So far, the videos released from The Queen City Project’s series of clips from The MidPoint Sessions (a day party that took place at the Art Academy during September’s MidPoint Music Festival) have showcased three great Ohio acts — Athens’ The Ridges (also the curators of the Sessions), Cincinnati’s The Happy Maladies and Columbus’ Indigo Wild. Today you can check out the final clip from the performances, this one featuring another Cincinnati artist — intriguing singer/songwriter Molly Sullivan. While the previous performances were acoustic, Sullivan strums an electric guitar and utilizes loops to create a haunting effect.
Click here for more about Sullivan. And you can see/hear her live this Thursday at MOTR Pub in Over-the-Rhine as she opens for Lexington, Ky.’s Ancient Warfare, which also played this year’s MidPoint Music Festival. Find details on the free show here.
Cincinnati five-piece Zebras in Public has released some propaganda to promote its new single and sophomore album.
Actually, it’s a new single and accompanying music video for the group’s strong new song “Propaganda,” an ear-grabbing AltRock track that is slated for the new Zebras in Public full-length, Paradise Leg. The follow-up to the eclectic band’s 2010 debut album Scars & Stripes is due early next year.
Over the past few weeks we’ve been sharing some great new videos shot at September’s MidPoint Music Festival by The Queen City Project. The clips feature performances from The MidPoint Sessions, a day party held during MPMF at Art Academy of Cincinnati in conjunction with FotoFocus’ Reverberation concert photography exhibit. The event showcased acoustic performances by four Ohio acts — Athens’ The Ridges (who curated the lineup), Cincinnati’s The Happy Maladies and Molly Sullivan and the star’s of today’s video debut, Columbus Indie Rock foursome Indigo Wild.
Indigo Wild formed in 2010 and, if the name sounds familiar, it may be due to the band’s frequent shows in Cincinnati. So far, the band has only issued one recording, the 2011 EP If By Sea, but for The MidPoint Sessions, Indigo Wild unveiled a newer song titled “Be Patient.”
The band’s website says “Be Patient” “lays a stepping stone” to Indigo Wild’s first full-length release. Keep updated on the album’s progress and all things Indigo Wild at indigowildmusic.com.
Along with creating captivating, dynamic music that has helped to make it one of Cincinnati’s finest Hip Hop groups, Valley High has released several stellar music videos over the past few years to accompany its tracks. This year has seen some of the best clips yet from the group, including ones for “That One Too” and, more recently, “8 Ball.”
The group blends sounds from several genres and features live instrumentation, like guitars and keys, to back the ear-grabbing flow of MC’s Moxy Monster and The M.O. Hour. Self-described as a “new wave hip hop band,” the latest video from Valley High (which really needs to parody the Van Halen logo on a T-shirt or something) is for the track “Let Me Get Em,” described as “a hard jazzy gritty street track that is a throwback to the 90's era.” The track is featured on the group’s 14-track album titled, appropriately enough, 90’s Tape, which is available for free download here.
Since Los Angeles is one of the centers of the music universe, being dubbed the “Best Live Band” in the city is an incredibly high honor. Energetic eight-member Americana ensemble The Dustbowl Revival received that exact honor this year when the city’s L.A. Weekly named the group the Best Live Band of 2013 in its Best of L.A. issue. Tonight you can see and hear for yourself when The Dustbowl Revival headlines MOTR Pub in Over-the-Rhine. Brad Loans of local greats The Sundresses opens the free show at around 10 p.m. with a solo set.
The Revival’s kitchen-sink approach touches on a bigger-than-usual array of American Roots music influences, from Western Swing, New Orleans Jazz, Dixieland and Be Bop to Blues, Gospel, Folk and numerous other styles (both expected and not). Delivered using the classic tools of the Americana trade (numerous brass instruments, fiddle, clarinet, mandolin, washboard, harmonica and kazoo, plus stand-up bass and guitars), The Dustbowl Revival’s latest release, Carry Me Back Home, was released to critical acclaim earlier this year. But, if the enthusiastic testaments online are any indication, seeing the group’s wildly entertaining live show is the best way to experience the Revival.
• Punk rockers turning to Folk and Roots music is nothing new (see: Billy Bragg, The Pogues), but it’s become a not unwelcome epidemic in the past decade. It’s easy to see the appeal — Punk and Folk are kissing cousins that share a raw purity and, often, a sense of social/political justice in the lyrics.
Another part of the appeal may just be how some of the artists who make the shift and go full Folk have found huge success after the makeover. Frank Turner, for example. The British folkie was the singer for Hardcore Punk band Million Dead in the early ’00s. The band’s run was short and relatively successful, but nothing compared to what Turner has experienced since strapping on an acoustic guitar and going solo in 2005 after the band’s split. After his debut album in 2007, Turner’s career took off and he built his now-huge fanbase by touring with bands like The Gaslight Anthem, The Offspring and Green Day, which had him open stadium shows for the band in 2010.
This year, Turner released his fifth album, Tape Deck Heart, his first recorded in the U.S. and his first under a global deal with Interscope Records. Turner comes to the Ballroom at the Taft Theatre tonight in support of the album. Showtime is 7:30 p.m. Koo Koo Kanga Roo and The Smith Street Band open. Tickets are $20 at the door. Turner is touring with his full backing band, The Sleeping Souls.
Here’s the video for the new album single “Losing Days”:
• Two up-and-coming Rock crews with a rising presence on the FM Rock airways cruise into Bogart’s tonight. The Classic Rock-influenced bands Taddy Porter and Jonathan Tyler & the Northern Lights play at 7 p.m. Read Amy Harris’ interview with Tyler for CityBeat here and check out Taddy Porter’s video for the single “The Gun” below:
A lot of the great up-and-coming touring artists that made September’s MidPoint Music Festival one of the best yet have been building on their MPMF momentum and returning to the area. Even some of the bands that canceled their MPMF appearances have made their way back.
Korea’s Love X Stereo had travel issues and missed this year’s MidPoint, but recently played MOTR Pub (the club owned by MPMF artistic director Dan McCabe) and now the amazing seven-piece Wisconsin crew PHOX (who missed MPMF to tour with Blitzen Trapper) is headed to the same venue tonight for a great double-bill with San Francisco Psych Rock/Shoegaze outfit (and MPMF alumnus) Sleepy Sun.
The wonderfully eclectic PHOX, which recently announced a new recording was in the works, appear to be on the verge of very big things; seems like everyone who hears the band’s gorgeous and unique mesh of Folk, Indie Rock, Soul, Americana, Jazz, Chamber Pop and other styles instantly falls in love with them. In September, the group issued a live EP taken from its appearance at the ITunes Festival in London. It was the follow-up to its Confetti EP, released earlier this year with an endearing companion “music video EP” featuring clips for each track on the release. Check it out below:
Tonight’s show at MOTR (the venue’s website is calling it “a once-in-a-lifetime MUST SEE Mind Melting Monday Mash-Up”) starts at 9:30 p.m. and, like all MOTR shows, is free.
Last Friday we featured the first video from a series of clips created by The Queen City Project from footage shot at “The MidPoint Sessions,” a day party at the Art Academy of Cincinnati held during September’s MidPoint Music Festival in Over-the-Rhine/Downtown.
The first clip featured Athens, Ohio’s The Ridges, who curated the acoustic performances, bringing in three fellow Ohio acts to join them. Today we premiere the second video from the great Sessions series to emerge. The new video features talented and adventurous Cincinnati Indie Chamber Folk foursome The Happy Maladies performing their song, “Peter’s Sweet 16.”
The Happy Maladies have been playing a lot of out of town shows over the past year, hitting regional venues, Chicago and the East Coast fairly regularly. The band released its debut album, Sun Shines the Little Children, in 2009, followed last year by the magnificent, mesmerizing EP new again (check it out here).
The band is currently working on a new album, which is expected to release in early summer next year. In July, The Happy Maladies announced “Must Love Cats,” an intriguing project that celebrates the collaborative spirit in creativity. The band is soliciting original pieces written for the group from composers of all stripes. Until Jan. 1, interested artists can send the group new “compositions, songs, ballads, marches, sound poems, farcical musicals, improvisational games, panic attacks, etc.” The musicians will chose five pieces and work with the composers to get it in performance shape. In the springtime next year, The Happy Maladies will play the compositions during a special concert series, which will be documented and turned into a concert film, album and booklet with profiles of the composers.
You can find complete details about the Must Love Cats project here on the band’s website. Here is a video featuring the band members explaining the project.
Visit thehappymaladies.com for more on The Happy Maladies.
Acoustic guitar phenom Andy McKee performs downtown tonight at the Ballroom at Taft Theatre. Admission is $18 for the 7 p.m. show which, unlike most Ballroom performances, will be a seated affair.
Though he works his magic with just wood and strings, technology played a big role in McKee’s success story. About seven years ago, McKee’s label at the time posted on YouTube a few low-production videos of the fingerstyle guitar instrumentalist showcasing his compellingly original approach, which involves a lot of rhythmic slapping, alternate tunings, unusual fret fingering and other atypical elements.
Those simple videos launched McKee — who counts players like Michael Hedges and Preston Reed among his biggest influences — into the the upper echelon of viral video sensations, not because of something stupid (like most super-popular YouTube videos), but because of his gripping acoustic wizardry. The clip below, featuring his composition “Drifting,” was one of the first posted; it now has more than 48 million views (other clips have a similarly stratospheric number of views).
McKee had released two critically acclaimed albums before 2005’s Art of Motion, which featured the songs that would make him one of YouTube’s biggest musical success stories. By the time 2007’s Gates of Gnomeria was released, McKee was able to successfully tour the globe and play for large audiences everywhere he went, something that continues to this day (though he slowed down just slightly when he and his wife welcomed their first child). The Kansas native moved up to the Razor and Tie label for distribution and would go on to found the Guitar Masters Tour, sharing the spotlight with other acoustic alchemists and also helping the next generation of players with various guitar workshops. McKee’s most recent release is 2010’s Joyland; on his website in June, McKee said that he will be releasing new material gradually over several months instead of saving up material for a single album release.
• Tonight in the Taft Theatre’s big room, Trampled By Turtles returns. The Minnesota band has built up a huge following by eschewing most of the traditional music biz support systems, like record labels. The DIY success story is ongoing as the progressive Americana/Bluegrass ensemble’s popularity continues to skyrocket. The band just released its live album/DVD package Live at First Avenue earlier this week. Check out CityBeat’s preview of the show and then take a look at a clip from the new release:
Tonight’s show at the Taft starts at 9 p.m. with Nashville Indie Roots group The Apache Relay opening.Tickets are $22.50.
• While it’s likely that most area fans of EDM are going to be checking out the big Ubahn Fest downtown tonight (and tomorrow; click here for details and previews), The Mad Frog in Corryville is also presenting a showcase of diverse, progressive Electronic music.
Named after a mini-game within Nintendo 64’s Mario Party video games — a nod to 8-bit and gaming culture influences — Shy Guy Says is the work of rising Electronic music artist Jarrod Linne, who works out of Bloomington, Ind. Linne creatively mixes Hip Hop grooves and other elements with a multitude of EDM styles (Glitch, Trap, Electro, Downtempo House, etc.), never allowing himself to be easily pigeonholed by constantly exploring new sonic realms. The next Shy Guys Says release is the EP The Hellephant, coming out through the Rad Summer label. Look for the EP on Beatport this Monday and everywhere else Dec. 2. On Wednesday, TheUntz.com previewed the new EP track “Round 1 (They Meet).” Check it below:
Shy Guy Says will be joined by Indianapolis’ Magnetic for tonight’s Mad Frog show. Taking the same genre-blurring approach as Shy Guy, Magnetic’s DJ sets blend remixes of other people’s music with original tracks and are said to be uniquely engaging and energized. Rounding out tonight’s bill is another Indy artist, Kodama, and Cincinnati’s own Kaiten (aka Kurt Heer), who works with the label/promo group/management agency, Massive Detroit Records.
Doors open at 8 p.m. and music begins at 9 p.m. Cover charge is $5.
• Country music star Justin Moore pulls his tour into Bank of Kentucky Center tonight in Highland Heights, Ky. After performing in bands and writing songs for others, Moore scored a deal with Valory Music Group (part of Big Machine Records) in 2008. After a few successful singles, Moore’s self-titled debut album was released in 2009 and promptly shot to No. 3 on the Country charts and No. 10 on the overall album chart. Moore recently released his third album, Off the Beaten Path, which hit No. 2 on the album chart (and No. 1 on the Country chart). Read more about Moore in CityBeat’s preview here. And here’s the video for the new album’s single, “Point at You”:
Tonight’s Bank of Kentucky Center show features openers Randy Houser and Josh Thompson. The show starts at 7 p.m. Tickets range from $26.75-$39.75.
Buoyant Electro Pop group Stepdad pulls into MOTR Pub in Over-the-Rhine tonight. The free show kicks off around 10 p.m. with locals Halvsies.
Stepdad was formed in Chicago in 2009 by frontman Mark “Ultramark” Tafel and his roommate, Ryan McCarthy. The duo — which has grown Stepdad into a five-piece band over time — soon relocated to Grand Rapids, Mich., and self-released its debut recording, the Ordinaire EP, online. The EP drew wider attention to Stepdad, which signed to Michigan indie label Quite Scientific and re-released the EP in 2011.
After completing its debut album, Wildlife Pop, with a little help from Kickstarter, the band signed with Black Bell Records, the relatively new imprint founded by Passion Pit’s Ayad Al Adhamy and distributed by Warner Brothers Records. Wildlife Pop, released last summer, is an incredibly endearing listen, layering vintage-sounding synth bleeps and squiggles with broader, lush Electro atmospherics and a rhythmic base that is muscular and dance floor ready. At the core is Ultramark’s steady stream of exuberant melodies, which adds greatly to Stepdad’s jubilant sound (though, spoiler alert, the lyrics can be much deeper and darker than the upbeat vibe suggest). Wildlife Pop falls somewhere between the M83’s shadowy, cerebral Electronic explorations and Capital Cities’ (see below) warm and cheerily infectious Dance Pop.
Here is the music video for Wildlife Pop single, “Will I Ever Dance Again”:
• Virtuoso Blues/Rock/Roots guitarist, songwriter and singer Sonny Landreth returns to Cincinnati tonight for an 8 p.m. show at Oakley’s 20th Century Theater. Rootsy local rockers Monkeytonk open.
After cutting his teeth in the ’70s playing with Zydeco/Cajun/Roots accordionist Clifton Chenier, Landreth (who grew up in Louisiana) launched his solo career in the ’80s, building his reputation as a masterful player and innovative slide guitarist. Landreth’s unique technique involves playing chords behind the slide leads, which he taps, slaps and picks with his right hand. Since the mid-’90s, Landreth has released a dozen albums that have been stylistic adventurous, a testament to his impressive versatility. The guitarist’s playing shows that Blues, Jazz, Rock, Cajun and many other types of music have greatly informed his boundless approach to writing and performing. (Landreth is also a popular session musician, having recorded with artists like Jimmy Buffett, Mark Knopfler, John Hiatt and numerous others.)
Last year, Landreth released another wildly diverse album, Elemental Journey, his first all-instrumental effort which features guests like fellow guitar wizards Joe Satriani and Eric Johnson, as well as additives like symphonic strings and steel drums.
Here is a live clip of Landreth performing at Eric Clapton’s Crossroads Guitar Festival in 2010:
• Over at Covington’s Madison Theater tonight, bring your dancing shoes because Fitz and the Tantrums and Capital Cities are going to have the venue jumping with their ear-grabbing/dance-inducing sounds. Showtime is 7:30 p.m. and the event is open to all ages. Tickets are $25 at the door. L.A.’s Electro Dance rockers Beat Club open.
L.A. band Fitz and the Tantrums’ propulsive, modern update of vintage Soul/R&B caught the music world’s attention in 2010 with the release of their debut LP, Pickin’ Up the Pieces, both a critical and commercial success thanks in part to the powerful single, “MoneyGrabber,” a song that was perfectly timed to the national outrage over big banks and other mischievous financial institutions that led to the Occupy Wall Street movement. The Tantrums’ second album (and major-label debut), More Than Just a Dream, was released by Elektra Records this past May. Here’s a clip for that album’s “Out of My League”:
Electro Pop duo Capital Cities garnered a lot of mainstream attention this year with its debut album, In a Tidal Wave of Mystery, released in June through Capitol Records. The album features the insistently catchy and winsome singles “Kangaroo Court” and “Safe and Warm,” both from the twosome’s self-titled 2011 EP debut. Like MGMT’s “Kids” or Walk the Moon’s “Anna Sun,” songs that were originally issued on earlier, pre-fame recordings but were released to widespread success on their respective major label debuts, “Safe and Sound” was released originally in 2011 and, two years later, continues to earn Capital Cities more fans. The duo’s super-catchy Synth Pop is hard to resist and the more people are exposed to Capital Cities, the bigger they seem to get.
• R&B singer Jaheim was already wowing audiences at a young age, winning the infamous talent show at the Apollo Theater three times when he was just 15. It was the start of a long, fruitful career that kicked off in earnest when the singer was in his early 20s and was signed to the Warner Brothers-distributed label Divine Mill. Since his debut album in 2001, Jaheim has been a regular visitor to the upper airspace of the R&B charts. His new album, Appreciation Day, was released earlier this year and earned praise for being one of the best displays of Jaheim’s seamless blending of the classic seductive R&B artists like Teddy Pendergrass and Luther Vandross popularized with today’s Neo Soul and Hip Hop-informed approach. Here’s the album’s single “Age Ain’t a Factor”:
Jaheim brings his “Appreciation Tour” with singer Chrisette Michele to downtown’s Aronoff Center tonight, in the venue's Procter & Gamble Hall. Showtime is 7:30 p.m.
Besides the official music showcases at September’s MidPoint Music Festival, the 12th annual fest featured the most (and best) “satellite events” in MPMF history. These “unofficial” happenings — ranging from “day parties” to various musical presentations, like the free performances at Findlay Market — greatly added to the electricity MPMF brought to Downtown and Over-the-Rhine. It showed what can happen when creative people get into the MPMF spirit and try to come up with clever ways to add to it.
Some of the best examples of this were found just off the MidPoint Midway area at the Art Academy of Cincinnati, where programmers of the school’s gallery (with presenters Fotofocus) decided to run an exhibit of live music photography by area photographers called Reverberation: Capturing the Live Music Experience during the fest, to capitalize on all of the music lovers flooding the streets of OTR. (Click here to read CityBeat's feature about the exhibit.)
Adding another layer of collaborative coolness to the proceedings was “The MidPoint Sessions,” intimate performances by four Ohio musical acts held at the photography exhibit on the Saturday afternoon of the festival. The great Athens, Ohio, Indie/Orchestral Folk ensemble The Ridges performed and curated the rest of the Ohio-centric lineup, which also included Cincinnati’s Molly Sullivan and The Happy Maladies, plus Columbus’ Indigo Wild.
The MidPoint Sessions were filmed by The Queen City Project, a local organization that has set out to creatively document some of the interesting and unique things going on in contemporary Cincinnati. Here’s an entertaining, quick-cut look at MidPoint through QCP’s lens:
And we are thrilled to be able to share QCP’s first video from The MidPoint Sessions, featuring The Ridges.
Be sure to check CityBeat’s music blog every Friday over the three weeks as we unveil the rest of the Sessions series videos.