Tickets for the 11th annual MidPoint Music Festival went on sale this morning. Click here to get yours before everyone else.
Here's what MPMF producer Dan McCabe has to say about this year's event: "This is the fifth year CityBeat has operated Cincinnati's 11-year old MidPoint Music Festival. In each year we have pushed to expand the event with the help of our sponsors, the Over The Rhine neighborhood and music fans. MPMF is now a regional cultural event that shows off our city like no other. This September all eyes and ears will be on you Cincinnati! Now is your opportunity to participate. Get your pass while they last."
Perhaps the biggest news announced today was the addition of a new venue — a stage in the freshly remodeled Washington Park. The park venue is being called "MPMF.12's main stage," so expect many of the biggest acts to perform there. Fans can purchase advanced single-concert tickets for that main stage for the first time this year. The stage is open to fans of all ages.
The fest is also offering "Loyalty Presale All Music Access Passes" at a discount. Supplies are limited.
On June 6, the first lineup announcement will be issued. A "minimum of 20" of the 170 or so acts booked for the fest will be announced. (I've heard "rumors" about a couple; my only hint: "animals.")
Keep an eye on MPMF.com for the latest developments.
The old saying goes that everyone complains about the weather but no one ever does anything about it. Well, MidPoint is doing something about the crummy weather: They're having the music festival anyway.
Come down to Fountain Square at 5-7 p.m. for two performances by MPMF.09 acts: Shanya Zaid & the Catch from New York City (5:00), followed by The Young Republic from Nashville (6:15). Grab a beer and food and plot your MPMF itinerary for the rest of the evening.
For a limited time (while supplies last, as they say), seriously discounted tickets for the MidPoint Music Festival — which returns to the clubs and venues of Over-the-Rhine/Downtown Sept. 26-28 — will be made available starting this Friday at 10 a.m.
During this “Loyalty Presale,” three-day “All Music Access” passes can be purchased through mpmf.cincyticket.com (the site will be live for the public tomorrow) for just $49 (they’ll be $20 more come MPMF time). They are expected to sell out fast, so get ’em while you can. For those wanting a VIP MPMF experience, the popular VIP passes will also be available Friday for $129 ($40 off the normal price). The VIP tickets get you priority admission to all shows, access to catered VIP-only events and other goodies. (Last year’s VIP passes sold out before the fest.)
In other MPMF news, if you are a musician/performer interested in being considered for a showcase slot at the festival, submissions are now being accepted via Sonicbids. The submission fee is just $20 until this Friday; after that it goes up to $25. (Those without a Sonicbids account can submit to MPMF and receive a two-week free trial of the service.)
Stay tuned to MPMF.com and this blog for the latest updates on MidPoint.
The newly remodeled, freshly reopened Washington Park in Over-the-Rhine is shaping up to be one of the hottest music venues in the city. Last evening, the every-Wednesday "Bandstand Bluegrass" series kicked off with Jake Speed and the Freddies; tonight is the debut of the park's every-Thursday "Jazz in the Park" series (7 p.m., with Chris Comer and Napoleon Maddox of IsWhat?!); and tomorrow marks the debut of the R&B/Soul "Friday Flow" concerts, which will take place each Friday and begin with an appearance by fantastic Neo Soul singer Dwele (Selectas Choice DJs Rare Groove, Apryl Reign and DJ Pillo, as well as Under New Orders and Darris Sneed & The Pulse also perform at the 7 p.m. event).
And today it was announced that three of the biggest acts announced for September's MidPoint Music Festival will perform at Washington Park's new MPMF stage. A total of four acts will perform each night at the Park stage. The Washington Park shows will be accessible to those with MPMF All Music Access Passes or VIP Passes, or with "a la carte" individual tickets, which are on sale now.
Andrew Bird headlines the Washington Park stage on Thursday, Sept. 27. Tickets for that show only are $25. Grizzly Bear is the main MPMF act on the stage for Friday, Sept. 28 (single tickets: $30) and Sleigh Bells headlines the stage Saturday, Sept. 29 ($30). Click here for your ticketing options. Early Bird All Music Access and Loyalty Presale tickets are sold out. A limited number of All Music Access Passes ($69) and VIP Passes presented by CVG ($169) are still available.
Four beers, a couple of brats and one regrettable weekend at Oktoberfest later, I’m ready to see what else Cincinnati has to offer in terms of merrymaking. Midpoint Music Festival is supposed to be the real deal, and my hopes are high. I’ve had my fill of jacked-up prices on warm keg beer and German interpretations of musical blunders such as the chicken dance song.
If you're looking for something cool to do tonight — and especially if you're a huge fan of the falltime MidPoint Music Festival — head to the Contemporary Arts Center at 8 p.m. for a MidPoint "Reveal" showcase featuring the stellar, textural Indie Rock of local faves Pomegranates, nationally-acclaimed foursome Aloha (pictured) and Cleveland's The Buried Wires.
At first blush, a pro tennis tournament named for a financial corporation and a music festival all about indie music and culture might seem like awkward bedfellows — not quite “oil and water,” but more “banana and helicopter.” But last year, organizers of the Western & Southern Open tennis tournament — featuring top players from around the world and matches viewed by a global audience — and the MidPoint Music Festival joined forces to make the combination a “chocolate and peanut butter” teaming that would make Reese’s proud. The cross-promotional efforts were designed to spread the good word of Cincinnati’s biggest music festival (coming up Sept. 22-24) to music lovers who might be unaware it exists. This year, the partnership seems more solidified, with a designated MidPoint Stage providing tennis fans with acoustic sets by MidPoint-approved local, original artists consistently throughout the tournament.
You take the good, you take the bad, you take them both and then you have the MidPoint Music Festival. Well, none of it was bad; I mean, if I have to bitch about something, it’d be that there weren’t enough bathrooms. Just kidding. Who do you think I am, some writer from The Enquirer or something?
It was my first trip to Cincinnati’s annual music event, so it was my MPMF deflowering, if you will. And just like every teenage girl’s dream, Midpoint popped my cherry by easing me in slowly and sweetly, but ended up giving it to me hard enough to have me worn out by the end of the night. Also, since almost all the shows were at bars, they even got me a little tipsy before they ravaged my mind with their delightful musical fuck-fest (what gentlemen!)
I started my night at Washington Park, where New Zealand’s Psychedelic Indie Pop rockers Unknown Mortal Orchestra took the stage. When they finished, I didn’t know how I felt about it. The songs were catchy and the music was very beat-driven, with intermittent fetching riffs and wailing solos from the lead man and mastermind of UMO, Ruban Nielson, but there was still something off about it. To me, it sounded like the vocals were turned down too low, almost becoming a backdrop for the Pop-induced musical acid trip blowing through the amplifiers. Then again, it also may be the fact that I didn’t know many of the lyrics. Either way, it ended up being like meeting a cute girl at a bar that ends up just having an OK personality. She sparks your interest for a while and you may even take her on a couple dates, but there’s only so much you can hear about how cute her cat is or why The Vampire Diaries is such a great show before you realize she’s just not for you.
After UMO ended, I decided to finish my brew, skip out on Grizzly Bear (mainly because someone else had to be covering it, right guys?) and headed down to The Drinkery to see Boston duo You Won’t. It may have been the best decision of the night.
On my way there, I had to force myself to walk by the Third Man Records rolling record shop (because I’m broke) and contemplated going to the free advice booth/box truck to see if somebody can tell me why my life is always falling apart, but decided to get a drink instead (maybe I just answered my own question).
When I arrived at The Drinkery around 8 p.m., it was a ghost town. That sounds stupid and cliché but, including the bar staff and the two other people I brought with me, there were approximately 15 people in attendance.
By the time You Won’t actually started (around 8:30 p.m.) there were about eight people watching. The rest were sitting at the bar either enraptured by the masterful pitching performance Homer Bailey was putting on against the Pirates (who can blame them), off in their own conversations or at Washington Park seeing Grizzly Bear. After the end of You Won’t’s first two songs, however, I was already impressed.
Lead singer, Josh Arnoudse, who in addition to being a really cool guy (I spoke with him briefly after the show) had one of the most distinct voices I’ve heard in a long while. At first, I thought it to be like a higher pitched, better toned Bob Dylan, but as the set progressed, Arnoudse hit his falsetto with ease (on numerous occasions) and showcased a wide vocal range during the 40 minute show. The other half of You Won’t, Raky Sastri, was quite the musician, as well, manning the drums, keyboard, accordion, harmonica, tambourine, organ, xylophone, and, oh yeah, he did back-up vocals, too.
Yet, the best part of their performance was about halfway through, when Arnoudse decided that if people weren’t going to come to his show, he was going to bring his show to the people.
He then proceeded to run out into the “crowd” with his acoustic guitar and play by the pool table because "the vibing" better. Oddly enough, he was right. People started to come around, circling Arnoudse and Sastri, while Arnoudse played to their cell phone cameras as if they were on national TV (look out for those on YouTube later.)
When You Won’t ended, I basked in all my fan-boy glory, praising Arnoudse for his set and buying their LP, Skeptic Goodbye. Then, the unthinkable happened. The Dark Knight (Bailey) rose as he achieved the Red’s first no-hitter since Tom Browning did it against the Dodgers back in ’88 (I wasn’t even born yet) and celebration ensued. People were going nuts, drinks were bought and high-fives were given as the general mood of the bar had done a 180-degree turn in less than an hour.
After partying it up with those patrons, I headed down to Mr. Pitfiuls (what an awesome name) to check out old school Country band The Tammy Whynots and I was not disappointed. Although I had to leave about six songs into their set, these guys (and gal) really captured that classic Honky Tonk Nashville sound that was so revered in the ’60s and early ’70s. With their bedazzled rhinestone jackets, Kelly Thomas’ vintage Loretta Lynn-style dress and throwback hair-do, The Tammy Whynots not only hit the sound right on point, but the image, too. I don’t want this to sound like they are purely a tribute act, paying homage to Country legends like Johnny, June, Tammy and George, because if they had come along earlier (like a lot earlier) they could have easily fit right in right along side those legends.
The final band I saw Friday, were the high-octane, high-energy, in-your-face Rock & Roll band The KillTones back at The Drinkery. It was the thing I had been waiting for all night; finally, a band with some fucking attitude. This was not only the four-piece Blues-infused band’s first time at MidPoint, but also their album release party. They knocked their really tight set out of the park. No no-hitter here.
The guitarist, Josh Pilot, was like a combination between Tony Iommi and Chuck Berry if they hung around Jack White a lot. The lead singer, Clinton Vearil, was about one of the most enigmatic frontmen you'll find, contorting and gyrating all over the tiny stage at The Drinkery. My favorite part of their set was a slow, bluesy song that really let Vearil’s vocal abilities shine, as he went from a mesmerizing high-pitched scream to a really soulful and sultry sound in the verses.
Although, this was definitely the best festival experience I have ever had, I only have two regrets. The first was that I was too tired to go see F. Stokes at the end of the night at the Blue Wisp. I know, I’m an idiot, but you can blame The KillTones for that; they wore me out. The second is that I didn’t have the money to buy The KillTones CD, which is consequently all I want to listen to at this moment.
Anyways, I couldn’t have asked for a better night. Good bands, good beer, my first Reds no-no and a new-found respect for the Cincinnati music scene. Thanks, Midpoint for taking it easy on me for my first time; you really know how to treat a girl right.
As the weather reports began to shape up for the end of this week, I was almost convinced that we would be breaking the current drought by doing the reliable MidPoint rain dance, which apparently consists of scheduling the weekend and saying the word "MidPoint." But, miracle of miracles, it did not piss down rain on the first night of MidPoint (although it was hot enough to feel as though we’d been rained on). After doing the Australian crawl from the Lodge Bar to the Blue Wisp last year, however, I’m not complaining. At all. It was a glorious night, and Thursday’s bands provided the perfect soundtrack.