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by Rick Pender 12.20.2013
Posted In: Theater at 10:33 AM | Permalink | Comments (0)
 
 
stage

Stage Door: Wrapping up Holiday Shows

It's the final weekend for most holiday shows, and there are lots of good choices. I'm ranking today's listings according to the laugh-o-meter, starting with the most hilarious:

No. 1: Every Christmas Story Ever Told (and then some). This is the eighth year the Cincinnati Shakespeare has put this show together, but it's fun even for if you've been before. The cast of four talented actors who usually do Shakespeare and the Classics prove adept at silly, in-the-moment humor. While they're poking fun at many things local, they also manage to touch on just about every Christmas story you can imagine, all with laugh-out-loud results. The biggest challenge is getting a ticket, since the run (through Dec. 29) was nearly sold out when it opened last Sunday. A performance has been added on Saturday at 2 p.m., which might be your best bet to score a seat or two. Tickets: 513-381-2273, x1.

No. 2: The Complete History of Comedy (abridged), a show by the same guys who came up with The Complete Works of William Shakespeare (abridged). The Cincinnati Playhouse is presenting the show's world premiere, and it's a wide-ranging evening of every kind of humor imaginable by three very adept performers. They can impersonate people and characters, they can do improv, they can satirize the classics — and they can keep everyone in the audience paying attention lest they get a pie in the face. Seriously. Our should I say "humorously"? It's an evening of fun, through Dec. 29. Tickets: 513-421-3888.

No. 3: The 12 Dates of Christmas is the story of a gal who struggles through a year of awful dating after she loses her fiancé when she sees him making out with another woman on national TV during the Macy's Thanksgiving Day parade. Lots of losers, lovers and louts — and a few nice guys who aren't quite right. It's a one-woman show with a good heart and a great performance by Annie Kalahurka. New Edgecliff Theatre is presenting the production at Know Theatre. Tickets: 513-621-2787.

No. 4: A Klingon Christmas Carol. This one isn't really laugh-out-loud, but it's a lot of fun to see actors telling the familiar story of Scrooge and his ghosts through the filter of Star Trek's fierce warrior race, the Klingons. SQuja' (he's the central character) isn't a miser, he's a coward — which is sinful for these tough guys. Find out how he gets retuned. It's a good bet for Trekkies; others venture in at your own risk. Tickets for this one ($20) can be obtained at the door, in the lobby of the Art Academy of Cincinnati (1212 Jackson St., Over-the-Rhine). 

Lots of more traditional fare elsewhere, of course, including Christmas Carols at the Playhouse and Covedale, as well as the family-oriented Around the World in 80 Days at Ensemble Theatre.
 
 
by Rick Pender 12.13.2013
Posted In: Theater at 11:37 AM | Permalink | Comments (0)
 
 
stage door

Stage Door: Holiday Cheer

It's Friday the 13th, but if you're in the mood for holiday shows, this is your lucky weekend. Just about every theater in town has something onstage aimed at getting you into the Christmas spirit, making you laugh, diverting you from the stress of being cheerful or just poking fun at the ways of the world (at least the world of commercialism we see in America today).

Perhaps you've already done your annual brush-up on Dickens' A Christmas Carol at the Playhouse (another fine production, now in its 23rd season with Bruce Cromer back as Scrooge and a new interpretation of Bob Cratchit, featuring the very angular Ryan Wesley Gilreath, who seems to be all arms and legs and stringy hair — very Dickensian) or the musical version being presented by Covedale Center. With the story of Scrooge's dark night of the soul fresh in mind, perhaps you're ready for A Klingon Christmas Carol, presented by Hugo West Theatricals at the Art Academy of Cincinnati (1212 Jackson St., Over-the-Rhine). This is a newish theater group that knows its way around satirical work (their Don't Cross the Streams, a goofy derivative of Ghostbusters, was a popular piece in the 2012 Fringe festival), they are giving this unusual piece its local premiere. (It's been staged in Chicago and Minneapolis.) It's actually a rather faithful retelling of the story with SQuja' (Donald Volpenheim), a cowardly, money-grubbing member of Star Trek's warrior race, taking the place of Scrooge.

It's presented by a deadpan Vulcan narrator (Lauren Carr) who positions the work as the "original" of the tale. Klingons don't celebrate Christmas, but they are bound by traditions, the greatest of them being the "Feast of the Long Night." The 70-minute piece closely matches with Scrooge's story, but it's all through a Klingon filter — lots of angry outbursts and hearty laughter, grunting, growling, drinking and chest-thumping by characters with wrinkled foreheads, bushy eyebrows and fierce demeanors. Eileen Earnest handles timHom (a Muppet-like equivalent for Tiny Tim), son of Quachit (David Dreith), whose training as a warrior is being neglected because of greedy SQuja'. If you've never yearned for a visit to Qo'noS, the Klingon homeworld, you might find this production a bit impenetrable since it's performed in the guttural Klingon language, but there are projected subtitles that add humor to the action. This won't be a show for everyone, but if you're a Star Trek fan, you'll have a good time. Tickets ($20 at the door or here).

Elsewhere in OTR, there's no need for subtitles for New Edgecliff Theatre's The 12 Dates of Christmas, presented this year at Know Theatre (1120 Jackson St.). It's a remount of NET's 2012 holiday, again featuring Annie Kalahurka as Mary, a New York actress whose chipper view of the holidays is trashed when she sees her fiancé kissing another woman on national TV at the Macy's Thanksgiving Day Parade. The one-woman show recounts her trajectory through a year of dating a dozen men, a few with potential, others with "what were you thinking?" qualities. Kalahurka does it all, from her central character, her oppressive matchmaking aunt, her nervously worried mother and a parade of bad choices marked by ornaments she hangs on a tree — an old friend, a doctor, a bartender, guys met at weddings, a musician and more. Along the way, she's in a production of Macbeth and A Christmas Carol (she plays Christmas Past) adding more humor with references to theater and such. This is a contemporary show with language to match (so it's not for the kids), but Kalahurka is a charming performer who makes this one totally worth seeing. Tickets: 513-621-2787.

On Sunday evening, Cincinnati Shakespeare Company kicks off two weeks of Every Christmas Carol Ever Told (and then some) for the eighth consecutive year. As the title implies, it's a mash-up of everything from A Christmas Carol to the Grinch, with stops for Charlie Brown, It's a Wonderful Life, Frosty the Snowman, Rudolph, the Nutcracker and more. It's been a great evening of adult entertainment in past incarnations: This year returns last year's cast intact — Miranda McGee, Sara Clark, Justin McComb and Billy Chace. They're individually funny, and together they can be downright hilarious. Even if you've seen this one before, it's worth a return trip. Tickets: 513-381-2273, x1.

For those who want to take the kids to a show, you can't go wrong with Around the World in 80 Days at Ensemble Theatre through Jan. 4 (513-421-3555) or the Children's Theatre of Cincinnati's production of The Day Before Christmas with performances today and Saturday at the Taft Theatre (800-745-3000).
 
 
by Rick Pender 11.29.2013
Posted In: Theater at 10:41 AM | Permalink | Comments (0)
 
 
stage door

Stage Door: Holidays Are Here

OK, the holidays are officially here. If you have any strength left after shopping last night and all day today, there are numerous theatrical offerings to consider.

On Wednesday night, I attended the opening of a musical version of How the Grinch Stole Christmas, a touring production at the Aronoff through Sunday. I suspect most everyone knows the story (which certainly resembles A Christmas Carol, with the Grinch replacing Scrooge as the meanie who's taught the meaning of Christmas). This newish musical uses some of the songs from the beloved 1966 animated version of Dr. Seuss's classic 1957 story of the green guy with a heart "two sizes too small." Audiences, in fact, are invited to sing along on "You're a Mean One, Mr. Grinch." What's touring is a 90-minute-rendition that's family-friendly, outfitted with wild costumes, technicolor scenery and a gaggle of special effects that include snow inside the Aronoff and festive confetti cannons for the finale. 

The tale is narrated by the senior citizen version of Max, the Grinch's hapless dog; Bob Lauder has a great baritone voice, a bemused mindset and a great tail that still wags. (He's complimented by and partnered with his eager younger self, played by Andreas Wyatt.) There's a whole raft of happy singing and dancing citizens of Whoville, of course, especially sweet Cindy Lou who wins over the Grinch's meager heart. Two kids alternate in this demanding role; I saw the adorable Jenna Iacono, but I'm sure Piper Birney is just as charming when she's singing "Santa for a Day" and wearing down the Grinch from his nasty ways.

As the Grinch, Stefan Karl gets to mug, growl, grimace and just be a general grouch (he does some farting and belching, just to add to his inappropriateness). He's great fun to watch from his first entrance, as "ugly as a cactus," outfitted in something across between newly mown grass, tattered green feathers and seaweed, to his final scene where he's embraced by the Whos. He's so bad he's good. And his story is a fine addition to Thanksgiving weekend from Broadway in Cincinnati. Performances, including several matinees, are at the Aronoff through Sunday evening. Tickets (starting at $28): 513-621-2787

Starting tonight (and for the next several weeks), you can also choose between two different productions of Charles Dickens' A Christmas Carol. The Cincinnati Playhouse returns its beautiful retelling of Scrooge's dark night of the soul for the 23rd consecutive year. If you're a theater fan, it's a pleasure to see Bruce Cromer, one of southwest Ohio's finest actors, in the bah-humbug role. He makes Scrooge such fun, a genuine holiday treat. With all the whiz-bang spinning scenery, ghostly presences and gorgeous Victorian costumes, well, this show is a great dose of holiday sentiment and cheer. Tickets: 513-421-3888.

For a different rendition of Dickens' grouch who gets his comeuppance, the Covedale Center for the Performing Arts is offering a musical version of A Christmas Carol that's new this season. (In fact, the book and lyrics are by Cincinnati Landmark's Tim Perrino with music by Jeremy Helmes; Perrino directs the show.) West Siders love the Covedale, and I suspect more than a few folks from Cincinnati's supposedly more "refined" side will make the trek to 4990 Glenway Avenue to see this one. Tickets: 513-241-6550.

If you prefer some non-holiday entertainment, the Playhouse offers The Complete History of Comedy (abridged), which begins a hysterical two hours with a skit that literally presents the "birth of comedy." (CityBeat review here.) You won't stop laughing until it's over, and I can guarantee some unexpected things along the way — there is a script, but the three performers play fast and loose through the performance, including bringing a few audience members into the merriment. Tickets: 513-421-3888.

And if Thanksgiving leaves you overdosed on goodness and sick of being nice, you might want to catch one of the final performances of Bull at Know Theatre. (CityBeat review here.) It's the story of three office workers competing for two jobs — and they're not nice at all. If you're seeking some  vicarious nastiness, this is the show for you. Tickets: 513-300-5669.
 
 
by Rick Pender 11.22.2013
Posted In: Theater at 10:42 AM | Permalink | Comments (0)
 
 
abe lincoln as a rapper - complete history of comedy - playhouse - photo sandy underwood

Stage Door: Comedies Abound

The theater season takes a bit of a pause around Thanksgiving, since many companies are readying holiday productions. But there are plenty of choices available this weekend.

I'm not the only one who enjoyed the laugh-fest that is The Complete History of Comedy (abridged) at the Cincinnati Playhouse. I've heard numerous people who saw it say they were recommending it to others. In two hours the Reduced Shakespeare Company puts forth more humor than you can shake a stick at. (But be careful shaking sticks. You might get a pie in the face.) No matter your tastes in comedy — witty, loud or rude and crude — you'll find it in this production. How about Abe Lincoln as a deadpan rapper? This could be a good outing this weekend or a lot of fun for out-of-town guests who descend on you next week. Tickets: 513-421-3888.

Tonight is an opening at Cincinnati Shakespeare Company, the very frothy comedy Twelfth Night. (It's subtitle is "or What You Will," indicating that it's a lot of foolishness, which is an apt description.) In fact, Twelfth Night is a beautiful piece with clever situations, amusing characters, a bit of intrigue and a lot of mistaken identities. And several of the most laughable characters Shakespeare ever created, from the bombastic Malvolio to his persecutor Sir Toby Belch and Sir Andrew Aguecheek, plus the best of all Shakespeare's fools, Feste. It's a safe bet that this is a production that even those who fear Shakespeare will truly enjoy. Tickets: 513-381-2273 x 1.

If you're more into storefront theater, you might check out the current production by Untethered Theater at Clifton Performance Theatre on Ludlow, just east of the business district. It's a tiny space (only 50 seats), but that makes it all the more interesting. The current production is Wendy Macleod's The House of Yes, a very dark comedy about a weirdly dysfunctional family. The story focuses happens while there's a Thanksgiving hurricane outside, so it's timely, too. Performances Friday and Saturday (through Dec. 7). Go here for tickets.

This is the last weekend for Boeing Boeing, a crazy farce about a guy juggling three fiancees who happen to be flight attendants. It's at the Carnegie, featuring performers from the drama program at UC's College-Conservatory of Music. Tickets: 859-957-1940.

 
 
by Rick Pender 11.15.2013
Posted In: Theater at 10:06 AM | Permalink | Comments (0)
 
 
to do onstage 11-13 complete history of comedy dominic conti, austin tichenor and reed martin - reduced shakespeare company - photo john burgess

Stage Door: Theatre Large and Small

There's a fine community theater production of A Chorus Line at the Aronoff Center's Jarson-Kaplan Theater. It's by Cincinnati Music Theatre, and they've recruited a talented cast of dancers, singers and actors to tell the stories of 16 performers competing for roles in the chorus of a Broadway show. There are many fine performances in this show — the characters become known, one by one as they tell their stories, some humorous, some heartbreaking — but the show's greatest emotional wallop comes when they are all in synch, wearing glitter and gold, hats cocked and performing as "One." Final performance is Saturday evening. Tickets: 513-621-2787.

If you prefer your theater small and intimate, you might want to head to the tiny Clifton Performance Theater on Ludlow, just east of the business district. Untethered Theater opens a production of Wendy MacLeod's The House of Yes tonight for a three-week run. It's a very dark comedy about a dysfunctional family obsessed with the Kennedys. I haven't seen this one, but it's a solid script and the young Untethered company has a good track record of interesting shows. Through Dec. 7. Tickets: 513-939-0599.

If you are in the mood for something totally silly, I can recommend the Cincinnati Playhouse's presentation of The Complete History of Comedy (Abridged) that opened last evening. (It has a long run, through the holidays, closing on Dec. 29.) It's a world premiere by the same guys who created The Complete Works of William Shakespeare (Abridged) and other works — several presented at the Playhouse — comically condensing subject matter like the Bible, great literature and American history. These guys are the originators of this material, so it's a special treat to see them at work. If you’ve enjoyed Shakespeare (abridged), you’ll find this right up your alley. The performers are truly adept jokesters, physical shtick, music, improv — they can do it all. … Also, the Playhouse's excellent production of the legendary Kander & Ebb musical Cabaret winds up on Saturday evening. (CityBeat review here.) By now, most of the subscribers have attended, so you might be able to call at the last-minute and get a ticket. Marcia Milgrom Dodge's production traces back to the roots of the show, adhering closely to the stories of Berlin in the 1920s that inspired the show. Worth seeing. Playhouse box office: 513-421-3888.

CityBeat's other reviewer, Stacy Sims, really enjoyed the production of the farce Boeing Boeing at the Carnegie by CCM Drama. (CityBeat review here.) It's about a Casanova in Paris who's careful juggling of three flight attendances to whom he's engaged goes awry when Trans-Atlantic flights happen faster thanks to new aircraft. Silly but obviously a lot of fun. Through Nov. 24. Tickets: 859-957-1940.
 
 
by Rick Pender 11.08.2013
Posted In: Arts community, Theater, Visual Art at 11:22 AM | Permalink | Comments (0)
 
 
stage door blog 11-8 - drew pulver as tevye human race - photo scott j. kimmins

Stage Door: Choices Galore

I had occasion to be in downtown Dayton on business earlier this week and thought I'd stay for the evening to catch the Human Race Theatre Company's production of Fiddler on the Roof at the Loft Theatre. It's not a space you'd immediately think of for this often large-scale show, but director Kevin Moore has put of lot of action and choreography (by Chris Crowthers) on the stage, centering on Drew Pulver as the philosophical Jewish milkman, Tevye. He's the show's charismatic core, but he's surrounded by a strong cast who really embody their roles. Wandering on and off the stage, a four-musician band, including George Abud as the expressive fiddler, ably accompanies the cast, several of whom play multiple roles. The intimacy of the Loft amplifies the heartfelt nature of the show, and the actors pour heart and soul into the joyous storytelling. This production runs through Nov. 30, so you have time to plan a trip to Dayton yourself. If you're a fan of musicals, you won't be disappointed. Tickets: 937-228-3630

If you're looking for a good musical closer to home, I can certainly recommend the Cincinnati Playhouse production of Cabaret, which gets my Critic's Pick in the current issue (see review here). Director Marcia Milgrom Dodge has taken it back to 1929 with costumes and choreography very true to the period in a seedy, sexy Berlin nightclub. The Playhouse doesn't often do musicals, but this one is done right. Tickets: 513-421-3888

Know Theatre is staging another work by Mike Bartlett. Last spring it was Cock; this time it's Bull (review here). It's a story of two people bullying a third as they compete for jobs. A nasty tale, not for the faint-hearted, but some fine writing and acting. You'll feel ashamed of yourself for enjoying it, I suspect. Tickets: 513-300-5669

A fine production of John Steinbeck's Depression era tale of migrant workers and a guy who just doesn't fit in, Of Mice and Men (review here), finishes its run this weekend at Cincinnati Shakespeare. Jeremy Dubin's performance as cranky George and Jim Hopkins as simpleminded Lenny are examples of the kind of fine acting that's a regular commodity at Cincy Shakes. Tickets: 513-381-2273

Finally, if you're in the mood for a hilarious farce, your destination should be the Carnegie in Covington. CCM Drama has transported some of its actors from the UC Campus to Covington, Ky., for a production of a deliriously funny tale of one man in Paris juggling three fiancees, Boeing Boeing. They're all flight attendants, but advances in aviation screw up his neat schedule to keep them discreet from one another. Comedy ensues. Tickets: 859-957-1940

 
 
by Rick Pender 11.01.2013
Posted In: Theater at 08:46 AM | Permalink | Comments (0)
 
 
onstage 11-6 - flashdance -photo_by_jeremy_daniel

Stage Door: Musicals Galore

If you love musicals, you should run, don’t walk to the University of Cincinnati’s College-Conservatory of Music this weekend for the short run of Singin’ in the Rain. It's a fabulous recreation of the iconic 1952 movie that featured Gene Kelly. It's about the transition from silent to talking pictures in the late 1920s. Even if you’ve never seen the film, I’m bet you know Kelly’s iconic splash down a movie-set street, joyously stomping in puddles and swinging from a lamppost. That's what's onstage at Corbett Auditorium — a whole stage full of tap dancers and a torrential rainfall! But it's only there through Sunday afternoon; shows at CCM seldom run more than one weekend. So if you want to see this one, call for tickets right away: 513-556-4183.

There's water falling on another stage right now: The touring production of Flashdance: The Musical is at the Aronoff through Nov. 10, and its star, Jenny Mueller as the free-spirited welder who aspires to be a dancer concludes the first act with a memorable sequence where she performs at a club, culminating in a backlit shower. Mueller is a fine dancer and onstage from start to finish, but the show is full of shallow characters and too many subplots that make for slow going. Tickets: 800-982-2787.

One more musical item: I gave the Cincinnati Playhouse in the Park's production of Cabaret a Critic's Pick, and it's definitely worth seeing. Despite the fact that it first appeared on Broadway 50 years ago, it's still a powerful piece of theater — about intolerance and willful ignorance. But it's framed in a great story with a memorable score by John Kander and Fred Ebb (who also created Chicago, Kiss of the Spider Woman and more) with a new production by Broadway veteran Marcia Milgrom Dodge. Tickets: 513-421-3888.

If you're in the mood for something more serious, there are plenty of choices that have received good reviews: Check out Cincinnati Shakespeare's staging of Of Mice and Men or their joint project with Xavier University of The Crucible. Tickets: 513- 381-2273, x1. And I hope you have on your radar Know Theatre's staging of Bull (which runs throughout November) by Mike Bartlett, the same playwright who wrote Cock, presented last spring. It opens tonight. Tickets: 513-300-5669.

Find reviews of Flashdance, Cabaret, Of Mice and Men and The Crucible at citybeat.com. 

 
 
by Rick Pender 10.25.2013
Posted In: Theater at 09:19 AM | Permalink | Comments (0)
 
 
cabaret

Stage Door: 'Cabaret' and Halloween Fare

The Cincinnati Playhouse's production of Cabaret is a must-see for anyone who is a fan of musicals. (CityBeat review here.) Kander and Ebb's Tony Award winner from the late '60s has been brought to the main stage with inventive verve by veteran Broadway choreographer and director Marsha Milgrom Dodge. Sure, it's set in 1929 Berlin, populated by amoral entertainers and Nazis rising to power. But its scrutiny of prejudice and bigotry in the context of jaunty, thoughtless entertainment is a fascinating way to bring attention to topics that are timeless. Dodge has assembled a cast of triple-threats (who can sing, act and dance), given them choreography rooted in the 1920s, costumed them in period clothing (and some clever get-ups for the cabaret routines) and set them spinning on a stage arrayed with Expressionist imagery. It's a winning combination. Cabaret just opened on Thursday evening; you have until Nov. 16 to catch it, but it's likely to be a hot ticket, so this is a good weekend to head to Mount Adams. The other choice at the Playhouse, Seven Spots on the Sun, is in its final weekend on the Shelterhouse stage. It's a powerful drama set in a Latin American nation, torn asunder by civil war. Serious theatergoers have been giving this one a thumbs-up. Tickets: 513-421-3888.

Cincinnati Shakespeare hasn't gotten around to any Shakespeare plays yet this season, but no one's complaining. Last weekend they opened a moving production of John Steinbeck's Of Mice and Men, featuring top-notch performances by Jeremy Dubin and Jim Hopkins as a pair of Depression Era migrant works who have to stay one step ahead of trouble because man-child Lennie (Hopkins) doesn't know his own strength and has emotions that are seldom reined in. Great acting, worth seeing. (CityBeat review here.) Through Nov. 10. Tickets: 513-381-2273, x1.

Ensemble Theatre Cincinnati finishes its run of Gina Gionfriddo's Rapture, Blister, Burn this weekend, hot from Broadway in its regional premiere. (CityBeat review here.) A story about modern women and what satisfies — and dissatisfies — them. Three generations end up debating choices made: It's both entertaining and thought-provoking, a showcase of excellent local actors. Through Sunday. Tickets: 513-421-3555.

As Halloween draws closer, you might want to check out a show or two inspired by the "season." Dracula at the Covedale Center for the Performing Arts (tickets: 513-241-6550) tells the familiar tale of the legendary vampire. (CityBeat review here.) Slasher at Falcon Theatre (Monmouth Theatre in Newport; tickets 513-479-6783) is a tongue-in-cheek piece that originated a few years back at the Humana Festival in Louisvile. It's about people making a horror flick and how it affects their lives. Lots of humor, but some thoughtful moments, too.
 
 
by Rick Pender 10.18.2013
Posted In: Theater at 08:34 AM | Permalink | Comments (0)
 
 
todo_onstage_raptureblisterburn_ryankurtz

Stage Door: Choices, Choices

My best recommendation for this weekend is Ensemble Theatre's staging of Gina Gionfriddo's Rapture, Blister, Burn. This is an ultra-natural piece of writing with several generations of women arguing and contesting over the ways women should behave. (CityBeat review here.) It's focused on two women, once friends, one married to the other's ex college boyfriend. It's years later and neither woman is very happy with her present life. How that plays out will keep you engaged from start to finish. Some exceptional acting, with strong direction by D. Lynn Meyers. Tickets: 513-421-3555.

The Playhouse's world premiere of Martín Zimmerman's Seven Spots on the Sun is a powerful drama that engages all your senses as well as your imagination. The products of a devastating civil war in Central America are played out in painfully personal ways. Potent script, strong performances make this a show worth seeing. (CityBeat review here.) This weekend at the Playhouse also offers a series of previews (hence, more affordable tickets) of Kander and Ebb's Cabaret, a show that's been around for a long time — but still has a saucy kick that makes it feel very in the moment. Playhouse box office: 513-421-3888.

Need to starting getting into a Halloween state of mind? Covedale Center opened a production of Dracula on Thursday (it's onstage through Nov. 10) for you to sink your teeth into. Or vice versa. Tickets: 513-241-6550.

Cincinnati Shakespeare kicks off its production of John Steinbeck's Of Mice and Men this evening. It's a tale of friendship in the midst of the Great Depression, two men who are migrant workers, often staying one step beyond serious trouble caused by oafish Lennie. Cincy Shakes' regular Jim Hopkins plays the simple-minded giant who's protected by the pragmatic George, brought to life by veteran Jeremy Dubin. It's a thoughtful, sad story. Opens Friday evening, continues through Nov. 10. Tickets: 513-381-2273, x1.

Speaking of Cincinnati Shakespeare, the company is involved in bringing National Theatre Live broadcasts from London to Cincinnati. If these screenings generate any profits, Cincy Shakes will get some financial benefit. So assemble a group and head to Springdale 18's Cinema de Luxe on Sunday evening at 7 p.m. You'll see a powerful performance of Othello featuring  Adrian Lester (an Olivier Award winner) as the title character and Rory Kinnear (featured in a couple of recent James Bond films) as the manipulative Iago. Here's a link to buy tickets, $19 in general, $15 for seniors and students.

Take a kid to see a show and you're likely to create a lifetime theater lover. That's what happened to me when my grandfather took me to see the musical Brigadoon. So you can give this theory a try this weekend as the Children's Theatre of Cincinnati opens its 89th mainstage season with Annie JR. at the Taft Theatre. It's a shortened version of the Broadway hit about a spunky orphan who charms everyone (and which happens to be back on Broadway this fall in a full-length production). Public performances today, tomorrow and Sunday. Tickets: 800-745-3000.
 
 
by Rick Pender 10.11.2013
Posted In: Theater at 09:28 AM | Permalink | Comments (0)
 
 
todo_onstage_raptureblisterburn_ryankurtz

Stage Door: Solid Choices

Several great choices for theatergoing this weekend. At the top of your list should be Rapture, Blister, Burn at Ensemble Theatre Cincinnati. I was at the opening of Gina Gionfriddo's 2013 Pulitzer Prize runner-up on Wednesday, and it's another fine example of the kind of excellent production we've come to expect from ETC. Lynn Meyers has a knack for finding exactly the right actors for her shows, and she's assembled a perfect cast for this one, the story of a twisty relationship between three one-time college friends. Two women, played by Jen Joplin and Corinne Mohlenhoff, were roommates back then, and Mohlenhoff's character had a charismatic boyfriend. She went off to a renowned academic career and Joplin's character ended up marrying Don, played by Charlie Clark. Twenty years later they're back in close proximity, and neither woman is feeling fulfilled by her life. Don is a willing player in trading places, which makes for some amusing drama. Mohlenhoff's character offers a summer seminar in feminism, film and pornography which plays out some interesting theorizing among the show's female characters about the roles women play. It's a great stew of talking and experimenting, which takes some interesting turns along the way. Definitely watchable and entertaining. Onstage through Oct. 27. Tickets: 513-421-3555.

At the Playhouse you'll find Martín Zimmerman's much more serious Seven Spots on the Sun, a story set in a Latin American nation torn asunder by civil war. (CityBeat review here.) We see the drama played out between several characters whose lives are tragically intertwined and who struggle to understand how to continue in light of past decisions and tragedies. It's a powerful story that offers small glimmers of hope, not to mention some magical turns that lead you to speculate about fate and hope. Zimmerman is a playwright whose name will become increasingly familiar in the future; the Playhouse is offer his script in its world premiere. Onstage through Oct. 27. Tickets: 513-421-3888.

If you're looking for a different kind of theater experience, check out New Edgecliff Theatre's annual fundraiser, "Sweet Suspense," back for its sixth year with a one-time performance on Sunday evening. Playwright Catie O'Keefe has adapted Mary Shelley's classic monster tale of Frankenstein into a radio adaptation, complete with creepy sound effects. Since NET is homeless this season, the event is happening at Know Theatre at 7:30 p.m. The "sweet" part of the evening is a dessert buffet at intermission with treats from many local bakeries, including Holtman's Donuts, the hot new sweet shop on Vine Street in OTR. Tickets are $35 (hey, it's a fundraiser) for adults, $20 for kids 13 and under. Seating is limited, so ordering tickets in advance is advised: 513-399-6638.

 
 

 

 

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by Rick Pender 11.21.2014 6 days ago
Posted In: Theater at 09:30 AM | Permalink | Comments (0)
 
 
susan haefner as rosemary clooney at cincinnati playhouse - photo sandy underwood

Stage Door: A Girl Singer and Two Pairs of Twins

Many Cincinnati stages are momentarily paused, readying shows for the holidays. Last night the Cincinnati Playhouse in the Park opened its production of Tenderly: The Rosemary Clooney Musical. Susan Haefner does a remarkable job of channeling the "girl singer" from Maysville, Ky., who grew up in Greater Cincinnati. We learn how she became a star, rose to fame, almost lost it to pills and dissolute behavior, then battled back for a "flip side" to her singing career. All the other characters in her story — male and female, young and old, famous and unknown — are performed by Michael Marotta, who principally plays her counselor but is amusingly convincing as Bing Crosby, Frank Sinatra, Merv Griffin and many more. It's a thoroughly entertaining two hours on the Playhouse's Shelterhouse stage, and it's already appealing to audiences apparently, since the show's run has been extended from Dec. 28 to Jan. 4. Tickets ($30-$85): 513-421-3888

Cincinnati Shakespeare Company kicks off its next production of the 2014-2015 season tonight with The Comedy of Errors. The emphasis in this show, one of Shakespeare's earliest works, is definitely on the comedy, what with two pairs of twins whose adventures are hysterically compounded by mistaken identities when they end up in the same town on the same day. For this staging, it's set in a seaside resort in America of the 1930s in the midst of a classic carnival, adding to the story's hilarity. This one will only be onstage until Dec. 13, so this weekend is the perfect time to catch a performance, before holiday shows take center stage elsewhere. Tickets ($22-$36): 513-381-2273

One last treat I'll mention, which happens to be operatic rather than theatrical: It's Great Scott, a new work that Cincinnati Opera is nurturing in partnership with UC's College-Conservatory of Music. The production's creators have been in town all this week honing this brand new opera, the story of a struggling opera company and the hometown football team. They come into conflict when the team is to play in the Super Bowl on the same day the company has planned to premiere a long lost opera. To heighten the drama, the team's owner is married to the opera company's founder. The composer is Jake Heggie, who wrote the music for Dead Man Walking, a work produced by Cincinnati Opera at Music Hall in 2002, and Great Scott's script is by prize-winning playwright Terrence McNally. The week's work will culminate in a public reading on Tuesday evening. It's free, but you are asked to make a reservation by calling 513-241-2742 to see it at Memorial Hall (1225 Elm Street, next door to Music Hall; it's easy to park your car in the nearby Washington Park Garage).


Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 11.14.2014 13 days ago
Posted In: Theater at 09:51 AM | Permalink | Comments (0)
 
 
once_photo_joan_marcus

Stage Door: Broadway Here, Broadway There — It's Everywhere

If you're looking for good theater this weekend you have two great choices at downtown Cincinnati's Aronoff Center. It's your pick: Recent Broadway hit Once, in a touring production, or a past award-winner, Young Frankenstein, staged by one of Cincinnati's best community theaters.

The musical Once began life as an Academy Award-winning film in 2007; the song "Falling Slowly" won an Oscar. The film became an off-Broadway production as a musical in 2011 then a Broadway contender in 2012, where it won eight Tony Awards, including best musical. Since 2013 it's been a hit in London (the film is about musicians in Dublin, and the stage adaptation is set in an Irish pub) and on a national tour in the U.S. a year ago that's been much praised. It's that tour presently onstage at the Aronoff Center's big hall. It's a very contemporary love story that succeeds in part because it's unpredictable: Boy Meets Girl (yeah, that's a cliché) but despite their chemistry and potential for romance, it doesn't turn out as you might expect. Along the way, a great cast of actor/musicians play instruments onstage and sing their hearts out as the story unfolds. And it's fun: Arrive early enough and you can queue up to go onstage and order a pint from the bar there and mingle with some of the cast. If there's such a thing as a casual musical for contemporary music lovers, this is it. Through Nov. 23. Tickets ($33-$80): 513-621-2787.

Don't think that you'll see something less than professional if you choose to head to the Aronoff's Jarson-Kaplan Theater to see Young Frankenstein, presented by Cincinnati Music Theatre through Sunday. This company of local theater junkies knows how to make big musicals work, and this jokey show by Mel Brooks (based on his equally jokey classic comedy from 1974) is a great vehicle for a talented cast and crew. There are great sets (designed by Rick Kramer) and visual effects (by Jeff Surber), and the talented performers milk every laugh line to the nth degree. Charlie Harper is lots of fun as the latter-day scientist Frankenstein, Alison Evans is his fetching lab assistant Inga and Kate Mock Elliott has great moments as his twitchy fiancee Elizabeth. Chuck Ingram's portrait of the Monster is spot on, and his delivery of the show's big number, "Puttin' on the Ritz," will stick that tune in your head for days in ways that Irving Berlin never imagined. Tickets ($20-$24): 513-621-2787.

Broadway star Faith Prince is making a local appearance at Memorial Hall for an 8 p.m. concert tonight. It's part of a series of "Libations & Lite Bites," this one titled "Broadway & Bordeaux." The evening begins at 6:30 with hors d'oeuvres from local restaurants, wine and cocktails and concludes with dessert and more. Tickets ($47-$57): cincinnatimemorialhall.com.

If you've got Broadway on the brain and you're on Cincinnati's West Side, you should definitely check out the Covedale Center's production of Stephen Sondheim's fairytale musical Into the Woods, finishing up its run on Sunday. It's an entertaining classic (in December it will be on movie screens everywhere in a new film version featuring Meryl Streep and Johnny Depp), and the Covedale has a great cast to put it across. Tickets ($21-$24): 513-241-6550.

You still have a chance to catch one of our great local actresses, Dale Hodges, in Driving Miss Daisy at Covington's Carnegie through Sunday. She's playing haughty, elderly Daisy Wertham, unwillingly partnered with Hoke, an African-American chauffeur (Reggie Williams) hired by her solicitous son Boolie (Randy Lee Bailey). It's a solid ensemble and a very entertaining production. Tickets ($18-$25): 859-957-1940.

And if you're looking for something that's brand new and edgy, check out All New People by contemporary writer Zach Braff. It's onstage at Clifton Performance Theatre, staged by Untethered Theatre through Nov. 30. It starts with a suicide attempt on Charlie's birthday and spirals from there. I'm going to see it this weekend. Maybe I'll see you there. Tickets ($20): 513-939-0599.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here
 
 
by Samantha Gellin 11.07.2014 20 days ago
Posted In: Theater at 09:35 AM | Permalink | Comments (0)
 
 
driving miss daisy_ the carnegie_photo matt steffen

Stage Door: What You Can Learn at the Theater

Most of us go to the theater to be entertained. But we are often subtly educated and sometimes changed by the stories we witness. Take Driving Miss Daisy, for instance, Alfred Uhry's Pulitzer Prize-winning play from 1987, currently onstage at the Carnegie in Covington. It has just three characters, all from different points on the personality compass. There's the feisty Daisy Werthan, an elderly, wealthy Jewish woman in Atlanta, fiercely independent but actually in need of assistance for daily life; her rather patronizing son, Boolie, a businessman trying to ensure her safety; and Hoke Coburn, the African-American chauffeur who Boolie hires to keep his mother from risking life and limb by driving herself. Things don't go well initially, but over the course of a quarter-century Miss Daisy and Hoke become best friends, and we learn how people can connect across vast divides. Featuring three very capable local stage veterans — the brilliant Dale Hodges as Daisy, Reggie Willis as Hoke and Randy Lee Baily as Boolie — this swift play (about 90 minutes) is a story about understanding and caring for someone whose life experience is vastly different. It's done with a lot of gentle humor and insightful moments. Staged by Mark Lutwak, whose day job is at the Cincinnati Playhouse, this very satisfying production is a great choice for theater this weekend. Through Nov. 16. Tickets ($18-$25): 859-957-1940

At the Cincinnati Playhouse, the world premiere of Safe House (CityBeat review here) connects because it's a story about family dynamics that aren't all that unusual — a pair of brothers with opposing perspectives who are on a collision course — but it's made interesting because it's set in Northern Kentucky in 1843, and the characters are "free people of color" — not slaves but not exactly free. Addison is a hardworking, itinerant cobbler, dreaming of opening his own shop, while his younger brother Frank is impetuous and chafing at restrictions imposed on them despite their freedom. They're caught up in the chaos of helping others escape bondage via the Underground Railroad. Playwright Keith Josef Adkins based his new play on his own family's history, and this meticulously crafted production will keep you guessing about the outcome and leave you with a sense of how some things evolve and some never change. Through Nov. 15. Tickets ($30-$75): 513-421-3888.

Musicals are often at the far end of the lightweight entertainment spectrum, but if composer and lyricist Stephen Sondheim's name is attached, you can be sure there will be twists on stories and music that goes well beyond toe-tapping numbers. That's certainly the case with Into the Woods (CityBeat review here), currently onstage at the Covedale through Nov. 16. It's a mash-up of familiar fairy tales — Jack and the Beanstalk, Little Red Riding Hood, Cinderella, Rapunzel and more — that get entangled but seem to wrap up with happy endings by intermission. Then Act II comes along, and reality sets in. It's a show that's ultimately about understanding, caring and building community. Tickets ($21-$24): 513-241-6550.

Other productions worth checking out this weekend include Conor McPherson's adaptation of the psychological thriller The Birds (CityBeat review here) at Cincinnati Shakespeare (through Saturday; tickets, $22-$36: 513-381-2273); a creative stage adaptation of Herman Melville's Moby Dick (CityBeat review here) at Know Theatre (through Saturday; tickets: $20, 513-300-5669); Stephen Karam's comedy Speech and Debate about a trio of misfit teens (CCM Drama on the UC campus, through Saturday; free, but reservations required: 513-556-4183); and Zach Braff's All New People about a disrupted suicide (Untethered Theater at Clifton Performance Theatre through Nov. 30; $25: 513-939-0599). And Cincinnati Music Theatre, a community group that is both ambitioius and successful with musicals, takes on the silly but entertaining Young Frankenstein at the Aronoff Center's Jarson-Kaplan Theatre (through Nov. 15; tickets, $20-$24; 513-621-2787).

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 10.31.2014 27 days ago
Posted In: Theater at 08:36 AM | Permalink | Comments (0)
 
 
bruce_cromer_photo_ryan_kurtz

Stage Door: No Tricks, All Treats – Theater Choices for Halloween Weekend

Don't be scared. Just because it's Halloween, you don't have to miss out on good theater. In fact, there are some great deals available. For instance, this weekend is your last chance to see Ensemble Theatre's production of An Iliad (CityBeat review here), a one-man retelling of Homer's epic tale of the Trojan War. (The final performance is Sunday at 2 p.m.) Bruce Cromer has been turning in one of the best acting performances seen locally in years as "The Poet" who narrates the story of the tragic conflict — as well as about a dozen of the story's central characters. Several of the weekend's performances are sold out, but seats do remain tonight at 8 p.m. and Saturday at 2 p.m. and if you use the coupon code SPOOKY to order tickets for either one, you'll get them for $25 each (they're usually $44). Box office: 513-421-3555.

This is also the final weekend for Falcon Theater's staging of The Woman in Black in Newport's tiny Monmouth Theater (which the group recently purchased, so it now has a permanent home, renamed "Falcon Theater"). The final performance on Saturday is sold out, but if you attend the classic ghost story tonight at 8 p.m. in costume, you'll get a $2 discount on your ticket (normally $19; $17 for students and seniors): 513-479-6783.

Cincinnati Shakespeare Company's production of The Birds (CityBeat review here) is also intended to give you the creeps, so it's another good choice for Halloween weekend. If that title sounds familiar, it's because Alfred Hitchcock adapted Daphne Du Maurier's short story into a classic thriller back in 1963. Cincy Shakes is presenting a more recent stage adaptation, this one by Irish playwright Conor McPherson (who has his own reputation as a storyteller who knows how to scare an audience, with past hits like The Weir and The Seafarer). It's an evening of psychological twists and turns with a cast featuring four of the company's best actors. This one will be around for another week, but if you're celebrating Halloween, you'll have fun with this one. Tickets ($22-$36): 513-381-2273, x1.

Also onstage through Nov. 8 is Know Theatre's production of Moby Dick (CityBeat review here.) It's not exactly a ghost story, but the obsessive Captain Ahab is certainly haunted by the specter of the great white whale, and Know's retelling of Herman Melville's great American novel is inventive and engaging. Tickets ($18): 513-300-5669.

Other good choices onstage are Covedale Center's Into the Woods (CityBeat review here) and the Cincinnati Playhouse's Safe House (CityBeat review here.) The former (tickets, $21-$24: 513-241-6550) is Stephen Sondheim's classic musical that's a mash-up of fairytales; the Playhouse show is a world premiere of a play by native Cincinnatian Keith Josef Adkins about people like his ancestors, free people of color in 19th-century Kentucky (tickets, $30-$75: 513-421-3888).

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 10.24.2014 34 days ago
Posted In: Theater at 08:07 AM | Permalink | Comments (0)
 
 
safe-house_cincinnati-playhouse-_photo-sandy-underwood

Stage Door: Safe House and Spooky Performances

Last night I was at Cincinnati Playhouse in the Park for the opening of Keith Josef Adkins' new play, Safe House, the 71st world premiere staged by our Tony Award-winning regional theater. (CityBeat feature story here.)

It's a fascinating piece that's about the little-known circumstances of "free people of color" in 19th-century America — not slaves but not exactly free. They're put into complex and stressful situations, personified here by a pair of very different brothers: Addison is a hardworking, aspiring entrepreneur, dreaming of become a cobbler with his own store, while younger brother Frank is impetuous and chafing at the restrictions imposed on them. The heat gets turned up when runaway slaves through their Northern Kentucky county need shelter and perhaps passage to Liberia, something their Aunt Dorcas has quietly supported. The story is based on Adkins' family history in this region, and it comes to life in this provocative drama. Through Nov. 15. Tickets ($30-$75): 513-421-3888.

UC's College-Conservatory of Music only rarely gives more than one weekend to musical theater productions. This fall's privileged show is the very commercial Legally Blonde (a hit movie with Reese Witherspoon from 2001 that became a Broadway property in 2007). It's a genuinely entertaining show that actually has a meaningful message about living up to potential and not judging people by their exteriors. It also has a ton of dancing, so it's great news that this production is both being staged by veteran CCM choreographer Diane, who I profiled in my Curtain Call column this week. The production is happening at UC's Patricia Corbett Theater through Nov. 2. Tickets ($31-$35): 513-556-4183.

It's fairytale time at the Covedale Center with a production of Stephen Sondheim's Into the Woods. But proceed with caution: The first act takes more or less traditional stories of Cinderella, Red Riding Hood, Rapunzel, Jack and the Beanstalk and more, and mixes them into one happy stew. But in Act II, well, things aren't so "happily every after" when reality sets in. Big cast, great tunes, lots of humor — but some thoughtfulness, too. Through Nov. 16. Tickets ($21-$24): 513-241-6550.

The chance to see Bruce Cromer's one-man performance in An Iliad at Ensemble Theatre is an absolute must for anyone who's serious about theater. (CityBeat review here.) It's quite astonishing that one man can do so much and hold an audience's attention for 100 minutes in this retelling of the savagery of the Trojan War. It's all the more powerful because it's a condemnation of war across the ages. Don't miss this one. Through Nov. 2, and no chance that it will be extended, so call now for your tickets. Here's a tip, thanks to friendly relations with Know Theatre, just around the corner from ETC: Use the coupon code MOBY20 to get 20 percent off the price of two tickets for any remaining performances. Tickets ($28-$44): 513-421-3555.

With Halloween just a week away, several theaters are offering shows that will make your heart pound. There's creepy ghost in Falcon Theatre's production of The Woman in Black ($17-$19, 513-479-6783), and the characters in Conor McPherson's The Birds are under attack in ways that don't bode to well for human interaction ($22-$36, 513-381-2273). (CityBeat review here.) And while it's not exactly a Halloween story, Moby Dick at Know Theatre has some scary oddballs and a gargantuan villain out to murder everyone, so that qualifies, too. (CityBeat review here.) It's onstage through Nov. 8 ($18; 513-300-5669).

This weekend is last call for I loved, I lost, I Made Spaghetti at the Cincinnati Playhouse. (CityBeat review here.) Actress Antoinette LaVecchia spins some great stories about writer Giulia Melucci's bad taste in men, all the while making an aromatic Italian dinner — antipasti, wine, spaghetti Bolognese (homemade pasta and fresh sauce) — for a few lucky audience members. This is a totally charming show, great for weekend entertainment. Final performance is Sunday. Tickets ($30-$75): 513-2418-3888.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 10.17.2014 41 days ago
Posted In: Theater at 08:30 AM | Permalink | Comments (0)
 
 
bruce cromer_an iliad_etc _photo ryan kurtz

Stage Door: An Iliad, Varekai, and Other Items of Note

On Wednesday evening I attended one of the most remarkable solo performances I've ever seen: Bruce Cromer starring in An Iliad at Ensemble Theatre Cincinnati.  Based on Homer's epic poem about the Trojan War, the poetic but dynamic script calls on one actor to play a dozen or so characters. Cromer does everyone of them (sometimes interacting with one another) with both imagination and detail. But mostly he's "The Poet," trapped by his role to tell this story — and the story of war in general — for nearly three millennia. He lets us see the attraction of glory and the devastation of senseless combat often for trivial reasons (the stealing of one man's wife by another lit the fuse on the Siege of Troy). The play is a condemnation of war and an acknowledgement of its inevitability. But it's also a celebration of theater, and Cromer is an absolute marvel to watch: After 100 minutes (no intermission) he's dripping with sweat from the effort and bowing to a genuine standing ovation. This is a production that no theater fan should miss. Tickets ($28-$44): 513-421-3555

There's a Cirque du Soleil show, Varekai, at the Bank of Kentucky Center at Northern Kentucky University. Like most, it's light on content and high on entertainment: A winged man falls from the rafters into a magical world where he recovers, witnessing the delights of strange creatures — who also happen to be marvelous performers: tumblers, aerial artists, jugglers and acrobats. As always, there's a pair of clowns who have fun with a few audience members. I didn't find Varekai (it's a Gypsy word that means "wherever") quite as breathtaking as some of the Cirque shows I've witnessed, but that's a relative remark, not a judgment on this production. The "Russian Swings" just before the finale feature acrobats hurled high into the air by massive swings, landing in the arms of others or on canvas sails. (Don't try this at home.) Varekai is a great escape and totally family friendly. Final performance is Sunday at 5 p.m. Tickets ($28-$145): 800-745-3000

For a quick taste of Know Theatre's Moby Dick, check out this trailer: http://youtu.be/QMbqos66s0s. There's singing of sea shanties, hoisting of sails and a tremendous battle with the Great White Whale. I'm hoping that this ambitious production gets its sea legs soon: It felt a bit wobbly during the opening week. But Herman Melville's classic American novel has life breathed into it by a cast of eight hardworking actors. Onstage through Nov. 8. Tickets ($18, but performances on Wednesdays are free): 513-300-3669

Other items of note: On Monday evening, Know Theatre hosts the quarterly presentation of TRUEtheatre, real stories told by everyday people; this time around it's True Hair. … The following night at KNow, Cincinnati Fringe favorite Kevin Thornton is back in town to present another of his one-man shows of music and comedy, this one is called Talky Concert Thingy. He's a load of unpredictable talent, always watchable. … Falcon Theatre (they perform at the Monmouth Theatre in Newport) this weekend opens a production of the classic thriller, The Woman in Black. It's a good scare for the Halloween season. Tickets: 513-479-6783 … Children's Theatre of Cincinnati is offering public performances of Disney's Beauty and the Beast JR. at the Taft this weekend (and Saturday, Oct. 25). Tickets ($7-$25): 800-745-3000
 
 
by Rick Pender 10.10.2014 48 days ago
Posted In: Theater at 08:20 AM | Permalink | Comments (0)
 
 
moby dick_left to right montez o jenkins as queequeg _rico reid as ahab _photo_deogracias lerma

Stage Door: A Whale, Two Brothers and a Beast

Know Theatre sets sail this weekend with tonight's opening of Moby Dick. It's Herman Melville's great American novel stripped down to its bare essentials of men at sea doing battle with a creature that maimed their obsessive captain. It's Know's first main stage show staged by new artistic director Andrew Hungerford, who's teamed with co-director Michael Burnham, retired from CCM but no doubt as inventive as ever in bringing unusual material to audiences. Featuring the haunting music of sea shanties and a stage full of theatricality, it being performed through Nov. 8. Tickets ($20 in advance): 513-300-5669. And here's a tip: Wednesday evening performances are free as part of Know's "Welcome Experiment," intended to bring new audiences to its Over-the-Rhine facility.

UC's College-Conservatory of Music is presenting Willy Russell's powerful British musical Blood Brothers today and tomorrow in the Cohen Family StudioTheater. Set in 1950s Liverpool, it's about a woman with too many children who is talked into giving up one of a pair of newborn fraternal twins. Despite her efforts and those of the unstable woman who wanted a baby, the boys meet and become not just friends but "blood brothers." They don't know their history, they simply feel drawn to one another. That leads to a tragic, perhaps inevitable, confrontation. But there is humor and an energetic Pop Rock score along the way. Hannah Kornfeld is heartbreaking as the conflicted mother; Thomas Knapp and Karl Amundson turn in heart-breaking performances as the ill-fated boys, from age 7 to 22. This weekend only; the final performance is Saturday evening at 8 p.m. Tickets are free but need to be reserved (513-556-4183); call in advance — performances are often sold out.

Perhaps you'd like to take a kid or two to see a show. The Cincinnati Playhouse's "Off the Hill" production, Roses & Thorns, based on "Beauty and the Beast," would be a fine choice. It's a touring production for kids ages 7 and up, and it's making its way to various neighborhoods over the next month or so (through Nov. 2). I attended a preview recently and found it thoroughly enjoyable. It's a sweet retelling of the familiar story whose love and devotion saves her family and breaks a curse on a monstrous beast who's really a handsome prince. The show uses clever props and costumes, slapstick, satire and high camp styles; its four actors are professionals in training, and their work, playing multiple characters and making quick changes, is great fun to watch. This weekend it's onstage at the Lebanon Theatre Company (10 S. Mechanic St., Lebanon) on Sunday at 2 p.m. Check the Playhouse's website for future performances around the Tristate. Tickets in Lebanon are $5: 513-228-0932

If you missed Kevin Crowley's one-woman show Sarge during the Cincinnati Fringe Festival last June, it's getting a reprise this weekend and next (it's onstage tonight through Oct. 20). Christine Dye's performance as the devoted but deluded wife of Penn State football coach Jerry Sandusky, found guilty of molesting young boys, won the Critics Pick of the Fringe. Dye is remarkable in three monologues that reveal the mind of a woman who cannot accept her husband's true nature. It's being presented in a double bill with another short script by local actor and playwright Crowley, The Monkey's Paw, a dark comedy about a couple struggling with the anxieties of early parenthood. Performances at Clifton Performance Theater, 404 Ludlow Avenue. Tickets ($25): 513-861-7469

I gave Critic's Picks in CityBeat recently to two excellent productions recently, and they remain onstage this weekend. I Loved, I Lost, I Made Spaghetti at the Cincinnati Playhouse is a one-woman piece about cooking and relationships (charming actress Antoinette LaVecchia prepares an Italian dinner while describing her bad luck with men). Tickets ($30-$75): 513-421-3888 … The Little Dog Laughed finishes its run this weekend at New Edgecliff Theater at Hoffner Hall (4120 Hamilton, Ave., Northside. It's the story of a gay actor whose agent is trying to keep him from ruining his career by being public about his persuasion. It's surprising how a play from 2007 could present anxieties about something that today is much more accepted, but this production is great fun to watch thanks to four fine actors, especially Kemper Florin as the motor-mouthed, scheming agent. Tickets: ($20-$27): 888-428-7311
 
 
by Rick Pender 10.03.2014 55 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
antoinette lavecchia in i loved, i lost, i made spaghett_ photo sandy underwood

Stage Door: Spaghetti, Macbeth and More

Last night I was at the Cincinnati Playhouse for the opening of I Loved, I Lost, I Made Spaghetti, a charming one-woman play based on Giulia Melucci's foodie memoir from 2009. The frame of the show is that it's set in a stylish kitchen where actress Antoinette LaVecchia prepares a meal while sketching out her numerous disconnects in search of love, feeding boyfriends but finding herself starving. Four couples pay a bit more ($35 apiece beyond the ticket price) to sit at tables directly in front of her kitchen where she serves antipasti, salad and spaghetti Bolognese that she prepares as she talks about a series of amusing but unpromising relationships, convincingly painting portraits of her ill-fated choice in men. La Vecchia is so natural in the role (which she originated in 2012 and has played at several regional theaters since then) that you'll feel like you're one of her best friends. Running through Oct. 26, this Shelterhouse production gets a Critic's Pick. Tickets ($30-$75): 513-421-3888

I also thoroughly enjoyed New Edgecliff Theatre's production of The Little Dog Laughed (at Hoffner Hall, 4120 Hamilton Ave., Northside). The four-actor comedy by Douglas Carter Beane is about Diane, an acerbic agent, and Mitch, the actor whose career she's advancing. He's found a boyfriend he really likes (even though boyfriend is a male prostitute with a girlfriend), but she's convinced that this news could ruin his chances … and hers. Kemper Florin is a hoot as the motor-mouthed agent, spouting all sorts of crazy theories about how things should be in monologues that directly address the audience. The entire cast does a fine job, and I gave this one a Critic's Pick. Tickets ($20-$27): 888-428-7311


Area universities have two classics to offer. At UC's College-Conservatory of Music in a brief weekend run (through Sunday) it's Shakespeare's classic tragedy, Macbeth. In an unusual twist, the production features third-year female drama student Laura McCarthy as the power-mad military man who seizes the throne of Scotland. Tickets ($27-$31): 513-556-4183 … South of the Ohio River, Northern Kentucky University presents Euripides' The Bacchae, a play first performed in 405 B.C. The tale of power, revenge, decadence and debauchery takes place in Thebes, where citizens are torn between worship of the god Dionysus and the centrality of reason and humanism. Sunday will be the conclusion of a two-week run of the production. Tickets ($14): 859-572-5464

The musical Dirty Dancing, based on a hit movie from 1987 about young love at a family resort in the Catskills, wraps up two weeks of performance at the Aronoff Center. The touring production, presented by Broadway in Cincinnati through Sunday, features some dazzling video and lots of dancing. The story is pretty predictable, but it's one that people love. "Don't put Baby in the corner." Tickets ($39-$89): 513-621-2787
 
 
by Rick Pender 09.26.2014 62 days ago
Posted In: Theater at 07:56 AM | Permalink | Comments (0)
 
 
stage door 9-26 little dog laughed by new edgecliff theatre - nic pajic, jared earland, erin ward -  photo mikki schaffner

Stage Door: Dirty Dancing, Laughing Dogs and More

To see some of Cincinnati's finest actors working together in close quarters, check out Clifton Players' production of Kevin Crowley's new play The Riverside, onstage through Saturday at Clifton Performance Theatre (located just west of the Clifton/Ludlow business district at 404 Ludlow). It's 1989 and the denizens of a fictional bar in a very real Mt. Adams are riled up over Pete Rose's battle with the baseball commissioner gambling problems as well as the imminent closing of the family-owner bar where they all hang out. Although a few of the characters are rather caricatured, it's evident that Crowley is a close observer of everyday people. They drink and fight, love and cheat. And they have their passions, feelings that bubble up and over. The theater is a small space with seating for just a few dozen, but that's part of the fun — you feel like you're one of the regulars at the Riverside. Tickets ($25): https://cpt.tixato/com/buy

I caught a performance of Dirty Dancing, a musical based on the iconic 1987 movie about sensual dancing and the intermingling of guests and staff at a posh resort in the Catskills in 1963. This touring show is presented by Broadway in Cincinnati at the Aronoff Center, even though it has yet to land on Broadway. It uses a lot of creative video and projections, a constant reminder that its roots are cinematic. But it has an ensemble of vigorous dancers, especially Jillian Mueller as idealistic Frances "Baby" Houseman, who's eager to grow up, and Samuel Pergande as bad-boy dance instructor Johnny Castle. There's also Jenny Winton, whose dancing is especially watchable as the very sexy Penny Johnson. This is a dance show from start to finish, using familiar Pop tunes from the '60s plus a lot of sambas and rumbas. I realized as the performance  was winding up that the central characters never sang — not once. Mueller and Pergande look great as they recreate the iconic movie roles created by Jennifer Gray and Patrick Swayze, but virtually all the singing is handled by ensemble members Doug Carpenter and Jennlee Shallow — powerful vocalists who handle a number of singing styles, but who especially elevate the temperature with the show's best-known numbers, including "The Time of My Life." Don't go expecting great acting beyond the leads: Most of the rest of the roles range from shallow to silly. But trust me, you'll be surrounded by people who know and love this story, and they're having a good time, waiting until the moment when Johnny shouts, "Don't put Baby in the corner!" Through Oct. 5. Tickets: $39-$89: 513-621-2787

New Edgecliff Theatre has finally found a new home, Hoffner Lodge (4120 Hamilton Ave., Northside), after a season at the Aronoff. NET's first production at the former St. Patrick's church will be Douglas Carter Beane's The Little Dog Laughed, a very funny four-character comedy from 2006 about a Hollywood star, his controlling agent, his boyfriend and the boyfriend's girlfriend. Yes, it's that complicated, and that's the source of much of the humor as the agent tries to keep the lid on the gossip about her star client. Through Oct. 11. Tickets ($20-$27): 888-428-7311

A couple of well-received shows are still running, including Tennessee Williams' classic drama A Streetcar Named Desire at the Covedale Center (through Oct. 5; tickets: 513-241-6550), a stage version of The Great Gatsby at Cincinnati Shakespeare (through Oct. 4; tickets 513-381-2273), and a fast-paced mystery, Sherlock Holmes and the Adventure of the Suicide Club, at the Cincinnati Playhouse (through Oct. 4; tickets: 513-421-3888). Finally, this weekend is your last chance to see Showbiz Players' staging of the tongue-in-cheek musical Reefer Madness, about the "dangers" of marijuana, at the Carnegie in Covington. Tickets ($19.50-$22.50): 859-957-1940.
 
 
by Rick Pender 09.19.2014 69 days ago
Posted In: Theater at 08:05 AM | Permalink | Comments (0)
 
 
the riverside _daniel c britt _l_ and gary mcgurk_r_ photo provided

Stage Door: Riverside, Reefer and Sondheim

There are several good productions onstage around town — check out CityBeat coverage of Hands on a Hardbody (a musical at ETC), The Great Gatsby (a classic American novel adapted for the stage at Cincy Shakes), Sherlock Holmes and the Adventure of the Suicide Club (a new adventure for the great detective at the Cincinnati Playhouse) and Tennessee Williams' prize-winning A Streetcar Named Desire (at the Covedale) — but if you've seen those, you have other choices for onstage entertainment. Here are three suggestions for shows a little more off the beaten path:

Local actor/director/writer Kevin Crowley has written a play called The Riverside, rooted in Cincinnati (Crowley is a member of a family that's lived locally for generations) and getting a production — he's directing it, too — at Clifton Performance Theatre, just west of the Clifton/Ludlow business district (404 Ludlow). It's set in an imaginary (or rather an imagined) bar called the Riverside, where a bunch of folks in 1989 are following the Pete Rose case about gambling that eventually got him banned from baseball. But there's a lot more happening — like protests in Tiananmen Square and the fall of the Berlin Wall. In CPT's tiny space is filled up with a lot of talent — Michael Shooner, Daniel Britt, Buz Davis, Mike Dennis, Mindy Heithaus, Reggie Willis, Mark Bowen, MaryKate Moran, Gary McGurk, Pete Wood, Cathy Springfield and Paul Morris — playing folks who hang out and argue about what's going on. I haven't caught this one yet, but everyone who has says it's worth seeing. Through Sept. 27. Tickets ($25): https://cpt.tixato/com/buy

Community theater company Showbiz Players is staging the musical Reefer Madness at the Carnegie in Covington. It opens tonight (and runs through Sept. 28). This tongue-in-cheek show was inspired by a very serious film from 1936 designed to inspire fear and loathing when clean-cut kids fall prey to marijuana. The producers "warn" that it contains adult humor, religious parody and drug use — and note that it will go "straight to your head." Should be a lot of fun for those mature enough to get the jokes ... Tickets ($19.50-$22.50): 859-957-1940

Side by Side by Sondheim was the first musical revue created using songs by the guy who wrote the music and lyrics for shows including Company, A Funny Thing Happened on the Way to the Forum, Gypsy and A Little Night Music. That was in 1976 in London, but the tunes are just as fresh and vibrant today as they were nearly four decades ago. Middletown Lyric Theatre is presenting this collection of 25 numbers for two weekends (tonight and tomorrow, as well as Sept. 26-27) — using seven singers and two pianists. Tickets ($15): 513-425-7140
 
 
 
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