But luckily for us, our snow day was going to get a little brighter: I had booked reservations at Hen of the Woods Underground.
Hen of the Woods (it’s a type of mushroom) is the brainchild of Nick and Kim Marckwald. The duo (Nick is the chef and Kim manages services) recently purchased the old J.B. Schmidt contractor space at 1432 and 1434 Main Street in Over-the-Rhine. They have ambitious plans for a restaurant and urban market there. As a run-up, they have been holding “pop-up” brunches since January in Main Street’s Street Pops space (closed for the winter months). And the very last one was scheduled for Sunday.
Now, this is just a hop, skip and jump from us, so the weather was not a concern — or was it?
Just to be sure it was all going to happen given the poor road conditions, I sneakily walked our puppy by the space, which was holding the first of two seatings that day. The windows were properly steamed up, I could glimpse small tables of people inside and the most wonderful smells wafted from the slightly propped open door.
When we arrived an hour later, our table was waiting. We were among about 10 guests. Our first course was a refreshing juice du jour — Meyer lemonade with ginger and cilantro flavors, and a jalapeno ice cube floating in the jelly jar glass.
Next, we were offered coffee. Deeper Roots Coffee’s Ryan Doan stood at the counter carefully pouring from what looked like a tiny watering can into a Chemex coffee maker. The brew was deep and rich without being acidic.
During the next hour or so, we were offered three courses and a dessert prepared by the clearly visible staff. Each was meticulously described by our server— most times it was Nick or Kim.
First came a beautiful refreshing plate made from lemongrass, tapioca, mango, fingerlime, almond, ginger and pea shoots.
Next up, another precisely plated combo — lovely pink-edged beet cured salmon was draped over a crispy seared rice cake on a bed of leeks and shiitakes with a horseradish and basil sauce.
Next, the brunch got down to business because, what’s brunch without bacon and eggs? Hen’s take on eggs Benedict was a fat, wobbly egg sitting on top of a concoction with Woodlands “back bacon” lardo, English muffin, frisee and Hollandaise, served on a wooden slab made of black walnut. One poke with my fork sent yellow yolk running hither and yon amidst the gathering of elements.
Finally, a rich bread pudding, with banana, sesame, chocolate, dulche de leche and pine. In the only misstep of the entire production, the crisp decorative chip had a distinct lack of flavor.
I’m not usually a fan of little-plate meals and such as a fill-in for a meal. They often just tease, sending you out the door looking for something else to eat. This time? Not the case. We walked home in the ice and cold, happy and full, ready to hunker down and slog through the last of winter.
I am so waiting for spring, and also for Hen of the Woods to begin doing impromptu servings in their new space while it is under construction. Nick and Kim assure me they’ll be doing it as soon as the permits are in order. The sooner the better for me!
Follow Hen of the Woods news on their Facebook page.
But no amount of acclaim and popularity protects a show from parodies — quite the contrary, it seems. Here are a few gems:
And if you're hungry for another crime drama, Breaking Bad's Vince Gilligan has a new show in the works. Battle Creek, starring Dean Winters (Law & Order: SVU, 30 Rock, The Mayhem Guy) and Josh Duhamel (Las Vegas, Win a Date with Tad Hamilton, Fergie's hubby) and will follow two detectives named Milton and Russ. Hmmm...
RIP Ke$ha! No, the
trash-pop “singer” didn’t meet an untimely demise, but the $ in her
name (turns out Kesha is her actual birth name) did. Upon her exit from rehab
for an eating disorder, Kesha unveiled a new twitter handle, @KeshaRose, which revealed she
was dropping the $. It’s always great to see people get healthy, and using a
dollar sign as a letter in your name is fucking stupid, but what will these changes mean for
her music/celeb persona? Can the girl who popularized whiskey as dental hygiene
make the leap to squeaky-clean good girl?
And speaking of hot mess makeovers, the new Oprah-backed Lindsay Lohan docu-series Lindsay premiered on OWN Sunday. The mighty O offered Linds $2 million to complete the filming of eight episodes for her network (in addition to one-on-one interviews aired throughout the show). The premiere was considerably boring for being the first “real,” inside look at the troubled star’s personal life. Honestly, it felt more like Celebrity Hoarders than anything. There were some genuinely sad moments — Lindsay was essentially forced to skip an AA meeting due to a crowd of stalkerly paparazzi threatening the others’ anonymity; she struggles to find a stable apartment she so desperately needs for her continuing recovery because no one wants her in their building (without a hefty insurance fee) — and some thinly veiled digs at the actress — an optimistic Linds explains how proud she feels to be independent, only to have the screen cut to her personal assistant moving all of her belongings from one hotel room to another without help. But if the series trailer is any indication, drama is forthcoming — particularly in a scene where Oprah tells LL to “cut the bullshit.”
Zach Galifianakis has been entertaining audiences with his spoof-talk show Between Two Ferns since 2008. The comedian has interviewed some of the most famous actors and personalities as well as Tila Tequila. The latest episode raises the bar by featuring none other than Barack Obama, further proving that the prez should just move to Hollywood in 2017. It is also revealed that Galifianakis has not been filming his segments in some public access studio, but rather the White House. Enjoy:
Everyone with a human heart loves ice cream, but perhaps no one appreciates a good soft-serve cone more than this dog.
Lena Dunham hosted Saturday Night Live last week. The Girls creator did a fine job with the material she was given, which is pretty much the overall consensus of this season (writers, up ya game!). One highlight was how SNL dealt with Girls. Obviously they have to address the show, her nudity and the ridiculous characters in it, but without relying on it as the punchline for every joke. Instead, the Girls spoofery was limited to a previously filmed faux trailer for (The First) Girl, complete with the reprisal of Taran Killam’s spot-on Adam impression.
Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler and other stars are in Cincinnati right now for the filming of the upcoming movie, Carol. We're keeping a close watch on Paulson's Twitter (she's the only star that has an account) and, according to our research, so far she has definitely been to CVG airport and a local CVS. Keep @CityBeatCincy abreast of any celeb spottings you may experience during this magical time!
The weekend after the big Bunbury Music Festival at the Sawyer Point/Yeatman’s Cove parks along the riverfront, another festival by the same fest organizers, Buckle Up, is set to make its debut. This morning, the full lineup and schedule for the Country/Americana fest was announced.
Friday, July 18: Alabama, Eli Young Band, Jamey Johnson, Marty Stuart, Ashley Monroe, Eric Pasley, Chris Janson, The Cadillac Three, Sturgill Simpson, Old Dominion, The Railers, Son of Fathers, David Fanning, Jamie Lynn Spears, Joshua Scott Jones, Pistol Holler, Jeremy Pinnell & The 55's, Sara Haze, Phillip Fox Band, Tyler Childers & The FoodStamps, The Dan Varner Band, Ashley Martin, Kaitlyn Baker, Alexis Gomez, Lonesome Jared & The Heartattacks, Messerly and Ewing, and Andrew Hibbard
Saturday, July 19: Willie Nelson / Alison Krauss and Union Station featuring Jerry Douglas, Old Crow Medicine Show, Emmylou Harris, Drive-By Truckers, Kristian Bush, Houndmouth, The Lone Bellow, The Spirit Family Reunion, Sleepy Man Banjo Boys, Joe Pug, Lera Lynn, Natalie Stovall and the Drive, Caitlyn Smith, The Tillers, Tall Heights, The 23 String Band, Buffalo Wabs & The Price Hill Hustle, Kentucky Timbre, Coralee and the Townies, Arlo McKinley & the Lonesome, Al Scorch, Shiny and the Spoon, The Carolines, Dean Fields, and Wild Carrot
Sunday, July 20: The Band Perry, Thompson Square, David Nail, Corey Smith, Dylan Scott, Sam Hunt, Blackjack Billy, Dallas Smith, JT Hodges, Chase Bryant, Logan Brill, Lyndsey Highlander, Abigail Rose, Noah Smith, Ruth Collins, Bobby Mackey, Straw Boss, The Kentucky Struts, Ty Bates, Carly Pearce, Jetset Getset, Honey & Houston, Zack Dubois, and Max Fender
Tickets for the Buckle Up Festival are available now ($55 for one day/$130 for a three-day pass, but prices go up after Memorial Day). For tickets and more info (including the daily schedule), visit buckleupfestival.com.
CincyMusic.com, a website dedicated to all things related to Greater Cincinnati music, launched in early 2012 (or, rather, relaunched, after purchasing the domain name from the previous owner, who’d let the site go dormant). Since then, the site — which has features, interviews, show listings, downloads and more — has continually expanded its brand by sponsoring numerous events and consistently growing its site and presence in the local community.
Last year, the CincyMusic empire expanded into terrestrial radio, presenting a local music-focussed show on Clear Channel local Alternative music station The Project (heard on 100.7 and 106.3). CincyMusic Spotlight airs every Sunday on The Project at midnight; on the Monday following each show, the programs are available for download as podcasts.
Now, WNKU — the Northern Kentucky-based public radio station with a long history of playing music by area artists — welcomes the CincyMusic crew on board for another weekly show, CincyMusic.com Soundcheck, which will “focus on local artists that are performing that weekend, releasing new material, or are just worthy of a little extra attention.”
Also hosted by CincyMusic Spotlight DJ Venomous Valdez, CincyMusic Soundcheck is slated to air every Thursday at 10 p.m. beginning this week (March 13). The shows can be heard on WNKU’s various over-the-air frequencies around the region (89.7 FM locally), as well as streaming on wnku.org. If you can’t listen, podcasts of the WNKU shows will be available here. (You can subscribe so you are alerted each time a new show is posted.)
Artists interested in submitting material for airplay on the WNKU show can do so here.
Each week our intern
Amber will be exploring what Cincinnatians are interested in by scouring the
local Twitter trends and reporting on what she’s found. From serious tweets to
goofy hashtags, she’ll highlight what Cincy’s been buzzing about. So get to tweeting,
This is a wrestling reference hashtag. I’m sorry, but how was this trending and not Bates Motel? I am ashamed of you, Cincinnati. I know they are both scripted, but at least Bates has good acting and an awesome plot. FYI: Norma Bates did start trending though, thank god. In this week’s episode, Norman visits Ms. Watson’s grave way too much, Norma makes a scene at a city hall meeting and Bradley blasts some guy’s head off and ends up in Norman’s bedroom asking for his help. Poor Norman, surrounded by all these crazy bitches. All you WWE fans better get hip to Bates Motel.
Muskie fans were blowing up their newsfeeds expressing their frustration after Monday night’s game when they lost to Seton Hall 71-62. Monday’s upset left many fans complaining about wasting their last Hopslam and chugging too much wine. On top of all the frustration, Matt Stainbrook went down with a knee injury and left the locker room on crutches. Better luck next year? Maybe.
I actually watched some of this show, Pretty Little Liars, for once. Awkward used to be my Tuesday night show (don’t judge me), but since Jenna and the crew are AWOL until next season, I figured I’d give this show a shot since I was apparently the only female in Cincy not watching it. I am a few seasons behind, so I don’t really get all the drama and who I should love/hate yet, but not a bad show from what I’ve seen so far. The season finale is Tuesday, March 18 at 8 p.m. on ABC Family.
If this just isn’t confirmation that Cincinnatians are obsessed with their alma maters, then I don’t know what else is. Fox 19 set up a March Madness style bracket of all the high schools in the area and launched a Twitter competition. I’m reppin’ the Newport Wildcats, who already lost in the first round to Simon Kenton. Voting for the North bracket is going on now until midnight tonight.
I saved this one for last for a reason. Ukraine was trending all week. I haven’t been keeping this blog for very long, but nothing has ever stayed trending for an entire week before, as long as I’ve been keeping track. I also saved it for last because honestly, I don’t know what to say about the crisis in Ukraine. I guess it’s good that people are taking to social media for such a serious matter, but most of the people tweeting about it seem more clueless than me. I do know that most Americans want our government to mind their own damn business and do something about those crazy fucking Russians.
Also trending: Oscars, World Cup, #LiesToldByFemales, WCW (can this one just die already,) Taco Bell, #Scandal and The Lakers.
Mayor John Cranley is trying to find a compromise over whether early voting will move out of downtown after the 2016 general election, as some Republicans in the county government have suggested. Cranley called for a meeting with Hamilton County Board of Elections Chairman and Hamilton County Democratic Party Chairman Tim Burke, Hamilton County Republican Party Chairman Alex Triantafilou, Cincinnati NAACP President Ishton Morton and Hamilton County Board of Commissioners President Chris Monzel. The meeting will aim to “discuss alternatives the City of Cincinnati can offer to accommodate early voting downtown after the 2016 elections. (Cranley) believes that such a discussion is consistent with the recommendation of the secretary of state that there be an effort to find a nonpartisan solution to the existing disagreement.”
With a $12 million price tag in mind, Cranley remains worried Cincinnati is paying too much for a downtown grocery and apartment tower project. But the project is truly one of a kind, claims The Business Courier: The tower would boast nearly twice the number of luxury apartments of any other project underway in Over-the-Rhine or downtown. And it would replace a decrepit garage and establish the first full-scale grocery store downtown in decades.
A study found Ohio teens’ painkiller abuse dropped by 40 percent between 2011 and 2013. State officials quickly took credit for the drop, claiming their drug prevention strategies are working. But because the Ohio Youth Risk Behavior Survey only has two sets of data on painkillers to work with — one in 2011 and another in 2013 — it’s possible the current drop is more statistical noise than a genuine downturn, so the 2015 and 2017 studies will be under extra scrutiny to verify the trend.
Similarly, fewer Ohio teens say they’re drinking and smoking. But 46 percent say they text while driving.
Ohio’s unemployment rate dropped to 6.9 percent in January, down from 7.3 percent the year before. The numbers reflect both rising employment and dropping unemployment in the previous year.
To prove his conservative bona fides, Ky. Sen. Mitch McConnell touted a rifle when he walked on stage of the Conservative Political Action Conference.
The other Kentucky senator, Rand Paul, will headline a Hamilton County Republican Party dinner.
Researchers studied a woman who claims she can will herself out of her body.
Personal note: This is my last “Morning News and Stuff” and blog for CityBeat.
After today, I will be leaving to Washington, D.C., for a new
journalistic venture started by bloggers and reporters from The Washington Post and Slate. (CityBeat
Editor Danny Cross wrote a lot of nice things about the move here, and
my last commentary touched on it here.) Thank you to everyone who read
my blogs during my nearly two years at CityBeat, and I hope I helped you understand the city’s complicated, exciting political and economic climate a little better, even if you sometimes disagreed with what I wrote.
Can you imagine Les Misérables without a turntable or the immense barricades lumbering down from the wings? Aubrey Berg, head of the University of Cincinnati's College-Conservatory of Music’s renowned musical theater program, has dramatically re-imagined the legendary show for a run at UC, using a largely bare stage backed by a wall of ladders, staircases, shelves and recessed ledges. Berg's simplified physical production earned my Critic's Pick with its sharper focus on characters, action and music. Les Mis has a remarkable cast of 40 or so with soaring vocal talent for solo numbers and breathtaking choral power when they combine forces in iconic numbers such as “Do You Hear the People Sing?” and “One Day More.” It's a spectacular production, onstage through Sunday. Tickets: 513-556-4183.
Wicked just opened a three-week run at the Aronoff (it's the third time the show has been here, and it's set box office records every time). Tickets can be expensive (the cheap seats start at $38 and go up quickly from there), so keep in mind there's lottery for a limited number of $25 orchestra seats for each performance. You need to show up in person 2.5 hours before the curtain time (with a valid photo ID) to submit your name; if it's pulled you can purchase one or two tickets. It's worth a shot. Otherwise, you can purchase tickets by calling 513-621-2787.
If you're a Tony Bennett fan, you might consider heading to the West Side for I Left My Heart at the Covedale Center, a salute to the legendary crooner. You'll get to hear 40 standards that he's known for — "Because of You," "I Wanna Be Around," "The Good Life" and, of course, "I Left My Heart in San Francisco." Tom Highley, Deondra Kamau Means and Brian Wylie will be singing, with Mark Magistrelli at the piano. Through March 23. Tickets: 513-241-6550.
Here's an item worth considering for Monday evening: The Educational Theatre Association, a national organization for high school kids involved in theater, is headquartered here in Cincinnati. (They're the folks behind the National Thespian Society.) They're partnering with the School for Creative and Performing Arts on Monday at 7 p.m. for Making Magic, Defying Gravity. Presented at SCPA's Corbett Theatre (108 Central Parkway in Over-the-Rhine), the evening offers a program of music and conversation featuring members of the touring cast of Wicked (as noted above) and performances by high school students from the area. You'll hear from Jason Daunter, Wicked's production stage manager, and Matt Conover, VP with Walt Disney Parks and Resorts. They'll talk about how their high school dreams led to careers in the theater. Tickets are $10 in advance; 15 at the door (going on sale at 5:45 p.m.). Proceeds from this event will benefit the Friends of SCPA Scholarship Fund and the Educational Theatre Association's Scholarship Fund, both of which will help develop talent for the future of the theater.
Bockfest signals the coming of spring, celebrates Over-the-Rhine and serves up beer from tons of local breweries. The 22nd annual fest runs Friday through Sunday. Here’s just as handful of special events to check out.
Each year, the Bock-festivities commence with a parade of goats, music, people dressed as monks and a sausage queen, and it all starts at Cincinnati’s oldest bar, Arnold’s. This year’s parade is led by parade marshals Jim and Carolann Slouffman, a couple known for their involvement in Cincinnati German culture. They co-founded Kolping Sängerchor, a local German choral group, and organized the 150th anniversary Saengerfest of the Nord-Amerikanische Saengerbund in Cincinnati in 1998. The parade steps off at 6 p.m. Friday at Arnold’s (210 East 8th St., Downtown) and continues up Main Street to Bockfest Hall (Christian Moerlein Brewery – 1619 Moore St., Over-the-Rhine).
Park + Vine (1202 Main St., Over-the-Rhine), known for its array of eco- and vegan-friendly foods, drinks and a bevy of other products, brings back the popular healthy alternative to a typical pork-laden grill out. Park + Vine will be grilling up Field Roast vegan hot dogs and sausages with Fab Ferments kraut and kombucha on tap from 6-9 p.m. Friday.
This second annual race takes runners and walkers through the historic brewery district of Over-the-Rhine. The race kicks off at 10 a.m. Saturday.
The Craft Menagerie
Come support local artisans and their goods while knocking back a few pints. Browse and buy metal works, pottery, screen prints, fabric and textiles, jewelry, mosaics, paper goods and more from 11 a.m.-4 p.m. Saturday at Arnold’s.
A new event coinciding with the fest this year is BockFEAST, a beer and food pairing event taking place at five OTR restaurants. A Tavola, Bakersfield, Lavomatic, Quan Hapa and Taste of Belgium are all offering the same sweet deal: $10 for a 10-ounce sample of Christian Moerlein’s Emancipator Doppelbock and a unique paired dish. The offer is available from 5 p.m. Friday through 3 p.m. Sunday. Go here for a full menu list.
For more info on these and
other Bockfest vents, including a full schedule of festivities at Bockfest
Hall, go here.
The release of the self-titled debut album from Cincinnati trio Tweens is just about a month away now. The music site Stereogum recently premiered the trio’s first music video for new album single, “Be Mean,” a great introduction to the band’s classic-Pop-meets-classic-Punk style (or “Trash Pop,” as they like to call it).
The buzz around Tweens, which scored the “New Artist of the Year” award at the 2014 Cincinnati Entertainment Awards, continues to grow across the nation, with more and more music press and online outlets heaping praise on the both the band's recordings and live shows. That buzz should be almost deafening when Tweens’ debut LP is finally released on April 8 through Frenchkiss Records. The band’s usually packed tour schedule is about to get extra-busy with the new release just on the horizon, beginning with a head-spinning six performances during next week’s South By Southwest music fest/conference in Texas.
Click here to read CityBeat's most recent interview with Tweens.
Flaherty & Collins, the developer that wants to tear down a garage as part of its downtown grocery and apartment tower project, offered to pay for a tenant’s move to keep the deal moving forward. The tenant, Paragon Salon, recently announced its intent to sue the city after Mayor John Cranley’s refusal to pay for the salon business’s move left the development project and Paragon in a limbo of uncertainty. With Flaherty & Collins’ offer, the development deal should be able to advance without extra costs to the city.
But Cranley says he still wants 3CDC to review the downtown development project to set the best path forward.
Federal money will help Cincinnati keep and hire more
firefighters. The Staffing for Adequate Fire and Emergency Response
(SAFER) grant provides nearly $8.1 million — about 2 percent of the
city’s $370 million operating budget — to pay the salaries and benefits
of 50 firefighters for two years. Afterward, the city will need to pick
up the costs, which could worsen an operating budget gap that currently
sits at $22 million for fiscal 2015. The move would increase the
Cincinnati Fire Department’s staffing levels from 841 to 879 and help prevent brownouts, according to the firefighting agency.
The Cincinnati Board of Health defied Mayor Cranley by
unilaterally pursuing a $1.3 million grant that will provide
preventative and primary care services to underserved populations. Rocky
Merz, spokesperson for the board, says the grant application complies
with guidance from the city’s top lawyer. Cranley opposes the grant because the extra services it enables could push up costs for the city down the line.
Hamilton County officials will look for outside legal help in their fight against the city’s job training rules for Metropolitan Sewer District projects. CityBeat covered the rules, known as “responsible bidder,” in further detail here.
Smale Riverfront Park will receive $4.5 million in federal funding from the U.S. Army Corps of Engineers to control erosion and prevent flooding.
Crime around Cincinnati’s Horseshoe Casino never materialized, despite warnings from critics prior to casinos’ legalization in Ohio.
Ohio’s prison re-entry rate declined and sits well below the national average, according to a study from the Ohio Department of Rehabilitation and Correction. The study found 27.1 percent of inmates released in 2010 ended up back up in prison, down from 28.7 percent of individuals released in 2009. In comparison, the national average is 44 percent.
Hundreds of Ohio school districts plan to test out the state’s new online assessments for math, language arts, social studies and science.
The cold winter is pushing up natural gas prices, according to Ohio’s largest natural gas utility.
A second baby might have been cured of HIV, the sexually transmitted disease that causes AIDS. Even with the potential successes, doctors caution it’s still very much unclear whether the treatment provides a definitive cure for the deadly disease.
Meanwhile, a first-of-its-kind intravaginal ring could prevent pregnancy and HIV.email@example.com.
The city’s cost of a long-planned piece of cycling infrastructure could more than double if City Council approves a motion Vice Mayor David Mann planned to introduce on April 23.
Mayor John Cranley successfully paused the Central Parkway Bikeway Project for public discourse in response to a handful of business owners and residents taking exception to it, and a spokesman for Mann shared his suggested compromise with CityBeat today.
In response to an April 21 special Neighborhoods Committee meeting, Mann seeks to alter the bike route to appease people who don’t want to see parking spaces removed, but the updated plan will cost an additional $110,00 on top of the $82,600 the city would pay under the original plan, which would create the beginning of a cycling corridor running from Elm Street downtown to Ludlow Avenue in Clifton. The project was supposed to break ground next month and could lose $330,400 in federal money if the contract isn’t awarded by May 1.
“We routinely spend hundreds of thousands of dollars as a city to create new jobs in our community,” Mann said in a statement. “We should not approve a new project that places 60 newly created jobs in jeopardy when such a sensible accommodation is available.”
The planned bikeway is an innovative piece of cycling infrastructure meant to better protect cyclists along a critical thoroughfare that would connect a number of inner-city neighborhoods and business districts. The lane will be protected, meaning cyclists will have their own lane with a buffer separating them from traffic; in some areas plastic bollards will separate the bike and automobile lanes. The street will not be widened, so traffic lanes will be impacted through restriping, and parking will be restricted during peak traffic hours in the morning and evening.
Opponents of the project are concerned about losing public, on-street parking for parts of the day as well as potentially encountering traffic issues from shaving lanes from Brighton Place to Liberty Street. They also worry the bollards will become a blight issue and emergency vehicles will be impeded during one-lane hours.
Mann’s motion supports an alternative plan for a section running from Ravine Street to Brighton Place that would preserve 23 parking spaces full-time, alter 4,300 square feet of greenspace and remove 15 trees at an estimated cost of $110,000. The parking spaces would benefit a building owner and his tenants at 2145 Central Parkway.
City Councilman Chris Seelbach and others demonstrated frustration with the administration’s interest in stepping in at the 11th hour.
“I think we have reached a new era in Cincinnati: two steps forward, pause, lots of long meetings, two steps forward, and I’m convinced after the pause and lots of long meetings, we will continue to go two steps forward today,” Seelbach said at the April 21 meeting.
Mayor Cranley requested City Manager Scott Stiles delay awarding a contract after meeting with local business owner Tim Haines, who purchased a vacant building located at 2145 Central Parkway in 2012 for $230,000. His building now houses 65 employees from 12 different businesses including his own, Relocation Strategies. Haines has become a mouthpiece for the opposition to the bikeway — though he adamantly states he is not against the lane; he is just against the project’s current incarnation as it affects Central Parkway near his business, which utilizes 500 feet of on-street, unmetered parking, which translates to 30 parking spaces.
“If parking wasn’t an issue, I would open up my arms and welcome the bike path,” Haines says. “Parking for my 65 tenants is in jeopardy. As a business owner I have to fight for my tenants. … Could they park and walk a quarter of a mile? They could, but that’s not what they signed up for when they moved in.”
Haines has a 16-space parking lot adjacent to his building that some of his tenants use and also owns a parking lot across the street that is in disrepair. Haines says he already cleared it of underbrush to cut down criminal activity and disposed of dozens of tires and beer bottles. He says it would cost up to $300,000 to upgrade the lot.
During the April 21 presentation, Department of Transportation and Engineering (DOTE) Director Michael Moore presented the committee with an alternative recently developed with Cranley’s office that he said would appease Haines and his tenants but would cost more money. Moore pushed the notion that the alternative creates a more balanced bikeway plan.
The original plan, passed by council last year, restricts parking in front of Haines’ building from 7 a.m. to 9 a.m. Moore’s alternative, which Mann is on board with, is to ramp the bike lane over the curb adjacent to a sidewalk where there is currently a tree-lined area in front of Haines’ building and another business in order to preserve public parking full-time.
At the meeting, council member Young took exception to the suggestion of changing the project at this point.
“For the life of me, I don’t see where the reasonableness and the balance is with people who come so far after the fact that want us to make these changes and the dollar amount it’s going to cost the taxpayers to get it done,” Young said. “I am appalled that people can come after the fact and tie up all these people down here to simply want accommodations for them.”
Mann shared another perspective.
“There’s a gentleman who has brought 60 jobs to the city, including some folks who have Parkinson’s and use the building, and the proposal that’s being made seems to me to represent balance,” Mann said. “We spend millions of dollars, typically, to support development, to support jobs, and you’re saying that the proposal that was originally approved by this council without a hearing like this is so pristine that it cant be adjusted in any way, and if it’s adjusted that is a statement of imbalance? I just don’t follow that.”
For the past year and a half, DOTE conducted surveys, sought public input and developed plans for the bikeway. After a strong consensus, the department chose the protected bikeway plan. The bikeway is estimated to add just three seconds of motorist commute time by 2030, though some naysayers suggest that delivery trucks will clog the lanes and the turn left from Ravine Street will create an even longer lag.
Community outreach for the design began in March of last year with eight community council meetings. Letters were mailed to residents, businesses and property owners, but Haines and several other business owners stated they didn’t receive any and weren’t aware of the project until late last year.
A website designed for public feedback also garnered about 600 messages mainly supporting the bikeway project. DOTE held an open house last September and the Over-The-Rhine and Northside community councils, Findlay Market and Northside Business Association endorsed the project.
Simpson expressed frustration with halting progress for a last-minute meeting.
“I don’t think that’s an appropriate process,” she said. “Really, technically you can go over everything over the past two years. The reality is we need to look forward. If we want to be less auto-focused and more focused on other types of transit, we’re going to have to ruffle a couple of feathers.”
Supporters — some who biked to the April
21 meeting and utilized a bike valet setup in front of City Hall —
represented various groups of the community from health and community
councils to business owners and cyclists. Their number doubled opponents
— mainly business owners along Central Parkway in the West End and the
West End Community Council, though some West End residents and business
owners supported the original bikeway plan.
There are several good theater choices south of the Ohio River this weekend.
The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.
Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.
If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.
Comedian Rajiv Satyal was born and bred in Cincinnati — Fairfield to be exact. He’s gone from being an intern on Capitol Hill to brand manager at Procter & Gamble to full-time comedian living in Los Angeles. Satyal has worked with Dave Chappelle, Kevin James, Tim (the tool man) Allen, Kevin Nealon and Russell Peters. Heard of the University of Cincinnati’s Bearcast? He named the school’s radio station-turned-media group. He runs a consulting business called StandPoint Agency and is a regular at all the L.A. comedy clubs, but he got his start at Montgomery’s Go Bananas. Satyal’s unique way of viewing the world continually draws in more fans. He refers to himself as the funny Indian, but he’s really just a funny — and nice — dude from Ohio. Satyal performs his first one-man show No Man’s Land Saturday to a sold-out audience at the Aronoff Center, and he squeezed CityBeat into his schedule for a quick rundown of all things Rajiv.
CityBeat: Since you’re from Cincinnati I have to ask, what high school did you go to?
Rajiv Satyal: Totally fine, a very Cincinnati question, but I went to Fairfield High School and I got an undergrad at the University of Cincinnati in materials engineering.
CB: I read that you worked on Capitol Hill, what did you do there?
RS: I was at the University of Cincinnati at the time and I went out to Capitol Hill to be an intern for a representative, Steve Chabot. So I just worked in the office and it was for fun, I got to live in DC and explore that town and did whatever tasks around the office, but it was mostly getting the feel of Washington.
CB: Do you have a funny family or what sparked your interest in comedy?
RS: Actually I have two brothers and, well, two parents, and everybody has a sense of humor. It was a super fun household to grow up in. We were all pretty positively reinforced, we weren’t really a tough crowd, like, we definitely encouraged each other to say funny things and we laughed a lot. I know a lot of comedians’ families would be like, you know, “boo” or whatever when they told a joke and were a tough crowd, but we were a really good crowd for each other and just kind of encouraged each other to be funny. My brothers and I never really fought a lot growing up, which is so strange, but we all got a long and we had a good time.
(Check out Rajiv’s dad going Bollywood last Monday on The Bob & Tom Show here.)
CB: Does Cincinnati or growing up here inspire any of your stand-ups?
RS: Oh, definitely. I feel like growing up in Ohio, it made me kind of more of an everyman being able to relate to people in the heartland of the country and people who grew up on the coast. I think people on the coast have their own sensibility, but it’s hard to know what works inland. A lot of comedians are like hurricanes; they knock it out on the coast, but when they come inland they die. I feel like being from the Midwest gives me an advantage.
CB: What inspired you to pursue comedy seriously?
RS: When I turned 30 I really flipped out, I was like, ‘Man, I’ve lived in Ohio my whole life and I need to do something different.’ So I left Procter & Gamble and moved to Los Angeles, I was a brand manager at P&G Water for only about 3 months and then I jumped shipped and went into it [comedy] full-time. I guess I felt like I really enjoyed speaking in front of people and I love being funny and those two things lend themselves well to being a famous comic, ya know.
CB: So basically just turning 30 did it for you?
RS: Yeah, I felt like life’s too short and, you know, why do something you don’t want to do? Why not go for it. I guess I thought when I turned 30 I felt like, “Man, I don’t want to turn 40 and watch TV and go, ‘Man I could have done that.’” I think given all the privileges, if I don’t try it…I’m born in the United States, I’m American, I have all these opportunities, it’s the land of opportunity, you got to self-actualize, man, go for it.
CB: How has your comedy evolved from where you first started to now?
RS: I would say that just getting deeper. As comedians do it longer and longer you start to go from jokes to more of a point of view. You start to realize what makes you funny. You have these weird beliefs and you stand out a little bit. You don’t really have to do jokes anymore, you just tell people what you think and they think it’s funny because they are like, ‘Wow, that’s a weird way to look at it.’ Being able to make people laugh at the way you look at the world, I think that’s kind of cool.
CB: Do you have any stories about opening up for or working with various comedians?
RS: I actually opened up Dave Chappelle’s very first show when he came back from Africa in 2005, so that was really cool. I had opened up for him at the University of Cincinnati in 2000 before I even started doing stand-up — I started doing stand-up in 2002. So people in the student senate and student government and programming board at UC were like, ‘Hey, you’re a funny guy, you’ve done a little bit of stand-up, would you want to do?’ So I opened for Dave Chappelle at UC and got booed off the stage in front of all these people. Then five years later I opened Dave Chappelle’s first show when he comes back from Africa and I did really well, I killed and it was really redeeming.
CB: Did he remember you from 2000?
RS: Yeah, he did actually, that’s what’s crazy about it — that he remembered that. It’s funny. He was really encouraging and complimentary. I talked to him for two hours by myself that night in 2005, after we were done, just he and I were in the room and for two hours we were just talking about politics and religion and the world…I know that he was happy that I stuck with it and everything.
CB: Who would you like to work with in the future that you haven’t worked with?
RS: I would like to work with Bill Burr. He is not an extremely well-known person, but he is a genius and he is from Boston. I think it would be awesome to work with Louis C. K., of course, he is like the biggest guy in comedy right now. I mean, I don’t know, I think Jerry Seinfeld would be pretty awesome. I love Ricky Gervais, I’m a big fan of Ricky Gervais, a guy from England. Chris Rock, I love Chris Rock. I actually met Chris Rock when he performed at Ohio State and I told him someday I am going to open for him and he goes, ‘That would be something man, you never know.’ So I have to make good of my promise. I told him one day I was going to open for him, so I better do.
CB: What kind of topics or themes can audiences expect from No Man’s Land?
RS: It’s mostly about dating and relationships. The central questions of the show are: Why am I single and how would you define manhood in modern society? So I’m a single, 38-year-old man out there trying to figure out the evolution of manhood and what does it mean now, how does the definition of manhood change and I try to define it. It’s not a show about men versus women, it’s a show about men versus guys.
CB: What do you miss most about living in Cincinnati?
RS: Well my family, obviously, my family and my friends. I have a really good friend who lives in Seattle, but he is thinking about moving back here and the only reason is his family; it’s not for the weather, it’s not for a better job and it’s not for anything else other than the fact that his family is here. I think family is a big thing.
CB: I feel like if I moved away I would miss three-ways too much.
RS: I do miss Cincinnati food. I love LaRosa’s, I love Graeters’, I love Skyline and I do love Cincinnati food. You know, there is something about the Midwest. The people are super nice and, you know, just walking down the street you can say hi and the person will say hi back or the person will initiate or whatever — that doesn’t really happen in L.A. as much, at all, and people are not as nearly as friendly as they are here.
CB: What advice do you have for people who are trying to break into the business?
RS: I think they should just start. They need to start…The Internet is such an opportunity to reach the people you want to reach. I think it’s possible more than ever to go down to the local comedy club and enter the open mic night and start. Get to know the people and get up and do it. Write material, start a group up that supports each other. It is difficult, but you know there is a way in. Comedy is more accessible than ever.
Get a glimpse of some of Satyal’s funny stuff here.
This evening at its Jackson Street headquarters in Over-the-Rhine, Know Theatre of Cincinnati revealed the lineup for the 11th annual Cincinnati Fringe Festival to a crowd of nearly 100 enthusiastic supporters and performers. The two-week festival begins Tuesday, May 27, with the CityBeat Fringe Kick-Off Party; it winds up 12 days later on Saturday, June 7, having presented 32 productions — 17 plays, two musicals, seven solo performers, and six dance presentations. In addition, there will be four FringeNext productions (selected from 11 applicants — a record number), featuring original material produced and performed by local students from the School for Creative and Performing Arts, Newport Central Catholic High School, St. Xavier High School and Highlands High School.
Performance Gallery is kind of the alpha and omega of the Cincinnati Fringe: They’ve been in all 11 festivals, including the 2008 hit show fricative. Producer Eric Vosmeier calls them the inspiration for much of what the Fringe is about: They were doing “fringe-like” work before the festival began, and they’ve returned annually with work that pushes the envelope. This time they’ll offer Heist, about three crooks of questionable ability. Vosmeier also cited Pones Inc., the dance-based company that returns for the seventh time with Traffick, a piece of audience engagement that explores issues of human trafficking. Vosmeier says, “This is the kind of work the Fringe was built to exhibit.”
“We had a great mix of new producers and returning favorites in the applicant pool,” Vosmeier says. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”
The Cincinnati Fringe differs from festivals elsewhere in that productions are screened and handpicked by a committee of local theater artists. Drawing from a large pool of applicants, comparable to last year’s record-breaking number, this yielded a balanced mix of local vs. out-of-town producers: 15 from Greater Cincinnati and 18 from beyond. The latter number includes three international shows, the most ever for the festival: Around Dark Matter, a Holocaust memory piece by Mica Dvir, is from Tel Aviv, Israel; A Brief History of Beer by Wish Experience from London, a company that has performed at festivals from Edinburgh to Adelaide; and Prefer Not to Say, an interactive piece by blueDragonfly Productions, another U.K. group, the presenter of And All the Rest is Junk Mail a year ago.
For Wednesday evening’s announcement event, members of the Fringe staff mentioned the shows they were most looking forward to. They named:
· An Unauthorized Autobiography of Benny Hill by Four Humors Theater (Minneapolis), the creative minds behind such past Festival favorites as Lolita: A Three Man Show, Bombus and Berylline and Harold. This will be their sixth consecutive Cincinnati Fringe appearance.
· Blogging Behind Bars by Unity Productions, creators of two past Fringe hits, The Wave and Nothing. This time it’s a true story about a young, nonviolent criminal who wrote a blog while incarcerated in a maximum-security prison.
· Papa Squat’s Store of Sorts by solo artist Paul Strickland from Indianapolis, whose Ain’t True and Uncle False was a “Pick of the Fringe” last year. His new show is a music-filled memorial for a guy who “once filled the emptiness in Big-Fib Cul-de-sac with his insightful songs.”
· Something Something New Vagina by Rebecca Kling, a transgender artist and educator from Chicago with a follow-up show to her 2012 production, Beneath Her Skin.
· The Ultimate Stimulus by Felipe Ossa, a Brooklyn-based playwright and a new artist to the Cincy Fringe, is presented in the form of a TED Talk that argues for concubinage as a way to address the problem of income inequality.
The festival is also a chance for Cincinnati’s local theater companies to show off. Clifton Performance Theatre will present Sarge, a piece by Kevin Crowley about the wife of discredited Penn State assistant football coach Jerry Sandusky. Untethered Theatre has prepared Where Edward Went, a new play by Ben Dudley and Adam Sievering about a screenwriter’s effort to make a documentary about Edward, the late fiancé of Elyse, a painter. They don’t quite agree about the portrait. New Edgecliff Theatre will offer TRAGEDY: a tragedy, described as “one of the funniest apocalypses of our time.” And Ensemble Theatre Cincinnati’s intern company always offers a fine showcase of young talent. This year it’s two one-act plays: Sheila Callaghan’s Crumble (Lay Me Down, Justin Timberlake) and Itamar Moses’s Authorial Intent.
In addition to the productions offered nightly, artists, audience members, staff and volunteers flock nightly at Know Theatre’s Underground and headquarters for the Fringe Bar Series, with a reasonably priced bar, some free food inside and offerings for purchase from food wagons on Jackson Street. Each evening after the Channel Fringe Hard Hitting Action News Update, everyone has a chance to be a performer with activities such as the Fringe Olympics, Fringe-A-Oke, Fringe Prom, Segway Night and the Night Without Technology. This year the Bar Series night adds Fringetoberfest, an evening of German-inspired food and brews from local craft beer creators.
Vosmeier expects the festival to attract more than 8,000 visitors this year. If you’re someone who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) providing access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can only make it once, a “One Night Stand” pass ($25) is available — admission to any two performances in an evening plus one drink at Know’s Underground bar. Single tickets to Fringe shows continue to be priced at $12; they’ll go on sale in mid-May.
There will be lots more — and the lineup can change. Hey, it’s the Fringe, so be ready for anything. You’ll find details on all these shows and more at cincyfringe.com.
The Contemporary Arts Center marks its 75th anniversary with the launch of its newly redesigned website, contemporaryartscenter.org.
By adding a timeline and a list of exhibits dating back to 1939, the updated site highlights some of the museum’s most notable attractions through videos and interactive learning. The historical timeline depicts an honest look at what Cincinnati was like in 1939 and displays the iconic artists that put the CAC on the map. In 1940, Picasso’s Guernica toured the Midwest for its first and only time and made a pit stop in Cincinnati. In 1963, the Pop art show An American Viewpoint was one of the first exhibitions of its kind. And in 1990, nearly 81,000 people visited the Robert Mapplethorpe exhibition.
Along with the illustrated timeline and videos, the CAC site also offers lesson plans, exhibit brochures, audio files and slideshows about past exhibits. New features like online ticket admission and family visitor information have been added. After 75 years and hundreds of amazing artists, the Contemporary Arts Center has proven it’s still the coolest place in Cincinnati to spark your creativity and become inspired.
FORM, a Cleveland-based creative services firm, designed the visual layout of the site.
Dining Out For Life is an annual event to raise funds for licensed AIDS service agencies in 60 cities across the nation. Started in 1991 by ActionAIDS in Philadelphia, today more than 3,000 restaurants donate a portion of their proceeds from one day to the aforementioned service agencies; more than $4 million is raised each year which goes directly to the agencies (except for a $1,150 licensing fee).
Cincinnati's Dining Out For Life event benefits Caracole, a nonprofit that provides housing and supportive services to individuals and families living with HIV/AIDS in eight counties across Southwest Ohio. Caracole currently serves more than 1,400 clients and their families.
Area restaurants participating include Arnold's Bar & Grill (donating 25 percent); Below Zero Lounge (donating 100 percent); Blue Jay Restaurant (donating 25 percent); Green Dog Cafe (donating 25 percent); Kitchen 452 (donating 25 percent); Tom+Chee (donating 25 percent); and more. Find a full list of participating restaurants and how much they're donating here.
Dining Out For Life is easy. Just follow three steps:
If you would like to participate or would like more information, please contact Megan Green, Caracole Community Investment Coordinator, at 513-619-1483 or at firstname.lastname@example.org.
Senior prom is a special
milestone for many American teens, but even traditions as old as school dances
change over time. Intimate one-on-one dates have given way to group dates and attending as friends. Flip-flops and cutout cocktail dresses replaced the overdone evening
look for many girls. And now a southern-fried specialty is getting in the prom
game. Kentucky Fried Chicken — What? Yes. — partnered with Louisville florists to create the chicken corsage. For $20, Louisville residents can purchase a corsage from Nanz and Kraft Florists that includes a $5 gift card to KFC, where folks can then go buy the perfect piece of chicken. It can only be assumed that after prom, girls will press the greasy chicken bone between their yearbook pages, just like their moms did with their corsages when they were young.
It’s confirmed: Stephen Colbert will take over the Late Show desk once David Letterman retires sometime in 2015. That’ll mean no more Colbert Report and, likely, the end of the host’s faux-servative character. Start the countdown to the announcement of a new reality show following Letterman, Leno (and, let’s just be honest — Craig Ferguson and Conan O’Brien) around Ex-Host Island. Move over, old people! Slightly younger people are takin' yer jerbs!
In the contemporary classic Mean Girls, Lindsay Lohan’s Cady describes Halloween as, “the one night a year when a girl can dress like a total slut and no other girls can say anything about it.” Well, Coachella must be kind of like Halloween for celebrities, except instead of wearing lingerie and some form of animal ears, they throw on the most jumbled assortment of terrible fashion fads. Not sure about the new cream-colored designer jumpsuit you purchased? Try it out in the middle of the desert! Want to channel Woodstock without ever having been to, read about or seen a photo of Woodstock? Grab a Native American headdress and wear that shit to Coachella. The fest is HQ for floral head wreaths, jorts and combat boots (often all worn at once), and for some reason I cannot pull myself away from the celeb photos of this mess. It’s like someone made a slot machine with various teenagers’ style blogs on Tumblr and everyone going to Coachella must take a spin to determine their outfit.
“Ooh, I got a bindi, a latex bra, a crocheted duster and gladiator sandals!” Just look at these famous attendees, capped off with Koachella Kweenz Kylie and Kendall Jenner.
But seriously, you need to see this video that’s (probably) of Leonardo DiCaprio Coachin’ it up (people say that, right?) at an MGMT performance, which makes me feel weird and old.
And since I brought up Lindsay, the supposedly sober starlet was supposedly washing down all that Coachella dust and glitter with vodka this weekend. The reports come days after the latest episode of her Oprah docu-series, in which she admits to drinking alcohol after her latest stint in rehab. Also, there were a lot of emo scenes of Lindsay filming herself crying. Get it together, girl. OPRAH WILL CUSS AT YOU AGAIN. And everyone knows if Oprah has to cuss at you twice, you will spontaneously burst into flames.
Celebrispawn in the media is quite the hot topic as of late, particularly thanks to Dax Sheppard and Kristen Bell vs. Papz (this will definitely be a court case our children will study in history class). But what about fake famous babies — fair game? OK! Leslie Knope is pregnant! Pawnee's upcoming addition will be the Prince George of fictional TV comedy births. Which is to say, a very big deal. Parks and Rec's Leslie and Ben will be the best parents ever. I think I speak for fans everywhere by saying we can't wait for his or her first playdate with the world’s most attractive child, Ann and Chris’ little Oliver.
Sunday was an epic night for television with the final Mad Men premiere (sort of) and a crazy-ass episode of Game of Thrones. These two are great popular, critically-acclaimed dramas, but they’re on complete opposite ends of the style spectrum. Mad Men’s seventh season debut was gradual and calculated (as always), giving viewers a chance to fill in the blanks between Season Six and now, speculate on what’s to come and read into every little detail. And by detail, I mean Pete’s California Ken Doll look, which was #flawless. Ratings were way down Sunday — the lowest-rated premiere since the second season's in 2008. Some attribute the drop to a lackluster episode, but the truth is probably that everyone was too busy losing their shit over this week’s Game of Thrones to get into the cool Mad Men mood.
Without giving too much away (and because I spoiled “the incident” for myself since I can’t stay off the damn Internet — so I know it sucks), Thrones fans who hadn’t already read the books were treated to a truly righteous, bubbly, bloody scene this week that totally flips the script for many of our favorite characters. Can’t these people get through one wedding without having to immediately plan a funeral?
New movie trailers to hit
the Interwebz: bestseller-turned-likely blockbuster Gone Girl;
two red band previews for 22 Jump Street (The
starring Cameron Diaz and a manorexic Jason Segel, a comedy that’s exactly what
you think it’s about; and Jon Favreau’s take on the foodie world, Chef.