A few weeks ago when I was heading to the CityBeat office I encountered a woman who changed my perspective on many things. It was one of those "Everything happens for a reason, even if you don't know the reason yet" moments.
I parked in the Elm Street lot, paid the machine my $3.50 and walked towards Race Street as usual. It was cold outside and my hands were full with coffee, a notebook, my lunch and purse.
I was running late — also as usual — when a woman approached me. Looking back now, I can’t even recall how she sounded or what she looked like.
Our conversation went something like this:
"Would you help someone in need if you could?" she asked.
"I'm selling my poems for $2 so I can have extra money to pay for my son's birthday."
"I don't even know if I have $2, hold on. I'm kind of in a hurry...Oh, wait…Here, I do have it."
I had three single dollar bills in my wallet and I handed her two of them.
"Thank you, God bless you," she said. We made our transaction and parted ways. Her poems were typed, printed and covered by a clear paper protector. She continued up Elm toward Vine Street as I turned the corner.
As I waited for the elevator, I began reading her poems. That's spelled wrong, I thought. That needs an apostrophe. It’s "to," not "too." I picked out a laundry list of grammatical and technical errors and immediately dismissed her work. I looked at her poems, but I didn't actually read them.
A few days later one of the ice and snowstorms hit the Tri-state area again. I wondered if anyone was out in this weather because I was certainly not leaving the comfort of my bed for any reason.
I don’t know why, but I began thinking about the woman who approached me on the street earlier in the week. I wondered if she was out there, in that terrible weather, selling her poems. Had she needed the $2 that badly? Did she ever get to have her son’s birthday party?
All of these thoughts washed over me. I pictured her, the image I had created of her, sitting at the library typing up the poems she had written while her son was at school.
I pictured her taking her last few dollars to buy the transparent paper protectors at the dollar store and preparing them for the next day when she would hit the streets to sell them.
A feeling of shame had overcome me. How could I dismiss what she had written because of a few errors that had no real effect on the message of her poems?
This woman had already probably sold more of her writing than me, and that’s what I am paying thousands of dollars in tuition for: to sell my words.
One of her poems is titled Determination, which is what she has and I was too blind to see that at the time we met.
I might have some of the editing experience now, but when I first started writing those were skills I didn’t possess or even care about.
I didn’t care if I needed a comma here or there, I didn’t care if I used the wrong form of “to” or ended a sentence with a preposition. I simply wanted to write.
I lost the passion behind my own words because I’ve been so worried about being technically correct all the time. And trust me, I never even end up being technically correct all the time.
That woman, whoever or wherever she is now, showed me that you don’t need a college degree to have determination. You don’t need to have the perfect sentence or know every grammar rule to express how you feel.
We, as humans, judge people all the time whether we want to admit it or not. We judge people by appearances, by the way they talk, or the way they write in this case.
She signed her name at the end of the poems, a signature that I can’t make out very well, but I want to thank her for showing me what real determination is.
Cincinnati prides itself on the local artists, musicians and writers that are bred here. We celebrate them and award them for their talent. I don’t know where this woman is now, but she, and the others just like her who might not be at the open mic nights or in galleries, deserve recognition as well.
To her I say: That was the best $2 I ever spent.
A group of Greenpeace protesters face burglary and vandalism charges after a stunt yesterday on the Procter & Gamble buildings. Protesters apparently teamed up with a helicopter to climb outside the P&G buildings to hang up a large sign criticizing the company for allegedly enabling the destruction of rainforests in Indonesia by working with an irresponsible palm oil supplier. P&G officials say they are looking into the protesters’ claims, but they already committed to changing how they obtain palm oil by 2015.
Cincinnati Center City Development Corp. (3CDC) will step in to resolve the status of a downtown grocery and apartment tower project. The previous city administration pushed the project as a means to bring more residential space downtown, but Mayor John Cranley refuses to pay to move a tenant in the parking garage that needs to be torn down as part of the project. Following Cranley and Councilman Chris Seelbach’s request for 3CDC’s help, the development agency will recommend a path forward and outline costs to the city should it not complete the project.
Meanwhile, the tenants in the dispute announced today that they will sue the city to force action and stop the uncertainty surrounding their salon business.
Cranley insists politics were not involved in an appointment to the Cincinnati Board of Health, contrary to complaints from the board official the mayor opted to replace. Cranley will replace Joyce Kinley, whose term expired at the end of the month, with Herschel Chalk. “Herschel Chalk, who(m) I’m appointing, has been a long-time advocate against prostate cancer, who's somebody I’ve gotten to know,” Cranley told WVXU. “I was impressed by him because of his advocacy on behalf of fighting cancer. I committed to appoint him a long time ago.”
The costs for pausing the streetcar project back in December remain unknown, but city officials are already looking into what the next phase of the project would cost.
Troubled restaurant Mahogany’s must fully pay for rent and fees by March 10 or face eviction.
Through his new project, one scientist intends to “make 100 years old the next 60.”firstname.lastname@example.org.
The wine festival was founded in 1991 to promote the wine industry and raise funds for local charities. Each year, it’s gotten bigger and better, and so has its charitable giving. Over the course of more than two decades, the annual celebration has donated more than $3.9 million to local charities across the region. Today, the wine festival is recognized as one of the largest wine events in the entire country.
The Cincinnati International Wine Festival increases in winery participation, events and attendance each year; like a fine wine, it seems to get better with age. Each year, as participation grows, so does the nonprofit’s ability to distribute grants to Greater Cincinnati area programs that support the arts, education, health and human services.
The festival itself is made up of four prominent events: Winery Dinners, Grand Tastings, a Charity Auction and Luncheon, and the annual Russ Wiles Memorial Golf Tournament. These events don’t just celebrate wine. They also foster community and charity in the process.
This year’s line-up of Winery Dinners is filling up fast, but tickets to many of the special events are still up for grabs. The dinners celebrate cooking and winemaking as art, and aim to combine the two to create perfect pairings that are sure to please any palate. The popular dinners showcase the skills of visiting winemakers from around the world alongside the area’s finest chefs. Together, the chefs and winemakers work together to create what the Wine Festival describes as a harmonious experience filled with fine wine and masterful cuisine.
Reserve your seat at the table of a very special Winery Dinner celebrating a special evening with 2014 honorary chair Leonardo LoCasio, the founder of Winebow, Inc. at the Hilton Cincinnati Netherlands Plaza’s Orchids at the Palm Court on Wednesday, March 5 at 6:30 p.m. ($175)
Wineries and some of the Cincinnati area’s most beloved restaurants team up all across the city on Thursday, March 6 at 6:30 p.m. Reserve your seat at the table for some serious wining and dining at the following restaurants:
The festivities continue with The Wine Festival’s main event: the 2014 Grand Tastings, which take place March 7 and 8 at the Duke Energy Convention Center. More than 700 wines from more than 100 wineries are available to sample as you enjoy live music, delicious food and a silent auction.
The Grand Tastings are the centerpiece of the Cincinnati International Wine Festival as they showcase new, rare and exciting wines from around the world. Whether you're a seasoned expert or an intrigued beginner, winemakers and winery representatives welcome you as they mix useful knowledge with exquisite samples of their art.
This year, access to the special tasting room will give you VIP access to seven tastes of high-end wines an hour prior to each night’s Grand Tasting at the Grand Ballrooms of the Duke Energy Center. ($40 prior to the event, $45 at the door. Tickets the special tasting room are only available with the purchase of a Grand Tasting ticket.)
After the special tastings room closes its doors, the celebratory Grand Tastings take center stage at the Duke Energy Center’s Grand Ballrooms on Friday evening, Saturday afternoon and Saturday evening:
Charity Auction and Luncheon
Continue your celebration with Silent and Live Auctions at the Hilton Cincinnati Netherland Plaza’s Hall of Mirrors on Saturday, March 8. The auctions boast a phenomenal catalog of limited-release bottles, winemaker-signed grand format bottles, rare wines coaxed from the cellars of notable Cincinnatians, chef's table dining opportunities at exclusive Cincinnati homes, fantastic trips, wine cellar tours, and more.
Afterward, experience a luncheon filled with savory cuisine from the Hilton Netherland’s Chef Todd Kelly paired with incredible wines presented by winemakers and winery principals from across the country.
The charity auction and luncheon will begin at 9:30 a.m. with a reception, silent auction, and live auction lot preview. At 11 a.m. the live auction will begin, followed by the winery luncheon. Tickets to the reception, auctions and luncheon are $125.
The Russ Wiles Memorial Golf Tournament
The festival might only last a few short days this March, but the celebration and charitable giving continues in June as the Wine Festival promises a tournament unlike any other. This summer, Russ Wiles Memorial 2013 Honorary Chair Dan Temming hosts a golf outing at TPC River's Bend. Enjoy wines from around the world at 5 holes during play along with food provided by some of Cincinnati's finest restaurants.
The day kicks off with a Dom Perignon toast and a shotgun start. 36 foursomes will compete in a scramble format tournament where the 3 winning teams will take home large-format bottles of wine. Golfers will also be eligible to win amazing prizes when they compete in the Closest to Pin Shootout, Hole-in-One Contest, Putting Contest and the Skins game. An After Party will then be held at the end of play where live music, food and drinks will be served under beautiful tents overlooking the 18th green. As a special thank you for supporting our Cincinnati charities, tee gifts will also be presented.
Organizations Benefiting from the Cincinnati International Wine Festival’s Proceeds
Kentucky Symphony Orchestra
And just like that, “Awards Season” comes to a close. Does anyone else think it went out with more of a bore than a bang?
were preceded by the Film Independent Spirit Awards Saturday. I was introduced
to this indie movie celebration last year and was pleasantly surprised by the
fun, fast-and-loose nature of the show in addition to its highlighting of
lesser-known, smaller-budget films compared to the Academy Awards. Maybe it was
due to Jameson no longer sponsoring the event/getting everyone wasted; perhaps
it was the fact that many of the winners went on to receive Oscars in similar
categories the very next day. Either way, I found this year’s show, hosted by
Patton Oswalt, to be just a little blah.
See for yourself here.
Sunday night was not much of a departure from that feeling. I do love me some Ellen — she can always deliver consistently funny material everyone can relate to. She picked on stars without being too mean and rocked some fab suits, but it takes more than that to keep me awake through a 15-hour production like the Oscars.
But there were plenty of both touching and funny moments throughout the night. Supporting actor and actress winners, Jared Leto and Lupita Nyong’o, delivered thoughtful, emotional acceptance speeches (while looking freaking gorge). Leto — who I still can’t believe was the oldest nominee in that category — spoke about his mother’s inspiring perseverance, the conflicts in Venezuela and Ukraine and the victims of AIDS as well as discrimination (both central themes of Dallas Buyers Club). He also looked sharp in a cream tux with burgundy tie and the most coveted ombré locks of any human man.
And, clearly, the 42-year-old gets his looks from his hot ass mother. But seriously, maybe we should consider the fact that Jordan Catalano is a vampire. Any thoughts, Pharrell?
Speaking of, Pharrell performed his Oscar-nominated hit, "Happy," in what appeared to be a legit GAP ad circa 2003.
who won for her role in 12 Years a Slave,
also gave a heartfelt acceptance speech.
Everyone is crushing on Lupita right
now, myself included, but let’s talk about her equally attractive brother,
They’re basically the Kenyan Tegan & Sara in that they are super hot siblings with super cool androgynous hairdos.
Fans of Her (which nabbed Best Adapted
Screenplay) no doubt cried, rewound, and cried again as Karen O of the Yeah
Yeah Yeahs and Ezra Koenig of Vampire Weekend performed “The Moon Song” from the film, which totally got shut
out by that stupid Frozen song everyone (including local weather guys) won’t shut up about.
Broadway darling Idina Menzel went on to perform the Frozen's “Let It Go,” but not before John Travolta’s Thetin levels temporarily crashed, causing him to forget how to speak.
Early in the evening, Ellen was kind enough to order a few pizzas for all the starving celebs in the audience, which led to what will be known forever as The Selfie* That Broke Twitter. The star-studded pic has more than 3 million retweets, the most of anything ever #sorryobama.
*I just can’t with the term “selfie” anymore. I’m tired of the way newspeople say, “selfie” like they’ve coined some new generation-defining trend. Haven’t people been taking pictures of themselves via an extended arm since forever? Much like “hipster,” this term lives on thanks to the diligence of out-of-touch white people trying to be current.
America’s bestie Jennifer Lawrence was nominated, so naturally she fell on the red carpet. Warning to JLAW: We love you. You’re a “real woman” according to people, which means you’re not a robot I think, but you don’t constantly have to flaunt that fact by tripping and talking about eating fries all the time. You’re bordering on the Zooey Deschanel “adorkable” territory that has forced me to despise the banged, blue-eyed beaut. I still love you, JLAW — you cited Caroline Manzo as your American Hustle character inspiration for Chrissake — you just don’t have to push the clumsy slob persona all the time.
As far as winners go, 12 Years a Slave and Dallas Buyers Club cleaned up pretty well with three wins each and Gravity dominated the technical and directing categories, garnering a whopping seven awards. The Academy essentially said, "And none for you, American Hustle," and people are still crying over Leonardo DiCaprio's continued Oscar losing streak.
OK, that’s all the important stuff. Peep all the winners below.
Best Motion Picture of the Year
Dallas Buyers Club
12 Years A Slave
The Wolf Of Wall Street
Performance by an Actor in a Supporting Role
Barkhad Abdi, Captain Phillips
Bradley Cooper, American Hustle
Michael Fassbender,12 Years A Slave
Jonah Hill, The Wolf Of Wall Street
Jared Leto, Dallas Buyers Club
Performance by an Actress in a Supporting Role
Sally Hawkins, Blue Jasmine
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years A Slave
Julia Roberts, August: Osage County
June Squibb, Nebraska
Performance by an Actress in a Leading Role
Amy Adams, American Hustle
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Meryl Streep, August: Osage County
Performance by an Actor in a Leading Role
Christian Bale, American Hustle
Bruce Dern, Nebraska
Leonardo Dicaprio, The Wolf Of Wall Street
Chiwetel Ejiofor, 12 Years A Slave
Matthew McConaughey, Dallas Buyers Club
Best Animated Feature
Despicable Me 2
Ernest & Celestine
The Wind Rises
The Grandmaster (Philippe Le Sourd)
Gravity (Emmanuel Lubezki)
Inside Llewyn Davis (Bruno Delbonnel)
Nebraska (Phedon Papamichael)
Prisoners (Roger A. Deakins)
Best Costume Design
American Hustle (Michael Wilkinson)
The Grandmaster (William Chang Suk Ping)
The Great Gatsby (Catherine Martin) Totally blocked this one out of my memory.
The Invisible Woman (Michael O'Connor)
12 Years a Slave (Patricia Norris)
American Hustle (David O. Russell)
Gravity (Alfonso Cuarón)
Nebraska (Alexander Payne)
12 Years a Slave (Steve McQueen)
The Wolf of Wall Street (Martin Scorsese)
Best Documentary Feature
The Act of Killing (Joshua
Oppenheimer, Signe Byrge Sørensen)
Cutie and the Boxer (Zachary Heinzerling, Lydia Dean Pilcher)
Dirty Wars (Richard Rowley, Jeremy Scahill)
The Square (Jehane Noujaim, Karim Amer)
20 Feet from Stardom (Nominees to be determined)
Best Documentary Short
CaveDigger (Jeffrey Karoff)
Facing Fear (Jason Cohen)
Karama Has No Walls (Sara Ishaq)
The Lady in Number 6: Music Saved My Life (Malcolm Clarke, Nicholas Reed)
Prison Terminal: The Last Days of Private Jack Hall (Edgar Barens)
Best Film Editing
American Hustle (Jay Cassidy, Crispin Struthers, Alan
Captain Phillips (Christopher Rouse)
Dallas Buyers Club (John Mac McMurphy, Martin Pensa)
Gravity (Alfonso Cuarón, Mark Sanger)
12 Years a Slave (Joe Walker)
Best Foreign Language Film
The Broken Circle Breakdown (Belgium)
The Great Beauty (Italy)
The Hunt (Denmark) I tried to watch this on Netflix but the subtitles were faster that the actual audio and video, which made it impossible to watch. Had to turn it off, but ILY MADS.
The Missing Picture (Cambodia)
Best Makeup and Hairstyling
Dallas Buyers Club (Adruitha Lee, Robin Mathews)
Jackass Presents: Bad Grandpa (Stephen Prouty) Jesus H, a Jackass movie is nominated for an Oscar.
The Lone Ranger (Joel Harlow, Gloria Pasqua-Casny) I guess turning Johnny Depp into a fauxtive American deserves recognition?
Best Original Score
The Book Thief (John Williams)
Gravity (Steven Price)
Her (William Butler, Owen Pallett)
Philomena (Alexandre Desplat)
Saving Mr. Banks (Thomas Newman)
Best Original Song
(Despicable Me 2)
“Let It Go” (Frozen)
“The Moon Song” (Her) ROBBED
“Ordinary Love” (Mandela: Long Walk to Freedom)
Best Production Design
American Hustle (Judy Becker, Heather Loeffler)
Gravity (Andy Nicholson, Rosie Goodwin, Joanne Woollard)
The Great Gatsby (Catherine Martin, Beverley Dunn)
Her (K.K. Barrett, Gene Serdena)
12 Years a Slave (Adam Stockhausen, Alice Baker)
Best Animated Short Film
Feral (Daniel Sousa, Dan Golden)
Get a Horse! (Lauren MacMullan, Dorothy McKim)
Mr. Hublot (Laurent Witz, Alexandre Espigares)
Possessions (Shuhei Morita)
Room on the Broom (Max Lang, Jan Lachauer)
Best Live Action Short Film
Aquel No Era Yo (That
Wasn't Me) (Esteban Crespo)
Avant Que De Tout Perdre (Just Before Losing Everything) (Xavier Legrand, Alexandre Gavras)
Helium (Anders Walter, Kim Magnusson)
Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?) (Selma Vilhunen, Kirsikka Saari)
The Voorman Problem (Mark Gill, Baldwin Li)
Best Sound Editing
All Is Lost (Steve Boeddeker, Richard Hymns)
Captain Phillips (Oliver Tarney)
Gravity (Glenn Freemantle)
The Hobbit: The Desolation of Smaug (Brent Burge, Chris Ward)
Lone Survivor (Wylie Stateman)
Best Sound Mixing
Captain Phillips (Chris Burdon, Mark
Taylor, Mike Prestwood Smith, Chris Munro)
Gravity (Skip Lievsay, Niv Adiri, Christopher Benstead, Chris Munro)
The Hobbit: The Desolation of Smaug (Christopher Boyes, Michael Hedges, Michael Semanick, Tony Johnson)
Inside Llewyn Davis (Skip Lievsay, Greg Orloff, Peter F. Kurland)
Lone Survivor (Andy Koyama, Beau Borders, David Brownlow)
Best Visual Effects
Gravity (Tim Webber, Chris Lawrence, Dave Shirk, Neil
The Hobbit: The Desolation of Smaug (Joe Letteri, Eric Saindon, David Clayton, Eric Reynolds)
Iron Man 3 (Christopher Townsend, Guy Williams, Erik Nash, Dan Sudick)
The Lone Ranger (Tim Alexander, Gary Brozenich, Edson Williams, John Frazier)
Star Trek Into Darkness (Roger Guyett, Patrick Tubach, Ben Grossmann, Burt Dalton)
Best Adapted Screenplay
Before Midnight (Richard Linklater, Julie Delpy, Ethan Hawke)
Captain Phillips (Billy Ray)
Philomena (Steve Coogan, Jeff Pope)
12 Years a Slave (John Ridley)
The Wolf of Wall Street (Terence Winter)
Best Original Screenplay
American Hustle (Eric Warren Singer, David O. Russell)
Blue Jasmine (Woody Allen)
Dallas Buyers Club (Craig Borten, Melisa Wallack)
Her (Spike Jonze)
Nebraska (Bob Nelson)
Mayor John Cranley could dismantle a deal that would produce a grocery store, 300 luxury apartments and a new parking garage downtown. Cranley says he doesn’t want millions put toward the deal, even though the developer involved plans to invest another $60 million. Councilman Chris Seelbach says the deal isn’t dead just because of the mayor’s opposition, and City Council could act to bypass the mayor, just like the legislative body did with the streetcar project and responsible bidder. To Seelbach, the deal is necessary to bring much-needed residential space and an accessible grocery store downtown.
Cincinnati officials and startup executives will try to bring Google Fiber, which provides Internet speeds 100 times faster than normal broadband, to Cincinnati. Google plans to hold a national competition to see which cities are most deserving of its fiber services. “Over the last several years, Cincinnati’s innovation ecosystem has made tremendous strides,” Councilman P.G. Sittenfeld said in a statement. “We’re increasingly becoming a magnet for talented entrepreneurs across the country who want to come here to bring their big ideas to life. We need to ensure that we have the modern technological infrastructure to make Cincinnati nationally competitive.”
Cincinnati’s operating budget gap for fiscal 2015 now stands at $22 million, up from an earlier forecast of $18.5 million, largely because of extra spending on police pushed by Cranley and a majority of City Council. The city must balance its operating budget each year, which means the large gap will likely lead to layoffs and service cuts.
Commentary: “Budget Promises Spur Fears of Cuts.”
Cranley won’t re-appoint the chair of Cincinnati’s Board of Health. When asked why, Chairwoman Joyce Kinley told City Council’s Budget and Finance Committee that Cranley told her “he had to fulfill a campaign promise.” Some city officials say they worry Cranley is putting politics over the city’s needs.
Troubled restaurant Mahogany’s needs to pay back rent or move out, The Banks’ landlord declared Monday. The deciding moment for Mahogany’s comes after months of struggles, which restaurant owner Liz Rogers blames on the slow development of the riverfront.
Kathy Wilson: “Mahogany’s: Turn Out the Lights.”
Cincinnati’s Horseshoe Casino supports 1,700 workers, making it the largest of Ohio's four voter-approved casinos.
At least one airline, Allegiant Air, plans to add flights from Cincinnati/Northern Kentucky International Airport.
Headline: “Man wakes up in body bag at funeral home.”
“A 30,000-year-old giant virus has been revived from the frozen Siberian tundra,” the Los Angeles Times email@example.com.
In a recent conversation, Artistic Director Blake Robison described his program priorities and told me the Playhouse takes them seriously. “Variety is one of our hallmarks. We’re always going to make sure there are new works and culturally diverse works and that there are family-friendly or multigenerational things. We will find ways to continue to support and entertain the traditional audience while reaching out in various directions to new audiences. It’s our responsibility to bring the best theatrical material both old and new to our community.”
I’d say Robison’s third season sticks to his priorities.
Last Friday night, hundreds crammed into The Carnegie to witness local artist Pam Kravetz and a band of merry revelers open the show with a fanciful recreation of “The Mad Hatter's Tea Party.” While the artists entertained on a center stage/table surrounded by diners supping on handcrafted china, the rest of us enjoyed creatively crafted bites fashioned by local chefs. Especially tasty were the diminutive Belgian waffles topped with caramelized apples, shallots, goat cheese mousse and Sirop de Liège by chef David Kelsey of Taste of Belgium; a salad of spinach, pistachio relish, fig purée and goat cheese, topped with a tart cherry vinaigrette and wrapped in a cone of sopressata by chef Andrew Mersmann of La Poste Eatery; and The Rookwood’s chef Jackson Rouse’s offering of head cheese with frisée, pickled mustard seeds, crispy pig ear and blood orange.
And then there is of course the art. Art made of food. Art made to look like food. Look, but most definitely do not eat. And, without giving away any spoiler alerts, I will tell you two things: One, think twice before standing under the work of local artist Eric Brass — it could quite possibly put fear into the hearts of even the bravest of souls. And two, I was exceedingly tempted to lick the installation by Eye Candy Creative. It brought back one of my fondest childhood memories.
The Art of Food exhibition runs through March 15. More at thecarnegie.com.
About 1 in 20 Cincinnatians, many of them in the wealthiest neighborhoods, pay less in taxes because their home renovations and constructions are subsidized by a local tax program. While the program benefits the wealthy, it also hits Cincinnati Public Schools and other local services through lost revenue. The tax abatement program aims to keep and attract residents and businesses by lowering the costs of moving and living in Cincinnati. Anastasia Mileham, spokeswoman for 3CDC, says the tax abatements helped revitalize Over-the-Rhine, for example. Others say the government is picking winners and losers and the abatement qualifications should be narrowed.
With hotel room bookings back to pre-recession levels, Source Cincinnati aims to sell Cincinnati’s offerings in arts, health care, entrepreneurism and anything else to attract new businesses and residents. The Cincinnati USA Convention and Visitors Bureau established the organization to reach out to national journalists and continue the local economic momentum built up in the past few years. “Successful cities are those that have good reputations,” Julie Calvert, interim executive director at Source Cincinnati, told The Cincinnati Enquirer. “Without reputation it’s difficult to get businesses to expand or relocate or get more conventions or draw young diverse talent to work for companies based here.”
The harsh winter weather this year pushed Cincinnati’s budget $5 million over, with nearly $3 million spent on salt, sand and chemicals alone. . The rest of the costs come through increased snow plowing shifts and other expenses to try to keep the roads clean. The extra costs just compound the city’s structurally imbalanced budget problems. The need for more road salt also comes despite Councilman Charlie Winburn’s attempts to undermine the city’s plans to stockpile and buy salt when it’s cheap.
Mayor John Cranley says the success of The Incline Public House in East Price Hill, which he helped develop, speaks to the pent-up demand for similar local businesses in neglected Cincinnati neighborhoods.
Less than a month remains to sign up for health insurance plans on HealthCare.gov.
The estimated 24,000 students who drop out of Ohio schools each year might cost themselves and the public hundreds of millions a year, according to the Alliance for Excellent Education.
Ohio Attorney General Mike DeWine says meth abuse has reached “epidemic” levels in the state.
Ohio gas prices continued to rise this week.
Developers say they have funding for the first phase of a Noah’s Ark replica coming to Williamstown, Ky.
There’s a Netflix hack that pauses a movie or TV show when the viewer falls firstname.lastname@example.org.
In March of 1999, after running the Cincinnati-based Shake It Records label for several years, brothers Jim and Darren Blase opened a new record store in the Northside neighborhood. The store, also called Shake It Records, was an instant hit with local record-buyers, offering a huge chunk of vinyl alongside their CD stock, as well as books, magazines and various musical merchandise (among many other items).
Since then, word of Shake It’s awesomeness has spread far and wide — the well-stocked and unique shop has often earned nods in the national press as one of the best record stores in the country, and music heads from across the region always make trips to Shake It when in Cincinnati (or they make trips just to go Shake It). Indie Rock star/hardcore record lover Bob Pollard, for example, comes down from Dayton often and frequently leaves with a big stack of LPs for his (surely gargantuan) collection.
The beloved shop has also regularly featured in-store performances from both local artists and national touring acts (a Tegan and Sara in-store a few years ago drew the attention of local TV news stations because of the huge turnout to meet the Pop duo). To celebrate its 15th anniversary — a remarkable milestone considering Shake It’s rise coincided with the rise of digital music and the alleged death march of brick-and-mortar record stores — Shake it will be presenting a string of performances throughout March.
The free, intimate shows kick off tomorrow (Saturday, March 1) with a 7 p.m. performance from Cincinnati Pop/Rock guitar/songwriting legend Rob Fetters. Fetters, who kicked off the 2014 Cincinnati Entertainment Awards in January with a surprise performance, will be supporting his latest solo release, Saint Ain’t, and you’re bound to hear a few songs from his expansive songwriting legacy with the bands The Raisins, psychodots and The Bears.
Shake It recently released the schedule of in-store performances for the rest of the month, with more to be added. Not that an excuse is needed for a Shake It visit, but the following events are great chances to stop in and wish the store a happy birthday.
March 15: Cincy Honky Tonk ensemble Jeremy Pinnell & The 55's (7 p.m.)
March 19: Luther Dickinson of the North Mississippi Allstars, supporting his third solo release, Rock ’n’ Roll Blues, which comes out March 18. (time TBA)
March 21: Northern Kentucky singer/songwriter Daniel Martin Moore, who’s released acclaimed material through the Sub Pop label, and “Friends.” (8 p.m.)
March 22: The Shake It label’s biggest success story, Cincy rockers Wussy, who will preview their new album, Attica, which releases nationally on May 6. (7 p.m.)
March 29: Covington Indie Rock crew Frontier Folk Nebraska, whose releases are distributed through the Shake It label. (7 p.m.)
Each week our intern Amber will be exploring what Cincinnatians are interested in by scouring the local Twitter trends and reporting on what she’s found. From serious tweets to goofy hashtags, she’ll highlight what Cincy’s been buzzing about. So get to tweeting, folks.
Kilpatrick became the second player to score 2,000 career points at UC during the
Bearcats’ game against Louisville on Feb. 22. The only other Bearcat who tops
his record is Oscar Robertson, "The Big O," whose career points
totaled 2,973 by 1960. Fans from Cincinnati and beyond were showing their love
for Kilpatrick all over Twitter on Sunday.
As in Dale Earnhardt Jr., the superstar of NASCAR. Earnhardt won the Daytona 500 for the second year in a row and as part of his celebration, he finally decided to create a Twitter. In 10 hours, the racecar driver accumulated over 450,000 followers — 515,000 by Wednesday and 526,000 by Friday. I’ve had my Twitter for years and I’m barely pushing 200 followers. Anyway, who says NASCAR is only for the Southern folk?
A judge in Texas voided the ban on gay marriage in the state this week. An outpour of support for the judge’s decision was evident throughout the nation. Following suit in equality, an Arizona judge vetoed a bill that would allow businesses to refuse service to the LGBT community due to their “religious rights” being violated. Of course, Cincinnati also made moves toward a more equal community when announcements of a domestic partner registry for same-sex couples were made.
Thursday was the start of spring training for the Reds. The boys took the win, 8-3 over the Indians, in the Cactus League Opener. It doesn't matter if you think Homer Bailey's extension is a total waste or that Joey Votto should have won the Face of MLB competition, one thing we can all enjoy is the sweet sound of Marty Brennaman’s voice and the memories of warm weather it has brought with it for the past 50 years.
You know I had to do at least one funny trend. People just made up categories that should be in the Oscars:
Tyler Perry presents the Tyler Perry Oscar for best performance by Tyler Perry.
@startpuking: Movies so bad you yell, Sharkeisha! No!
@MnightShelton: Best Seth Rogan film in a non-Apatow production
Also trending: Stiles, #WatchingTop13, Taco Bell, #Scandal, Penn State, Son of God and #BBN.
The city’s cost of a long-planned piece of cycling infrastructure could more than double if City Council approves a motion Vice Mayor David Mann planned to introduce on April 23.
Mayor John Cranley successfully paused the Central Parkway Bikeway Project for public discourse in response to a handful of business owners and residents taking exception to it, and a spokesman for Mann shared his suggested compromise with CityBeat today.
In response to an April 21 special Neighborhoods Committee meeting, Mann seeks to alter the bike route to appease people who don’t want to see parking spaces removed, but the updated plan will cost an additional $110,00 on top of the $82,600 the city would pay under the original plan, which would create the beginning of a cycling corridor running from Elm Street downtown to Ludlow Avenue in Clifton. The project was supposed to break ground next month and could lose $330,400 in federal money if the contract isn’t awarded by May 1.
“We routinely spend hundreds of thousands of dollars as a city to create new jobs in our community,” Mann said in a statement. “We should not approve a new project that places 60 newly created jobs in jeopardy when such a sensible accommodation is available.”
The planned bikeway is an innovative piece of cycling infrastructure meant to better protect cyclists along a critical thoroughfare that would connect a number of inner-city neighborhoods and business districts. The lane will be protected, meaning cyclists will have their own lane with a buffer separating them from traffic; in some areas plastic bollards will separate the bike and automobile lanes. The street will not be widened, so traffic lanes will be impacted through restriping, and parking will be restricted during peak traffic hours in the morning and evening.
Opponents of the project are concerned about losing public, on-street parking for parts of the day as well as potentially encountering traffic issues from shaving lanes from Brighton Place to Liberty Street. They also worry the bollards will become a blight issue and emergency vehicles will be impeded during one-lane hours.
Mann’s motion supports an alternative plan for a section running from Ravine Street to Brighton Place that would preserve 23 parking spaces full-time, alter 4,300 square feet of greenspace and remove 15 trees at an estimated cost of $110,000. The parking spaces would benefit a building owner and his tenants at 2145 Central Parkway.
City Councilman Chris Seelbach and others demonstrated frustration with the administration’s interest in stepping in at the 11th hour.
“I think we have reached a new era in Cincinnati: two steps forward, pause, lots of long meetings, two steps forward, and I’m convinced after the pause and lots of long meetings, we will continue to go two steps forward today,” Seelbach said at the April 21 meeting.
Mayor Cranley requested City Manager Scott Stiles delay awarding a contract after meeting with local business owner Tim Haines, who purchased a vacant building located at 2145 Central Parkway in 2012 for $230,000. His building now houses 65 employees from 12 different businesses including his own, Relocation Strategies. Haines has become a mouthpiece for the opposition to the bikeway — though he adamantly states he is not against the lane; he is just against the project’s current incarnation as it affects Central Parkway near his business, which utilizes 500 feet of on-street, unmetered parking, which translates to 30 parking spaces.
“If parking wasn’t an issue, I would open up my arms and welcome the bike path,” Haines says. “Parking for my 65 tenants is in jeopardy. As a business owner I have to fight for my tenants. … Could they park and walk a quarter of a mile? They could, but that’s not what they signed up for when they moved in.”
Haines has a 16-space parking lot adjacent to his building that some of his tenants use and also owns a parking lot across the street that is in disrepair. Haines says he already cleared it of underbrush to cut down criminal activity and disposed of dozens of tires and beer bottles. He says it would cost up to $300,000 to upgrade the lot.
During the April 21 presentation, Department of Transportation and Engineering (DOTE) Director Michael Moore presented the committee with an alternative recently developed with Cranley’s office that he said would appease Haines and his tenants but would cost more money. Moore pushed the notion that the alternative creates a more balanced bikeway plan.
The original plan, passed by council last year, restricts parking in front of Haines’ building from 7 a.m. to 9 a.m. Moore’s alternative, which Mann is on board with, is to ramp the bike lane over the curb adjacent to a sidewalk where there is currently a tree-lined area in front of Haines’ building and another business in order to preserve public parking full-time.
At the meeting, council member Young took exception to the suggestion of changing the project at this point.
“For the life of me, I don’t see where the reasonableness and the balance is with people who come so far after the fact that want us to make these changes and the dollar amount it’s going to cost the taxpayers to get it done,” Young said. “I am appalled that people can come after the fact and tie up all these people down here to simply want accommodations for them.”
Mann shared another perspective.
“There’s a gentleman who has brought 60 jobs to the city, including some folks who have Parkinson’s and use the building, and the proposal that’s being made seems to me to represent balance,” Mann said. “We spend millions of dollars, typically, to support development, to support jobs, and you’re saying that the proposal that was originally approved by this council without a hearing like this is so pristine that it cant be adjusted in any way, and if it’s adjusted that is a statement of imbalance? I just don’t follow that.”
For the past year and a half, DOTE conducted surveys, sought public input and developed plans for the bikeway. After a strong consensus, the department chose the protected bikeway plan. The bikeway is estimated to add just three seconds of motorist commute time by 2030, though some naysayers suggest that delivery trucks will clog the lanes and the turn left from Ravine Street will create an even longer lag.
Community outreach for the design began in March of last year with eight community council meetings. Letters were mailed to residents, businesses and property owners, but Haines and several other business owners stated they didn’t receive any and weren’t aware of the project until late last year.
A website designed for public feedback also garnered about 600 messages mainly supporting the bikeway project. DOTE held an open house last September and the Over-The-Rhine and Northside community councils, Findlay Market and Northside Business Association endorsed the project.
Simpson expressed frustration with halting progress for a last-minute meeting.
“I don’t think that’s an appropriate process,” she said. “Really, technically you can go over everything over the past two years. The reality is we need to look forward. If we want to be less auto-focused and more focused on other types of transit, we’re going to have to ruffle a couple of feathers.”
Supporters — some who biked to the April
21 meeting and utilized a bike valet setup in front of City Hall —
represented various groups of the community from health and community
councils to business owners and cyclists. Their number doubled opponents
— mainly business owners along Central Parkway in the West End and the
West End Community Council, though some West End residents and business
owners supported the original bikeway plan.
There are several good theater choices south of the Ohio River this weekend.
The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.
Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.
If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.
Comedian Rajiv Satyal was born and bred in Cincinnati — Fairfield to be exact. He’s gone from being an intern on Capitol Hill to brand manager at Procter & Gamble to full-time comedian living in Los Angeles. Satyal has worked with Dave Chappelle, Kevin James, Tim (the tool man) Allen, Kevin Nealon and Russell Peters. Heard of the University of Cincinnati’s Bearcast? He named the school’s radio station-turned-media group. He runs a consulting business called StandPoint Agency and is a regular at all the L.A. comedy clubs, but he got his start at Montgomery’s Go Bananas. Satyal’s unique way of viewing the world continually draws in more fans. He refers to himself as the funny Indian, but he’s really just a funny — and nice — dude from Ohio. Satyal performs his first one-man show No Man’s Land Saturday to a sold-out audience at the Aronoff Center, and he squeezed CityBeat into his schedule for a quick rundown of all things Rajiv.
CityBeat: Since you’re from Cincinnati I have to ask, what high school did you go to?
Rajiv Satyal: Totally fine, a very Cincinnati question, but I went to Fairfield High School and I got an undergrad at the University of Cincinnati in materials engineering.
CB: I read that you worked on Capitol Hill, what did you do there?
RS: I was at the University of Cincinnati at the time and I went out to Capitol Hill to be an intern for a representative, Steve Chabot. So I just worked in the office and it was for fun, I got to live in DC and explore that town and did whatever tasks around the office, but it was mostly getting the feel of Washington.
CB: Do you have a funny family or what sparked your interest in comedy?
RS: Actually I have two brothers and, well, two parents, and everybody has a sense of humor. It was a super fun household to grow up in. We were all pretty positively reinforced, we weren’t really a tough crowd, like, we definitely encouraged each other to say funny things and we laughed a lot. I know a lot of comedians’ families would be like, you know, “boo” or whatever when they told a joke and were a tough crowd, but we were a really good crowd for each other and just kind of encouraged each other to be funny. My brothers and I never really fought a lot growing up, which is so strange, but we all got a long and we had a good time.
(Check out Rajiv’s dad going Bollywood last Monday on The Bob & Tom Show here.)
CB: Does Cincinnati or growing up here inspire any of your stand-ups?
RS: Oh, definitely. I feel like growing up in Ohio, it made me kind of more of an everyman being able to relate to people in the heartland of the country and people who grew up on the coast. I think people on the coast have their own sensibility, but it’s hard to know what works inland. A lot of comedians are like hurricanes; they knock it out on the coast, but when they come inland they die. I feel like being from the Midwest gives me an advantage.
CB: What inspired you to pursue comedy seriously?
RS: When I turned 30 I really flipped out, I was like, ‘Man, I’ve lived in Ohio my whole life and I need to do something different.’ So I left Procter & Gamble and moved to Los Angeles, I was a brand manager at P&G Water for only about 3 months and then I jumped shipped and went into it [comedy] full-time. I guess I felt like I really enjoyed speaking in front of people and I love being funny and those two things lend themselves well to being a famous comic, ya know.
CB: So basically just turning 30 did it for you?
RS: Yeah, I felt like life’s too short and, you know, why do something you don’t want to do? Why not go for it. I guess I thought when I turned 30 I felt like, “Man, I don’t want to turn 40 and watch TV and go, ‘Man I could have done that.’” I think given all the privileges, if I don’t try it…I’m born in the United States, I’m American, I have all these opportunities, it’s the land of opportunity, you got to self-actualize, man, go for it.
CB: How has your comedy evolved from where you first started to now?
RS: I would say that just getting deeper. As comedians do it longer and longer you start to go from jokes to more of a point of view. You start to realize what makes you funny. You have these weird beliefs and you stand out a little bit. You don’t really have to do jokes anymore, you just tell people what you think and they think it’s funny because they are like, ‘Wow, that’s a weird way to look at it.’ Being able to make people laugh at the way you look at the world, I think that’s kind of cool.
CB: Do you have any stories about opening up for or working with various comedians?
RS: I actually opened up Dave Chappelle’s very first show when he came back from Africa in 2005, so that was really cool. I had opened up for him at the University of Cincinnati in 2000 before I even started doing stand-up — I started doing stand-up in 2002. So people in the student senate and student government and programming board at UC were like, ‘Hey, you’re a funny guy, you’ve done a little bit of stand-up, would you want to do?’ So I opened for Dave Chappelle at UC and got booed off the stage in front of all these people. Then five years later I opened Dave Chappelle’s first show when he comes back from Africa and I did really well, I killed and it was really redeeming.
CB: Did he remember you from 2000?
RS: Yeah, he did actually, that’s what’s crazy about it — that he remembered that. It’s funny. He was really encouraging and complimentary. I talked to him for two hours by myself that night in 2005, after we were done, just he and I were in the room and for two hours we were just talking about politics and religion and the world…I know that he was happy that I stuck with it and everything.
CB: Who would you like to work with in the future that you haven’t worked with?
RS: I would like to work with Bill Burr. He is not an extremely well-known person, but he is a genius and he is from Boston. I think it would be awesome to work with Louis C. K., of course, he is like the biggest guy in comedy right now. I mean, I don’t know, I think Jerry Seinfeld would be pretty awesome. I love Ricky Gervais, I’m a big fan of Ricky Gervais, a guy from England. Chris Rock, I love Chris Rock. I actually met Chris Rock when he performed at Ohio State and I told him someday I am going to open for him and he goes, ‘That would be something man, you never know.’ So I have to make good of my promise. I told him one day I was going to open for him, so I better do.
CB: What kind of topics or themes can audiences expect from No Man’s Land?
RS: It’s mostly about dating and relationships. The central questions of the show are: Why am I single and how would you define manhood in modern society? So I’m a single, 38-year-old man out there trying to figure out the evolution of manhood and what does it mean now, how does the definition of manhood change and I try to define it. It’s not a show about men versus women, it’s a show about men versus guys.
CB: What do you miss most about living in Cincinnati?
RS: Well my family, obviously, my family and my friends. I have a really good friend who lives in Seattle, but he is thinking about moving back here and the only reason is his family; it’s not for the weather, it’s not for a better job and it’s not for anything else other than the fact that his family is here. I think family is a big thing.
CB: I feel like if I moved away I would miss three-ways too much.
RS: I do miss Cincinnati food. I love LaRosa’s, I love Graeters’, I love Skyline and I do love Cincinnati food. You know, there is something about the Midwest. The people are super nice and, you know, just walking down the street you can say hi and the person will say hi back or the person will initiate or whatever — that doesn’t really happen in L.A. as much, at all, and people are not as nearly as friendly as they are here.
CB: What advice do you have for people who are trying to break into the business?
RS: I think they should just start. They need to start…The Internet is such an opportunity to reach the people you want to reach. I think it’s possible more than ever to go down to the local comedy club and enter the open mic night and start. Get to know the people and get up and do it. Write material, start a group up that supports each other. It is difficult, but you know there is a way in. Comedy is more accessible than ever.
Get a glimpse of some of Satyal’s funny stuff here.
This evening at its Jackson Street headquarters in Over-the-Rhine, Know Theatre of Cincinnati revealed the lineup for the 11th annual Cincinnati Fringe Festival to a crowd of nearly 100 enthusiastic supporters and performers. The two-week festival begins Tuesday, May 27, with the CityBeat Fringe Kick-Off Party; it winds up 12 days later on Saturday, June 7, having presented 32 productions — 17 plays, two musicals, seven solo performers, and six dance presentations. In addition, there will be four FringeNext productions (selected from 11 applicants — a record number), featuring original material produced and performed by local students from the School for Creative and Performing Arts, Newport Central Catholic High School, St. Xavier High School and Highlands High School.
Performance Gallery is kind of the alpha and omega of the Cincinnati Fringe: They’ve been in all 11 festivals, including the 2008 hit show fricative. Producer Eric Vosmeier calls them the inspiration for much of what the Fringe is about: They were doing “fringe-like” work before the festival began, and they’ve returned annually with work that pushes the envelope. This time they’ll offer Heist, about three crooks of questionable ability. Vosmeier also cited Pones Inc., the dance-based company that returns for the seventh time with Traffick, a piece of audience engagement that explores issues of human trafficking. Vosmeier says, “This is the kind of work the Fringe was built to exhibit.”
“We had a great mix of new producers and returning favorites in the applicant pool,” Vosmeier says. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”
The Cincinnati Fringe differs from festivals elsewhere in that productions are screened and handpicked by a committee of local theater artists. Drawing from a large pool of applicants, comparable to last year’s record-breaking number, this yielded a balanced mix of local vs. out-of-town producers: 15 from Greater Cincinnati and 18 from beyond. The latter number includes three international shows, the most ever for the festival: Around Dark Matter, a Holocaust memory piece by Mica Dvir, is from Tel Aviv, Israel; A Brief History of Beer by Wish Experience from London, a company that has performed at festivals from Edinburgh to Adelaide; and Prefer Not to Say, an interactive piece by blueDragonfly Productions, another U.K. group, the presenter of And All the Rest is Junk Mail a year ago.
For Wednesday evening’s announcement event, members of the Fringe staff mentioned the shows they were most looking forward to. They named:
· An Unauthorized Autobiography of Benny Hill by Four Humors Theater (Minneapolis), the creative minds behind such past Festival favorites as Lolita: A Three Man Show, Bombus and Berylline and Harold. This will be their sixth consecutive Cincinnati Fringe appearance.
· Blogging Behind Bars by Unity Productions, creators of two past Fringe hits, The Wave and Nothing. This time it’s a true story about a young, nonviolent criminal who wrote a blog while incarcerated in a maximum-security prison.
· Papa Squat’s Store of Sorts by solo artist Paul Strickland from Indianapolis, whose Ain’t True and Uncle False was a “Pick of the Fringe” last year. His new show is a music-filled memorial for a guy who “once filled the emptiness in Big-Fib Cul-de-sac with his insightful songs.”
· Something Something New Vagina by Rebecca Kling, a transgender artist and educator from Chicago with a follow-up show to her 2012 production, Beneath Her Skin.
· The Ultimate Stimulus by Felipe Ossa, a Brooklyn-based playwright and a new artist to the Cincy Fringe, is presented in the form of a TED Talk that argues for concubinage as a way to address the problem of income inequality.
The festival is also a chance for Cincinnati’s local theater companies to show off. Clifton Performance Theatre will present Sarge, a piece by Kevin Crowley about the wife of discredited Penn State assistant football coach Jerry Sandusky. Untethered Theatre has prepared Where Edward Went, a new play by Ben Dudley and Adam Sievering about a screenwriter’s effort to make a documentary about Edward, the late fiancé of Elyse, a painter. They don’t quite agree about the portrait. New Edgecliff Theatre will offer TRAGEDY: a tragedy, described as “one of the funniest apocalypses of our time.” And Ensemble Theatre Cincinnati’s intern company always offers a fine showcase of young talent. This year it’s two one-act plays: Sheila Callaghan’s Crumble (Lay Me Down, Justin Timberlake) and Itamar Moses’s Authorial Intent.
In addition to the productions offered nightly, artists, audience members, staff and volunteers flock nightly at Know Theatre’s Underground and headquarters for the Fringe Bar Series, with a reasonably priced bar, some free food inside and offerings for purchase from food wagons on Jackson Street. Each evening after the Channel Fringe Hard Hitting Action News Update, everyone has a chance to be a performer with activities such as the Fringe Olympics, Fringe-A-Oke, Fringe Prom, Segway Night and the Night Without Technology. This year the Bar Series night adds Fringetoberfest, an evening of German-inspired food and brews from local craft beer creators.
Vosmeier expects the festival to attract more than 8,000 visitors this year. If you’re someone who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) providing access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can only make it once, a “One Night Stand” pass ($25) is available — admission to any two performances in an evening plus one drink at Know’s Underground bar. Single tickets to Fringe shows continue to be priced at $12; they’ll go on sale in mid-May.
There will be lots more — and the lineup can change. Hey, it’s the Fringe, so be ready for anything. You’ll find details on all these shows and more at cincyfringe.com.
The Contemporary Arts Center marks its 75th anniversary with the launch of its newly redesigned website, contemporaryartscenter.org.
By adding a timeline and a list of exhibits dating back to 1939, the updated site highlights some of the museum’s most notable attractions through videos and interactive learning. The historical timeline depicts an honest look at what Cincinnati was like in 1939 and displays the iconic artists that put the CAC on the map. In 1940, Picasso’s Guernica toured the Midwest for its first and only time and made a pit stop in Cincinnati. In 1963, the Pop art show An American Viewpoint was one of the first exhibitions of its kind. And in 1990, nearly 81,000 people visited the Robert Mapplethorpe exhibition.
Along with the illustrated timeline and videos, the CAC site also offers lesson plans, exhibit brochures, audio files and slideshows about past exhibits. New features like online ticket admission and family visitor information have been added. After 75 years and hundreds of amazing artists, the Contemporary Arts Center has proven it’s still the coolest place in Cincinnati to spark your creativity and become inspired.
FORM, a Cleveland-based creative services firm, designed the visual layout of the site.
Dining Out For Life is an annual event to raise funds for licensed AIDS service agencies in 60 cities across the nation. Started in 1991 by ActionAIDS in Philadelphia, today more than 3,000 restaurants donate a portion of their proceeds from one day to the aforementioned service agencies; more than $4 million is raised each year which goes directly to the agencies (except for a $1,150 licensing fee).
Cincinnati's Dining Out For Life event benefits Caracole, a nonprofit that provides housing and supportive services to individuals and families living with HIV/AIDS in eight counties across Southwest Ohio. Caracole currently serves more than 1,400 clients and their families.
Area restaurants participating include Arnold's Bar & Grill (donating 25 percent); Below Zero Lounge (donating 100 percent); Blue Jay Restaurant (donating 25 percent); Green Dog Cafe (donating 25 percent); Kitchen 452 (donating 25 percent); Tom+Chee (donating 25 percent); and more. Find a full list of participating restaurants and how much they're donating here.
Dining Out For Life is easy. Just follow three steps:
If you would like to participate or would like more information, please contact Megan Green, Caracole Community Investment Coordinator, at 513-619-1483 or at email@example.com.
Senior prom is a special
milestone for many American teens, but even traditions as old as school dances
change over time. Intimate one-on-one dates have given way to group dates and attending as friends. Flip-flops and cutout cocktail dresses replaced the overdone evening
look for many girls. And now a southern-fried specialty is getting in the prom
game. Kentucky Fried Chicken — What? Yes. — partnered with Louisville florists to create the chicken corsage. For $20, Louisville residents can purchase a corsage from Nanz and Kraft Florists that includes a $5 gift card to KFC, where folks can then go buy the perfect piece of chicken. It can only be assumed that after prom, girls will press the greasy chicken bone between their yearbook pages, just like their moms did with their corsages when they were young.
It’s confirmed: Stephen Colbert will take over the Late Show desk once David Letterman retires sometime in 2015. That’ll mean no more Colbert Report and, likely, the end of the host’s faux-servative character. Start the countdown to the announcement of a new reality show following Letterman, Leno (and, let’s just be honest — Craig Ferguson and Conan O’Brien) around Ex-Host Island. Move over, old people! Slightly younger people are takin' yer jerbs!
In the contemporary classic Mean Girls, Lindsay Lohan’s Cady describes Halloween as, “the one night a year when a girl can dress like a total slut and no other girls can say anything about it.” Well, Coachella must be kind of like Halloween for celebrities, except instead of wearing lingerie and some form of animal ears, they throw on the most jumbled assortment of terrible fashion fads. Not sure about the new cream-colored designer jumpsuit you purchased? Try it out in the middle of the desert! Want to channel Woodstock without ever having been to, read about or seen a photo of Woodstock? Grab a Native American headdress and wear that shit to Coachella. The fest is HQ for floral head wreaths, jorts and combat boots (often all worn at once), and for some reason I cannot pull myself away from the celeb photos of this mess. It’s like someone made a slot machine with various teenagers’ style blogs on Tumblr and everyone going to Coachella must take a spin to determine their outfit.
“Ooh, I got a bindi, a latex bra, a crocheted duster and gladiator sandals!” Just look at these famous attendees, capped off with Koachella Kweenz Kylie and Kendall Jenner.