• The first time I saw Neko Case was a complete accident. I was in Chicago around the most recent turn of the century and went to see Indie Rock singer/songwriter Edith Frost at the small (but popular) club Lounge Ax and Case and her “Boyfriends,” as her backing band was then called (really Canadian Roots rockers The Sadies), opened the show with a great set. Though I’d heard of Case, seeing her live was revelatory — the singer/songwriter (also part of Canadian Pop collective The New Pornographers) has one of the most soulful, mesmerizing voices in music today and, once I’d heard it, I was hooked for life. Case’s transcendent pipes are only comparable to legends like Patsy Cline (though Jenny Lewis has made quite the solo career aping Case).
Working in a folksy musical realm (though not tethered to any specific style), Case has yet to release a bad album, though her latest for Anti- Records, the recent The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You, has received mixed reviews (likely more indicative of a press corps bored with her astonishing consistency than the actual album itself, which is excellent). I’ve seen Case numerous times since that happy accident in Chicago — including dates at Chicago’s Metro and at Newport’s Southgate House — and I’ve never left in any other state besides “spellbound.”
Case comes back to the Cincinnati area tonight for a show at downtown’s Taft Theatre (her largest local appearance yet) with special guest and fellow red-headed singer/songwriter Karen Elson. Tickets are still available for $35 at the door.
Check out Jason Gargano's feature story on Case from this week's CityBeat. Here's the "lyric video" for The Worse Things Get track "Night Still Comes."
• Over the past two decades, Built to Spill has become a legendary cult band, remaining a solid concert draw across the nation and releasing some of the most brilliant guitar-driven Indie Rock albums of the ’90s and ’00s. Led by singer/guitarist Doug Martsch, BtS formed in Boise, Idaho, in the early ’90s, and worked with a lot of Pacific Northwest musical institutions on its way up. In 1995, as the major labels were winding down their signing frenzy in the wake of Nirvana's huge success (signing seemingly every band even loosely associated with the words "Seattle" or "Grunge"), Built to Spill inked with Warner Brothers Records, which has released six stellar albums by the band since 1997, including the crew's masterful debut for the label, Perfect From Now On, and 2009's There is No Enemy, the group's most recent album.
Like label mates The Flaming Lips, BtS has been the rare band that has sold consistently enough to remain signed to a major label for well over a decade thanks to the consistent quality of its work, heavy touring and an incredibly dedicated following. It's refreshing to see a big-time label stay so loyal to a group that will probably never sell a million copies and even more probably won't ever have a big hit single. (Despite rumors, BtS is not breaking up; a new album is in the works and expected by the end of 2014.)
Built to Spill performs tonight at Newport, Ky.'s Southgate House Revival with guests Slam Dunk and Genders. Showtime is 8:30 p.m. and tickets are $25 at the door.
Ohio Dream Pop/Rock group strangewave performs tonight at The Comet in Northside. J. Trenton Crace and Katrina Eresman formed the compelling group in Dayton not long ago and released their ear-grabbing full-length debut, Pop Noir, earlier this year. It's a fantastic first effort full of hypnotic songs that hover in the same realm as classic Shoegaze, Mazzy Star, Blonde Redhead and Lush, with the diversity from track to track keeping the listener drawn in and mesmerized from start to finish. The twosome is joined by a drummer and bassist for live shows.
Opening the free show at 10 p.m. is Seattle Indie Rock/Soul trio Garage Voice, which claims heavy influence from Gospel music and Memphis Soul and has a Garage Rock spirit, thought its songs are far less derivative and predictable that most other groups given that tag. The soulful sounds of the band — which are laced with cool Hammond Organ stabs, soundscapes and grooves — have something of an atmospheric Psych Pop vibe at times (making them a good fit with strangewave), but ignite into dirty Blues and Rock & Roll outbursts with little to no notice.
Get a taste of Garage Voice's latest album, Amenin, below.
At the heart of even the darkest of music, it’s love that made it possible. Love of singing or escapism. Love of an instrument or a sound. A flourishing love or a dissipating love. That love is especially present in absolutely everything Abigail Washburn does. It’s a love for the banjo, a love for China and a love of people, especially her husband, Bela Fleck, and (most recently) their adorable new son, Juno.
Washburn is currently on tour (playing Miami University Middletown Saturday; click here for tickets and more info) and she’s bringing all the things she loves with her, including her husband and baby Juno. Though Washburn and her banjo rarely tour alone, it’s a little different now that she’s touring with Juno.
“Touring is different with the little buddy. Different in a good way,” Washburn says. “In general I'd say life is richer with him in it. When we arrive at a venue, the first thing I do is grab our blanket and go looking for a big tree to lay under and stare up at the leaves and when we walk around the venue for the first time he has such strong and wondrous reactions to the smallest things. Juno helps me stop and appreciate every little detail of the way the world works. He makes it all seem new and magical.”
As adorable as the mother and son relationship seems, when Washburn references her time with Fleck, even more of that love seeps through. They have a relationship with each other and with their music that seems downright precious and magical in comparison to so many other relationships in the music business.
“We met when he was playing at a square dance and I was dancing,” Washburn says. “But I think it's our sense of place in the world and our passion to contribute to music and humanity that really sealed our deal. We love talking and supporting one another and encouraging one another to reach further and further. This is the cornerstone of our connection and the fact that we push each other to explore is what keeps us together.”
There’s still one more kind of love that fuels Washburn, though. Washburn is also whole-heartedly in love with China, too. It’s a passion that roars to life when she performs, especially.
For fans of Bela Fleck or the banjo who have somehow missed the beautiful stylings of Abigail Washburn, that love of China may seem a little odd. The banjo came from Africa and from there became mostly associated with the musical sounds of Appalachia. So … China?
It started when Washburn left the states after college, heading to China and intent on a law degree. Along the way, she picked up Mandarin and found a cool new way to play her banjo. While her future husband was tracing the banjo’s roots in Africa for Throw Down Your Heart, Washburn was bringing the East to Appalachia … or maybe she was bringing Appalachia to the East.
The connection of romanticism and adventure associated with a foreign land never faded for Washburn, even after numerous trips back to China. That passion has only grown with each new adventure in her other motherland. She’s even documented that love in a play she wrote and performed in New York called Post-American Girl.
“I think it is fair to say that it's like a love triangle between 'us' three … The US and China corners of the triangle are symbolically represented by my U.S. and Chinese mothers in the play,” she says. “A strong theme of going far away to find one's self and discover one's path in life is a big part of the struggle and the ultimate bond connecting all sides.”
Post-American Girl had a limited run in New York. However, with the help of the New York Public Theater, Washburn is hoping to develop the performance further. The hope is that eventually, it might actually tour the U.S.
Washburn still loves China and especially loves watching as others experience the country for the first time. In 2011, she set out on the Silk Road Tour with a few musician friends. Together they played music and experienced even more of China together. (You can see recaps of the tour here.)
While you can experience plenty of Washburn’s Chinese influence when listening to her music and seeing her in person, this current tour is powered almost exclusively on the love of her family and the music they can create together.
“I think both Bela and I are really enjoying playing music together,” she says about their family tour. “There's so much potential and uncovered territory in focusing on the soundscapes that can be made with the claw hammer and three-finger banjo styles. The two timbres and rolls together can sound like rippling flowing water or a swinging old ragtime bounce or driving mountain sounds and so on and on. The musical exploration together is exciting for both of us. And then on a personal level it's downright mystical to get to be together all the time and navigate the road and performing as a family.”
For even more awesome music, check out the music Washburn says “floats little Juno’s boat” like Dervish, Phil Cunningham, Paul Brady, Afel Bolcum, Oumou Sangare and Sam Amidon. She says he also likes a little bit of Bon Iver and Bonnie Raitt, too.
But, Washburn says, “So far I think banjo is his favorite!”
• Originating in Michigan and now based in the Pacific Northwest, Punk Rock trio The Spits pattern "their own new-millennial take on Punk after heroes like NOFX and The Ramones, but also tapping into the ‘70s Synth Wave dissonance that distinguished bands like Wire and Spizzenergi and presenting a theatrical component as engaging as Devo in their prime," according to CityBeat's Brian Baker. Read Brian's preview here then head to Mayday in Northside tonight for the 9 p.m. show. Admission is $10 and Useless Eaters and Subsets open.
Here's the band rocking San Francisco this spring.
• The annual Bosom Ball presented by local Pop radio station Q102 returns to Covington's Madison Theater tonight. The event, a benefit for the American Cancer Society and the Susan G. Komen Foundation, this year features ZZ Ward, Labrinth, American Authors, Serena Ryder and Walk Off the Earth. Doors open at 6 p.m. (there is also an all-ages "Sound Check Party" with American Authors that runs 4-5 p.m.; the Bosom Ball is open to ages 21 and up only). Admission is $30. Click here for more info and check out a few of the performers below.
• The Jubilee Peace Fest celebrates its fifth anniversary this year, returning to the Grailville Retreat and Organic Farm in Loveland, Ohio, starting today and going through Sunday. The fest — which runs 6 a.m.-10 p.m. each day — features “yoga workshops, meditation practices, cooking classes, health and fitness seminars, spiritual activism … kirtan and more, with national (and) internationally known teachers, musicians, authors, artists and chefs unfolding the path to world peace,” according to the official event page on Facebook. The festival is organized in conjunction with the non-profit World Peace Earth, whose mission is “educating, encouraging, researching and promoting a loving lifestyle to create a virtuous, kind, gentle, respectful and spiritual relationship between all beings and the earth, contributing to world peace.”
You’d be forgiven for thinking the musical lineup is all soft New Age music but, while that is represented, the Peace Fest boasts a surprisingly eclectic collection of performers, playing everything from Hip Hop and Rock to Experimental and World music. Sticman of one of best contemporary Hip Hop groups around, Dead Prez, is one of the big names performing, joining acts like Canadian “Neo-Folk World Rock ‘Country & Eastern’ Fusion” troupe HuDost, Rock band ThePeace, popular Hip Hop collaborator (and organic gardening proponent) DJ Cavem and Cincinnati native Amy Ferguson. Visit jubileepeacefest.com for a full rundown of the fest’s offerings and here for ticketing info.
DJ Cavem's Healthy Hop:
• The international Red Bull Thre3Style DJ competition returns to the area this week with a slight twist. Tonight at downtown nightclub Play, five DJs from area colleges will compete as part of the Thre3Style U competition, which is open to only full-time college student DJs. The competing turntablists are University of Cincinnati’s DJ HD and DJ EFEX, Northern Kentucky University’s DJ Underground, University of Dayton’s DJ Web and Miami University’s DJ Gabe C. Former Red Bull Thre3Style victor Apryl Reign and Kiss 107 FM’s DJ Sab are among the judges. The event is free and kicks off at 10 p.m. (Note: Play has some pretty strict dress restrictions.)
• Bogart's in Corryville presents a night of Electronic Dance music, headed up by Boulder, Colorado's Big Gigantic, the duo of Dominic Lalli and Jeremy Salken, who've built a huge following with their unique "Livetronica" stylings. New Zealand native (now based in Australia) and funky DJ up-and-comer Opiuo opens the show at 9 p.m.
Great Cincinnati-based experimental Jazz/Hip Hop group IsWhat?! is gearing up for another one of its frequent European touring jaunts, but before the group leaves, the members will be presenting a night of film, art, poetry and, of course, music, this Friday at The Greenwich in Walnut Hills, all curated by and/or affiliated with IsWhat?! in some way.
The animated short film Billie’s Blues, created by French artist Louis Jean Gorry and scored by IsWhat?! frontman Napoleon Maddox, will get its U.S. premiere at the event. Here's the trailer:
Here's IsWhat!?'s music video for "Hands Up Quick" (featuring a guest verse from Boogie Bang) off of the group's most recent release, Things That Go Bump in the Dark.
The CincyPunk Fest got its start in 2003, organized as an offshoot of Adam Rosing’s CincyPunk website. Since then, Rosing and the festival have raised tens of thousands of dollars for area charities and presented an increasingly eclectic lineup for its increasingly large audience.
The festival returns tonight and tomorrow, utilizing the three stages at the Southgate House Revival in Newport, Ky., and featuring 35 performers, many from the Greater Cincinnati area, but also some top-notch national acts, like Diarrhea Planet and Pissed Jeans.
After a decade, it probably doesn’t need to be repeated, but just to reiterate – Cincy Punk Fest is not a Punk Rock festival. The lineup includes everything from Indie Rock to Americana/Folk to Soul to straight-up Rock & Roll, with a handful of acts you could legitimately label as Punk. It reminds me of the CBGB's "Punk" movement of the ’70s, when bands like Television, The Ramones, Talking Heads and Blondie were all lumped together under the genre tag, though they really couldn't have been more different, sonically. Like fest performers Frontier Folk Nebraska (who are neither Folk nor from Nebraska), CincyPunk Festival (which also isn’t in Cincy) has established itself and doesn't appear to be in any hurry to change its name to reflect the increasingly diverse lineups. Which is kinda Punk, so it all works out.
Tickets to CincyPunk Fest XII are $15 per night; advanced tickets are available here and here. The proceeds this year are being donated to the Save Our Shelter Dogs Rescue in Northern Kentucky. Music starts at 8 p.m. both nights. The event is open to fans 18 and up.
Below are Friday and Saturday's lineups:
And here are a few clips that give a good sense of the variety that can be found at the festival.
The winners of the "Best New Artist" trophy at the most recent Cincinnati Entertainment Awards, DAAP Girls, will celebrate the debut of their new music video tonight at Japp's Annex on Main Street in Over-the-Rhine.
The spooky, visually arresting clip is for "Molly," one of the many great tracks off of the band's debut album, Tape Songs (every song has a girl's name). Shot at the Kenneweg Compound in Alexandria, Ky., "Molly" was directed by local visual artist Philip LaVelle, alongside graphic designer Josh Jacob and videographer Sean Steininger. The video is mesmerizing and matches up with the lurching, dreamy swagger of the song perfectly. It's fairly low-budget, but doesn't look it, with it's creatively captivating effects and overall vibe.
DAAP Girls guitarist/singer Stuart MacKenzie provided this synopsis of the video:
"The video tells a story of five young people on the cusp of adulthood enjoying a last weekend together. (Unbeknown) to them, they are being viewed by the ghosts of their future's past. The video incorporates aspects of romance, nostalgia and magical realism to tell an alternate, complimentary story to the song."
Tonight's new video celebration at Japp's kicks off at 9 p.m. with a DAAP Girls performance, followed by the screening of the clip at 10 p.m. The band will perform after the screening as well.
Here's a sneak peek of "Molly," followed by the video's creative credits:
Directed by Philip LaVelle
Filmed by Sean Steinger and Josh Jacob
Edited by Sean Steinger, Josh Jacob and Philip LaVelle
Special effects by Josh Jacob
Casting by Erica Turer
Catering by Joe Diedenhofer
Filmmed on location at Kenneweg Compound, Alexandria, KY
Special thanks to Josh and Stephanie Kenneweg
Cast: Cody Reinhard Amir Gamble, Zachary Müller, Sarah Davenport, Rosie Carpenter, Emma Roberts, and Allison Gathof
DAAP Girls is: Jay Duckworth, Stuart MacKenzie, Daniel Peterson, Alex Duckworth, Michael Felger, Collin Thompson, Brian Gilronan.
Those retro/modern/futuristic urban-gothic sonics are perfectly reflected in the brand new video clip for "Oxygen." The ominous video — written by Thomas Stemrich (Director) and Josh Chiara (Director of Photography) of local band Holy Beast — was shot over three days in Northside and Over-the-Rhine.
The nutshell synopsis of the video:
"In New Berlin, in the basements of post-industrial mansions, lost youths pray to shrines for nothing and participate in rituals that don’t matter. But tonight, one of New Berlin’s daughters is through with the minutia, ready to dive beneath the insincerity of cult posturing, and finally awaken the beacon of change that swells beneath the city streets. Will this be another lost night in Neverland or will she finally meet the beast of her dreams?"
Stemrich and Chiara have made other music videos, including "Night Drive" for the local act Polar Sky (Polar Sky and Skeleton Hands both record for locally based Racecar Productions). Sharfe says "Night Drive," and now "Oxygen," are unofficially akin to part of a "series," with the Polar Sky clip setting the "New Berlin" tone initially, and the Skeleton Hands' video taking it further.
"In the New Berlin videos, we see Cincinnati through a dystopic lens," Sharfe says. "Prostitutes, cults, deities, people with holes in their torsos. Strange stuff."
Skeleton Hands are currently taking pre-orders for copies of Gone on vinyl. Click here to get in on the action. "Oxygen" will be available as a single this fall through Racecar. The single release will feature remixes, including ones by Kontravoid and the aforementioned Polar Sky.
The duo also returns to the MidPoint Music Festival this year, coming up towards the end of September in various venues around Over-the-Rhine and Downtown. Skeleton Hands is slated to perform at 10 p.m. on Friday, Sept. 27, at MPMF venue Below Zero Lounge (on Walnut Street, next to Emery Theatre). Click here for MPMF tickets (or visit Fountain Square Friday night between 8-11 p.m., where you can buy tickets in person — one night only — for $10-$20 off).
On June 4, one of the more beloved bands in Cincinnati (and, increasingly, the rest of the country), Indie Pop greats The Seedy Seeds, announced that they were going on "break" on their Facebook page. The post was worded to suggest this is an "indefinite hiatus" — the words "break up" were not used, but there's no sign of activity from the band on the horizon (fans are also leaving "R.I.P." messages on their Facebook page).
In the "break" announcement that sounds like a "goodbye" one, the trio writes, "While we each have new projects to which we must now turn our energies, it's very hard to imagine how to live any moments from this point on as anything but Seedy Seeds."
Some of those new projects have been making themselves known recently. Seed Margaret Darling has been performing her solo material regularly on the local club front and, yesterday, it was announced she has some touring in her immediate future.
The band Distant Correspondent, described as Indie Dream Pop and featuring members located in different cities around the world, announced that Darling will be joining them on their upcoming fall tour. The supergroup made itself known to the public earlier this year and received a lot of press right off the bat. The band features David Obuchowski from Brooklyn's Goes Cube, the U.K.'s Emily Gray (from British Post Rock crew and John Peel faves Meanwhile, Back in Communist Russia), multi-instrumentalist Michael Lengel on drums (whom Obuchowski met when he moved to Colorado) and Seattle bassist Tyler Wilcox, as well as fantastic Indie singer/songwriter Edith Frost (who is not touring with the band this fall).
Here's what Obuchowski had to say about bringing Darling into the fold:
Being in a band with members in different cities and even countries is pretty liberating. Sure, it's not always the easiest thing in the world from a practical standpoint. But the flip-side is that it affords us the opportunity work with musicians we love, even if they don't live close.
With that in mind, we're thrilled to announce that we'll be bringing along Cincinnati-based solo artist, MARGARET DARLING as our featured vocalist for our upcoming record release tour. We're big fans of Margaret's solo work, and her work in the now-defunct Cincinnati indie-pop powerhouse THE SEEDY SEEDS. In fact, when it came time to put together a show in Cincinnati for our record release tour, we asked Margaret Darling to share the bill with us before we tapped any other artist. Margaret's music (as a solo artist and with her former band, The Seedy Seeds) has been described as "dizzying, perplexing and wonderfully fun" (NPR), and "no less than impressive - intimate and addictive" (CincyMusic.com).
Darling is joining the tour as "guest vocalist," beginning on the opening date in Denver on Oct. 23, the day after the band's self-titled album is released through Hot Congress/Old Flame Records. Click here to check out the music video for the Distant Correspondent track "Summit."
Meanwhile, Darling's Seedy Seeds co-founder Mike Ingram has been busy as a road sound technician, but he has found time to work with a new collaborator, great local singer/songwriter/guitarist Jasmine Poole, who works under the name Wonky Tonk.
Ingram (who harmonizes and plays guitar) and Poole have been working on new Wonky Tonk material and, given their hectic schedules, they even created a cyber-concert for fans to check out while they wait for it.