Most of the theater onstage right now is holiday-themed — or at least family-friendly. If you want to take kids to see something, your best bet is Cinderella at Ensemble Theatre Cincinnati, a contemporary take on the familiar fairytale — the heroine is a bookworm who prefers to sneakers to glass slippers. There’s lots of humor, especially from the loudmouthed and crass stepsisters in this telling, plus some fine musical moments. This show will be around until Jan. 3. Tickets: 513-421-3555 … Another good choice for kids is A Charlie Brown Christmas, presented at the Taft Theatre by Children’s Theatre of Cincinnati. You know the story, I’m sure (this year is the 50th anniversary of the TV special) but it’s a good bet that Children’s Theatre of Cincinnati is putting a version onstage that will let kids have a good time. Performances are at 2 and 5 p.m. on Saturday and 2 p.m. on Sunday. Tickets: 800-745-3000 … Want to start a family tradition? There’s no better choice than Cincinnati Playhouse’s glittering, well-acted production of A Christmas Carol. It’s fast-moving and often funny (Bruce Cromer gives Ebenezer the full range of emotion, from crabby “Bah, humbug” to a joyous “Merry Christmas.”) It’s onstage through Dec. 30. Tickets: 513-421-3888 … The Covedale Center’s production of Mary Poppins isn’t their best work (it feels a tad long for youngsters), but it has great tunes and some memorable special effects — Mary flies and Bert walks up and down the sides of the proscenium — that audiences will enjoy. Through Dec. 27. Tickets: 513-241-6550
The Rock musical Rent, onstage at the Incline Theatre in Price Hill doesn’t exactly qualify as holiday or family entertainment, although its story does start and finish at Christmas (with “525,600 Minutes” in between). But this is an energetically acted and sung production for mature audiences. Through Dec. 20. Tickets: 513-241-6550 … If you can’t quite wait for The Force Awakens to open, you can get a small dose of Star Wars energy from All Childish Things at Know Theatre. It’s a comedy about some slackers trying to steal collectibles from a warehouse — they don’t succeed, but they learn a lesson about heroism that’s akin to the movie. Through Dec. 19. Tickets: 513-300-5669 … This weekend is your final opportunity to see As You Like It at Cincinnati Shakespeare Company. It’s a delightful production of one of Shakespeare’s best comedies, but it’s wrapping up on Saturday. (Next week CSC opens Every Christmas Story Ever Told (and then some) on Wednesday.) Tickets: 513-381-2273 …The most entertaining non-holiday show this season has to be Low Down Dirty Blues on the Playhouse’s Shelterhouse stage. It’s pretty much what the title says: Three singers getting a little raunchy and having a lot of fun with some tunes about being up and down. Great performances and a really good time for grown-ups. Through Dec. 20. Tickets: 513-421-3888
Finally, if you a performance that’s simply feel-good, I heartily recommend going to Ensemble Theatre on Monday evening at 7 p.m. for their one-night-only annual presentation of Expectations of Christmas. It’s a round-up of holiday traditions, origins, music, facts and back-stories — presented by performers who frequent ETC’s stage. Admission is just $10 and all the proceeds go to Tender Mercies (an Over-the-Rhine agency right around the corner from ETC that provides permanent and transitional housing for the homeless with histories of chronic mental illness). Tickets: 513-421-3555 … or walk in on Monday and you’ll likely get in.
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
While this time of year is the season to go out and explore various holiday happenings, sometimes it’s nice to have a quiet movie night. As a seasoned college student, some of my favorite times with friends are the nights we hole up in bed and watch a Disney film. So when I saw that the Kenton County Public Library’s main branch was hosting a free movie screening last Tuesday, I found myself venturing to Covington for the event. The screening was of the 1993 film, And the Band Played On, a docu-drama depicting the beginnings of the AIDS virus in America. The screening was held on Dec. 1, World AIDS Day, as a way to spread education and awareness of the virus.My first worry was about walking in a few minutes late, but that concern was quickly doused when I entered the large but empty room. The film had already been started and was running through the beginning credits at the front, where dozens of vacant chairs sat in rows facing the screen. As there was no one in the audience to protest, I settled down, taking up more than my fair share of seats as I cozy. After about an hour, I looked around and noticed that I was still alone, a fact I attributed to the cold and rainy weather of the day.
The film itself was an interesting depiction of how the U.S. medical and political communities first handled the virus, especially in the wake of a changing presidential administration and the changing dynamics of the gay community at the time.
“This is the third year we have screened this film,” says Gary Pilkington, Adult Program Coordinator for the Kenton County Public Library. “At previous screenings, most people enjoyed the film. They don’t usually think about AIDS very much in their day-to-day lives, so this helped to re-focus their awareness.”According to Pilkington, it’s important to host events that bring attention to health concerns in the community. “We chose to screen And the Band Played On … to help the community understand that HIV and AIDS haven’t disappeared,” he says. “Most people don’t think twice about it unless a major celebrity reveals they have it or are HIV-positive … It has reached the point where it isn’t in the public consciousness as much as it had been, yet it is still a real threat to health.”
I learned a lot about AIDS from the film, since most of my prior knowledge had been brief training on how to safely avoid contracting HIV and AIDS from the lifeguard training I received years ago. While I personally enjoyed the film, it was disappointing to see that no one else took advantage of the free screening, but perhaps with better weather and more awareness the next showing will be packed.Find this event interesting? Check out similar events at the Kenton County Public Library:
The cold temperature Thursday night was appropriate for the solemn gathering on the plaza outside the main entrance of U.S. Bank Arena. Since the 30th anniversary of the Dec. 3, 1979 Who concert tragedy — 11 people died in the crush trying to get inside the doors of what was then Riverfront Coliseum — Cincinnati USA Music Heritage Foundation has been having memorial observances with lighting of lanterns outside the site on that date.
At last night’s observance, which drew a sizeable crowd, the organization unveiled the two-sided memorial marker that will now permanently be at the location. It had been a long time in the works.
Before that occurred, Andy Bowes — brother of victim Peter Bowes of Wyoming — gave a speech to the crowd that included reading a statement of support for the memorial from the Who’s longtime manager, Bill Curbishley. Here it is:
“With the laying of the marker in dedication to those that lost their lives at the Riverfront Coliseum, on this day in 1979, I would like to pay tribute from myself and the two surviving members of the Who, Roger Daltrey and Pete Townshend. I can fully understand how difficult it has been for the families who lost a loved one to go forward and attempt to regain their lives. That night will always stay with myself, Roger Daltrey and Pete Townshend. It is a scar from the past and though the wound has healed, the scar is still there to be touched on occasion and felt. The band themselves were not aware of what had happened and were playing on stage when I was informed and saw the devastation on the plaza level. Nothing will erase that memory other than their soft edges.
“It’s with this in mind that I decided not to attend today because I felt it should not be turned into a Who media day or circus. There has to be dignity to this ceremony and the unfolding of the dedication of remembrance. This is not about the Who or their music but it’s about the families involved. Many people suffered as a result of that day and I am sure that many still do. If myself and the band can be of any assistance in the healing process going forward we are there for you.
Mayor John Cranley, who promised at last year’s observance to dedicate a permanent memorial marker at this one, also gave a brief, moving address. He closed with, “Something happened a long time ago but is still with us. As your mayor, I’m proud to stand with you and say we will never forget.”
The band, itself, posted a short online comment, “Today we remember those 11 Who fans who lost their lives in the crush to enter the Riverfront Coliseum in Cincinnati, Ohio. May they rest in peace.”
Incidentally, something that seems to have gone overlooked at the time it occurred here but has continuing resonance and pertinence today can be discovered in a YouTube clip of Pearl Jam playing at U.S. Bank Arena on Oct. 1, 2014.
During that band’s 2000 appearance at a Danish festival, nine fans in the mosh pit died from suffocation. At U.S. Bank Arena, Eddie Veder reminded the crowd about the tragedy outside the arena in 1979 and how the Who “have to go on living with that event that happened 35 years ago. That became something we had to learn about, and they reached out to us when we really needed it.”
Pear Jam then played “The Real Me,” the last song the Who performed in Cincinnati at the December 3, 1979 show. Here’s the clip:
For more background on this new memorial, read my Big Picture column in this week's issue.
December is full of shows for your holiday viewing pleasure:
Every five years or so, Ensemble Theatre rolls out a new production of its holiday rendition of Cinderella. This one just opened on Wednesday, and while it’s the same material that was presented in 2005 and 2010, it’s been freshened with a new set and colorful costumes — and especially a vibrant cast with great voices for the tunes with lyrics by David Kisor and melodies by Fitz Patton. Brooke Steele is picture-perfect as the golly-gee title character who prefers reading to going to a ball. But Kate Wilford as “Gwendolyn the Well Wisher” (“I give good advice and then wish you well,” she tells everyone with a sweep of her hand to musical accompaniment) encourages her to go so she can meet Prince Frederick (Warren Bryson), who happens to be another bookworm. They’re a lovely couple who overcome the modest barriers thrown their way (she loses a pink sneaker that helps him locate her later), but the show’s real energy comes from Sara Mackie and Torie Wiggins as Cinderella’s crass stepsisters. They’re loudmouthed losers, spewing malapropisms and ridiculous self-aggrandizement (Wiggins’ Clarissa bellows competitively, “My patheticism outshines all others”) — constantly mugging and fawning and arguing. Deb G. Girdler as their manipulative mother Brunhilda is also great fun to watch as she tries to control events to her own advantage. As is always the case with ETC’s holiday musicals with scripts by local playwright Joe McDonough, there’s a timely moral: “The essence of true beauty lies … beyond what’s seen by normal eyes.” Oh, Cinderella and Frederick wear glasses — but they see love pretty clearly. Through Jan. 3. Tickets: 513-421-3555
I’ve been attending A Christmas Carol at the Cincinnati Playhouse for 25 years, as long as they have produced it. The script — Howard Dallin excellent adaptation of Dickens’ classic story — is top-notch and doesn’t need to be tinkered, but with actors coming and going, it’s always fun to see how things shake out from one year to the next. Greg Procaccino is the only actor to be in the show every year, playing Marley’s regretful ghost and slimy junk buyer Old Joe; the always-watchable Bruce Cromer holds the longevity record playing Scrooge (11 years, after 8 as Bob Cratchit). Kathleen Wise brings a light, bemused touch to Christmas Past in her first year; returning performers include Ryan Gilreath as nervous, angular Cratchit and Kelly Mengelkoch as the patient, loving Mrs. Cratchit, as well as Douglas Rees as the ebullient Fezziwig and Annie Fitzpatrick as his playful wife. There’s a new Tiny Tim for 2015, Henry Charles Weghorst, the tiniest ever, I believe (he needs two pillows to sit at the dining table), and truly adorable. This Playhouse production continues to be a joy to watch, a glorious, glittering set and costumes that deliver you to the mid-19th century. Pay attention to the David Smith’s sound design and recorded music, which set the emotional tone for virtually every scene. A Christmas Carol is a welcome Cincinnati holiday tradition. Through Dec. 30. Tickets 513-421-3888
Cincinnati Landmark Productions is offering shows at both of its venues this month; neither is holiday per se, although the musical Rent (at the Warsaw Federal Incline Theatre in Price Hill through Dec. 20) begins and ends with Christmas, celebrating a year of the “seasons of love” experienced by a clutch of impoverished young artists in New York’s East Village. This is a high-quality production, a great choice for fans of contemporary Rock music. Rent is almost 20 years old, but it has stood the test of time, especially as performed by the Incline’s committed, diverse cast of excellent, energetic singers. Tyler Kuhlman as the depressed guitarist Roger has the looks and the vocal chops for the role, and Lisa Glover is a fine match as Mimi, the sexy club dancer and drug addict who makes a lot of bad choices. Kelcey Steele provides the necessary connective tissue as videographer Mark, and RJ Caldwell ably portrays Tom Collins, an anarchist professor and street activist with AIDS. But the production’s most memorable performances come from Aiden Sims as Maureen, the brassy performance artist, and especially charismatic Christopher Carter as the transgender drag queen Angel: His high-flying rendition of “Today 4 U” is a show-stopper. The ensemble shines when presenting of Rent’s iconic numbers, particularly “La Vie Bohème and “Seasons of Love.” This production is a bold choice for the new venue, seeking audiences in search of more ambitious, adult fare — there were empty seats on opening night. Rent offers strong evidence that the Incline is up to the challenge. I give this one a Critic’s Pick. … I was part of a very full house for Mary Poppins last Sunday (at the Covedale Center for the Performing Arts, also finished on Dec. 20); this production is clearly intended as holiday fare for families. I wish it were a bit more joyous. Mary (Alyssa Hostetler, who’s a fine singer) is a rather starchy character who’s not very loveable. The uptight Banks family she convinces to reconnect and have fun has an initially irritable dad (Dave Wilson, another excellent voice) and a mom who’s a budding feminist (Sarah Viola, who sings very well, too) — these aren’t characters that children can instantly love. Even the two Banks kids (Lili Shires and Peter Godsey, who work hard at being coy) are kind of obnoxious. The production felt long, with numerous labored scene changes. On the other hand, the audience had a great time — the songs (familiar from the 1964 movie) are beloved, and everyone seems to know them. That’s fun. Tickets: 513-241-6550
The touring production of Irving Berlin’s White Christmas wraps up its engagement on Sunday. It’s a fine cast of singers and dancers, a production full of familiar tunes that’s worth seeing if you have the scratch for seats at the Aronoff Center. Tickets: 513-621-2787
If you prefer something not holiday-oriented, Xavier University’s theater program is staging Kenneth Lonergan’s This Is Our Youth. It’s a three-character play from the 1990s (set in the early 1980s) about young people struggling with the transition to adulthood. Guest director Ed Stern, the Playhouse’s retired artistic director, told me it was a great opportunity to work with actors who are exactly the right age to play these roles. Read more from Stern in my recent Curtain Call column. Performances are this weekend only, including a Sunday matinee. Xavier Box Office: 513-745-3939
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
There looks to be another very artful Cincinnati-related movie, besides Carol, that is on important Best Films of 2015 lists, wins critics awards and even figures in Oscar nominations.
And it wouldn’t be Don Cheadle’s Miles Ahead, which like Carol was predominately filmed in Cincinnati but set in New York. Sony Classics isn’t planning to release that Miles Davis biopic, which Cheadle directed and stars in, until April.
Rather, this is a film that is set in Cincinnati but wasn’t shot here because it’s an animated feature for adults that uses stop-motion puppets.
It’s called Anomalisa and was written and co-directed by the always-adventurous Charlie Kaufman, who wrote Being John Malkovich and Adaptation and also wrote and directed Synecdoche, New York. (The co-director is Duke Johnson.) Anomalisa started life as a 2005 play called Hope Leaves the Theater.
I have not seen it, but going by online and print stories from those who have, it is the tale of a depressed, married motivational speaker who, on a trip to Cincinnati that features a one-night hotel stay, believes he has found his ideal mate. But there may be complications.
David Thewlis voices the lead character; Jennifer Jason Leigh is the woman he is attracted to. All other characters are voiced by Tom Noonan and have the same faces. That latter fact is important because it could be interpreted as a characteristic of a delusion called Fregoli Syndrome. In fact, the hotel in the film is named Fregoli.
Independently financed, partly through Kickstarter, Anomalisa has won raves since premiering at Telluride and Venice film festivals in September. Britain’s Sight & Sound, one of the world’s most important film journals, has just ranked it the 11th best new film of 2015 — Carol ranked second. And both it and Carol are Best Feature nominees for the Independent Spirit Awards.
It has been acquired by Paramount Pictures and is getting a limited release at the end of this month, after playing at film festivals, to qualify for Academy Awards. A huge poster board for its (still-undetermined) Cincinnati opening is already up at Esquire Theatre.
If all this sounds too good to be true, there is a catch. Advance reports and early reviews don’t make it appear that Anomalisa’s depiction of Cincinnati is an especially complimentary one. In fact, the city just might have been chosen intentionally as an appropriate place for someone like the film’s principal character, Michael Stone, to have an emotional crisis.
Here’s how Rodrigo Perez’ review on Indie Wire began:
“With apologies in advance to the people of Cincinnati, in the worldview of Charlie Kaufman and Duke Johnson's Anomalisa, or at least to the misfortune of its characters, the Queen City represents a soul-crushing dullness and boredom that could drive any man mad. For customer service guru and author Michael Stone (brilliantly voiced by David Thewlis as a classic Kaufman-esque misanthrope), already fundamentally unhappy and in the midst of a huge existential crisis, Cincy is a grueling hell on Earth of fatuous people and irritating small talk.
“In all fairness, it could be any faceless and anonymous city — part of Kaufman’s aim is to examine and send-up the mundanity of the business trip and that odd experience of feeling like an alien exploring the world of this not-quite-real, single-serving fantasy existence where people wait on you hand and foot.”
Whatever its take on Cincinnati, the work that went into making Anomalisa is impressive. According to the Crafting Anomalisa short, it involved the creation of 1,261 faces and 1,000 costumes and required 118,089 frames of film to reach its final 90-minute running time.
The Cincinnati-filmed Carol has just won the first big critics poll of the year — the New York Film Critics Circle Award for Best Film of 2015. The announcement was made this afternoon, following voting by the group.
Directed by Todd Haynes from the novel The Price of Salt by Patricia Highsmith, it concerns a lesbian relationship in the New York of the early 1950s. It stars Cate Blanchett and Rooney Mara.
Besides the film’s award, Haynes received a Best Director nod; Phyllis Nagy got Best Screenplay and Edward Lachman got Best Cinematography.
Because the two actresses both have leading parts, they may have split the vote — Saoirse Ronan received Best Actress for her part in the film Brooklyn.
Carol is in four theaters in New York and L.A. and is getting a very slow national release to build word-of-mouth, hopefully through awards and nominations.
Here is the Variety story on today’s awards.
There’s nothing like being greeted by the bright echoes of music as you step inside from the pouring rain. On this particular day I was visiting the main branch of the Public Library of Cincinnati and Hamilton County for the monthly Jazz of the Month Club performance, featuring the Jamey Aebersold Quartet. It wasn’t hard to find the musicians, since their tunes bounced all around the library atrium, and as I slipped into my seat I settled down and let the warm jazz beats warm my cold body.
The Jamey Aebersold Quartet, the third performer in the Jazz of the Month Club, featured an extremely talented group of musicians, led by an award-winning Jazz master and educator. Jamey Aebersold, who led the group on the alto sax, received the 2014 National Endowment for the Arts Jazz Master Award, the highest jazz honor in America. A native of New Albany, Ind., Aebersold has been playing Jazz for more than 50 years, and has gained international recognition as a Jazz musician and educator. It was perhaps the educator in him that couldn’t resist adding tidbits of the pieces and artists they performed.
The quartet played several Jazz tunes, including “Lament” by J.J. Johnson, “Hi-Fly” by Randy Weston and “In a Sentimental Mood” by Duke Ellington, one of the most famous Jazz compositions. As I listened to the lively beats I couldn’t help but look around at the rest of the audience. While a couple people slept in the back row, most were intently focused on the performers, nodding their heads, tapping their toes or even dancing in their seats. Peeking out at passersby, I noticed a few that were even dancing as they walked, and I saw more than one librarian sneak a peek between tasks.
At one point, Aebersold pulled a Jamaican pianist into the performance and gave him a rehearsal for their next song in “be-dos,” singing the melody in gibberish. As strange as that seemed, Aebersold’s next instruction confused me further: “There’s a two-bar break on bar…something. You’ll hear it.” While we all laughed, I couldn’t help but wonder how the pianist could follow those instructions, but to my amazement he jumped right in without missing a beat, improvising as if he’d known the tune all along.
As a Jazz enthusiast, it was wonderful to hear the different styles of Jazz played in a way that drew crowds from all sections of the library. Older adults sat patiently through the program while younger audiences slipped in and out. But no matter how long they stayed, all seemed to leave with an expression of peace and pleasure at the simple but beautiful tunes wafting through the building. It was evidence of what Aebersold described by saying, “The world’s a mess. But we can make it better by playing some music.”Did this event sound interesting? Check out similar programs at the Public Library of Cincinnati and Hamilton County’s Main Branch:
There was little reading happening at the Boone County Public Library on Native American Day on Nov. 14. A life-size tipi sat on the lawn of the main branch, and inside the sound of drums carried from the second floor. In a corner of the children’s area sat craft tables where kids could make pinch pots out of clay, and Sioux dancers wandered around in traditional dress and face paint.November, which is Native American Heritage Month, was the perfect time to host this event, although it took library staff several months of planning to get it ready. Adult Programmer Kathy Utz says this was the first-ever Native American Day at the library. “This is totally an experiment for us,” she says. “It’s really turned out to be a good program, and people are interested in it.” Utz added that one of the library’s goals is to expose the community to different cultures. “We always like to broaden the horizon of Boone County and to see something they haven’t seen before,” she said. They certainly achieved the desired effect, for as I wandered through the various stations, I can honestly say I’d never before experienced so much Native American culture in one place.
Chaske Hotain, a group of Sioux drummers, performed with brothers and sisters from around the country, beating the rhythms of their ancestors. Wearing their traditional dress, the dancers presented various Native American styles, at times inviting the audience to join them as they circled gracefully inside the wide perimeter of chairs. “It’s great … I’ve never been to a powwow or anything like that before, so I didn’t know what to expect,” says Kaitlin Barber, public service associate with the library’s local history department and the one who arranged the demonstration. “It’s really surpassed my expectations.” Outside the crowd was just as enthralled, and children could scarcely contain their excitement to enter the life-size tipi. It was surprising how many could fit into what looked like a small space — as I stood there I watched at least 30 people file in and settle comfortably on the floor. As I listened in I heard the owner, Tim Deane of Morristown, Tenn., describe the hand-made, authentic Sioux articles inside.No matter which corner of the library you found yourself, there was something exciting to greet you. Patrons and performers alike took advantage of the vibrant atmosphere, and all around I could see the results of exposure to a different culture. This is what Jordan Padgett, youth services programmer, says the library strives to provide: “That is part of what we do here at the library, is really engage the community and reach them where they’re at. [And] providing stuff that amplifies what they’re already learning is a big key.”
Several of our local theaters produce shows this time of year that are a kind of antidote to the usual fare of A Christmas Carol and other happy, merry tales. Three get under way this weekend:
I went to a rockin’ party earlier this week, and you can, too — if you turn up for the Cincinnati Playhouse’s production of Low Down Dirty Blues, through Dec. 20. That’s right, a whole month of good times and sad in the intimate Shelterhouse Theater, doubling as Big Mama’s after-hours Blues bar. Every year around this time the Playhouse puts on a show as an alternate holiday choice to A Christmas Carol (which gets underway next week). This year it’s a warm-hearted good time featuring three excellent singers and a couple of very accomplished Jazz musicians (especially local Jazz pianist Steve Schmidt) performing off-color tunes, full of double-entendres and scandalous joking. The first half of the two-hour performance is mostly about lusty interaction via tunes like “Rough and Ready Man,” “I Got My Mojo Workin’ ” and “You Bring Out the Boogie in Me.” After intermission the party continues briefly (including some cute audience interaction to the tune of “I’m Not That Kind of Girl” — but then the tone darkens with passionate songs of grief (“Death Letter”), mourning (“Good Morning Heartache”) and then hope (“Change is ’Gonna Come”). Felicia P. Fields, a Broadway veteran who played a major role in the original staging of The Color Purple, anchors (and I use that word quite literally) the banter and the singing, but she is ably matched by Caron “Sugaray” Rayford, a massive force of energy, perspiration and rhythm. Chic Street Man sings and plays several guitars (especially a steel number with a gorgeous ring), and his sly, sinuous presence is a perfect complement to Fields’ and Rayford’s more ebullient performances. Don’t go if you’re offended by sexual innuendo, but if you’re looking for a “low down dirty” time, call now for a ticket: 513-421-3888
One of Shakespeare’s most beloved comedies, As You Like It, is the first step of holiday happiness at Cincinnati Shakespeare Company. The story of tomfoolery and romance in the Forest of Arden kicks off tonight; it’s around until Dec. 12, when it’s followed by the tenth annual staging of Every Christmas Story Ever Told (and then some). In case you missed it, Cincy Shakes announced this week that by mid-2017 it moves to its own spectacular new space in Washington Park, the Otto M. Budig Theatre, with nearly 100 more seats than its Race Street facility. (Read my story in this week's issue for more.) Until then, you need to line up for tickets, since many of the company’s performances sell out quickly. Tickets: 513-381-2273
Another “kind of” holiday show getting started is Know Theatre’s production of All Childish Things, opening tonight and onstage through Dec. 19. In a story set right here in Cincinnati (Norwood, in fact), it’s 2006 and two guys are still yearning for the galactic adventures promised by Star Wars when they were kids. One guy lives in his mom’s basement; the other has a girlfriend who could care less about The Force. They think their big break might be residing in a warehouse full of collectible Star Wars memorabilia. Zany shows rooted in childhood have become a holiday staple at Know Theatre, and this is right up that weird, happy alley. Tickets: 513-300-5669
And if you’re really longing to get the holidays under way, you have the perfect opportunity with a tour stop by a production of White Christmas at the Aronoff (next Tuesday through Dec. 6). It’s a stage version of the popular film; the tour features stage Cincinnati and Broadway veteran Pamela Myers in a cute, outspoken role. She performs a number titled “Let Me Sing and I’m Happy,” a perfect summary of her illustrious career. Tickets: 513-621-2787
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
As a perfect accompaniment for its current High Style: Twentieth-Century Masterworks from the Brooklyn Museum Costume Collection exhibition, the Cincinnati Art Museum is offering a free screening of the new documentary Dior and I this Sunday at 2 p.m.
The film, by director Frederic Tcheng, shows the high-pressure process by which new designer/creative director Raf Simons prepares to debut a line of clothing at Fashion Week.
Tcheng’s previous fashion documentaries include 2008’s Valentino: The Last Emperor and 2011’s Diana Vreeland: The Eye Has To Travel.
The screening is part of the monthly Moving Pictures series. It occurs in Fath Auditorium and no reservations are needed. There is a parking fee for non-members.