One week ago today, on Nov. 14, the fun and increasingly acclaimed Michigan-based Electro Pop band Stepdad was bringing its nearly two-month, nationwide tour to a close and was set to perform at Cincinnati’s MOTR Pub. The band had a great fall tour; outside of some trouble with its tour van, things had gone smoothly until that point. With a few final shows on the tour after the Cincinnati date in their home state, the band members were heading into the homestretch and returning home triumphantly.
Then one of them them got arrested. Stepdad had played Pittsburgh the night before its MOTR date, driving through the night and grabbing a room at the Super 8 motel in Cincy exburb Mason, Ohio, (north of the city and near the Kings Island amusement park, where the Brady Bunch once frolicked) to get some rest. Early in the morning of Nov. 14, Stepdad’s Nathan John Klages — a multi-instrumentalist and also a solo singer/songwriter who works under the name Nathan K. — was arrested at the motel, charged with public indecency and “obstruction official business,” according to the police report. Klages got arrested for doing something many, many men have done — taking a piss outside. He was booked into the Warren County Jail. The look on his face in the above mugshot is one of understandable confusion, probably a little anger and definitely a lot of fatigue after working all night and then traveling.
Those souls in attendance at MOTR Pub for the November 14 show by underground pop superstars STEPDAD won't soon forget it. Neither will Stepdad's NATHAN K. He might never forget it -- because of a very wrong reason.
The evening before the show, the band, which hails from Grand Rapids, Michigan, was staying at a motel in Mason, Ohio. It was there where Nathan K. was arrested for -- allegedly -- urinating in the great outdoors. Nathan was subsequently charged with public indecency and taken to the Warren County Jail, where his arms and legs were placed in shackles and he was placed in a cell.
He was fined, processed, and eventually released just before showtime, so as to avert what would have been the compounded injustice of having to cancel the show.
Taking into account the advice of the legal defense, we will say nothing about the charge levied against Nathan. However, Nathan is saddled with fines and travel expenses related to this episode. He must return from Michigan to Southwest Ohio on Tuesday, December 17 to face the judge, and we, at MOTR Pub, want to help.
Nathan has agreed to play a set at MOTR Pub on Tuesday, December 17 at 9 p.m. We are asking fans of Stepdad, and fans of blind justice, and fans of rock 'n' roll, and fans of Nathan K. to attend the show and join us in throwing a fiver or a ten-spot in Nathan K.'s hat to offset his debts and to make something good of the bad.
(408): hey, what are you doing? my roommates are gone for the night... you should come over ;)
(650): nah, i'm gonna grab some food
Slipknot is the heaviest of Heavy Metal. They are strong artists because they are the epitome of a group. Their masks and costumes on stage present a uniformity that makes them who they are. They refer to themselves as “The Nine” even though they are now eight after the passing of their bassist, Paul Gray. The wildly popular band are wrapping up touring on their fifth album All Hope is Gone which has gone platinum, a great success in today’s age of music, with Mayhem Fest along with other great Metal acts like Motorhead and Anthrax.
CityBeat: You guys are crazy on stage. Have any band members ever been hurt?
Shawn Crahan: Every day.
CB: Really? Like Ibuprofen or doctor?
SC: Right now I have been sucking anywhere from 10 to 40 cc’s of blood out of my knee every five days.
CB: Have you calmed down because of it?
SC: No, I had surgery from a jackass move in a tour in Australia about five months ago. I jumped off my lift, smashed my knee pretty good, my meniscus and everything. So I had to have surgery. I had surgery just up to the exact date when the first Mayhem show was starting. I had no time to really rehabilitate. I didn’t even do physical therapy. It’s not an excuse; I just didn’t get it done. So the first day I paid the price. It’s all good because I have kept all the blood. I have it all. I have all the syringes and everything. So I make art. I’ll have a nice art piece of my pain. But everybody goes through something every day. Sid’s dealing with some sort of hernia and some sort of shoulder stuff that he has to get an MRI for right now.
CB: I see your photo on your pass with your leg brace.
SC: Actually that is the day I had surgery. I hate to admit it but I’m on a lot of morphine in that photo. I walked out to the car and took a picture. As you see I have a cigar and a GG Allin shirt on. I took him with me to the surgery. I turned around and was out. I had to get a picture. I don’t know, somebody found it and made it my pass.
CB: You guys have different uniforms every tour. What is the process to go about designing them or picking them?
SC: I am kind of the visionary, so to speak. That doesn’t mean visionary of the overall whole thing. I take a lot of responsibility in evolving everything. Right now, since our bass player passed away, we are reminiscing a life spent. We toured last summer, and we re-made our very first coveralls and brought out our first masks in remembrance to remember where we came from and celebrate his life. The current ones are a mixture of our first album and our second album. His number was number two and he had a really big part in that record as he did all records. We thought we’d give the American kids something special. Usually right now if Paul wouldn’t have passed, we would almost be getting done with our fifth record album cycle, getting ready to go home from it. This kind of stuff is all kind of inspired by him a little bit because we don’t have a new album and we just are kind of sharing in this thought process with our fans together. We don’t see him on stage; they don’t see him on stage. We go through it together.
We are getting ready to end that thought process of sharing that loss together. It doesn’t mean there is an ending to something and a new beginning. There will never be a new beginning. There will always only be nine. But we have toured Europe, we have toured South America, Australia, and now America with this thought process of sharing this loss together. We will end that, that sporadic touring of understanding that he is no longer with us. Then we will take some time off, write a record, record a record, pre-prep tour, go out on tour, drop a record and then support that record. But there will always be nine. I don’t know if there will ever be another person on stage. There probably could be a bass player behind us. I don’t know and I don’t have to think about it because it’s a long way off.
CB: How did you get the numbers?
SC: The numbers kind of just fell into place. It’s kind of a weird thing. Back when we started we were going to wear a mask and I started wearing coveralls so we all started wearing coveralls, then there were so many of us, we put our bar code on the back. Then we wanted numbers — I wanted numbers. It was kind of ironic, because everyone fell into a number. I wasn’t going to tolerate any other number than six. Like if someone was going to fight me for it, I was going to fight to the death for it, but nobody wanted it. Joey wanted to be number one, Paul wanted to be number two, the original guitar player, and the other drummer three. Mick, he is like “I have to have seven. Fuck everyone. It’s my lucky number.” Corey was like, “I want eight, infinity.” When Sid joined the band, “I am not a number. I am zero. I am filth.” It was kind of magical, honestly. The masks were more of a representation of what you wanted to present as yourself. It was one’s finding one’s self, but the numbers were almost assigned to us subconsciously. It was really a kind of cool thing. I remember I usually try to go last, I am the oldest but an only child, so I like fight to the death for what I want. Because of that, I try to put myself last because it is healthy for me and I let people do what they have to do, and I usually get what I want by doing that. It is kind of like when we are recording a record, if we are all living together, I let everyone find their room and I take what’s left, and I that ends up being the place I belong, not because I have admitted to myself that I should be there but I end up there going, “I love this. This is where I should be.” It is kind of knowing your brothers and knowing everything, but it is healthy for me to practice that.
CB: Do you get hot in the masks on days like today?
SC: No one but the nine will understand that sort of submission. The only way I can explain it is when it is all done and you take it off and look at the mirror and you look at yourself you know that as you walked into the church of the Knot, onto the altar of the Knot, giving the sermon of the Knot to the congregation of the Knot, and when you are done and the doors are shut and you came back and you take off the attire, you look at yourself and you know that you gave 190 percent of your life lived today and there is nothing more than that. Even if I don’t have time to call my wife, even if I don’t have time to be creative on my computer, or I am lazy, or I am not getting anything done. One thing I know is I give 190 percent on stage and when I take it off and look at myself and know that I am alive and that I did it and I pulled through that, it is not even a good feeling, for me it is like salvation. I only do this because I am looking for peace. With peace comes war, and I am at war with myself. I have been since I was born. I love music, and I can’t imagine life without music. My wife is always there for me. My kids are there for me, but they are their own people. The one thing that has always been there for me is music. Before I met my wife there was music. If my wife were to pass or something there would be music to help me through that. That’s not going to happen but I am saying music has always been my life. I owe everything to it.
CB: In the beginning, you guys wanted to remain anonymous by using the masks. You have liked being anonymous through the years, but now people know who you are. Do you still feel like it is necessary?
SC: It was kind of a trick because so many people in the beginning wanted us to fail because we are so great. We have been blowing up since day one because a good idea is a good idea and a good song is a good song and a good band is a good band with a performance. So, part of the vision was everyone wanted to know who was behind the mask and that was probably the least most important thing ever. Why ask that? Why not ask how that came about or why this came about or what is behind this? Not what is behind the mask? It is music people are into and music the kids are buying. Rarely do they even get to spend a night with us. It is usually in the car or in their headphones. So why ask that question? So slowly, it wasn’t until the third record, I did a documentary called Voliminal: Inside the Nine where when I showed behind the scenes footage, I blurred out people’s faces, but when I did interviews, I would do nothing but faces. By our third record, people didn’t care what we looked like anymore. They liked us better with the mask on. I always knew that would happen. There was never a conscious decision of trying to be out of the limelight without knowing who I am. Let’s talk about the music, let’s talk about the lyrics, let’s talk about the why’s not who is behind the mask, because I don’t wear a mask. I don’t wear a mask at all.
CB: Do you guys write together?
SC: We write together. There are core writers.
CB: There are a lot of you.
SC: That again is a special way. There are core writers. There are people that plant the seeds, and there are people that water it and we all watch it grow and we all groom it and help it become what it can be. That is something that can rise to the light of day. So we all write, I am not a percussionist so to say but more of a paganistic, ritualistic. It is more, I won’t say anger as much as it is ritual to put behind it. I want to drive what is being written and I only want to drive what needs to be driven. I don’t necessarily have to put my mark or my scent on every single little thing and be over everything. I just want to drive what needs to be driven and it works best that day. I don’t have to be involved from day one. I have always loved the music we write. There is no reason to mess with the will, the roles.
CB: Any regrets?
SC: No, no regrets. To have regret would mean to have to do it differently and if I did it differently then I wouldn’t be here today. There is no reason to think about regrets. Yesterday is lost potential. It is only a memory for tomorrow. Good or bad, it is what it is. There is no changing it. There is no touching it or molding it. There is no reason to look upon it — it is a memory. It can be a good memory, it can be a bad memory, but you shouldn’t spend too much time. You just learn and you move on. I don’t have any regrets. I wouldn’t change anything. I would do it all over again just the way we did it. You come into a venue like this and you are like, “This is what I am dealing with today.” Tomorrow you will be in a completely different situation, and that is what you are dealing with. That is half of what you learn of the greatness of what you are doing because of art. You can’t always expect to have what you want. The point is, we are in Cincinnati. We are here to play for the people. It doesn’t really matter what color the door of the bathroom is or where the showers are or what the circumstances are. We are just here to play. We’ll get on the bus and do it again.
CB: The band members have a lot of side projects going on. Is that cool with everybody in the band?
SC: Yeah. It probably was weird in the beginning because we are so focused on the Knot but I think it was accepted quickly because everybody in the band is so creative on all different levels. It could even be the level of staying home and doing nothing and allowing everybody to do what they need to do creatively to get it out allows everybody to be better for this. It took a little time to understand that, but why wouldn’t it? We are all working for this. If I explained to everybody what it took to get here, I don’t think they would really understand how much work we really put into making it happen. The work was unbelievable. I could tell stories people wouldn’t understand the things we had to implement to make this work. The side projects are good. I wouldn’t even call them side projects. I take Stone Sour very seriously. It is their own band on its own merit. It has its own fan base and they do very well. I would never call it a side project. It would be kind of insulting to Corey and Jim and the other guys in the band because they have worked so hard to make it what it is which is a band. My stuff is more of a side project because I jam because I have to. Since we have started, I have had three bands. None of which have done shit which I don’t care because I just love to play and haven’t repeated myself. I did a Pop record. I did a kind of Hard Rock record. I did a Psychosis Rap record. Ever since Paul passed, I am just kind of focusing on my art a bit, kind of burnt out on music. Side projects are elements of letting people be themselves where they can’t necessarily bring that entity into this thing called Slipknot. It’s healthy.
After successful MidPoint Music Festival and the Cincinnati Entertainment Awards, there is no question that Cincinnati is a music town. Our vibrant local scene thrives on a huge range of innovative and talented bands and artists, as well as on a diverse and supportive collection of venues. Cincinnati now needs a place for musicians online ... (drum roll, please).
We are pleased to present MusicTown, a new forum for Cincinnati musicians and music lovers.
Whether you call him Beelzebub, Satan, the Prince of Darkness, Mephistopheles, or just the plain ole devil (it’s all about your preferred nomenclature, man) there is no denying the big guy downstairs has been a huge influence on Rock & Roll.
There have been a plethora of songs written about the dark lord (no I’m not talking about Voldemort, you posers) but the real question is — what are Satan’s favorite songs about himself?
So, like the top-notch investigative journalism team we are at the CityBeat music department, my editor Mike Breen and I bought some pig’s blood, drew a pentagram on the floor, lit some candles, recited some Latin and summoned the fallen angel himself.
After a long discussion on various human subjects — how Mitt Romney is in fact not the antichrist, but just an idiot; the state of Gene Simmons' soul and why he is going to hell (apparently, it’s not for his satanic look or the thousand acts of pre-marital sex, but for turning KISS into the biggest whore in the music industry) — Mephistopheles disappeared back into the hell mouth as quick as he came. (Who said real journalism was dead?)
Yet, left in his place was an evil list compiled by the demon of his Top 10 favorite songs about himself, with the instruction to print them without changes. (Satan’s actually a very polite guy but super narcissistic.) So, in honor of his wishes (and extra conscious of our agreement that riches will be bestowed on CityBeat if we completed the task), here are the Top 10 songs about Satan.
10. “Baptized in Flames” – Skeletonwitch
You ever wanted to know what Antichrist’s birth would be like? If so, you’re in luck because Athens, Ohio, natives Skeletonwitch give us a pretty vivid description of the scene.
Minus the death of the mother, inverted crosses burning, men dying and the overall end-times vibe, this birth isn’t all that different from a normal one. But let’s be honest, no matter who’s being popped out, the birthing process is pretty disgusting.
9. “Super-Charger Heaven” – White Zombie
If I had never seen an interview with Rob Zombie (he seems like a really nice guy), I would truly believe this guy had some serious demonic connections. From his grade-A horror films to his music riddle with witches, blood rituals and general spine-chilling terror, he is the poster child for all things evil.
Although his later solo work is a little campy at times, White Zombie always brought the hellish vibe to their brand of Groove Meta and they showcased it no better than on their 1995 single, “Super-Charger Heaven.”
8. “Beezleboss” – Tenacious D
Did you know it’s in the demon by-laws to never turn down a rock-off challenge? I didn’t either. Not until the cataclysmic disappointment, “Pick of Destiny,” came out in 2006 at least.
Even though this movie was shittier than the end of The
Human Centipede, Satan’s gut-busting drum solo (although impressive) wasn’t
enough to outmatch Tenacious D’s power of Rock and friendship, not only saving Kage’s
eternal soul (and anal virginity) but sending the devil back to hell and
finally finding a way to pay their damn rent. (Satan says he found it "cute" that the band would write a fictional song about defeating him and picked this song because he's angling for a part in Kung Fu Panda 4 with Jack Black.)
7. “Con Clavi Con Dio” – Ghost
Sweden probably isn’t the first nation you think of as a hotbed for satanic music (I know, ABBA was scary but definitely not satanic), but when Ghost’s Opus Eponymous came out in 2010, the band took another step towards making that a reality.
This whole album is just one big love letter to the prince of darkness and the first four lines of “Con Clavi Con Dio” says it all: “Lucifer/ We are here/ For your praise/Evil one.”
Overall, I don’t know what’s creepier — this band’s all-inclusive scare factor or their borderline stalker obsession with Satan. (Lucifer, if you’re reading this, you may want to consider a restraining order against these guys. I know they’re from Sweden, but I don’t think they are messing around.)
6. “Mean as Hell” – Johnny Cash
Besides making a star out of Honey Boo Boo and working as an investment banker on Wall Street, Satan says all he really ever wanted was a land to call his own. So God, like the sly dog he is, tried pull a fast one on his old nemesis, giving him the poorest land he had, the Rio Grande.
The Devil, being the mean son of bitch that he is, took God’s offering and riddled the area with scorpions, thorn trees, tarantulas, rattlesnakes and 110-degree weather, making the best hell on earth he could (take that God!).
In the end, Satan proved God wrong, but what’s more interesting is — who is meaner, Johnny Cash or Satan? Sure, Satan made the Rio Grande hell on earth, but Cash lived in it. My money’s on the “Man in Black.”
5. “Sympathy for the Devil” – The Rolling Stones
The devil has been a busy man over the years. He was “’Round when Jesus Christ/Had his moment of doubt and pain” and “Held a general's rank/When the Bliztkrieg raged/And the bodies stank.”
Even though I’m not that particularly puzzled by the nature of his game (am I the only one seeing the trend of death here?), it’s definitely one of the most iconic and politically-driven songs Satan ever inspired.
4. “The Oath” – Mercyful Fate
Kind Diamond is like the satanic equivalent of Pat Robertson. Sure, this guy isn’t actually a Satanist but over his illustrious career, his distaste for organized religion, overtly satanic lyrical content and general creepy demeanor has surely put him in good standing with the minions of hell’s army and their general.
I really could have picked almost any song from the King Diamond catalog, but this one — from the band he fronts, Mercyful Fate — really showcases his unconditional love for Lucifer. Really though, Diamond’s undying love for Satan is only comparable to the love Ryan Seacrest has for hair gel and being a douche. If the song weren’t so damn evil, it would almost bring me to tears.
3. “Hell Awaits” – Slayer
As if this song wasn’t scary enough running normally, apparently if you play “Hell Awaits” backwards, about two minutes in there is a hidden message that repeats "join us" over and over again. Joining what exactly, I’m not sure. Slayer fans? An indoor soccer league? The wait staff at the Olive Garden? Who knows?
What’s really funny, though, is that people freak out when they hear Slayer has a “satanic message” when you play it backwards. Really? If you listen to the song forward, the “satanic messages” are even more explicit. Jeez people, the whole thing is about Satan! It’s Slayer, what do you expect?
2. “N.I.B.” – Black Sabbath
Aside from “Sympathy for the Devil” this is the only other song on this list written from the perspective of Lucifer. Besides the monster riff and Black Sabbath general early awesomeness, what makes this track phenomenal is that it's about Satan falling in love and trying to become a good person.
Though knowing that information makes this song seem a little less evil and is slightly reminiscent of a Joss Whedon plotline (no dig there, it’s just true), it exemplifies why Black Sabbath will always be the best Metal band of all time — its creativity.
Personally, I wish Ben Gibbard would do one of his so cute (it makes me want to puke) acoustic covers of this song so I can play it at my wedding (like that’ll ever happen).
1. “Number of the Beast” – Iron Maiden
I’ve always been a bit confused when it comes to the actual logistics of this song. I mean, did he see this satanic ritual happening or not? My personal belief is that Steve Harris (lead guitar/writer) took one too many hits of LSD, watched The Omen II and had the most terrifying trip known to modern man.
Either way, “Number of the Beast" solidified Bruce Dickinson as Maiden's new lead singer (even though I’m more a Paul Di’anno fan myself) and made Maiden titans in the Metal genre.
Remember — I’m just the middleman here. If you have a problem with this list, I’m sure Satan would be willing to hear you out. (Here’s his contact email: firstname.lastname@example.org.)
EDITOR'S NOTE: This morning I sent Blake's write-up to Satan for approval (we usually don't do that, but, hey, it's Satan), he responded with a curt, all caps message: "WHERE IS MY FAVORITE BAND HOGSCRAPER!!! I WILL BRING YOU DOWN HERE EARLY IF YOU DON'T ADD MY THEME SONG!!! THANKS!!! HAIL ME!!!" He's referring to the mysterious, undead Cincinnati "Satanic Bluegrass" band Hogscraper and I can only assume his "theme song" is the one below. When I texted him just before posting I informed him that Hogscraper was back from the dead and headlining this Saturday's "Grand Opening Redux" concert at the new Southgate House Revival. "NO SHIT. I'LL BE THERE WITH SCARY BELLS ON. PRE-GAMING @ HOOTERS BEFOREHAND IF YOU WANNA HANG OUT!"
The "Best of Taste" awards — a precursor to the Taste of Cincinnati food fest later this month — were doled out today. Eighty dishes from 30 restaurants were served to judges — "celebrities, foodies and the epicurious" — and they awarded the Crab and Shrimp Dumpling with Noodle from Arloi Dee Thai Bistro the coveted "Best Damn Dish" prize.
Here's the full list of winners:
Best of Taste: Strasse Haus, Fried Peanut Butter & Jelly
Award of Excellence: LaRosa’s, Spinach Rondo
Award of Merit: Market Street Grille, Stuffed Chicken Amore
Best of Taste: du jours/Courtyard Café, Hunter’s Home Turkey Chili
Award of Excellence: ZZ’s Pizza Company, Caprese Salad
Award of Merit: City Barbeque, Gumbo
Best of Taste: Arloi Dee Thai Bistro, Crab & Shrimp Dumpling with Noodle
Award of Excellence: ZZ’s Pizza Company, Seafood Pizza
Award of Merit: Mahagony’s, Shrimp and Grits
Best of Taste: Andy’s Mediterranean Grille, Gyro Wrap
Award of Excellence: Claddagh Irish Pub, Jameson Burger
Award of Merit: Lazlo’s Iron Skillet, Walking Chicken Saltimbocca
Best of Taste: du jours/Courtyard Café, Black Bean Burrito
Award of Excellence: J. Gumbo’s, Bumblebee Stew
Award of Merit: LaRosa’s, Skinny Wheat Pizza
Best of Taste: ZZ’s Pizza Company, Banana Cream Pie
Award of Excellence: du jour’s/Courtyard Café, Raspberry Cloud Pie
Award of Merit: Claddagh Irish Pub, Bread Pudding
Best Damn Dish
Arloi Dee Thai Bistro, Crab & Shrimp Dumpling with Noodle
Taste of Cincinnati is coming up Memorial Day weekend, May 26-28. Visit TasteofCincinnati.com for more details.
American Ska legends The Toasters perform a free show tonight at MOTR Pub in Over-the-Rhine. Showtime is 10 p.m. and — sorry, kids — you must be 21 or older to get in.
The band was one of the leading inspirations behind the "third-wave" Ska explosion of the ’90s, but the band actually began 30 years ago, influenced by the 2-Tone Ska movement in the U.K. The Toasters blend of NYC Rock and 2-Tone made them cult heroes in the Ska underground, as did the band's D.I.Y. approach; founding member (the sole one in the current lineup) Robert "Bucket" Hingley formed the influential Moon Ska Records in 1983 to release his own albums, as well as those by acts like Mustard Plug, The Slackers and Hepcat. The label's various compilations also gave a boost to up-and-coming, non-Moon acts like Less Than Jake and No Doubt.
Here's The Toasters' first music video, for the tune "Radiation Skank" off of the band's debut release, 1985's Recriminations EP (which was produced by British singer/songwriter Joe Jackson; he is to The Toasters what Elvis Costello was to The Specials).
And here is "Modern World America" off The Toasters' 2002 release, Enemy of the System.
Seth Rogen’s rapid rise atop the comedic heap has been a welcome reprieve from the well-scrubbed, chiseled faces that dominate Hollywood’s leading-man landscape.
But how will Rogen handle success? Can he keep from going down the road of the similarly unconventional, increasingly one-note Jack Black?
People in the media industry have been dreading it for a while, and now it's finally here: "Black Wednesday."
Mass layoffs began today at newspapers owned by The Gannett Co., which includes The Cincinnati Enquirer. As with past layoffs at the paper, details of which staffers were affected are leaking in spurts and fits, but here's what we know so far.
Sometimes as nicely as you'd like to put things it is hard to maintain a professional, calm and reserved style when communicating about it. When Reds announcers and many others described Shea stadium as "a dump" when it was limping in the direction of euthanasia, I knew what they meant but didn't agree that it was that terrible.