If you're looking for an unusual but gripping theatrical production this weekend, you should head straight to UC's College-Conservatory of Music for The Threepenny Opera. Don't think that this is some stuffy old piece from 1928, although that's when the
show with a script by Bertoldt Brecht and music by Kurt Weill was first
performed. It was radical and challenging, mocking the establishment
and paying no heed to social structures. This musical theater production, staged by CCM Opera Chair Robin Guarino, feels lethal and threatening. You'll recognize a tune or two ("Mack the Knife" is the show's familiar tune), and if you've seen Cabaret or Urinetown, you'll recognize how this piece influenced those works. Guarino's production, with a big cast and an
imaginative set (designed by Tony Award winner John Arnone), captures
the vitality and spirit of the original work. I doubt we'll see another
production of this one very soon, so here's your chance to catch a bit
of theater history — and be both entertained and provoked. Definitely worth seeing. Through March 10. Box office: 513-556-4183.
If you haven't yet seen Know Theatre's production of When the Rain Stops Falling, that's another one you should have in your sights. Andrew Bovell's dense, imaginative script is a compelling story of multiple, intersecting generations of two families. (Review here.) The taut, engaging 100-minute production, staged by Cincinnati Shakespeare's Brian Phillips, features several of that company's best actors, as well as several other local standouts. One of the best productions from Know Theatre in several seasons. It's onstage through March 16. Tickets: 513-300-5669.
I haven't seen it (alas, my schedule just doesn't have room for everything), but Legally Blonde: The Musical at NKU has received props from the League of Cincinnati Theatres as an entertaining production. It's the story of Elle Woods, spurned by her fiancé, off to Harvard Law School in pursuit of him, only to discover that she's got the smarts to be more than just a girlfriend. Not profound, but surefire entertainment. Through Sunday. Tickets: 859-572-5464
A year ago Cincinnati Shakespeare had a big hit with a stage adaptation of Jane Austen’s Pride & Prejudice. Looks like they’ve done it again with another adaptation of the 19th-century novelists Sense & Sensibility. This time it’s the sisters Dashwood, one rational and one emotional. The roles are wonderfully played by Kelly Mengelkoch (as the reserved, reasonable Elinor) and Sara Clark (as the willful and romantic Marianne), and they’re surrounded by delightfully drawn supporting characters — and a story of romance and domestic intrigue. I gave the production a Critic’s Pick. I’m told that several performances are already sold out (it’s onstage through March 18), so if you hope to see this one, you should line your tickets up right away. Tickets: 513-381-2273.
In case you wanted a short course in shows by Sondheim, the next few weeks is your big opportunity. In addition to Into the Woods at CCM, you can catch the touring production of West Side Story at the Aronoff (it opens a two-week run on Tuesday), a show that Sondheim wrote the lyrics for when he was 26 (he’s about to turn 82). And a week from now, the Cincinnati Playhouse will start previews of Merrily We Roll Along, a show from 1981 that was a flop at first, but now is praised as one of his greatest musical accomplishments. It’s about the joys and frustrations of success from the perspective of people involved in creating musical theater. It will be on the Marx Stage through March 31.
Andrew Bovell’s Speaking in Tongues is a complicated noir-ish tale of marital deceit and cryptic crime that unfolds more clearly because of its accomplished four-actor cast, including local professionals Bruce Cromer (who’s played roles as varied as Ebenezer Scrooge for the Playhouse to King Lear for Cincinnati Shakespeare) and Amy Warner (a regular at Ensemble Theatre and Cincinnati Shakespeare). The show is a fascinating piece of theater that takes work to watch, follow and absorb. I suppose that some casual theatergoers will be put off by it, but if you like challenging drama and multi-layered acting, you’ll leave the theater with their gears spinning. I gave Speaking in Tongues a Critic’s Pick. Through March 4. Box office: 513-421-3888.
Know Theater’s “comedy of anxiety” by Allison Moore, Collapse, opens with the collapse of a highway bridge over the Mississippi River in Minneapolis. But it’s about all kinds of things falling down — the economy, relationships. This is the kind of edgy script Know Theatre is known for, funny but meaningful. I gave the production a Critic’s Pick because it combines heart and humor. Collapse is presented with comic finesse and fine acting, especially by local professional actress Annie Fitzpatrick. Know’s best work of the season. Through March 3. Tickets: 513-300-5669.
Planning for next season? Check out my blog from last Sunday about what Broadway in Cincinnati will be presenting, including the zany Blue Man Group.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
The best theater is honest and real, and that's what True Theatre is setting out to offer via four evenings of "true stories told by real people" beginning tonight at 7:30 p.m. at Know Theatre and continuing into next summer.
OK, so it's Memorial Day weekend, and theater-going might not be what you have in mind. How about this? If you're heading downtown for the feeding frenzy at Taste of Cincinnati (and what true Cincinnatian isn't?), you can take a quick side trip to Jackson Street in Over-the-Rhine to pick up some tickets or a pass for the eighth annual Cincinnati Fringe Festival. It's the perfect time to find your way to Know Theatre (1120 Jackson, right next to the Gateway Garage), which is Fringe headquarters.
8 is the real-life story about two loving same-sex couples
living in California who want to get married but can't because in 2008 Proposition 8
took away the right for LGBT couples to marry in California.
Just like these couples, gay-rights
activists have been fighting for same-sex marriages across America for more than a
decade. Some progress has been made as gay marriage is now legal in nine states
and the District of Columbia, but many California residents feel left
out and are eager to resume same-sex marriage in their state.
After being engrossed with all the drama of the courtroom and seeing
how the case affects the plaintiffs in 8, tune back into
reality as the U.S. Supreme Court is likely to announce a decision about
Proposition 8 today.
For several years Joshua Jeremian seemed to be onstage everywhere in Cincinnati. He was a regular in opera productions at UC’s College-Conservatory of Music, where he was pursuing a master’s degree and then an artist’s diploma (additional graduate-level training) as an opera singer. But he was glad to find performing opportunities with many Cincinnati perfroming arts institutions. In 2005 he played a pair of princes in Ensemble Theatre of Cincinnati’s holiday musical, Sleeping Beauty. (In fact, the big-voiced baritone was nominated for a 2006 Cincinnati Entertainment Award for his performance at ETC.)
Some people yearn for sunshine this time of year and find their way to a beach to recharge their batteries. Theater fans who are impatient for the annual Cincinnati Fringe Festival, which doesn’t roll around until June, were reminded this past weekend of the kind of creativity that makes those two weeks in early summer so stimulating. Thanks to the drama program at UC’s College-Conservatory of Music (CCM), theater fans were offered a jolt of onstage vitality that just might be enough to sustain us for a few months. It was a festival called Transmigration.
I spent two-and-a-half hours watching the Acclaim Awards last night — 150 minutes with no intermission. Thanks to affable hosts Charlie Clarke and Mark Hardy (the well-dressed “scoundrels” of Dirty Rotten Scoundrels last September at The Carnegie), there was a lot of humor, but I put an emphasis on “a lot” as in “maybe too much.”
As I’ve written previously, the Acclaims offer some solid recognition of many of the things that constitute our local theater scene. But the awards program itself lacks discipline: If this had been a stage production at one of our local theaters, I wouldn't be the only critic saying, “Nice work, but it needs a lot of trimming.” And some thoughtfulness.
After a long hot summer (well, it's still feeling like a long hot summer), we have a full array of shows onstage in Cincinnati for you to choose among. I've seen two of them so far: Good People at Ensemble Theatre Cincinnati and The Three Musketeers at the Cincinnati Playhouse in the Park.
ETC's production of Pulitzer Prize winner David Lindsay-Abaire's 2011 piece (this is the regional premiere of Good People, which was nominated for a Tony a year ago) about a woman who falls off the bottom of the employment ladder has enough humor to be entertaining (especially with Annie Fitzpatrick in the central role of Margie and Kate Wilford and Deb Girdler as her gossipy friends and bingo-night comrades) and enough contemporary relevance to be thought-provoking. ETC's D. Lynn Meyers is at her best staging naturalistic shows with social meaning, and that's exactly what this one offers. It has a great cast and flexible, attractive scenic design by the ever-creative Brian c. Mehring. I gave it a Critic's Pick. Through Sept. 23. Review here. Box office: 513-421-3555.
I wanted to love The Three Musketeers at the Playhouse (through Sept. 29), but its balance of humor and heart is out of whack to my tastes. There's lots of adventure, hilarity and laughter — especially some no-holds-barred swordplay — but the show tries to hard to entertain that it misses out on the true emotion that should lie beneath. I suspect many people will love this thrill-a-minute tale of political intrigue and valor, loyalty and royalty in 17th-century France, and perhaps it will evolve to deeper feelings as it runs. I love new Artistic Director Blake Robison's desire to put appealing, family-friendly work onstage, and he's using this production to show what he means. I hope his approach gets a tad more texture and depth as his tenure continues. Review here. Box office: 513-421-3888.
I haven't yet seen To Kill a Mockingbird at Cincinnati Shakespeare Company, and their publicity says it's already sold out its first-two weekends. So you might want to put that one on your calendar for sometime before it wraps up (Sept. 30). In the meantime, you might want to head to Washington Park on Sunday evening at 7 p.m. for a special free presentation of CSC's touring production of The Tempest. It's a perfect piece for outdoor performance, set on an island with a sorcerer and his lovely daughter and some shipwrecked nobles who are responsible for his exile. Audience participation will be a key component of this event, with the audience asked to create large-scale effects by blowing bubbles, making waves with silk and generating sound effects. Sounds like great fun. Music (by The Young Heirlooms) begins at 6 p.m. This is a good one to bring kids to see.
Also off and running this weekend is Cincinnati Landmark's production of Tennessee Williams' Cat on a Hot Tin Roof. It's a classic drama of sexual tension and family strife, a bit heavier fare than is usually found at the Covedale Center. It's a sign of the company's ambition to be a full-fledged theater offering a wide range of material. (Through Sept. 30.) Box office: 513-241-6550.