If it's fun you're seeking, you might want to stop by the Carnegie in Covington, where Showbiz Players is presenting Spamalot. It opens tonight and runs through June 8. You probably know that this very amusing musical (it won three 2005 Tony Awards, including best musical) is "lovingly ripped off" from Monty Python and the Holy Grail. If you can repeat lines from that 1975 cult hit, then this is surely the show for you. Tickets ($21.50-$24.50): 859-957-1940
Although it's not part of the Fringe, Marc Bamuthi Joseph's red, black & GREEN: a blues surely could be. The hybrid performance work leads audiences through four seasons in four cities: summer in Chicago, fall in Houston, winter in Harlem and spring in Oakland. Memories, hallucinations, dreams and lamentations are set in shotgun houses and subway cars, on park benches and in father-son conversations. I haven't seen it, but people I know have raved about the power of the work, which ranges from hilarious to poignantly sad. Joseph is a spoken-word poet, and his work is meant to be a conversation starter about sustainability and community building. It's being presented on Friday and Saturday evening by the Contemporary Arts Center at the Aronoff's Jarson-Kaplan Theater. Tickets ($18 for CAC members, $23 for everyone else): 513-621-2787
This is the final weekend for The North Pool at the Cincinnati Playhouse. (CityBeat review here.) Rajiv Joseph's anxiety-filled drama is a sparring match between a hard-nosed vice principal who thinks he knows something and a student, the son of Middle Eastern immigrants, who has things he wants to keep to himself — but it's not what the school official thinks. In fact, they both have secrets that are slowly, painfully revealed. Great script, great actors. This one is definitely worth catching. Tickets ($25 for students; $30-$75 for others): 513-421-3888
The really big show this weekend happens tonight when the The Cappies of Greater Cincinnati present their eighth annual awards for high school theater productions and performers. Our local program is one of the most established, right up there with programs in Washington, D.C., Philadelphia and beyond. Our local awards are presented at the Aronoff Center's Procter & Gamble Hall. In addition to the recognition of high school student performers, the evening offers excerpts from a dozen or so schools plus ensemble numbers featuring kids from all over the region — more than 20 schools participate in the program. An especially exciting aspect (at least from my point of view as a critic) is the fact that an element of the Cappies involves students attending one another's performances and writing about them. Tonight will open with a recognition of the outstanding boy and girl critics, and wrap up by citing the top team of high school critics. I'll be onstage at the Aronoff to present that award, as well as something new: An award for the "top critique" by a student writer. I had the privilege of choosing the winner, which will be posted on CityBeat's arts blog after the award ceremony. And to show how profoundly CityBeat is committed to cultivating arts coverage, we're inviting that winner to cover a high school Fringe Next production in the Cincinnati Fringe Festival, which kicks off next week. No award for me, but I'm honored to be asked to hand out this recognition to the next generation of theater writers!
You really can't go wrong with a show at the Cincinnati Playhouse this weekend. I gave both productions Critic's Picks. The North Pool, on the Shelterhouse stage through June 1, is a taut dialogue between a suspicious high school vice principal and a wary student of Middle Eastern descent. (CityBeat review here.) It takes a while (the show is about 90 minutes, played in real time) to decide who's the good guy and who's the bad guy, and you'll be turned around several times in the process. Excellent acting and a fine script by Ohio native (and Miami University grad) Rajiv Joseph makes this an excellent theatrical experience. On the Playhouse's Marx Stage, it's the final weekend for another kind of cat-and-mouse game. Venus in Fur is all about sexual tension, between an imperious playwright/director and the woman who's auditioning for a role in a play he's adapted from an erotic novel. (CityBeat review here.) David Ives' witty and allusive script (it's literary and mythical in some most amusing ways) is being produced at theaters from coast-to-coast, but I can't imagine there's a finer production than this one anywhere. Tickets: ($30-$75) 513-421-3888.
When I interviewed Raphaela Platow, the Contemporary Arts Center’s director/chief curator, several weeks ago for this week’s CityBeat story about the institution’s 75th anniversary, I asked about some of the highlights of her tenure.
One was the 2008-2009 exhibition of abstracted and intense figurative paintings by then-octogenarian Austrian painter Maria Lassnig, who was little known in the U.S.
Platow had arranged for the show to travel here from London’s Serpentine Gallery, and it was presented as Lassnig’s first major solo U.S. museum show. It meant a lot to Platow, who as a native of Germany had been familiar with Lassnig’s work, and she was emotional addressing the audience on opening night. (The first CAC show Platow curated, work by Carlos Amorales, also opened that night.)
Because of space considerations, not much about the Lassnig show was included in the story, beyond noting it as an example of CAC’s prescience, since MoMA-PS1 currently has a major retrospective of her work and calls her “one of the most important contemporary painters.”
Lassnig died last week at age 94. So, as a tribute to and remembrance of her, here are some excerpts from the interview with Platow (that was done before Lassnig’s death):
“I had a very personal relationship to the exhibition because I loved the work for many years,” Platow said. “It was really surprising to me she had never had a show in the U.S. I really felt she was one of most prominent female painters there is, and there are not that many female painters of that generation who are not part of the history, part of the discourse.
“In the area of painting, it was always the heroic male creating these amazing canvases, and here was Maria always struggling and staying her course. It meant a lot to me to present this first exhibition, and ever since then she won the Golden Lion at the Venice Biennale, and PS1 now has a big show of her work. I’m happy we sort of spearheaded that.”
Lassnig did not come to Cincinnati for the opening of her 2008 show here. And as Platow recalled, it wasn’t all that easy even to get her paintings to town.
“We ended up taking a show that Serpentine in London put together because it’s extremely difficult to work with her,” she said. “She didn’t want her paintings to fly over ocean.
“We had to separate them out and put them on three different planes. She didn’t want all her work to be on one cargo plane. And she was extremely afraid of the work traveling overseas on a trans-Atlantic flight. It was very strenuous to get it here.
“I was so happy we did it, and it was a beautiful show and very meaningful for me.”
Read more about the CAC’s 75th anniversary here.
There are quite a few good options for theatergoing this weekend. First and foremost, I'd point to The North Pool at the Cincinnati Playhouse. It's a newish script from Rajiv Joseph (his play Bengal Tiger at the Baghdad Zoo was a runner up for the 2010 Pulitzer Prize), and it's a very timely piece, set in 2007 in a large public high school. Just two characters: a slightly disgruntled, tightly wound vice principal and a student of Middle Eastern descent who's been called in on the eve of spring break for a "conversation." What starts out as awkward but mildly amusing takes numerous twists and turns (the show is about 85 minutes long) and will keep you guessing as more and more is revealed. The teacher says people are like onions: You can keep peeling, but you never quite get down to the essence. You will arrive at a surprising — and moving — conclusion, likely not what you'll be suspecting. That's the kind of writing and performance to be found in this production. Through June 1. Tickets ($30-$75; $25 for teens and students, with the proviso that the show has strong language and mature themes): 513-421-3888.
Ensemble Theatre Cincinnati's artistic director D. Lynn Meyers has assembled another set of intriguing productions for 2014-15, opening with the musical Hands on a Hardbody (September), a Tony-nominated 2013 musical with a book by Doug Wright, the playwright of I Am My Own Wife and bookwriter for Grey Gardens, both hits for past ETC seasons. This one is based on a 1997 documentary about a Texas contest to win a new truck by being the last person to keep at least one hand on the new vehicle.
If you're looking for a show that will get things going romantically, I'll point you to the Cincinnati Playhouse's production of Venus in Fur (onstage through May 17). But be careful what you wish for: You might end up like playwright/director Thomas with your hands full of more than you wanted to take on. He's seeking an actress to play the central role in his adaptation of an erotic Victorian novel. Vanda shows up for an audition, none too promising at first, but the tables turn very quickly. This is a funny and provocative script, and Greta Wohlrabe's performance as Vanda is masterful and highly entertaining. I gave it a Critic's Pick. Tickets ($30-$75): 513-421-3888.
A diverse group of friends, family and various artist-types who knew and loved 1305 Gallery owner Lily Mulberry will gather together at several different events this coming weekend to celebrate the life of the longtime OTR resident/gallery owner.
Mulberry was diagnosed more than two years ago with Hodgkin's lymphoma, a cancer that affects the immune system, but she kept the gallery on Main Street open and running long after many neighboring galleries closed. The longtime OTR resident and arts advocate died at Jewish Hospital April 16 at the age of just 31 and is survived by her husband of almost seven years, Richard Applin. She is also survived by mother Jackie Mulberry of Woodlawn, Ky.; father Rick Faigle of Covington, Ky.; two sisters, Jesse Mulberry-Faigle of Covington and Johnna Mulberry of Ohio; and stepsister Danna Faigle of Michigan.
exhibition at 1305 Gallery featured Mulberry’s own work, and nine years
later — almost to the day — friends and loved ones will host an opening reception
for Thank You Lily: Part I, an
exhibition featuring the artist’s own work juxtaposed with pieces from her own
collection, including but not limited to artists who’ve shown at the
gallery. Lily’s friends Michael
Stillion and Melanie Derrick are curating the show and all proceeds will go to the
family. A donation can also be made to
the Lily Mulberry Memorial Fund at any U.S. Bank branch. Thank You Lily opens 6-9 p.m. Friday at 1305 Main Street, OTR. More information here.
Another celebration of Lily Mulberry’s life will happen this Saturday at her alma mater, Covington Latin School. Also hosted by friends (of which, Miss Mulberry had many), this gathering will include music, food and speeches of remembrance as well as a collaborative memorial art project. Celebrate Lily runs 4:30-7 p.m. Saturday at 21 E. 11th St., Covington, Ky. Details here.
Both events are free and open to the public.
There are several good theater choices south of the Ohio River this weekend.
The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.
Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.
If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888.