It has been much too long since Patrick Hennessy and any viable version of The Tigerlilies have committed to a studio regimen and the clear goal of emerging with something/anything approaching the scorching delight of their first three discs, 1992's Deeper, 1997's Space Age Love Songs and 2003's Ceci N'Est Pas Pop. Hennessy's involvement with The Fairmount Girls began in 2004, a span of time that nearly equals the gap between the Tigerlilies' third release and its latest and perhaps greatest recorded document, In the Dark.
Vocalist/guitarist Hennessy, his drumming/singing brother Steve and bassist Brian Driscoll were joined by guitarist/vocalist Brendan Bogosian about midway through The Tigerlilies' long studio drought; Bogosian even did a little moonlighting of his own with Kry Kids. Somehow, the quartet managed to motivate themselves to pen a dozen new Tigerlilies classics and set to work with Culture Queer's Jeremy Lesniak at the console to create In the Dark. In fact, when I interviewed Culture Queer a little over a year ago, Lesniak was in the process of digitally tweaking In the Dark and promised that it would be their best album to date. That has turned out to be a promise well kept.
While The Tigerlilies are enamored with Rock's Glam period and Punk traditions, the band tends to filter it all through a greater love of Brit Pop in general, not to mention a proclivity toward a more defined Power Pop direction, resulting in a sound that suggests Cheap Trick and Husker Du teaming up for a Clash tribute. That position is made perfectly clear on In the Dark, from full throttle disc opener "Hold on Tight" to the melancholy joy of "Don't Let It Get You Down" to the Husker/Trick jittery jangle of "Sweetheart" and the anthemic Velvet Crush-like barnstorm of "Some Things Are Meant to Be."
In the Dark isn't all bash-and-crash, with more than a few relatively quiet moments (the Beatlesque "Pull You In," "Five Will Get You Ten," the title track) offered as a bit of a breather, but even at their most sedate, The Tigerlilies bristle with an undeniable love of chiming Pop spiked with a bracing dose of melodic Punk.
The Cincinnati Entertainment Awards ceremony/party returns for its 17th annual celebration of the Greater Cincinnati music scene this Sunday at Madison Theater (730 Madison Ave., Covington, madisontheateronline.com). The show is open to music fans of all ages and kicks off at 7 p.m. (Doors open at 6 p.m.)
This marks the first year the CEAs have gone up against that OTHER music awards show, The Grammys (made possible by the CEA ceremony’s move from November to January last year). Don’t worry — you can DVR The Grammys or check out the best bits later online.
Along with the presentation of awards in 19 categories and lots of fun planned by first-time host (and CityBeat Arts & Culture Editor) Jac Kern, this year’s CEAs will feature more live performances than ever. The show will open with a secret — an all-star crew going by the name Saint Ain’t Mangled Angels. There will also be a special appearance by Folk trio The Tillers, who will pay tribute to their former bassist, Jason Soudrette, who passed away last year. Rounding out the great performance lineup are 2014 CEA nominees DAAP Girls, The Almighty Get Down, Moonbow, Valley High, Honey & Houston, The Yugos and The Upset Victory. (Check out all of this year's nominees here.)
Immediately after the CEA show, ticket holders are invited to attend the famous/infamous after party at BLDG (30 W Pike St., Covington, 513-491-4228). Indie/Electronic band Dark Colour will perform and Melissa Fairmount and Dana Hamblen of The Fairmount Girls will once again be doling out the “Fashion Trashies,” special handmade awards given to the best/worst/weirdest dressed CEA attendees (so be sure to look your best/worst/weirdest on the red carpet!).
Tickets to the CEA show are available at cincyticket.com for $20 (they’ll be $25 at the door). Proceeds benefit the Cincinnati USA Music Heritage Foundation. Also available at cincyticket.com are special VIP tickets. For $40, VIPs get some goodies from the Heritage Foundation (including a membership), food and drinks, private seating, performances by DJ squad Selectas Choice and more.
For those who can’t make it Sunday, follow @CityBeatMusic on Twitter to find out who wins what live as the awards are handed out.
Click below to check out this year’s nominees in first time category, Best Music Video. The videos will be shown on the big screen at the Madison a half hour before the 7 p.m. start time.
Saturday at Bogart’s you’ll have a chance to see 10 of Greater Cincinnati’s finest up-and-comers as CityBeat presents the first “Best New Bands” showcase. The event coincides with our “Best New Bands” cover story, featuring profiles and info on all of the performers — grab a copy if you haven’t.
Below is the lineup, which includes all six of the local acts nominated in the “New Artist of the Year” category and four other favorites, plus some audio/video previews to whet your appetite. Click the artists’ name to read CityBeat’s stories (and some great original photography) about each. The stories include links to the acts’ websites and more music.
The doors open at 7 p.m. Saturday at Bogart’s and admission is just $5. Performers will be featured on two stages, so it will be non-stop music all night.
7:30 p.m. Pop Goes the Evil
8 p.m. Molly Sullivan
8:30 p.m. Injecting Strangers
9 p.m. ADM
9:30 p.m. Mardou
10 p.m. Austin Livingood
10:30 p.m. Archer's Paradox
11 p.m. Little Lights
11:30 p.m. Tweens
12:15 a.m. Electric Citizen
Word has been trickling out over the past few weeks about a new Country music festival in Cincinnati, organized by Bunbury Music Festival founder Bill Donabedian. Today, the first four artists slated to appear at the inaugural Buckle Up Music Festival were announced. The festival is set for the weekend after Bunbury — July 18-20 — and will use the same grounds at Sawyer Point/Yeatman’s Cove along the Ohio River. (Think of it as Bunbury’s version of Coachella’s Stagecoach fest.)
The lineup will feature “upwards of 80 performers” and include both modern, commercial Country acts and variations on the Country theme — “folk, bluegrass, Americana, roots rock and more,” according to the press materials — something the initial lineup announcement reflects.
Legendary Country act Alabama (which for many years used the controversial Confederate Flag in its artwork, years before Kanye decided to reclaim it) and current Country hitmakers the Eli Young Band will be joined by up-and-comers J.T. Hodges (whose music has been described as “Country Soul with some Rock N’ Roll”) and eclectic Brooklyn-based Americana trio The Lone Bellow, which performed last November at Cincinnati’s 20th Century Theater (read CityBeat’s preview here).
Voting for the 17th annual Cincinnati Entertainment Awards, celebrating the best of the Greater Cincinnati music scene, ends TONIGHT at midnight. Click here to cast your ballot for your favorite nominated local artists.
The CEA ceremony is set for Sunday, Jan. 26, at Covington’s Madison Theater. The show/party will feature performances from CEA-nominated artists Honey & Houston, Moonbow, The Yugos, The Upset Victory, Valley High, The Almighty Get Down and DAAP Girls, as well as a secret opening performance by an entity known (as of now) only as Saint Ain't Mangled Angels (those who read CityBeat regularly will likely be able decipher the thinly-veiled pseudonym).
Also added to the run of show for the CEA event is a special performance by Cincinnati Folk trio The Tillers, who released their fantastic Hand on the Plow album and toured the U.K. with Pokey LaFarge in 2013. The group, nominated for CEAs in the Folk/Americana, Album of the Year and Artist of the Year categories, will be paying tribute to their former bassist Jason Soudrette, who lost his battle with acute myeloid leukemia late last year.
This morning, the annual Bunbury Music Festival, coming up July 11-13 and returning to Sawyer Point/Yeatman’s Cove along the Ohio River, announced the first acts for this summer’s event. Fall Out Boy, which won the People’s Choice Award for Favorite Alternative Band last night, will be joined at the fest by consistent Pop/Rock hit makers Paramore (who were up against FOB for that People’s Choice Award and are doing a co-headlining tour with the band this summer, something that leaked early, allegedly angering Paramore) and up-and-coming Danish alt-rockers New Politics (also on the FOB/Paramore jaunt).
The full lineup for the Bunbury Music Festival is scheduled to be announced next month. Tickets are on sale now; below are details:
One-day, Any-day: $55.00 (U.S.) Buy on layaway until January 31, 2014
Three-day: $130.00 (U.S.) Buy on layaway until January 31, 2014
Three-day VIP: $325 (U.S.) Buy on layaway until January 31, 2014
Hotel and Ticket Package: Buy one three-day, get one free. Book now
Please note that ticket prices will increase after February 15 and again after July 1.
Also this morning, it was announced that The Afghan Whigs, one of the best musical exports to ever come out of Cincinnati, are returning to the road in 2014 to play (at least) the Coachella festival in California this summer. (The full Coachella lineup, which was released this morning and includes Arcade Fire, OutKast and The Replacements, can be found here.) Sounds like a good fit for this year’s Bunbury lineup, too.
The nominees for the 17th annual Cincinnati Entertainment Awards were announced Wednesday and now the polls have opened and it’s time for you to vote for your favorite Cincinnati area musicians.
The public is invited to vote (once per email address) in 16 categories ranging from Blues, Jazz and Folk/Americana to Electronic, Hip Hop and Metal/Hard Rock. You can also vote for the “Best Live Act” and in a brand new category — “Best Music Video.” Links to each of the videos are included with the online ballot, so you can watch them all before you vote. (If you’d like to check out all of the acts in each category, CincyMusic.com, the staff of which was a great help on the nominating committee, has provided a page with links to their CincyMusic sites.)
The “Album of the Year,” “New Artist of the Year” and “Artist of the Year” categories are decided by the CEA nominating committee.
With the annual slew of complaints about which artists were or weren’t nominated, the CEAs are also, for the first time ever, allowing music fans to vote for whomever they want, nominated or not. The “Best Band/Musician That Wasn’t Nominated” category is open to any active band/performer who has played shows locally in the past year and does primarily original material, regardless of genre. Or talent. Write in those artists we’ve so tragically wronged by not being able to nominate every single act in Greater Cincinnati; once an artist receives enough write-ins, they’ll be added to the drop-down menu. (We are vigilant about ballot stuffing and tampering, including in this new category. So don’t be an a-hole.)
Another annual tradition is people contacting us to ask about the nominating process and how someone goes about receiving a nomination. Here is the still (and forever) applicable response we gave last year.
Click here to start voting for the 2014 CEAs now. The deadline for voting is Tuesday, Jan. 14 at midnight.
On Jan. 26, the awards will be presented at our annual CEA ceremony/party, which is returning to Covington’s Madison Theater and will feature numerous live performances. Stay tuned for ticket and other info updates, including details on our “Best New Bands” showcase at Corryville club Bogart’s on Jan. 18. Happy voting!
So far, the videos released from The Queen City Project’s series of clips from The MidPoint Sessions (a day party that took place at the Art Academy during September’s MidPoint Music Festival) have showcased three great Ohio acts — Athens’ The Ridges (also the curators of the Sessions), Cincinnati’s The Happy Maladies and Columbus’ Indigo Wild. Today you can check out the final clip from the performances, this one featuring another Cincinnati artist — intriguing singer/songwriter Molly Sullivan. While the previous performances were acoustic, Sullivan strums an electric guitar and utilizes loops to create a haunting effect.
Click here for more about Sullivan. And you can see/hear her live this Thursday at MOTR Pub in Over-the-Rhine as she opens for Lexington, Ky.’s Ancient Warfare, which also played this year’s MidPoint Music Festival. Find details on the free show here.
Papadosio is a trendsetting, progressive voice in the world of Rock, mixing an electronic sound with improvisation and dashes of psychedelia. The North Carolina-based band has created a groundswell through the musical landscape with steady tour dates and the development of its own festival, Rootwire, in Southeastern Ohio, the group's birthplace. CityBeat caught up with drummer Mike Healy, a Cincinnati native, and chatted about his Ohio roots and the development of the Rootwire Music and Arts Festival. Papadosio storms into Bogarts this Friday night for an evening of high energy and eclectic sounds. Click here for tickets and further information.
CityBeat: I wanted to ask you about the Rootwire Festival. How did you guys start the festival and decide on the location?
Mike Healy: Some of us went to school in Athens, Ohio, and we actually played some festivals there before we started doing Rootwire six or seven years ago. We checked out the property and really liked it and had an idea to do a festival ourselves from traveling a lot and making so many awesome friends across the country we could collaborate with and create an amazing event. We decided (on) that land because we had previously visited it, Kaeppner Woods, outside of Athens in Logan. It is absolutely beautiful, some of the oldest mountains in the world in the Appalachian foothills. There is a lot of great energy there, it’s beautiful and it just couldn’t be a more perfect place to throw a festival the last four years. That’s how that place came about. The festival, we have just been collaborating with so many amazing friends. We just invite our friend bands and friend artists from all over the country and installation artists from all walks of life. It’s just been an absolutely amazing time for four years.
CB: I saw the band for the first time this year at the All Good festival (in Thornville, Ohio). Listening to your music, it feel like there is a little bit of a spiritual element to it. Do you guys consider yourself spiritual or religious and how does that inspire your music?
MH: I would say that none of us are religious. There are definitely all sorts of messages throughout our music of some sort of divine connection to Mother Earth and taking care of the place we live and taking care of others and loving others, all kinds of common things we like to talk about. I guess if you want to call it spiritual you can — we call it a no-brainer. You love your neighbor you take care of each other. You want peace in the world and all these universal values I feel like people can connect to. There are definitely a lot of those messages in our music. I don’t find any of us to be religious at all. Music is our religion, honestly. We are always searching for alternative thinking. We are all into the green movement and really into eco-building and sustainable living and alternative energy. All these things are on our mind a lot and we speak about them in music.
CB: The band has relocated from Ohio to Asheville, N.C. I heard you moved to a cabin somewhere outside of town. You must be together as a band a lot of the time — or all the time. Is it hard being around each other so much?
MH: We actually don’t live in that cabin anymore. We are spread out around town living with our girlfriends and stuff. We do spend a lot of time together. We are on the road 200 days a year. We are always just hanging out on the tour bus together. Even when we are home we still get together and hang out. We are a big ol’ band of brothers (and) just love spending time together. We really enjoy making music and we are all really great friends. It is totally insane. We are gone all the time and it is hard on our ladies, spending so much time away. It’s quite the crazy lifestyle. It is not for everyone. We love it. We try to do the best to make it work.
CB: What is your favorite part of being on the road?
MH: Definitely playing music every night. That is what we live for. The whole set up and tear down and all the long hours of waiting around are not so fun, but once you get on stage and are able to create and get people dancing and seeing all these smiling faces everywhere, that definitely fuels us. Some of the favorite times too are when we are on the road and have a couple days off that we get to go do beautiful things like go visit beautiful national parks or go on some crazy hikes or go relax at a really nice hotel or someone’s house. Those kind of times we look forward to because it is nice to relax and see friends all around the country.
CB: What is your favorite song to play live?
MH: That’s a hard one. We have like 50 songs that we have in rotation. I love all of them. I really like playing a new one that Anthony (Thogmartin) wrote called “New Love.” (There) are really fun new songs we have been playing live a lot in every town. Everybody has been really digging it. It is hard to pick a favorite because I love all the material.
CB: The band has played a lot of festivals, particularly around Ohio. Do you have a favorite festival moment?
MH: There are so many. I guess we love playing All Good every year, because those have been some of the biggest crowds we have ever got to play in front of. We got to play on the main stage last year in front of 15-20,000 people. Previous years … we got to play after Flaming Lips one year and right before Primus one year and those crowds were like 30,000 people. It was totally insane. It was so cool. Those are definitely high moments. Obviously Rootwire is a big moment.
We have started playing some festivals on the West Coast and all over the country. We are really enjoying trying new ones out. We have played so many in the Midwest and East Coast and it has been so nice to try some new festies out west. This year we are doing some of our first international plays. We are really excited to go down to Central America and play … in December. There is so much going on.
CB: Can you describe your songwriting process?
MH: There (are) several different ways we go about doing it. We will have a jam session and we come up with a song on the spot and write it together in the rehearsal room, and somebody will have a riff and we will go around adding pieces of the puzzle together as a group. Other times, somebody will have almost a completely finished song idea and bring it to the table. People will learn their parts and put their own flare on it. Sometimes someone will have half a song and come to somebody else to help finish it and someone else will write lyrics.
It all depends on what is happening during the creative process. Sometimes we will be on tour sitting on our laptops and all of a sudden a riff will come to our heads and we will start writing the song while sitting on the van or the bus and then bring it back after (the) tour and bring it to the band and go from there. Sometimes we are walking through the woods and we get an idea in our head and sing it into our phone real quick and then we will go back later and hop on the computer and our instruments and figure it out and bring it to the band later. It just comes to you sometimes. It’s crazy how it works. It is part of the creative process — you just never know when you will get an idea that will pop into your head and you have to jot it down somehow.
CB: Being with the band in Athens, I am sure you have spent a little time in Cincinnati. Do you have any fond Cincinnati stories from the past?
MH: Oh yeah. I grew up in Cincinnati. I lived there until I was 18 and then I went to Athens for school for seven years and then I moved down to Asheville. I’ve been playing drums since I was 3 years old and I have been in a band non-stop since fourth grade, so from fourth grade all the way through senior year I was in so many different projects. I played at Bogarts all the time for the Battle of the Bands in high school and got a lot of exposure back then with my younger bands. Now it’s full circle and now my band Papadosio is back playing at Bogarts again. We played there last year for the first time since high school. It was great. It has a lot of memories for me (from) when I was younger.
CB: Where did you go to high school here?
MH: I went to Clark Montessori in Hyde Park. I played in a steel drum band all through junior high and high school too and played all over the city and also toured the country. I played in Hip Hop bands and Rock & Roll bands, Metal bands, Alternative Rock bands, all sorts of bands in Cincy, as well as steel drum ensembles and the steel drum band in high school. I was quite the busy musician all throughout my childhood.
CB: This is basically a hometown show for you, so it will be fun to be back.
MH: It’s great — so many friends and family.