Good late morning readers! After an absence last week it's good to be back. I found plenty of Words Nobody Uses or Knows in this week's issue. (If you're feeling as hopeless about the midterm election results as I am maybe some vocab will cheer you up? Eh. Not likely, but we can try!)
Best word in this weeks issue is proscenium, found in Garin Pirnia's piece about a super cool new music venue in OTR. On its own, proscenium sounds like a name of a body part (but I never trust my gut on these things; it's usually wrong).
proscenium: the stage of an ancient Greek or Roman theater; the plane separating the stage proper from the audience and including the arch and the curtain within it (n.)
In this issue: "They’ve since gutted the place, leaving the plaster proscenium with light-bulb rosettes as the only original intact interior memorabilia."
Next best word is lascivious, which sounds to me simultaneously sexy and creepy. It's in Rick Pender's review of Into the Woods, the fairytale mash-up at the Covedale Center that earned a Critic's Pick.
lascivious: characterized by or expressing lust or lewdness; wanton; tending to excite lustful desires (adj.)
In this issue: "Alessi also plays the lascivious Wolf." (Pender is referring to the Big Bad Wolf in Little Red Riding Hood here.) Hmm. The use of this word suddenly seems wrong, very wrong. It's insinuating all sorts of nasty....moving on.)
Ply is the next word that caught my eye. It's in "Battling Barriers," this week's cover story abut sex work in Cincinnati. But seriously, read this.
I momentarily mistook ply for pry, but both words have similar meanings.
ply (as a noun): a layer of fabric, wood or a strand of fiber.
ply (as a verb): to make multiple layers, to work at, to keep supplying or to keep asking questions.
In this issue: "They also point out that not all sex work happens on the streets and claim that the Internet has made it safer and more liberating for those who wish to ply the trade."
Next word is progenitors, in the Sound Advice column for Carcass, a Grindcore and Death Metal band. Whatever that is.
progenitor: a forefather; ancestor in direct line; a source from which something develops; originator or precursor (n.)
In this issue: "Any discussion on the origins of Grindcore and Death Metal absolutely has to include Carcass on the shortlist of the genres’ progenitors."
Diametrically is the last word. I feel that most people already know this one. I do, but four words doesn't seem enough today, so I'll throw it in here.
diametrically: along a diameter; designating an opposite, a contrary, a difference, etc. that is wholly so; complete: diametrical opposites (adj.)
Restorations recently released its third album, LP3 (following LP1 and LP2, of course), though the great label, SideOneDummy Records. Rolling Stone said of the new album, “When their trio of guitarists aren't busy auditioning for Ozzy or Springsteen, they summon dynamic, smartly-shaded echo caverns more reminiscent of Sunny Day Real Estate and Modest Mouse – elevating the nicotine-ravaged bloodletting of Jon Loudon, the toughest young old man at the bar, to lip-quiveringly dramatic heights.” The band also had a great piece written about them and new album on Grantland; check it out here.
• Blues singer/songwriter/guitarist Tas Cru and his band of Tortured Souls play West Side club Legends tonight. The upstate New York ace has released four well-received albums and has a new one, You Keep the Money, due out soon. Here’s the title track from his 2012 full-length, “Tired of Bluesmen Crying.”
Local Blues heroes The Sonny Moorman Group open the show at 8 p.m. Admission is $10 at the door.
• New York City-based instrumental trio Consider the Source plays Covington’s Madison Theater tonight. The self-descriptions from the band’s Facebook — “Sci-Fi, Middle Eastern, Progressive, Psychedelic, Jamband, Funk, Fusion” — give a great sense of the diversity inherent in the band’s music. Played with virtuosity and a sense of adventure, the threesome’s unique style and entertaining live presence has earned the group a cult following across the country, in Europe and even the Middle East, as well as dates performing with the likes of Jacob Fred Jazz Odyssey, Victor Wooten and Oteil Burbridge. Consider the Source recently released the World War Trio EP (Part 1), which consists of a “six-part composition” titled “Put Another Rock in That Bag.” Part 2 will be a double album due for release this winter.
Here’s an extended version of Radiohead’s “Paranoid Android,” a rare full cover from Consider the Source recorded live in the studio.
Consider the Source is joined by local acts Common Center, Elementree Levity Project and Don’t Fear the Satellites for tonight’s 9 p.m. show. Admission is $10.
Cincinnati Chamber Orchestra this week announced the appointment of Kelly Kuo as Interim Music Director. Kuo will oversee the CCO's new festival format that debuts in August 2015. Currently the artistic director of the Oregon Mozart Players and the music director and conductor of the Butler Opera Center at the University of Texas in Austin, Kuo has a growing reputation as an innovative leader, educator and conductor.
Maestro Kuo has been part of the Cincinnati music scene since 2007, when he served as the CCO's assistant conductor between 2007-2009. He was the director of the Xavier University Chamber Orchestra and, in 2013, he conducted Phillip Glass' Galileo Galilei at Cincinnati Opera.
His responsibilities working with the CCO board and staff to determine the course of the orchestra, its programming and community relations. The program for the August festival has yet to be announced.
The CCO's next performances are Gian Carlo Menotti's Amahl and the Night Visitors at Xavier University Dec. 19-22. Go here for more information.
All right all right! Before we get to what’s going on today, I want to talk for a minute about yesterday’s print issue, which we’re pretty proud of. Our copy editor/news person Samantha got her first news feature in, and it’s super-interesting look at new developments with the Wasson Way bike trail. Check it out. Also, yesterdays’ cover story is a long piece I worked on for weeks on the plight of coerced sex workers in Cincinnati. I was blown away by the stories sources shared and the immense strength of people who go through that world. Take a look.
• It looks like the streetcar funding puzzle may finally be coming together. Yesterday afternoon Councilman Kevin Flynn presented a new plan to fund the transit project’s operations, and this one could go all the way.
Flynn proposes a three-pronged attack to cover the annual $4 million or so shortfall for streetcar operating funds. One funding source would be an adjustment on commercial property tax abatement in downtown and Over-the-Rhine. The arrangement would ask commercial property owners to agree to a 67.5 percent abatement instead of the now-standard 75 percent deal. That would net about $200,000 the first year and up to $2 million a year a decade from now. The second source would be a boost in parking meter charges to a maximum in some areas of $2.25 an hour downtown and $1.25 an hour in OTR. About $1.5 million gained from that boost would go to the streetcar. Finally, the city’s counting on about $1.4 million a year from riders paying to ride the streetcar.
The plan has a good shot. A majority of Council has signed on, including Transportation Committee Chair Amy Murray. Even Mayor John Cranley has indicated he won’t oppose the funding framework, despite the fact it cuts out the residential parking permit scheme he’s been pushing. The scheme elicited only minor grumbles from the streetcar opponent.
“I appreciate a plan that won’t dip into the General Fund of the City and the hard work that went into crafting it,” he said in a statement yesterday evening. “I still think the streetcar is not the best use of these resources, but I look forward to moving past this debate.”
• While we’re talking about City Hall stuff, City Manager Harry Black today announced the launch of the city’s Performance and Data Analytics Office. The office will set performance management goals with each city department, start an innovation lab to research operational problems the city is experiencing and design and run something called Citistat, which will utilize data analysis to find and address areas where the city’s services are underperforming. The office will be lead by Chad Kenney, Jr., who last led the city of Baltimore’s data analysis office.
“I had the opportunity to work closely with Chad in Baltimore,” Black said in a statement. “I am confident that he is the right man for the challenge here in Cincinnati.”
• Here are a couple news bits related to the ole’ al-key-hol. Nick and Drew Lachey, Cincinnati’s most famous singing brothers, have set the opening date for their bar, which will also be a reality show because that’s how things work now, for mid-December. It will be at 12th and Walnut and will be called… Lachey’s Bar. I really hope they didn’t pay a branding firm for that name.
• Also in beer-related news, a new brewery on Harrison Avenue in Westwood is in the works. The 2,200-square-foot Bridgetown Brew Works will start by offering five brews, with more coming as business grows. The owners are currently working on construction of the space now. They say they’re hoping to avoid relying on financing and have turned to online crowd-funding site Kickstarter to raise money for the venture. Even if that campaign fails, however, they’re determined to open next year.
• The fight over Common Core rages on. A bill to repeal the federal education standards in the state has made it out of committee and will now be considered by the Ohio House of Representatives. Opponents of the standards say they amount to a federal takeover of education, while supporters say they simply ensure students are being taught essential skills for the modern workplace.
• Local college freshman Lauren Hill, who has an inoperable and likely terminal brain tumor, has become a deservedly celebrated figure around Cincinnati. She’s faced her disease with courage and grace, and last week she got to live out a dream when she scored two baskets in a college basketball game for Mount Saint Joseph at Xavier’s Cintas Center. She’s also gotten her picture on a Wheaties box and received national accolades. Yesterday, she was also the subject of this really incredible piece about sportsmanship published by Grantland. You should check it out.
• Finally, if you need any more proof that punk is long-dead and that gentrification is alive and well, here it is. If you've got $2 million lying around, you can buy the house where seminal hardcore band Minor Threat played its first show. The house now features lux amenities like granite counters, a two-car garage and all sorts of other swank stuff. This time last year I was living in Washington D.C., paying an unspeakable amount to rent a room in a house with five other people. This house, which is actually kinda cheap for that neighborhood, I think, was a 15-minute walk toward the swanky side of town from where I lived.
So many FotoFocus-related shows overlap and then close in October that it’s hard to get to them all or even write about in a timely fashion those that I do get to see. But I didn’t want to let Manifest Gallery’s Neither Here Nor There juried group show of photography and video work and its separate but related Leigh Merrill video installation, both of which closed Oct. 24, to go unrecognized. For Neither Here Nor There, the quality was overall quite high and some of the work has stayed with me now for several weeks long after I’ve forgotten other shows.
New York-based artist Gloria Houng won the $1,000 Best of Show prize for her “Standard Double (Feet),” one of a series of eerie shots made in a bedroom that in some way incorporate images of an apparently absent person’s presence into the scene. The results cause a double-take among viewers, but the work is too elegant to be jokey or gimmicky. She infuses the commonplace with mystery.
The London-based Emma Charles, whose short films explore “the dialogue between time and the city,” contributed the mesmerizing, 17-minute Fragments on Machines. Short sequences, some with poetic narration, take us out on the streets and sidewalks of the city and up close to the exteriors and (most ominously) interior infrastructure of buildings. There is beauty and alienation, especially as we look closely at the rows of servers that power modern office buildings. You can watch it here.
And Leigh Merrill’s video installation Drive Thru is a deadpan looping look at the flat barren architecture of suburban sprawl, except the places were created by her digitally assembly of parts from individual photographs and images. The result highlights the strangeness — and questions what draws us as people to seek or support such development in the first place.
Halloween is officially over and I have to say, this year’s costumes — both celebrity and normal humans — left a lot to be desired (and I’m not even going there with the Ray Rice costumes). In my book, a costume can be scary, funny or sexy, but it has to be clever, one-of-a-kind or really well-executed. Enough with the “I’m a mouse, duh” getups, already!
One star who slayed the costume game was Iggy Azalea. I-G-G-Y: I know I slammed you last week for your lackluster SNL performances, but you totally redeemed yourself. A little background first: There have been memes going around comparing Iggy to the Wayons Brothers in White Chicks — both because of her apparent cultural appropriation of the Dirty South and, well, because she kind of looks like them.
Iggs had the last laugh on Halloween, dressing up in an eerie White Chicks costume with a friend.
did a killer Teenage Mutant Ninja Turtles costume.
Also, Riri’s back on Instagram!
It’s always sad when a holiday ends — except, of course election season. Let’s toast to the end of campaign ads and at least a decrease in asinine political Facebook posts. To this photobomber!
Benedict Cumberbatch is officially off the market, and he made the announcement in the most Charlotte way ever. If you’re wondering what that faint sound is, it’s a million CumberBitches’ hearts breaking simultaneously.
Kevin Spacey went on The Tonight Show on Halloween and proved once and for all that he is an acting god, via the Wheel of Impressions.
Did somebody say, “wish”? If you were hoping for a new Pee-wee Herman movie, well, Jambi has granted your wish. Paul Reubens is working with Judd Apatow for a reboot I can definitely get behind for once.
Another mega-Yoncé album is coming this month. The Platinum Edition will feature everything from Beyoncé, plus two new songs, 10 live performances from the On the Run Tour, four remixes and some other swag if you purchase a physical copy.
Watching ignorant politicians make fools of themselves on The Daily Show never ceases to amuse. But when said ignorant politician is the Butler County sheriff, that just makes it all the sweeter (Richard Jones and his epic 'stache come in around the one-minute mark, and again at 3:30).
You may know T-Pain from his Hip Hop hits rife with Auto-Tune. Surprisingly, dude can sing for real. And he can buy me a drank any day.
LS: We are one of a kind in Cincinnati, pretty much, so it’s nice being the place that does the cocktails. Not just a bar that happens to have good cocktails.
BG: We are on the precipice of something that is new and different to a conservative market. Where craft cocktails have been present in New York, Chicago, L.A. for the last 15 years, Cincinnati is really starting to come into its own in that category.
CB: What is your most popular drink at the moment?
LS: The Old Fashioned or the Mule, usually.
BG: We have the best Old Fashioned in the city.
CB: Really? I’ve heard that A Tavola has the best.
BG: That’s funny. Hey, listen, we could put this up to test. I have no problem getting the opinion of the rest of Cincinnati.
CB: What do you guys drink on your night off?
LS: The Old Fashioned, or one of our sparklings.
BG: Nothing soothes the soul like bourbon.
CB: What’s the most important skill a bartender should have?
BG: Presentation. Having excellent mechanics, all the knowledge in the world and the ability to present a cocktail that leaves the costumer satisfied with the amount they just paid for.
LS: Also being personable.
CB: Wha’ts your favorite bar in OTR?
LS: I would have to say the new place on Main, Liberty’s Bar and Bottle. I would say Neons, too. But Liberty’s did a lot of great things. I really love the internal space. They don’t really have cocktails — it’s pretty much like the furthest from what we do here. They have an excellent wine selection and I love everything they have on tap.
CB: Can you give us a recipe of one of your especially unique craft cocktails?
BG: For sure, we’re going to show you how a Mood Swing is made.
Mood Swing1 oz. rosemary-infused Aperol
Combine all the ingredients over ice (except for Prosecco) in a cocktail shaker. Strain into glass. Add the Prosecco. Heat up lemon peel with a lighter and squeeze peel over glass. Garnish the glass with lemon peel.
Chicago Thrash band Oozing Wound are in town tonight for a show at Rake’s End in Brighton. Forced Opinion, Monitor Lizard and Iron Oath also perform. Showtime is 9 p.m.
Heavy on dark and clever humor and creative riffage, Oozing Wound is touring behind its second album release, Earth Suck, which came out Oct. 21 on the Thrill Jockey label. The album comes on the heels of the band’s debut, Retrash, which received widespread praise last year from The New York Times, Decibel, Pitchfork and many other outlets. Noisey recently profiled the band, writing, “So refreshingly anti-bullshit are Oozing Wound that they could conceivably turn out to be the Nirvana of thrash.”
Better known as Young Jeezy (and, to his family, Jay Jenkins), the Atlanta rapper is also quite the motivationalist. His first two albums for Def Jam were called Let’s Get It: Thug Motivation 101 and The Inspiration: Thug Motivation 102 and he’s proven that that angle isn’t just talk. Yesterday, Grantland ran a piece about Jeezy’s pep talk to the Temple football team (which was coming off of two losses in important games) on Halloween, which was followed the next day by Temple’s win over No. 23 East Carolina. The win over ECU was the first time Temple beat a ranked opponent at home ever and only their third victory over a ranked team in the school’s history.
So if you’re having a tough time in life right now, tonight’s show might help you turn it around. At worst, you’ll probably have fun.
• Pittsburgh’s Cello Fury, a “Chamber Rock” group featuring three cellist and a drummer, kicks off its current tour tonight at West Side club Legends. Showtime is 9 p.m. and admission is $10 at the door.
Fans of Prog Rock will appreciate Cello Fury’s winding arrangements and driving intensity. The instrumental ensemble has released a pair of album and has collaborated with a wide range of artists — from Rock acts to work in the theater, opera, dance and orchestral world.
• Veteran singer/songwriter Garland Jeffreys performs at the Southgate House Revival in Newport tonight. Jeffreys spoke with CityBeat’s Steven Rosen about his “comeback,” which began in 2011after he put his career on hold to raise his daughter. His critically-acclaimed 2011 album The King of In Between was his first new material since 1992. Check out the full interview here.
Here’s Jeffreys performing on David Letterman’s show upon the release of The King of In Between:
Jeffreys’ show tonight in Newport begins at 8 p.m. and tickets are $25 at the door.
Well, folks, election season is over for another year, and we got precious few surprises last night. The GOP ran up the score in every statewide election, took control of the U.S. Senate by picking up between seven to nine seats and scooped up even more seats in the House than they had before. Rep. John Boehner picked up an easy victory and looks to spend another term as house speaker and Sen. Mitch McConnell, who at one point looked to have a tougher fight, easily won against Kentucky Secretary of State Alison Lundergan Grimes. Now he could become Senate majority leader.
The statewide results are demoralizing for Democrats. Gov. Kasich won over Democratic challenger Ed FitzGerald by a huge 32 point margin in the governor’s race. Attorney General Mike DeWine won an easy victory over Democrat David Pepper, Ohio Secretary of State Jon Husted handily beat Democratic State Senator Nina Turner, and even Republican Treasurer Josh Mandel beat opponent State Rep. Connie Pillich by nearly 15 points, despite being the most vulnerable of Republican incumbents in the election. That means four more years of a governor who has actively worked to curtail women's access to abortion services, an attorney general who has fought to preserve Ohio's more-than-likely unconstitutional gay marriage ban and a secretary of state who has worked to curtail early voting in the state.
In what is an almost too-neat metaphor for the state of Ohio's Democratic Party, now-former Ohio Democratic Party Chair Chris Redfern resigned as the party’s statewide leader last night after the embarrassing showing. He even lost his own seat in the Ohio House of Representatives to a Republican challenger, Steve Kraus, who is, get this, a suspect in a burglary, though no charges have been filed yet. One thing is for sure — Redfern got his seat burgled. Yeah, I just went there with that terrible joke.
The biggest news on the local level is that Issue 8, the icon tax, passed with 63 percent of the vote. That means a quarter-cent county sales tax increase will fund renovations to the city’s historic Union Terminal building. But interest in the icon tax fight didn’t extend to kicking County Commissioner Chris Monzel out of office. Many expressed anger at Monzel for slicing Music Hall out of the tax deal over the summer, but 58 percent of voters weren’t angry enough to choose Democrat Chris Feeney or write-in candidate Jim Tarbell over the Republican incumbent.
Also noteworthy is Democrat Cecil Thomas’ easy win over Republican Cincinnati City Councilman Charlie Winburn for Ohio’s 9th District state Senate seat. That means Winburn will be hanging around Council for a while longer and continuing to chair the powerful budget committee, where he’s been a key ally to Mayor John Cranley.
On a national level, the election is a part backlash against President Obama mixed with a bit of an affirmation of the GOP political strategy led by McConnell, which basically boils down to saying “no” a lot. They’ve been able to fight President Obama and Democrats as a whole to a standstill on a number of thorny, hard-to-tackle issues including health care, a minimum wage increase, unemployment benefits and immigration over the past few years while pinning the blame on the other team. But now that they have both sides of Congress, as even some in the party concede, they’ll have to try something new — actually governing by enacting policy instead of just rejecting it.
One other interesting national wrinkle in this midterm: progressive policies won the day in a number of states, while a couple deeply conservative statewide anti-abortion ballot initiatives in Colorado and North Dakota failed. Alaska, Arkansas, Illinois, Nebraska and South Dakota all passed minimum wage increases and Alaska, Oregon and Washington, D.C. passed initiatives decriminalizing possession of various amounts of marijuana.
Why are you reading this? You should be voting right now. Like this guy.
If you've already gone, though, check him out. As Senate Minority Leader Mitch McConnell cast his vote a bit earlier today in Louisville, a spirited voter behind him got a perfectly-timed photo bomb, shedding the secrecy of the voting booth for the fame of the internet. I guess we can count on at least one vote for Democrat Alison Lundergan Grimes.
The image, captured by Getty's Aaron P. Bernstein, has gone viral, and the word "thumbs" is now trending on Twitter in Louisville because that's democracy.
McConnell is fighting the campaign of his career against Grimes, who is Kentucky's secretary of state. She's fallen behind in recent days after pulling nearly even with McConnell for a time last month, but Democrats are hoping she'll pull off an upset as they struggle to maintain control of the Senate.
Here's City Councilman Chris Seelbach tweeting the photo and former Council candidate Mike Moroski loling:
Stepping into the decorated light cast from the looming ceilings of the Taft Theatre, it’s immediately apparent the space holds memory far outreaching your own. That is, of course, unless you’re about 100 years old and happened to be around Cincinnati in your early teens.
If that were the case, you’d probably remember the other awe-inspiring theaters that entertained the Queen City in those days: the Albee, Shubert and Capitol, to name a few — all astounding architectural representations of the heyday of local theaters. Sadly, the Taft is the only of those grand structures that still remains today, likely because it stands just far enough away from the heart of downtown, just missing out on the urban redevelopment that has defined the city for the past half-century or so.
Taft Theatre was opened in January 1928, inaugurated by lines of suited men and flower-hatted women who were willing to brace the 40-degree weather of the new year for the warm spectacle of the Cincinnati Symphony Orchestra in a shining new entertainment venue.
The theater is part of the Cincinnati Masonic Center, then called a temple rather than center, and is currently owned by the Scottish Rite of Freemasonry. In its early days it would host Broadway shows, ballets and traveling performers and artists, among other entertainment.
The name, contrary to what some might think, is not a nod to the former United States president William Howard Taft, although many likely know of the street we have to honor him. Rather, the theater was a tip of the hat to William’s older brother, Charles Phelps Taft, a major figure in the Cincinnati newspaper business and a high-ranking Mason who lived just down the street from where the theater now stands.
While it was very popular during its early days and became popular again in the new millennium, the theatre went through a largely dormant period in the second half of the 20th century. In fact, the Scottish Rite applied for demolition rights twice in the 1960s — although they were rejected both times — because they thought the theater would be too expensive to renovate and wanted to replace it with a parking garage.
Luckily, it hung on and didn’t fall into serious disrepair long enough for Music and Event Management, a subsidiary of the Cincinnati Symphony Orchestra, to take over in 2010. The company headlined a $3.2 million renovation, less than a third of the value the Masons had been quoted for renovations decades earlier.
The revamp, finished in 2011, increased the size of the seats, lowering the original capacity of 2,500 to about 2,300, as well as the size of the bathrooms — fewer venue seats, but more toilet seats (does this say something about the needs of folks in the new millennium?). They also took great consideration of modern concerns, spending a heavy load on hooking the building up with eco-friendly air conditioning.
Thanks to the restoration and rejuvenation of the old theater, it now holds about 140 shows a year compared to roughly 90 before renovations, and the annual attendance has also almost doubled. The theater is again one of Cincinnati’s hot spots for entertainment, hosting all kinds of musical concerts as well as theatre, being home to the Children’s Theatre of Cincinnati. With the upsurge in activity at the beautiful old Masonic Amphitheatre, the tall walls can keep holding and building memories of entertainment that life would be oh-so boring without.
"After a couple months, I started to realize that I liked being in the restaurant more than reading and writing scientific articles," Pesola says. "It was fast-paced, challenging and gave me an avenue to interact with people dynamically. In addition, I really enjoy how tangible the hospitality industry is."
This past summer, Pesola branched out and started selling rotisserie chicken on pita bread at Findlay Market. The resulting Revolution Rotisserie was so popular, he's opening a brick-and-mortar location on Race Street in Over-the-Rhine in early 2015. The rotisserie and bar will do dine-in, carry-out and catering, plus vegetarian options and specialty cocktails.
We caught up with Pesola to learn more about the restaurant and his chicken technique.
CityBeat: Why chicken and how did that relationship come to pass?
Nicholas Pesola: The concept originally had nothing to do with chicken. I wanted to introduce something unique to Cincinnati and I thought that it would be cool to reinvent gyros, one of my favorite foods from my youth. I wanted to stack marinated beef/lamb and do it like they do in Europe/Middle Eastern countries. I knew that I would have to offer other meats so I chose to stick with the rotisserie meat theme. When I put on tastings, everybody liked the rotisserie chicken sandwiches with my gourmet toppings and sauces the most. When no one offered to fund my unproven restaurant concept, I decided to start small at Findlay Market and pilot the idea. I knew I had to simplify my concept in order to be successful so I gave the people what they wanted: rotisserie chicken. I wanted to become known for rotisserie chicken sandwiches on pita bread because I thought that was the most unique. I also thought I would sell more sandwiches versus whole chickens to the Findlay Market crowd.
CB: What's been the best response you've seen from a customer?
NP: We have had many great responses. I love when people walk by my stand, stop abruptly after seeing the sample, and say, "That looks good. But what is it?" When they find out there is rotisserie chicken under the toppings and sauce, it is usually game over. I also enjoy the skeptical customer who reluctantly orders our food and then comes back with friends 10 minutes later because they really liked it.
CB: Can you tell me more about your chicken? Where do you source it? What separates it from other rotisserie? Is there a special technique, seasoning, butcher? A family recipe?
NP: We use Amish chicken from Miller Farms and will be switching to FreeBird chicken which has even more strict standards when it comes to how the chickens have been raised: no hormones, no preservatives, all vegetable diet, more room to roam, etc. Our chickens are never frozen, always fresh. We brine our birds, season them with a custom blend of the best spices, cook them on a gas-fired 40-bird rotisserie to perfection. And I assure you our whole chickens will not sit around for hours and dry out like they do at the grocery store. For our sandwiches, we hand-pull the meat, white and dark, and make sure it maintains its juiciness before serving. We have arrived at our current technique after talking with chefs and experimenting with other methods, but the reality is I'm always looking for ways to make the product even better.
CB: So you're opening a brick-and-mortar spot in OTR? What inspired you to take the jump?
NP: Even before I started at Findlay Market, I wanted to open up a brick-and-mortar shop. I just didn't have enough money and that was a blessing in disguise because it forced me to start small. I knew the time was right to circle back with potential investors when my customers kept asking where Revolution Rotisserie was located after eating our food.
CB: Why OTR? And why Race versus Main or Vine?
NP: I live in OTR and it's a very exciting place to hang out and start a business. The real question should be why not OTR? I believe my concept contributes something very unique to the scene. I chose the spot at 1106 Race Street because it was the size I wanted, featured an open kitchen, and fit my budget. In my opinion, Race Street is the next logical restaurant street in OTR because of Washington Park, Zula, Anchor, and Taft Ale House all down the street. Plus I live on Race Street, you can't beat that commute.
CB: What will be on the menu at Revolution?
NP: Chicken! We will showcase the versatility of chicken with eight rotisserie chicken sandwiches served on grilled pita bread — all of which can be made vegetarian by substituting hummus, black beans or extra veggies. This is a bold statement, considering we are primarily a chicken restaurant, but I think our pita sandwiches and salads set us up to offer one of the best vegetarian menus in the city. Of course, we will do whole/half chickens, side salads, mashed potatoes, cinnamon applesauce and a few other sides. At the bar, we will specialize in specialty cocktail infusions and of course, craft beer.
CB: People love chicken during the holidays. With restaurant prep ahead of you, will you still be at Findlay Market or taking any orders for whole or half chickens?
NP: Unfortunately, the cold weather prevents us from operating at Findlay Market under the tent. However, if people would like to place catering or large carryout orders, they can email firstname.lastname@example.org. The best way to do this is to visit our website revolutionrotisserie.com.
Follow along with Revolution's progress on Facebook and Twitter @RevolutionOTR.
Morning all. Let’s get right to the news, shall we?
It’s hardly a secret that arrest rates in communities across the country are often much higher for minorities. That’s certainly true for suburbs in the Cincinnati area, where authorities often arrest a much higher proportion of blacks than whites. In Sharonville, for instance, blacks are 12 times more likely to be arrested, and in Norwood, they’re seven times more likely. Law enforcement authorities in those communities say that the data controls for the lower population of blacks in those communities but doesn’t take into account the fact that not everyone committing crimes in those places lives there, which they say skews the numbers. Civil rights activists, however, say the data shows a clear racial disparity caused by a number of factors that need to be addressed. Many studies have made it clear that drug use, for instance, is just as high among whites as it is blacks, but law enforcement in many communities makes many more arrests in the latter.
• Are City Manager Harry Black and Mayor John Cranley trying to pre-empt a rail project right out of existence? It seems a little premature to say, but that’s the concern expressed by the city’s planning commission chair Caleb Faux and some advocates for a rail component of the proposed Wasson Way trail. The project looks to extend bike paths and eventually, possible commuter rail lanes through Evanston, Hyde Park and Mount Lookout. But on Thursday, Black removed from the city’s planning commission agenda legislation seeking to preserve the possibility of rail in the area by creating a transportation overlay district. The move has sparked worries that Black was acting on orders from Cranley, no friend of rail, in a bid to pre-emptively block a future rail project through the Wasson Way corridor. Cranley said he only wanted to give time for more public input before a vote on the overlay district was taken.
• In other City Hall news, Black announced his pick for the city’s director of trade and development today in a news release. Oscar Bedolla will be the city’s head of economic development. He previously worked for the U.S. Department of Transportation and the Federal Highway Administration on infrastructure projects in Washington, D.C., Baltimore, Chicago and Denver.
• State Rep. Alicia Reece, who represents Cincinnati, is pushing for a law that would require greater aesthetic differences between fake guns and real ones in the wake of another police shooting Saturday night in Cleveland. A 12-year-old boy was shot and killed by police officers, who thought the toy gun he was carrying was a semi-automatic pistol. The incident has tragic echoes of the August shooting of John Crawford III in a Beavercreek Walmart. Crawford was carrying a pellet gun sold in the store when police shot him.
• As lawmakers in the Ohio General Assembly wrangle over how to fix the state’s unemployment compensation system, a new report on the fund reviews how slashes to taxes on employers put the state in debt to the federal government to the tune of $1.3 billion. It’s interesting reading, to say the least, and a primer in the problems that can arise from some lawmakers' "cut every possible tax to the bone” mentality.
• Finally, if you’re really serious about video games, I have a Kickstarter for you to check out. It’s for a company that wants to make a controller that extracts real blood from you every time you’re injured in a video game. “It’s stupidly simple,” the pitch starts. Well, that’s at least partially right. Yow. The device keeps track of how much blood it hass removed, however, so you don’t like, pass out or bleed to death because you’re terrible at "Call of Duty."
Cincinnati is host to a great number of music festivals and it feels like every season adds another one. Midpoint is becoming nationally recognized for its ability to draw in heavy hitters, Bunbury has exploded in popularity in just a few years and Buckle Up had a great inaugural year this past summer, just to name a few obvious examples. It’s a great time to be a music lover and music journalist in this city.
But for this music journalist, there’s only one festival that gets my money, year in and year out: Ironfest.
Whereas most of Cincinnati’s festivals focus on the city’s vast assortment of Folk and Pop influenced artists, Ironfest is awash in the loud, angry and just plain aggressive side of local music. John “Black Arm” Gerhardt, the organizer of Ironfest, puts in a massive amount of time and effort to assemble a legion of acts that are all a little left of center, but still eclectic enough to bring in all types of fans. There’s only one place in town that you can see the darkened Electronic soundscapes of Black Signal alongside 500 Miles to Memphis’ Country Punk and Moonbow’s raucous brand of Heavy Metal, all under one roof, and that’s at Ironfest.
Nov. 14 and 15 marked Ironfest’s fifth year. It was founded as a celebration of the life of “Iron” Mike Davidson, a mainstay in Cincinnati’s music scene before his untimely passing. While this is still the case, Ironfest has grown beyond a simple memorial. In fact, many of the attendees nowadays didn’t even know “Iron” Mike — myself included. But if Davidson had so many talented friends in so many awesome bands, I’m sad that I didn’t.
Gerhardt has a knack for getting a great mix of bands together to take over Southgate House Revival’s three stages and this year’s iteration was no different. At any time, you could check out the bands listed above, along with the likes of Valley of the Sun, Smoke Signals, Martin Luther and the Kings, The Dopamines, Honeyspiders or out-of-towners like OC45 and Punching Moses (featuring ex-Banderas guitarist Jesse Ramsey), among many more.
While each year’s lineup is undeniably star-studded, Gerhardt also always seems to have one band on the bill that stands out above the rest and this year’s edition was no different. Closing out Saturday night was the reunion of Oxboard Drain, Iron Mike’s old band, with Valley of the Sun’s Ryan Ferrier filling in for the late bassist. I had never heard Oxboard Drain before that night but I got the distinct feeling that I missed something special. When a band still draws fans out that sing along to every word years after their dissolution, you know they made an impact during their tenure. Seeing Ferrier, Gerhardt and the rest of the band honor their friend by ripping through a powerhouse set was something to behold.
While the music at Ironfest is amazing and honoring Iron Mike’s memory is important, neither is the real reason I have attended the past three years. I go for the community that Ironfest celebrates and all of the people it brings together. My roommate attended this year’s festival for the first time this year; at the end of the show he commented that I seemed to know half of the attendees that night. While estimate may have been a bit of an exaggeration, the point is valid. For fans of the scene such as myself, Ironfest is almost like a high school reunion that you’d actually want to attend. New bands mingle with established acts, old bandmates and friends reconnect with each other, and the past and present of Cincinnati’s alternative music scene is celebrated over a weekend.
That’s what makes Ironfest so special. All of the other festivals that Cincinnati hosts every year celebrate the music and musicians contained within them. Ironfest celebrates the community itself that spawns around the music and musicians. It’s a two-day period where we can fondly recall the good memories of days gone by while still creating new memories for the next time we all converge at that old church.
It’s only been just over a week since Ironfest V wrapped up and I already feel like I’m in withdrawal. That much music, that many friends, that much fun in the photo booth (and, yes, that much booze) all adds up to a weekend that’s talked about until the next one rolls around. For many, “Iron” Mike’s passing was a horrible loss but his passing spawned an event that has kept people coming back for five years straight. And for that, I have to say, “Thanks ‘Iron’ Mike, and I’ll see you all next year.”
Things to leave the house for all weekend. Shopping. Holiday stuff. Music. Plays. Food.
Afternoon, readers! Thanksgiving is almost here, which means an absurd amount of delicious, fattening food and stampedes of greedy consumerists who will overtake the Walmarts and Macys and the Best Buys in the days and weeks following the holiday where you're supposed to be thankful for everything you've already got.
It also means three days of work next week and an early issue. Look for it on stands Tuesday!
(As a side note, if you're like me and will do anything to avoid the hollowed-eyed throngs of shoppers in the days before and after Thanksgiving but still need to get a head start on holiday shopping, check out our gift guide. You're welcome.)
Let's get to the Words Nobody Uses or Knows in this weeks issue. Best word of the issue is loquacious, which I think sounds like salacious? Not sure. It's in Kathy Y. Wilson's editorial on Bill Cosby and his recent string of no good very bad sexual assault accusations by various women.
loquacious: very talkative; fond of talking (adj.)
In this issue: "NPR is the nexus of Cosby’s identity in America as the loquacious raconteur (reality) and the benign All-American Dad (television)."
Loquacious raconteur. I have no idea what a raconteur is either; but it sounds French, so I keep thinking loquacious raconteur with a French accent in my head.
raconteur: a person who tells stories or anecdotes in an amusing and clever way (n.)
Next word is vagaries in this week's Sound Advice.
vagaries: odd or unexpected changes in behavior or actions (n.)
In this issue: "Written and recorded in the winter months after solidifying Spencer and Pressley’s partnership (which came to include the vital input of percussionist/philosopher Ryan Clancy), Wormfood was a song cycle on the vagaries of love and the songs that detail those particular woes."
Last is hamlet, also in Sound Advice.
hamlet: a small village, or a dramatic play written by Shakespeare in the 1600s (n.)
I had no idea hamlet ever meant anything other than Shakespeare's play. CityBeat's pretentious writers have been teaching me so much!
In this issue: "Delavan is a farm country hamlet of less than 2,000 people located about halfway between Chicago and St. Louis."
Enjoy the holidays, readers.
Before news, let’s talk chili. Yesterday, true to my word, I checked out Cretan’s Grill in Carthage as part of my quest to discover the city’s smaller independent chili parlors. Excellent start. I paid five bucks for two coneys and a ton of fries. The chili was great — a little sweeter and meatier than say, Skyline. Where should I go next week?
Anyway, a lot of stuff happened yesterday. News stuff. So let’s get to it.
Republican Hamilton County Commissioners Chris Monzel and Greg Hartmann have agreed to pay $281,000 to keep open the possibility the county could acquire a former hospital in Mount Airy. The commissioners made the move in anticipation of possibly renovating the building to house several county offices, though they have made it clear those renovations will not happen in the coming year. County Administrator Christian Sigman originally proposed a 2015 budget with a .25 percent sales tax increase to pay for renovations so that the county coroner, crime lab and board of elections along with other offices could occupy the building. Monzel and Hartmann have signaled they will not support a sales tax increase, however, and want a long-term plan for how the former Mercy hospital might be used.
• As we reported last night, the Ohio Department of Health has renewed the Elizabeth Campbell Surgical Center’s license, meaning Cincinnati’s last clinic providing abortions will stay open. Planned Parenthood had filed a lawsuit against the state after the clinic in Mount Auburn was cited for lacking a transfer agreement with an area hospital. The clinic had an agreement with UC Hospital, but lost it when a law forbidding state-funded hospitals from entering into transfer agreements with abortion providers was passed last year. The clinic applied 14 months ago for an exception to that rule because it has doctors on staff with individual admitting privileges with nearby hospitals.
• Cincinnati Red Bike may be expanding soon. The nonprofit bike sharing company that Cincinnati City Council boosted last year with $1 million in startup funds has been a big success, beating ridership projections in its opening weeks this summer. Currently, Red Bike has 30 stations in downtown, Over-the-Rhine, and uptown near UC. The company has been talking with Northern Kentucky officials about possibly putting additional stations in places like Covington and Newport. Red Bike is also considering putting new stations in places like Longworth Hall downtown and Burnet Woods in Clifton.
• More bad local media news. Scripps Networks Interactive, a Nashville-based entertainment company that produces HGTV, the Food Network and the Travel Channel, is closing its Cincinnati office and shedding the 150 positions based here. The company spun off from Cincinnati-based E.W. Scripps in 2008 and employs about 2,000 people total.
• A bill that would ban abortions in Ohio once a fetus has a detectable heartbeat passed committee yesterday and will now make its way to a vote in the full Ohio House. The legislation, which could outlaw abortions as early as six weeks into a pregnancy, would be one of the most restrictive in the country if passed. Bill cosponsors Reps. Christina Hagan, R-Alliance and Lynn Wachtmann, R-Napoleon have said they see the legislation as a means for challenging Roe v. Wade in the Supreme Court. If they want a legal battle over the bill, they’ll probably get it. The American Civil Liberties Union of Ohio has threatened a lawsuit if the measure makes it into law, which has some conservatives, including Gov. John Kasich, wary of passing the bill. Federal courts have found similar bans in other states unconstitutional, and a lawsuit challenging the ban could also jeopardize other anti-abortion laws in the state, conservative lawmakers feel.
The measure barely made it through the House’s Health and Aging Committee. Several last-minute swaps of committee members were performed so that there would be enough committee members present and so that those supporting the bill would outnumber those opposed. The proposal passed 11-6 after three Republicans and one Democrat were swapped out of the committee. That’s… kinda sketchy.
• Finally, President Barack Obama announced yesterday evening he would take sweeping executive action to grant relief to millions of undocumented immigrants currently living in the United States. Up to five million immigrants could be shielded from deportation by the action, which directs immigration officials and law enforcement to focus on criminals instead of families. It’s a huge move, and one that has drawn a lot of attention. Conservatives have gone nuts over the announcement. Oklahoma Senator Tom Coburn predicted instances of “anarchy” and “violence” as a result of the move, and many other GOP officials have called Obama’s power play an illegal use of presidential power. Obama has countered that every president has used executive actions and that Congress should focus on passing legislation to fix America’s broken immigration system.
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