Last Friday at Bogart's, CityBeat and the Cincinnati Entertainment Awards presented a showcase featuring some of the best new local bands of 2012. (Check out some pics from the event here.) This coming week, four brand-new acts (featuring musicians from other established groups) will be playing their first shows ever. Here's a round-up of the new bands (possible nominees for next year's CEAs?) debuting.
• Joey Cook of Indie Pop greats Pomegranates has a new solo project called Danny and His Fantasy. Cook — who also headed up the side project Firs and has done a few solo shows with friends and bandmates — leaked the great track below via YouTube a couple of weeks ago. The piano-laden track "Too Out of Touch" is a great slice of dancey and wonderfully melodic Pop, highlighted by Cook's soulful falsetto, that wouldn't be out of place on an of Montreal record.
Danny and His Fantasy's debut show is this Friday at Mayday in Northside. Cook will be joined at the free show by Phil Cogley, the Indie Pop maestro from Columbus who performs under the name The Saturday Giant. Cogley's been making waves from our state's capitol, recently earning a slot on Columbus Alive's annual list of "Bands to Watch" for 2013. Locals Speaking Suns also perform.
• Also Friday, Pop Goes the Evil plays its first live show. The new crew debuts at MOTR Pub, playing a free show with Indiana rockers Left Lane Cruiser. Pop Goes the Evil is fronted by singer/guitarist Lucas Frazier, formerly of the popular, kick-ass local Rock outfit The Dukes Are Dead. The new group — rounded out by drummer Jordin Goff (also of The Yugos) and bassist Evan Roberts (organist for heavy local band Grey Host) — has issued a couple of great music videos, showcasing a swaggering, energized Pop/Rock sound that's not chasing any trends, opting instead for a more timeless appeal.
Here's the second single from Pop Goes the Evil, "Golden Apple."
• Bluegrass ensemble Hayseed Dixie began racking up fans upon its formation at the dawn of the 21st century thanks to its energized and entertaining live show and the contents of the band’s initial setlists and albums. Though all talented and experienced players, it was Hayseed Dixie’s novelty that initial drove attention its way. The group’s debut was a Bluegrass tribute to AC/DC, while subsequent albums have featured a wonderfully ridiculous array of the group’s Appalachian-spun Rock covers (they grass up everything from OutKast and Green Day to Neil Young and Motorhead). After wide exposure through musical- and comedy-world exposure, the Hayseeds began to introduce more and more original material (2008’s No Covers should be self-explanatory).
Hayseed’s members have individually gotten more busy with various interesting side projects while the main band takes a hiatus. As frontman John Wheeler works towards his more serious-minded debut solo album (scheduled for release early in this new year), banjoist Don Wayne Reno carries the Hayseed torch with his band Granny 4 Barrel, self-described as “Country music’s first and only shock Country Rock & Roll band.” If you thought Hayseed Dixie was outlandish, G4B takes it to the next level with their ridiculous outfits and a sound that retains Hayseed’s Rawkgrass attitude and turns the Rawk elements up to 11.
Granny 4 Barrel performs tonight at the Southgate House Revival as part of the opening for area visual artist Derek Toebbe’s “Urban Revival Art Show.” The event (which also includes DJ sets by the Devout Wax crew) is free and starts at 7 p.m.
Here's a sampling for G4B's crazy sound and stage show.
• Wildly entertaining (and wildly eclectic) ensemble The Duke of Uke & His Novelty Orchestra bring its self described "lyrical ukulele jazz-funk-motown popssical" sound back to Cincinnati tonight for a a free show tonight at MOTR Pub in Over-the-Rhine. Drawing comparisons to artists as diverse as Tom Waits, Squirrel Nut Zippers, Amy Winehouse, the B-52s, and Captain Beefheart, the Urbana, Ill.-based septet has been winning fans all over the region with their energized, swinging live shows, which blend smart lyrics, four-part harmonies and diverse instrumentation (ukulele, violin, tuba, saxophones, Latin percussion). Read more about The Duke and Co. in Reyan Ali's preview in this week's CityBeat here.
Here's The Duke of Uke & His Novelty Orchestra's official music video for "Jump Back," a track from their 2012 album April's Empire.
• There were moments over the past few years where it seemed like bassist Nick Oliveri was on the brink of imploding, stuck in that weird, almost dreamlike universe (inhabited by the likes of Courtney Love and Katt Williams) where an entertainer’s fans ultimately just accept that there’s a good chance the performer might die any day. Oliveri’s ornery streak has been consistent but it started out manageable — just some usual Rock & Roll debauchery. Then, in 2004, Oliveri was kicked out of Queens of the Stone Age after Queens frontman Josh Homme suspected he had been physically abusive to a girlfriend.
Luckily for Oliveri, he had a few side-projects to fall back on, touring with his group Mondo Generator (who comes to Newport’s Thompson House Saturday night), as a solo acoustic act and with veteran Punk sensations Dwarves. But it wasn't enough to keep him out of trouble (click here to read more about Oliveri's various ups-and-downs over the past year).
But Oliveri seems to have rebounded, even reportedly making amends with his old bandmate Homme. Mondo Generator has been perhaps the most consistent part of Oliveri’s life since 1997. Blending the Hard Rock of his previous projects with more Punk Rock chaos, Mondo has built a strong cult following for itself. But, with the way things are going as Oliveri continues to rebound, it’s anyone’s guess if Mondo will go back to “side project” status at some point.
Mondo Generator performs Saturday at the Thompson House with Saviours, Wino, Bearer of Bad News and Mangrenade. Showtime is 7 p.m. and tickets are $18.
Here's Mondo Generator performing "Four Corners" live.
• Downtown at Arnold's tonight (Friday), catch influential cult hero Paleface, a man who has been on the cutting edge of contemporary music's continual fascination with traditional Folk music and an influence on some of the more adventurous musicians who seek to translate that vintage spirit into their own voice. Over the past 20-plus years, the singer/songwriter has been an Anti Folk torchbearer and an Indie Folk mentor, first learning songwriting and lo-fi recordings from underground legend Daniel Johnston in the late ’80s. From there he went on to teach a few tricks to roommate Beck (pre-fame), help the so-called "Freak Folk" scene grow freakier and folkier and collaborate frequently with pals The Avett Brothers. Whether directly or indirectly, if you dig today's "Indie Folk" — or any brand of slanted or subversive Americana — you've likely heard the results of Paleface's unique influence. Click here to read more.
Paleface's show tonight at Arnold's is free and — icing on the cake — great local Folk Pop group Shiny and the Spoon opens the show at 9 p.m. The gig will also be the first one for which Arnold's has commissioned a special concert poster. Crafted by talented local artist Keith Neltner (who has done commissioned poster art for Alice in Chains, Modest Mouse, Hank Williams III, The Avett Brothers, Cake, Black Rebel Motorcycle Club and many others), the prints (pictured above) are available for $25 while they last (only 50 were pressed).
Here's Paleface's video for his ode to NYC, fittingly titled "New York, New York."
UPDATE: Arnold's just announced this afternoon that Paleface has cancelled due to illness. A rescheduled date is in the works. Shiny and the Spoon is still performing.
• After the best summer series yet, the final MidPoint Indie Summer concert on Fountain Square goes down tonight at 7 p.m. And the every-Friday series is going out with a bang, featuring a flawless triple bill of local acts. Things get started with superb modern Soul translators The Guitars, who will be followed by the duo R. Ring, featuring Dayton, Ky.'s Mike Montgomery (longtime local engineer ad musician, currently with Ampline) and Dayton, Ohio's Kelley Deal (The Breeders). R. Ring spoke with CityBeat's Brian Baker about the project in this week's paper. Read it online here.
Headlining tonight's Fountain Square concert is Wussy, the now-veteran four-piece that is gearing up for some huge happenings on the horizon, including tour dates with The Afghan Whigs and Heartless Bastards and a trip to the U.K. by co-frontpeople/singer/guitarists Lisa Walker and Chuck Cleaver (playing as a duo) for several shows in support of the band's first U.K. release, Buckeye, a retrospective that came out to glowing reviews this summer. Read more about Wussy's many goings on here.
Here's the skate video by Kristian Svitak that R. Ring helped re-soundtrack. After DEVO's record label removed the video because it used the group's song "Mr. DNA," Svitak got together to record a new version with Deal and Montgomery. The song in the re-edited video was so popular, R. Ring released it as a limited edition single and local label Phratry Records released it digitally. (Click here to get your own copy.)
• Popular local Gypsy Jazz favorites and Django Reinhardt devotees The Faux Frenchmen celebrate the group's 10th anniversary tonight with a show at downtown's Blue Wisp Jazz Club. A decade ago this fall, the band (which features esteemed local musicians George Cunningham, Brian Lovely, Paul Patterson and Don Aren) made its debut, starting an every-Monday residency at former Clifton restaurant Tink's. Over the years, the band has only gotten more popular, drawing attention from outside of Cincinnati and performing numerous road dates (this fall they return for their sixth appearance at the annual Jazz at Chautauqua Festival in New York).
The band's anniversary show begins at 8:30 p.m. and admission is $10. Here's a clip from the Frenchmen performing on another anniversary — Reinhardt's birthday (taken from one of their annual appearances on WNKU in honor of Django).
• The performers for the weekly "Friday Flow" concerts at Washington Park are always a bit of a surprise because the lineups have been announced within only a week or two of the performances. It's also a surprise because the featured act is usually something pleasantly unexpected. Dayton Funk greats Lakeside ("Fantastic Voyage") popped up one week and Neo Soul star Dwele launched the series this summer.
Tonight's free Friday Flow concert is another cool, unanticipated treat. Just announced earlier this week, the show will feature R&B singer Chrisette Michele, a Hip Hop hook-singer extraordinaire (with Jay-Z, Nas, The Game and others) who has also had a successful career on her own, releasing a handful of acclaimed, charting albums for Def Jam.
The other headliner is Rob Base, a Hip Hop artist most know from his 1988 hit with DJ E-Z Rock, "It Takes Two."
Because of the volleyball tournament in Washington Park tonight, gates for the concert won't open until 7:30 p.m. Another change from the usual Friday Flow flow (also due to volleyball) — no food, drinks or coolers will be permitted (this weekend only). Extra food vendors will be on hand to feed the masses.
Click here for even more live music events going on tonight in Greater Cincy.
The music he made with groups like The Light Wires, The Great Depression and The Brothers and the Sisters helped make singer/songwriter Jeremy Pinnell one of many local music fans' favorite songwriters. Pinnell's folksy songs were marked by his ability to convey — with an almost uncomfortable accuracy — the kind of dark, ominous emotions most people try to bury. His words, his melodies and especially his muttering yet soulful voice had that rare ability to effortlessly do what most writer's strive for their whole career — to make a deep connection with the listener that goes beyond a hummable hook or slick guitar solo and buries itself deep inside their conscience.
Having practically every person who heard his songs immediately captivated wasn't enough to keep those projects together. Pinnell seemed to ride the waves of success each act experienced (on varying levels), then the band would break up before the project's full potential was reached.
After another dry spell, Pinnell returns to the local stage tonight at MOTR Pub in Over-the-Rhine for the live debut of his latest project, Jeremy Pinnell and the 55's. Once again, Pinnell has hooked up with some gifted collaborators to create more soul-stirring songs to shatter what's left of your fragile, blackened heart.
The 55's reteams Pinnell with one of his earliest musical partners, Cameron Cochran (currently with Pop Empire). When they were 18, Cochran and Pinnell were pals playing Country songs together at their buddies' Punk Rock shows. Cochran says "The Voice" was already in place.
"He had that voice that would shut up a room," Cochran writes in a press release. "It didn't matter what the show was. He would open his mouth and everyone listened."
The two went their separate ways eventually, but recently reconnected. Cochran is vague about the circumstances of their last project ending and this one beginning, saying only that it is a tale of "heartbreak, tragedy, love and redemption" worthy of a Country song. Indeed, the 55's sound is somewhere between AltCountry and Indie Folk, with the timelessness of those genres' precursors driving everything. The band is rounded out by drummer Chris Alley and bassist Ben Franks; Cochran adds spectral atmospherics with his pedal steel guitar work and hovering backing vocals.
Some of the 55's material has come out via a handful of wonderful live videos shot by local photography superstar Michael Wilson. Below, check out one of the clips by Wilson, who is also working with Cochran on a series filming at The Emery Theater called "One Shot Music Videos" (referring to how Wilson shoots each in one continuous shot without edits).
Tonight's show at MOTR is free and starts around 9:30 p.m. Visit JP & the 55's on Facebook here.
The air seems sweeter here in the front of the website, the sun a little brighter and the deadlines a little more immediate, but as Uncle Ben once reminded Peter Parker, with great power comes great responsibility. So here we are in relatively short order with a batch of new reviews and a few more older titles in my continuing quest to revisit the deserving releases from the not-so-waning months of 2011. We’re getting there, slowly but surely. Read them while they’re hot; there’s more where they came from.
On this day in 2002, rapper for the Pop group TLC, Lisa "Left Eye" Lopes died in a traffic accident in the Honduras. The star was allegedly trying to pass a truck, but another vehicle was coming the opposite way when she made her move. To avoid it, Lopes swerved off the road. The Mitsubishi Montero Sport Lopes was driving flipped, hit a couple of trees and threw all four passengers out of the vehicle. Lopes died from head and neck injuries; the other passengers survived.
Left Eye was just a month away from her 31st birthday.
Lopes' casket was engraved with lyrics from the TLC hit "Waterfalls" ("Dreams are hopeless aspirations, in hopes of coming true, believe in yourself, the rest is up to me and you"). Lopes gave an interview to MTV News about her first solo album, 2001's Supernova, in which she described her song/poem "A New Star Is Born," which was dedicated to her late father. In the interview, she said, "That track is dedicated to all those that have loved ones that have passed away. It's saying that there is no such thing as death. We can call it transforming for a lack of better words, but as scientists would say, 'Every atom that was once a star is now in you.' It's in your body. So in the song I pretty much go along with that idea. I don't care what happens or what people think about death, it doesn't matter. We all share the same space."
There are a lot of Left Eye remembrances going on in cyberspace today since its the tenth anniversary of her death. Check out word on a new track — and some remembrances from her former TLC pals — featuring Lopes and Bootleg of the Dayton Family here.
Here's a video tribute to Lopes put together by a fan and set to "A New Star," followed by an earlier different kind of tribute to TLC by Cincinnati's own Afghan Whigs (who just announced their first non-festival reunion date in the U.S., scheduled for October in New York City).
Born This Day: Musical movers and shakers sharing an April 25 birthday include: Jazz/R&B saxophonist Earl Bostic (1913); legendary Jazz vocalist Ella Fitzgerald (1917); influential Blues guitarist Albert King (1923); wildly successful songwriter and producer (with writing partner Mike Stoller) Jerry Leiber (1933); bassist for Classic Rock band CCR, Stu Cook (1945); singer for Prog band Marillion, Derek William Dick, much better known as Fish (1958); singer for Synth Pop legends Erasure, Andy Bell (1964); original Jane's Addiction bassist Eric Avery (1965); and the "Father of Hillbilly Jazz," fiddler Vassar Clements (1928).
Clements' improv approach to Bluegrass was a revelation. Putting a Jazz twist on Roots music makes him a spiritual godfather of the whole "Newgrass" movement.
Clements grew up in Florida and taught himself to play violin at the age of 7. When he was 21, he joined Bill Monroe's Blue Grass Boys, recording with them in the early ’50s. Word of Clements' prowess and innovative style traveled and he became an in-demand session player. In 1971, Clements joined John Hartford for the groundbreaking Aereo-plain album, widely considered one of the first "Newgrass" records. Hartford and Clements were joined by Norman Blake, Randy Scruggs and Tut Taylor for the album, which was produced by David Bromberg.
During his 50-year career, Clements would go on to become a crucial part of the progressive Bluegrass movement of the ’70s, including appearances on a couple of other trailblazers — the Nitty Gritty Dirt Band's Will the Circle Be Unbroken and Old and in the Way, featuring Jerry Garcia, David Grisam, Peter Rowan and John Kahn. By the time he passed in 2005 at the age of 77 (from lung cancer), Clements had played with everyone from Paul McCartney, The Monkees and The Grateful Dead to Stephane Grappeli and Woody Herman.
Here's Clements performing with the Del McCoury Band in 2003.
The superb, now veteran local Indie Pop group The Minor Leagues are gearing up for the release of their new album, North College Hill. The album was recorded last summer with Sean Sullivan at The Butcher Shoppe, the Nashville studio owned by legendary singer/songwriter John Prine and Grammy-winning engineer Dave Ferguson (Johnny Cash, U2, Ryan Bingham), and was recently mastered by Michael Bond from the band's label, Datawaslost. The Minor Leagues recently made the album's first single — "Ghost Maps" b/w "Please Don't Throw My Love Away" — available as a free download from their new website (www.minorleaguesmusic.com).
The Cincinnati natives of hugely popular Brooklyn-based Indie Rock band The National have recorded a song for the upcoming soundtrack for the second season of HBO's critically-acclaimed series, Game of Thrones. The soundtrack is due June 19. The National is the only group featured; the rest of the soundtrack album is the instrumental score, written by Ramin Djawadi and recorded by the Czech Film Orchestra and Choir.
According to Spin, the band members took the words from Game of Thrones creator George R.R. Martin's 2000 novel, A Storm of Swords. Check it out below.
Today is the 15th anniversary of the murder of celebrated rapper Christopher Wallace, aka the Notorious B.I.G. (aka Biggie Smalls, aka Big Poppa, etc., etc.). Since his death, Wallace's status has risen considerably and he's widely considered one of the best MCs to ever hold a mic, for both his smooth, laid-back flow and lyrical prowess.
Caught in the middle of the East Coast/West Coast feuding of the time, Wallace (a NYC native) was killed while in California promoting his soon to be released sophomore album, eerily titled (in hindsight, as was his debut's title, Ready to Die) Life After Death. On March 9, Smalls attended the Soul Train awards show in L.A., where he presented Toni Braxton with one of two awards she would win that night (and was booed by the West-leaning coastal feuders in the audience). Wallace left an afterparty at 12:30 a.m. later that night and, about 50 yards from the party entrance, a black Chevy Impala reportedly pulled up next to the vehicle the MC was in and someone in the Impala shot Wallace four times in the chest. He was rushed to the hospital and pronounced dead March 9 at 1:15 a.m.
Despite various theories, confessions and extensive investigations, the case, like that of West Coast star rapper Tupac Shakur (killed about six months prior in similar fashion), remains unsolved.
Life After Death came out 15 days after Wallace's murder. It went to No. 1 on Billboard's album chart instantly. Two more posthumous B.I.G. records were cobbled together — 1999's Born Again, featuring tracks culled from unfinished ones on which Wallace had been working, and the similar Duets: The Final Chapter from 2005, which was widely criticized due to the posthumous pairings with artists many felt Wallace would never have worked with in his lifetime. The album's guests included Eminem, Twista, The Game, Nas, Nelly, Scarface, Missy Elliott, R. Kelly, Bob Marley (?!), Korn (?!?!) and West Coast MCs Snoop Dogg and 2Pac. Amazingly, unlike the posthumously prolific 2Pac, the album really was "The Final Chapter"; the only other Biggie releases to come out after that were a 2007 greatest hits collection and the 2009 soundtrack to the film Notorious, based on Wallace's life and death.
Time magazine's website posted a music video playlist tribute today here. And below is "Living In Pain" from the Duets release, which featured Big and Pac, plus still-alive performers Nas and singer Mary J. Blige:
Click on for Born This Day, featuring Bow Wow, John Cale and Ornette Coleman.