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by Kenneth McNulty 07.01.2013
Posted In: Theater, COMMUNITY at 02:53 PM | Permalink | Comments (0)
 
 
ac_cc_shakespeareinthepark_cincinnatishakespearecompany

Free Shakespeare in the Park Tour Returns

Cincinnati Shakespeare Company presents seventh annual summer series

Cincinnati Shakespeare Company continues its summer tradition of Shakespeare in the Park as the free series returns for the seventh year this August. Romeo and Juliet and A Midsummer Night’s Dream will be showcased in parks around the Greater Cincinnati area and Northern Kentucky Aug. 3-30.

CSC Ensemble Member Nicholas Rose is directing the classic lovers tale, Romeo and Juliet. While the fantastic story of betrayal and magic in A Midsummer Night’s Dream is being directed by CSC Education Associate Miranda McGee. Six actors from the CSC Resident Ensemble will be acting in these performances. After the free park tour, they will continue to tour community centers, schools, venues and other performance centers into May of 2014.

Cincinnati Shakespeare Company is continuing its partnership with Cincinnati Parks and Recreation, offering free shows at Seasongood Pavilion in Eden Park, Burnet Woods, Mt. Echo Park and the new Smale Riverfront Park. Washington Park will see the group on their tour, alongside parks in Madeira, Colerain and Monroe in Ohio, and Burlington, Edgewood and Maysville in Kentucky. The acting troupe will have two performances at the Vinoklet Winery as well. Certain park locations will be accepting canned food and non-perishable items — CSC has a partnership with the Freestore Foodbank.

If a free, al fresco viewing of Shakespeare’s best sounds fun, then make sure to get to each performance early to ensure good seating. All shows are general admission with first-come, first-serve seating. For more information go to cincyshakes.com.

For show times and locations, refer to the list below:

Saturday, Aug. 3, Romeo and Juliet at 7 p.m. in Boone Woods Park, Burlington

Wednesday, Aug. 7, Romeo and Juliet at 7 p.m. in Eden Park – Seasongood Pavilion, Mount Adams

Thursday, Aug. 8 Romeo and Juliet at 7 p.m. in Burnet Woods, Clifton

Friday, Aug. 9 Romeo and Juliet at 7 p.m. in the Monroe Community Park, Monroe, Ohio

Saturday, Aug. 10 A Midsummer Night’s Dream at 6:30 p.m. in the Harry Whiting Brown Lawn, Glendale

Sunday, Aug. 11 Romeo and Juliet at 7 p.m. in the McDonald Commons Park, Madeira

Wednesday, Aug. 14 A Midsummer Night’s Dream at 7 p.m. in Browning Shelter, Maysville, Ky.

Thursday, Aug. 15 A Midsummer Night’s Dream at 7 p.m. in Mt. Echo Park, Price Hill

Friday, Aug. 16 A Midsummer Night’s Dream at 7 p.m. at the Vinoklet Winery, Colerain

Saturday, Aug. 17 A Midsummer Night’s Dream at 7 p.m. at the Miami Whitewater Forest – Harbor Point, Harrison

Sunday, Aug. 18 A Midsummer Night’s Dream at 7 p.m. in Washington Park, Over-the-Rhine

Wednesday, Aug. 21 A Midsummer Night’s Dream at 7 p.m. in Burnet Woods, Clifton

Thursday, Aug. 22 A Midsummer Night’s Dream at 7 p.m. in Colerain Park

Friday, Aug. 23 Romeo and Juliet at 7 p.m. at the Vinoklet Winery, Colerain

Saturday, Aug. 24 A Midsummer Night’s Dream in Keehner Park, West Chester

Sunday, Aug. 25 Romeo and Juliet at 6 p.m. in Presidents Park, Edgewood, Ky.

Tuesday, Aug. 27 A Midsummer Night’s Dream at 7 p.m. in Uptown Park, Oxford

Wednesday, Aug. 28 A Midsummer Night’s Dream at 7 p.m. at the Clifton Cultural Arts Center Lawn

Thursday, Aug. 29 A Midsummer Night’s Dream at 7 p.m. at the Smale Riverfront Park, Downtown

Friday, Aug. 30 A Midsummer Night’s Dream at 7 p.m. at the Eden Park – Seasongood Pavilion, Mount Adams

 
 
by Rick Pender 06.28.2013
Posted In: Theater at 07:44 AM | Permalink | Comments (0)
 
 
baskervilles - stage door image for 6-28

Stage Door: Wrapping Up Summer

Well, the big show that's on the way will be fireworks next week, of course. That means that most theaters are wrapping up early summer productions.

But you still have a chance to see The Hound of the Baskervilles at Cincinnati Shakespeare Company. It's a daffy take on a Sherlock Holmes mystery. In truth, it pretty well follows Sir Arthur Conan-Doyle's brilliant deducer as he unthreads a mystery surrounding a diabolical dog that seems to be pursuing a cursed family on the remote moors of Devon. But the story is told using just three actors — all male performers from Cincinnati Shakespeare's corps of veterans — who play male and female, making quick (and sometimes mistaken) costume changes. Nick Rose, Jeremy Dubin and Brent Vimtrup milk every last drop of humor from this amusing script, with the able assistance of director Michael Evan Haney. Haney, who has served as the Cincinnati Playhouse's associate artistic director for more than a decade brings out the best in comic timing, so you're sure to have a rollicking good time. Final performances at Friday, Saturday and Sunday at 7:30 p.m. Tickets: 513-381-2273, x1.

You can also catch The Odd Couple on board the Showboat Majestic through Sunday. Neil Simon's comedy about two divorced guys who just can't get along is an American classic, to be sure — so maybe that makes this a perfect show for the weekend before the July 4th holiday. Felix and Oscar would like nothing better than declaring their "independence," but instead, they slowly drive one another mad. Two good actors, Joshua Steele and Mike Hall, are no doubt making this an amusing piece of theater. Tickets: 513-241-6550.
 
 
by Rick Pender 06.23.2013
Posted In: Theater at 11:23 AM | Permalink | Comments (0)
 
 
lauren gunderman - playwright of toil & trouble

Know Announces Summer Comedy Opening July 26

Vosmeier to produce second production of Lauren Gunderson’s 'Toil and Trouble'

Eric Vosmeier says he’s stoked by a show he’s just added to Know Theatre’s production schedule for the summer. He’s set to direct a modern take on Shakespeare’s Macbeth called Toil and Trouble. Lauren Gunderson’s play had its world premiere at Impact Theatre in Berkeley, Calif., last November; Know is giving the show its second production, opening July 26 and running through August 24.

Landing it, Vosmeier says, is “another victory for our new schedule model by securing the rights for the first production of this show following its world premiere. We’ve been looking for a strong comedy for quite some time, and I think this fits the bill perfectly. This contemporary retelling of Macbeth is spot on, but with enough twists and turns to keep the audience guessing. It’s going to be a lot of fun.”

Toil and Trouble is the story of two ambitious guys and a badass lady who decide to fight the recession with dictatorial dreams. Instead of going to grad school like everyone else they know, Adam, Matt and Beth are Bay Area thirtysomethings with too much education and not enough employment. They’re overqualified to work at Borders, and Adam is brimming with ideas — but most of them involve robots.

Thanks to three fortune cookies with some creepy fortunes (remember, Toil and Trouble this is based on Macbeth, which commences with three witches predicting Macbeth’s rise to power), the trio settles for taking over a small island nation off the coast of Chile. The show throws baseball, investors, Wikipedia, hypothetical sex and real violence into one bubbling cauldron. The overlay of Macbeth brings hipster malaise and ridiculous modernity into the mix, demonstrating that hubris, greed, power and passion never go out of style.

Vosmeier has cast Breona Conrad as Beth, Joshua Murphy as Matt and Chris Wesselman as Adam. Conrad and Murphy have been touring for several seasons in Know’s production of the Fringe hit Calculus: The Musical. Vosmeier says, “I’m thrilled to have one more chance to work with Josh and Breona before they leave Cincinnati.”

You can purchase tickets in advance for $15; they’ll be $20 the week of performance, beginning Mondays at noon. (Your best deal is to purchase one of Know’s flex-passes, six tickets for $90. You can use some for Toil and Trouble, and save the rest for future shows.) Info: 513-300-5669.

 
 
by Rick Pender 06.21.2013
Posted In: Arts community, COMMUNITY, Theater, Visual Art at 09:13 AM | Permalink | Comments (0)
 
 
stage door image for human races avenue q - katie pees & andrew ian adams - photo scott j. kimmins

Stage Door: The Droll Days of Summer

Most of our local theaters are cooling their jets for the summer months, but you still have two more weekends to catch the hilarious, three-actor Sherlock Holmes spoof of Hound of the Baskervilles at Cincinnati Shakespeare Company. This one is definitely fine-tuned, featuring a trio of Cincy Shakes best actors — Jeremy Dubin, Nick Rose and Brent Vimtrup — directed by Michael Evan Haney from the Cincinnati Playhouse. It's a revival of a hit from last summer, so they have the comic timing of quick costume changes and fast-paced tomfoolery down pat. I understand that this weekend is almost sold out, but don't let that keep you from trying. Final performance is June 30. I hope you've deduced that you need to get for it this time around, even if you saw it before. (If you did, you know how funny it is.) It's elementary! Tickets: 513-381-2273, x1

The Showboat Majestic is a venue that floats along every summer with solid entertainment. Right now you can come on board for a classic piece of comedy by Neil Simon, The Odd Couple. It's a hit from 1965 in a production featuring a couple of great local actors: Joshua Steele as the prissy Felix and Mike Hall as the messy Oscar. They're a pair who know their way around a funny script, so it's a fine show for a summer's laugh. Tickets: 513-241-6550

Maybe you thought Sesame Street was funny when you were a kid. How'd you like to see some raunchy puppet behavior? Avenue Q is onstage in Dayton at the Human Race Theatre. The 2004 Tony Award-winning musical offers laugh-out-loud musical mayhem. But leave the kids at home: This one is aimed at those who are twentysomething and up, offering answers to a simple question: What happens to the kids who were raised on Sesame Street when they grow up? You'll find the answers — in songs like "It Sucks to Be Me" and "The Internet Is for Porn" — at the Loft Theatre, 126 North Main St. in downtown Dayton. Tickets: 937-228-3630

 
 
by Rick Pender 06.14.2013
Posted In: Theater at 08:34 AM | Permalink | Comments (0)
 
 
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Stage Door: Cirque du Soleil and More

Head to Dayton's Nutter Center this weekend to see Cirque du Soleil's classic show, Quidam. The show, at the time a big top production, spent several weeks in Cincinnati in August and September 2006 in a "grand chapiteau" on the Ohio River bank near the Suspension Bridge. It's the story of a bored kid named Zoé whose parents ignore her. We enter the world of her imagination when Quidam, a headless wanderer under an umbrella, hands her his blue bowler hat. As her self-absorbed parents float away, the story moves into the magical reality her imagination, populated by Cirque's physically astonishing performers. There's a "German Wheel," a pair of man-sized double hoops with a guy rolling around the stage; an amazing silk contortionist, high above the stage); and "Statue," a mesmerizing performance by a muscle-bound guy and a powerful woman who slowly balance in various positions. My favorite was Banquine, the finale by 15 acrobats, launching tumblers high into the air and catching them. Through Sunday. Tickets: cirquedusoleil.com

Other productions to consider for your theater calendar this weekend: The Odd Couple (just opened on the Showboat Majestic, 513-241-6550); The Hound of the Baskervilles (Cincinnati Shakespeare, 513-381-2273), Nunsense (Commonwealth Dinner Theatre at Northern Kentucky University, 859-572-5465) and, if you're looking to make a theater weekend in Dayton with Quidam on one evening, how about filling the other with the outrageously funny X-rated Sesame Street-inspired Avenue Q at Human Race Theatre Company (888-228-3630).
 
 
by Rick Pender 06.13.2013
Posted In: Theater, Dance, Visual Art at 08:42 AM | Permalink | Comments (0)
 
 
cirque

Cirque du Soleil's Quidam Is a Flight of Imagination

Onstage at Dayton's Nutter Center through June 16

Cirque du Soleil's classic show, Quidam, opens with Zoé (Alessandra Gonzalez), a bored little girl whose parents ignore her. We enter the world of her imagination when Quidam, a headless wanderer under an umbrella, hands Zoé his blue bowler hat. (This imagery will resonate with those who know the surrealist paintings of René Magritte, a 20th century artist whose paintings challenged traditional perceptions of reality.) Zoé's self-absorbed parents float away and we are transported to the magical reality of Cirque's physically astonishing performers.

The "world" presently inhabited by Quidam is Dayton's Nutter Center, on the campus of Wright State University, through Sunday, June 16. The show, which originated as a big top production (it spent several weeks in Cincinnati in August and September 2006 in a "grand chapiteau" on the Ohio River bank near the Suspension Bridge) is now an arena show, and it works beautifully in the Nutter. Five giant metal arches are used to suspend performers in mid-air, but you quickly lose sight of the mechanics thanks to the artistry, visual and musical, of Cirque.

To me, the greatest wonder — beyond the physical precision and discipline of Cirque's athletic artists — is the universality of shows like Quidam, which tour the world. (In a few months, this company will be performing in Europe, playing to audiences in cities including Vienna, Munich and London, where it has a month-long engagement at Royal Albert Hall.) The performers are ethnically diverse and the storytelling spans cultural boundaries: Wordless clowning (Quidam features a segment about making a silent movie that recruits a few audience members as "actors") is laugh-out-loud funny, and the ringmaster John (Mark Ward) borders on intentional incompetence in a way that endears him to the crowd even as he moves us from act to act without saying a word.

And what acts we see: German Wheel (a pair of man-sized double hoops containing a guy who rolls around the stage); Diabolo (spinning Chinese yo-yo's tossed high into the air from a string and caught); Aerial Contortion (Tanya Burka is an amazing silk contortionist, many feet above the stage); Skipping Ropes (using 20 acrobats); Aerial Hoops (three women spinning and pivoting through the air); Hand Balancing (incredible strength and flexibility by a woman on yard-high canes); Spanish Webs (five fellows on high, hanging and twisting on ropes); Statue (a mesmerizing performance by Yves Décoste and Valentyna Sidenko who slowly and powerfully balance in various positions); and finally Banquine (acrobatics). The latter section, Quidam's finale, uses 15 artists, launching tumblers high into the air and catching them. At one point they build a tower of four humans atop each others' shoulders. Each assemblage or toss seems more daring than the previous.

Quidam might be the product of Zoé's boredom, but the show expands imaginative horizons. It's definitely worth a one-hour drive from Cincinnati.
 
 
by Rick Pender 06.09.2013
Posted In: Theater at 08:00 AM | Permalink | Comments (0)
 
 
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Ensemble Theatre Announces Remainder of Season

Cincy Playhouse veterans Ed Stern and Michael Evan Haney to stage shows

If you enjoyed "great theater in a great theater" at the Cincinnati Playhouse in the Park during past seasons, you'll be pleased to learn that Ed Stern, former producing artistic director, and Michael Evan Haney, whose tenure as associate artistic director ends on June 30, have both been engaged to stage shows at Ensemble Theatre Cincinnati (ETC) for its 2013-2014 season. Haney will stage Nina Raine's Tribes (Jan. 29-Feb. 16, 2014) and Stern will co-direct the world premiere of Raymond McAnally's Size Matters (May 7-25, 2014); the playwright is also an actor (he co-starred in ETC's production of Mrs. Mannerly last fall) and he will be the solo performer of the one-man show.

Tribes is about Billy, the deaf son of an outspoken family obsessed with self-expression. He  has adapted to his family but not vice versa. Then he begins to connect with the deaf community, and his family resents his new "tribe." The show uses spoken and sign language as well as surtitles so  audiences can fully follow the action. The show has been a hit in New York (where it won the 2012 Drama Desk Award for outstanding play) and London, where it debuted in 2010 at the Royal Court Theatre. It's only been seen at a few theaters in the U.S. including the La Jolla Playhouse and the Guthrie in Minneapolis. As usual, ETC's Lynn Meyers is ahead of the curve in picking up great new works, and it's a good bet that Haney will make this a fine production. (Haney remains connected with the Playhouse as one of three artistic associates; he will direct A Christmas Carol as well as the world premiere of Anna Ziegler's A Delicate Ship during the Playhouse's 2013-2014 season.)

McAnally's comedy, Size Matters is even newer, of course, as a world premiere. It's about a "big guy," living in a crowded city and getting work based on his weight. McAnally, an actor who's weighed more than 280 pounds since he was 18, explores the impact his weight has had on who he is: It's apparent to him that "size matters" much of the time, but not always. The show about body issues and self-confidence is based on true events. Stern will co-direct with ETC's Meyers.

The balance of ETC's season was announced earlier: It opens on Sept. 4 with Jon Robin Baitz's Other Desert Cities, andincludes Gina Gionfriddo's Rapture, Blister, Burn, the holiday musical Around the World in 80 Days and Katori Hall's The Mountaintop about Martin Luther King Jr. Find more details here
 
 
by Rick Pender 06.07.2013
Posted In: Theater at 08:35 AM | Permalink | Comments (0)
 
 
know at night - photo eric vosmeier

Stage Door: Finishing Up Fringe

Two more days of the 2013 Cincy Fringe remain. In its 10th year, this year's festival has provided consistently high-quality offerings. If you're serious about the full range of theater, you owe it to yourself to catch a couple of them. I can't go into everything here, but you can check out my column from the current issue of CityBeat here or go straight to CityBeat's hub for web coverage where you can read coverage of all the shows, thanks to our dedicated corps of reviewers.

One further recommendation: Make your way to Know Theatre after 10 p.m. on Saturday to mix and mingle with the lively crowd and be among the first to learn which shows have earned "Pick of the Fringe" honors. There's no charge for admission; buy a drink or two and tip the bartenders generously. This is a volunteer-driven event, so you might also say thanks to anyone wearing a volunteer T-shirt.

Even as the Fringe sails off into the sunset, there's still plenty of theater onstage locally. For instance, Cincinnati Shakespeare Company opens its revival of its hit from last summer, The Hound of the Baskervilles. (Find CityBeat's review of last summer's CSC production here.) A three-man cast plays all the characters in a very funny take on the classic Sherlock Holmes tale. The actors, a trio of Cincy Shakes' best (Jeremy Dubin, Nicholas Rose and Brent Vimtrup), have been staged by the always inventive Michael Evan Haney, the Cincinnati Playhouse's associate artistic director and perhaps our finest local stage director, who manages to squeeze every possible ounce of entertainment from this hilarious script. The show had a sold-out run last July, and you can expect a similar response this month; the run continues through June 30. Tickets: 513-381-2273, x1.

Another option: Duck Hunter Shoots Angel, at Falcon Theater in Newport. It's a funny script by Mitch Albom (the author of Tuesdays with Morrie and The Five People You Meet In Heaven) about two bumbling Alabama duck hunters who think they’ve shot an angel. The story lands in a New York tabloid and explodes from there. Through June 15. Tickets: 513-479-6783.

For something more serious, I suggest Showbiz Players production of Spring Awakening at the Carnegie in Covington, the winner of eight Tony Awards (including best musical). It's a tale of teen angst and emerging sexuality, a powerful piece with a driving Rock score. Onstage through June 8. Tickets: 859-957-1940.

And there's still time to catch Shipwrecked! on the Playhouse's Shelterhouse stage (through June 16). It's a fantastic and family-friendly tale about adventure and storytelling, told imaginatively using three actors and a lot of clever sound effects and adaptation of everyday things to create exotic settings and dangerous moments, rescued by heroism or happenstance. (CityBeat review here.) A good show for the whole family. Tickets: 513-421-3888

Finally, a reminder: The Tony Awards, recognizing Broadway's best shows, will be be broadcast on Sunday evening on CBS, starting at 8 p.m., hosted by Neil Patrick Harris.
 
 
by Rick Pender 05.31.2013
Posted In: Arts community, COMMUNITY, Visual Art, Theater at 10:05 AM | Permalink | Comments (0)
 
 
fringefestival-loon

Stage Door: Fringe Your Weekend

The 2013 Cincinnati Fringe is at its first weekend with almost two dozen shows available for you to attend over the weekend. Pick a few and take a chance — read the commentaries by CityBeat reviewers posted here, if you want the inside scoop on various productions.

This is the 10th annual event, and it's become a big-time part of our local theater scene. You owe it to yourself to see some of these creative, odd, amusing, thoughtful pieces. And stop by Know Theatre's Underground Bar after 10 p.m. any evening to meet performers and talk with others who are enjoying the Fringe. It's a great way to get more perspectives.

More 2013 Fringe coverage:

• May 22 cover story: “Navigating the Novelties

• April 18 Curtain Call column: “Fringe Has Sprung

Complete festival schedule 

Official Fringe Festival guide



 
 
by Rick Pender 05.24.2013
Posted In: Theater at 08:55 AM | Permalink | Comments (0)
 
 
onstage 5-15 - measure for measure - kelly mengelkoch & brent vimtrup - photo rich sofranko

Stage Door: Near Season's End

Cincinnati Shakespeare Company finishes its run of Measure for Measure this weekend (CityBeat review here). It's a dark tale of hypocrisy and manipulation, with a few glimmers of ribald humor. Director Brian Phillips has transported the story from Renaissance-Era Vienna to the United States of the 1920s when Prohibition made everyday occurrences of fast living and bad behavior. (Can you say Boardwalk Empire?)  In 20 seasons, CSC has only staged it once before, but this is a production worth seeing because of the strong acting company — especially Brent Vimtrup, Kelly Mengelkoch and Nick Rose. Billy Chace does a nice job with the comic bits, too, even though they feel weird in this difficult story of self-righteousness and double-dealing. Tickets: 513-381-2273, x1.

For those into crooning, sentimental nostalgia, you'll find an ample supply aboard the Showboat Majestic's production of Forever Plaid. Jinx, Sparky Francis and Smudge conjure up a lot of good clean fun and close harmonies for their final concert. And I do mean final — in fact, they're kind of after the fact: Coming back from the great beyond for one last gig after a tragic bus accident on their way to a career-making gig. There's a lot of tomfoolery that makes this show amusing and entertaining. Through June 2. Tickets: 513-241-6550.

If you prefer the girls to the boys, Ensemble Theatre Cincinnati is into the extended run of The Mavelous Wonderettes: Caps and Gowns. The spunky gals — who also traffic in tunes from the ’50s and ’60s — provide two more rounds of melodies and moodiness. "Caps" is a reconstruction of their graduation night in 1958, while "Gowns" is a decade later at the wedding reception of Missy, who always has a plan, and Mr. Lee, a teacher she idolized. We get to see what life has brought to her three friends, love-'em-and-leave-'em Cindy Lou, jealous Betty Jean and vapid Suzy. ETC's casting gets an A+. Through June 1. Tickets: 513-421-3555.

For our early summer enjoyment, the Cincinnati Playhouse in the Park has put together the charming and family-friendly Shipwrecked! An Entertainment: The Amazing Adventures of Louis de Rougemont (As Told by Himself). I attended the opening on Thursday evening and witnessed three actors who play a host of characters, change costumes in plain view, create wildly imaginative scenery and make their own sound effects. It's a wistful story of adventure that revels in the adventure of storytelling. It's onstage through June 16. Tickets: 513-421-3888.
 
 

 

 

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by Rick Pender 07.25.2014 5 days ago
Posted In: Theater at 11:07 AM | Permalink | Comments (0)
 
 
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Stage Door: Shakin' It

If you paid attention to the local theater season just concluded, you will recall that Cincinnati Shakespeare Company completed a herculean task: During its 20-year existence, the classic theater has produced all 38 of Shakespeare's plays. This summer three of Cincy Shakes' best actors are repeating the feat — sort of — with a production of The Complete Works of William Shakespeare (Abridged), opening tonight. Jeremy Dubin, Justin McCombs and Nicholas Rose will be careening through the comedies, histories and tragedies digging props, wigs and ridiculous costumes out of a trunk. This is a perfect summer laugh-fest, and it's been a predictable hit in past seasons for Cincy Shakes, so tickets are sure to sell fast. Through Aug. 11. Tickets ($22-$35): 513-381-2273.

Summertime musicals are another great tradition, and Cincinnati Young People's Theatre has been presenting them with big casts of high school students for three decades. In fact, the just-opened production of Footloose at the Covedale Center for the Performing Arts is the 33rd summer show. It's the stage version of the popular 1984 movie musical, and it's a perfect vehicle for youthful energy focused on a group of high school kids — despite a repressive conservative atmosphere, kids in a small farming town just want to dance and have fun. With Tim Perrino at the helm, CYPT has steered more than 2,300 teens through entertaining shows, and this one will be another notch in his director's belt, providing experience for performers and techies alike. Through Aug. 3, you'll be able to come out and "Hear It for the Boy"! Tickets ($12-$16): 513-241-6559.

I wrote a CityBeat column a week ago about John Leo Muething, an ambitious young theater artistic who's staging a couple of shows this summer at the Art Academy's auditorium on Jackson Street in Over-the-Rhine. His second of three shows, repertory theatre, will be produced this weekend (Friday and Saturday at 7:30 p.m.). It's about a timid young playwright who approaches a veteran director about his new play. With Shakespeare's Hamlet echoing throughout, things get wilder and wilder. This show was a hit at the Edinburgh Fringe for two years, and its original production is still touring in England; this is its U.S. premiere. Tickets ($10) at the door.

The Commonwealth Theatre Company's Route 66 winds up its run at Northern Kentucky University this weekend on Sunday. It's the tale of a band headed for the West Coast in the 1960s stopping at juke joints, diners, cheap motels and curio shops along one of America's legendary highways. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele play The Chicago Avenue Band. Dinner and the show ($30): 859-572-5464.

If Monday evening arrives and you're still yearning for something entertaining onstage, you can't go wrong with the next quarterly installment of TrueTheatre. This time around it's trueBLOOD, with the warning that if you cringe easily, this might not be the show for you. Whether it's stories that make your blood run cold — or just run — you can be sure that there will be first-person tales of memorable experiences. Great fun with a lively audience. One night only, Monday evening at 7:30 p.m. at Know Theatre. Tickets ($15, only a few left): 513-300-5669.

 
 
by Rick Pender 07.18.2014 12 days ago
Posted In: Theater at 09:15 AM | Permalink | Comments (0)
 
 
route 66 - commonwealth theatre company - photo tyler gabbard

Stage Door: Kentucky's the Place for Theater this Weekend

The Commonwealth Theatre Company's production of Route 66 continues its dinner-theater run at Northern Kentucky University. It's about a band traveling from Chicago to the West Coast in the 1960s along one of America's most legendary highways. Along the way, they meet a lot of colorful characters and see a lot of America. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele make up "The Chicago Avenue Band," who make stops at juke joints, diners, cheap motels and curio shops in this coming of age story. Through July 27. Dinner and the show ($30): 859-572-5464.

Last Saturday evening I ended up at Highlands High School in Fort Thomas to see teacher Jason Burgess's production of The Addams Family featuring a herd of high school kids from all over Greater Cincinnati and Northern Kentucky. It's a perfect musical for the program Burgess has created (C.A.S.T, the Commonwealth Artists Summer Theatre), bringing together a ton of students who are in love with theater. Surrounding the central characters in The Addams Family, nicely portrayed by Aaron Schilling as Gomez, Lindsey Gwen Franxman as Morticia and Harrison Swayne as Uncle Fester, are 18 ghostly "ancestors." Each one is costumed (designer Laura Martin) from various periods with a clearly evident character; together they sing and dance as a coherent company. (Amy Burgess served as the production's choreographer, and Alex Gartner is the music director — in creepy makeup.) Through Sunday at 2 p.m. General admission ($10) at the door or online via www.showtix4u.com.

Monday evening at 8 p.m. brings the third installment of Serials! at Know Theatre (1120 Jackson St., Over-the-Rhine). It's a wacky summer-long set of a half-dozen episodic plays by local playwrights. So far we have seen meat falling from the sky, an NSA spook monitoring a contentious couple, a kid refusing to go to a funeral, a philosophical fetus, a suicidal pair competing over techniques and more. Each 10-15 minute episode is preceded by a clever recap to catch you up, even if it's your first time there. Rest assured there are cliffhangers — not to mention Know's well-stocked Underground Bar. Admission is $15. Tickets: 513-300-5669.

 
 
by Rick Pender 07.11.2014 19 days ago
Posted In: Theater at 11:22 AM | Permalink | Comments (0)
 
 
todo_onstage_addamsfamily

Stage Door: Opera, Dinner Theater and More

I saw Cincinnati Opera's production of Silent Night on Thursday evening. It's the regional premiere of a work that won the 2011 Pulitzer Prize for music, and our local opera is doing a bang-up job of presenting it. And "bang-up" is the operative term: This opera is set during some of the darkest days of World War I, and the opening segment of the production reproduces the violent and deadly combat between troops from England (actually a regiment from Scotland), France and Germany. You're not likely to see a more gripping onstage representation of battle than what's happening at Music Hall. Before Thursday's performance I listened to composer Kevin Puts and librettist Mark Campbell talk about how to "musicalize" such a scene: Their research included studying the opening sequence of the Saving Private Ryan, the graphic, Academy Award-winning film of the D-Day invasion during World War II. It's a powerfully real scene, a perfect opening to the moving tale of soldiers pitted as enemies who found common ground in one another's humanity on Christmas Eve 1914. You can get good seats for the concluding performance on Saturday evening (7:30 p.m.) for $30-$45 by calling the Opera's box office: 513-241-2742.

Area high school students are the talent in onstage for Commonwealth Artists Summer Theatre (C.A.S.T.) at Highlands High School (2400 Memorial Pkwy., Fort Thomas). Starting tonight is a two-week run (July 11-20) of The Addams Family, a Broadway musical based on cartoonist Charles Addams' bizarre and beloved family of characters. The group is headed up by Fort Thomas theater instructor Jason Burgess, who has assembled theater kids from the Greater Cincinnati and Northern Kentucky who are eager to develop their skills in performance and production. Tickets: $10 (http://www.showtix4u.com) or at the door.

The Tony Award-winning musical next to normal, about a woman with bipolar disorder, gets not one but two productions by Cincinnati-area community theaters: Sunset Players on the West Side and Paradise Players for East Side siders. You can choose between them tonight. The venerable Sunset Players, which presents shows at the Dunham Arts Center (in the Dunham Recreation Complex, 4320 Guerley Rd., Price Hill), has performances through July 26, mostly at 8 p.m. Tickets ($14-$16): 513-588-4988. Meanwhile, Paradise Players, a newish group offering summer productions at McNicholas High School's Jeanne Spurlock Theatre (6536 Beechmont Ave.), is presenting its rendition of the show this weekend only, tonight at 7:30 p.m. and Saturday at 2:30 and 7:30 p.m. Tickets: $15 (http://mcnhs.seatyourself.biz).

Tickets tend to be a bit harder to come by at Northern Kentucky University for a dinner-theater production by Commonwealth Theatre Company of Route 66. It's about a band traveling from Chicago to the West Coast in the 1960s along one of America's most legendary highways. Along the way, they meet a lot of colorful characters and see a lot of America. The production features four solid local performers: Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele are likely to make this a very entertaining evening. Through July 27. Dinner and the show ($30): 859-572-5464.

 
 
by Rick Pender 07.07.2014 23 days ago
Posted In: Theater at 08:12 AM | Permalink | Comments (0)
 
 
andrew hungerford

Stage Door: Cincinnati Stages Are Waking up This Week

Cincinnati stages were pretty quiet over the Independence Day weekend, but this week they start waking up and getting ready for more. Tonight at 8 p.m. is the second installment of Serials! at Know Theatre. You can see six fresh, 10-minute episodes of brand-new plays by local playwrights — Trey Tatum, Chris Wesselman, Jon Kovach, Ben Dudley, Michael Hall and the team of Lauren Hynek and Elizabeth Martin — and featuring lots of Cincinnati-area actors. New artistic director Andrew Hungerford calls it a "theater party" offering cold beer, air-conditioning and world-premiere stories in Know's Underground bar (1120 Jackson St., Over-the-Rhine). Even if you missed the "pilots" on June 23, you'll get caught up with a recap before each episode. I had a blast watching these tantalizing tidbits two weeks ago, and I suspect tickets will become harder to get as the summer progresses. (Subsequent performances on July 21, Aug. 11 and 25 and Sept. 8.) Tickets ($15): 513-300-5669.


Ensemble Theatre Cincinnati is assembling a cast for its season opener, Hands on a Hardbody (Sept. 3-21), a recent Tony-nominated musical about 10 people vying to win a truck by outlasting their competitors and keeping their hands touching the vehicle — which will be onstage at the Over-the-Rhine theater (1127 Vine St.). ETC is seeking actors, singers and dancers for the show with an open audition on Wednesday this week (July 9, 5-8 p.m.). All are welcome, but an appointment is required. (Contact bholmes@ensemblecincinnati.com) Ensemble Theatre is an AEA Theatre. Union and non-union actors are encouraged to apply. Rehearsals begin August 11. ETC is seeking a diverse cast, and all ethnicities are encouraged to apply, especially African-American men and Hispanic males and females.

ETC had a big hit on its hands three years ago with the Tony Award-winning musical next to normal about a woman with bipolar disorder. In fact it was such a draw that they revived it in the summer of 2012. Although the Rock musical is a challenging work, this week features not one but two productions by Cincinnati-area community theaters: Sunset Players on the West Side and Paradise Players on the East Side. Both productions open Friday evening. The venerable Sunset Players, which presents shows at the Dunham Arts Center (in the Dunham Recreation Complex, 4320 Guerley Rd., Price Hill), has performances through July 26, mostly at 8 p.m. (July 20 is a 2 p.m. matinee.) Tickets ($14-$16): 513-588-4988. Meanwhile, Paradise Players, a newish group offering summer productions at McNicholas High School's Jeanne Spurlock Theatre (6536 Beechmont Ave.), will offer the show just this week, July 10-11 (7:30 p.m.) and July 12 (2:30 and 7:30 p.m.). Tickets: $15 (http://mcnhs.seatyourself.biz

Area high schoolers now have Commonwealth Artists Summer Theatre (C.A.S.T.) as a summer outlet for theatrical opportunities at Highlands High School (2400 Memorial Pkwy., Fort Thomas). Starting Friday is a two-week run (July 11-20) of The Addams Family, a Broadway musical based on the bizarre and beloved family of characters created by cartoonist Charles Addams. C.A.S.T., headed by Fort Thomas Independent Schools' theater instructor Jason Burgess, enables kids from the Greater Cincinnati and Northern Kentucky to develop their skills in performance and production beyond their school year and beyond their school population. Tickets: $10 (http://www.showtix4u.com) or at the door.
 
 
by Rick Pender 06.27.2014 32 days ago
Posted In: Theater at 04:27 PM | Permalink | Comments (0)
 
 
stage door 6-27 - private lives  @ cincy shakes - photo rich sofranko  copy

Stage Door: Options Abound

There's a great array of theater this weekend, no matter what you like. That's a good thing, because local theater, like baseball, takes a kind of midsummer break (no All-Star Game onstage anywhere, however). So get out and see something this weekend, then enjoy the fireworks and picnics next. Here are some suggestions:

Traditionally entertaining shows can be found at two professional theaters. At Cincinnati Shakespeare Company, it's the closing weekend for Private Lives, a very witty classic comedy about marriage by Nöel Coward. (CityBeat review here.) Two couples are honeymooning in the south of France, in adjacent hotel rooms. Things go awry when one husband and the other wife cross paths by chance. They were once married to one another, and the spark quickly rekindles, despite the fact that they had a very volatile chemistry. It's a great piece for four comic actors, and Cincy Shakes has a great cast to handle it. Staged by Ensemble Theatre's D. Lynn Meyers. Tickets ($22-$31): 513-381-2273.

A different kind of couple is showcased at Covedale Center, where Neil Simon's The Sunshine Boys is in its final weekend. Two guys who were comic partners in the days of vaudeville — and who grew very tired of one another — are brought together for a TV special about the "good old days." They don't much want to do it, but they're coaxed, and the results of their bickering and nastiness makes for a lot of laughter. Tickets ($21-$24): 513-241-6550.

A new theater company, Stone on a Walk, has its inaugural production this weekend, a low-budget performance of Cain by Lord Byron at the Art Academy's lecture hall, a venue familiar to Fringe Festival mavens. Yes, the playwright is that Romantic poet George Gordon you might recall from lit classes. He also wrote plays, and this one from 1821 focuses on Adam and Eve's first son, resentful that his parents' transgressions have forced them out of Eden and made death a real possibility. He spars with Lucifer, still hanging around to make trouble, and is at odds with his pious brother Abel, as well as his wife Adah. Things don't go well, as you might recall — Cain becomes the first murderer. John Leo Muething has put together a three-show season for his new theater venture, Stone on a Walk, with a one-weekend performance of each work (more to follow in July and August). This one features three actresses: Caitlyn Maurmeier is Cain; Hannah Rahe is Adah, Cain's dutiful wife; and Aiden Sims plays Lucifer and Abel. The casting of females in male roles is unusual, and the doubling of Sims as villain and victim might cause a bit of confusion (although she plays Lucifer with sinister hissing vigor, while Abel is the picture of sincerity). The 70-minute performance is done with no stage lighting or scenery; the final section, with actors on the floor, is hard to see unless you're in the front row or two. Cain is a lot of talking, poetry and high emotions, but Maurmeier powerfully renders Cain's despair, and Sims is very watchable as Lucifer. Tickets ($10) at the door; the Art Academy is at 1212 Jackson Street in Over-the-Rhine.

How about a showcase of excerpts from Cincinnati's community theaters? Friday evening and all day Saturday that's what's happening at Parrish Auditorium at Miami University's Hamilton campus (1601 University Blvd., Hamilton). Four 30-minute selections tonight include A Midsummer Night's Dream and Les Misérables, and eight more tomorrow morning and afternoon (GodspellSteel MagnoliasNunsense and Tommy are among them). Each performance will be assessed and a few will be selected for a statewide competition in early September. Cincinnati has a lot of excellent community theater, and this is your opportunity to see some of the best shows that have been offered during the 2013-2014 season. Ticket information: http://bit.ly/1lkw098.

And in the off-week between Cincinnati Opera's opening production of Carmen and the upcoming staging of Silent Night, opera seekers might want to check out two works presented by the North American New Opera Workshop (they shorthand that name as "NANOWorks") at Below Zero's Cabaret Room (1122 Walnut St., Over-the-Rhine). It's the midwest premiere of Marie Incontrera's At the Other Side of the Earth, a riot girl opera followed by Eric Knechtges's Last Call (Friday-Saturday at 8 p.m.,Sunday at 2 p.m.). Incontrera's piece combines classical performance with punk sensibilities; the piece by Knechtges (who is head of the musical composition program at Northern Kentucky University) is loosely based on the Cincinnati gay bar scene and includes at "techno/house aria" and a high-energy drag performance. This is definitely not your grandmother's opera. Tickets: $20 at the door. 
 
 
by Rick Pender 06.20.2014 40 days ago
Posted In: Theater at 10:14 AM | Permalink | Comments (0)
 
 
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Stage Door: Keep the Groove Going

Probably the most entertaining thing onstage right now is Private Lives at Cincinnati Shakespeare. It's been selling so well that 2 p.m. matinee performances have been added this Saturday and June 28. (It closes on June 29.) It's the story of honeymoons going bad when a feisty divorced couple decide to reunite rather than stick with their new spouses — when they find themselves coincidentally in adjacent hotel rooms in Southern France. (CityBeat review here.) Cleverly staged by Ensemble Theatre's Lynn Meyers, using four of Cincy Shakes best actors. Of course it's all improbable and overdone, but that's a Noël Coward play for you — witty, silly and lots of fun. Tickets ($22-$31): 513-381-2273.

You'll find laughs elsewhere with the Covedale Center's just-opened production of The Sunshine Boys by Neil Simon, a master of comedy. It's about a pair of vaudeville partners who spent 40 years working together and ended up not speaking. But they're being coaxed to come together to re-stage one of their old routines for a TV special. Rehearsals don't go well and the actual live broadcast spirals down from there. Simon is a master of one-liners, and this show has a million of them. Tickets ($21-$24): 513-241-6550.

If Monday leaves you still looking for something onstage, Know Theatre is ready to open its doors for something entertaining: Serials! All summer long at two-week intervals (starting Monday) there will be 15-minute episodes of plays by local writers. This week you'll get to see pilots of Mars vs. The Atom by Trey Tatum, Flesh Descending by Chris Wesselman, The Funeral by Jon Kovach, The Listener by Mike Hall and Fetus and the God by Ben Dudley. These stories are open-ended and audience response will be a factor in where they go. If some of those names sound familiar, it's because most of them are veterans of the Cincy Fringe. If you had a good time there earlier this month, here's a way to keep your groove going. Tickets ($15): 513-300-5669.
 
 
by Rick Pender 06.06.2014 54 days ago
Posted In: Theater at 09:21 AM | Permalink | Comments (0)
 
 
2014-fringe-festival-image - designed by alex kesman copy

Stage Door: Wrapping up Fringe

Just two more days of the Cincinnati Fringe Festival, so here are a few recommendations for great shows you can still catch. (Look for reviews of these performances on CityBeat's Fringe page here.) Many Fringe performances are sold-out, so check in advance to be sure seats are still available: cincyfringe.com.

I was very impressed by Christine Dye's moving performance in Kevin Crowley's one-woman show, Sarge, about a woman whose husband is accused of child molestation. It's final offering is tonight at 7 p.m. Four Humors' An Unauthorized Autobiography of Benny Hill epitomizes the off-kilter nature of the Fringe, a piece that's funny and poignant. Last chance to see it is Saturday at 8:45 p.m. If you like storytelling, you can catch two of those on Saturday evening: Mike Fotis's Fotis Canyon (7 p.m.) and Paul Strickland's Papa Squat's Store of Sorts (9 p.m.) You might also want to check out the intern showcase at Ensemble Theatre, which just opened on Thursday evening; performances Friday (7:45 p.m.) and Saturday (1 and 7 p.m.). It includes some fine acting in some unusual scripts. True Theatre is offers another Fringe iteration featuring its own brand of revelatory truth-telling, featuring several Fringe artists providing back stories about their careers and experiences. That's at 9 p.m. tonight at Coffee Emporium. 

If your taste is for more traditional — but equally entertaining — theater, head to Cincinnati Shakespeare Company's production of Noël Coward's Private Lives, a witty comedy classic from 1930. A formerly married couple find themselves on honeymoons with new spouses, but in close proximity to one another. Trouble ensues. Four of Cincy Shakes best actors — Kelly Mengelkoch, Jeremy Dubin, Sara Clark and Brent Vimtrup — constitute the cast. It opens tonight and continues through June 29. Tickets ($22-$31): 513-381-2273, x1.

Finally, whether or not you're a fan of garage sales, you might be interested in what's happening on Saturday morning, 8 a.m. to noon, at the Cincinnati Playhouse's Scenery Shop (2827 Gilbert Ave., Walnut Hills, across from Thomson-MacConnell Cadillac): It's the regional theater's annual sale of props, furniture, dresses and more. If you're a regular at the Playhouse, you might recognize items from productions of A Delicate Ship, The Trip to Bountiful, Thunder Knocking on the Door, As You Like It and more. You'll have your choice of lots of miscellaneous items like china and glassware, dining chairs, tables and desks, area rugs, a bathtub and even a "concrete cherub planter." There's also a collection of 20th-century "day dresses," along with some formal gowns and fabric yardage. Prices are cheap; payment must be by cash or check. All items are sold "as is." 
 
 
by Rick Pender 05.30.2014 61 days ago
Posted In: Theater at 08:34 AM | Permalink | Comments (0)
 
 
stage door 5-30 - spamalot by showbiz players - photo provided

Stage Door: Full Speed Fringe

If you haven't found a couple of 2014 Cincinnati Fringe show that you're dying to see this weekend, you need to go to CityBeat's Fringe hub for some recommendations — including reviews of early performances of all 30-plus shows. But if you're still coming up short, there are more choices from area theaters. 

If it's fun you're seeking, you might want to stop by the Carnegie in Covington, where Showbiz Players is presenting Spamalot. It opens tonight and runs through June 8. You probably know that this very amusing musical (it won three 2005 Tony Awards, including best musical) is "lovingly ripped off" from Monty Python and the Holy Grail. If you can repeat lines from that 1975 cult hit, then this is surely the show for you. Tickets ($21.50-$24.50): 859-957-1940

Although it's not part of the Fringe, Marc Bamuthi Joseph's red, black & GREEN: a blues surely could be. The hybrid performance work leads audiences through four seasons in four cities: summer in Chicago, fall in Houston, winter in Harlem and spring in Oakland. Memories, hallucinations, dreams and lamentations are set in shotgun houses and subway cars, on park benches and in father-son conversations. I haven't seen it, but people I know have raved about the power of the work, which ranges from hilarious to poignantly sad. Joseph is a spoken-word poet, and his work is meant to be a conversation starter about sustainability and community building. It's being presented on Friday and Saturday evening by the Contemporary Arts Center at the Aronoff's Jarson-Kaplan Theater. Tickets ($18 for CAC members, $23 for everyone else): 513-621-2787

This is the final weekend for The North Pool at the Cincinnati Playhouse. (CityBeat review here.) Rajiv Joseph's anxiety-filled drama is a sparring match between a hard-nosed vice principal who thinks he knows something and a student, the son of Middle Eastern immigrants, who has things he wants to keep to himself — but it's not what the school official thinks. In fact, they both have secrets that are slowly, painfully revealed. Great script, great actors. This one is definitely worth catching. Tickets ($25 for students; $30-$75 for others): 513-421-3888

 
 
by Rick Pender 05.23.2014 68 days ago
Posted In: Theater at 08:42 AM | Permalink | Comments (0)
 
 
stage

Stage Door: Fringe and More

The really big show this weekend happens tonight when the The Cappies of Greater Cincinnati present their eighth annual awards for high school theater productions and performers. Our local program is one of the most established, right up there with programs in Washington, D.C., Philadelphia and beyond. Our local awards are presented at the Aronoff Center's Procter & Gamble Hall. In addition to the recognition of high school student performers, the evening offers excerpts from a dozen or so schools plus ensemble numbers featuring kids from all over the region — more than 20 schools participate in the program. An especially exciting aspect (at least from my point of view as a critic) is the fact that an element of the Cappies involves students attending one another's performances and writing about them. Tonight will open with a recognition of the outstanding boy and girl critics, and wrap up by citing the top team of high school critics. I'll be onstage at the Aronoff to present that award, as well as something new: An award for the "top critique" by a student writer. I had the privilege of choosing the winner, which will be posted on CityBeat's arts blog after the award ceremony. And to show how profoundly CityBeat is committed to cultivating arts coverage, we're inviting that winner to cover a high school Fringe Next production in the Cincinnati Fringe Festival, which kicks off next week. No award for me, but I'm honored to be asked to hand out this recognition to the next generation of theater writers!

Speaking of the Cincinnati Fringe Festival, I should remind you that it kicks off with a special party hosted by CityBeat on Tuesday. Performances begin on Wednesday evening (continuing through June 7). You can read my overview of the Fringe here touching on the many aspects of creativity, talent, emotion and flat-out fun that will be happening at venues throughout Over-the-Rhine and the northern edge of Downtown Cincinnati. For more information: www.cincyfringe.com.

It's Memorial Day weekend, which is sort of the end of the local theater season, but there's still plenty to see. Size Matters, Ray McAnally's entertaining one-man show about his career as a "hefty" actor gets its final performance on Sunday (CityBeat review here; box office: 513-421-3555), and the Cincinnati Playhouse's taut drama The North Pool is still available on its Shelterhouse Stage (CityBeat review here; box office: 513-421-3888).

One last tidbit: After many years of producing shows aboard the Showboat Majestic, Cincinnati Landmark Productions has pulled into port to stage its summer productions on dry land. They just opened a production of Jerry Herman's classic musical Hello, Dolly!, the kind of show that people have flocked to see on the 'Boat for decades. The Covedale Center for the Performing Arts is an interim stop: By next summer, CLP intends to steam into its new facility, The Warsaw Federal Incline Theater. If that name is unfamiliar, it's because it's just been announced. The savings and loan has been a West Side institution since 1893, and it's lending its venerable moniker to the brand-new 220-seat performing arts center, slated to break ground this summer. The fundraising effort seeking $5.6 million for the project is nearing completion. In the meantime, catch Hello, Dolly! between now and June 1. Tickets: 513-241-6550.
 
 
by Rick Pender 05.16.2014 75 days ago
Posted In: Theater at 09:02 AM | Permalink | Comments (0)
 
 
stage door 5-16 - north pool @ cincinnati playhouse - eli gelb & ted deasy - photo sandy underwood

Stage Door: Cat-and-Mouse Games at the Playhouse

You really can't go wrong with a show at the Cincinnati Playhouse this weekend. I gave both productions Critic's Picks. The North Pool, on the Shelterhouse stage through June 1, is a taut dialogue between a suspicious high school vice principal and a wary student of Middle Eastern descent. (CityBeat review here.) It takes a while (the show is about 90 minutes, played in real time) to decide who's the good guy and who's the bad guy, and you'll be turned around several times in the process. Excellent acting and a fine script by Ohio native (and Miami University grad) Rajiv Joseph makes this an excellent theatrical experience. On the Playhouse's Marx Stage, it's the final weekend for another kind of cat-and-mouse game. Venus in Fur is all about sexual tension, between an imperious playwright/director and the woman who's auditioning for a role in a play he's adapted from an erotic novel. (CityBeat review here.) David Ives' witty and allusive script (it's literary and mythical in some most amusing ways) is being produced at theaters from coast-to-coast, but I can't imagine there's a finer production than this one anywhere. Tickets: ($30-$75) 513-421-3888.

At Cincinnati Shakespeare Company, you still have two weeks to catch a rare production of The Two Noble Kinsmen. The play is rarely staged (perhaps with good reason: it's not one of Shakespeare's best), but Cincy Shakes' rendition is noteworthy because it's the final work to complete their endeavor of staging all 38 of the Bard's works. (More on that feat here; CityBeat review of The Two Noble Kinsmen here.) It's a feat accomplished by just a handful of theaters worldwide, and it's your chance to check this one off your bucket list. Through May 25. Tickets ($22-$35): 513-381-2273.

Falcon theater, which produces shows in the tiny Monmouth Theater in Newport, Ky., opens Bat Boy the Musical tonight. It's a show that was lifted from the headlines of the Weekly World News (yes, found in the finest grocery store check-out lines) about a strange creature found in a cave in West Virginia. Of course it's crazy, but the show is actually a really entertaining piece about acceptance and community. Three weekends, through May 31. Tickets ($17-$20): 513-479-6783

If you missed The Irish Curse presented by Clifton Players at the tiny Clifton Performance Theatre on Ludlow Avenue back in February and March, they've brought it back for a couple of weekends, this being the second of two. It's an amusing adult comedy about a bunch of guys fretting over the size of their "equipment." Tickets can be ordered online (brownpapertickets.com) or purchased at the door (but be aware: it's a small venue that quickly sells out).
 
 
 
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