There's nothing unlucky about Friday the 13th in the theater world. (Theater folks have enough other superstitions anyway.) So you have lots of excellent choices this weekend, from the very funny The Foreigner at the Playhouse (just opened) to the satiric Timon of Athens at Cincinnati Shakespeare (see review here).
If you want a heavy-duty drama, try Bent at New Stage Collective (it's about the mistreatment of gays in Nazi concentration camps; see my review here). And if you want to see some of the talent that keeps spilling out of UC's College-Conservatory of Music, I recommend that you stop by the Over-the-Rhine nightclub Below Zero tonight after 10 p.m.
If you're looking for an unusual but gripping theatrical production this weekend, you should head straight to UC's College-Conservatory of Music for The Threepenny Opera. Don't think that this is some stuffy old piece from 1928, although that's when the
show with a script by Bertoldt Brecht and music by Kurt Weill was first
performed. It was radical and challenging, mocking the establishment
and paying no heed to social structures. This musical theater production, staged by CCM Opera Chair Robin Guarino, feels lethal and threatening. You'll recognize a tune or two ("Mack the Knife" is the show's familiar tune), and if you've seen Cabaret or Urinetown, you'll recognize how this piece influenced those works. Guarino's production, with a big cast and an
imaginative set (designed by Tony Award winner John Arnone), captures
the vitality and spirit of the original work. I doubt we'll see another
production of this one very soon, so here's your chance to catch a bit
of theater history — and be both entertained and provoked. Definitely worth seeing. Through March 10. Box office: 513-556-4183.
If you haven't yet seen Know Theatre's production of When the Rain Stops Falling, that's another one you should have in your sights. Andrew Bovell's dense, imaginative script is a compelling story of multiple, intersecting generations of two families. (Review here.) The taut, engaging 100-minute production, staged by Cincinnati Shakespeare's Brian Phillips, features several of that company's best actors, as well as several other local standouts. One of the best productions from Know Theatre in several seasons. It's onstage through March 16. Tickets: 513-300-5669.
I haven't seen it (alas, my schedule just doesn't have room for everything), but Legally Blonde: The Musical at NKU has received props from the League of Cincinnati Theatres as an entertaining production. It's the story of Elle Woods, spurned by her fiancé, off to Harvard Law School in pursuit of him, only to discover that she's got the smarts to be more than just a girlfriend. Not profound, but surefire entertainment. Through Sunday. Tickets: 859-572-5464
The best theater is honest and real, and that's what True Theatre is setting out to offer via four evenings of "true stories told by real people" beginning tonight at 7:30 p.m. at Know Theatre and continuing into next summer.
OK, so it's Memorial Day weekend, and theater-going might not be what you have in mind. How about this? If you're heading downtown for the feeding frenzy at Taste of Cincinnati (and what true Cincinnatian isn't?), you can take a quick side trip to Jackson Street in Over-the-Rhine to pick up some tickets or a pass for the eighth annual Cincinnati Fringe Festival. It's the perfect time to find your way to Know Theatre (1120 Jackson, right next to the Gateway Garage), which is Fringe headquarters.
8 is the real-life story about two loving same-sex couples
living in California who want to get married but can't because in 2008 Proposition 8
took away the right for LGBT couples to marry in California.
Just like these couples, gay-rights
activists have been fighting for same-sex marriages across America for more than a
decade. Some progress has been made as gay marriage is now legal in nine states
and the District of Columbia, but many California residents feel left
out and are eager to resume same-sex marriage in their state.
After being engrossed with all the drama of the courtroom and seeing
how the case affects the plaintiffs in 8, tune back into
reality as the U.S. Supreme Court is likely to announce a decision about
Proposition 8 today.
Some people yearn for sunshine this time of year and find their way to a beach to recharge their batteries. Theater fans who are impatient for the annual Cincinnati Fringe Festival, which doesn’t roll around until June, were reminded this past weekend of the kind of creativity that makes those two weeks in early summer so stimulating. Thanks to the drama program at UC’s College-Conservatory of Music (CCM), theater fans were offered a jolt of onstage vitality that just might be enough to sustain us for a few months. It was a festival called Transmigration.
Stephen Schwartz is well known in the world of musical theater as the composer of Wicked, the mega-hit Broadway musical that’s been running since 2003 (more than 3,200 performances to date). But he started his career a long time ago, composing the music for Godspell way back in 1971. At the age of 24, he followed Godspell with another hit, the 1972 musical Pippin (which ran for five years, nearly 2,000 performances). It’s the season opener in a three-weekend run at Covington’s Carnegie Center beginning Friday.
The best choice, for my money, is Keith Glover’s Thunder Knocking on the Door at the Cincinnati Playhouse in the Park, a revival of sorts from 1999 — but thoroughly and creatively reimagined for the final mainstage production of Ed Stern’s final season leading the Tony Award-winning theater. It’s a musical about the Blues and it features an emotional Blues score, mostly by Keb’ Mo’, to tell the story of the power of love and music — and blues guitar players. It’s presented with panache, including technology and design that are all about 2012. Through May 20. Box office: 513-421-3888.
If you loved the Doo-Wop silliness of The Marvelous Wonderettes, a hit from 2010 at Ensemble Theatre Cincinnati, then you’re likely to have a good time at Life Could Be A Dream, Roger Bean’s sequel to the story of some bubbly girls who bond around teen hits from the ’50s and ’60s. This time is boys, and that’s most of the difference. As in the two Wonderette shows, Dream is shot through with adolescent angst, in this case around a local radio station contest that could “make them famous.” It’s an excuse for more than two dozen tunes from the same era that are shaped to the story. So it’s a familiar formula, but ETC has a talented cast who make it a lot of fun. (Through May 20.) Box office: 513-421-3555.
Another show that totally mastered the art of wedging familiar tunes into an implausible story is Mamma Mia, and you can catch a touring production of that one at the Aronoff Center through Sunday. The cast of this tour has a lot of youthful energy and several mature characters who have fun reminiscing about their disco days. Box office: 800-982-2787.
Bloody Bloody Andrew Jackson will have its final performance on May 12. If you haven’t yet seen this youthful mix of political commentary, driving Rock, history, humor and sober observations about the will of the people, you’d better go this weekend. (The longer you wait the less likely you are to get a ticket — the final weekend is selling fast.) Not many musicals begin with the cast flipping the bird at the audience, but then not many musicals are like this one, spinning a tale of America’s seventh president to in-your-face Indie Rock tunes. This is Bloody Bloody’s first professional regional production. I gave it a Critic’s Pick. Box office: 513-300-5669.
You have plenty of time to see The Second City 2: Less Pride – More Pork, since the Cincinnati Playhouse plans to keep it on the Shelterhouse Stage until July 1 (at least), but I predict you’ll enjoy it whenever you go. It’s a notch up from the first iteration of the show that set box-office records for the Mount Adams theater a year-and-a-half ago. Lots of hilarious fun-poking at … us. And the clever cast uniquely tailors every performance to the audience that shows up. Box office: 513-421-3888.
Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, I was thoroughly entertained by Joseph and the Amazing Technicolor Dreamcoat last week at the Covedale. It has a cast of strong singers who do a fine job with the amusing score, stuffed with musical parodies — Calypso, Blues, County, Bubblegum Pop and more — and they’re having an infectious good time. Keep an eye out for the Pharaoh; he’s really the King! Through May 13. Box office: 513-241-6550.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
Quite a few local theaters are opening new productions this week, but if I were to point you to just one for this weekend, it would be Next Fall, a new play by Geoffrey Nauffts, at Ensemble Theatre.