Last weekend I drove out through Mariemont to the Walton Creek Playhouse where Mariemont Players has assembled a thoroughly enjoyable production of Stephen Sondheim's A Little Night Music, a show once described as "whipped cream with knives." The theater, an old schoolhouse, has an intimate performing space, a perfect setting for this tale of mixed-up couples in early-20th-century Sweden. The show, simply and effectively staged by Skip Fenker, revolves around a free-spirited but aging actress who eventually sings "Send in the Clowns," Sondheim's best-known tune. The Sunday matinee I attended was all but sold out, so you should call in advance for a reservation: 513-684-1236. Onstage through Jan. 26.
If you're looking for some outstanding acting, you should definitely head to Cincinnati Shakespeare and watch Brent Vimtrup play the title role in Hamlet. He plays the role of the indecisive Prince of Denmark, pointed toward vengeance but filled with doubt. Vimtrup uses an expressive physicality and natural insight that makes long-familiar speeches ("To be or not to be," "What a rogue and peasant slave am I" and more) feel fresh and new. He's onstage for most of the three-and-a-half hour production, a highly watchable marathon. Tickets: 513-381-2273 x 1. Through Jan. 26.
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Truth to tell, midnight has already passed and Victorian adventurer Phileas Fogg thinks he's missed the deadline for getting "around the world in 80 days." But his faithful servant Passepartout (played with manic energy by the always amusing Michael G. Bath) saves the day by sorting out travel across time zones. Your deadline has not quite passed, since Ensemble Theatre Cincinnati's inventive staging of a musical version of Jules Verne's classic Around the World in 80 Days continues through a 2 p.m. matinee on Sunday. (CityBeat review here.) If football and cold weather aren't your preferences, maybe you should head to the Over-the-Rhine theater for a final volley of holiday entertainment. Tickets: 513-421-3555.
The Cincinnati Art Museum announced today that Aaron Betsky will be stepping down as director of the museum. Betsky, who has worked as director at CAM for seven years, will leave the position once his successor is determined.
From the press release:
"The museum now has the programming and staff in place, and the financial stability that will allow me to openly pursue my next position," noted Mr. Betsky. "I feel that I have accomplished the goals that I and the Board had envisioned when I first arrived and would like to explore opportunities that may include or combine my academic interests and institutional experience."
The CAM Board of Trustees is assembling a search committee to find a successor. Betsky will assist in this decision.
"Aaron has effectively led the Cincinnati Art Museum through one of the most challenging periods in our history and did so while adding new facilities, growing our program, attracting record audiences, and raising money both for capital projects and our endowment," said Dave Dougherty, Chairman of the Board of Trustees. "He brought a vision, energy and acumen that will continue to serve the museum into the future."
Go here to read CityBeat's recent interview with Betsky, wherein the the director discusses changes and challenges at CAM.
At the Cincinnati Playhouse in the Park you'll find the traditional Christmas favorite A Christmas Carol as well as The Complete History of Comedy (abridged) onstage through Sunday. It feels a bit odd to be watching Scrooge and the ghosts after Christmas Day, but the Playhouse's rendition is such a lovely show and Bruce Cromer's portrait of the old miser is so entertaining that you'll be charmed, I'm sure. And the Reduced Shakespeare guys doing the "comedy" piece know how to evoke laughter from the making of jokes in ways you haven't imagined. They're the guys who originated this amusing formula with The Complete Works of William Shakespeare (abridged), and they're making it work with this world premiere production. It's a nice bit of entertainment for a weekend between the holidays. Tickets: 513-421-3888.
Holiday themed laughs are being served up at Cincinnati Shakespeare Company through Sunday, too, with their eighth annual presentation of Every Christmas Story Ever Told (and then some). No Shakespeare in evidence (although they're performing on the gussied-up set that was built for the previous production, Twelfth Night) but four of CSC's best comic talents are mashing up every imaginable tale you might think of that has a holiday connection — Charlie Brown, Charles Dickens, Rudolph, the Nutcracker, It's a Wonderful Life and many more. They'll have you laughing from start to finish, especially if you make a stop by the bar in the lobby beforehand. Not for the kids, but a lot of fun for anyone with an adolescent sense of humor. Tickets: 513-381-2273 x 1.
If you want a nice outing for the kids, I recommend Ensemble Theatre Cincinnati's holiday show, Around the World in 80 Days. Jules Verne's adventure classic about a hectic circumnavigation of the globe in 1899 has been musicalized and condensed in a way that children will enjoy it — but there's enough humor and talent onstage to keep adults entertained, too. ETC'S production actually runs through the weekend after New Year's Day, but if the kids are restless and you want to entertain them with live theater, this is a great choice. Tickets: 513-421-3555.
It's the final weekend for most holiday shows, and there are lots of good choices. I'm ranking today's listings according to the laugh-o-meter, starting with the most hilarious:
It's Friday the 13th, but if you're in the mood for holiday shows, this is your lucky weekend. Just about every theater in town has something onstage aimed at getting you into the Christmas spirit, making you laugh, diverting you from the stress of being cheerful or just poking fun at the ways of the world (at least the world of commercialism we see in America today).
Perhaps you've already done your annual brush-up on Dickens' A Christmas Carol
at the Playhouse (another fine production, now in its 23rd season with
Bruce Cromer back as Scrooge and a new interpretation of Bob Cratchit,
featuring the very angular Ryan Wesley Gilreath, who seems to be all
arms and legs and stringy hair — very Dickensian) or the musical version
being presented by Covedale Center. With the story of Scrooge's dark
night of the soul fresh in mind, perhaps you're ready for A Klingon Christmas Carol,
presented by Hugo West Theatricals at the Art Academy of Cincinnati
(1212 Jackson St., Over-the-Rhine). This is a newish theater group that
knows its way around satirical work (their Don't Cross the Streams, a goofy derivative of Ghostbusters,
was a popular piece in the 2012 Fringe festival), they are giving this
unusual piece its local premiere. (It's been staged in Chicago and
Minneapolis.) It's actually a rather faithful retelling of the story
with SQuja' (Donald Volpenheim), a cowardly, money-grubbing member of
Star Trek's warrior race, taking the place of Scrooge.
It's presented by a deadpan Vulcan narrator (Lauren Carr) who positions the work as the "original" of the tale. Klingons don't celebrate Christmas, but they are bound by traditions, the greatest of them being the "Feast of the Long Night." The 70-minute piece closely matches with Scrooge's story, but it's all through a Klingon filter — lots of angry outbursts and hearty laughter, grunting, growling, drinking and chest-thumping by characters with wrinkled foreheads, bushy eyebrows and fierce demeanors. Eileen Earnest handles timHom (a Muppet-like equivalent for Tiny Tim), son of Quachit (David Dreith), whose training as a warrior is being neglected because of greedy SQuja'. If you've never yearned for a visit to Qo'noS, the Klingon homeworld, you might find this production a bit impenetrable since it's performed in the guttural Klingon language, but there are projected subtitles that add humor to the action. This won't be a show for everyone, but if you're a Star Trek fan, you'll have a good time. Tickets ($20 at the door or here).
OK, the holidays are officially here. If you have any strength left after shopping last night and all day today, there are numerous theatrical offerings to consider.
The theater season takes a bit of a pause around Thanksgiving, since many companies are readying holiday productions. But there are plenty of choices available this weekend.
I'm not the only one who enjoyed the laugh-fest that is The Complete History of Comedy (abridged) at the Cincinnati Playhouse. I've heard numerous people who saw it say they were recommending it to others. In two hours the Reduced Shakespeare Company puts forth more humor than you can shake a stick at. (But be careful shaking sticks. You might get a pie in the face.) No matter your tastes in comedy — witty, loud or rude and crude — you'll find it in this production. How about Abe Lincoln as a deadpan rapper? This could be a good outing this weekend or a lot of fun for out-of-town guests who descend on you next week. Tickets: 513-421-3888.
Tonight is an opening at Cincinnati Shakespeare Company, the very frothy comedy Twelfth Night. (It's subtitle is "or What You Will," indicating that it's a lot of foolishness, which is an apt description.) In fact, Twelfth Night is a beautiful piece with clever situations, amusing characters, a bit of intrigue and a lot of mistaken identities. And several of the most laughable characters Shakespeare ever created, from the bombastic Malvolio to his persecutor Sir Toby Belch and Sir Andrew Aguecheek, plus the best of all Shakespeare's fools, Feste. It's a safe bet that this is a production that even those who fear Shakespeare will truly enjoy. Tickets: 513-381-2273 x 1.
If you're more into storefront theater, you might check out the current production by Untethered Theater at Clifton Performance Theatre on Ludlow, just east of the business district. It's a tiny space (only 50 seats), but that makes it all the more interesting. The current production is Wendy Macleod's The House of Yes, a very dark comedy about a weirdly dysfunctional family. The story focuses happens while there's a Thanksgiving hurricane outside, so it's timely, too. Performances Friday and Saturday (through Dec. 7). Go here for tickets.
This is the last weekend for Boeing Boeing, a crazy farce about a guy juggling three fiancees who happen to be flight attendants. It's at the Carnegie, featuring performers from the drama program at UC's College-Conservatory of Music. Tickets: 859-957-1940.
The big show for the night saw me head to
Brooklyn Academy of Music (BAM) with CAC Director and Chief Curator Raphaela
Platow to see Sun, the latest dance piece from acclaimed Israeli-born,
Britain-based choreographer Hofesh Shechter. A packed theater was introduced to
the work via an announcement that the company was to show us a snippet of the
very end of the piece in order to ensure us that “everything is going to be
OK”. A comedic beginning to a performance full of sharp wit and contrast.
Consisting of various vignettes that reappeared at points throughout the
performance, Sun utilizes smart lighting and a brutal sound design
(composed for the most part by Shechter himself) to rather brilliantly and
swiftly turn on a dime and take the piece from moments of intensity and anger
to those of subtle and soft humor; highly sexualized slo-mo gyrations of female
dancers to male dancers prancing around the stage with cutout sheep drawings. Sun
was certainly intent on making a political point of some kind. The
aforementioned sheep cutouts were being stalked by a wolf, cutouts of
indigenous tribesmen were being stalked into conversing with a colonist, and at
one point a dancer addresses (shrieks at) the crowd with, “The wolf is behind