Jazz musician Brian Newman, Ohio native and graduate of the University of Cincinnati’s College-Conservatory of Music, has become a New York City Jazz scene staple with his group’s popular residencies in the city. And he’s been popping up on national television a lot recently thanks to his role as the bandleader of Lady Gaga’s Jazz projects. Gaga has employed Newman’s group for various Jazz performances over the past few years, including surprise club gigs in NYC and the singer’s 2011 network TV special, A Very Gaga Thanksgiving.
Newman and his group, which features fellow CCM grads (and onetime players in Cincinnati’s music scene) Steve Kortyka (saxophone), Alex Smith (piano) and Scott Ritchie (bass), have also been working with American music icon Tony Bennett, thanks to Bennett and Gaga’s recent collaborative album, Cheek to Cheek, released in late September. For live and promotional appearances, Gaga’s Jazz backers meld with Bennett’s.
Newman and Kortyka were recently seen backing Bennett on The Tonight Show (Gaga was unable to make the appearance, but taped an intro for the segment).
Newman was also the “guest bartender” on the popular Bravo show, Watch What Happens Live. The trumpeter got sucked into the action during the “after show” when his mom and dad called in; click here to check out the cute clip in which Newman thanks his parents for letting him do whatever he wanted and pursue his musical career.
The full CCM-schooled crew will be featured on Tony Bennett & Lady Gaga: Cheek to Cheek LIVE!, part of PBS’ “Great Performances” series. Filmed at Lincoln Center in late July, the hourlong concert special premieres on Cincinnati PBS channel WCET on Oct. 24 at 9 p.m.
It's the weekend, y'all.
And as it approaches 5 p.m. on a Friday, you're probably thinking to yourself, "What should I do this weekend?" Why not try one of these …
- Sauerkraut Pizza. Made by the Order of the Eastern Star Masons, the handmade pizzas come in whole pies or slices and are topped with tomato sauce, cheese, green peppers, onions and sauerkraut.
- Cabbage Rolls. For more than 30 years, St. Augustine's Church has cooked cabbage rolls for the festival — recently, more than 10,000 per weekend. Cooked cabbage leaves are filled with ground beef, rice and spices and covered in tomato sauce.
- Sauerkraut desserts. The Waynesville Chamber of Commerce will be serving up sauerkraut pie, sauerkraut fudge, sauerkraut brownies and sauerkraut cookies.
- Sauerkraut Balls. A classic: breaded and fried sauerkraut and bacon, served by the Waynesville fire department.
- German Sundae. This is a pile of potatoes, topped with kraut, sour cream, cheese, bacon and green olive. (Recipe below.)
Remember when Guy Fieri and his Flavortown mobile came to Cincinnati this summer to film Diners, Drive-ins and Dives? The Food Network star made appearances at several area restaurants from Corryville's Island Frydays and Northside's Melt to a bevy of spots in Over-the-Rhine. Melt and Island Frydays' segments have since aired; tonight, a special OTR-centric episode of DDD premieres.
Vine Street eateries Senate, Bakersfield and Taste of Belgium will all be featured in this "One Street Wonders" episode. Typically three restaurants from three different cities are compiled in each episode; tonight, the entire episode will be devoted to OTR's Gateway Quarter. Tune into Food Network at 10 p.m. Go here for additional showtimes and recipes from Senate and Taste of Belgium.
Diners Drive-ins and Dives is no stranger to Cincinnati. Before this summer's filming, Fieri had visited Terry's Turf Club, Blue Ash Chili and Virgil's Cafe for the show.
When I first met Valley of the Sun, one of the first things Ryan ever said to me was, “So you’re the enemy,” with a huge grin on his face. He was obviously referencing something and was extremely happy that he was finally able to do so.
I didn’t get it.
For those of you as clueless as I was, it’s from Almost Famous, the story of a young boy who gets to live his dream and follow a band on a nationwide tour while writing a story for Rolling Stone. In it, one of the band members continually calls his newfound follower the enemy because he sees everything — the good, the bad, the ugly, the drunken — and he can report on it all.
As I sit on a plane, 53 minutes away from Brussels, I finally get the reference (it doesn’t hurt that I watched Almost Famous for the first time the night before we left). So far I’ve watched Aaron drink wine straight from the bottle, seen Nick blatantly break the “no smoking” rule on international flights and learned just how cutthroat the game of Dibs can be. Ladies: Yes we are staring at you and yes we are claiming each and every one of you. Also, selfies. So many selfies.
It’s been pretty calm so far. Seating has been a breeze, Aaron and I prefer aisle, Ryan and Nick are window guys. Our connections have been effortless, leaving plenty of time for piss breaks and pizza runs. The flights were all smooth and filled with enough dibs-worthy frauleins to keep us busy the whole time. Even our luggage was fairly easy to manage. Only two gear bags needed some re-Tetrising, but it was easily corrected.
The trip out of the airport in Brussels was a bit more stressful. We had a hard time corralling our luggage, we couldn’t find our van and Ryan was stopped by an adorable drug dog and his less than adorable handler. But it was all sorted out and we headed out for Desertfest, our first show in Antwerp, Belgium.
The ride was short and we were the first band to arrive. We used our free time to track down some Belgian waffles; Arnaud’s bilingual skills helped us procure food that we actually recognized and pay for said food. We also sorted out usual tour things like reorganizing the van into less of a clusterfuck, catching up with old friends, making introductions to new members and passing out itineraries. Ryan was kind enough to provide us with a day-by-day breakdown of times and locations, all set inside a classy Lisa Frank folder. Because kittens are metal.
Merch is being sold by an outside agency, so I get the night to enjoy some of Stoner Rock’s finest acts, like Witch Rider and Truckfighters. I will be in charge of filming the band with Nick’s Go Pro cameras. No guarantee of quality can be made, but considering our mutual state of exhaustion, I think it’ll be forgiven. Tonight’s sure to be an interesting start to tour. We’ve each been given six drink tickets, we’re running on about 30 minutes of sleep apiece and the boys are playing to a sold-out fest with attendees flying in from as far away as Japan. It’s definitely a trial by fire scenario, but I think they’re up to the challenge. They just might need a caffeine injection between now and then.
I think I’m going to wrap it up for today but I want to start a tally here that will hopefully carry on through the tour. We’re up to two Spinal Tap references/situations today. Check back in to see if we can run into any more locked doors later this week!
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
If imitation really is the greatest form of flattery, WCPO's John Matarese should feel truly honored. Someone has created a parody Twitter account, @John_Mattress, devoted to Mr. Don't Waste Your Money. Like the real Matarese, fake John offers penny-pinching tips, like this helpful idea:
Who runs the account and why it only has 7 followers remains a mystery. The account's first post is dated Aug. 27, but we just discovered the page when "John" recently tweeted @CityBeatCincy.
Follow @John_Mattress for real Matarese retweets, money saving pointers and video game musings. Seriously, one of the funniest parody accounts we've seen in a while. Here are a few of our favorites:
Are you @John_Mattress? Know who is? Please email any details to firstname.lastname@example.org.
Oh wow it’s Friday, I saw pretty much the best show I’ve seen in months last night when Mirah played MOTR Pub and I just had a pretty great donut and tons of iced coffee. But this isn’t a baked goods or early 2000s music blog (I wish), so let’s get to the news.
Attorneys for the Greenpeace activists arrested for hanging a banner from P&G’s headquarters in March lost a legal tussle yesterday as a judge ruled jurors wouldn’t be able to take a tour of the crime scene. The defense alleges the activists didn’t damage windows when hanging the banner, and that other windows on other floors have similar damage that pre-existed the protest. The felony charges against the activists hinge on that damage. P&G says the company has made so many changes since the incident, including new security measures, that a tour of the building would only confuse jurors. The judge in the case sided with the company, because nothing is more confusing to jurors comparing windows than some extra security guards milling about. Eight of the nine protesters face felony burglary charges that could land them in prison for more than nine years. A ninth protester made a plea bargain over the summer.
• Imagine this: guidelines from a federal agency are vague and clouded, and local factions on both sides of an argument are using that ambiguity to make political points. Shocker, right? The streetcar funding imbroglio is a white elephant gift that just keeps getting passed back and forth between the mayor, transit advocates and news organizations. First, the mayor said the city may cut streetcar service if the project’s $4 million annual operational funding gap isn’t filled. Advocates for the project objected, saying that the federal grants used to build the streetcar prohibit the city from doing so. Then a Cincinnati Enquirer story last month said the hours would be up to the city, with the Federal Transportation Administration staying out of the mix. But it also suggested that the city couldn’t run it only for special events, as Mayor Cranley suggested on 700 WLW in what he later called an “extreme hypothetical.”
Hm. So, uh, can we just get some numbers up in this? Like, just how many hours a week does the city have to run the streetcar? In its various grant applications to the FTA, the city has promised to run the streetcar 16-18 hours a day, 365 days a year. Is the city tied to that number? The FTA’s response to the controversy doesn't totally clear this up.
“We expect Cincinnati to provide the nature and quality of service that
it proposed in both the TIGER and Urban Circulator grant applications,
which were a consideration in the selection of the applications for the
award of grant funding,” the agency said in a statement responding to recent questions from the Cincinnati Business Courier. Well, huh.
• The clock is still ticking on an effort to establish a co-op grocery store at the site of the former Keller’s IGA in Clifton, but the game is now in overtime. Officials with the group Clifton Cooperative Market announced they’ve signed an extension on a contract to purchase the building on Ludlow Avenue near Clifton Avenue, and now have 90 more days to do so. The group is trying to raise $1.65 million to buy the building by selling shares to community members. So far, they’ve got more than 800 co-op members and $600,000 banked for the project. The market will be an “uptrend” grocery, which I think means $3 bottled sodas, a lot of quinoa and kale as far as the eye can see. I’m not hating. I like all those things.
• Here's an interesting story about the way the city of Cincinnati collects property taxes, and how small-government conservatives passed laws back in the late 90s limiting the amount the city can collect to a specific dollar figure. The results have been a mixed bag at best.
• Cincinnati is one of the worst places in the country for irrelevant political ads, a new study has found. I mean, given the level of non-representation we’re getting out of our federal, state and local politicians and the appalling lack of options we have for most races, I’d say pretty much anything these jokers slap on a billboard is more or less irrelevant. But alas, the study says our ranking is because our market is split between Ohio, Kentucky and Indiana and because candidates in one state often have to buy ads for the whole region.
• The accepted wisdom on millennials is that we’re all entitled Bard College grads working on our Tumblr poetry blogs and being snotty to baby boomers from our perch as lowly Starbucks baristas while we work to save up money to move to Bushwick. We really haven't helped ourselves in this regard, as we're pretty much a generation obsessed with branding ourselves as such. But hey! Did you know that two-thirds of millennials don’t have a bachelor’s degree? Did you know that many grew up facing deep poverty and lack of educational opportunity? This NPR piece gives a little more attention to young folks who you probably won’t see on an episode of Girls anytime soon. It’s a good read.
• Finally, I can't decide if this fake John Matarese Twitter account is trolling us or not. Or if it's even really fake. John, is that you?
CityBeat: When did you start getting into bar tending and creating craft cocktails?
Mike Georgiton: I’ve been a bartender for about 11 years. I was working for a while in fast-paced club kind of environment, and it wasn't until later that I got another job in a lounge. It was actually the worst job I’ve ever had; I hated it there. Eventually, the club changed hands, and the new owners brought some guys from Louisville to train everyone. I went through like 90 hours of training of cocktail history and that’s when I started making craft cocktails and started to enjoy the process. It wasn't until I started here that I began researching and getting creative. I started reading and figuring out more techniques and developing my own from there.
CB: What would you say is your technique/method in coming up with original cocktail recipes?
MG: I don’t like to read too many cocktail books. Books do help in getting kind of basic idea of what people are doing, but I like to get more inspiration from food and the way people pair food together. I ask myself, ‘How can I pair this food ingredient with a liquor?’ and that way I’m coming up with more obscure ingredients that are my own. Flavor combinations that chefs use in a lot of their dishes will push me to think, ‘Well, how can I tie in pistachios?’ or ‘How can I tie in this or that?’ I want to do something that’s completely different and inspired from my own source — something that no one else is doing.
CB: What’s your favorite ingredient to use in your cocktails?MG: My favorite ingredients are usually more food-type ingredients that chefs are also using in their dishes. My favorite liquor to use is Domaine de Canton, which is a cognac-based ginger liquor. I put it in a lot of drinks. It’s one of those that I love it because it goes good with everything, but I also kind of hate it because I want to put it in everything.
CB: Do you notice any changes in cocktail culture within OTR?
MG: I have noticed that, more than before, people are starting to get more creative in making original cocktails instead of just taking recipes from a book. People are using more modern techniques, and I think that’s great because that was always what I was more into than just traditional cocktails.
CB: What’s the strangest ingredient that you've ever put in a cocktail?
MG: Foie gras, which is stuffed goose liver. Hands down the most bizarre that I've done.
It's fatty and it’s easy. You cook it and render it down in a pan and add some cognac to it. I know cognac has always been a classic pairing with foie gras, so I thought it would be really interesting to come full cycle and put foie gras in the cognac. It was one of the initial cocktails that I did more of a direct food style. In the cocktail I added a fig emulsion, some black pepper tincture and sprinkled some nutmeg, which are all ingredients you usually find being used with foie gras. It turned out really great and is on the menu here [at Senate], but to get one great original cocktail you have to go through five horrible ones. It takes a lot of experimenting.
CB: What is one of your favorite cocktails served at the Senate?
Fidel Castro. It goes great with the fall season, and we have it pre-mixed and
ready to serve at Senate.
2 oz. oak-aged spiced rum
1/2 oz. pure maple syrup
3 dashes of Angostura bitters
1 dash orange bitters
1-inch piece of orange peel
Shake all ingredients together (except for orange peel) over ice in a cocktail shaker. Stir and strain into glass. Heat up orange peel with a lighter. Squeeze the peel over the glass, running the rim with it before adding to the cocktail.
Oak-Aged Spiced Rum
750 ml. bottle Bacardi Silver Rum
1 vanilla bean, halved lengthwise
2 whole cinnamon sticks
1 T. whole coriander, cracked
10 allspice berries, cracked
3 black peppercorns, cracked
2 whole nutmegs, cracked
1 1/2 tsp. whole cloves
1 T. cardamom pods, cracked
1 star anise
1 T. sarsaparilla bark or root (optional)
3 4-by-1-inch strips of orange peel, white pith removed
5 slices ginger root
1/4 cup French or American oak chips
Combine ingredients in a large glass jar. Cover and allow to age, shaking every few days. It can be used after a few days.
Cincinnati’s Zebras in Public recently unleashed a new music video for its hard-charging rocker “Blown Away,” a highlight of the band’s 2014 full-length release, Paradise Leg.
Directed by the band’s drummer, Chris Himes, the rumbling music is matched up with footage of the band members zooming around Full Throttle Indoor Karting in Springdale. The fast-paced visuals are a great match for the high-octane nature of the song.
This spring, CityBeat’s Brian Baker spoke with the band about its history and the release of Paradise Leg. Check it out here.
Today, I wanted to write about something that all five of us share on this trip. Something we all cherish, hold close and respect more than anything. I want to talk about something that holds us all together on a daily basis. The love of Rock & Roll.
Ha ha! Just kidding, I’m talking about gaffer’s tape.
Some of you may be asking what gaffer’s tape (aka gaff tape) is. Others of you may be saying that gaff tape is just like duct tape. To the first group, I will say that gaff tape is a wondrous roll of tape with properties that make it perfect for a touring band’s needs. To the second group, I will say, “Shut up, no it isn’t.”
Gaff tape comes in a large roll similar to duct tape, is generally black (shiny or matte) and adheres to just about anything. The non-stick surface and a Sharpie is a match made in heaven. And when you go sticky side to sticky side, nothing short of The Hulk (or a knife) will get that stuff separated.
But there is one attribute that makes it invaluable: it rips off the roll super easily. Anyone who has used duct tape knows what a struggle it is to get that stuff to part with the rest of the roll. OK, it’s not super hard to do, but when you’re half asleep, in some random European city, with 15 minutes till doors open and an entire merch area to set up, convenience is crucial.
To give you an idea of just how versatile gaff tape is, I want to share with you some of the myriad ways we’ve put gaff tape to work.
The first is makeshift signs. When you have to advertise what sizes we have left in stock on a shirt, gaff tape comes to the rescue.
We also use the black gold to hang our merch when no hooks or other devices are present.
Sometimes we use it to keep our expensive tour banners from falling over.
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
This American Life, the true storytelling public radio show hosted by Ira Glass, is one of the most popular radio programs and podcasts today. Each week since 1995, Glass presents a theme — cars, summer camp, break-ups — and a variety of writers, comedians, journalists and everyday people share stories of their experiences with that subject. For the few unfamiliar with TAL, it’s one of those shows that will keep you in your car with the radio on long after you’ve pulled in the driveway.
Ira Glass will present his
live show, Reinventing Radio, this
Saturday at the Aronoff Center. CityBeat spoke to Glass about his history with
public radio — check out our interview here.
To celebrate the program and its adorable bespectacled host, CityBeat staffers have compiled a few of our favorite episodes (in no particular order).
Why not start at the beginning? This American Life’s very first episode — back when the program was called Your Radio Playhouse — aired on Nov. 17, 1995. The theme: New Beginnings. One of the guests is Ira’s mom.
Fear of Sleep (Aug. 8, 2008) features tales on various things that go bump in the night. Comedian Mike Birbiglia shares his astonishing stories of sleepwalking, which later inspired his movie, Sleepwalk with Me.
This American Life has done a few live productions over the years. On May 10, 2012, Glass
and friends took the stage at New York University’s Skirball Center for Invisible Made Visible,
a performance that was streamed live in movie theaters across the country. It
was an incredible interactive experience that included music, dance, comedy and
a short film. Check out photos here.
From mistaken identity to evil twins, Dopplegangers (Jan. 11, 2013) has it all. Including Fred Armisen’s impeccable Ira Glass impression.
A lot of This American Life segments are anecdotal, but sometimes the show has taken on newsier issues — and one time, they got it all wrong. On Jan. 6, 2012, Mr. Daisey and the Apple Factory aired. Mike Daisey spoke about the conditions of an iPhone factory in China, including vivid details and interviews with workers. Soon after, it was revealed that Daisey had fabricated his story and lied during the fact-checking process. Retraction is not only an interesting correction to the original Daisey program, but a commentary on journalistic integrity, the importance of fact-checking and the lengths people will go for a moment in the spotlight.
Reinventing Radio: An Evening with Ira Glass takes place at 8 p.m. Saturday at the Aronoff Center. Tickets: 513-621-ARTS or cincinnatiarts.org.
Last night, British photographer Paul Graham presented his FotoFocus-sponsored lecture at Cincinnati Art Museum. Graham’s work is in two of FotoFocus’ featured exhibitions — the museum’s Eyes on the Street and the Stills show at Downtown’s Michael Lowe Gallery. Eyes on the Street is up until Jan. 4; Stills closes Nov. 1.
Graham’s work is related to but updates classic street photography in that, based on what he said last night, he seeks out subtle shots rather than what he calls “clichéd” or obviously dramatic images. He tries to build haiku-like, enigmatic visual sequences that in their small details cumulatively provide insight. (That said, he did show slides from a recent series that features rainbows.)
It’s a difficult task not always easily evident to the viewer, but he expressed his purpose eloquently last night and repeatedly mentioned those whose work inspired him — Robert Frank, Diane Arbus, Garry Winogrand. For those moved by his work, there’s a Where’s Waldo quality to “reading” the smallest details — the color of a tie or T-shirt, the positioning of a pedestrian on a street, the relationship of the camera angle to a storefront sign, the choices in focus.
This is particularly noticeable in his recent The Present series of New York street life, from which the Cincinnati-displayed photos come. “It’s the theater of the street, the theater of life coming at you,” he said. He also prefers that his framed prints be mounted on a gallery wall close to the floor, to approximate sidewalk level. But he acknowledged last night that the Stills show did not do that, and he enjoyed being able to see his photos at more normal eye level.
His The Present photos in Eyes on the Street capture the results of bold action or drama, a rarity for him, in that a woman has fallen on the sidewalk while others move toward her.
Meanwhile last night, the museum’s associate curator of photography, Brian Sholis, distributed announcements of two additional events connected to the current Eyes on the Street show: a Nov. 5 panel discussion at 7 p.m. about Eyes on the Street at Niehoff Urban Studio, University of Cincinnati, 2728 (Short) Vine St.; and a Nov. 19 conversation at 6 p.m. on “Art and Privacy” featuring Cincinnati Police Chief Jeffrey Blackwell and civil-rights lawyer Alphonse Gerhardstein. It’s at the museum’s Fath Auditorium.
Go here for more information.
American photographer and firebrand Tyler Shields makes his return to Cincinnati
for a Miller Gallery exhibition as part of the ongoing
This is Shields’ second appearance at the Miller Gallery in conjunction with
FotoFocus, first appearing in 2012 with Controlled Chaos. This
year's exhibit – Provocateur — opens tonight and he’s been shooting
in various locations locally throughout the week.
Of all the superlatives to describe Shields and his work, “provocateur” might
be most suitable of all. He’s gained a level of notoriety for his past exhibits
and photo shoots, including a 2011 exhibit that substituted paint for the fresh
blood of 25 rich and famous celebrities.
Shields has successfully merged the world of art with celebrity, similar to
fellow rebel-rouser Andy Warhol. He’s taken racy and playful photos of Lindsay
Lohan, Kathy Griffin, Abigail Breslin and the entire cast of Revenge.
His work can also be seen as a companion to Jay Z and Kanye Wests’s Watch the
Throne, using the medium of photography to exhibit grandeur, fame
and the excesses of materialism. His works have seen the destruction of a
$100,000 Hermès Birkin bag and the detonation of a vintage Rolls Royce — all in
the name of art, of course.
His latest Cincinnati exhibit yet again pushes his subjects and the limits of
what photography can be. His exhibit takes risks, but also presents the
germination for pensive and reflective thought.
But of all the superlatives and excessive descriptors for his work, nothing
beats seeing the real thing. Make sure Provocateur is a part of your
2014 FotoFocus experience.
The opening party takes place from 7 to 10 p.m. at Miller Gallery (2715 Erie Ave., Hyde Park) and continues through Nov. 8. Go here for more information.
Losing a key singer/songwriter in any band is a difficult proposition (see: Van Halen, multiple times), but popular Roots act Carolina Chocolate Drops haven’t missed a beat since their amicable split with Dom Flemons (now a solo artist). Singer/multi-instrumentalist Rhiannon Giddens, the sole original member of the group, continues to drive the Drops, who began as a throwback/tribute to, as Derek Halsey writes in his preview for CityBeat this week, “the African American string-band tradition that flourished in the 1700s and 1800s.” Giddens has also been in the spotlight for her vital contributions to Lost River: The New Basement Tapes, a T Bone Burnett-helmed album featuring songs written around newly discovered “lost” Bob Dylan lyrics. The album, due for release on Nov. 11, also includes some heady company: Elvis Costello, Jim James, Marcus Mumford and Taylor Goldsmith.
Carolina Chocolate Drops perform tonight (Friday) at Parrish Auditorium on the Hamilton campus of Miami University. Showtime is 7:30 p.m. and tickets are $25. Click here for details.
Here’s a clip of the Drops performing “Don’t Get Trouble in Your Mind” recorded this summer … on a gondola!
• Art Rap giant Busdriver comes to Newport’s Thompson House Saturday night for a 7 p.m. show. Tickets are $15 and Clipping, Milo, Kenny Segal, Counterfeit Money Machine, Eugenius and Evolve are also on the bill.
After the stellar cultural and musical eccentricity of 2012's Beaus$Eros, Busdriver's latest album, Perfect Hair, may be his most ambitious and satisfying record to date. On the new album's "Bliss Point," Busdriver asks the tongue-in-cheek musical questions, "Where exactly is Hip Hop going? Did Hip Hop have breakfast this morning? Does Hip Hop really have the body type to pull off that outfit?" In reverse order, the answers have to be, "Hell yes," "Hell no, it was this afternoon" and "Wherever the Busdriver is taking it."
• Dynamic Jam band The Werks, who work a crafty Electronic vibe into their improvisational mix, play Covington’s Madison Theater Saturday night at 9 p.m. Zoogma and Peridoni also perform. Tickets are $15 in advance; $18 at the door.
Blending genres ranging from fat Funk and Blues to psychedelic Rock and Electronica, their guitar shreds, their keys and organs wail and their bass and drums form a pocket to create what they call “Psychedelic Dance Rock.”
• Cincinnati singer/songwriter/multi-instrumentalist Ingrid Woode and her group The Woode Tribe Orchestra celebrate the release of a new CD/DVD package with a concert Saturday at the Fairfield Community Arts Center Theatre. Tickets for the 7:30 p.m. show are $12, which includes a copy of the new release, titled Going LiVe In FiVe. Tickets for the show and more details are available here.
Woode is an accomplished musician, having written for artists like Queen Latifah and Lalah Hathaway. She also performed her original composition “When This Life Is Over” with the Cincinnati Symphony Orchestra in 2011. The 11-piece Woode Tribe Orchestra (which includes five backup vocalists) gives the five tracks on Going LiVe In FiVe a full-bodied richness and depth. The music is best categorized as smooth and funky R&B/Soul, but there is an impressive diversity in the arrangements that takes it to another more intriguing level.
• The Burger Records Caravan of Stars pulls into Southgate House Revival in Newport Saturday with a lineup of Burger acts that includes The Coathangers, together PANGEA, Cherry Glazerr, AJ Tavera & Terror Amor and Mozes & the Firstborn. Burger is a cultishly beloved DIY label known for its many cassette release. More recently the notoriously artist-friendly label has been growing and garnering wider attention; the label put out over 300 releases last year, outlets like The New York Times have been doing large feature stories on the label and a new Burger publishing branch was just announced.
In this week’s CityBeat, contributor Reyan Ali chatted with Meredith Franco from Caravan headliners The Coathangers about their evolution from an off-handed joke (something along the lines of, “We should start a band called The Coathangers!”) to international indie success story.
“We didn’t even know what type of music we were going to play. We’re not like, ‘Oh, we’re going to play Punk. We’re going to play Rock & Roll,’ ” Franco says. “Now it’s still the same thing. We just write whatever and that’s what it is. [When people ask] ‘What kind of band are you in?’ I’m like, ‘I don’t know. I guess it’s Rock & Roll.’ ”
Here’s a music video for the band’s “Follow Me,” featuring the members of fellow Atlanta rockers Mastodon filling in for the ’Hangers.
Saturday’s show kicks off at 8 p.m. Tickets are $12 in advance; $15 at the door.
• Saturday afternoon at 1 p.m., Cincinnati singer/songwriter Maurice Mattei and his band The Tempers (currently featuring scene vet Jimmy Davidson on guitar, bassist Neil Sharrow, drummer Mike Grimm and Rick Howell on harmonica) will perform at Everybody’s Records in Pleasant Ridge in honor of Maurice’s 21st release, the full-length Celebrity Issue. The event is free.
CityBeat’s Brian Baker spoke with Mattei about the new release for last week’s CityBeat. Though Mattei generally shies away from “concept albums,” he admits a thread developed in the writing for Celebrity Issue, which features guests like pianist Ricky Nye, pedal steel player Cameron Cochran, multi-instrumentalist/Blessid Union of Souls bassist Dave Ramos, cellist Claire Timmerman, harmonica player Rick Howell and Mattei’s wife Korin on vocals.
“It’s inevitable when you write a group of songs in a finite period that you’re kind of documenting whatever experiences you’re going through at the time,” Mattei says. “A lot of the material talks about loss; loss of someone you knew or a relationship or an era, a time, a place. That’s what I get from it. It’s about how things change and how loss occurs.”
• Progressive Hip Hop/Jazz crew IsWhat?! presents a special multi-media showcase Sunday at The Greenwich in Walnut Hills. Dubbed “A Million Ways to Tell a Story,” the show will spotlight international artists from various disciplines and show how they tell stories within their own mediums. The night includes a screening of the short film Doradus by Italian director Fernando J. Scarpa, who IsWhat?! frontman Napoleon Maddox met while in Hollywood supporting the film Billie’s Blues, which was scored by Maddox. Experimental Japanese percussionist (or, as Maddox calls him, “sonic poet”) Tatsuya Nakatani will also perform, as will IsWhat?! and poet Matt Hart, co-founder/editor of Forklift, Ohio: A Journal of Poetry, Cooking & Light Industrial Safety and also a musician (you may remember him from such local acts Clifford Nevernew and Travel).
“A Million Ways to Tell a Story” begins at 8 p.m. and admission is $7. Find more info on the show at iswhatonline.blogspot.com.
• Play It Forward, the local non-profit organization set up to assist (typically uninsured) musicians in their times of medical and/or financial need, presents a benefit concert this Sunday in the name of esteemed veteran local guitarist Larry Goshorn (Sacred Mushroom, Pure Prairie League, Goshorn Brothers). Goshorn has had a series of health issues over the past couple of years, including open-heart surgery. Sunday’s all-ages “Play It for Larry Goshorn” benefit concert runs 4-11 p.m. at Covington's Madison Theater.
The show is being hosted by Cincy radio superstars Gary Burbank (Play It Forward’s founder) and Eddie Fingers and will feature performances by Pure Prairie League, The Goshorn Brothers, The Menus, The Bluebirds, Balderdash, Rob Fetters, George Powell and Dave Widow. Advance tickets are $20 (through cincyticket.com) or $25 at the door. All proceeds benefit Play It Forward.
• Earlier this year, Cincinnati Pop Rock band Mixtapes announced they’d be going on indefinite hiatus after their current run of show dates, which wraps up on Halloween at the big Punk Rock festival Fest in Gainesville, Fla. Local fans won’t have to travel to Florida to see Mixtapes before their break (which seems like it could possibly be permanent). On Sunday at 7:30 p.m., the band plays its final hometown show for at least quite some time at a unique venue — Lucy Blue Pizza (1126 Main St., Over-the-Rhine). The show also includes Mixtapes’ current tourmates Direct Hit!, Elway and Lipstick Homicide, plus Cincy’s Boys and Kinder Words.
Sunday’s show is open to fans of all ages and admission is $8 (advance tickets are available through cincyticket.com).
Know of more good live music options going down this weekend in Greater Cincinnati? Let us know about it in the comments.
In early September, Cincinnati major-label act Walk the Moon had its new single, “Shut Up and Dance,” released by RCA Records. The song — which the band performed on Late Night with Seth Myers on Sept. 15 — is slated for inclusion on the band’s next full-length for RCA, the group’s second for the label. The new album is due for release later this year.
Today, the “Shut Up and Dance” video was made public. In the press materials for the new clip, frontman Nicholas Petricca says, “Influenced by the plot-driven music videos of the 80s and nerdy visuals of 90s television, our new video for Shut Up and Dance is a trippy story of dork victory. We are the proud mothers and co-directors of this weird throwbacky fantasy, alongside the brilliantly funny Josh Forbes.” There’s also an awesomely awkward dance break from Petricca in the clip.
Walk the Moon is currently doing a national tour (with fellow Cincinntians Public opening several dates) that has largely sold out; an announcement of a more extensive spring tour in support of the new album is due in the coming weeks.
Check out Mashable’s piece on the new video, in which Petricca picks his favorite ’80s music videos here.
Good late morning, readers. Roughly 13 more work hours until the weekend... we got this. I think.
This week's issue was filled with Words Nobody Uses or Knows, most of which were found in our cover story, Lost in Wilberforce, a piece about how the country's oldest historically black college is dying a slow, sad and dysfunctional death. Nobody is sure if it can be saved. Not what I would call a light read, but wonderfully written and important nonetheless.
Best word of the issue, found in that cover story, is promulgated.
promulgated: to publish or make known officially (a decree, church dogma, etc.); to make widespread, i.e. to promulgate learning and culture (v.)
In this issue: "Dr. Algaenia Warren Freeman, a veteran HBCU
administrator, has taken the reins from interim president Wilma Mishoe
and is painted by the board — and the university’s PR firm
Trevelino-Keller — as emblematic of the 'force of change' promulgated in
the university slogan."
Next best word is fealty (also found in the cover story).
fealty: the duty and loyalty owed by a vassal or tenant to his feudal lord; an oath of such loyalty (n.)
In this issue: "Jarred, a Pittsburgh native, pledges fealty only to the University of North Carolina." I enjoy the comparison of the university to a feudal lord here.
And then there's salvos, a great sounding word that has two completely different meanings and is Italian.
salvos: the release of a load of bombs or the launching of several rockets at the same time; a burst of cheers or applause (n.) I find it amusing that this word can mean something deadly and delightful simultaneously.
In this issue: "'Your cerebral cortex cannot comprehend the complexity
of my complex bars,' says Jarred, with the kind of theatrical cadence
and gesturing that makes me think these might be introductory salvos in
an impromptu face-off right here. 'You can’t fuck with me.' " OK. Does anybody understand the use of that word in the above sentence? Because I've read it three times and I'm still not getting it.
Another terrific sounding word in this issue is coquettish, which for whatever reason reminded me of Cosette in Les Miserables. Or croquet? Coquettish Cosette played croquet. I don't know. It's in Rick Pender's review of An Iliad at Ensemble Theater, which, by the way, is an astounding production. Really. I see a lot of theater, sometimes multiple shows a week, because my husband works in theater, and let me tell you, this was by far one of the best productions I've seen in the city since I've moved here, like, two months ago. But I digress.
Coquettish: As a young, flirting girl. (adj.)
In this issue: "He is called upon to recreate a dozen or so characters from Homer’s sweeping epic — the professional warrior (and demigod) Achilles; the brave Trojan Prince Hector; Achilles’ protégé Patroclus; pretty boy Paris who lit the fuse on the war by stealing another man’s wife; the arrogant Greek King Agamemnon and his aged, disconsolate counterpart from Troy, King Priam; even several women, from the coquettish Helen and Hector’s steadfast wife Andromache; and a god or two, especially and humorously the fleet-footed Hermes, 'a young man with fabulous sandals.' "
Last word in today's vocab lesson is prescience, found in this week's Big Picture column, which is about the late George S. Rosenthal, a Cincinnati photographer who took photos of the city's West End neighborhood before it was destroyed by the construction of I-75 in the 1950s.
prescience: apparent knowledge of things before they happen or come into being; foreknowledge (n.)
In this issue: "I mean them no disrespect to focus this story on Rosenthal, but his work fascinates me for his prescience.
Movoto Real Estate made a video introducing 12 West Coasters to five of Ohio’s favorite dishes. Predictably, the Cincinnati-centric grub gets mass hate by people with extremely sensitive gag reflexes. Here are the best reactions.
Glier’s Goetta: On its appearance: “Quinoa sausage?” On its taste: “[I want] an Egg McMuffin with that.” On its mouth feel: “You can’t choke on it, it just slides right down.”
Grippo’s Bar-B-Q chips: “It almost looks like human skin.” “They probably serve this at, like, games and shit. Like, ‘I’m at the Reds game in Cincinnati. Cincy!” “Have you ever walked into an old warehouse and it has, like, that musty smell? That’s what it tastes like.”
Skyline three-way: “Looks like some jail spaghetti.” “I can see this being like comfort food, but for some reason it’s not comforting me.”
Sauerkraut Balls: “It legitimately looks like a poop.” “Like a white person pot sticker”
Buckeyes: Everyone enjoy
this with little verbal reactions except for a couple assholes that collectively hate chocolate and peanut
butter (as well as puppies and sunshine, I’m guessing). A buckeye made them gag.
In the end, how did our high-brow neighbors to the west feel about Ohioans?
“Turns out they’re just
regular humans like you and me.” There you have it, folks!
It’s unclear whether this video was created to spark interest in Ohio real estate or remind Midwesterners that they’ll die fat and unsophisticated if they don’t move to California. Decide for yourself:
Ohio: Home of regular humans since 1803.