Kasich has proposed to cut income tax 8.5 percent across the board by 2016, which would help drive Ohio’s top tax rate below 5 percent. The governor claims single mothers making $30,000 would save an extra few hundred dollars on taxes every year as part of his proposed tax cut, a claim Neuhardt called “despicable and wrong.”
During the press conference, Neuhardt said Kasich is using the plight of single mothers to propagate a tax cut that would disproportionately benefit Ohio’s upper echelon.
“I want to really emphasize pay equality is always an important issue,” Neuhardt said.
doesn’t have a plan to square the $11,600 pay disparity between genders in 2012
that she cites, but she did say that her administration would need to reverse
everything Kasich’s administration has done in order to get Ohio’s economy
moving forward, should she and her running mate, gubernatorial candidate Ed
Fitzgerald, win office in November.
“We need Ohio’s working class to have money in their pocket,” Neuhardt said.
Kasich’s previous budget took the first steps toward pushing the state’s top tax rate below 5 percent by lowering income tax across the board and raising sales tax, a combination that disproportionately favors the wealthy. CityBeat covered that plan here and Kasich’s early 2013 budget proposals here and here.
Council members P.G. Sittenfield and Yvette Simpson spoke about pay disparity before Neurhardt took the podium on Tuesday.
Simpson stated women on average are earning 27 percent less than men in Ohio and Latin American women are earning 57 percent less.
“In the year 2014, that’s unacceptable,” Simpson said.
She also stated that Cincinnati has a 50-percent single mother rate and that 53 percent of children are living in poverty.
Sittenfield said the way toward eliminating pay disparity is through “meaningful reforms,” not tax cuts.
“Wage equality is not just a women’s issue — it’s a family issue and it’s an Ohio issue,” Sittenfield said.
Kasich proposed the cuts as part of a mid-biennium review intended to lay out administrative goals for next year.
Cincinnati may be known as a German city, what with our legendary Oktoberfest and love for pork and sausages, but Irish heritage is also strong here, as we’ll see this weekend. St. Patrick’s Day is officially Monday, March 17, but the green beer starts flowing early in anticipation.
The 48th annual Cincinnati St. Patrick’s Day Parade steps off Saturday at noon downtown. The route begins at Eggleston Avenue and Reedy Street, wrapping around Central Avenue, crossing over Sycamore Street and back down Fifth Street. Hang out on Fountain Square during the parade, where festivities run from 10 a.m.-10 p.m. with live music, Irish grub and plenty of beer. Fun on the square continues Monday starting at 11 a.m. — for those playing hooky.
For those looking to take a more culturally rich approach to the holiday, Cincinnati actually has its own Irish Heritage Center located in the East End. Read our story on the center and its founders, Kent Covey and Maureen Kennedy, here.
Doors open at the center at 2 p.m. Saturday and 4 p.m. Sunday; events include Irish music and dance, art exhibitions, children’s events and food and drink for purchase. They host an Irish mass at 1:30 p.m. Monday, followed by more celebrating. Find the full schedule here.
The Cincinnati Museum Center also gets in on the St. Paddy’s fun with its Celtic Lands Culture Fest Saturday-Sunday. Get your fill of folklore, performances and art from Ireland, Scotland and Wales. Kids will enjoy workshops, games and crafts throughout the weekend. Activities in the rotunda are free; access to the museum requires admission. Go here for tickets and more details.
Movie lovers will want to check out Cincinnati World Cinema’s annual Oscar Shorts screening this weekend; a mix of the Academy Award-nominated flicks in the Short Film – Animated and Short Film – Live Action categories will be shown in two programs Saturday and Sunday. Each program contains a mix of five live action and animated shorts — be sure to check out both programs to see the winners from both categories. Find program details and schedules here.
It’s a Macy’s Arts Sampler
Weekend, with free art events across the Tristate all day Saturday. This
month’s sampler includes a special “Catch the Spirit” concert featuring the
collaboration of Cincinnati Symphony Orchestra, Cincinnati Ballet, Cincinnati
Opera, May Festival Chorus, Cincinnati Shakespeare Company and other local arts
organizations. The performance takes place at 1 p.m. at Music Hall. Additional
performances, classes, exhibits and other exciting activities for all ages will
be offered at Elementz downtown, Behringer-Crawford Museum in Covington, Ky., Fairfield
Community Arts Center, Hamilton’s Fitton Center for Creative Arts and more. Go
here for more locations with a lineup of events.
Mad Tree Brewing Beer Dinner at Mecklenburg Gardens: Mecklenburg Gardens hosts local brewery Mad Tree Brewing for a bier dinner on Saturday, March 22. The evening starts at 6:30 p.m. with a Mad Tree keg tapping at 7 p.m. and continues with a German buffet featuring German sausages, sides, salad and dessert. There will also be live music from Alpen Echoes. 6:30 p.m. $20. Mecklenburg Gardens, 302 E. University Ave., Corryville, reservations at 513-221-5353.
The Wines of Jean Luc Columbo at 20 Brix: Ryan Oliver joins to discuss finer points of this South American producer. Pairings by Chef Paul. 6:30 p.m. Saturday, March 22. $50. 20 Brix, 101 Main St., Milford, 513-831-2749, 20brix.com.
I had a glimpse of Broadway's future last night on campus at UC. I attended Not Yet Famous, the 22nd edition of CCM's musical theater showcase, featuring the about-to-graduate senior class. The 19 vibrant performers presented a 45-minute program that they'll take to New York City on April 7 to present to casting agents, producers and others. It's how they begin to land contracts and establish relationships that will give them solid professional careers. With accompanist Julie Spangler at the piano, the singers worked as a large ensemble and smaller sets, but each one had multiple chances to show off her or his strengths as a singer, dancer and actor — they're all trained to be "triple threats" with a polished arsenal of vocal and movement skills. They were warmly received by the Friends of CCM, the support group that helps keep various programs at the conservatory going; the evening was a benefit. You have a chance to see the showcase for free if you act quickly: There will be performances on Saturday at 5 and 8 p.m. at Patricia Corbett Theater. No charge, but you need to call CCM's box office to reserve a seat (limit of two per order). I suspect tickets will be snapped up, so call right away: 513-556-4183.
Wicked is in the midst of its three-week run at the Aronoff Center. This is one of the most popular Broadway shows of the 21st century (it's been running for a decade, as well as spawning productions around the world plus two national tours, one of which is in our midst). It's here through April 23, but tickets are expensive (cheap seats are $38 and anything else is more), so you might want to try your chances in the daily lottery for a $25 orchestra seats. Grab your valid ID and show up in person 2.5 hours before the curtain time to enter; if your name is chosen, you can purchase one or two tickets. Of course, if you're flush you can guarantee seats by buying what you need at 513-621-2787.
The Playhouse just opened Pride and Prejudice, a theatrical adaptation of Jane Austen's most popular 200-year-old novel. I won't see it until next week (busy schedule), but if you're a fan — and it seems that everyone loves her novels of manners and romance — you probably need to line up to see this one. Director Blake Robison calls his production "epic," adding, "The story is a satire of the marriage market and an exploration of true love. What could be more fun than that?" It's onstage through April 5. Tickets: 513-421-3888.
What with St. Patrick’s Day coming on Monday, this might be the perfect weekend to see Clifton Players’ production of The Irish Curse (at Clifton Performance Theatre, 404 Ludlow Ave.). Lots of folks have told me they enjoyed this tale about a group of Irish-American men who meet weekly in a self-help group in a Catholic church basement to discuss a sad “shortcoming” — let’s call it “small equipment,” a curse they believe has ruined their lives. It gets its final performance on Sunday, right before you line up for your first green beer. Tickets: 513-861-7469.
Instead, Cincinnati will continue using 100-percent renewable-backed energy from First Energy Solutions.
The city signed on with First Energy in 2012, making Cincinnati the largest metropolitan are in the country to use 100-percent renewable energy.
Stiles was expected to sign the three-year contract with First Energy Solutions today, according to city spokeswoman Meg Olberding.
Sellbach and other council members convinced Stiles to change his mind about the contract, Olberding says.
She also added that First Energy told Stiles it would allow any customer who wants to save the additional $5.63 annual savings of conventional energy to opt-out of the green energy agreement.
The green energy plan is estimated to save customers $43.58 compared Duke’s standard service.
About 65,000 households and small businesses will continue using First Energy unless they choose to retain another energy supplier.
Stiles will also institute a green energy fee of $.006 on each electric bill as part of a program he’s developing that will help local business owners and residents equip their homes or offices with energy-saving solutions. The program will be run by the Office of Environment and Sustainability.
But luckily for us, our snow day was going to get a little brighter: I had booked reservations at Hen of the Woods Underground.
Hen of the Woods (it’s a type of mushroom) is the brainchild of Nick and Kim Marckwald. The duo (Nick is the chef and Kim manages services) recently purchased the old J.B. Schmidt contractor space at 1432 and 1434 Main Street in Over-the-Rhine. They have ambitious plans for a restaurant and urban market there. As a run-up, they have been holding “pop-up” brunches since January in Main Street’s Street Pops space (closed for the winter months). And the very last one was scheduled for Sunday.
Now, this is just a hop, skip and jump from us, so the weather was not a concern — or was it?
Just to be sure it was all going to happen given the poor road conditions, I sneakily walked our puppy by the space, which was holding the first of two seatings that day. The windows were properly steamed up, I could glimpse small tables of people inside and the most wonderful smells wafted from the slightly propped open door.
When we arrived an hour later, our table was waiting. We were among about 10 guests. Our first course was a refreshing juice du jour — Meyer lemonade with ginger and cilantro flavors, and a jalapeno ice cube floating in the jelly jar glass.
Next, we were offered coffee. Deeper Roots Coffee’s Ryan Doan stood at the counter carefully pouring from what looked like a tiny watering can into a Chemex coffee maker. The brew was deep and rich without being acidic.
During the next hour or so, we were offered three courses and a dessert prepared by the clearly visible staff. Each was meticulously described by our server— most times it was Nick or Kim.
First came a beautiful refreshing plate made from lemongrass, tapioca, mango, fingerlime, almond, ginger and pea shoots.
Next up, another precisely plated combo — lovely pink-edged beet cured salmon was draped over a crispy seared rice cake on a bed of leeks and shiitakes with a horseradish and basil sauce.
Next, the brunch got down to business because, what’s brunch without bacon and eggs? Hen’s take on eggs Benedict was a fat, wobbly egg sitting on top of a concoction with Woodlands “back bacon” lardo, English muffin, frisee and Hollandaise, served on a wooden slab made of black walnut. One poke with my fork sent yellow yolk running hither and yon amidst the gathering of elements.
Finally, a rich bread pudding, with banana, sesame, chocolate, dulche de leche and pine. In the only misstep of the entire production, the crisp decorative chip had a distinct lack of flavor.
I’m not usually a fan of little-plate meals and such as a fill-in for a meal. They often just tease, sending you out the door looking for something else to eat. This time? Not the case. We walked home in the ice and cold, happy and full, ready to hunker down and slog through the last of winter.
I am so waiting for spring, and also for Hen of the Woods to begin doing impromptu servings in their new space while it is under construction. Nick and Kim assure me they’ll be doing it as soon as the permits are in order. The sooner the better for me!
Follow Hen of the Woods news on their Facebook page.
But no amount of acclaim and popularity protects a show from parodies — quite the contrary, it seems. Here are a few gems:
And if you're hungry for another crime drama, Breaking Bad's Vince Gilligan has a new show in the works. Battle Creek, starring Dean Winters (Law & Order: SVU, 30 Rock, The Mayhem Guy) and Josh Duhamel (Las Vegas, Win a Date with Tad Hamilton, Fergie's hubby) and will follow two detectives named Milton and Russ. Hmmm...
RIP Ke$ha! No, the
trash-pop “singer” didn’t meet an untimely demise, but the $ in her
name (turns out Kesha is her actual birth name) did. Upon her exit from rehab
for an eating disorder, Kesha unveiled a new twitter handle, @KeshaRose, which revealed she
was dropping the $. It’s always great to see people get healthy, and using a
dollar sign as a letter in your name is fucking stupid, but what will these changes mean for
her music/celeb persona? Can the girl who popularized whiskey as dental hygiene
make the leap to squeaky-clean good girl?
And speaking of hot mess makeovers, the new Oprah-backed Lindsay Lohan docu-series Lindsay premiered on OWN Sunday. The mighty O offered Linds $2 million to complete the filming of eight episodes for her network (in addition to one-on-one interviews aired throughout the show). The premiere was considerably boring for being the first “real,” inside look at the troubled star’s personal life. Honestly, it felt more like Celebrity Hoarders than anything. There were some genuinely sad moments — Lindsay was essentially forced to skip an AA meeting due to a crowd of stalkerly paparazzi threatening the others’ anonymity; she struggles to find a stable apartment she so desperately needs for her continuing recovery because no one wants her in their building (without a hefty insurance fee) — and some thinly veiled digs at the actress — an optimistic Linds explains how proud she feels to be independent, only to have the screen cut to her personal assistant moving all of her belongings from one hotel room to another without help. But if the series trailer is any indication, drama is forthcoming — particularly in a scene where Oprah tells LL to “cut the bullshit.”
Zach Galifianakis has been entertaining audiences with his spoof-talk show Between Two Ferns since 2008. The comedian has interviewed some of the most famous actors and personalities as well as Tila Tequila. The latest episode raises the bar by featuring none other than Barack Obama, further proving that the prez should just move to Hollywood in 2017. It is also revealed that Galifianakis has not been filming his segments in some public access studio, but rather the White House. Enjoy:
Everyone with a human heart loves ice cream, but perhaps no one appreciates a good soft-serve cone more than this dog.
Lena Dunham hosted Saturday Night Live last week. The Girls creator did a fine job with the material she was given, which is pretty much the overall consensus of this season (writers, up ya game!). One highlight was how SNL dealt with Girls. Obviously they have to address the show, her nudity and the ridiculous characters in it, but without relying on it as the punchline for every joke. Instead, the Girls spoofery was limited to a previously filmed faux trailer for (The First) Girl, complete with the reprisal of Taran Killam’s spot-on Adam impression.
Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler and other stars are in Cincinnati right now for the filming of the upcoming movie, Carol. We're keeping a close watch on Paulson's Twitter (she's the only star that has an account) and, according to our research, so far she has definitely been to CVG airport and a local CVS. Keep @CityBeatCincy abreast of any celeb spottings you may experience during this magical time!
The weekend after the big Bunbury Music Festival at the Sawyer Point/Yeatman’s Cove parks along the riverfront, another festival by the same fest organizers, Buckle Up, is set to make its debut. This morning, the full lineup and schedule for the Country/Americana fest was announced.
Friday, July 18: Alabama, Eli Young Band, Jamey Johnson, Marty Stuart, Ashley Monroe, Eric Pasley, Chris Janson, The Cadillac Three, Sturgill Simpson, Old Dominion, The Railers, Son of Fathers, David Fanning, Jamie Lynn Spears, Joshua Scott Jones, Pistol Holler, Jeremy Pinnell & The 55's, Sara Haze, Phillip Fox Band, Tyler Childers & The FoodStamps, The Dan Varner Band, Ashley Martin, Kaitlyn Baker, Alexis Gomez, Lonesome Jared & The Heartattacks, Messerly and Ewing, and Andrew Hibbard
Saturday, July 19: Willie Nelson / Alison Krauss and Union Station featuring Jerry Douglas, Old Crow Medicine Show, Emmylou Harris, Drive-By Truckers, Kristian Bush, Houndmouth, The Lone Bellow, The Spirit Family Reunion, Sleepy Man Banjo Boys, Joe Pug, Lera Lynn, Natalie Stovall and the Drive, Caitlyn Smith, The Tillers, Tall Heights, The 23 String Band, Buffalo Wabs & The Price Hill Hustle, Kentucky Timbre, Coralee and the Townies, Arlo McKinley & the Lonesome, Al Scorch, Shiny and the Spoon, The Carolines, Dean Fields, and Wild Carrot
Sunday, July 20: The Band Perry, Thompson Square, David Nail, Corey Smith, Dylan Scott, Sam Hunt, Blackjack Billy, Dallas Smith, JT Hodges, Chase Bryant, Logan Brill, Lyndsey Highlander, Abigail Rose, Noah Smith, Ruth Collins, Bobby Mackey, Straw Boss, The Kentucky Struts, Ty Bates, Carly Pearce, Jetset Getset, Honey & Houston, Zack Dubois, and Max Fender
Tickets for the Buckle Up Festival are available now ($55 for one day/$130 for a three-day pass, but prices go up after Memorial Day). For tickets and more info (including the daily schedule), visit buckleupfestival.com.
CincyMusic.com, a website dedicated to all things related to Greater Cincinnati music, launched in early 2012 (or, rather, relaunched, after purchasing the domain name from the previous owner, who’d let the site go dormant). Since then, the site — which has features, interviews, show listings, downloads and more — has continually expanded its brand by sponsoring numerous events and consistently growing its site and presence in the local community.
Last year, the CincyMusic empire expanded into terrestrial radio, presenting a local music-focussed show on Clear Channel local Alternative music station The Project (heard on 100.7 and 106.3). CincyMusic Spotlight airs every Sunday on The Project at midnight; on the Monday following each show, the programs are available for download as podcasts.
Now, WNKU — the Northern Kentucky-based public radio station with a long history of playing music by area artists — welcomes the CincyMusic crew on board for another weekly show, CincyMusic.com Soundcheck, which will “focus on local artists that are performing that weekend, releasing new material, or are just worthy of a little extra attention.”
Also hosted by CincyMusic Spotlight DJ Venomous Valdez, CincyMusic Soundcheck is slated to air every Thursday at 10 p.m. beginning this week (March 13). The shows can be heard on WNKU’s various over-the-air frequencies around the region (89.7 FM locally), as well as streaming on wnku.org. If you can’t listen, podcasts of the WNKU shows will be available here. (You can subscribe so you are alerted each time a new show is posted.)
Artists interested in submitting material for airplay on the WNKU show can do so here.
Each week our intern
Amber will be exploring what Cincinnatians are interested in by scouring the
local Twitter trends and reporting on what she’s found. From serious tweets to
goofy hashtags, she’ll highlight what Cincy’s been buzzing about. So get to tweeting,
This is a wrestling reference hashtag. I’m sorry, but how was this trending and not Bates Motel? I am ashamed of you, Cincinnati. I know they are both scripted, but at least Bates has good acting and an awesome plot. FYI: Norma Bates did start trending though, thank god. In this week’s episode, Norman visits Ms. Watson’s grave way too much, Norma makes a scene at a city hall meeting and Bradley blasts some guy’s head off and ends up in Norman’s bedroom asking for his help. Poor Norman, surrounded by all these crazy bitches. All you WWE fans better get hip to Bates Motel.
Muskie fans were blowing up their newsfeeds expressing their frustration after Monday night’s game when they lost to Seton Hall 71-62. Monday’s upset left many fans complaining about wasting their last Hopslam and chugging too much wine. On top of all the frustration, Matt Stainbrook went down with a knee injury and left the locker room on crutches. Better luck next year? Maybe.
I actually watched some of this show, Pretty Little Liars, for once. Awkward used to be my Tuesday night show (don’t judge me), but since Jenna and the crew are AWOL until next season, I figured I’d give this show a shot since I was apparently the only female in Cincy not watching it. I am a few seasons behind, so I don’t really get all the drama and who I should love/hate yet, but not a bad show from what I’ve seen so far. The season finale is Tuesday, March 18 at 8 p.m. on ABC Family.
If this just isn’t confirmation that Cincinnatians are obsessed with their alma maters, then I don’t know what else is. Fox 19 set up a March Madness style bracket of all the high schools in the area and launched a Twitter competition. I’m reppin’ the Newport Wildcats, who already lost in the first round to Simon Kenton. Voting for the North bracket is going on now until midnight tonight.
I saved this one for last for a reason. Ukraine was trending all week. I haven’t been keeping this blog for very long, but nothing has ever stayed trending for an entire week before, as long as I’ve been keeping track. I also saved it for last because honestly, I don’t know what to say about the crisis in Ukraine. I guess it’s good that people are taking to social media for such a serious matter, but most of the people tweeting about it seem more clueless than me. I do know that most Americans want our government to mind their own damn business and do something about those crazy fucking Russians.
Also trending: Oscars, World Cup, #LiesToldByFemales, WCW (can this one just die already,) Taco Bell, #Scandal and The Lakers.
CityBeat hosts an afternoon of drinking and not driving. Start at one of the participating breweries — Rhinegeist, Listermann Brewing Company, Ei8ht Ball Brewing, Christian Moerlein or MadTree — and then hop on a shuttle to the next one. After you’ve visited each, hop back on the shuttle to be driven to your starting location. Tickets include beer at each brewery, a custom CityBeat Tap That growler, lunch from Tom+Chee and shuttle rides.
Dining Out For Life is an annual event to raise funds for licensed AIDS service agencies in 60 cities across the nation. Started in 1991 by ActionAIDS in Philadelphia, today more than 3,000 restaurants donate a portion of their proceeds from one day to the aforementioned service agencies; more than $4 million is raised each year which goes directly to the agencies (except for a $1,150 licensing fee).
Cincinnati's Dining Out For Life event benefits Caracole, a nonprofit that provides housing and supportive services to individuals and families living with HIV/AIDS in eight counties across Southwest Ohio. Caracole currently serves more than 1,400 clients and their families.
Area restaurants participating include Arnold's Bar & Grill (donating 25 percent); Below Zero Lounge (donating 100 percent); Blue Jay Restaurant (donating 25 percent); Green Dog Cafe (donating 25 percent); Kitchen 452 (donating 25 percent); Tom+Chee (donating 25 percent); and more. Find a full list of participating restaurants and how much they're donating here.
Dining Out For Life is easy. Just follow three steps:
If you would like to participate or would like more information, please contact Megan Green, Caracole Community Investment Coordinator, at 513-619-1483 or at email@example.com.
After launching last year locally at the MidPoint Music Festival and nationally at New York’s CMJ conference, the intuitive and comprehensive music industry e-book Musicians’ Desk Reference has relaunched with a new format. Created in Cincinnati by longtime local musician and promoter Brian Penick (also the founder of The Counter Rhythm Group, which has helped numerous local acts garner national attention and work), MDR is moving from its original, one-time-purchase approach to a monthly (or annual) subscription plan.
For those who may have been cautious about its upfront cost, Musicians’ Desk Reference, which is customizable to the user’s needs (no matter where they are in their career) and features information, templates and advice relating to everything from touring, promoting and recording to radio and press campaigns and well beyond, is now available to test-drive for free. The no-cost 30-day trial doesn’t even require a credit card; click here to get started.
Artists serious about pursuing a career in music will likely become more interested in MDR as they dive in and look at all it has to offer. After the 30-day trial, MDR can be accessed for $10 a month or $100 for the year.
Visit musiciansdeskreference.com for complete info.
I’m a huge fan of locally-produced commercials-gone-viral. Cincinnati’s Fick Chiropractic Centers current ad might not be up there with Jamie Casino, but it does feature a killer beat that deserves some attention.
Is anyone else just tickled by the concept of a local doctor employing a beatmaker for a commercial? It totally caught me off guard while watching Fox 19 Morning News (aka the Jacki Jing Variety Hour — bitch has more devoted fans than Lady Gaga, just peep their posts on her Facebook page. Locals — including my boyfriend — are totally enamored by her beautiful glamour shots, bubbly attitude and penchant for cosplay. How are the rest of us supposed to compete, Jacki?!).
Are you sick of Beyoncé yet? Trick question: If you answered “Yes,” please get out of here immediately. NO ONE is sick of Beyoncé ever, in fact, parody videos and choreographed routines to her songs are still pouring out of the woodwork four months after the release of her self-titled album. The latest tribute of note comes from self-proclaimed “star on the rise” Chanel Carroll, who’s serving up student loan realness in her take on “Partition” called “Tuition.” ‘Cause we all just want live that debt-free life.
Everything about this is flawless, from her JLo-circa-2000 vibe to the clip art to the cameo by Ashley from Sallie Mae. I would crown her as winner of the Internet for the week, but she shares the title with this dude who’s been reviewing fast food and other grub from his car since 2012. Check out one of Daym Drops’ most popular videos, featuring Five Guys Burgers and Fries.
I want this guy to narrate my life or at least read my eulogy because dude describes a plain drive-thru burger with the eloquence of a poetic preacher. And of course there’s a musical remix. OH MY DAYUM!
Avril Lavigne continues her assault on our earholes with the confusing, excruciating “Hello Kitty.” The Canadian singer responsible for 80 percent of ties bought by young women in 2002 apparently has a massive Asian following, but the Japanime-style video is more of a cringe-worthy misstep than cultural tribute. Hey white pop stars, stop using Asian women (or any women for that matter) as props!
Lily Allen, another 2000s pop relic, is also coming out with new music and a record that automatically gets my support by taking a dig at Kanye West. Sheezus drops next month; the album’s titular new single is a total lady anthem with praise for the Lorde and rhymes about…periods. Whatever, I’m digging it.
This week in movie remake fuckery: A Mrs. Doubtfire sequel is in the works, because nothing from your childhood is sacred! Mara Wilson, who starred as the youngest child in the film (as well as Matilda in the ‘90s Roald Dahl film adaptation) revealed on social media that she wouldn’t be a part of it, as she’s been out of the acting game for several years — which, according to over-each headlines, translated into Wilson “slamming” the sequel, making the private former child actor a trending topic. While we may never see a grown-up Natalie Hillard or Matilda 2 (thank sheezus), you can enjoy Wilson’s musings on her blog. And just because: Mrs. Doubtfire as a horror film.
Also, Goonies 2 is also officially a go. Thanks, Spielberg.
Hey, that’s not Pit Bull, it’s Amy Poehler!
Orange Is The New Black is back on Netflix for a second season June 6 and the new trailer is here. The whole gang’s back, with a few additions, but the lingering question remains: Where is Pennsatucky?!
It was recently reported that Laura Prepon signed on for Season Three as rumors circulate about her being the future ex-wife of Tom Cruise. This is what I like to call Scientology Sads: When you think you like someone — a famous person, obviously, because the group might as well be called Celebentology — but it turns out they’re a Scientologist. Such a shame.
The city’s cost of a long-planned piece of cycling infrastructure could more than double if City Council approves a motion Vice Mayor David Mann planned to introduce on April 23.
Mayor John Cranley successfully paused the Central Parkway Bikeway Project for public discourse in response to a handful of business owners and residents taking exception to it, and a spokesman for Mann shared his suggested compromise with CityBeat today.
In response to an April 21 special Neighborhoods Committee meeting, Mann seeks to alter the bike route to appease people who don’t want to see parking spaces removed, but the updated plan will cost an additional $110,00 on top of the $82,600 the city would pay under the original plan, which would create the beginning of a cycling corridor running from Elm Street downtown to Ludlow Avenue in Clifton. The project was supposed to break ground next month and could lose $330,400 in federal money if the contract isn’t awarded by May 1.
“We routinely spend hundreds of thousands of dollars as a city to create new jobs in our community,” Mann said in a statement. “We should not approve a new project that places 60 newly created jobs in jeopardy when such a sensible accommodation is available.”
The planned bikeway is an innovative piece of cycling infrastructure meant to better protect cyclists along a critical thoroughfare that would connect a number of inner-city neighborhoods and business districts. The lane will be protected, meaning cyclists will have their own lane with a buffer separating them from traffic; in some areas plastic bollards will separate the bike and automobile lanes. The street will not be widened, so traffic lanes will be impacted through restriping, and parking will be restricted during peak traffic hours in the morning and evening.
Opponents of the project are concerned about losing public, on-street parking for parts of the day as well as potentially encountering traffic issues from shaving lanes from Brighton Place to Liberty Street. They also worry the bollards will become a blight issue and emergency vehicles will be impeded during one-lane hours.
Mann’s motion supports an alternative plan for a section running from Ravine Street to Brighton Place that would preserve 23 parking spaces full-time, alter 4,300 square feet of greenspace and remove 15 trees at an estimated cost of $110,000. The parking spaces would benefit a building owner and his tenants at 2145 Central Parkway.
City Councilman Chris Seelbach and others demonstrated frustration with the administration’s interest in stepping in at the 11th hour.
“I think we have reached a new era in Cincinnati: two steps forward, pause, lots of long meetings, two steps forward, and I’m convinced after the pause and lots of long meetings, we will continue to go two steps forward today,” Seelbach said at the April 21 meeting.
Mayor Cranley requested City Manager Scott Stiles delay awarding a contract after meeting with local business owner Tim Haines, who purchased a vacant building located at 2145 Central Parkway in 2012 for $230,000. His building now houses 65 employees from 12 different businesses including his own, Relocation Strategies. Haines has become a mouthpiece for the opposition to the bikeway — though he adamantly states he is not against the lane; he is just against the project’s current incarnation as it affects Central Parkway near his business, which utilizes 500 feet of on-street, unmetered parking, which translates to 30 parking spaces.
“If parking wasn’t an issue, I would open up my arms and welcome the bike path,” Haines says. “Parking for my 65 tenants is in jeopardy. As a business owner I have to fight for my tenants. … Could they park and walk a quarter of a mile? They could, but that’s not what they signed up for when they moved in.”
Haines has a 16-space parking lot adjacent to his building that some of his tenants use and also owns a parking lot across the street that is in disrepair. Haines says he already cleared it of underbrush to cut down criminal activity and disposed of dozens of tires and beer bottles. He says it would cost up to $300,000 to upgrade the lot.
During the April 21 presentation, Department of Transportation and Engineering (DOTE) Director Michael Moore presented the committee with an alternative recently developed with Cranley’s office that he said would appease Haines and his tenants but would cost more money. Moore pushed the notion that the alternative creates a more balanced bikeway plan.
The original plan, passed by council last year, restricts parking in front of Haines’ building from 7 a.m. to 9 a.m. Moore’s alternative, which Mann is on board with, is to ramp the bike lane over the curb adjacent to a sidewalk where there is currently a tree-lined area in front of Haines’ building and another business in order to preserve public parking full-time.
At the meeting, council member Young took exception to the suggestion of changing the project at this point.
“For the life of me, I don’t see where the reasonableness and the balance is with people who come so far after the fact that want us to make these changes and the dollar amount it’s going to cost the taxpayers to get it done,” Young said. “I am appalled that people can come after the fact and tie up all these people down here to simply want accommodations for them.”
Mann shared another perspective.
“There’s a gentleman who has brought 60 jobs to the city, including some folks who have Parkinson’s and use the building, and the proposal that’s being made seems to me to represent balance,” Mann said. “We spend millions of dollars, typically, to support development, to support jobs, and you’re saying that the proposal that was originally approved by this council without a hearing like this is so pristine that it cant be adjusted in any way, and if it’s adjusted that is a statement of imbalance? I just don’t follow that.”
For the past year and a half, DOTE conducted surveys, sought public input and developed plans for the bikeway. After a strong consensus, the department chose the protected bikeway plan. The bikeway is estimated to add just three seconds of motorist commute time by 2030, though some naysayers suggest that delivery trucks will clog the lanes and the turn left from Ravine Street will create an even longer lag.
Community outreach for the design began in March of last year with eight community council meetings. Letters were mailed to residents, businesses and property owners, but Haines and several other business owners stated they didn’t receive any and weren’t aware of the project until late last year.
A website designed for public feedback also garnered about 600 messages mainly supporting the bikeway project. DOTE held an open house last September and the Over-The-Rhine and Northside community councils, Findlay Market and Northside Business Association endorsed the project.
Simpson expressed frustration with halting progress for a last-minute meeting.
“I don’t think that’s an appropriate process,” she said. “Really, technically you can go over everything over the past two years. The reality is we need to look forward. If we want to be less auto-focused and more focused on other types of transit, we’re going to have to ruffle a couple of feathers.”
Supporters — some who biked to the April
21 meeting and utilized a bike valet setup in front of City Hall —
represented various groups of the community from health and community
councils to business owners and cyclists. Their number doubled opponents
— mainly business owners along Central Parkway in the West End and the
West End Community Council, though some West End residents and business
owners supported the original bikeway plan.
There are several good theater choices south of the Ohio River this weekend.
The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.
Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.
If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.
Comedian Rajiv Satyal was born and bred in Cincinnati — Fairfield to be exact. He’s gone from being an intern on Capitol Hill to brand manager at Procter & Gamble to full-time comedian living in Los Angeles. Satyal has worked with Dave Chappelle, Kevin James, Tim (the tool man) Allen, Kevin Nealon and Russell Peters. Heard of the University of Cincinnati’s Bearcast? He named the school’s radio station-turned-media group. He runs a consulting business called StandPoint Agency and is a regular at all the L.A. comedy clubs, but he got his start at Montgomery’s Go Bananas. Satyal’s unique way of viewing the world continually draws in more fans. He refers to himself as the funny Indian, but he’s really just a funny — and nice — dude from Ohio. Satyal performs his first one-man show No Man’s Land Saturday to a sold-out audience at the Aronoff Center, and he squeezed CityBeat into his schedule for a quick rundown of all things Rajiv.
CityBeat: Since you’re from Cincinnati I have to ask, what high school did you go to?
Rajiv Satyal: Totally fine, a very Cincinnati question, but I went to Fairfield High School and I got an undergrad at the University of Cincinnati in materials engineering.
CB: I read that you worked on Capitol Hill, what did you do there?
RS: I was at the University of Cincinnati at the time and I went out to Capitol Hill to be an intern for a representative, Steve Chabot. So I just worked in the office and it was for fun, I got to live in DC and explore that town and did whatever tasks around the office, but it was mostly getting the feel of Washington.
CB: Do you have a funny family or what sparked your interest in comedy?
RS: Actually I have two brothers and, well, two parents, and everybody has a sense of humor. It was a super fun household to grow up in. We were all pretty positively reinforced, we weren’t really a tough crowd, like, we definitely encouraged each other to say funny things and we laughed a lot. I know a lot of comedians’ families would be like, you know, “boo” or whatever when they told a joke and were a tough crowd, but we were a really good crowd for each other and just kind of encouraged each other to be funny. My brothers and I never really fought a lot growing up, which is so strange, but we all got a long and we had a good time.
(Check out Rajiv’s dad going Bollywood last Monday on The Bob & Tom Show here.)
CB: Does Cincinnati or growing up here inspire any of your stand-ups?
RS: Oh, definitely. I feel like growing up in Ohio, it made me kind of more of an everyman being able to relate to people in the heartland of the country and people who grew up on the coast. I think people on the coast have their own sensibility, but it’s hard to know what works inland. A lot of comedians are like hurricanes; they knock it out on the coast, but when they come inland they die. I feel like being from the Midwest gives me an advantage.
CB: What inspired you to pursue comedy seriously?
RS: When I turned 30 I really flipped out, I was like, ‘Man, I’ve lived in Ohio my whole life and I need to do something different.’ So I left Procter & Gamble and moved to Los Angeles, I was a brand manager at P&G Water for only about 3 months and then I jumped shipped and went into it [comedy] full-time. I guess I felt like I really enjoyed speaking in front of people and I love being funny and those two things lend themselves well to being a famous comic, ya know.
CB: So basically just turning 30 did it for you?
RS: Yeah, I felt like life’s too short and, you know, why do something you don’t want to do? Why not go for it. I guess I thought when I turned 30 I felt like, “Man, I don’t want to turn 40 and watch TV and go, ‘Man I could have done that.’” I think given all the privileges, if I don’t try it…I’m born in the United States, I’m American, I have all these opportunities, it’s the land of opportunity, you got to self-actualize, man, go for it.
CB: How has your comedy evolved from where you first started to now?
RS: I would say that just getting deeper. As comedians do it longer and longer you start to go from jokes to more of a point of view. You start to realize what makes you funny. You have these weird beliefs and you stand out a little bit. You don’t really have to do jokes anymore, you just tell people what you think and they think it’s funny because they are like, ‘Wow, that’s a weird way to look at it.’ Being able to make people laugh at the way you look at the world, I think that’s kind of cool.
CB: Do you have any stories about opening up for or working with various comedians?
RS: I actually opened up Dave Chappelle’s very first show when he came back from Africa in 2005, so that was really cool. I had opened up for him at the University of Cincinnati in 2000 before I even started doing stand-up — I started doing stand-up in 2002. So people in the student senate and student government and programming board at UC were like, ‘Hey, you’re a funny guy, you’ve done a little bit of stand-up, would you want to do?’ So I opened for Dave Chappelle at UC and got booed off the stage in front of all these people. Then five years later I opened Dave Chappelle’s first show when he comes back from Africa and I did really well, I killed and it was really redeeming.
CB: Did he remember you from 2000?
RS: Yeah, he did actually, that’s what’s crazy about it — that he remembered that. It’s funny. He was really encouraging and complimentary. I talked to him for two hours by myself that night in 2005, after we were done, just he and I were in the room and for two hours we were just talking about politics and religion and the world…I know that he was happy that I stuck with it and everything.
CB: Who would you like to work with in the future that you haven’t worked with?
RS: I would like to work with Bill Burr. He is not an extremely well-known person, but he is a genius and he is from Boston. I think it would be awesome to work with Louis C. K., of course, he is like the biggest guy in comedy right now. I mean, I don’t know, I think Jerry Seinfeld would be pretty awesome. I love Ricky Gervais, I’m a big fan of Ricky Gervais, a guy from England. Chris Rock, I love Chris Rock. I actually met Chris Rock when he performed at Ohio State and I told him someday I am going to open for him and he goes, ‘That would be something man, you never know.’ So I have to make good of my promise. I told him one day I was going to open for him, so I better do.
CB: What kind of topics or themes can audiences expect from No Man’s Land?
RS: It’s mostly about dating and relationships. The central questions of the show are: Why am I single and how would you define manhood in modern society? So I’m a single, 38-year-old man out there trying to figure out the evolution of manhood and what does it mean now, how does the definition of manhood change and I try to define it. It’s not a show about men versus women, it’s a show about men versus guys.
CB: What do you miss most about living in Cincinnati?
RS: Well my family, obviously, my family and my friends. I have a really good friend who lives in Seattle, but he is thinking about moving back here and the only reason is his family; it’s not for the weather, it’s not for a better job and it’s not for anything else other than the fact that his family is here. I think family is a big thing.
CB: I feel like if I moved away I would miss three-ways too much.
RS: I do miss Cincinnati food. I love LaRosa’s, I love Graeters’, I love Skyline and I do love Cincinnati food. You know, there is something about the Midwest. The people are super nice and, you know, just walking down the street you can say hi and the person will say hi back or the person will initiate or whatever — that doesn’t really happen in L.A. as much, at all, and people are not as nearly as friendly as they are here.
CB: What advice do you have for people who are trying to break into the business?
RS: I think they should just start. They need to start…The Internet is such an opportunity to reach the people you want to reach. I think it’s possible more than ever to go down to the local comedy club and enter the open mic night and start. Get to know the people and get up and do it. Write material, start a group up that supports each other. It is difficult, but you know there is a way in. Comedy is more accessible than ever.
Get a glimpse of some of Satyal’s funny stuff here.