WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home - Blogs - Users Blogs - Latest Blogs
Latest Blogs
 
by Rick Pender 07.07.2014
Posted In: Theater at 08:12 AM | Permalink | Comments (0)
 
 
andrew hungerford

Stage Door: Cincinnati Stages Are Waking up This Week

Cincinnati stages were pretty quiet over the Independence Day weekend, but this week they start waking up and getting ready for more. Tonight at 8 p.m. is the second installment of Serials! at Know Theatre. You can see six fresh, 10-minute episodes of brand-new plays by local playwrights — Trey Tatum, Chris Wesselman, Jon Kovach, Ben Dudley, Michael Hall and the team of Lauren Hynek and Elizabeth Martin — and featuring lots of Cincinnati-area actors. New artistic director Andrew Hungerford calls it a "theater party" offering cold beer, air-conditioning and world-premiere stories in Know's Underground bar (1120 Jackson St., Over-the-Rhine). Even if you missed the "pilots" on June 23, you'll get caught up with a recap before each episode. I had a blast watching these tantalizing tidbits two weeks ago, and I suspect tickets will become harder to get as the summer progresses. (Subsequent performances on July 21, Aug. 11 and 25 and Sept. 8.) Tickets ($15): 513-300-5669.


Ensemble Theatre Cincinnati is assembling a cast for its season opener, Hands on a Hardbody (Sept. 3-21), a recent Tony-nominated musical about 10 people vying to win a truck by outlasting their competitors and keeping their hands touching the vehicle — which will be onstage at the Over-the-Rhine theater (1127 Vine St.). ETC is seeking actors, singers and dancers for the show with an open audition on Wednesday this week (July 9, 5-8 p.m.). All are welcome, but an appointment is required. (Contact bholmes@ensemblecincinnati.com) Ensemble Theatre is an AEA Theatre. Union and non-union actors are encouraged to apply. Rehearsals begin August 11. ETC is seeking a diverse cast, and all ethnicities are encouraged to apply, especially African-American men and Hispanic males and females.

ETC had a big hit on its hands three years ago with the Tony Award-winning musical next to normal about a woman with bipolar disorder. In fact it was such a draw that they revived it in the summer of 2012. Although the Rock musical is a challenging work, this week features not one but two productions by Cincinnati-area community theaters: Sunset Players on the West Side and Paradise Players on the East Side. Both productions open Friday evening. The venerable Sunset Players, which presents shows at the Dunham Arts Center (in the Dunham Recreation Complex, 4320 Guerley Rd., Price Hill), has performances through July 26, mostly at 8 p.m. (July 20 is a 2 p.m. matinee.) Tickets ($14-$16): 513-588-4988. Meanwhile, Paradise Players, a newish group offering summer productions at McNicholas High School's Jeanne Spurlock Theatre (6536 Beechmont Ave.), will offer the show just this week, July 10-11 (7:30 p.m.) and July 12 (2:30 and 7:30 p.m.). Tickets: $15 (http://mcnhs.seatyourself.biz

Area high schoolers now have Commonwealth Artists Summer Theatre (C.A.S.T.) as a summer outlet for theatrical opportunities at Highlands High School (2400 Memorial Pkwy., Fort Thomas). Starting Friday is a two-week run (July 11-20) of The Addams Family, a Broadway musical based on the bizarre and beloved family of characters created by cartoonist Charles Addams. C.A.S.T., headed by Fort Thomas Independent Schools' theater instructor Jason Burgess, enables kids from the Greater Cincinnati and Northern Kentucky to develop their skills in performance and production beyond their school year and beyond their school population. Tickets: $10 (http://www.showtix4u.com) or at the door.
 
 
by Rick Pender 06.27.2014
Posted In: Theater at 04:27 PM | Permalink | Comments (0)
 
 
stage door 6-27 - private lives  @ cincy shakes - photo rich sofranko  copy

Stage Door: Options Abound

There's a great array of theater this weekend, no matter what you like. That's a good thing, because local theater, like baseball, takes a kind of midsummer break (no All-Star Game onstage anywhere, however). So get out and see something this weekend, then enjoy the fireworks and picnics next. Here are some suggestions:

Traditionally entertaining shows can be found at two professional theaters. At Cincinnati Shakespeare Company, it's the closing weekend for Private Lives, a very witty classic comedy about marriage by Nöel Coward. (CityBeat review here.) Two couples are honeymooning in the south of France, in adjacent hotel rooms. Things go awry when one husband and the other wife cross paths by chance. They were once married to one another, and the spark quickly rekindles, despite the fact that they had a very volatile chemistry. It's a great piece for four comic actors, and Cincy Shakes has a great cast to handle it. Staged by Ensemble Theatre's D. Lynn Meyers. Tickets ($22-$31): 513-381-2273.

A different kind of couple is showcased at Covedale Center, where Neil Simon's The Sunshine Boys is in its final weekend. Two guys who were comic partners in the days of vaudeville — and who grew very tired of one another — are brought together for a TV special about the "good old days." They don't much want to do it, but they're coaxed, and the results of their bickering and nastiness makes for a lot of laughter. Tickets ($21-$24): 513-241-6550.

A new theater company, Stone on a Walk, has its inaugural production this weekend, a low-budget performance of Cain by Lord Byron at the Art Academy's lecture hall, a venue familiar to Fringe Festival mavens. Yes, the playwright is that Romantic poet George Gordon you might recall from lit classes. He also wrote plays, and this one from 1821 focuses on Adam and Eve's first son, resentful that his parents' transgressions have forced them out of Eden and made death a real possibility. He spars with Lucifer, still hanging around to make trouble, and is at odds with his pious brother Abel, as well as his wife Adah. Things don't go well, as you might recall — Cain becomes the first murderer. John Leo Muething has put together a three-show season for his new theater venture, Stone on a Walk, with a one-weekend performance of each work (more to follow in July and August). This one features three actresses: Caitlyn Maurmeier is Cain; Hannah Rahe is Adah, Cain's dutiful wife; and Aiden Sims plays Lucifer and Abel. The casting of females in male roles is unusual, and the doubling of Sims as villain and victim might cause a bit of confusion (although she plays Lucifer with sinister hissing vigor, while Abel is the picture of sincerity). The 70-minute performance is done with no stage lighting or scenery; the final section, with actors on the floor, is hard to see unless you're in the front row or two. Cain is a lot of talking, poetry and high emotions, but Maurmeier powerfully renders Cain's despair, and Sims is very watchable as Lucifer. Tickets ($10) at the door; the Art Academy is at 1212 Jackson Street in Over-the-Rhine.

How about a showcase of excerpts from Cincinnati's community theaters? Friday evening and all day Saturday that's what's happening at Parrish Auditorium at Miami University's Hamilton campus (1601 University Blvd., Hamilton). Four 30-minute selections tonight include A Midsummer Night's Dream and Les Misérables, and eight more tomorrow morning and afternoon (GodspellSteel MagnoliasNunsense and Tommy are among them). Each performance will be assessed and a few will be selected for a statewide competition in early September. Cincinnati has a lot of excellent community theater, and this is your opportunity to see some of the best shows that have been offered during the 2013-2014 season. Ticket information: http://bit.ly/1lkw098.

And in the off-week between Cincinnati Opera's opening production of Carmen and the upcoming staging of Silent Night, opera seekers might want to check out two works presented by the North American New Opera Workshop (they shorthand that name as "NANOWorks") at Below Zero's Cabaret Room (1122 Walnut St., Over-the-Rhine). It's the midwest premiere of Marie Incontrera's At the Other Side of the Earth, a riot girl opera followed by Eric Knechtges's Last Call (Friday-Saturday at 8 p.m.,Sunday at 2 p.m.). Incontrera's piece combines classical performance with punk sensibilities; the piece by Knechtges (who is head of the musical composition program at Northern Kentucky University) is loosely based on the Cincinnati gay bar scene and includes at "techno/house aria" and a high-energy drag performance. This is definitely not your grandmother's opera. Tickets: $20 at the door. 
 
 
by Rick Pender 06.20.2014
Posted In: Theater at 10:14 AM | Permalink | Comments (0)
 
 
stage

Stage Door: Keep the Groove Going

Probably the most entertaining thing onstage right now is Private Lives at Cincinnati Shakespeare. It's been selling so well that 2 p.m. matinee performances have been added this Saturday and June 28. (It closes on June 29.) It's the story of honeymoons going bad when a feisty divorced couple decide to reunite rather than stick with their new spouses — when they find themselves coincidentally in adjacent hotel rooms in Southern France. (CityBeat review here.) Cleverly staged by Ensemble Theatre's Lynn Meyers, using four of Cincy Shakes best actors. Of course it's all improbable and overdone, but that's a Noël Coward play for you — witty, silly and lots of fun. Tickets ($22-$31): 513-381-2273.

You'll find laughs elsewhere with the Covedale Center's just-opened production of The Sunshine Boys by Neil Simon, a master of comedy. It's about a pair of vaudeville partners who spent 40 years working together and ended up not speaking. But they're being coaxed to come together to re-stage one of their old routines for a TV special. Rehearsals don't go well and the actual live broadcast spirals down from there. Simon is a master of one-liners, and this show has a million of them. Tickets ($21-$24): 513-241-6550.

If Monday leaves you still looking for something onstage, Know Theatre is ready to open its doors for something entertaining: Serials! All summer long at two-week intervals (starting Monday) there will be 15-minute episodes of plays by local writers. This week you'll get to see pilots of Mars vs. The Atom by Trey Tatum, Flesh Descending by Chris Wesselman, The Funeral by Jon Kovach, The Listener by Mike Hall and Fetus and the God by Ben Dudley. These stories are open-ended and audience response will be a factor in where they go. If some of those names sound familiar, it's because most of them are veterans of the Cincy Fringe. If you had a good time there earlier this month, here's a way to keep your groove going. Tickets ($15): 513-300-5669.
 
 
by Rick Pender 06.06.2014
Posted In: Theater at 09:21 AM | Permalink | Comments (0)
 
 
2014-fringe-festival-image - designed by alex kesman copy

Stage Door: Wrapping up Fringe

Just two more days of the Cincinnati Fringe Festival, so here are a few recommendations for great shows you can still catch. (Look for reviews of these performances on CityBeat's Fringe page here.) Many Fringe performances are sold-out, so check in advance to be sure seats are still available: cincyfringe.com.

I was very impressed by Christine Dye's moving performance in Kevin Crowley's one-woman show, Sarge, about a woman whose husband is accused of child molestation. It's final offering is tonight at 7 p.m. Four Humors' An Unauthorized Autobiography of Benny Hill epitomizes the off-kilter nature of the Fringe, a piece that's funny and poignant. Last chance to see it is Saturday at 8:45 p.m. If you like storytelling, you can catch two of those on Saturday evening: Mike Fotis's Fotis Canyon (7 p.m.) and Paul Strickland's Papa Squat's Store of Sorts (9 p.m.) You might also want to check out the intern showcase at Ensemble Theatre, which just opened on Thursday evening; performances Friday (7:45 p.m.) and Saturday (1 and 7 p.m.). It includes some fine acting in some unusual scripts. True Theatre is offers another Fringe iteration featuring its own brand of revelatory truth-telling, featuring several Fringe artists providing back stories about their careers and experiences. That's at 9 p.m. tonight at Coffee Emporium. 

If your taste is for more traditional — but equally entertaining — theater, head to Cincinnati Shakespeare Company's production of Noël Coward's Private Lives, a witty comedy classic from 1930. A formerly married couple find themselves on honeymoons with new spouses, but in close proximity to one another. Trouble ensues. Four of Cincy Shakes best actors — Kelly Mengelkoch, Jeremy Dubin, Sara Clark and Brent Vimtrup — constitute the cast. It opens tonight and continues through June 29. Tickets ($22-$31): 513-381-2273, x1.

Finally, whether or not you're a fan of garage sales, you might be interested in what's happening on Saturday morning, 8 a.m. to noon, at the Cincinnati Playhouse's Scenery Shop (2827 Gilbert Ave., Walnut Hills, across from Thomson-MacConnell Cadillac): It's the regional theater's annual sale of props, furniture, dresses and more. If you're a regular at the Playhouse, you might recognize items from productions of A Delicate Ship, The Trip to Bountiful, Thunder Knocking on the Door, As You Like It and more. You'll have your choice of lots of miscellaneous items like china and glassware, dining chairs, tables and desks, area rugs, a bathtub and even a "concrete cherub planter." There's also a collection of 20th-century "day dresses," along with some formal gowns and fabric yardage. Prices are cheap; payment must be by cash or check. All items are sold "as is." 
 
 
by Rick Pender 05.30.2014
Posted In: Theater at 08:34 AM | Permalink | Comments (0)
 
 
stage door 5-30 - spamalot by showbiz players - photo provided

Stage Door: Full Speed Fringe

If you haven't found a couple of 2014 Cincinnati Fringe show that you're dying to see this weekend, you need to go to CityBeat's Fringe hub for some recommendations — including reviews of early performances of all 30-plus shows. But if you're still coming up short, there are more choices from area theaters. 

If it's fun you're seeking, you might want to stop by the Carnegie in Covington, where Showbiz Players is presenting Spamalot. It opens tonight and runs through June 8. You probably know that this very amusing musical (it won three 2005 Tony Awards, including best musical) is "lovingly ripped off" from Monty Python and the Holy Grail. If you can repeat lines from that 1975 cult hit, then this is surely the show for you. Tickets ($21.50-$24.50): 859-957-1940

Although it's not part of the Fringe, Marc Bamuthi Joseph's red, black & GREEN: a blues surely could be. The hybrid performance work leads audiences through four seasons in four cities: summer in Chicago, fall in Houston, winter in Harlem and spring in Oakland. Memories, hallucinations, dreams and lamentations are set in shotgun houses and subway cars, on park benches and in father-son conversations. I haven't seen it, but people I know have raved about the power of the work, which ranges from hilarious to poignantly sad. Joseph is a spoken-word poet, and his work is meant to be a conversation starter about sustainability and community building. It's being presented on Friday and Saturday evening by the Contemporary Arts Center at the Aronoff's Jarson-Kaplan Theater. Tickets ($18 for CAC members, $23 for everyone else): 513-621-2787

This is the final weekend for The North Pool at the Cincinnati Playhouse. (CityBeat review here.) Rajiv Joseph's anxiety-filled drama is a sparring match between a hard-nosed vice principal who thinks he knows something and a student, the son of Middle Eastern immigrants, who has things he wants to keep to himself — but it's not what the school official thinks. In fact, they both have secrets that are slowly, painfully revealed. Great script, great actors. This one is definitely worth catching. Tickets ($25 for students; $30-$75 for others): 513-421-3888

 
 
by Rick Pender 05.23.2014
Posted In: Theater at 08:42 AM | Permalink | Comments (0)
 
 
stage

Stage Door: Fringe and More

The really big show this weekend happens tonight when the The Cappies of Greater Cincinnati present their eighth annual awards for high school theater productions and performers. Our local program is one of the most established, right up there with programs in Washington, D.C., Philadelphia and beyond. Our local awards are presented at the Aronoff Center's Procter & Gamble Hall. In addition to the recognition of high school student performers, the evening offers excerpts from a dozen or so schools plus ensemble numbers featuring kids from all over the region — more than 20 schools participate in the program. An especially exciting aspect (at least from my point of view as a critic) is the fact that an element of the Cappies involves students attending one another's performances and writing about them. Tonight will open with a recognition of the outstanding boy and girl critics, and wrap up by citing the top team of high school critics. I'll be onstage at the Aronoff to present that award, as well as something new: An award for the "top critique" by a student writer. I had the privilege of choosing the winner, which will be posted on CityBeat's arts blog after the award ceremony. And to show how profoundly CityBeat is committed to cultivating arts coverage, we're inviting that winner to cover a high school Fringe Next production in the Cincinnati Fringe Festival, which kicks off next week. No award for me, but I'm honored to be asked to hand out this recognition to the next generation of theater writers!

Speaking of the Cincinnati Fringe Festival, I should remind you that it kicks off with a special party hosted by CityBeat on Tuesday. Performances begin on Wednesday evening (continuing through June 7). You can read my overview of the Fringe here touching on the many aspects of creativity, talent, emotion and flat-out fun that will be happening at venues throughout Over-the-Rhine and the northern edge of Downtown Cincinnati. For more information: www.cincyfringe.com.

It's Memorial Day weekend, which is sort of the end of the local theater season, but there's still plenty to see. Size Matters, Ray McAnally's entertaining one-man show about his career as a "hefty" actor gets its final performance on Sunday (CityBeat review here; box office: 513-421-3555), and the Cincinnati Playhouse's taut drama The North Pool is still available on its Shelterhouse Stage (CityBeat review here; box office: 513-421-3888).

One last tidbit: After many years of producing shows aboard the Showboat Majestic, Cincinnati Landmark Productions has pulled into port to stage its summer productions on dry land. They just opened a production of Jerry Herman's classic musical Hello, Dolly!, the kind of show that people have flocked to see on the 'Boat for decades. The Covedale Center for the Performing Arts is an interim stop: By next summer, CLP intends to steam into its new facility, The Warsaw Federal Incline Theater. If that name is unfamiliar, it's because it's just been announced. The savings and loan has been a West Side institution since 1893, and it's lending its venerable moniker to the brand-new 220-seat performing arts center, slated to break ground this summer. The fundraising effort seeking $5.6 million for the project is nearing completion. In the meantime, catch Hello, Dolly! between now and June 1. Tickets: 513-241-6550.
 
 
by Rick Pender 05.16.2014
Posted In: Theater at 09:02 AM | Permalink | Comments (0)
 
 
stage door 5-16 - north pool @ cincinnati playhouse - eli gelb & ted deasy - photo sandy underwood

Stage Door: Cat-and-Mouse Games at the Playhouse

You really can't go wrong with a show at the Cincinnati Playhouse this weekend. I gave both productions Critic's Picks. The North Pool, on the Shelterhouse stage through June 1, is a taut dialogue between a suspicious high school vice principal and a wary student of Middle Eastern descent. (CityBeat review here.) It takes a while (the show is about 90 minutes, played in real time) to decide who's the good guy and who's the bad guy, and you'll be turned around several times in the process. Excellent acting and a fine script by Ohio native (and Miami University grad) Rajiv Joseph makes this an excellent theatrical experience. On the Playhouse's Marx Stage, it's the final weekend for another kind of cat-and-mouse game. Venus in Fur is all about sexual tension, between an imperious playwright/director and the woman who's auditioning for a role in a play he's adapted from an erotic novel. (CityBeat review here.) David Ives' witty and allusive script (it's literary and mythical in some most amusing ways) is being produced at theaters from coast-to-coast, but I can't imagine there's a finer production than this one anywhere. Tickets: ($30-$75) 513-421-3888.

At Cincinnati Shakespeare Company, you still have two weeks to catch a rare production of The Two Noble Kinsmen. The play is rarely staged (perhaps with good reason: it's not one of Shakespeare's best), but Cincy Shakes' rendition is noteworthy because it's the final work to complete their endeavor of staging all 38 of the Bard's works. (More on that feat here; CityBeat review of The Two Noble Kinsmen here.) It's a feat accomplished by just a handful of theaters worldwide, and it's your chance to check this one off your bucket list. Through May 25. Tickets ($22-$35): 513-381-2273.

Falcon theater, which produces shows in the tiny Monmouth Theater in Newport, Ky., opens Bat Boy the Musical tonight. It's a show that was lifted from the headlines of the Weekly World News (yes, found in the finest grocery store check-out lines) about a strange creature found in a cave in West Virginia. Of course it's crazy, but the show is actually a really entertaining piece about acceptance and community. Three weekends, through May 31. Tickets ($17-$20): 513-479-6783

If you missed The Irish Curse presented by Clifton Players at the tiny Clifton Performance Theatre on Ludlow Avenue back in February and March, they've brought it back for a couple of weekends, this being the second of two. It's an amusing adult comedy about a bunch of guys fretting over the size of their "equipment." Tickets can be ordered online (brownpapertickets.com) or purchased at the door (but be aware: it's a small venue that quickly sells out).
 
 
by Rick Pender 05.09.2014
Posted In: Theater at 08:13 AM | Permalink | Comments (0)
 
 
the north pool @ cincinnati playhouse - eli gelb and ted deasy - photo sandy underwood

Stage Door: Thoughtful Performances

There are quite a few good options for theatergoing this weekend. First and foremost, I'd point to The North Pool at the Cincinnati Playhouse. It's a newish script from Rajiv Joseph (his play Bengal Tiger at the Baghdad Zoo was a runner up for the 2010 Pulitzer Prize), and it's a very timely piece, set in 2007 in a large public high school. Just two characters: a slightly disgruntled, tightly wound vice principal and a student of Middle Eastern descent who's been called in on the eve of spring break for a "conversation." What starts out as awkward but mildly amusing takes numerous twists and turns (the show is about 85 minutes long) and will keep you guessing as more and more is revealed. The teacher says people are like onions: You can keep peeling, but you never quite get down to the essence. You will arrive at a surprising — and moving — conclusion, likely not what you'll be suspecting. That's the kind of writing and performance to be found in this production. Through June 1. Tickets ($30-$75; $25 for teens and students, with the proviso that the show has strong language and mature themes): 513-421-3888.

For lighter entertainment, I recommend Size Matters at Ensemble Theatre. It's a premiere by actor Raymond McAnally, who performs the one-man show. He's a big guy in the theater, literally: 300 pounds. plus. He's used his weight to his advantage to find acting gigs, but he tends to be typecast — fat slobs, geeks and so on. Not great for self-esteem, but hey, it's work. However, it can wear on one's confidence, and when he sees his young nephew going down a similar path, well, it's food for thought. There's nothing terribly profound about this script, but McAnally is a very adept performer — he takes on the roles of his father, his nephew, even his wife, with the assistance of projections and sound effects. McAnally says that this is 95 percent material drawn from real life, and it has the ring of truth. It's not likely that this show will be produced elsewhere unless McAnally does it himself, so here's a chance to see a one-of-a-kind performance that will keep you laughing and make you like a guy you might have otherwise dismissed. Through May 25. Tickets ($39-$43; half-price and $15 student rush tickets starts two hours prior to show time if seating is available): 513-421-3555.

Cincinnati Music Theater opens its production of the classic musical Peter Pan at the Jarson-Kaplan Theater tonight (it runs through May 17). This top-notch community theater typically does a commendable job with big musicals, and this family-friendly piece is likely to be a big attraction, what with flying and local actor Joshua Steele in the title role. Tickets ($20-$24): 513-621-2782.
 
 
by Rick Pender 05.02.2014
Posted In: Theater at 09:25 AM | Permalink | Comments (0)
 
 
lynn meyers copy

Ensemble Theatre Announces 2014-15 Season

Ensemble Theatre Cincinnati's artistic director D. Lynn Meyers has assembled another set of intriguing productions for 2014-15, opening with the musical Hands on a Hardbody (September), a Tony-nominated 2013 musical with a book by Doug Wright, the playwright of I Am My Own Wife and bookwriter for Grey Gardens, both hits for past ETC seasons. This one is based on a 1997 documentary about a Texas contest to win a new truck by being the last person to keep at least one hand on the new vehicle. 

In October-November it will be An Iliad, adapted from Homer's classic Greek epic of the Trojan War by Lisa Peterson and Denis O'Hare. This one-man show will be staged by Michael Evan Haney, always a good bet for a fine production, and feature veteran actor Bruce Cromer as the many characters in the story.

For the holidays, ETC will bring back Sleeping Beauty, another of its smart fairytale adaptations that entertain kids and make adults smile.

To kick off 2015, ETC will offer Sharr White's drama The Other Place, a gripping psychological thriller. The March-April slot has not been filled yet. In May, former Cincinnati Playhouse artistic director Ed Stern will work with popular stage veterans Dale Hodges and Joneal Joplin to present the regional premiere of Outside Mullingar, a romantic comedy by John Patrick Shanley, winner of the Pulitzer, Oscar and Tony awards. (He's the writer of Doubt and Moonstruck.) They'll play the parents of the show's shy central character, Anthony, who lives on an Irish cattle farm, next door to Rosemary, who has pined for him for years. This one just had a Broadway production, so ETC's production will be one of its first on a regional stage.

Subscriptions are on sale now. For the coming season, ETC will offer a five-show Tuesday preview subscription, as well as Sunday evening subscriptions. The preview package provides the first chance to see productions (and at $125 price, considerably below the regular subscription rate), and the Sunday evenings have great seating availability. You can order a subscription by calling 513-421-3555.
 
 
by Rick Pender 05.02.2014
Posted In: Theater at 09:20 AM | Permalink | Comments (0)
 
 
stage door 5-2 - venus in fur @ cincy playhouse - photo sandy underwood

Stage Door: Rare Shakespeare, Romance and More

If you're looking for a show that will get things going romantically, I'll point you to the Cincinnati Playhouse's production of Venus in Fur (onstage through May 17). But be careful what you wish for: You might end up like playwright/director Thomas with your hands full of more than you wanted to take on. He's seeking an actress to play the central role in his adaptation of an erotic Victorian novel. Vanda shows up for an audition, none too promising at first, but the tables turn very quickly. This is a funny and provocative script, and Greta Wohlrabe's performance as Vanda is masterful and highly entertaining. I gave it a Critic's Pick. Tickets ($30-$75): 513-421-3888.

For something completely different — and in a venue I bet you've never visited — head to Bellevue, Ky., to St. John United Church of Christ (520 Fairfield Ave.) for a bare-bones, church-basement production of Joe Calarco's Walter Cronkite Is Dead by WIT-Women in Theatre. The group is focused on plays for and about women, and this one touches on a lot of issues when two women without much in common end up spending an unwilling evening together, stuck in an airport lounge due to bad weather. They cover a lot of territory — imperfect marriages, ungrateful children, fears, beliefs and politics (they're at opposite ends of the spectrum). Their ups and downs are a bit forced, but actresses Cat Cook and Cate White do solid jobs portraying two very different women. It's a tad like a movie of the week on the Lifetime channel, but there's some entertaining writing. This is the second and final weekend. Word has it that Friday night is pretty full, but Saturday (thanks to the Kentucky Derby) has plenty of seats available. Tickets ($15, discounted by $5 if you bring a piece of luggage bigger than a carry-on): 859-441-6882.

If you've seen Shakespeare's 37 other plays, tonight is the night for you to catch the one you've missed: The Two Noble Kinsmen opens at Cincinnati Shakespeare Company, the final script by the Bard that gives the company bragging rights to be one of only five theaters in the U.S. to stage every one of his plays. You can read more about this one, as well as Cincy Shakes, which is marking its 20th anniversary in my cover story in this week's issue. See it before it closes on May 25: Two Noble Kinsmen is rarely onstage, and Shakespeare fans are coming from all over North America to see this production. Tickets ($22-$35): 513-381-2273, x1.

Finishing up this weekend are runs of the musical Gypsy at the Covedale (513-241-6550) and Know Theatre's production of The Twentieth-Century Way (513-300-5669).
 
 

 

 

Latest Blogs
 
by Rick Pender 08.28.2015 19 hours ago
Posted In: Theater at 07:00 AM | Permalink | Comments (0)
 
 
shakespeare in the park crowd - photo provided by cincinnati shakespeare company

Stage Door

Park your theatergoing outdoors

At this point in the summer you have to look a little harder for theater productions. Most of our local companies are rehearsing for shows to open their 2015-2016 seasons. But that doesn’t mean there’s nothing to see, especially if you’d like to enjoy theater in the great outdoors.

Queen City Flash’s performances of The Complete Tom, from Mark Twain’s tales about Tom Sawyer, are both outside-the-box and — literally — outside, popping up in different area parks for each evening their final romp with Tom Sawyers, Detective, is being presented. In this installment (the fourth of four), Tom and Huck Finn set out to clear a friend implicated in a murder. To catch one of these free performances, you need to reserve a ticket at queencityflash.com. At 4 p.m. on the day of the show, you’ll receive an email with details of the “secret” outdoor location. The production, creatively staged by Bridget Leak, features six actors who play multiple roles using puppets and quick costume changes.

Another outdoor adventure is in store for you if you track down a FREE Shakespeare in the Park performance of a modern-dress staging of Romeo and Juliet this weekend. You’ll find one at Seasongood Pavilion in Eden Park on Friday, another at the McDonald Commons Park Shelter in Madeira on Saturday and a third at Keehner Park in West Chester on Sunday; all performances are at 7 p.m. This series is produced by Cincinnati Shakespeare Company, and it will be toured (as will a production of A Midsummer Night’s Dream) to local schools, community centers and other venues through May 2016.

If you prefer to sit in a theater, head to Covington where The Carnegie has a head start on the theater season with its mid-August production: Stephen Sondheim and George Furth’s innovative Company, onstage through Sunday. Even though the show has been around for 45 years, its outside-the-box approach — no beginning-middle-end story, in particular, but rather a central character, Robert, who’s turning 35 but remains disconnected, despite his married friends pushing help toward relationships — seems timely. Although the Carnegie’s actors are a tad young and don’t really feel like the New Yorkers who Furth’s script portrayed, they do a good job with the songs, and Zachary Huffman does a fine job with the central role. Here’s my CityBeat review. It’s onstage through Sunday. Tickets: 859-957-1940

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 08.21.2015 7 days ago
Posted In: Theater at 10:32 AM | Permalink | Comments (0)
 
 
stage door 8-14 hundred days @ know theatre - id from left - lindsey mercer - abigail bengson -brian koch - shaun bengson -colette alexander - photo by daniel r. winters

Stage Door

A few end-of-summer theater choices

Theater slows down this time of year as most local companies are readying to launch their 2015-2016 seasons in September. You’ll find two newish productions on local stages — Company at The Carnegie in Covington and 9 to 5 at the Incline in East Price Hill. Stephen Sondheim’s Company is a solid production with a nice turn by Zachary Huffman in the central role of Robert. There are lots of well-performed tunes by a young cast and some able musicians. Here’s my review. I’m not so enthusiastic about the third show of the Incline’s inaugural season: 9 to 5 is a weak offering after the successes of The Producers and 1776. That’s largely due to a script that’s pretty stale and silly, as I mentioned in my review. It’s based on a 1980 movie about a chauvinistic boss and three women who give him his comeuppance. Dolly Parton played a feisty secretary in the movie and had a hit with its title song. When the movie became a 2009 stage musical, she wrote the songs. They don’t add much. Cincinnati Landmark must have pulled out all the stops for the first two shows this summer; this one looks like they cut some corners. These two productions continue through Aug. 30.

This is the final weekend for Hundred Days at Know Theatre. This Rock opera has been an unqualified hit for the 18-year-old Over-the-Rhine venue. I gave it a Critic’s Pick and I’ve talked with several friends who have gone back to see it a second time. Abigail and Shaun Bengson sing their way through a tragic love affair — a marriage cut short by a terminal disease — that ends up feeling pretty joyous since they choose to celebrate their “100 days” as if it was the 60-year marriage they had hoped for. Great concept, great execution. Get a ticket if you can: 513-300-5669

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 08.14.2015 14 days ago
Posted In: Theater at 12:33 PM | Permalink | Comments (0)
 
 
stage door 8-14 hundred days @ know theatre - id from left - lindsey mercer - abigail bengson -brian koch - shaun bengson -colette alexander - photo by daniel r. winters

Stage Door

Only a few more days for 'Hundred Days'

Know Theatre’s Hundred Days is not running for 100 days. In fact, it has only seven more performances, so I urge you to get your tickets now if you haven’t seen it yet. (I say this in part because I’ve now heard from three acquaintances that they liked the show so much they’ve purchased tickets to go back to watch a devoted couple deal with a marriage that’s foreshortened by illness. So I’m sure some performances are getting very full.) David Lyman gave it a good review in the Enquirer, and I attached a Critic’s Pick to my CityBeat commentary, so we agree — and I suspect you might, too. Abigail and Shawn Bengson, the performers and creators of Hundred Days, are full of energy and passion, and their backup musicians are infected with the same spirit. Next Wednesday (July 19) is a free admission performance, which is likely to be very full. Tickets ($25 in advance): 513-300-5669

This is the final weekend for Cincinnati Shakespeare Company’s very funny show, The Complete History of America (Abridged), featuring three very funny performers — Amanda McGee, Justin McCombs and Geoffrey Barnes. I don’t think you’ll leave the theater knowing more about American history, but you’ll understand our willingness to poke fun at ourselves and others. It has some moments that fall flat, but that’s to be expected in two hours of non-stop efforts at hilarity. When they hit it, the show is a laugh-out-loud riot. Final performance is Sunday at 2 p.m. Tickets: 513-381-2273

Cincy Shakes’ FREE Shakespeare in the Park continues this weekend with performances of A Midsummer Night’s Dream at the Dunham Arts Center in West Price Hill (this one is actually an indoor performance) on Saturday at 2 p.m. and at Covington’s Linden Grove Cemetery on Sunday at 7 p.m. (Not that you want or need to drive to Portsmouth, Ohio, to see a performance, but the troupe is there tonight — showing just how far they’re willing to go to advance the cause of Shakespeare.)

I wish I could tell you that 9 to 5, the third musical in the inaugural season at the Warsaw Federal Incline Theater, is as entertaining or well done as its predecessors, The Producers and 1776. But it isn’t. Nevertheless, based on the strength of the season so far and the novelty of going to a brand-new theater most of the tickets for this lightweight musical have already been snatched up. It’s based on a movie from the 1980s that featured Dolly Parton, Jane Fonda and Lily Tomlin. Parton’s countrified tunes, written for the musical not the movie (which did feature her hit song of the same title), are mildly entertaining, but the story is full of clichéd stereotypes about “working girls” who struggle to work with a chauvinistic boss. The real Parton makes a video appearance, but it’s not quite enough. Through Aug. 30. Tickets: 513-241-6550

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 08.07.2015 21 days ago
Posted In: Theater at 09:07 AM | Permalink | Comments (0)
 
 
stage door 8-5 -hundred days at know theatre - id - shaun bengson - photo by daniel r. winters

Stage Door

Make ’em Laugh: Midsummer Theater

Hundred Days, a Folk Rock Opera onstage at Know Theatre, continues to be the go-to show of the summer. The story of a marriage that gets short-circuited by a fatal illness turns into a joyous 75-minute concert music written and performed by the dynamic duo of Abigail and Shaun Bengson, with five musicians and singers behind them. Rather than wallow in grief about having only 100 days, they celebrate their love by condensing what they imagine 60 years of life might have held. It’s a lovely story, told in an imaginative, contemporary way. Read my CityBeat review, which gave it a “Critic’s Pick.” Tickets: 513-300-5669

Cincinnati Shakespeare has three excellent comic actors onstage at the moment who know how to wring every possible laugh out of a satiric script. Geoffrey Barnes, Justin McCombs and Amanda McGee are performing The Complete History of America (Abridged), another script by the zany trio who wrote The Complete Works of William Shakespeare (Abridged). I think this one tries a little too hard to be hilarious, so a few moments feel kind of lame, but these three players manage to pick things up, make a little fun of themselves and move right on with more gags, jokes, pratfalls, spit takes and costume changes. It’s an evening of hilarity. Here’s my CityBeat review. Through Aug. 15. Tickets: 513-381-2273

Cincy Shakes’ FREE Shakespeare in the Park tour continues this weekend with a 7 p.m. performances of Romeo and Juliet at Cottell Park in Deerfield (Friday) and the Community Park Pavilion in Milford (Sunday) as well as A Midsummer Night’s Dream — at the Community Pavilion in Glenwood Gardens, a Hamilton County Park. 

Finally, if you’re willing to drive to Dayton for the Human Race Theatre Company’s first-ever Festival of New Works. The weekend offers a collection of readings of five scripts — three plays and two musicals — by local, national and international writers. The lineup includes full readings of Have You Ever Played, Dayton?, a play by Robb Willoughby, and Mann … and Wife, a musical by Douglas J. Cohen and Dan Elish based on the latter’s novel Nine Wives. There will also be three 30-minute “snapshot” readings: Karen Righter’s play, The Day After Epiphany; Central Park Tango, a musical by Nicky Phillips and Robert Gontier; and Scott Stoney’s adaptation of Some Self-Evident Truths, a play based on the journals of Lucille Wheat and Lois Davies. Open talkbacks with the creative teams follow the readings. The “snapshots” (Saturday at 8 p.m.) are presented and ticketed as a group. Readings will be held in the 60-seat Caryl D. Philips Creativity Center of The Human Race and The 212-seat Loft Theatre in downtown Dayton. Info: 937-228-3630 or humanracetheatre.org

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 07.31.2015 28 days ago
Posted In: Theater at 09:07 AM | Permalink | Comments (0)
 
 
stage door 7-31 - hundred days at know theatre - id - abigail bengson -  photo by daniel r. winters (1)

Stage Door

Make ’em Laugh: Midsummer Theater

On Wednesday evening I took a bunch of kids (four elementary-school-age nieces and a nephew in town for a visit) to see a bunch of kids (high schoolers, average age 16) in Hairspray, this summers’ Cincinnati Young People’s Theatre production at the Covedale Center. The verdict: “We loved it.” One of them said, “They did more singing than talking.” (A good thing, in her opinion.) And one even got the message of black and white teens breaking color barriers and just being teens. So the story from 1962 still makes some sense. The CYPT performers come from 33 schools across Greater Cincinnati. It’s a big undertaking to get that so many performers (I counted 70 in the program) working together, plus several more backstage. Tim Perrino has been doing this for 34 years, so he knows how to get the best out of teen performers, and there are some standouts in this cast — especially Julie Deye and Gabe Schenker as the ebullient but fair-minded plus-sized teen and her lumpy mom. The kids are all right! Performances continue through Sunday at 7:30 p.m. Tickets: 513-241-6550

The most dazzling show onstage right now is Hundred Days, a Folk Rock Opera, at Know Theatre. It’s 75 minutes of great music written and performed by the dynamic duo of Abigail and Shaun Bengson, backed by five talented musicians and singers. But it’s also a fine piece of theater — a love affair cut short by a fatal illness that’s met head-on with clarity and joy to celebrate what might have been 60 wonderful years in just “100 days.” Great concept, great execution. I gave it a Critic’s Pick in my CityBeat review.

You’ll get a lot of laughs out of Cincinnati Shakespeare’s performance of The Complete History of America (Abridged), largely thanks to the comic talents of actors Justin McCombs, Miranda McGee and Geoffrey Barnes. Even if the script  — by the comic trio who originated The Complete Works of William Shakespeare (Abridged) — strains a little too hard to be hilarious, playing fast and loose with America’s past, these three know how to turn every scene into a good laugh. Things occasionally fall flat and a few elements are borderline tasteless, but before you know it they’re off and running again with another gag, joke, pratfall, misunderstanding or just tossing a bucket of water. All in good fun; it’s not very profound nor is it intended to be. Here’s my CityBeat review. Through Aug. 15. Tickets: 513-381-2273

If you like your Shakespeare a bit more traditional — but perhaps just a little funny — some of Cincy Shakes' troupe begins their FREE Shakespeare in the Park tour this weekend. Throughout August they’ll be offering performances in parks across Greater Cincinnati and beyond using a handful of young actors handling multiple roles in two-hour reductions of plays by Shakespeare. This weekend you have three chances to see A Midsummer Night’s Dream — at Eden Park’s Seasongood Pavilion on Friday at 7 p.m., at the Harry Whiting Brown Lawn in Glendale on Saturday at 7 p.m. and in Washington Park on Sunday at 6 p.m.

If you haven’t tuned in yet for the third iteration of Serials! at Know Theatre, you might want to show up on Monday evening at 7:30 p.m. Each of five plays will have the third of five 15-minute installments; the trick this time out is that the playwrights trade places with each biweekly event, so stories definitely veer off in unexpected and unplanned directions. Don’t worry about catching up — there’s a quick preview as each piece starts. But even more, these are just zany stories, made all the zanier by the format. You’ll have fun watching even if you can’t quite figure out what’s going on. Tickets: 513-300-5669

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 07.24.2015 35 days ago
Posted In: Theater at 09:40 AM | Permalink | Comments (0)
 
 
100

Stage Door

Hundred Days? Several hundred years? Theater has a lot to offer this weekend

Did you attend the Cincy Fringe back in 2011? If so, maybe you saw Abigail and Shaun Bengson perform a musical work in progress then called “Songs from the Proof.” They came back in 2012 to present a one-night concert of some of the songs. The work evolved into a show called Hundred Days, which had a staging in San Francisco in early 2014. It’s continued to evolve — and its next incarnation will be onstage at Know Theatre for the next month, opening on Friday and running through Aug. 22. It’s about a young couple who fall in love, only to have their time together cut short by a fatal illness. They decide to live the 100 days they have left as though it were 60 years they had hoped for. Lots of music and creativity have gone into this one, and it promises to be a powerful performance with some great tunes. (Read more in my Curtain Call column in this week’s edition of CityBeat.) Tickets: $25 in advance; rush tickets at the door ($10, if available). Free performances on Wednesdays, but reservations required: 513-300-5669.

Cincinnati Shakespeare Company’s 2015-2016 season is beginning as it has for several years with a light-hearted abridgement — but this time it’s The Complete History of America (abridged), opening Friday night and continuing through Aug. 15. The show is the creation of the same nuts responsible for the hilarious Complete Works of William Shakespeare (abridged). It’s the same format: Veteran comic actors Miranda McGee and Justin McCombs, along with newcomer Geoffrey Barnes, will take audiences on a whirlwind tour that sends up America’s greatest hits … and misses. It’s the kind of delirious summer entertainment we’ve come to expect the from our often-more-serious classical theater folks. Tickets ($22-$35): 513-381-2273

Last weekend I went to Stanberry Park in Mt. Washington to see The Complete Tom: 3. Abroad, presented by Queen City Flash, Cincinnati’s flash-mob theater company. It’s the third installment of its four-part play cycle of Mark Twain’s tales of Tom Sawyer, Huck Finn and Jim, the runaway slave. It was charmingly performed by Dave Powell, Rico Reid and Trey Tatum — plus some amusing puppets (aka wooden spoons) and a few sheets for ghost stories. This charming episode features the threesome on a trans-Atlantic voyage in a Jules Verne-like airship, meeting a number of interesting characters along the way — played in quick-change manner by the three actors. Free performances begin at 8 p.m. but don’t go to Stanberry Park — they’ll be elsewhere this weekend. In fact, the outdoor locations remain secret until 4 p.m. the day of performance when an email is sent to ticket holders with a map and parking instructions. The show is a lot of fun and great entertainment for kids, and part of the adventure is figuring out where you’re headed. Take a chance! Tickets — no charge — can be reserved at QueenCityFlash.com

This weekend offers the final performances of 1776 at the Incline Theater (513-241-6550) and The 25th Annual Putnam County Spelling Bee (859-572-5464). Both are worth seeing.

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here. 

 
 
by Rick Pender 07.17.2015 42 days ago
Posted In: Theater at 08:25 AM | Permalink | Comments (0)
 
 
complete tom - queen city flash - photo provided

Stage Door

A weekend for summer theater, indoors and outside

Every year, Ensemble Theatre Cincinnati brings together a group of young professionals who spend a season at the Over-the-Rhine theater understudying roles, working backstage, helping build sets and run lights and sound — learning the ins and outs of professional theater. Many of them stick around town continuing their lives in the theater. Several of them will come together at Washington Park on Sunday evening at 6 p.m. for a free performance of Still Life with Iris, a play by Steven Dietz. The 1996 script is an adventure about a little girl’s search for the simplest of things: home. She lives with her mom on a magical island where by night workers make things seen in the world by day. The rulers are determined to have the best of everything on their island, so they kidnap Iris and bring her to be their daughter, leaving her with no memory of her home or family. She joins with friends she meets on her journey as she embarks on a quest to return home. The family-friendly play, written in 1998, was the first to receive the Kennedy Center’s Fund for New American Plays Award. The cast is comprised entirely of former ETC interns, including: Jared D. Doren (1996), Sara Mackie and Burgess Byrd (2000), Daniel Winters (2005), Lisa DeRoberts (2011), Ben Raanan and Jared Earland (2014), and Molly Israel and Patrick Phillips (2015).

The summer theater company, Stone on a Rock, is back for the second production of its second season with a new version of Aristophanes’ ancient comedy Lysistrata. The company focuses on productions that are “short, sweet and cheap.” This one is a time-tested farce about the women of Greece giving their husbands an ultimatum: Stop waging war or no more sex. Maybe they can next bring their strategy to bear on Greece’s current financial crisis? Performances are at Simple Space, 16 E. 13th St., Over-the-Rhine. Tickets ($10) can be purchased at the door.

Another summer company is presenting the 1998 Tony Award-winning musical Ragtime at Highlands High School’s Performing Arts Center (2400 Memorial Parkway in Ft. Thomas). The Commonwealth Artists Summer Theatre (C.A.S.T.) is led by theatre instructor Jason Burgess; his cast includes students from Anderson, Walnut Hills, Newport Central Catholic, Cincinnati Country Day, Seven Hills, Highlands, Scott High Schools and more. Ragtime is a remarkable show with great music (composed by Stephen Flaherty, a graduate of the University of Cincinnati’s College-Conservatory of Music). Set at the dawn of the 20th century, it’s a time of change and possibility in the volatile melting pot New York City. The show tells three interwoven stories — a stifled upper-class wife, a determined Jewish immigrant and a daring young Harlem musician — united by courage, compassion and belief in the promise of the future. It’s being presented for two weekends, opening tonight and continuing through a matinee on July 26. Tickets ($10) can be reserved at http://www.showtix4u.com. (Remaining unreserved seats may be purchased at the door one hour prior to each performance.)

Queen City Flash, Cincinnati’s flash-mob theater company, is up to the third installment of its four-part play cycle of Mark Twain’s tales of Tom Sawyer. This part, The Complete Tom: 3. Abroad, is performed by three actors and an array of puppets. For this episode, the characters of Tom, Huck Finn and Jim the runaway slave are on a trans-Atlantic voyage in a Jules Verne-like airship. Free performances begin at 8 p.m. but the outdoor locations remain secret until 4 p.m. when an email is sent to ticket holders with a map and parking instructions. (The fourth installment is set to happen in August.) Tickets — no charge — can be reserved at http://www.QueenCityFlash.com

You can stay at home on Saturday evening, if you prefer, and enjoy a radio theater production of Edmond Rostand’s Cyrano de Bergerac by LA Theatre Works, broadcast on WVXU-FM 91.7 at 8 p.m. The story of the brash 17th-century soldier-poet with an oversized nose is also a tale of love and longing. The audio production features Hamish Linklater, Jason Ritter, Devon Sovari and Gregory Itzin. This is your chance to get prepared for Cincinnati Shakespeare Company’s season opening production (Sept. 11-Oct. 13).

Continuing productions of 1776 at the Incline Theater (513-241-6550) and The 25th Annual Putnam County Spelling Bee (859-572-5464) are both worth seeing.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.


 
 
by Rick Pender 07.10.2015 49 days ago
Posted In: Theater at 11:38 AM | Permalink | Comments (0)
 
 
jefferson, franklin & adams - 1776 @ the incline - photo mikki schaffner

Stage Door

History, Spelling and One-Minute Plays

Of course, everyone is focused on baseball this weekend, leading up to Tuesday’s All-Star Game right in our own backyard — and that’s great for Cincinnati. But if you’re looking for theatrical entertainment, it’s here, too. 

I had a chance to see the musical 1776 at Cincinnati Landmark’s new Warsaw Federal Incline Theater on Wednesday. It’s just the second show to be staged there, but it’s a fine one from just about every angle. The 1969 show — as much a play about American history as a musical (it has a stretch of 30 minutes in which no music happens) — is seldom produced in part because it requires nearly two-dozen strong singing male actors. This production found them, and they do a fine job: Especially noteworthy is Rodger Pille as the feisty John Adams, as well as his colleagues Ben Franklin (played by Bob Brunner )and Thomas Jefferson (taken on by Matt Krieg). But numerous others have their “historical” moments, as do Allison Muennich as Adams’ understanding wife Abigail and Lindsey Franxman as Jefferson’s lovely wife Martha. The show is both entertaining and inspiring, even if it takes a lot of liberties with real events. It won the 1969 Tony Award for best musical, and it’s a delight to see. It’s onstage at the Incline through July 26. Tickets: 513-241-6550

After 10 years, the musical about adolescents vying for honors in the 25th Annual Putnam County Spelling Bee has become pretty familiar. But it’s still a lot of fun to watch, and I suspect anyone who goes to the Commonwealth Theatre Company’s dinner theater production on campus at Northern Kentucky University will be having a good time — maybe even becoming a volunteer speller to join the contest. For 8 p.m. shows in the Stauss Theatre, there’s dinner at 6:30 p.m. in the Corbett Lobby. Through July 26. Tickets: 859-572-5464

If you want something a little more off the beaten path, you’ll find it at Know Theatre on Saturday and Sunday when the One-Minute Play Festival has three performances. Part community-convening, part social action and part play festival, the program investigates who we are and how we relate to our community through a series of 60 moments of storytelling by local writers and actors. If you’ve enjoyed the annual Fringe Festival, you should show up for this one. Tickets: 513-300-5669.

In a similar vein — and just a block away from Know Theatre’s Over-the-Rhine location — you’ll find a show by the GoodPeople Theatre Company, Is This Really Happening Right Now? It’s some vignettes by two local writers exploring friendships and relationships — on a blind date, in a coffee shop, in a Laundromat and over Tinder. Tickets ($15) at the door at Simple Space (16 E. 13th St., Over-the-Rhine).

And if you still need more, remember that Monday will be the second round of Serials! at Know Theatre, with five plays started by local writers pick up for another 15-minute episode, but now penned by a different playwright. This time around the theme is “Round House,” and it’s sure to generate some zany stuff. 


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 07.02.2015 57 days ago
Posted In: Theater at 09:59 AM | Permalink | Comments (0)
 
 
todo_serials-knowtheatre_photoericvosmeier

Stage Door

'Two Guvs' has a few last laughs; next week look for some brand new work

With the Fourth of July falling on a weekend, most theaters will be dark, and all the hubbub around the All-Star Game means that most of them will wait until the dust settles at Great American Ball Park before they crank things up again. But if you’re jonesing for some good summer theater and you haven’t seen Cincinnati Shakespeare’s hilarious One Man, Two Guvnors, it has performances on Friday at 7:30 p.m. and Sunday at 2 p.m. Be forewarned that both are sold out, but if you want to try your luck with the regional premiere of this excellent situation comedy about a hapless guy with two bosses, show up at the theater 719 Race St., Downtown 30 minutes before the performance and ask to join the waiting list. Box Office: 513-381-2273

While you’re waiting for the fireworks on Saturday, you might consider what theater you’ll see over the next week or so. Of particular interest is The 1st Cincinnati One-Minute Play Festival that will be presented at Know Theater at 8 p.m. on July 11 and 2 p.m. and 8 p.m. on July 12. It’s a collaboration between Know and One-Minute Play Festival (aka #1MPF). In nearly 20 cities #1MPF partners with local companies to present brief works by local writers. They are given a prompt that asks them to consider the world around them, their community and all the ways in which they view and engage with the world, and to write and submit moments that could only happen at this time and in this place. It’s a great chance to check out local talent in the form of brand-new one-minute plays by Linnea Bond, John Bromels, Michael Burnham, Nick Carmine, Kevin Crowley, Bekka Eaton, Kate Fine, Brian Griffin, Mike Hall, Becca Howell, Alan Jozwiak, David Loehr, Robert Macke, Erica MacDonald, Joe McDonough, Eric Pfeffinger, Maggie Lou Rader, Alison Rampa, Brant Russell, Paul Shortt, Stacy Sims, Andy Simpson, Nathan Singer, Jim Stark, Paul Strickland, Trey Tatum, Eileen Tull, Chris Wesselman, Torie Wiggins and Alison Vodnoy Wolf. It’s also a showcase for local directors including Michael Burnham, Ed Cohen, Katie Lupica, Regina Pugh, Brant Russell, Carrington Rowe and Torie Wiggins. Tickets ($20): 513-300-5669. Part of the proceeds will benefit new play development at Know Theatre.

In the mood for more locally generated material? Check out the premiere of Is This Really Happening Right Now? – A Series of Vignettes, developed and presented by Good People Theatre on July 9, 10 and 11 at 8 p.m.. They’re performing at Simple Space, located in Over-the-Rhine at 16 E. 13th St., just a block or so north of Know Theatre. Four original pieces by Mollie J. Amburgey and Will Bonfiglio are about friendships and relationships — one takes place on a blind date, one in a coffee shop, one via Tinder and one in a Laundromat. Tickets $20: http://goodpeopletheatre.ticketleap.com/CincyPremiere


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here
 
 
by Rick Pender 06.26.2015 63 days ago
Posted In: Theater at 09:30 AM | Permalink | Comments (0)
 
 
sanger - pamela daly - photo flash productions

Stage Door: Too Many Bosses, One Crusader and a Theater Party

Need a good laugh this weekend? Cincinnati Shakespeare has the show you want to see: One Man Two Guvnors, based on an 18th-century comedy, The Servant of Two Masters. It’s a riot of slapstick, fart jokes, pratfalls, lewd innuendo and more. Francis Henshaw (Matthew Lewis Johnson) is the hapless hero, trapped between jealous bosses and a crew of comic types, each one funnier than the last. The show was an award winner London and on Broadway, where James Corden played the manic guy who can barely keep all the plates spinning. I gave this one a Critic’s Pick. Read my full review here. Tickets: 513-381-2273.

In 1916, Margaret Sanger founded the organization that eventually became Planned Parenthood. She was a fearless protester for women’s rights and an ardent crusader for birth control when it was a hush-hush topic. She was often arrested for speaking frankly about sexuality. Cincinnati native Pamela Daly this weekend is presenting a one-woman show that she personally commissioned; it’s onstage at the Aronoff Center’s Jarson-Kaplan Theater. Sanger uses the militant firebrand’s own words to dig into issues that remain inflammatory today: abortion, birth control, sex education and the plight of women. Performances on Saturday at 7 p.m. and Sunday at 2 p.m. Tickets: 513-621-2787.

Monday evening at 7:30 p.m. is the first installment in the third run of Serials! at Know Theatre. This time the theme is “Roundhouse”: You’ll find the 15-minute episodes of new plays, every two weeks for a total of five evenings. Five playwrights, five stories, five directors, five casts. Each week the playwrights switch, so not even the original writers know where their shows are headed. Here at the titles: Hangin’ with BenFire Down Below#roxybalboaThe Good, The Bad, and the Elderly; and Real Time Strategy. Tickets for this crazy episodic theater party: 513-300-5669  More info here.

Not for this weekend (in fact, this fills in a gap in Ensemble Theatre Cincinnati’s upcoming season next spring, March 22-April 10, 2016), but you might want to know that Sharr White’s Annapurna will be onstage. White wrote The Other Place, a well-received script that ETC presented earlier this year. The award-winning show from 2011 is a simple piece — two people in a room, in fact, a room in a mobile home. It’s about a woman and her husband, a poet, who deserted her. He’s in failing health, living in a low-rent trailer park, and she decides to re-enter his life. More information about ETC’s complete season here.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here. 

 
 
 
Close
Close
Close