Good morning Cincy! It’s finally getting to be bike commuting weather again, and I couldn’t be happier about it. I’ve missed showing up to work all sweaty and out of breath with terrible helmet hair, and I’m sure my coworkers have missed it as well. Anyway, enough about my transportation habits, which I seem to talk about a lot in the morning news blog. Let’s get on to the news.
Sweet. More streetcar politics ahead. Moving utility lines to make way for a streetcar extension will be twice as costly as it was for the track currently being laid between Over-the-Rhine and downtown, according to an estimate performed last year by Duke Energy. Duke says the task, which is necessary before tracks are put down, could cost up to $38 million. Boosters want to get started on the next step for the streetcar, which would extend it near the University of Cincinnati and several of the city’s hospitals uptown. Councilman Chris Seelbach last week introduced an ordinance asking the city to begin looking at plans for the extension. But Mayor John Cranley, an ardent opponent of the project, has dismissed calls for the next step of streetcar as “silly.” Those pushing the city to begin planning for the uptown leg of the streetcar say if plans aren’t in place, the city could lose out on millions in federal funds that could help pay for next steps.
• More than 20 residents at the King Towers apartments in Madisonville are wondering where they’ll be staying following the tragic fire that swept through the building last week. That fire claimed the life of Cincinnati Firefighter Daryl Gordon. Representatives for The Community Builders, the building’s owners, on Sunday told residents they needed to be out of their temporary hotel rooms by 11 a.m. Monday morning. That caused an outcry from the residents and others, including members of Madisonville Community Council. Boston-based The Community Builders has since extended residents’ hotel stays until Wednesday and has promised to help find a solution for temporary housing for the residents while the building undergoes clean up and investigation, a process that could take months.
• Ready to start paying for Union Terminal? The county’s sales tax boost kicks in Wednesday after voters approved it in November. You’ll pay an extra .25 cents on the dollar so the county can pay for much-needed renovations to one of Cincinnati’s most iconic landmarks. The rate is going from 6.75 percent to 7 percent.
• A Greater Cincinnati area school district is boosting anti-drug messages to its students in anticipation of a potential marijuana farm nearby. Monroe Schools says a marijuana farm that would be established should legalization group ResponsibleOhio get its way is unwelcome in the city and that it sends messages to students that cancel out years of anti-drug efforts. One of the group’s 10 proposed grow sites would be in Middletown, less than two miles from Monroe’s K-12 public school. In response, the school district, some community leaders and law enforcement officials have teamed up to redouble anti-drug messages to teens, because telling a teenager not to do something is obviously the best way to make it seem uncool and unappealing. Meanwhile, ResponsibleOhio has responded by pointing out their legalization effort is only for those 21 and over. They also claim that the drug is already readily available to many on the black market and that their proposal would limit or eliminate that market.
• Ohio prison officials want to get inmates job interviews. Ohio Prison Director Gary Mohr has discussed efforts to recruit businesses who are willing to employ former inmates and has proposed setting up some inmates with job interviews upon their release. The program aims to cut recidivism among inmates and keep the number of repeat offenders in Ohio’s prisons to a minimum. Studies suggest those who find jobs after being released from prison have a much lower rate of additional criminal activity.
• In national news, here’s an alarming number: Law enforcement agencies make no arrests in one-third of all murders in the United States. That’s up from just 10 percent of homicides in 1965. Though violent crime has gone down across the U.S. in recent years, so have the percentage of cases in which police even find a suspect. The number of murders solved by law enforcement is even lower, since the FBI’s “clearance rate” only measures arrests, not convictions. The bureau estimates some 200,000 murders have gone unsolved since the 1960s. Law enforcement officials often blame a so-called “no snitch” attitude found in many low-income communities, where they say a number of community members refuse to cooperate with the police and help them find suspects. But some experts point out that murders of law enforcement officers, which often take place in those same neighborhoods, have a very high clearance rate, suggesting a difference in priority for different kinds of murder cases.
That’s it for me. Tweet me. Email me. Comment. Have you gotten your bike out yet? What’s the best spring bike ride location in Cincy? Let me know.
For some musicians, their 9-to-5 is little more than a means to an end. Pizza and guitar strings don’t pay for themselves, after all. Others take pride in their work, both on stage and in the “real world,” but view them as two parts of a whole.
But for Jess Lamb, her twin identities as a musician and teacher are deeply intertwined. She works hard in both professional avenues and has put a large amount of effort into maintaining them, even during her post-American Idol influx of activities. It’s a balancing act with some unexpected complications that she is still learning to walk gracefully. But for Lamb, there is no other choice.
“I think that the public has seen me as a teacher and I don’t want my name to be tainted by this other persona, this other career, this other life. So I don’t want to be slosh drunk. I don’t want to be like Jim Morrison in my experimenting with life. But at the same time there’s a whole other vibe with playing in venues, playing in bars and it is very different from the teacher thing,” Lamb explains.
Before Idol, Lamb’s work as a musician and an ESL teacher were more easily separated. Nowadays, with the added exposure that Idol has brought to her and her late-night performances around town, she has had to go to greater lengths to protect the sanctity of both. A shot of Jameson may not be thrown back with the same careless abandon as a few months prior and photo ops are utterly devoid of the counter-cultural staples of, say, a middle finger or devil horns. This isn’t to say that Lamb was or is a reckless partier at night and a quiet bookworm during the day.
Rather, what happens at night can bleed into the daylight hours and her work in one aspect of life can’t compromise the other. She has to take into account who her new audience members may be and how they learned of Lamb. Being a teacher requires maintaining professionalism at all times. When a teacher is shown on national television, keeping that even-headed mentality all day and all night becomes even more important.
Considering all the time that Lamb has spent on her music after her Idol run, some may wonder why she doesn’t put the teaching on hold for the time being. Between the Idol recaps she does regularly for Fox 19 since leaving the show, the myriad interviews, the residencies at Japps in Over-the-Rhine and Jags in West Chester (as well as other shows), the studio work and all the other opportunities that have arisen, finding time for teaching is pretty much impossible at this point. In fact, Lamb has cut down her teaching work to roughly four hours a week, doing basic lesson planning and similar activities. But she still carves out time for her teaching for a very important purpose.
“I don’t do it for the money, it’s not sustaining me. I do it for my spirit. It’s for something that feels important, I don’t know that what I’m doing all the time feels important,” Lamb says.
She views being a teacher and an entertainer as two professions with two different contributions to society. Music and teaching both give something back to the community at large, but she feels that teaching impacts the public on a much larger scale. While singing in a smoky bar reaches a small amount of people, teaching has a much larger reach.
Ultimately, Lamb is a musician and teacher in equal measure. At this point, the music is taking more of her time, but she is determined to not let it take all of it.
“I don’t want to cancel out one or the other with a teacher persona that’s too square or a Rock star persona that’s too crazy and unstable,” Lamb says.
For Lamb, finding a mix of her two professions and passions is an ever-present struggle. When Idol rocketed her music to the forefront, she has had to constantly work to balance it out with activities that are equally as fulfilling. It hasn’t been an easy process by any means but one that she sees as absolutely necessary.
Just don’t be offended if she turns down a shot of whiskey next time you run into her in the Main St. district.
Nick Grever is checking in periodically with Cincinnati-based American Idol contest Jess Lamb about her post-Idol life. Check out previous "Beyond Idol Chatter" posts here. Visit jesslamb.com for music, show dates and more.
Good morning y’all. It’s the end of the week and the sun is out. Those are both good enough reasons to keep this news update short, so just the facts for you today.
Starting on a somber note, officials continue to investigate the death of Cincinnati firefighter Daryl Gordon, who fell down an elevator shaft while responding to a fire at an apartment building in Madisonville yesterday. Gordon was a 30-year veteran of the department. Two other firefighters and four residents where hurt in the blaze, which broke out early yesterday morning. Investigators are still trying to piece together exactly what happened to Gordon.
• Will you be able to walk around The Banks with an open beer in time for the Major League Baseball All Star Game in July? It’s looking increasingly possible. The Ohio House passed a bill allowing the creation of so-called “open container districts” this week. The proposed law could allow cities to designate specific areas where people can drink a cold one right out on the sidewalk. But the timeline is tight for would-be All Star Game revelers. The bill still has to go to through the state Senate and get Gov. John Kasich’s autograph. After that, the city could rush through designations for specific districts but would have to wait 30 days for them to take effect. The race is on.
• Three men who have wrongfully spent the past 18 years in prison may soon walk free thanks to efforts by the Ohio Innocence Project, which is based at University of Cincinnati’s College of Law. The Innocence Project announced yesterday that a Cuyahoga County Judge has thrown out the convictions of Derrick Wheatt, Laurese Glover and Eugene Johnson based on new evidence. The three will be released on bond and get a new trial. Their incarceration stems from the 1995 murder of Clifton Hudson, Jr. in Cleveland. Wheatt, Glover and Johnson who were nearby, were eventually arrested for the crime and convicted on the testimony of a single 14-year-old eyewitness. That witness later recanted her testimony and other evidence surfaced casting doubt that the three had a role in the crime.
• Ever been in a situation where you have to spend extended amounts of time the same room with someone who is competing with you for the affections of your crush? That’s probably how former Ohio Gov. Ted Strickland and Cincinnati City Councilman P.G. Sittenfeld will feel tonight when both attend and speak at the Ohio Democratic Party’s annual dinner. The two are currently going head to head in the party’s primary for the chance to take on incumbent Republican U.S. Senator Rob Portman. Making things especially uncomfortable is the fact that Sittenfeld had signaled he wouldn’t continue with campaign if Strickland entered the race. But the city councilman gained some good fundraising momentum and has decided to stay in the contest. Most of the higher-ups in the Democratic party have backed his more experienced foe, but Sittenfeld has said he’s in it to win it. I really hope someone seated them at the same table.
• I mentioned a couple days ago that the Ohio House was mulling a fetal heartbeat bill that would ban abortions as early as six weeks into a pregnancy. That bill has now passed the House thanks in part to local state representatives Jonathan Dever of Madeira and Paul Zeltwanger of Mason, who both voted for the proposed law. The bill will now make its way to the state Senate, where it faces skepticism from some moderate Republicans. They say the bill wouldn't survive an inevitable legal challenge. Some supporters of the measure, however, say bring it on — they see the ensuing legal battle as a way to challenge the Supreme Court's Roe v. Wade decision prohibiting abortion bans.
• Let's jaunt next door to the great state of Indiana where Republican Gov. Mike Pence signed into law yesterday a measure that prohibits the government from restricting religious freedom unless absolutely necessary. Critics of that bill say it could allow businesses to refuse service to people, including LGBT individuals, based on the business owner's religious beliefs. Pence says the bill will do no such thing, but that hasn't stopped backlash from forming. A number of businesses, including the NCAA, and even some religious groups have expressed reservations about the law, which takes effect in July. OK, let's leave Indiana now.
• News is happening in national politics. So much news. Well, really, political quasi-news that probably doesn’t actually make a difference but that we should pay attention to anyway because politicians are technically our employees and they haven’t really done that great of a job lately. One of the more interesting, and probably meaningless, stories on that front right now is that powerful Republicans in key primary states are saying that U.S. Sen. Ted Cruz of Texas, who is so far the only presidential candidate to officially announce his campaign, has no chance of winning. A poll of 100 influential Republicans in Iowa and New Hampshire found that not one thought Cruz had a chance at the nomination, let alone prevailing in the general election. That’s important because those states are big in the primary game. Winning them signals to other delegates and funders around the rest of the country that you’re a serious contender.
• The other big story in national politics is that the most powerful, and many would say infamous, Democrat in the Senate will retire after his current term. Sen. Harry Reid, who is currently the Senate minority leader, has been a thorn in the side of nearly every Republican in Congress. Reid is a bare-knuckle brawler of a legislator who pulled out just as many nasty tricks during his time as Senate majority leader as his counterpart in the House, Republican John Boehner has. Reid’s 10-year turn as majority leader ended last November when Republicans took control of the Senate, but he’s continued to be a force there. The 75-year-old’s term ends next year. Republicans are rejoicing, seeing a rare opportunity to take Reid’s seat as one of Nevada’s two Senators.
Carol, the drama about a romance between a younger and older woman in 1950s New York that was filmed in Cincinnati last spring, may have its premiere in May at the prestigious Cannes Film Festival in France.
Variety, which closely follows the film industry, yesterday published a speculative report about what may be appearing at this years Cannes, the world's most important film festival. It said, in part:
"Looking to represent North America in competition are [Todd] Haynes’ Carol, a 1950s lesbian love story starring Cate Blanchett and Rooney Mara, and [Denis] Villeneuve’s Sicario, a south-of-the-border crime drama starring Emily Blunt, Benicio Del Toro and Josh Brolin. Slots may also be reserved in the official selection for Jeff Nichols’ Midnight Special, a science-fiction chase thriller starring Adam Driver and Michael Shannon, and Gus Van Sant’s The Sea of Trees, a suicide drama starring Matthew McConaughey and Ken Watanabe."
Based on a novel The Price of Salt by Patricia Highsmith, Carol has impeccable credentials for Cannes. The director is Todd Haynes (Far From Heaven, I'm Not There), a producer is Christine Vachon, and it stars Oscar-winner Cate Blanchett and Oscar-nominee Rooney Mara. The film came here with the assistance of the Greater Cincinnati and North Kentucky Film Commission.
This year's Cannes Festival occurs May 13-24. The full official-selection lineup will be announced April 16.
Two shows on local stages are dealing with top-of-mind issues of race and urban living, one at the Cincinnati Playhouse, the other at Ensemble Theatre.
Last evening the Playhouse opened its production of Tracey Scott Wilson's Buzzer. Wilson is a playwright who's not afraid to get at prickly issues of contemporary life (read more here), and that's what she does in this piece that could be set in Cincinnati's Over-the-Rhine. (It's actually in New York City, but that doesn't make it less relevant.) Jackson returns to his onetime childhood neighborhood, once neglected and now trendy; he's black, girlfriend Suzy is white, and so is Jackson's troubled friend Don, out of rehab yet again and needing a place to stay. Their triangle is a toxic mix with a troubled past that's exacerbated by life in a neighborhood where black and white relations are strained. The Playhouse is offering talkbacks after each performance to discuss issues raised, and there will be a panel discussion focused on OTR's housing challenges here in Cincinnati on Saturday evening at 6 p.m. My take: This show is more about personal relationships that aren't entirely honest, even though there is constant conversation about "no secrets." The actors in this tense drama are vividly real, unpredictable and vulnerable; you'll feel like they're people you know. (Through April 19.) Tickets: 513-421-3888
The second show that's heating up conversations about race is ETC's staging of Dominic Morisseau's award-winning play, Detroit ’67 (reviewed here). While the story has a historical setting — the story of family aspirations and disappointments unfolds against the backdrop of the Motor City's race riots almost 50 years ago — it almost feels ripped from current news stories about unrest stemming from police brutality in Ferguson, Mo. Five actors portray some colorful and occasionally humorous characters from the era involving the family dynamic between a brother and sister who differ about making ends meet in a challenging environment. Motown tunes from the ’60s are the soundtrack for a story that's often painful but ultimately hopeful. (Through April 5.) Tickets: 513-421-3555
Know Theatre opens Hearts Like Fists tonight at its Jackson Street stage in Over-the-Rhine. Adam Szymkowicz's comic-book-inspired action adventure has some fine local actors as the Crimefighters, female superheroes who are out to stop Dr. X, on a mission to murder happy couples in their sleep using a deadly serum that goes straight to the heart. When the show was staged in New York in 2012, the New York Times called the show's comic hybrid of parody and punches "madcap" and "hysterical." That's what Know will be striving for, through April 25. Tickets: 513-300-5669
If you are interested in seeing actors, singers and dancers who are on their way to professional careers, you might want to catch Senior Showcases from the drama and musical theater programs at UC's College-Conservatory of Music. The drama majors, readying their piece for trips to Los Angeles (for potential TV work) and New York City, will perform today at 2 and 7 p.m. at Patricia Corbett Theatre. (Admission is free.) The triple threats graduating from the musical theater program offer their showcase twice on Saturday at 4 and 8 p.m. as they prepare to shine for Broadway producers and casting agents in New York next week. Admission is free but reservations are required: 513-556-4183.
Planning ahead? The popular touring production of The Lion King returns to Cincinnati where it's been a big hit twice, in 2003 and 2007. The magnificent musical about good overcoming evil and youth finding maturity opens on Tuesday for a four-week run at the Aronoff Center. (Through April 26.) Tickets: 513-621-2787
Music! Plays! Events with alcohol! Acrobats and Classical music! Gorilla suits!
FRIDAY 27MUSIC: SEBADOH
ONSTAGE: CIRQUE MECHANICSThe Cincinnati Pops presents Cirque Mechanics, an innovative show featuring aerialists, trapeze artists and contortionists performing alongside orchestral favorites from composers like Tchaikovsky, Strauss, Copland, Ravel and more. In a press release, conductor John Morris Russell describes it as a mix between Cirque du Soleil and the steampunk scene, with a huge titanium infrastructure placed before the orchestra that serves as the canvas for the entertainment. Additional fire performers, jugglers and magicians will also be at the event. 8 p.m. Friday and Saturday; 2 p.m. Sunday. $25-$99; $10 children. Music Hall, 1241 Elm St., Over-the-Rhine, cincinnatisymphony.org.
EVENT: ART AFTER DARK AT THE CINCINNATI ART MUSUEM
The theme of this art-meets-cocktail-party event is “Cherry Blossom Bash.” Check out the museum’s Japanese art collection with hourly docent-led tours, and enjoy live music from The Happy Maladies (6:30 p.m.) in the Great Hall. Sushi and drinks available for purchase. 5-9 p.m. Free. Cincinnati Art Museum, 953 Eden Park Drive, Eden Park, cincinnatiartmuseum.org.
ONSTAGE: PETER AND THE STARCATCHERIn Rick Elice’s loopy script (based on Dave Barry and Ridley Pearson’s novel about Peter Pan’s backstory), wordplay abounds, sometimes blowing by faster than the typhoon that comes upon ships on the way to Rundoon with three orphan boys to be sold into slavery. But this ensemble cast can manage wind speed as they narrate and perform the hilarious show — sometimes individually, sometimes together — but even more so as they race through delirious reinvention of the fairytale. Everything is performed both obviously and imaginatively, from levitating (at the close end of a seesaw plank) to a storm at sea to flying (with just the suggestion of motion, no wires — no “real” taking flight). Amusing costumes, a star field of 200 incandescent light bulbs and buckets of stage magic make it possible. Peter and the Starcatcher continues through April 4. $30-$85. Cincinnati Playhouse in the Park, 962 Mt. Adams Circle, Mount Adams, cincyplay.com.
Streets don’t get much meaner than those of Belfast back in 1971 as the British army all but occupied the territory, caught up in what amounted to terroristic street fights between Catholics and Protestants with few truly innocent bystanders in the middle. Everyone took sides, no matter how reluctantly. Gary Hook (Jack O’Connell), an anonymous soldier in the British army, trains hard but is no standout. Hook looks for all intents and purposes like a young Liam Neeson or a baby-faced soldier-boy of few words (think Clint Eastwood) who is simply waiting for the opportunity to prove himself in the theater of battle. And he certainly gets his chance when his unit, under the command of a rather green lieutenant (Sam Reid), receives orders to back up local police in a neighborhood search for weapons. Opens Friday. Read full review here.
SATURDAY 28EVENT: OVER THE MOON VINTAGE MARKET Rustic vases, crocheted tops, paint-chipped mirror frames and more will flood the Over the Moon Vintage Market this weekend. Shop a variety of vendors as you peruse various booth displays for vintage and urban goods, including primitives, furniture, garden items, artisan jewelry and unique feminine and bohemian style clothing. 4-9 p.m. Friday; 9 a.m.-4 p.m. Saturday. Free. Agner Hall at Lawrenceburg Fairgrounds, U.S. 50 and Hollywood Blvd., Lawrenceburg, Ind., facebook.com/overthemoonvintagemarket.
MUSIC: ELLIOTT BROOD WITH YOUNG HEIRLOOMS
When a band’s sound gets tagged as “Death Country,” you know something special is afoot. And Canadian trio Elliott Brood lives up to its advance billing in every conceivable way. Utilizing guitar, banjo, ukulele, bass pedals, kazoo, harmonica, keyboards, percussion and a sampler in acoustic and electric contexts, Elliott Brood has reimagined rootsy Country, Bluegrass and Folk in a twangy and bracing manner that suggests Old 97’s and legitimately deserves the designation of Canadiana.The trio’s latest triumph is Work and Love, released late last year to rapturous reviews, many of which cited it as the trio’s best album to date. No need to plan a long trip to see Elliott Brood; the best of the Great White North is coming your way. Free. MOTR Pub, 1345 Main St., Over-the-Rhine, motrpub.com.
EVENT: POP-UP CINCY CONCEPT CAMP
POP-UP CINCY, a monthly pop-up organization founded by local artist and designer Catherine Richards, invites creative thinkers and makers to participate in the second Concept Camp at an unused storefront in Corryville. Participants will brainstorm with peers from various sectors about effective ways to take their ideas from concept to completion in this one-day event. The space will feature an “idea wall” to pin project outlines and receive feedback from participants, as well as the opportunity to connect with those whose skillsets might help accelerate your plan. Work session: 1-4:30 p.m. (sign-up required); celebration: 5-7 p.m. Free. 3501 Burnet Ave., Corryville, facebook.com/popup.cincy.
CLASS: HOW TO BUILD A RAIN BARREL
Spring is slowly showing itself as the winter and its accursed snow melt away. As you plan to plant petunias, sunflowers, vegetables and more, consider the task of watering and the best practices to save money, go green and store water for a hot summer so your plants (and your wallet) won’t suffer. The Civic Garden Center hosts a DIY class on how to build and use your own rain barrel to collect free rain water to use for the garden. 1:30-3 p.m. Saturday. $10; free for Civic Garden Center volunteers. 2715 Reading Road, Avondale, civicgardencenter.org.
COMEDY: DC BENNY
Like his peers Jimmy Shubert and Rocky LaPorte, D.C. Benny is a talented veteran comic who received a nice boost by competing on last season’s Last Comic Standing. Well-known in the New York and L.A. comedy scenes, Benny has also written and performed extensively for various TV projects. He also functions as the producer and head writer for Jim Breuer Unleashed on Sirius/XM satellite radio. On stage he mixes jokes with storytelling, peppering them with several original characters. Showtimes Thursday-Sunday. $15-$17. Funny Bone on the Levee, Newport on the Levee, Newport, Ky., funnyboneonthelevee.com.
ONSTAGE: DETROIT ’67
Detroit ’67, making its regional premiere at Ensemble Theatre Cincinnati this month, is not something to smile about — but it might be possible to feel good about the “tryin’,” even though 48 years later the backdrop of this story feels eerily familiar, perhaps leading us to ask if America will ever rise above such racially driven conflicts. The details behind the story of Chelle (Zina Camblin) and Lank (Bryant Bentley), a sister and brother hoping to build a secure future, are this: In late July 1967, more than 10,000 citizens of Detroit rioted. Police had raided a blind pig — an unauthorized after-hours hangout very much like the one Chelle and Lank have established in their family’s basement — where more than 80 patrons, all African-American, had gathered to celebrate the return of a Vietnam veteran. Detroit '67 continues through April 5. $18-$44. Ensemble Theatre Cincinnati, 1127 Vine St., Over-the-Rhine, ensemblecincinnati.org.
SUNDAY 29FILM: MOON DUST Detroit-based painter Scott Reeder’s new Moon Dust is a sci-fi feature film with a one-and-a-half-hour running time. Moon Dust is about the denizens of a run-down tourist resort on the moon (called Moon World) who struggle to maintain enthusiasm at a time when the hip, wealthier travelers have all gone to Mars. With its deadpan tone, frequently improvised dialogue from non-professional actors (including Reeder, himself) and eccentric production design featuring color-saturated, patterned or monochromatic sets and oddball costumes and hairstyles, it very much is the work of a visual artist. 2 p.m. Sunday. Free. Cincinnati Art Museum’s Mary R. Schiff Library & Archives, 953 Eden Park Drive, Mount Adams, cincinnatiartmuseum.org.
CHARITY: CINCINNATI GORILLA RUN
This Sunday don’t be surprised to find downtown resembling a scene from Planet of the Apes. Hundreds of runners dressed as our endangered primate relatives will be participating in the Cincinnati Gorilla Run 5K presented by The Gorilla Glue Company, which aims to raise money for the Mountain Gorilla Conservation Fund. Gorillas found in the African mountains are close to extinction, and the Mountain Gorilla Conservation Fund is working to expand the program’s wildlife health and research center in Uganda. Registration closes at 5 p.m. March 28. Race opens at 9 a.m.; run starts at 11 a.m. $99.95 first-time gorillas; $40 and up for returning gorillas; $15 kid gorillas. Montgomery Inn Boathouse, 925 Riverside Drive, East End, cincinnatigorillarun.com.
ATTRACTIONS: MUMMIES OF THE WORLD
The Cincinnati Museum Center’s new once-in-a-lifetime exhibit, featuring real mummies and artifacts, some dating back as far as 4,500 years, is in its final weeks. Discover how mummies are created, where they come from and who they are in an immersive, multi-media display. Through April 26. Non-member exhibition-only tickets: $19.50, $17.50 senior, $12.50 child. Cincinnati Museum Center, 1301 Western Ave., Queensgate, mummies.cincymuseum.org.
Today, whenever the terms “remake,” “reboot” or anything like that pop up in terms of film or TV, people automatically assume the worst thing imaginable. While I won’t deny the fact that there have been several remakes that have been pointless, there have been a lot of remakes that have been very good and, in a lot of cases, have improved on a few aspects.
Now, I’m not claiming that the 10 I’m listing off are “better” than the original. Instead, these films (listed by release date in chronological order) are evidence that a remake is not an automatic seal of sucking.
The Magnificent Seven (1960, John Sturges)
I’m sure some of you saw this coming given what my first "Reel Redux" was about, but none the less this is still a pretty good film. A remake of Akira Kurosawa’s Seven Samurai, this version doesn’t do too much different from the original film but it is still holds up through its fine acting, amazing music score and story.
A Fistful of Dollars (1964, Sergio Leone)
Another remake of a Kurosawa film, this time a remake of his film Yojimbo. In this film you see the foundations of Eastwood’s most famous screen persona, many of Leone’s trademarks and an awesome final duel. A good stepping stone for anyone wanting to get into Spaghetti Westerns.
The Thing (1982, John Carpenter)
Yes, believe it or not there are some good horror remakes, and this was one. John Carpenter’s remake of the Howard Hawks-produced The Thing from Another World ups the ante with the suspense and gore. This is not for the faint of heart. But it’s more than just a gore-fest — it’s a film with amazing suspense and atmosphere.
Little Shop of Horrors (1986, Frank Oz)
This music adaptation of the Roger Corman B-movie is a genuine delight and definitely improves on a few aspects of the original, mainly the special effects. That glorious Audrey II puppet is a testament to how great practical effects can be. Also, Levi Stubbs of The Four Tops is a perfect voice for Audrey II.
Beauty and the Beast (1991, Gary Trousdale & Kirk Wise)
This classic Disney animated musical actually has a lot in common with the 1946 French surrealist adaptation by Jean Cocteau. Both beasts have a similar design, both feature a castle of human servants that are also appliances, and both have a Gaston equivalent. But of course the animated version does do a few things differently, mainly musical numbers, funny side characters and, of course, being a cartoon.
Homeward Bound – The Incredible Journey (1993, Duwayne Dunham)
Here’s another Disney remake that proved its worth. A remake of the 1963 movie just called The Incredible Journey, this renditions seems to hold up for anyone because of the animals. All three have distinct voices and personas that make us love and root for them.
The Birdcage (1996, Mike Nichols)
A film by the late Mike Nichols and starring the late Robin Williams is a remake of a French-Italian film called La Cage aux Folle. With the combined comedic charm and brilliance of Williams and Nathan Lane, it’s no wonder why Nichols had a hard time holding his laughter during some of the scenes. My words won’t do it justice — you just have to watch.
Lord of the Rings Trilogy (2001-2003, Peter Jackson)
If we’re loosely defining the term remake, Jackson’s fantasy trilogy is technically a remake of Ralph Bakshi’s Lord of the Rings (1978) and Rankin/Bass’ Return of the King. If you’ve seen those animated films then you can see why Jackson’s are usually the preferred versions. Jackson's films create an epic fantasy environment, they have an amazing film score and feature some awesome battle sequences.
3:10 to Yuma (2007, James Mangold)
Many hold the original 1957 film as a classic and it is, but Mangold’s version doesn’t try to duplicate it. Instead he goes the action route, and it does not disappoint. The gunfights are stunning throughout the film. Also, the chemistry between Christian Bale and Russell Crowe is stunning, and it also has a great villain performance from Ben Foster.
True Grit (2010, Ethan & Joel Coen)
My first two listed were westerns and so we end with two westerns. The Coen Brother’s version of the manhunt of Tom Chaney is truly phenomenal. The Coens stay close to the tone and style of Charles Portis’ original book by sticking to the dryer tone, keeping it less romanticized and “Hollywood.” And it features some trying fantastic performances from everyone.
Last night before photographer Roe Ethridge's FotoFocus Lecture at Cincinnati Art Museum, FotoFocus' Artistic Director Kevin Moore announced the organization is co-presenting a two-day symposium on photographer Robert Mapplethorpe's work with the Contemporary Arts Center on Oct. 23-24.
It will mark the 25th anniversary of CAC's presentation of The Perfect Moment, the retrospective of Mapplethorpe's work that prompted conservative elements — led by then-Sheriff Simon Leis Jr. — to pursue criminal charges for alleged obscenity. (Some of Maplethorpe's work in the show was sexually graphic.) A Hamilton County jury cleared the museum of all charges.
Specifics for the symposium have yet to be announced, although indications are speakers from around the country will be invited. Also not yet announced is what, if any, works by Mapplethorpe will be shown and in what context.
Information should go on on the FotoFocus site when firm.
A terrified-looking local 2-year-old has become something of an Internet sensation over the past week. In a funny photo with a cute story-turned-viral image, Quincy Kroner posed with two friendly looking garbage men in front of their truck (as he held his own mini garbage truck toy).
Pictured: Internet gold.
Dad and Northside resident Ollie Kroner, who’s no stranger to CityBeat, posted the photo on Facebook, saying, “Quincy's been waiting all week to show the garbage men his garbage truck. But, in the moment, he was overwhelmed in the presence of his heroes.” The photo was shared by friends and family, then their friends and so on until the image appeared prominently on Tumblr, Imgur, Awkward Family Photos, Huffington Post and ABC News.
Despite the sudden fame, Quincy continues to live a low-profile, tiny human life. Read more here. (Worth noting is the writer’s choice to drive home the point that “it started with a sticker chart” and to include the comment "Garbage men get swole as hell and are generally the greatest people around.")
Stock footage provider Dissolve created a “faux” TV trailer using only stock video, and it appears only slightly more generic that a CBS fall lineup.
Just in time for Mad Men’s final season premiere, AMC paid tribute to the show with a bench resembling the Don Draper silhouette logo that has become so iconic. The bench — which I really need them to mass-produce — was unveiled in front of the Time-Life building, which Sterling Cooper & Partners has called home in Mad Men universe since Season Four. Jon Hamm was profiled in GQ’s April issue, and the show’s leading man shared some advice given to him from a guy who knows what it’s like to portray an iconic TV character and then, suddenly, not — Breaking Bad’s Bryan Cranston.
"It's hard, man," Cranston told him. "It's hard to let it go. It'll hit you a couple of different ways at different times."
But before you get depressed thinking about all of Mad Men joining Walter White and the other characters in the big TV set in the sky, there’s still a whole (OK, half) season of Mad Men to obsess and drink over, starting April 5.
Serena Williams made her own 7/11 video a la Beyoncé.
Almost as good as the original and how cute is it when she stops dancing to let that old man walk by? Definitely needed more azz, though.
Goodbye Zuckerberg, hello Luthor! Jesse Eisenberg lost his curly locks to embody his upcoming role as Lex Luthor in Batman v Superman: Dawn of Justice. Check out his TRANSFORMATION (he just shaved his head) here.
The cast of Pretty Woman the movie’s 25th anniversary with a reunion on the Today Show. While it has been quite a few years since the last good hooker-with-a-heart-of-gold movie, don’t count on a sequel. They say there will never be a Pretty Woman 2. At least some things are sacred.
With that being said, of course there’s new remake news this week.
Fox announced that David Duchovny and Gillian Anderson will return as Mulder and Scully in the network’s limited-series reboot of The X-Files.
The John Candy classic Uncle Buck is also getting a TV remake. Mike
Epps and Nia Long are set to star in the ABC comedy. (This isn’t the first time
Uncle Buck is getting the TV
treatment — there was a short-lived series of the same name in 1990). Until
then, go downtown and have a rat gnaw that thing off your face.
Some movies are getting turned into TV shows while some television series are getting reworked for the big screen. Finally, the Entourage movie trailer is here.
Who doesn’t love a good conspiracy theory? Reddit user Euchrid_Eucrow posted an in-depth analysis on the Barenaked Ladies song “One Week” (yes, you’re reading all of this correctly) in the Fan Theories subreddit. S/He argues that that song — an upbeat Pop-Rock earworm full of random bits of early-Millennium pop culture — is about a man who killed his girlfriend and is slowly going mad as he stays in a room with the corpse. Internet!
Here’s Sarah Jessica Parker throwing fifty shades of shade at Tom Hanks at a hockey game.
Forget Resting Bitchface —
Carrie Bradshaw’s got a very active bitchface.
Know Theatre of Cincinnati
Andrew Hungerford, Know Theatre’s artistic director, has pointed out that the coming season is the company’s 18th, and that at years of age, “We’re ready to do everything that entails: step into a wider world, fall in love, confront loss, get a crazy summer job, have a history lesson, party with some college kids, give up our childhood toys, obsess over Star Wars again, rail against poverty and injustice, engage in civic discourse, major in the sciences and then, maybe, take a trip to the beach.” Know is planning a lot of shows including works that are entertaining and socially conscious and that offer lots of opportunities for local artists.
“As we near the 10th anniversary of moving into our home at 1120 Jackson St., I think we’re getting ever closer to the vision that Know Theatre’s leadership has always had for this space,” says Producing Artistic Andrew Hungerford. “From our mainstage to Serials to Fringe, there is so much happening on our stages. It really is a theatrical playground here. And seeing the Underground filled with an audience eager to be a part of the next crazy thing we make reminds me exactly why I took this job.” Hungerford is completing his first season of artistic leadership. Here’s what’s in store for his second:
Serials 3: Roundhouse (Late June) will be another stab at short-form theater. This time out there will be five playwrights involved in creating five episodic plays. Each week they’ll trade who’s writing which story.
One-Minute Play Festival (July 10-12, 2015) This event will invite writers to consider the world around them, their cities and communities and the ways they view the world, then write topical moments that say something about what’s happening here and now. The results, probably 70 to 90 of them, will be put together into three evenings of performance.
Hundred Days (July 24-Aug. 22, 2015). This is a show conceived by the Bengsons, a singer-musician couple who have been Cincinnati Fringe festival favorites, and they workshopped it here in 2011. It’s about a couple whose time together is cut short by a fatal illness. They decide to live the 100 days left as if it were the 60 years they had hoped for.
The Hunchback of Seville by Charise Castro Smith (Oct. 9-24, 2015) with CCM drama students, will be staged by CCM drama faculty member Brant Russell. Set in 1504 in Spain, it’s an irreverent comedy that turns historical atrocities on their heads.
Andy’s House of [blank] by Paul Strickland and Trey Tatum (Oct. 30-Nov. 14, 2015). This will be a fully staged version of the show that was presented in 15-minute increments across the five evenings of Serials 2: Thunderdome. (It’s the only show that made it through five weeks.) It’s a small-town, mystery-spot, time travel musical about an unusual man who runs a store that’s an every changing emporium of oddities. Strickland and Tatum are Fringe Festival veterans.
All Childish Things by Joseph Zettelmaier (Nov. 20-Dec. 19, 2015) is about three guys who still have Star Wars on the brain, despite being 30 years old. It’s set in Norwood, and the fact that Kenner, designer of Star Wars toys was headquartered in Cincinnati, is important to this story. This production happens right around the time that Star Wars: Episode VII – The Force Awakens will be in movie theaters. The playwright has been recognized several times by the American Theatre Critics Association, including this play in 2006.
The Naughty List by OTR Improv at Arnold’s Bar & Grill (December 2015) picks up on the Star Wars theme, too. This holiday iteration is subtitled, “The Jolly Awakens.”
Serials 4! (January 2016). Another round of episodic storytelling.
BlackTop Sky by Christina Anderson (Jan. 29-Feb. 20, 2016) is a story about love, violence, community, mental illness and the line between poverty and true homelessness. Kimberly Faith Hickman, the New York City-based director who staged Know’s thought-provoking production of The Twentieth-Century Way in April 2014, will stage it.
Beertown by dog & pony DC (March 2-19, 2016) is another crossover by a Fringe Festival act: dog & Pony performed A Killing Game here in 2013. For this show, they’ll present alternative tales about our town’s history and we get to choose which version we like — a mash-up of choose your own adventure and maybe a murder mystery dinner party. Every performance begins with a dessert potluck; audiences are encouraged to bring a dessert to share.
Silent Sky by Lauren Gunderson (April 15-May 14, 2016), one of America’s hottest young playwrights. Know presented her Macbeth-themed script, Toil and Trouble back in 2014, and the Cincinnati Playhouse is giving her new play The Revolutionists its world premiere in February 2016. Silent Sky is the true story of 19th-century astronomer Henrietta Leavitt and a group of revolutionary women who found a way to measure the universe.
The thirteenth annual Cincinnati Fringe Festival happens in late May and early June 2016. Followed by one more (June 24-July 16, 2016) show that’s still TBA (June 24-July 16), but Hungerford hints that it could be by Steve Yockey, whose surreal Pluto was staged by Know early in 2014.
New Edgecliff Theatre
New Edgecliff Theatre has announced three shows for its 2015-2016 season, planned for a new Northside venue at St. Patrick’s Church. “These are plays that challenge the way the characters view their lives and the circumstances they find themselves in,” says Producing Artistic Director Jim Stump. “They are stories of how much can change when you change how you look at things.”
Frankie and Johnny in the Clare de Lune by Terrence McNally (Sept. 17-Oct. 3, 2015). Jared Doren staged an excellent production of William Inge’s Bus Stop for NET in 2013, and he’ll be back to put together this show about a pair of lonely, middle-aged people whose first date ends with their tumbling into bed. Things head in different directions from there. This show, which debuted in 1987, had a sterling production at the Cincinnati Playhouse back in 1989; the Playhouse presents a new play by McNally, Mothers and Sons, in the spring of 2016.
The Santaland Diaries (Dec. 3-19, 2015) is a reprise of David Sedaris’s very funny monologue about working as an elf in Macy’s Santaland in New York City. This holiday staple has been missing from local stages for two seasons; it will be fun to see it again.
The Shape of Things by Neil LaBute (April 14-30, 2016). Former NET artistic director Elizabeth Harris will direct LaBute’s 2001 play about a man who thinks a woman is romantically interested in him when she’s actually using him as the subject of her MFA thesis project.
Under the management of new artistic director Maggie Perrino, Covington’s Carnegie will present four productions of well-known theater titles in the Otto M. Budig Theater.
Company by Stephen Sondheim and George Furth (Aug. 15-30, 2015) is about a single man and his married friends. The show, which won a dozen Tony Awards in 1971, has some of Sondheim’s greatest musical numbers, including “The Ladies Who Lunch,” “Getting Married Today” and “Being Alive.”
Sleuth by Anthony Shaffer (Nov. 7-22, 2015) is about playing games, but in this tale, the games are deadly serious. Veteran director Greg Procaccino will stage this famous Tony Award winner, a whodunit that will keep audiences guessing from start to finish.
The Wizard of Oz by L. Frank Baum, music and lyrics by Harold Arlen and E. Y. Harburg (Jan. 21-31, 2016) will be the Carnegie’s “lightly staged” musical for the coming season — a production that puts music and storytelling over physical staging. The production will feature the Kentucky Symphony Orchestra, led by J. R. Cassidy, performing all the tunes from the classic 1939 movie.
The Last Five Years by Jason Robert Brown (April 9-24, 2016) is an excellent contemporary musical (from 2001) about Jamie and Cathy, a young couple going through a divorce. His story and hers travel in opposite directions through time. Brown is one of the best of Broadway’s next generation of composers.
Commonwealth Dinner Theater
This company offers professional productions with dinner at Northern Kentucky University during the summer months. Productions are often sold out, so be sure to call early to reserve tickets (859-572-5464). This summer’s shows have characters from opposite ends of the age spectrum.
The Sunshine Boys (June 3-21, 2015) is Neil Simon’s 1971 comedy about two aging vaudevillian comics who have grown to hate each other after 40 years of working together. They’re reuniting for a special about the history of comedy, but keeping them on the same page is no easy task.
The 25th Annual Putnam County Spelling Bee by William Finn and Rachel Sheinkin (July 8-26, 2015) is about a contest featuring six quirky adolescents, overseen by three oddball adults. Its 2005 Broadway production was a surprise winner of several Tony Awards. Brush up on your spelling and you could be one of several audience members invited onstage to test your skills against the “kids.”
In its second year as a degree program, Xavier University Theatre is undertaking an ambitious season that features two Broadway musicals, a world premiere and a contemporary drama, staged by former Cincinnati Playhouse artistic director Ed Stern.
The undergraduate actors at Xavier will give Cincinnati audiences a second chance to see The 25th Annual Putnam County Spelling Bee (Oct. 22-24, 2015).
Stern will direct Kenney Lonergan’s This Is Our Youth (Dec. 3-6, 2015), the story of three wayward young people navigating New York in 1982 as they try to thread their way into adulthood.
In an especially challenging endeavor, the theatre program will present three plays in repertory during a two-week stretch (Feb. 17-28, 2016): Miss Julie by August Strindberg will be staged by veteran actress Torie Wiggins; Betrayal by Harold Pinter will be staged by another stage veteran, Bruce Cromer; and a new play by student playwright Tatum Hunter, Eve, will be staged by Bridget Leak.
Jonathan Larson’s rock musical Rent (April 21-24, 2016) will round out the season. It’s another Tony Award winner — and it landed a Pulitzer Prize, not often bestowed on a musical. Set in New York’s East Village, it follows a story about bohemian artists struggling to get by, inspired by Puccini’s opera, La Bohème.
Actors Theatre of Louisville
In 2016 the Humana Festival of New American Plays marks its 40th anniversary at Actors Theatre of Louisville. The theater has commissioned Sarah Ruhl, one of America’s most respected current playwrights, to create a new work, Peter Pan on her 70th Birthday, for the occasion. The play, a moving look at growing up and growing old within a family, will be presented from March 10 to April 10, 2016. Ruhl’s works have been offered by many of Cincinnati’s theatres — The Clean House by the Cincinnati Playhouse, Eurydice by Know Theatre, Dead Man’s Cell Phone by Ensemble Theatre and In the Next Room (or The Vibrator Play) by CCM Drama at the Carnegie in Covington.
People’s Liberty, a local group that describes itself as a “philanthropic lab that brings together civic-minded talent to address challenges and uncover opportunities to accelerate the positive transformation of Greater Cincinnati,” has announced eight new grantees who will receive help and funding from the organization for their various project proposals.
The group previously announced two 2015 Haile Fellows to receive funding and other support from People’s Liberty. Brad Cooper’s Start Small project involves building two efficient, low-cost “tiny houses” and engaging residents about the benefits of “tiny living” (the small, affordable homes will be powered by solar panels). Local musician Brad Schnittger was also named a Haile Fellow and is working on a music publishing platform called MusicLi, which will feature a library of original music by artists in Greater Cincinnati that can be licensed for commercial use (and provide income for the artists). Schnittger is currently surveying area businesses interested in using music in advertising to get a sense of their needs (click here if you’re involved in a business that would like to participate). There will be an event on May 7 at Over-the-Rhine’s Woodward Theater (6-8 p.m.) to discuss the new venture (Cincy’s Buffalo Killers will provide live music). Click here for details.
The just-announced Spring Project Grantees were chosen by a panel of creative types, business people and others from the community. This round of grantees includes CityBeat editor Maija Zummo, along with partner Colleen Sullivan, whose project Made in Cincinnati is a planned “curated online marketplace that simplifies shopping locally by offering goods directly from Cincinnati’s best craftspeople, creatives and artisans in one centralized location.”
Others chosen by the panel include Daniel Schleith, Nate Wessel and Brad Thomas’s Metro*Now project, which will provide signs with real-time Metro bus information; Nancy Sunnenberg’s Welcome to Cincinnati tool, to help newcomers connect with “local organizations, businesses and civic opportunities”; Mark Mussman’s Creative App Project, which will certify several Cincinnati residents via an Android App Developers educational series; Alyssa McClanahan & John Blatchford’s Kunst: Build Art, a print magazine focused on redevelopment projects for local historic buildings; Quiera Levy-Smith’s Black Dance is Beautiful, described as a “cultural event … designed to showcase diversity in Cincinnati dance, as well as encourage youth to pursue their passions and break down barriers”; Anne Delano Steinert’s Look Here!, a history exhibition to take place in Over-the-Rhine and feature 50 historic photos to help people connect that neighborhood’s past and present; and Giancomo Ciminello’s Spaced Invaders, an interactive installation featuring “a projection mapped video game that will activate the abandoned spaces once occupied by buildings.”
For more information on People’s Liberty’s work in the community (including information about how to apply if you have a good idea), click here.
Tonight at 6:30 p.m., Cincinnati Art Museum will host a symposium on Moby-Dick: How a 19th Century Novel Speaks to the 21st Century. This free event features Elizabeth Schultz, author of
Unpainted to the Last; Samuel Otter, editor of Leviathan; Matt Kish, author of
Moby-Dick in Pictures, and Emma Rose Thompson of Northern
Kentucky University. The moderator will be Robert K. Wallace, an English
professor at Northern Kentucky University who has taught a course on
Herman Melville's Moby-Dick since 1972. You
can RSVP at moby-dick-symposium.
This is the opening event to a Moby-Dick Arts Festival, co-organized by Thompson and Wallace, that then takes place at
the Covington branch of the Kenton County Public Library and NKU from Saturday through Monday. From 9 a.m.-9 p.m. Saturday and Sunday, there will be a marathon reading of the novel at the library. You can sign up for a 10-minute slot at mobydick.nku.edu. Ther
On Monday, there is an all-day symposium on the book at NKU, beginning at 9 a.m. in the Budig Theater. More information is available at mobydick.nku.edu.
A limited amount of early-bird passes to the 2015 MidPoint Music Festival are on sale now. Tickets good for all three days of the fest are available for $69, while V.I.P. passes are only $149. Once this first batch of passes is gone, weekend passes will be $79 (and $179 for V.I.P.s) through Labor Day, when another $10 price increase kicks in. The tickets are available for purchase at mpmf.cincyticket.com.
MPMF has also announced a new date shift. After 14 years of running Thursday-Saturday, MidPoint 2015 will take place Friday, Sept. 25-Sunday, Sept. 27. Organizers say the move was to make things easier for out-of-town guests (who previously might not have been able to make the Thursday shows) and also allow for more daytime programming opportunities, including in Washington Park, which is expected to see an increase in attractions and music showcases.
Stay tuned here and at MPMF.com (where artists can also submit for showcase consideration through May 17) for the latest MidPoint developments. You can also follow MPMF on Twitter here and Facebook here for more up-to-date info.
We all have that one Disney movie that we love dearly. The one film that, despite whatever age we are, we can watch and enjoy. For me there are several that meet that criteria: The Three Caballeros (1945), Beauty and the Beast (1991), The Great Mouse Detective (1986) and countless others. But the one film that takes the No. 1 spot on my list is Davy Crockett, King of the Wild Frontier, Disney’s take on the adventures of famed frontiersman and one-time congressman. The movie’s plot ranges from his time in the Creek Wars to his congress years to his final stand at the Alamo.
If I may get personal for a moment: I was obsessed with this movie when I was kid. I couldn’t get enough Crockett related stuff. I even dressed up as Crockett for Halloween one year. I was heartbroken when the film’s lead actor, Fess Parker, passed away in 2010. So, yes, this movie meant a lot to me. In a way, it set me on the path to my love of films and shaped me in a lot of ways.
I’m sure to some people the biggest flaw with the movie is that the plot is a rather romanticized telling of Crockett’s adventures. There’s very rarely a moment where he isn’t an upstanding guy, but to me that kind of works for the film. Walt Disney had no pretentions about this film (originally a mini-series) — he wasn’t planning on making this a super deep movie with complex characters and themes. What Disney wanted to do was take an iconic American folk hero and give the intended audience a person to look up to and root for. To me, you couldn’t anyone more perfect than actor and future wine maker Fess Parker.
Now as I stated before, Crockett’s portrayal in the film is a romanticized, but that doesn’t mean there aren’t some powerful moments — outside of the heroic times — with him. For me, one of the best emotional moments in the film is when Crockett receives word about his wife’s death. His sidekick throughout the film Georgie Russell (Buddy Ebsen) reads a letter delivering the unfortunate news and you can see the news slowly sinking into him. Russell consoles him and asks him if there’s something he can do, and all Crockett says is, “Just give me some time to think.” He then slowly and quietly walks into the woods to try and figure out what to do without his other half. Without any dialogue or music playing, we get a true sense how deeply this has affected him.
The film doesn’t shy away from all the historical facts; the most obvious example is that in the end he and his comrades die at the Alamo. Granted, they don’t show Crockett’s death onscreen but, then again, given how nobody knows how Crockett actually died it makes sense that we don’t see it. The movie ends with him swinging his rifle like a club at the overwhelming forces without a hint of fear.
Like a lot of classic Disney films, it features many great qualities: It has a memorable soundtrack that will have you humming its songs for hours on end; a great sense of adventure and excitement; and a terrific cavalcade of characters performed by great character actors. I mentioned earlier Parker and Ebsen who have amazing chemistry together. There’s also stunt-man Nick Cravat as the mute Comanche Indian named Busted Luck who shows that not only does he have bravery but he's also very witty and smart. There’s a great scene where he foils a trickster’s attempt at swindling him out of food. Speaking of which, there’s the dandy riverboat gambler Thimblerig played by Hans Conried who is a delight in every scene. Some of you know him best as the voice of Captain Hook in Disney’s Peter Pan (1953) and as Thorin in Rankin/Bass’ version of The Hobbit (1977).
haven’t seen this Disney gem, do yourself a favor and check it out,
especially if you have youngsters. Then check out the prequel Davy Crockett and the River Pirates
featuring the fun and bombastic character actor Jeff York as Mike Fink, King of
Hello Cincy. You know what time it is. Yep, news time.
It’s become a dependable, even comforting, routine. On Thursday mornings, I sit down and tell you all about the ways in which City Council bickered over the streetcar in its Wednesday meeting. The tradition continues. A discussion yesterday about proposed Over-the-Rhine parking plans, which have been bandied back and forth for months, quickly devolved into a debate over the streetcar’s operating budget gap. Mayor John Cranley has been using that gap, which could be as high as $600,000 a year because of shortfalls in revenue and advertising receipts, as a reason council should pass his version of the OTR parking plan.
Cranley, who formerly proposed $300-a-year parking passes for residents in the neighborhood, now wants the passes to be valued at a market rate determined by the city manager. Meanwhile, Councilman Chris Seelbach has another idea: Cap the costs of the permits at $108. Seelbach’s plan calls for 450 permits, plus 50 non-metered, non-permitted flex spots for bartenders, waiters and the like who work in the neighborhood. Cranley’s plan calls for more flex spots. Either proposal would likely yield the highest-cost neighborhood parking permit in the country.
At issue is a philosophical debate: Cranley wants OTR residents to shoulder more of the cost of the streetcar. He also says the city has done enough to subsidize residents in OTR, citing tax abatements on many properties in the neighborhood and the fact that metered spots on the public streets around them would bring in more money than the permits do. Streetcar supporters like Seelbach and Councilwoman Yvette Simspon, however, say the streetcar is about economic development and that it will benefit the entire city, not just OTR residents. They say it isn’t fair to place its financial burden so much on those living in the neighborhood. Seelbach also points to residential parking permits in other neighborhoods, which are priced much more affordably than Cranley’s OTR plan.
• There was also a big hubbub about whether or not the streetcar will get in the way of major downtown events on Fifth Street like Oktoberfest and Taste of Cincinnati. Mayor John Cranley yesterday railed against, as he said, “the idea that the city was secretly trying to discourage these events from maintaining their historic location,” and touted measures by city administration to make sure it doesn’t happen.
The backstory: In 2014, then-City Manager Scott Stiles released a memo stating that no special events could disrupt the streetcar’s operation. Depending on what you take “special events” to mean (i.e. is something that has been scheduled every year for at least a decade a special event?) that could mean the streetcar would take precedence over some beloved Cincinnati traditions. However, an agreement between streetcar operators SORTA and the city also signed later in 2014 allows streetcar operations to be disrupted for events up to four times a year. Sooo, yeah. Were those events ever actually in danger of being moved for the streetcar? Unclear.
• Citizens for Community Values President Phil Burress thinks defeat may be at hand, at least in the short term, when it comes to the looming Supreme Court case around same-sex marriage. Springdale-based right-wing CCV has pushed a number of anti-gay rights measures over the years, and Burress was instrumental in engineering Ohio’s 2004 constitutional amendment banning gay marriage. That law is part of the current SCOTUS case. Burress told the Cincinnati Enquirer he’s “not very optimistic” about Ohio’s ban withstanding the court challenge, mostly because he says some of the justices are biased and don’t respect state sovereignty. But Burress also promised that the issue “won’t go away” anytime soon. You can read our story about case, and the local folks who are making history as the plaintiffs, here.
• The Ohio House of Representatives last night passed a record-breaking two-year budget for the state that looks much different than the one Gov. John Kasich suggested. The proposed budget spends more than the state ever has, while taxing top-tier earners less than it has in the past three decades. The proposal would put Ohio’s top income tax rate below 5 percent for the first time since 1982 but forgoes Kasich’s more regressive plan to lower income taxes by 23 percent and use a sales tax hike to pay for the cuts. The $131.6 billion spending package, the largest in state history, also zeroes out much of Kasich’s proposed reform to education spending. Kasich is not exactly stoked by the budget.
“After the fiscal crisis subsides people think it's OK to slip back to old habits,” Kasich’s office said in a statement to press. “The governor will do everything possible to prevent that from happening."
The budget isn’t a done deal. Next it heads to the state Senate, which is cooking up its own budget anyway.
• After those long-winded updates, here's a quickie or two: Is former Florida Governor Jeb Bush really the cuddly moderate he's been made out to be, and, if not, does that open up a window of opportunity for Ohio Gov. Kasich in the GOP 2016 presidential sweepstakes? Despite being a proponent of Common Core and having some less-than-hardline views on immigration, ol' Jeb does have some harder right tendencies as well that make him more complicated to consider. This article gives some good examples.
• Finally, as a person who recently transitioned to Microsoft Office 365 for all my workaholic email needs, I really appreciate this hilarious Washington Post article about the company's new ad campaign. I really do love working while I'm also sleeping face down in my bed.
That is all. Tweet me. Email me. Or don’t. Actually, just go outside and enjoy the sun. But bring your smart phone just in case.