES make modern Electronic music but with a very retro feel. And they’ve got tunes.
The Range (who opened for Chromeo at the MidPoint Music Festival) came on stage promptly at 8 p.m., and began his first song. After 45 minutes, that song finally ended. CHVRCHES were set to take the stage at 9:15 p.m., but just after 9 p.m., the fire alarms in the theater went off. Here’s a handy tip: when you’re in large venue, look not only for the nearest exit, but all exits. Security decided it would be cool to deny access to the fire exits at the back of the theater. What the fuck!? Do you not know what happened not three miles from here in 1979? Or in Rhode Island a few years back? Fortunately, everyone was able to file out safely, and pass the time in a well-behaved manner out on the blocked-off street while fire officials investigated.
According to theater management, who were very upset with the way the evacuation was handled, security was provided by the promoter. After the show, the two sides discussed in detail the proper procedures in order to avoid any such occurrences in the future.
Once the all-clear was given, security did do a nice job of getting everyone back in quickly and efficiently. CHVRCHES thanked the crowd for their patience and apologized, saying the fog machine they were using is what likely tripped the alarm.
Coming out of the gate strong, the band launched its set with two singles, the very fine “We Sink,” followed by the popular “Lies.” Like many Electronic bands, they don’t move around a lot, with Iain Cook and Martin Doherty stationed at their synth racks, flanking singer Lauren Mayberry. This isn’t as visually limiting as it sounds. Ms. Mayberry is an outspoken critic of sexism and misogyny in music, so it feels a little awkward to point out that she’s quite lovely and very engaging in her stage presence. Flying around the stage a la Dave Gahan of Depeche Mode, or Trent Reznor of Nine Inch Nails simply isn’t her style, yet she still holds the crowd.
Her mates weren’t chained to the instruments all night, at least not Doherty, who traded places with Mayberry while he sang “Under the Tide.” Mayberry returned to center stage for what is arguably the band’s most popular track, “The Mother We Share,” which is also one of the best songs of the past few years.
The enthusiastic crowd of course wanted more, bringing the band back out for the obligatory, but much-desired, encore, wrapping up with “You Caught the Light” and “By the Throat.”
Good morning readers! I can hardly believe it's October. This week's issue of CityBeat is full of wonderful, esoteric words. (It also has the information you need to enjoy FotoFocus 2014, the month-long celebration of photography and lens-based art throughout Greater Cincinnati. Pick one up!)
Best word in this week's issue: besmirched, in Kathy Y. Wilson's "The Semantics of Weed" (This is probably the only article anywhere in which the words "ISIS air strike" and "weed" are used in the same sentence).
besmirched: To besmirch is to dirty or spoil something or to damage someone's reputation (v.)
In this issue: "Winburn drops Thomas’ name like an ISIS air strike, incessantly blaming Thomas for the original 2006 weed ordinance that besmirched the records of weed offenders charged with minor misdemeanors who now have problems securing jobs, housing, etc."
Or, as Carrie Nation (a radical member of the 19th century temperance movement) once said:
“Men are nicotine-soaked,
beer-besmirched, whiskey-greased, red-eyed devils.”
Next best word: titular, in the preview of the movie Annabelle.
tiltular: of, or having the nature of, a title; titled (adj.) Not to be confused with the word titillating, which has a much different meaning, but try saying titillating titular three times fast.
In this issue: "In a world filled with sequels, prequels and spin-offs developed off the flimsiest of premises, Annabelle arrives with solidly built awareness thanks to the presence of the titular doll in last year’s horror release The Conjuring from James Wan (Saw)"
Panoply: beautiful and striking set up, magnificent decor or clothing, or a protective covering. (n.)
In this issue: It actually appears in the headline "Bind Dancers Present a Panoply of Authentic Indian Dance", a piece by Katy Valin on Articulate Ability.
And lastly, moniker, in Mike Breen's Spill It. I guessed that moniker meant monkeys, or had something to do with monkeys, or maybe money, but no.
moniker: a name or nickname.
In this issue: "Despite moving from the state park and changing the moniker, the fest will continue to spotlight some of the region’s finest Bluegrass and Roots music practitioners."
Oakley’s 20th Century Theater has only been the venue it is today for about the last 20 years. When it originally opened in August 1941, the now-vintage glowing sign that lit up the era-glorifying name represented a simple one-screen movie theater. Its history and how it changed from that to what it is today fits into the citywide and national history of cinemas like a plastic rodent fits a Whac-A-Mole machine.
Willis Vance, a local businessman that ended up owning a string of theaters and other establishments around town, was the original owner of the theater. At the time of its inception, no theater that housed more than one screen even existed. In fact, as silly as it may sound now, that concept wouldn’t seriously surface in the industry for a few more decades.
Cinemas would have a single film they would play every night, generally whatever was very popular at the time. When a new piece of black-and-white gold would come out of Hollywood, they would swap it in, making it the new nightly showing.
Vance opened the theater with the 20th Century Fox (see what he did there) production Blood and Sand. This may have been a thoughtful tribute to the movie’s star Tyrone Power, an American box-office sellout actor that was born in Cincinnati. While he didn’t grow up here, he did return to the Queen City in his early teenage years, during which time he learned and honed his skills in drama. He went on to become extremely well known and sought-after in the industry, appearing in famous films such as The Mark of Zorro, The Black Swan and dozens of others.
The theater thrived for some time, having hit the ground running with notable qualities like air conditioning and valet parking. To people of my generation, that is a “What?” factor, but it was actually the first theater in the city to keep your ass cold during a movie. It also boasted being one of the first fire-proof buildings in the city, taking that extra step in keeping the heat out.
But almost a decade after it first lit its tower and opened its doors, the cinema industry began to slowly change.
A Canadian inventor named Nat Taylor erected a second screen right next door to his theater in Ontario. He showed the same movie on both for several years at first, simply upping his audience capacity. However, he eventually got tired of swapping out movies for new releases when the old movies were still making money, so he started selling tickets to two movies.
I call the change slow because although this idea was birthed mid-century, it didn’t begin to significantly affect the industry until the ‘60s and ‘70s.
In 1963 Stan Durwood, AMC owner, cinema pioneer and self-proclaimed inventor of the multi-plex, opened the Parkway Twin Theater. It was the first theater with two screens under the same roof, although not for long. The idea caught on and throughout the ‘60s other dual-screen theaters began to pop up. Durwood expanded his Twin Theater from two screens to four, then six.
Through the next two decades the multi-plex concept exploded, with competition for the most screens and best accommodations running rampant. Nat Taylor, who also laid claim as the original inventor of the multi-screen theater, cofounded an 18-screen Cineplex in 1979. He garnered a Guinness World Record, it being the largest theater in the world at the time.
These large cinemas wreaked havoc on the industry for the small-time, local theaters. The charm of a little art deco theater with free valet and air-conditioning no longer held up to the big dogs.
By 1974 20th Century was owned by Levin Services, a management company that also owned several additional theaters and drive-ins around the area. Union strikes that year brought mayhem to Levin. Angry union members broke into the Ambassador Theater, just a block away from 20th Century on Madison Road, to destroy the seats, slash the screen and split the speaker wires. They wrecked the projectors by ripping out their innards with a crowbar, and poured cement into the reels of The Sting, the movie being shown at the time.
Levin closed the Ambassador and several other theaters, including 20th Century. Most reopened after a few weeks, at least for some time. The Ambassador eventually closed for a while after became an Ace Hardware.
The 20th Century lasted just under another decade, succumbing to the cloud of the multi-plex and closing its doors as a movie theater for good in 1983.
But it wasn’t the only pebble to be crushed by a boulder. F&Y Construction, the company that built the Streamline Moderne style building for Willis Vance, built several other theaters in the region. They built the Madison in Covington, Ky., the Covedale Center for the Performing Arts, and the Redmoor in Mount Lookout. Those are the ones that remain open and standing. Among others they built in the area were the Guild Theater, Hollywood Cinema North, Marianne Theater, Norwood Theater, Sunset Theater, Westwood Theater, Valley Theater and the Ridge Theater. All of these are now closed; two of them have even been demolished.
I can’t say for certain that the multi-plex led to the demise of each one, but its reasonable to assume the industry change had great range. And on top of that, those are only the theaters built by that single construction firm.
After 20th Century was closed in ’83, it was left to neglect for almost a decade. It rotted through water damage and vandals left their mark with graffiti and broken windows. To me, imagining this conjures up a similar image to the Imperial Theater, the decrepit building at Mohawk and McMicken that used to screen adult films and host burlesque shows in the ‘60s.
The early 1990s rolled around and found the community caught between demolishing the fallen cinema or pouring money into restoration. Mike Belmont stepped up and went for the latter approach. After extensive work, he reopened the doors of the building as Belmont’s Flooring Company.
His business only remained in the building he saved for a year, moving just down the street to the old Oakley Bank where Belmont’s still resides in modern business glory. Apparently Belmont had a thing for old buildings.
After he left the Cincinnati Church of Christ, then a group just over a decade old, occupied the building for 4 years before themselves moving on to some higher calling.
This brings us up through this old cinema’s rise and fall to 1997. It was then that the building was bought and 20th Century Productions rose like an entertainment-driven spirit out of the floorboards. Devoted to special events and concerts, they have turned the building into a beautiful venue that hosts almost anything from a raucous rock concert to a quaint wedding reception.
In 2010 they took a final step in the renovation of the building that had never been done. The 20th Century Tower that stands over its doorway was given back its glow to illuminate the night again, drawing in all who look to be entertained.
Here’s what’s coming up at the old one-screen (now one-stage):
Oct. 8: Cherub
Oct. 16: Ruthie Foster
Oct. 23: Paul Thorn Band
Oct. 29: Suicide Girls
In what can only be described as an offering to the Internet gods, Drake got an emoji tattoo.
Still no confirmation on whether that emoji is high-fiving hands or praying hands illuminated by Jesus’ power.
Smart girls gained an epic win over bimbos this weekend as George “Forever Bachelor” Clooney married lawyer/activist/author Amal Alamuddin. Cocktail waitresses across the globe mourn as they realize it wasn’t him, it was them.
American Horror Story: Freak Show premieres in a week and we finally have a look at some actual show footage. This short preview packs in a lot — look out for Pepper (Naomi Grossman), the only AHS character to cross over into multiple seasons (you may remember her from Asylum — Freak Show takes place in 1952, about 12 years before the events of Asylum); Sarah Paulson playing conjoined twins Bette and Dot; Kathy Bates as a bearded lady; Angela Bassett as triple-tittied woman (sit down, Jasmine); Evan Peters as a man with ectrodactyly (giving him claw-like hands); smallest living woman Jyoti Amge; John Carroll Lynch’s terrifying clown; and, of course, Jessica Lange in her final AHS performance as the striking German ringleader of it all.
ICYMI: Rhinegeist’s Bryant Goulding is featured in GQ’s “The 50 Best Craft Beers Every Man Must Try.” Goulding serves as an expert with tips on the best “stein filling quenchers,” suggesting Sierra Nevada Summerfest, Weihenstephaner Pilsner, Three Floyds Gumballhead, Double Mountain Vaporizer and Moonlight Reality Czeck Pilsner for when you really want to get yo drink on.
The Magic Mike sequel will be air-humping its way into theaters next summer — without director Steven Soderbergh or Matthew McConaughey. Magic Mike XXL will be helmed by Gregory Jacobs (who co-produced the original); Channing Tatum, Matt Bomer, Joe Manganiello, Kevin Nash, Adam Rodriguez and Gabriel Iglesias are all set to reprise their roles. Newcomers this time around include a very curious mix of actors: Elizabeth Banks, Donald Glover, Amber Heard, Jada Pinkett Smith, Andie MacDowell and Michael Strahan. The official synopsis, found here, is equally confusing. Didn’t the dudes move to Miami at the end? Didn’t Channing Tatum quit stripping for his dead-faced nurse friend?
Am I the only one who wishes SNL’s weird ‘90s sitcom sketch was a real show? By far one of the funniest moments of Saturday’s season premiere.
Apparently this isn’t the first skit of its kind with Kyle Mooney and Beck Bennett — check out this very sexually tense episode with Andrew Garfield, which was cut from his episode last May. From the stiff acting and awkward delivery to the constant laugh tracks, applause and “ooohs,” this bit nails that weird, satirical, almost Tim & Eric-esque humor that’s so popular right now. Hopefully we’ll see it again later in the season.
No movie trailers this week, but know that Zombieland 2, Hot Tub Time Machine 2 and Taken 3 are all happening so we can probably just give up on movies for now.
Hey hey morning news readers! I’m back and ready to talk about what’s going on. So let’s go.
As we get closer to November, it’s worth taking a look at where local political action committee donations, or money to candidates from organizations like unions and businesses, are flowing. Few surprises in the data from the Ohio secretary of state: Republicans come up big in PAC money, with Gov. John Kasich, Attorney General Mike DeWine and others getting big ups from places like P&G, Cincinnati Bell and AK Steel. Democrats like AG candidate David Pepper and treasurer hopeful State Rep. Connie Pillich have also gotten the PAC hookup, mostly from union groups. Local PACs have contributed more than $1 million to candidates. That money doesn’t represent the total amount business owners or group members gave — they can still donate individually as well.
• Three elderly Hamilton County couples are involved in a complex tangle that could cost the state of Ohio the billions of dollars it receives Medicaid funding. Ohio has refused to pay Medicaid benefits to the couples for nursing home care due to their purchases of financial products called annuities they made in order to become income-eligible for the program. Special laws govern which annuities retired couples can buy in order to “spend down,” or reduce their assets to a level at which they’re eligible for federal aid. Lawyers for the couples say they complied with that law, and a Cincinnati U.S. District Court judge has agreed. That means Ohio is out of compliance with federal Medicaid regulations, and could lose its funding from the federal government. That would potentially cost more than 2 million Ohioans their health coverage. The judge has given the state until Oct. 3 to become compliant with the law.
• It’s almost hard to imagine this, given the long-term dearth of good employment options, but some area industries are actually running a worker shortage. Truck drivers, HVAC workers, plumbers and other so-called “medium skill” careers are losing workers to retirement fast, and fewer young workers are stepping into the vacancies. There are downsides to these industries, including long hours away from home for truck drivers, but for a roving drifter such as myself, that’s hardly a problem. Hm. I do like driving…
• Imagine you’re a 38-year-old mother of three living in a suburb of Columbus and looking for a little fun. What do you do? If you live in the state that birthed aviation, (quiet, North Carolina) you go out and get the state another milestone, becoming the first woman to fly solo around the world, that’s what. Geraldine Mock, who passed away at the age of 88 yesterday, took off from Columbus in March 1964 and raced another woman with a two-day head start for the distinction. Jerrie won, returning 29 days after departure. Her plane was old and not in the best shape, but that apparently didn’t daunt Jerrie, who first took an interest in flight at age 7. She was also undaunted by the rigid ideas about what was appropriate for a lady at the time.
“I did not conform to what girls did,” she once said in an interview. “What the girls did was boring.”
• A couple days late on this one, but it bears mentioning. The Supreme Court has issued a stay on a lower court’s ruling that prohibited Ohio’s early voting rollback. That means that new restrictions on the number of early voting days passed by Republicans are still in place for now. Lower courts ruled that the laws, which eliminated so-called “golden week” during which Ohioans could register and vote in one fell swoop, as well as some Sunday voting hours, were unconstitutional because they placed an undue burden on minority voters. The Supreme Court’s conservative justices disagreed, and with early voting already slated to have started, the ruling comes as a victory for state Republicans.
• While we're on politics, here’s U.S. Rep. John Boehner talking about how he’s still going to be speaker of the House when the next Congress reconvenes in January, and also showering Jeb Bush and Ohio-based GOP presidential possibilities with praise. His confidence in keeping his job as head of the House of Representatives is bold, considering he barely held on to the position last time and the fact that there are likely to be even more ornery tea party-types in the House this time around to give him grief. We’ll see Boehner. We’ll see.
• Finally, something even more terrifying than the prospect of another Bush in the White House and more tea partiers in Congress: A man who recently arrived in Dallas from Liberia has tested positive for Ebola. Disease experts say there is little risk of the virus becoming as widespread here due to advanced isolation and sanitation practices, but still. Ever read that book Hot Zone? Yeah, maybe don't read it right now.
On Friday, Saturday and Sunday, Mainstay Rock Bar will be celebrating its final weekend before closing its doors after five and a half years in operation. As I prepared to write about the closure of my favorite local bar, I struggled to figure out just how to voice my sadness. I’m still not entirely sure how but I did think of a ton of stories that exemplify why Mainstay was so special to me.
I started going to Mainstay back in college before it was even Mainstay. It was called The Poison Room and my friends and I used to go to their weekly ’80s dance night. My memories of those nights are fond (if a bit hazy), but I was too new to the scene for the closure to upset me too much. When the location reopened with a new moniker and a makeover, I was happy to have another place that catered to my musical tastes. But it took some time for my love of Mainstay to truly grow.
Looking back, the closures of the original Southgate House and Mad Hatter in Northern Kentucky are what sparked my connection to Mainstay. With two of my normal haunts gone in the space of months, I needed another place to go and Mainstay was at the top of a fairly short list. I started only going for shows, but the bar soon lived up to its name. It transitioned from just a music venue to a reliable fallback to my first choice. Need a good burger? Mainstay. Want to sing some karaoke? Mainstay. Interested in hearing some Rock & Roll? Mainstay. Do you prefer bartenders that actually know what they’re talking about? Mainstay.
Of course, a major part of Mainstay Rock Bar’s appeal to me was that middle word — the “Rock.” Mainstay has been host to some of the best local and regional bands the area has to offer. In recent years, the selection of bands and performances has also become more and more eclectic. There are few bars that can host a Hip Hop show one night, a burlesque performance the next and a Surf Rock show to round out the weekend. Mainstay has proven time and time again that its dedication to the local music scene is genuine by taking the time to champion bands on the rise and hosting all sorts of community events like the ubiquitous Midpoint Music Festival. And they’ve done it all without charging a cover on any shows save the biggest of the big. If you wanted to take a chance on a new band or genre, Mainstay was the place to go. At least you had a fantastic beer selection to console you if you didn’t like what you heard.
For all of my wild and crazy memories, the ones I have of my time with the staff are the fondest. Memories like an interview being derailed when the entire band and I took a minute to stare at the hot new bartender (sorry Becky, hopefully Mangrenade and I tipped you well that night). Or pulling the curtain for Dandelion Death with Scary. Or riding Chris’s knee scooter to the bathroom, weaving in between a busy Friday night crowd. Or the little things, like Lena taking the time to listen to my post-breakup moaning and buying me a “girl’s suck” shot when it was all said and done. The staff (past and present) of Mainstay consists of an insane bunch of people who love the music, love the atmosphere and know how to have a good time. And that attitude coursed through the entire venue night after night. To be a part of it at any point in time was intoxicating. To be welcomed in as a friend and included in the shenanigans was humbling.
As I became more of a fixture of the establishment, the more I grew to know the staff and feel accepted. I’ve frequently called Mainstay my Heavy Metal Cheers; it’s the only bar in Cincinnati where I can walk in and be greeted with a handshake or high five and see my favorite beer and shot sitting on the bar.
As I reach the end of this article, I still don’t know how to say just what Mainstay means to me. It’s where I sang dozens of Danzig songs, watched hundreds of bands take the stage, spent several birthdays and drowned far too many brain cells. There isn’t a place in Cincinnati quite like Mainstay and its closing will leave a pretty big hole in my heart. But I wanted to say thank you for the five and a half years of memories and raise a glass – full of Jameson, of course – to the people that made that place so special.
For your final weekend, I’ll be sitting at the bar, enjoying a shot and a brew at Mainstay — where everybody knows your name… or at least your favorite drink.
Earlier this year, Cincinnati’s Buffalo Killers released their finest album yet, Heavy Reverie, a stellar representation of the band’s increasingly melodic Rock & Roll sound. The album earned the group some of the best reviews of its career and landed them their network television debut — a full interview segment on Last Call with Carson Daly.
Fans won’t have to wait too long for new Buffalo Killers material. On Nov. 24, the six-track EP Fireball of Sulk will be issued through Sun Pedal Recordings. The EP is available to pre-order now (here); doing so comes with an instant download of the EP’s “Marshmallow Mouth.”
Today, Relix.com premiered a music video for the track “Weird One,” a song about “those lost, pre-drug days when all you wanted to do was get away from your parents, dye your hair and drive around with your friends,” BK’s Zach Gabbard tells the site.
Buffalo Killers’ next scheduled live date in Cincinnati is Nov. 26 at Northside Tavern with The Soledad Brothers.
The last day of MidPoint is like a lot of endings in life; the end of the day, the end of the week, the end of the year, the end of a piece of cherry pie, the end of the line. This is the end, my only friend, the end.
And it had the chance to be the perfect end of perhaps the most perfect MidPoint in the festival's history, from the lineup to the weather to the experiences. And you know what, Aunt Em? I think it was. You were there, and you were there, and so were you. And so was I. I'm fairly sure of it.
I had a lot of possibilities circled on my MidPoint program for Saturday night, allowing for the chance to leave something I wasn't crazy about or merely the opportunity to see a couple of great things in the space of an hour. All of that happened and so much more. Saturday night was more sampler platter than focused attempt to see a set number of bands and it turned out pretty well. And for the first time since I began doing this daily wrap-up thing God knows how many years ago, I didn't take a single note all night as an inadvertent experiment in appreciation recall. Success or not? You be the judge.
As I was finding a parking space, I was listening to Little Steven's Underground Garage. The former Silvio Dante had been playing snippets of Groucho Marx bits from the Marx Brothers' movies, and finished with a hilarious Groucho interview about how the moustache came into existence. Moments later, as I was walking across Central Parkway on my way to the first show of the evening, I heard a horn honk and saw a massive arm wave from a Kia Sol. Of course, it was the semi-ubiquitous Jacob Heintz, the pope of MidPoint, giving me his blessing from his diminutive popemobile. Saturdays at MidPoint don't begin much better than that.
First up on my last day's dance card was Cincy’s The Ready Stance, who were slotted as the first show of the evening on the Midway stage. When the band began, I was still near the food court, and as the music cranked up, I would have sworn that the production staff was pumping some Marshall Crenshaw through the sound system for a level check. Within seconds, I realized this was no lost Crenshaw track but the Stance in full Pop jacket mode. The Stance churns out classic Pop/Rock informed by the '90s college Rock histories of guitarist/vocalist Wes Pence, bassist Randy Cheek and drummer Eric Moreton and the contemporary classicism of guitarist/vocalist Chase Johnston. As the foursome ran through a set that was evenly divided between tracks from their 2012 debut Damndest and new songs that may wind up on the band's in-the-works sophomore album, the Stance's numerous gifts were evident.
Pence and Johnston play with a two guitar/one mind synergy that crackles with intensity, Cheek lays down a massive groove that could be tracked from space and Moreton has the malleable sensitivity to control tempo and volume with a flick, a roll or an outburst. These guys are working stiffs on the old day job/night Rock treadmill, and the gears turn slowly in that world, so the new album may be on the far horizon. But as good as they were Saturday evening — Goose's Jason Arbenz pronounced them "Cincinnati's Jayhawks" and I wouldn't dispute it, although I'd toss in occasional nods to Mitch Easter and Ray Davies — the anticipation can only grow.
I bailed on the tail end of The Ready Stance's set to see OK Go down at beautiful Washington Park, and that may have been a mistake. I could have easily seen the entire Stance set and still made it in time for OK Go, as the band started close to 20 minutes late (It's a festival, boys … check the clock on your Jetson phones). When they finally hit the stage, the confetti cannons went off, they did two songs and then launched into … a question and answer session with the audience.
I did get to see "Writing on the Wall," a pretty good tune which is accompanied by one of the band's most inventive videos, and a track called "Obsession," also from their impending new album. But it was already time to hit the next thing on my slate, and as I walked out of Washington Park and heard frontman Damian Kulash taking an inordinate amount of time to teach the audience how to sing along with whatever was coming up next, I knew I'd bailed in the nick of time. I like OK Go, a lot, but this was a massive disappointment.
If I was feeling somewhat burned by OK No (cheap shot? Perhaps …), that feeling was almost immediately dissipated by Chicago trio Bailiff, who were just taking the Midway stage as I approached up 12th Street. The band had been recommended by my friend Paul Roberts, who had seen them at their last local appearance at MOTR, and he was lathered up by the prospect of seeing them again, so I added them to my list of possibles. Boy, was that the right thing to do.
Bailiff is not easy to pin down to a specific genre, but they play the living hell out of everything they do and they do just about everything. At one point, they were grinding out a Prog/Pop vibe that suggested the sound of King Crimson with Adrian Belew at the helm and Robert Fripp in a support capacity, a pretty neat trick considering Josh Siegel is the only guitarist in the band. Or they'll take a left turn into a tribal Jamaican/African reverie, or Art Rock bluster with the classicism of Talking Heads and the future shock of Radiohead. I kept wondering if there was a keyboardist behind the amp and out of my line of sight, but no such accompaniment was present, just the Siegel's sinewy guitar acrobatics, bassist Ren Matthew's Entwistle-meets-Pastorius lead runs and drummer Owen O'Malley's baby Bonham antics. The trio was drifting between their 2011 debut, Red Balloon, and their just released Remise, and it was all over much too soon for anyone's taste.
For reasons that will be revealed in the notes, I hung around the Midway for Alexander Giannascoli, aka Alex G, an impossibly young guitarist from Philadelphia with a pretty happening band around him. G's got a pretty good backstory, writing and recording at 12, posting songs online at 16, then lathering/rinsing/repeating into his current early 20s. He's got a wispy vocal delivery that rivals the late Elliott Smith for ephemeral atmospherics, and a Beck-meets-Robert-Pollard sense of Avant Pop, qualities that stand in clear and extremely appealing relief on his studio work, particularly his just released DSU. Unfortunately, a lot of those recorded subtleties and quirks are lost in the clatter and bash of their live presentation, and with the dynamic and emotional range smoothed and leavened, Alex G's largely mid-tempo odes don't offer much else to latch onto in the course of a set. This is most certainly not a case of good songs performed poorly, more like edgy songs with just a little too much of the edge sanded off. Alex G is obviously a considerable talent, and if I were to offer a bit of unsolicited advice to young G, it would be to either find a band that can recreate your basement lab concoctions or write for the live band you have, because they're talented players.
There was a considerable spike in the Midway energy level when Low Cut Connie took the stage. Typically just a duo featuring piano basher Adam Weiner and drummer/erstwhile guitarist Dan Finnemore, LCC tours with a full band complement and makes a mighty racket in the process. Weiner plays with the ferocity and brash confidence of early Jerry Lee Lewis at his most petulant — he even has a vestige of The Killer's untamed forelock of hair — and he sings with the raw animal magnetism of Iggy Pop. Weiner hops up on his bench, plays with his elbows and occasionally his ass and stands atop his piano threatening to do a strip tease as the band vamps on. And when Finnemore steps to the front of the stage with his guitar, the U.K. native truly embodies his Punk/Garage Rock roots and influences. Low Cut Connie's songs are dripping with snarky humor but they stop well short of being mere novelties by virtue of being great bloody songs. The band's Facebook posting on Saturday morning at 9:30 a.m. stated, "On our way to mess up Cincinnati real good … tonight at #mpmf … gonna rip it." Damned if they didn't.
Once again, I had to tear myself away from Low Cut Connie's compelling Midway spectacle in order to take in a little of Mr. Elevator and the Brain Hotel down at MOTR. When working on their blurb for the CityBeat preview issue, I was absolutely captivated by the Brain Hotel's hypnotic Psych/Pop soundtrack and dark Carnival of Souls demeanor, and it translates well into the band's live performance. There are hints of the '80s Paisley Underground in the Brain Hotel's sonic profile, particularly the helium-tinged vocals of the Three O'Clock's Michael Quercio, but it's the band's visceral impact that is most satisfying. It reminds me of the first time I saw The Doors on The Ed Sullivan Show in 1967 and was completely mesmerized, not by royal lizard/frontshaman Jim Morrison but by hunched-over keyboard alchemist Ray Manzarek. Any band that can consistently access that hallowed memory from the dusty archive of my brain's pre-hard drive file cabinet has my undying devotion.
I had initially earmarked the 11 p.m. spot for the Bonesetters at Arnold's, but my bum leg was starting to throb a bit and the prospect of walking to Arnold's and then back to MOTR for Kid Congo at midnight suddenly seemed painful and ill-advised. For the sake of saving my leg for possible use on Sunday (and sort of forever), I opted to keep my spot on the MOTR dance floor and hang around to check out Corners. Deirdre Kaye's preview noted that the L.A. trio had been working a Surf/Psych angle but that they'd recently shifted to a Post Punk direction. That became evident with their first song, a blazing two-guitar/bass/synth percussion screamer that brought my last two years of college back to life like an acid flashback with a Synth Punk soundtrack.
Corners bears all the marks of late '70s Electro Punk, somewhere in the vicinity of Joy Division and their post-Ian Curtis iteration New Order, with flecks of the Units, San Francisco's dour Synth Pop avatars, a splash of Gang of Four, a dash of Bauhaus and Red Lorry Yellow Lorry and maybe a trace of the Sisters of Mercy and Killing Joke. All of this will most assuredly be reflected on Corners imminent new album, Maxed Out on Distractions, which provided the bulk of the songs for the band's MidPoint set, which was dark, vibrant and enjoyable. (Ironic fun fact: the entire lineup at MOTR on Saturday night will appear at Corners' L.A. record release party in early October.)
At last, it was time for Kid Congo and the Pink Monkey Birds, the last band of the last night of MidPoint, and brothers and sisters, the Kid and his compatriots were more than up to the task. The former Gun Club/Cramps/Bad Seeds guitarist has been staging some form of the Pink Monkey Birds for over a decade and this iteration (guitarist/keyboardist Jesse Roberts, bassist Kiki Solis and drummer Ron Miller) might be the best batch yet. Peeling any loose paint from MOTR's walls was absolutely no trouble for the Kid as he scorched away on selections from his latest album with the PMB, Haunted Head, as well as a couple of songs from their upcoming single and a bunch of old favorites, including The Cramps' "Goo Goo Muck," The Gun Club's "She's Like Heroin to Me" and his own brilliant "Black Santa" and "Killer Diller."
The MOTR's dance floor was a boiling mass of rhythmically moving bodies, propelled by the Kid's blazing guitar runs and the Pink Monkey Birds' perpetual motion soundtrack. And since it was the band's last night of their current tour, they were not about to leave anything on the table, so after their standard club-clearing encore of "LSDC," the Kid and his Birds returned for one last brilliantly incendiary romp through The Gun Club's "For the Love of Ivy;" I fully expected lightning to shoot out of the Kid's fingers and eyes as he overloaded every internal and external circuit in the joint. I don't think he could have given us any more and I'm not entirely sure we could have taken it even if he had any more in him. As the Kid and the Birds bid us adieu, I had to believe that this might have been one of the most spectacular last nights of my personal MidPoint attendance history. It will be hard to top going forward, you can bet your sweet ass on that.
• Before the Ready Stance set, I ran into Ready Stance. The Midway seemed like a good place for that to happen. Wes Pence was first, busy with logistics on the phone, then in short order Randy Cheek and Chase Johnston. The Good Rockkeeping Seal of Approval King Slice was on hand for the madness, as were Paulie, Big Jim and Stufest (that's Stu to you and me). Also down in front for the Stance was Randy Campbell, formerly with Screaming Mimes and now with Faint Signal, who promised a new FS album coming shortly. I will keep you appraised of the situation. And once again, Eddy Mullet, my Class X comrade in Rock, sought to gain my attention by standing impossibly close to me as the Stance pulsed and pounded. Note to Eddy: For the record, 20 years ago, on a trip to Michigan, my best friend's wife, completely circuit fried on Xanax and Grey Goose, was dancing around their living room, grabbed my foot, shoved it between her legs and started hopping around in front of me like my shin was a stick pony from the '50s. With my foot in her cooch. Believe me, I'm not suggesting that you need to escalate to that DefCon level of weird, but it's safe to say that my threshold of the unusual is well above a bar you'd be willing to attempt to clear. And we're back. Accompanying Eddy was his most excellent daughter Jess, the smartest, most music savvy high school senior I know. Big things coming for that girl, I just know it.
• Down at Washington Park just before OK Go played, I crossed paths with Latha Mannava, former CityBeat worker bee and now more gainfully employed by F&W. Latha graciously introduced me to her friends by saying, "Whatever Brian recommends, that's what I go see." Ironically, I had written up the OK Go preview as a glowing endorsement, and Latha noted about two songs in, "These guys are doing nothing for me." Just to keep things in perspective, folks, the best hitters in baseball are only successful a third of the time, and that's a better percentage than some highly salaried and over-radared weathermen. I'm pretty sure my reputation is still pretty good with Latha.
• I spent a good deal of the evening on the Midway with Ready Stance drummer Eric Moreton and his wife Kristiana. Eric couldn't really go anywhere because someone in the band had lost his wristband (I don't want to assess blame but his initials are Wes Pence), so I just kind of hung around and had a lovely conversation with the two of them. I'm fairly certain I scared the living shit out of them with tales of my dysfunctional life and times and the epic tale of why I was on a self-imposed one beer limit throughout MidPoint (which I'm surprised wasn't tweeted about at some point during the weekend, with the suggestion, "Please shut up already, please"). In any event, it was nice, thanks for the company, and if either of you requires therapy after our compressed time together, I think my insurance will cover part of the cost before tying a cinder block to my waist and throwing me off the Big Mac Bridge.
• As I was headed into MOTR for the Brain Hotel experience, the wisdom of checking out this show was magnified a hundredfold with the appearance of the much-too-absent Matthew Fenton and his friends Kyle and Nicki (I'm guessing at her spelling, as I did with last year's Bunbury report). Matthew had also decided to stake out an early spot for Kid Congo, and a look at Corners' crazy Gary Panteresque T-shirt designs at the merch booth salted his decision. I love seeing shows with Matthew; they typically involve exchanges like this:
Matthew: Who is this again?
Brian: Mr. Elevator and the Brain Hotel.
M: Very Paisley Underground.
B: Remember the Three O'Clock?
B: They need a go-go cage.
M: With you in it?
B: I don't dance.
M: You've gotta do something.
B: (Frankestein-then-master voice) "Arrrrhh!" "No, Caezar!" "Fire, bad!"
M: Well, not that. You can't just sit there sucking your fingers.
B: May I go to the bathroom?
B: Thank you.
Pretty much endlessly. I love our time together. It's so pointless and perfect. And it usually has a pretty cool soundtrack.
• As Corners left the stage, Matthew's friend Ashley showed up with her friend Tone (again, guessing … it could be some Scandanavian derivation with no vowels and the symbol for magnesium as an accent, or it could be short for Tony), who was a super nice guy and a good hang for the Kid Congo show. Ashley mentioned that they were only there because of a bug in the MidPoint app that kept defaulting to Thursday; they thought they were coming to see Nikki Lane. But they both thoroughly enjoyed Kid Congo, so no harm no foul … but have I.T. check that app for next year, kids.
• Also taking in the raucous Garage/Punkabilly jailbreak that was Kid Congo and the Pink Monkey Birds: Paulie, Big Jim and Sir Dan of MidPointville, who I'm beginning to believe was assigned my case and has been keeping pretty close tabs on me. For the record, I'm fine, and you can count the silverware. It's all there. I spotted Wes Pence at the very end of the show but when I did a quick walk through MOTR, he was gone. Cest la vie — see you again soon, my friend.
• On my way back to the car, I ran into the always fabulous Mike Sarason, dressed to kill after a friend's wedding, along with his stunning date Margaret. Mike mentioned that he had moved to New York, and that the hiatused Pinstripes were likely done, news that I had gotten from Pinstripes drummer John Bertke Thursday night at MOTR. It was great to see Mike, he's a world class guy and I certainly hope he continues to pursue a musical path because he's amazing, but the reality of the end of one of my absolute favorite bands and a perpetual highlight at this very festival made for a rather bittersweet end to the last day of MidPoint.
• And so one of the most nearly perfect MidPoints in the event's history is in the book. As usual, there is much credit to be spread around for the success of an undertaking with this much complexity and requiring this much planning. First and foremost to Dan McCabe, who somehow manages, year after year, to play the most intricate game of chess with artists, agents, publicists, labels and venues and then come up with a strategy where it seems everyone wins.
• Obviously, MidPoint couldn't happen without the sturdy volunteer army that clockworks this potential mess every fall with very few glitches. This absolutely could not be done without your skill, patience and stamina.
• Of course, there's everyone at CityBeat who helps facilitate and promote MidPoint and who are its main boosters well before and well after the event, from Dan Bockrath. Danny Cross and (now it can be told, cyborg) Mike Breen, right on down through the entire staff. Sting told me, every little thing you do is magic.
• And obviously to all the bands who came from down the block, across the country and, in some cases, around the world to be here for the express purpose of entertaining us with their creative gifts. But most especially, thanks to everyone who attends MidPoint year in and year out, for showing up to experience the region's absolute best music crawl. This year’s may well have been the best populated Thursday night in the festival's history, and that couldn't happen without patrons who believe in the event and the promise of great music to be heard and that couldn't be done without all of the above. Funny how symbiosis works, isn't it? Thanks again to you all for a brilliant MidPoint 2014. Set your watches for late September 2015 … you'll know me, I'll be the thirsty one with a limp
So it’s not Monday anymore, which is a plus, but still. This week is the first week in my mission to give up caffeine and donuts. It’s going to be a long, long haul. Anyway, on with the news.
The city administration yesterday described in more detail a parking plan for Over-the-Rhine that’s been floating around for a bit now. The plan would charge $300 a year, or $25 a month, for residents to park in the neighborhood as a way to raise funds for the streetcar. Increased rates and hours for parking meters are also part of the plan. Currently, you have to feed the meters from 8 a.m. to 5 p.m. every day but Sunday. The new hours would stretch from 9 a.m. to 9 p.m. Monday thru Saturday and from 1 p.m. to 9 p.m. on Sunday. Mayor John Cranley has championed the plan. Council would need to vote on the residential permit part of the plan, which would be the highest parking fee in the country if enacted. City officials stressed at the Monday Neighborhood Committee meeting that they were still in the planning phases of the proposal, that a final proposal was contingent on continued feedback from residents, and that they weren’t asking for any decisions to be made yet.
• It’s not very often labor unions and conservative anti-tax groups get together on an issue. But it seems like proposed tolls to fund the replacement of the Brent Spence Bridge may just be the one issue that… uh oh… bridges the usually wide ideological divide (see what I did there?) Advocacy group Northern Kentucky United, which has campaigned against tolls for the Brent Spence with its “No BS Tolls” initiative, announced that both Teamsters Local 100 and the Coalition Opposed to Additional Spending and Taxes have hopped on board the effort. You may remember COAST as the folks who stamped their feet and threw a temper tantrum over Cincinnati’s streetcar project. The two groups are the first Ohio organizations to support the anti-toll group, which claims to have 2,000 members. The group is totally against those BS tolls, that much we know. Less certain is what alternate proposals the group does back for the crumbling 51-year-old bridge’s replacement. It will cost something like $2.5 billion to replace, and federal and state officials have said government dollars are not in the cards for the project.
• Embattled Juvenile Court Judge Tracie Hunter today was suspended from practicing law by the Ohio Supreme Court, meaning she cannot practice law anywhere or represent anyone in a courtroom. Hunter was convicted on one felony count in a high-profile trial last week. Hunter was accused of forging documents, misusing a court credit card, improperly intervening for her brother, a court employee accused of punching a juvenile inmate and other charges. She was convicted on the charge she illegally gained documents for her brother, though the jury was hung on the other eight felony counts she faced. Hunter faces up to a year and a half in prison. Sentencing in the case will begin Dec. 2.
• Oh man, this is terrifying. What would you do if a county prosecutor’s office mistakenly put your picture in a newsletter as someone who had a recent heroin conviction? That happened to Dana J. Davis of Covington. Davis was temporarily put out of work, mistrusted by neighbors, and even shunned by family after an electronic newsletter contained his picture and a blurb that he’d pleaded guilty to a heroin charge and had been sentenced to prison time. But it was a different Dana Davis, and the Kenton County Prosecutor’s office grabbed the wrong photo. Oops. Now Davis is suing over the mistake, looking to be compensated for lost wages and damage to his reputation. The prosecutor’s office is arguing they shouldn’t have to pay because the newsletter does a public good, and because the prosecutor’s office is immune from that kind of lawsuit. The case is headed to court.
• Here’s something I can get behind. Cincinnati is the second best city in the country for Halloween, according to a new ranking released by lifestyle site mylife.com. The rankings took into account number of costume shops per capita (we ranked second), vacant houses (we also ranked second), local Twitter mentions of Halloween, as well as interviews with local ghosts camped out in abandoned costume shops tweeting about Halloween (not really). The rankings do give a shout out to the city’s rich history, though, as well as Pete Rose for some reason. If you’re curious, number one was Las Vegas. Florida and Arizona were represented heavily in the top 10, which makes sense. Both are terrifying places.
• A minimum wage job in Ohio won’t pay for a college education, a new story from data reporters at Cleveland.com finds. I guess the shocking news in this is that it ever did. Apparently, in 1983, you could work a minimum wage job full-time during the summers and school breaks, work ten hours a week during school, and make ends meet. That seems so quaint now! It would take a wage of $18 an hour to make that possible today, and working minimum wage will leave you more than $11,000 shy of the average tuition, room and board at a university in the state. In my day, I worked two jobs, crashed at my mom’s house and commuted an hour each way my senior year, sometimes sleeping in my car, and sold blood and the rights for my first-born child to pay for my degree from Miami University. Ok, maybe not all of that, but it was kinda rough. Alls I’m saying is, kids these days should have to do the same.
• A new study finds Ohio has benefited greatly from its expansion of Medicaid. More than 367,000 Ohioans are now enrolled as of August 2014, according to the report by Policy Matters Ohio. The report claims that the expansion has lowered health care costs and improved health outcomes for low-income people. You can read all the details here.
Between Wu-Tang Clan reunion shows and the seminal Hip Hop group’s forthcoming new album, two Wu members have hit the road to headline the World Wide Rollers Tour, presented by The Smokers Club, a group of weed/Hip Hop aficionados that have booked five national tours and launched a clothing line and record label (smoking products will reportedly soon be added to the Club’s inventory). Joining the dynamic Wu duo of Method Man and Redman on the tour are B-Real, frontman for cannabis-in-Hip Hop pioneers Cypress Hill, and up-and-coming MCs Mick Jenkins and Berner.
The tour DJ is Cincinnati’s own DJ Clockwork, who’s now going by the name Clockworkdj. Clockwork, DJ for rapper Mac Miller and regular on MTV’s Mac Miller and the Most Dope Family reality show, recently released the solo single, “Clocktwerk,” on which he’s shows off his rhyming skills. Click here for more info on Clockworkdj. https://www.facebook.com/ClockworkDJ
• Madison Theater is Metal central tonight as several genre heavyweights pull into the Covington venue for a 6 p.m., all-ages concert. Tickets are $25.
The show features Unearth, Darkest Hour, Carnifex, I the Breather, Origin, Black Crown Initiate, Requiem and Laid Bare.
Boston’s Metalcore heroes Unearth are gearing up for the Oct. 28 release of their latest album, Watchers of Rule. Here’s the new album track “The Swarm”:
And here’s Carnifex’s video for “Die Without Hope,” the title track off of the Californian Deathcore band’s most recent album.
Transgender advocate and actress Laverne Cox will give a keynote speech at Northern Kentucky University in celebration of LGBT History Month on Tuesday, Oct. 28, at 7 p.m.
Many will recognize Cox for her groundbreaking role as Sophia Burset, an incarcerated transgender woman, in the Netflix com-dram series Orange Is the New Black.
Earlier this year, she made history as the first transgender person to appear on the cover of Time Magazine and the first to produce and appear in her own television show, TRANSForm Me.
Her success in the film and TV industry has made Cox a highly sought after speaker. Her empowering messages about gender expectations and transgender issues have made her an icon in the LGBT community, being named in Out Magazine’s “Out 100” and one of the top 50 transgender icons by Huffington Post.
Tickets for the event have been selling quickly, as less than 10 remain available to the public. They can be purchased for $10 in Student Union Room 320 on the NKU campus.
The event is sponsored by the university's LGBTQ Programs & Services, which provides advocacy and support to NKU students, staff, faculty and the greater Northern Kentucky community. More info here.
Remember in my first blog when I said I was worried that I had over packed?
Guess what? I over packed.
I’ve been on tour for a week now and these are a few things I’ve learned so far, in no particular order. Hopefully they help you the next time a Rock band drags you across Europe. Or on your next trip to Disneyland.
Two of the leading lights from Nashville’s exploding underground Rock scene, JEFF the Brotherhood and Diarrhea Planet, perform tonight at Northside Tavern. Admission is $10 and the show starts at 9 p.m. Locals Gazer and See You in the Funnies open.
JEFF the Brotherhood recently released a covers EP, Dig the Classics, on Warner Brothers Records. Brothers Jake and Jamin Orrall picked six of their favorite tunes to record for the EP: Pixies’ “Gouge Away”; The Wipers’ “Mystery”; My Bloody Valentine’s “Come in Alone”; Colleen Green’s “Cujo”; Teenage Fanclub’s “Mad Dog 20/20”; and Beck’s “Totally Confused.” A new original full-length, the followup to the duo’s fantastic Hypnotic Nights LP, is currently being completed and is slated for release early next year.
• Austin, Texas, Indie Pop trio The Please Please Me returns to town tonight, this time for a free show at Over-the-Rhine’s MOTR Pub. With a mix of cello, guitar and some spectacular melodies and harmonies, The Please Please Me has been working on its first full-length release, the followup to last year’s debut EP, Shake a Little Harder.
Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.
Hello Cincy! Here’s what’s going on this morning.
Though you won’t find a way to help shore up the building on the ballot in November, efforts to fund renovations of Music Hall may get a big boost soon. Advocates for the Cincinnati landmark have applied for $25 million through the Ohio Historic Preservation Tax Credit Program offered by the state once every two years. Music Hall is competing for the tax credits with The Huntington Building and May Co. Department Store building in Cleveland and the former Goodyear headquarter building in Akron. The award would be in addition to another $25 million in other tax credits and $40 million in private donations, all of which go along way toward the building’s estimated $133 million renovation costs. The winner of the credits will be announced in December.
• Lots of questions have been popping up in City Council and elsewhere recently about the way the city makes development loans, even as past loans to some of the city’s biggest developers continue to linger unpaid. Council members have expressed concerns that there isn’t enough of a process for deciding who gets the loans and on what terms, leaving a patchwork of deals that are of questionable value for the city. The city has a number of old loans it has made to big developers still hanging around, including almost $9 million worth from between 1991 and 2001. Those loans were used on big, now completed projects in and around downtown. The terms are fairly generous, and many of the borrowers have yet to repay much if any of the principles on those loans.
• Err, so I went to school here for a few years. The Principal of Edgewood High School, which is up in Butler County between Hamilton and Middletown, has said he’ll be getting his concealed carry permit so he can start packing a gun on the job. State law allows individual districts to decide if staff should be armed, but Edgewood, based in the rural/exurban town of Trenton, is the only district in the Greater Cincinnati area that has moved to allow it. Principal Russ Fussnecker said he may start carrying the weapon before the school year is out. He says it’s a measure “to make the school safer” in case of a mass shooter. Other schools have taken milder safety measures. Kings High School in Mason has installed new barriers to keep someone from shooting their way through doors into the school. Lakota has added in-school police and training drills.
•Law enforcement officials from Memphis, Tenn., and Detroit are meeting with officials from Ohio in Cleveland this week to discuss rape kit backlogs at a first-of-its-kind summit around the issue. Untested kits, which may contain genetic information that can convict rapists, have piled up here and in other states. The untested kits have become a big issue in this year's race for attorney general, as challenger Democrat David Pepper hits Republican Attorney General Mike DeWine over Ohio's backlog.
• Kentucky Secretary of State Alison Lundergan Grimes is getting more help from Democrats in her much-watched run against Kentucky Senator and Minority Leader Mitch McConnell. Many of the 16 female Democratic senators are rallying around Grimes with campaign plugs, strategy advice, money and other support. Powerful Senators like Debbie Stabenow, D-Mich., Claire McCaskill, D-Mo. and progressive firebrand Elizabeth Warren, D-Mass. have all jumped on board, holding fundraisers, donating cash and giving shout outs to Grimes. Whether all that help will pay off remains to be seen. Various pundits and polls have recently declared Grimes dead in the water, while others say she’s still neck and neck with McConnell.
• One of the big issues in the race is the state’s dependence on coal. Both McConnell and Grimes have promised to keep coal-friendly policies alive in Kentucky, which is dominated by the industry. McConnell has tied Grimes to Obama, who many Kentuckians blame for the industry’s decline. But how much does coal really matter to Kentucky? Turns out, there is as much myth flying around as fact.
• Throw off thy long-sleeved chains of corporate oppression, my barista sisters and brothers, and put on the short-sleeve shirt or necktie of freedom. But please not both at the same time, because that just looks terrible. Starbucks is lifting its ban on visible body art, as well as “colored ties and neck scarves and black denim.” Really? You all couldn’t wear black jeans? If CityBeat outlawed black denim, I would have to go buy like, five new pairs of pants.
The event, which raised money for local nonprofit Gabriel’s Place and its Junior Culinary Institute, took place at the Christian Moerlein brewery in Over-the-Rhine. The restaurants represented (Jimmy G's, Django Western Taco, LaLa's Blissful Bites, Invito Chef, El Rancho Grande, Huit BBQ, Redondo Taqueria, Axis Alley on the Levee, Seasons 52, Silver Ladle, Elephant Walk Injera & Curry House, Washington Platform, Swad, O'Malley's in the Alley, Mazzaro's Place, The Pub, Boswell Alley and Moerlein Lager House) each provided a small sample of their favorite items for attendees to nibble on, from mini-steak sandwiches to shot glass-sized pecan pie. Some of the vendors were parked in the more polished taproom, while the majority of the booths and the competition itself appeared in the “basement chic” room next door. Attendees wandered from booth to booth, balancing small plates and frothy cups of Moerlein beer as they waited for the main event to begin. Everyone looked slightly confused at first, but it didn’t take long for everyone to catch on and figure out where to go — the Four Roses bourbon cider probably helped.
Iron Fork’s version of Kitchen Stadium was a small-ish cooking space set up at one end of the very large room. It was fully stocked with brightly colored produce from SYSCO, plenty of spices, gas burners and shiny stainless steel cookware from Cooks'Wares. Scattered across the room were large TVs (not in HD, our spoiled selves lamented) for those who may not be able to find a spot in the small area in front of the kitchen to watch the action. The three judges were perched to the left of the kitchen, presumably starving.
Frances Kroner of Sleepy Bee, Jose Salazar of Salazar and Joe West of The Palace at The Cincinnatian were the three chefs chosen to appear for the event. Each of them had one hour to create a dish using the elusive secret ingredient: figs. (Most of the crowd had left before the secret was revealed; it had to remain a secret to make the competition fair for everyone.) Each chef also had a Junior Culinary Institute student from Gabriel’s Place on their team; all three of the students, it must be said, were incredibly impressive in their professionalism and skill.
The hour-long cooking time per chef allowed attendees to continue to wander and stuff their faces with local treats. The amount of sweet options seemed high (possibly because it was hard to locate the free water to cleanse your palate). The beer line never seemed to shorten, which was fine. If anything, it allowed for more socializing with the other food enthusiasts. Watching the cooking itself was only really entertaining near the end of the hour-long time limit — Jose Salazar straight up ran to the judges’ table with his dishes at the end, and that’s just good TV.
Once each chef’s segment was complete and the three judges were served, a fourth dish was auctioned off to a lucky audience member. (Frances Kroner’s dish went for a whopping $150.)
"All the chefs did a great job and we had a lot of fun sharing our thoughts and our food with the crowd," says judge and CityBeat food writer Anne Mitchell. "Frannie Kroner's lamb chop entree was wonderful, and (Ilene Ross, CityBeat food writer and judge) had a great idea — she added one of her lamb chops to the auction for Gabriel's Place."
"I ate all three of mine and gnawed the bones clean, so that shows you where my heart resides," she continues, laughing. "Jose's appetizer, lamb tartare, was amazing. Ilene licked her plate. It was the kind of dish that separates ordinary food from art."
The audience did not hear from the judges until the end, when they named The Palace’s Joe West as the winner for his appetizer and entree dishes.
"Joe West's appetizer and entree blew us away," says Mitchell. "The scallop crudo was another work of art, and it was the perfect starter for Joe's main dish. I wish I could be 100 percent sure of the description but things got a little crazy at the end and we really didn't hear what Joe said, but I think it was halibut in veloute sauce with bacon crumbles for a garnish, flash-fried potato 'chips' from tiny fingerling potatoes and the figs."
"Figs were the 'secret ingredient' that all the chefs had to incorporate into their dishes," she continues. "It would have been fun to see them utilized a little more essentially in the dishes instead of used as a (yummy) garnish, but that seems a little like splitting hairs."
Overall, the event’s first run was a success. Did I want to snag one of Kroner’s scallops or a bite of Salazar's lamb tartare right off the judges’ table? Sure. But I didn’t, and it still turned out to be a nice little Wednesday night.
Cincinnati greats Wussy continue to surge into the national spotlight, playing sold-out shows across the country and continuing to garner glowing press for their spectacular Attica! album. The band also recently posted several photos of the members filming something for CBS in New York City recently (more info TBA), which should escalate its status even more (a film crew was on hand she the band played the MidPoint Music Festival recently, as well). Can’t think of a more deserved local band.
This evening you can catch the band live FOR FREE on Fountain Square as Wussy headlines this week’s happy-hour “Rocktober on the Square” series. Music starts at 5 p.m. with the fantastic Roots Rock ensemble Arlo McKinley and the Lonesome Sound.
Here’s Wussy’s full appearance on KEXP recorded earlier this year.
• Nashville rockers Those Darlins are also a band on the rise and their fan base in Cincinnati continues to grow thanks to their repeated visits to the Queen City (and their great sound and live show). The group plays a free show at Northside Tavern tonight with guests Jeremy Pinnell and the 55’s and Even Tiles. Doors open at 8 p.m.
• The two-night, “whole house” showcase at the Southgate House Revival in Newport celebrating local indie label Phratry Records kicks off tonight. Showtime is 8 p.m. and admission is $5 each night. Click here and here for details. A documentary film about Phratry is currently in the works. Here’s the trailer:
• London Pop band Bastille was supposed to play at Covington’s Madison Theater back in May but cancelled and then got HUGE (or HUGER — its music had already been selling big and the band appeared on Saturday Night Live in January). So tonight the group is playing its make-up date at our riverfront arena. A review of Bastille’s recent show in Toronto said the young crowd screamed a lot.
Fellow Synth Pop band Grizfolk opens tonight’s 8 p.m. show at U.S. Bank Arena. Tickets are $29.50-$35.
• It’s looking more and more like you’ll never get a chance to see Led Zeppelin perform live and in person ever again. But tonight you can see the “American Led Zeppelin,” Get the Led Out, at the Aronoff Center. Showtime is 8 p.m .Next best thing? If you go, let us know. It’s certainly going to cost you less than what it would to see the real deal — tickets are $33-$46.
• Eclectic Americana singer/songwriter Cory Branan plays Saturday night at 10 p.m. at Over-the-Rhine’s The Drinkery, one of the best newer live music clubs in the area. Local duo Rucca opens.
Branan has been drawing attention for his dynamic, boundless sound over the past 15 years, but his most recent album, The No-Hit Wonder, is earning him some of the best reviews of his career.
Writer Brian Baker spoke with Branan for a feature story in this week’s CityBeat. Branan said the diversity of styles that crop up in his songs just kind of happen naturally and is something never predetermined while a song is being written.
“I try not to impose on the song,” Branan says. “I end up in much more interesting places if I follow and see where it’s going. I overwrite a lot and go back with a machete instead of clippers, so I can end up three songs down from the one I started with, and that’s the interesting place for me. Then I sort of let them tell me what clothes they want to go out in, even down to the studio. Like ‘Sour Mash,’ I always pictured it as a flat-picked barnburner with fiddle and banjo, and then we were doing the record and I found out that Joe Fick, who’s a Memphis boy, was up in Nashville and he’s just the best doghouse (upright bass) player I’ve ever heard, so I was like, ‘OK, we’ll go a little more Sun Records on this one.’ I pivoted at the last minute.”
• Chicago Blues singer/songwriter/guitarist E.G. Kight performs Saturday at the DownTowne Listening Room, the intimate, “listener-friendly” new venue downtown in the historic Shillito’s building. Born in Georgie and based in Chicago, Kight is a cult favorite and has worked with everyone from B.B. King and Koko Taylor to Merle Haggard and George Jones. Showtime is 7:30 p.m. Admission is $15 (all proceeds from shows at the Listening Room go to the performing artists).
• Legendary British Folk artist Richard Thompson plays the Dave Finkelman Auditorium on the campus of Miami University-Middletown Saturday night. Amanda Shires opens the 7:30 p.m. concert. The show is a part of Thompson's current acoustic tour in support of Acoustic Classics, an album featuring acoustic takes on some of the songwriter's favorite songs from his storied catalog. Tickets are $35 and available in advance here.
Check out Jason Gargano’s show preview for CityBeat here.
• Australian Electronic music composer/performer Ben Frost brings his tour behind his latest album A U R O R A to the Contemporary Arts Center on Sunday. Showtime is 8 p.m. Tickets are $15 ($10 for CAC members).
This is Electronica, but it’s neither conventional Electronic Dance music, pure-noise Industrial nor (solely) peacefully Ambient droning. Noirish and foreboding, thrilling and involving, it aurally paints a landscape that has been compared to Blade Runner. It unfolds for 40 minutes, like an urgent story. The music can be lulling, even comforting, in its brooding introspection, but it keeps building — it’s complicated like a symphony. Overall, it’s tough and emotional, with moments of grandeur along with reverence to minimalism.
• Some other Australian musicians will also be in town Sunday night. Psych Folk/Rock band Immigrant Union — fronted by Dandy Warhols member Brian DeBoer — plays Sunday a 10 p.m. show at Over-the-Rhine’s MOTR Pub with guests White Violet. Like all MOTR shows, it’s a freebie. DeBoer describes the 10-year-old band’s sound as “Spiritualized being (baptized) in a river of Creedence Clearwater.”
Click here for more live music events in Greater Cincinnati this weekend and feel free to promote other cool shows that were unmentioned in the comments.