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by Rick Pender 02.07.2014
Posted In: Theater at 10:36 AM | Permalink | Comments (1)
 
 
stage

Stage Door: Choices Galore

Last evening I went to see Mary Zimmerman's Metamorphoses at UC's College-Conservatory of Music. You can read more about playwright Zimmerman in my column in this week's issue here, and you'll probably figure out that this is one of my favorite scripts. CCM's drama program has created a shimmering, playful production that's getting a brief run (final performance is a 2 p.m. matinee Sunday) at Patricia Corbett Theatre.

Guest director D. Lynn Meyers took a break from Ensemble Theatre Cincinnati to travel up the hill and stage this one on the UC campus, and her cast of 18 student performers wholly embraced this unusual show — which requires a pool of water as its central design feature. (Water plays a significant and meaningful role in the retelling of a set of classical myths shaped and recorded by Ovid two millennia ago.) But Dana Hall's scenic design doesn't stop with water; it's elemental, with immense hanging slabs of stone that resonate with the decorative concrete slabs in PCT. Wes Richter's lighting — it really does shimmer — enhances the stories of characters changed by circumstances, good intentions and bad decisions, and Kevin Semancik's sound design brings vivid punctuation to many stories, including a destructive storm at sea.

Speaking of sound, cellist Jacob Yates, a senior at CCM, composed moody accompaniment that distills the moving emotional essence of each scene; he performs live from stage left as the tales unfold. Amanda Kai Newman's costume designs complete the visual power of the show, whether they are fluttering around the edge of the pool or from a high balcony upstage from which the gods watch and control the mortals — and even when they are sopping wet from action in the variable-depth pool. Much of the action is beautifully choreographed and delivered with confident physicality. All in all, CCM's Metamorphoses is a total theatrical package that's definitely worth seeing. Tickets are likely available if you call quickly: 513-556-4183..

If you want a two-fer featuring shows staged by D. Lynn Meyers, you can catch her production of Tribes back at her ETC home base. (CityBeat review here.) Nina Raine's script focuses on two young adults who come from different "tribes," families with distinctively separate approaches to deafness. Billy's family wants to approximate normalcy by teaching him to lip read, while Sylvia's parents, both deaf, have used signing. Now that she's going deaf herself and has befriended Billy, these practices are at odds. But this is also a show about family dynamics, love and acceptance — something everyone can relate to. Billy's family is boisterous and rude, behaviors that often exclude him. Sylvia's gentle, thoughtful manner is both solace and revelation to him. Actors Dale Dymkoski and Kelly Mengelkoch (familiar to Cincinnati Shakespeare audiences; she's a company member there) are simply excellent in these two roles, and the balance of the cast creates real, human characters. Tribes has been extended to Feb. 22, a week beyond its announced closing, to accommodate ticket demand. Tickets: 513-421-3555.

Other productions worth checking out this weekend are Seminar by Falcon Theater at Newport's Monmouth Theater, a play by Cincinnatian Theresa Rebeck about a writing class with a tyrannical teacher (CityBeat review here; tickets: 513-479-6783); Bruce Norris's Pulitzer Prize-winning Clybourne Park, revealing how attitudes about race and class haven't evolved all that much in 50 years, at Cincinnati Playhouse (CityBeat review here; tickets: 513-421-3888); and Steve Yockey's absurdist drama Pluto at Know Theatre, an inventively told story of contemporary grief (CityBeat review here; tickets: 513-300-5669).
 
 
by Maija Zummo 02.06.2014
Posted In: Fashion, Visual Art at 02:18 PM | Permalink | Comments (0)
 
 
nvision as you wish

NVISION Hosts Vintage Wedding Dress Exhibit and Sale

'As You Wish' features gowns, accoutrements and more

Wedding gowns capture the imagination as fashion, romance and art. Our collective memory holds the image of Princess Diana's long train trailing behind her as she walked up the steps at St. Paul's Cathedral in London and, locally, people flocked to the Wedded Perfection wedding gown exhibit at the Cincinnati Art Museum. 

Currently, another local venue is hosting a wedding gown retrospective. NVISION in Northside is exhibiting As You Wish, an exhibition (and sale) of vintage wedding dresses and accoutrements from a variety of time periods. The goal is to showcase the fact that a bride's wedding gown can come at any price point, and a modern woman makes a dress her own through alterations, personalization and embellishments.

"The post-modern fairy tale wedding dress doesn’t have to be squelched by finances," says a press release about the exhibit. "And in fact, it can be more true to the bride’s personality than simply buying something off the rack ready to wear."

The gowns and accessories on display at NVISION are in a variety of sizes and price points. Through March 23. Hours: 2-9 p.m. Wednesday-Friday; noon-9 p.m. Saturday-Sunday. 4577 Hamilton Ave., Northside, nvisionshop.com.


 
 
by Rick Pender 02.03.2014
Posted In: Theater at 10:23 AM | Permalink | Comments (0)
 
 
once

Broadway in Cincinnati Announces 2014-15 Season

Tony winners fairytales and Pop titles to grace Aronoff audiences

Broadway in Cincinnati today is announcing its 2014-2015 season, which will bring back The Lion King for a month-long run in April 2015 as well as the 2012 Tony Award winner, Once, which has a two week run in mid-November 2014. Lion King had a record-breaking engagement at the downtown Cincinnati’s Aronoff Center in 2007, and the winner of 1998’s best musical Tony continues its long run on Broadway. Once, based on the 2007 movie of the same name, is theatrical retelling of the story of musicians in Dublin. Played out in an Irish pub, if features an impressive ensemble of actor-musicians who play their own instruments onstage.
\"The Lion King\"
Photo: Joan Marcus
The season also offers two tried-and-true classics: Rodgers and Hammerstein’s Cinderella, a made-for-TV musical fairytale from 1957 which had a well-received Broadway run in 2013, will land at the Aronoff Center next January for two weeks. And a classic from 1934, Cole Porter’s Anything Goes will show up for five days in February; the story of love and blackmail on a cruise ship sailed back to Broadway in 2011 and won three Tonys.

Rounding out the season are several shows with roots in pop culture. The season opens with Dirty Dancing, a musical based on the 1987 movie about a summer vacation in the Catskills that turns into a steamy romance with a lot of choreography. For the holidays, we get another short run aimed at families: Elf: The Musical about an human orphan who ends up as one of Santa’s elves, but never quite fits in. It’s based on the 2003 film that starred Will Farrell. (Broadway in Cincinnati had good luck last Thanksgiving with a short run of How the Grinch Stole Christmas, and this is surely aimed at the same audience.)

Also likely to capture an audience in search of for laughs is the season’s concluding production, I Love Lucy: Live On Stage, bringing to life recreations of one of TV’s greatest sitcoms with actors portraying Lucy and Ricky Ricardo and Ethel and Fred Mertz. Set in 1952, it lets audiences pretend they’re attending the filming of a pair of classic episodes on an L.A. soundstage. It’s not a musical, but it has lots of tuneful interludes by Ricky’s orchestra at the Tropicana Nightclub, plus ’50s style singing commercials.

Season subscriptions go on sale today: 800-294-1816 or BroadwayinCincinnati.com

Dirty Dancing (Sept. 23-Oct. 5, 2014)

Once (Nov. 11-23, 2014)

Elf: The Musical (Dec. 2-7, 2014)

Cinderella (Jan. 6-18, 2015)

Anything Goes (Feb. 17-22, 2015)

The Lion King (March 31-April 26, 2015)

I Love Lucy (June 2-14, 2015.

 
 
by Rick Pender 01.31.2014
Posted In: Theater at 08:53 AM | Permalink | Comments (0)
 
 
stage door 1-31 - dale dymkoski is billy, torn between two divisive approaches to deafness in tribes at etc - photo ryan kurtz

Stage Door: Full Weekend

Lots of plays not previously seen in Cincinnati are good theater choices this weekend:

Ensemble Theatre Cincinnati just opened its regional premiere of Tribes by Nina Raines on Wednesday, and I've given it a Critic's Pick. The story circles around two young adults from families with very different approaches to deafness. Billy's family has tried to give him a "normal" life by teaching him to speak and lip read, while Sylvia's deaf parents have always communicated using sign language. Now that she's going deaf, she's more and more dependent on that skill. But Billy's loud, boisterous family objects to him to make his deafness so obvious, even though he's finally found a path to overcome his loneliness. This tale of warring tribes is as much about family dynamics and human nature as it is about coming to terms with a disability. Provocative and thoughtful, with a sterling cast of convincing actors. Through Feb. 16. Tickets: 513-421-3555.

The Cincinnati Playhouse in the Park has a winner with its production of Bruce Norris's Clybourne Park, a show that portrays territoriality rooted in insensitivity and prejudice. (CityBeat review here.) Using a 1959 play, Lorraine Hansberry's A Raisin in the Sun*, as its jumping-off point, Norris's first act portrays a white Chicago neighborhood where the sale of a home to an African-American family has set off warfare between residents. In the second act, it's 2009 and the same neighborhood, blighted by deterioration, is now being gentrified. The tables are turned, but many of the arguments — and in Norris's clever script, even some of the same words — resurface. I gave this one a Critic's Pick, too. Through Feb. 16. Tickets: 513-421-3888.

*A footnote to Clybourne Park: To experience this show's inspiration, A Raisin in the Sun, tune to WVXU (FM 91.7) on Saturday evening, 8-10 p.m., for a radio production of Lorraine Hansberry's play by LA Theatre Works. It's a seminal American drama in its own right.

This bounty of premieres is joined by Know Theater's staging of Steve Yockey's brand-new play, Pluto. (CityBeat review here.) It's the story of a single mom and her sullen, disconnected son in a generic suburb. It feels realistic, but there are signs that it goes beyond that: A blossoming cherry tree has crashed through the ceiling, and a three-headed dog (played by a one-headed actress) sits nearby, offering curious observations about what's going on. A radio spits out news about a school shooting, sometimes speaking directly to the mom, and then the refrigerator begins to shake violently, as if some force is trying to escape. There's more to be revealed, and I should warn that gun violence and death are portrayed. But this is a poetic and emotional tale of grief distilled. Through Feb. 22. Tickets: 513-300-5669.

Daniel Beaty's one-man show, Through the Night, was well-received at the Cincinnati Playhouse in a Fall 2012 production, performed by the playwright. (CityBeat previewed that piece here.) Northern Kentucky University this weekend is offering another of Beaty's solo works, the multi-character show (27 roles in all) Emergency, a piece that features slam poetry, performed by local actor Deondra Means. It begins with a fanciful premise, a slave ship arriving in a New York City harbor in the 21st century. Director Daryl Harris calls Emergency "a perfect storm for the social activist and the theater artist in me." It's onstage only this weekend at NKU's Stauss Theatre. Tickets: 859-572-5464.
 
 
by Rick Pender 01.28.2014
Posted In: Theater at 09:53 AM | Permalink | Comments (0)
 
 
onstage blog 1-28 - pirates of penzance @ actors theatre -photo by bill brymer

Advising a Louisville Theatre Field Trip

Actors Theatre's "Pirates of Penzance" is a joyous, festive hoot from start to finish

If I could charter a bus and offer you transportation to Louisville over the next few days to see a production at Actors Theatre, I'd happily do so. I made the drive to see a Sunday matinee of Gilbert & Sullivan's The Pirates of Penzance, "reimagined by The Hypocrites." This zany group of theater artists from Chicago have found contemporary ways to inject new energy into traditional works from Shakespeare to Golden Age musicals. And that's what they've done with Pirates, a show that was a silly musical hit in the 1880s on both sides of the Atlantic.

In fact, what this energetic cast of 10 does with the show is restore its comic brilliance in a way that's wholly suited to the 21st century but in keeping with the original. The story of soft-hearted pirates, a soft-headed major-general and his melodic daughters and a crew of incompetent cops remains intact and is inherently funny. But The Hypocrites have pushed it to a contemporary level.

Entering Actors Theatre's arena-styled Bingham Theatre, audiences were immediately immersed in a beach party on the central stage. Beach balls were bouncing everywhere; the ushers were wearing floral shirts. The performers, also musicians, were leading a folksy singalong, tunes like the Lumineers' "Ho Hey" and Paul Simon's "Me and Julio Down by the Schoolyard." It was downright festive, and audience members who had seating onstage (many with kids) joined right in with the fun.

When showtime arrived, a few ground rules were laid out by actress Christine Stulik, who played both the matronly awkward Ruth and the sweet ingenue Mabel. She asked those onstage to follow any requests made by the stage managers, dressed as Victorian lifeguards, so that actors would have clear paths to move to their required locations. She also mentioned that the show would be one hour, 20 minutes, with a one-minute intermission. (That's what really happened: a quick break, with actors sipping bottled water, audience members running up the steps to an in-theater bar, stretching and so on.)

The performance follows Pirates' amusing tale of the virtuous young Fredric, who is a "Slave of Duty" (we were regularly reminded by the word DUTY, spelled out in giant red letters at the top of one audience section). The performers executed their roles in exaggerated fashion, squeezing humor out of every moment. They also played an astonishing array of musical instruments: guitar, banjo, mandolin, fiddle, flute, clarinet, accordion, squeezebox and other esoteric items such as a toy piano, a kiddie xylophone and a saw(!). They were all accomplished singers, too, and just about everyone played multiple roles — including sweet young ladies who doubled as comically mustachioed police officers.

It was a joyous, festive hoot from start to finish, a wonderful tonic for a bitterly cold winter. My only regret is that I'm late to the party: The production of Pirates of Penzance wraps up on Saturday. If you have the time to drive down I-71 and can score a ticket (Actors Theatre box office: 502-584-1205), you'll feel like you took a mini-vacation.
 
 
by Rick Pender 01.24.2014
Posted In: Theater at 10:31 AM | Permalink | Comments (0)
 
 
stage door 1-24 - clyybourne park @ cincy playhouse - photo sandy underwood

Stage Door: 'Clybourne Park' and More

I caught the opening night of the Cincinnati Playhouse's production of Clybourne Park last night. The play won the theater triple crown: Tony for best play on Broadway, Olivier for best play in London, and the 2011 Pulitzer Prize for drama. It's being staged by a lot of big theaters this season, but you need go no farther than Mount Adams to see what all the fuss is about. And there is a ton of fussing in Bruce Norris's script. He took his inspiration from the events of Lorraine Hansberry's historic 1959 play A Raisin in the Sun, the story of a black family seeking to improve its lot by buying a home — in a previously all-white neighborhood. Clybourne Park's first act looks at the same events from the neighborhood's perspective; Act II jumps ahead 50 years to the same neighborhood, deteriorated but coming back. Curiously enough — or is it predictably? — many of the stresses and strains have only moved from one set of people to another. Norris's clever script subtly presents parallels and contrasts, with some humor and some pathos, and a sardonic sense that human nature is what it is. The Playhouse does a great job with a cast that plays different roles (some slightly connected from past to present) and a revolving set that recreates the house at 406 Clybourne in Chicago in 1959 and 2009. This production will spur lots of thoughtful and spirited conversation. Onstage through Feb. 16. Tickets: 513-421-3888.

Pluto at Know Theatre is being staged by former artistic director Jason Bruffy. Steve Yockey's unusual script blurs the line between real life and mythology, as weird events materialize in a suburban kitchen, what with a talking three-headed dog and other unusual phenomena getting in the way of necessary dialogue between a mom and her sullen son. It opens tonight and runs through Feb. 22. Tickets: 513-300-5669.

Also opening tonight is Revelation by Untethered Theater, in the compact space at Clifton Performance Theater (404 Ludlow). It's described as a "pitch black comedy" about a couple, one a Southern Baptist who is expecting the Rapture and the other a premed student who happens to be an atheist. They travel from New York to Arkansas in search of the New Jerusalem. Along the way, they find a whole lot more. Opening tonight, onstage through Feb. 8. Info: 513-939-0599.

I don't mean to sound like a broken record — I've mentioned the following productions before — but several shows are here a bit longer that are definitely worth considering:

The Book of Mormon continues at the Aronoff through Sunday. If you haven't seen this hilarious musical, I have to ask why? And if you have, you might want to catch it one more time if you can. (I went twice, and it was every bit as funny the second time around — maybe more so because I could focus on the crazy, rude lyrics and the beautifully timed comedy.) Tickets: 800-982-2787.

Rodgers and Hammerstein's classic tale of singing kids, their stoic dad and the nun who brings them together, The Sound of Music, is being offered in a "lightly staged" concert version accompanied by the Kentucky Symphony Orchestra at Covington's Carnegie Center. It's been enthusiastically received by folks I've talked with who've seen it. Final performance is Sunday. 859-957-1940.

This is also the final weekend for a charming production of Stephen Sondheim's musical of mixed-up lovers in early 20th-century Sweden, A Little Night Music, at Mariemont Players. Tickets: 513-684-1236.

Hamlet, at Cincinnati Shakespeare Company, runs until Feb.9, but you should catch it if you plan to attend the next CSC show, Rosencrantz and Guildenstern Are Dead, which tells the same story from the perspective of two minor characters — using the same cast. It opens on Feb. 14. Tickets: 513-381-2273, x1.
 
 
by Rick Pender 01.17.2014
Posted In: Theater at 12:16 PM | Permalink | Comments (0)
 
 
mormon

Stage Door: 'South Park,' Sondheim and Shakespeare

The big buzz is around The Book of Mormon, the musical by the South Park guys that's rude, crude and sweet, all at once. An acquaintance of mine aptly describes it as "blasphemy without malice." Regardless of what you call it, it's the talk of the town, and a lot of people have told me that affordable tickets are not to be found. Since it's a hot item the ticket resellers have really jacked up the prices, so it's a better bet to go straight to the box office at the Aronoff Center and ask them what's available. If you have the time, come the box office two-and-a-half hours before the performance you're hoping to see and apply for one or two tickets (that's the limit). Two hours before curtain names will be drawn randomly. You have to be there and you can only enter once. Of course it's a gamble, but if your name is pulled, you'll pay just $25 per ticket. This touring production will be in downtown Cincinnati through Jan. 26.

Last weekend I drove out through Mariemont to the Walton Creek Playhouse where Mariemont Players has assembled a thoroughly enjoyable production of Stephen Sondheim's A Little Night Music, a show once described as "whipped cream with knives." The theater, an old schoolhouse, has an intimate performing space, a perfect setting for this tale of mixed-up couples in early-20th-century Sweden. The show, simply and effectively staged by Skip Fenker, revolves around a free-spirited but aging actress who eventually sings "Send in the Clowns," Sondheim's best-known tune. The Sunday matinee I attended was all but sold out, so you should call in advance for a reservation: 513-684-1236. Onstage through Jan. 26.

If you're looking for some outstanding acting, you should definitely head to Cincinnati Shakespeare and watch Brent Vimtrup play the title role in Hamlet. He plays the role of the indecisive Prince of Denmark, pointed toward vengeance but filled with doubt. Vimtrup uses an expressive physicality and natural insight that makes long-familiar speeches ("To be or not to be," "What a rogue and peasant slave am I" and more) feel fresh and new. He's onstage for most of the three-and-a-half hour production, a highly watchable marathon. Tickets: 513-381-2273 x 1. Through Jan. 26.

 
 
by Maija Zummo 01.06.2014
Posted In: Street Art, Get Involved, Arts community at 03:10 PM | Permalink | Comments (0)
 
 
ecosculpt

Washington Park Now Accepting 2014 Ecosculpt Submissions

Get ready to recycle artfully

Sick of just tossing your cans and bottles into the recycling bin? Good news: EcoSculpt, a three-week art installation event comprised of sculptures made of recycled and/or recyclable materials, is returning to Washington Park in celebration of Earth Day.

And EcoSculpt artists not only get to exhibit how artfully eco-friendly they are in large-scale sculptures, they also have a chance to win cash prizes. According to a press release, three judges will choose first, second and third prize winners based on concept, execution and construction. Cash prizes of $500, $250 and $150, as well as a People’s Choice prize of $100, will be awarded at the official EcoSculpt Award Ceremony on Tuesday, April 22, 2014 at 6:30 p.m.

Those interested in participating can visit washingtonpark.org to access an electronic application; please include a PDF or JPEG version of your sketch in your submission. The deadline to enter is 5 p.m. Friday, Feb. 28. Accepted applicants will be notified of their status by Friday, March 7.

View 2014 EcoSculpt submission guidelines or to submit your original eco-friendly design hereec.

 

 

 
 
by Rick Pender 01.03.2014
Posted In: Theater at 09:34 AM | Permalink | Comments (0)
 
 
stage copy

Stage Door: Couple of Classics

Truth to tell, midnight has already passed and Victorian adventurer Phileas Fogg thinks he's missed the deadline for getting "around the world in 80 days." But his faithful servant Passepartout (played with manic energy by the always amusing Michael G. Bath) saves the day by sorting out travel across time zones. Your deadline has not quite passed, since Ensemble Theatre Cincinnati's inventive staging of a musical version of Jules Verne's classic Around the World in 80 Days continues through a 2 p.m. matinee on Sunday. (CityBeat review here.) If football and cold weather aren't your preferences, maybe you should head to the Over-the-Rhine theater for a final volley of holiday entertainment. Tickets: 513-421-3555.

While you're thinking about theater, you should be making plans to see Shakespeare's greatest tragedy (some say it's the greatest play ever written), Hamlet, which opens next week at Cincinnati Shakespeare Company. Once you've taken that one in, you'll be ready to head back in mid-February for Tom Stoppard's other-end-of-the-telescope version of the show (using the same actors), Rosencrantz and Guildenstern Are Dead. Tickets: 513-381-2273.

Happy New Year!
 
 
by Jac Kern 01.02.2014
Posted In: Arts community, Visual Art at 10:48 AM | Permalink | Comments (0)
 
 
aaronbetsky_cam_jf

Aaron Betsky to Step Down as Cincinnati Art Museum Director

The Cincinnati Art Museum announced today that Aaron Betsky will be stepping down as director of the museum. Betsky, who has worked as director at CAM for seven years, will leave the position once his successor is determined.

From the press release:

"The museum now has the programming and staff in place, and the financial stability that will allow me to openly pursue my next position," noted Mr. Betsky. "I feel that I have accomplished the goals that I and the Board had envisioned when I first arrived and would like to explore opportunities that may include or combine my academic interests and institutional experience."

The CAM Board of Trustees is assembling a search committee to find a successor. Betsky will assist in this decision.

"Aaron has effectively led the Cincinnati Art Museum through one of the most challenging periods in our history and did so while adding new facilities, growing our program, attracting record audiences, and raising money both for capital projects and our endowment," said Dave Dougherty, Chairman of the Board of Trustees. "He brought a vision, energy and acumen that will continue to serve the museum into the future."

Go here to read CityBeat's recent interview with Betsky, wherein the the director discusses changes and challenges at CAM.

 
 

 

 

 
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