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by Rick Pender 04.10.2015 115 days ago
Posted In: Theater at 08:10 AM | Permalink | Comments (0)
 
 
stage door 4-10 - 110 in the shade @ ccm - (l-r) ben biggers, john battagliese & brianna barnes - photo adam zeek copy

Stage Door: The Heat Is on at CCM ... And All Over Town

There's a ton of theater opening up this weekend, something for just about every taste. But if you're looking for something free, I have a special recommendation: It's 110 in the Shade at UC's College-Conservatory of Music. This is a production in the Cohen Family Studio Theater (an intimate black box venue that seats about 150). The production is in the "Musical Redux" series, bringing back a show that's not often produced. 110 dates back to 1963. It's the story of Lizzie Curry, on her way to being an "old maid," who lives with her dad and her brothers. A charming con man shows up posing as a rainmaker and promises relief to drought-stricken farmers. Is he for real? Lizzie has her doubts, but he works hard to win her over. CCM Studio productions are free, but reservations are required (513-556-4183), and performances are often filled up. This one is likely to be a lot of fun; it's this weekend only, final performance at 8 p.m. Saturday.

I gave Cincinnati Shakespeare's The Taming of the Shrew a Critic's Pick in my CityBeat review here. It's lusty and lewd, and the battle of the sexes has never been fought in a more entertaining way. Two of the company's veteran actors, Nick Rose and Kelly Mengelkoch, play Petruchio and Katherine, and they mix it up with with and humor. Definitely an entertaining evening. Tickets: 513-381-2273.

A week ago I had a chance to see one of the Cincinnati Playhouse's current touring productions (this one is aimed at kids in grades K-3), Bird Brain. It's funny fable that teaches a lesson that strange behavior isn't always foolish. More info here. This weekend it will be presented at Springfield Townships Grove Banquet Hall (Friday at 7 p.m.), The Drama Workshop at Glenmore Playhouse in Cheviot (Saturday at 2 p.m.), the Blue Ash Recreation Center (Saturday at 7 p.m.) and The Lebanon Theatre Company (Sunday at 1 and 3 p.m.). Admission is usually free (or very inexpensive). Grab a kid and go.

Other productions opening this weekend: Steve Martin's very funny farce,The Underpants, kicks off a three weekend run at the Carnegie in Covington. New Edgecliff Theatre, still not in its new permanent home in Northside, is staging David Mamet's piercing drama, Race, at the Hoffner Lodge (4120 Hamilton Ave., Northside). At Falcon Theatre (636 Monmouth St., Newport) you can catch the first weekend of The Cover of Life, a drama about three young women married to brothers from the same small town who have gone off to fight in World War II. Meanwhile, in Bellevue, Ky., at St. John United Church of Christ, you can see a production of Joanna Murray-Smith's Honour by WIT-Women in Theatre. The story of three women propelled to ask the question "What is love?" when they've been struggling with tough relationships, is onstage for two weekends. Children's Theatre kicks off two weekends of public performances of Disney's Aladdin JR. at the Taft Theatre. It's a stage version of the popular animated musical feature; the production includes jugglers, acrobats and stilt walkers. And Lion King continues its month-long run at the Aronoff. (CityBeat review here.)

Don't forget that Monday evening at 7:30 p.m. is another quarterly offering from the True Theatre guys at Know Theatre. The theme this time is "true beauty," with real monologues by people who talk about things they've really experienced.

Something for everyone, as they say!

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here

 
 
by Rick Pender 04.03.2015 122 days ago
at 10:34 AM | Permalink | Comments (0)
 
 
king

Stage Door: The Circle of Life

I've seen The Lion King five times, on Broadway and on tour. I wrote about it in a feature this week, describing how a successful but not terribly profound animated Disney feature became a stage musical that's a worldwide phenomenon. A touring production is at the Aronoff through April 26; it's the third time the show has landed in Cincinnati.

Rather than evaluate the performers — who are highly talented and extremely polished in their presentation of the show — I decided to pay attention to the visuals this time around. It was worth it. The Lion King has the most inspiring opening of any show I've seen: A call and response between Rafiki, a nervous mandrill and two others brings together a clutch of African animals to Pride Rock where a regal pair of lions, King Mufasa and Queen Sarabi are presenting their new cub. The animals enter the theater from all directions — from the stage wings and down the Aronoff's aisles, enabling the audience to see the actors in their puppet gear up close as they sing "The Circle of Life." It's a great way to begin the show's magic.

But it's only the start: There is color and pageantry to burn in this story — from a colony of loony hyenas to a fatal stampede of antelopes. The second act opens with the chorus dressed in colorful clothes with ornate puppet birds and kites sing "One on One." I was reminded of the wonderful South African choral groups that inspired Cincinnati audiences during the World Choir games in 2012 — passionate harmonizing and heart-thumping rhythms. From start to finish, The Lion King is a remarkable experience. If you've seen it once, it's worth going again to appreciate new dimensions of this gorgeous production. Tickets: 513-621-2781.


Two good shows onstage at the Cincinnati Playhouse this weekend, and they couldn't be more different from one another. It's the final weekend for Peter and the Starcatcher (CityBeat review here) a prequel to Peter Pan that elaborates in a fanciful way about the origins of the boy who refuses to grow up, Captain Hook, the Lost Boys, Tinker Bell and more. It's driven by imaginative theater-making — instead of special effects, audiences are called upon to envision things like storms brewing and characters flying. A great show for families. … On the Shelterhouse stage it's serious drama with Tracey Scott Wilson's Buzzer (CityBeat review here), the story of three people moving into a redeveloping urban neighborhood. It feels like Cincinnati's Over-the-Rhine. Tensions spurred by changing populations provide context for this story, but it's really about the toxic dynamic between an up-and-coming black attorney, his white schoolteacher girlfriend and his white boyhood pal who's led a troubled life. A strong cast and Wilson's naturalistic dialogue make this a very watchable (but very adult) show. This one is onstage through April 19. Box office: 513-421-3888.

Know Theatre opened it's production of the comic-book inspired Hearts Like Fists last weekend. It's a two-dimensional tale of girl crime fighters battling a dastardly villain, Doctor X, who's murdering lovers — since his own love life is in shambles. There's humor but not a lot of depth to this one, but if you like slam-bang action stories, you'll love the fight choreography and the silly posing of the characters. It's around until April 25. Tickets: 513-300-5669 … A block away from Know in Over-the-Rhine, Ensemble Theatre Cincinnati is winding down its production of Detroit ’67 (CityBeat review here), set in a tumultuous era in the Motor City as a brother and sister struggle to make a living while the world around them is burning. Although it's rooted in events from nearly a half-century ago, this one has some very prescient messages that seem like they're about more recent events in Ferguson, Missouri, and elsewhere. Final performance is 2 p.m. Sunday. Tickets: 513-421-3555.

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 03.27.2015 129 days ago
Posted In: Theater at 08:22 AM | Permalink | Comments (0)
 
 
buzzer

Stage Door: Race and Urban Living on Local Stages

Two shows on local stages are dealing with top-of-mind issues of race and urban living, one at the Cincinnati Playhouse, the other at Ensemble Theatre.

Last evening the Playhouse opened its production of Tracey Scott Wilson's Buzzer. Wilson is a playwright who's not afraid to get at prickly issues of contemporary life (read more here), and that's what she does in this piece that could be set in Cincinnati's Over-the-Rhine. (It's actually in New York City, but that doesn't make it less relevant.) Jackson returns to his onetime childhood neighborhood, once neglected and now trendy; he's black, girlfriend Suzy is white, and so is Jackson's troubled friend Don, out of rehab yet again and needing a place to stay. Their triangle is a toxic mix with a troubled past that's exacerbated by life in a neighborhood where black and white relations are strained. The Playhouse is offering talkbacks after each performance to discuss issues raised, and there will be a panel discussion focused on OTR's housing challenges here in Cincinnati on Saturday evening at 6 p.m. My take: This show is more about personal relationships that aren't entirely honest, even though there is constant conversation about "no secrets." The actors in this tense drama are vividly real, unpredictable and vulnerable; you'll feel like they're people you know. (Through April 19.) Tickets: 513-421-3888

The second show that's heating up conversations about race is ETC's staging of Dominic Morisseau's award-winning play, Detroit ’67 (reviewed here). While the story has a historical setting — the story of family aspirations and disappointments unfolds against the backdrop of the Motor City's race riots almost 50 years ago — it almost feels ripped from current news stories about unrest stemming from police brutality in Ferguson, Mo. Five actors portray some colorful and occasionally humorous characters from the era involving the family dynamic between a brother and sister who differ about making ends meet in a challenging environment. Motown tunes from the ’60s are the soundtrack for a story that's often painful but ultimately hopeful. (Through April 5.) Tickets: 513-421-3555

Know Theatre opens Hearts Like Fists tonight at its Jackson Street stage in Over-the-Rhine. Adam Szymkowicz's comic-book-inspired action adventure has some fine local actors as the Crimefighters, female superheroes who are out to stop Dr. X, on a mission to murder happy couples in their sleep using a deadly serum that goes straight to the heart. When the show was staged in New York in 2012, the New York Times called the show's comic hybrid of parody and punches "madcap" and "hysterical." That's what Know will be striving for, through April 25. Tickets: 513-300-5669

If you are interested in seeing actors, singers and dancers who are on their way to professional careers, you might want to catch Senior Showcases from the drama and musical theater programs at UC's College-Conservatory of Music. The drama majors, readying their piece for trips to Los Angeles (for potential TV work) and New York City, will perform today at 2 and 7 p.m. at Patricia Corbett Theatre. (Admission is free.) The triple threats graduating from the musical theater program offer their showcase twice on Saturday at 4 and 8 p.m. as they prepare to shine for Broadway producers and casting agents in New York next week. Admission is free but reservations are required: 513-556-4183.  

Planning ahead? The popular touring production of The Lion King returns to Cincinnati where it's been a big hit twice, in 2003 and 2007. The magnificent musical about good overcoming evil and youth finding maturity opens on Tuesday for a four-week run at the Aronoff Center. (Through April 26.) Tickets: 513-621-2787


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Steven Rosen 03.26.2015 130 days ago
Posted In: Visual Art at 12:45 PM | Permalink | Comments (0)
 
 
aclead_mapplethorpe_self-portrait700x615

FotoFocus Sponsors Upcoming Robert Mapplethorpe Symposium

Symposium will be co-presented by the Contemporary Arts Center in October

Last night before photographer Roe Ethridge's FotoFocus Lecture at Cincinnati Art Museum, FotoFocus' Artistic Director Kevin Moore announced the organization is co-presenting a two-day symposium on photographer Robert Mapplethorpe's work with the Contemporary Arts Center on Oct. 23-24.

It will mark the 25th anniversary of CAC's presentation of The Perfect Moment, the retrospective of Mapplethorpe's work that prompted conservative elements — led by then-Sheriff Simon Leis Jr. — to pursue criminal charges for alleged obscenity. (Some of Maplethorpe's work in the show was sexually graphic.) A Hamilton County jury cleared the museum of all charges.

Specifics for the symposium have yet to be announced, although indications are speakers from around the country will be invited. Also not yet announced is what, if any, works by Mapplethorpe will be shown and in what context.

Information should go on on the FotoFocus site when firm.

 
 
by Rick Pender 03.20.2015 136 days ago
Posted In: Theater at 08:02 AM | Permalink | Comments (0)
 
 
stage door 3-20 - etc detroit67 - photo mikki schaffner

Stage Door: Memory Lane and Beyond

I took a trip to my senior year in high school when I attended the opening of Detroit '67 by Dominique Morisseau at Ensemble Theatre Cincinnati on Wednesday. It's set in Detroit during that city's 1967 "race riots," but they are the backdrop for a family drama: Sister and brother Chelle and Lank are trying to make ends meet by running an after-hours club in the basement of their family home, now theirs since the death of their parents. Chelle is satisfied with the status quo; Lank dreams of owning his own legit bar. But they'd need to sell the house to make that possible, so they're at an impasse. He's impetuous and makes moves to buy a local joint without her knowledge, only to have the destructive riots threaten his deal. More personal complications make the story interesting, if a bit too pat. Motown tunes — Lank buys an eight-track player to replace his sister's turntable — make this production a walk down memory lane for Baby Boomers. But Detroit '67 will grab everyone because the events of five decades ago are eerily and sadly similar to recent disturbances in Ferguson, Mo., and elsewhere. (Through April 5; tickets: 513-421-3555)

Peter and the Starcatcher at the Cincinnati Playhouse is a playful and over-the-top imagining of the origins of Peter Pan. It's not a very adult cup of tea; it's more a swig of giggle-inducing rum. But if you yearn to head back to childhood for a few hours — playing with words, making fart jokes and having an adventure "against impossible odds" — this production is a joyous must-see. (Through April 4; tickets: 513-421-3888)

The Marvelous Wonderettes was a big hit for Ensemble Theatre a few years back. They staged the original story of girls singing Doo-Wop hits in 1958 and coming together again in 1968 for more old tunes, and did well with several sequels that kept audiences eagerly coming back for more. The show is now being presented at the Covedale Center in West Price Hill, and it has a nostalgic draw for people who grew up with those tunes. But the production's characterizations of Cindy Lou, Betty Jean, Missy and Suzy feel a little shallow, reducing the potential charm of the show. Nevertheless, it's a lot of fun if you love the music of the era and remember your own angst about boyfriends and girlfriends. (Through April 4; tickets: 513-241-6550)

Cincinnati Shakespeare's very pleasant production of an adaptation of Little Women continues through Saturday evening; tickets: 513-381-2273. The musical based on Louisa May Alcott's 1868 novel about the March sisters is onstage through Saturday, too, at Newport's Stained Glass Theatre, produced by Footlighters, Inc., a community theater; tickets: 859-652-3849.

The moving play based on The Diary of Anne Frank is being presented this weekend by the School for Creative and Performing Arts with performances remaining on Friday and Saturday evening at 7 p.m. and Sunday at 2 p.m. It's the powerful story of a Jewish family who went into hiding from the Nazis in Amsterdam during World War II; Anne, the diarist who recorded their tribulations, died at age 15 in a concentration camp. Tickets: here.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 03.16.2015 140 days ago
Posted In: Theater, Visual Art at 03:10 PM | Permalink | Comments (0)
 
 
resized_if-then-nationaltour-photo-joan-marcus

Call Board: Theater Seasons

Broadway in Cincinnati, Local Universities, LaComedia and Actors Theatre of Louisville

Every year, BROADWAY IN CINCINNATI brings to downtown Cincinnati’s Aronoff Center a series of touring shows that got started in New York City. This year marks the 20th year shows have been presented at the Aronoff. Today the presenters released details about what’s in store starting September and running through May 2016. There will be several recent Tony Award-winning productions coming our way: Kinky Boots (winner of six awards in 2013), Pippin (winner of four awards in 2013), Newsies (its score and choreography won awards in 2012) and one of the longest running Broadway revivals of all time, Cabaret (which won eight awards back in 1966 and more for much-lauded revivals in 1998 and 2014). Here’s the lineup:

Motown The Musical (Sept. 8-20) is the story of how Berry Gordy journeyed from being a featherweight boxer to the heavyweight music entrepreneur who founded Motown. His label launched the careers of Diana Ross, Michael Jackson, Smokey Robinson and many more. The show premiered on Broadway two years ago and had a run of more than 700 performances.

Pippin (Oct. 13-18) was an early work by Stephen Schwartz, who made his name with shows as varied as Godspell and Wicked. Pippin began a five-year run in 1972 with a production that won five Tony Awards. It’s had several well-received Broadway revivals: The most recent in 2014 (now touring) was recognized as the season’s best revival with its extraordinary acrobatics, magical feats and great songs. It’s the story of a young prince in the Middle Ages on a death-defying journey to find meaning in his existence. His choices include a happy but simple life or a big flash of glory. With a clever circus filter, the show uses spectacular choreography — and features great songs such as “Magic To Do,” “Glory,” and “Morning Glow.”

Cast of the national touring production of Pippin
Photo: Terry Shapiro

Irving Berlin’s White Christmas
(Nov. 24-Dec. 6) arrives right before Thanksgiving to kick off the holidays. It’s about two showbiz buddies who put on a production in a picturesque New England inn and find romance in the process. The tunes from this show are icons in the American Songbook (“Count Your Blessings Instead of Sheep,” “Sisters” and “Blue Skies”) as well as seasonal numbers like “Happy Holiday” and, of course, the title song.

Kinky Boots (Jan. 5-17, 2016) was named the best musical of 2013 by the Tonys, and it landed six more trophies (it had 13 nominations), so it’s a certified hit. (In fact, it’s still running on Broadway and a London production is in the works.) Maybe you remember the 2005 movie it’s based on about a struggling shoe factory that “reboots” itself to manufacture footwear for drag queens. For the stage version, it’s been tricked out with an upbeat score by Pop star Cyndi Lauper

Kinky Boots
Photo: Matthew Murphy

If/Then (Feb. 2-7, 2016) is a 2014 Broadway musical about living in New York today — and contemplating the possibilities of tomorrow. The show’s creative team made its mark with Next to Normal (winner of the Pulitzer Prize and the Tony Award); that show was a big hit (and revival) for Ensemble Theatre Cincinnati. If/Then follows two possible life paths for Elizabeth (played on Broadway by Idina Menzel), and it paints a moving portrait of the lives people lead, as well as the lives they might have led.

Newsies The Musical (March 1-13, 2016) was a 2012 crowd-pleasing musical based on a 1992 Disney film. It recounts real events from 1899 when a bunch of orphaned and homeless boys who hawked newspapers on street corners stood up to the power elite, personified by Joseph Pulitzer, publisher of the New York World. Their spunk and tenacity — aided by Gov. Theodore Roosevelt — resulted in a compromise that made a difference for the hardworking kids. The show has a great score and eye-popping choreography, both of which won Tony Awards.

Cabaret (May 10-22, 2016). It’s hard to believe but this show has been around for just about a half-century, winning awards every time it’s been staged on Broadway. The production coming to town is from the 2014 New York staging by Sam Mendes, director of Skyfall and American Beauty, and Rob Marshall (whose film of another Kander & Ebb musical, Chicago, was the 2002 Oscar-winning best picture, and who recently dazzled musical theater lovers with a fine rendition of Stephen Sondheim’s Into the Woods.)

While the Broadway in Cincinnati season (sponsored by Fifth Third Bank and presented by TriHealth) is great news — the presentation of so many recent Broadway hits is a step up from several seasons with shows that hadn’t even made it to Broadway — but there’s lots more theater that’s been announced recently. Here are some quick rundowns:

The musical theater and drama programs at UC’S COLLEGE-CONSERVATORY OF MUSIC have announced mainstage productions for 2015-2016. David Edgar’s epic drama Pentecost will be at Patricia Corbett Theater on Oct. 1-4; the same venue will be the site for a coming-of-age comedy by Eugene O’Neill, Ah! Wilderness (Feb. 11-14, 2016). Rodgers and Hammerstein’s 1945 musical Carousel will get a big-stage production at Corbett Auditorium (Oct. 20-Nov.1). The most exciting CCM news for 2016 is that the program has obtained the rights for one of the first university productions of American Idiot, based on Green Day’s Grammy-winning album of the same name. The show, nominated for a Tony as 2010’s best musical, will be presented at Patricia Corbett Theater (March 3-13, 2016), staged by Aubrey Berg, the musical theater program’s chair.

The 2015-2016 academic theater season at NORTHERN KENTUCKY UNIVERSITY has also been announced. It will start with Ken Ludwig’s theater-based comedy Moon Over Buffalo (Sept. 24-Oct. 4, Corbett Theatre), and continue with Shakespeare’s The Winter’s Tale (Oct. 20-25) in the Stauss black box theatre. Back at the Corbett Theatre, Ahrens and Flaherty’s whimsical musical, Seussical will be staged (Nov. 12-22). For 2016, productions will include the George S. Kaufman and Moss Hart 1930 comedy, Once in a Lifetime (Feb. 18-28, Corbett Theatre); George Bernard Shaw’s Pygmalion from 1913 (March 29-April 3, Stauss Theatre), later adapted into My Fair Lady; and Stephen Sondheim and James Lapine’s fairytale mash-up, Into the Woods (April 21-May 1, Corbett Theatre).

North of Cincinnati at Springboro’s LACOMEDIA DINNER THEATRE, 2015 marks the 40th anniversary season at Ohio’s only combination theater and restaurant. It’s already under way with a staging of Rodgers and Hammerstein’s South Pacific (through May 3), followed by The Addams Family (May 7-June 28), The Little Mermaid (July 8-Aug. 30), The Church Basement Ladies Last Potluck Supper (Sept. 3-Oct. 31) and A Christmas Story (Nov. 4-Dec. 31) for the holidays. The venue also presents a lunch-and-learn series for kids (featuring The True Story of the Three Little Pigs) and a concert series featuring an Elvis impersonator, music in the style of the Van Dells and a family of Gospel singers. Info: http://www.lacomedia.com.

A bit farther away and in the more or less the opposite direction, ACTORS THEATRE OF LOUISVILLE will begin its 2015-2016 season with August Wilson’s Seven Guitars (Sept. 1-20), then Rebecca Gilman’s Luna Gale (Oct. 6-25). Having seen The Hypocrites perform a daffy version of Gilbert and Sullivan’s Pirates of Penzance early in 2014, I’m glad to hear that the inventive group will return to re-imagine H.M.S. Pinafore (Nov. 17-Dec. 13). Early in 2016, Actors Theatre will stage two shows already familiar to Cincinnati Playhouse audiences: Amy Herzog’s comedic drama 4000 Miles (Jan. 5-31, 2016) and Rick Elice’s Peter and the Starcatcher (Jan. 26-Feb. 17, 2016), a show that’s currently onstage locally at our own regional theater. The 40th anniversary of the venerable Humana Festival of New American Plays runs March 2 to April 10, 2016, typically featuring a half-dozen world premieres. Actors Theatre also presents two holiday-related shows for 2015: Dracula for Halloween (Sept. 9-Nov. 1, 2015) and A Christmas Carol (Nov. 24-Dec. 23, 2015). Info: http://www.actorstheatre.org.

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Steven Rosen 03.16.2015 140 days ago
Posted In: Visual Art at 08:58 AM | Permalink | Comments (0)
 
 
rw

Rondle West Piece Finds New Home

One of my favorite Cincinnati artists is Rondle West, whose "assemblage sculptures" round up all manner of strange found objects (often toys) and adheres them, sometimes like appendages, to the surfaces of "host" objects. They can look like something ready to start walking or like shelving that has been attacked by miniature aliens. The finished work often has a monochromatic, other-worldly appearance.

I was hopeful his association last year with Miller Gallery would lead to a large, dramatic, high-profile one-person show, but it didn't. Now, the 2014 piece "My Date With Barbie" has turned up in an unexpected but welcome place, the front window of Electronic Arts at 1428 Race St. It's just the right touch of creative weirdness needed for an OTR store window, and it's great to look at its pinkness as other buildings reflect on the glass and add their own richness to the view. Definitely worth a visit.

 
 
by Steven Rosen 03.13.2015
Posted In: Visual Art at 11:34 AM | Permalink | Comments (0)
 
 
stephanie cooper he who sups with the devil

REVIEW: 'Figurative Folklore' at Covington Arts

Selena Reder, a former contributor to CityBeat's visual arts coverage, has curated the current Figurative Folklore exhibition at the City of Covington's gallery at 2 W. Pike St. It's devoted to six artists whose figural work tells a strong narrative. Particularly noteworthy at the show is the work of two artists who do three-dimensional work.

Ken Page brings a sense of fun an visual playfulness to his "Hole in the Wall," a sculpture that is like a small wall shelf. On that shelf a boy — carved and painted — has apparently cut a circle out of the painted "brick" wall behind him and is attempting to "roll" it away. It is not a kinetic piece, thus the necessity for those air quotes as the sense of movement is illusory. It's quite well done.

The absolute standout of this show is Stephanie Cooper — who has six pieces, some quite large. These are wood sculptures with added elements. I hate to call them carvings, as that implies folk art and these use folk art as a reference point to build from.

Her "He Who Sups With the Devil Needs a Long Spoon" features a dapper, well-dressed man at a dining table (he looks a bit like Ronald Reagan) holding a spoon. You can hand-crank the spoon to get some movement. And "Hermes" — a large piece with a height of 76 inches — is a scary wooden figure from whose head sprouts a tangle of twigs and roots, like a bird's nest.

Her other contributions, too, are good.

This show is on display through March 27. Gallery hours are 9 a.m.-5 p.m. Monday-Friday. You may find a note on the door to call a city employee to come and unlock the place (a number is provided), but it's worth it. And the employee's office is just a short distance away — I waited at most five minutes for her arrival.

 
 
by Jac Kern 03.13.2015
Posted In: Arts community at 11:20 AM | Permalink | Comments (0)
 
 
retail

CAC Unveils New Lobby This Weekend

The Contemporary Arts Center will open its renovated lobby to the public Saturday after a members preview Friday night. The $1.1 million upgrade includes a new lounge area, a much-needed cafe and overall artsy facelift.

Local architecture and design firm firm FRCH Design Worldwide reimagined the interior space, which was under construction since Jan. 6.

The CAC's updated lobby features more seating and gathering spaces, a relocated welcome desk and, yes, more art. Previously exhibited mostly upstairs, artworks will now be displayed around the ground-level. Of course, the museum's excellent gift shop is still a part of the lobby, just more centrally located now.

Collective CAC, the museum's new cafe, comes courtesy Dustin Miller and Dave Hart of local favorite Collective Espresso. Located where the gift shop used to be in the corner of the lobby, Collective CAC will serve signature coffees along with breakfast, lunch and dessert items, plus beer and wine. Visitors can sit at communal tables or grab a drink at the bar.

The new CAC gallery hours are 10 a.m.-4 p.m. Saturday-Monday, closed Tuesday and 10 a.m.-9 p.m. Wednesday-Friday. Collective CAC will be open 10 a.m.-4 p.m. Saturday-Sunday, 7 a.m.-4 p.m. Monday-Tuesday and 7 a.m.-9 p.m. Wednesday-Friday.

The CAC celebrated its 75th anniversary in May 2014.

 
 
by Rick Pender 03.13.2015
at 09:08 AM | Permalink | Comments (0)
 
 
stage door 3-13 - peter & the starcatcher @ cincinnati playhouse - black stache (tom story) threatens peter (noah zachary) - photo sandy underwood

Stage Door: Not Parrots — It's Pirates!

I seldom laugh out loud when I'm watching a comedy, but I found myself doing just that more than once at last night's opening of Peter and the Starcatcher at the Cincinnati Playhouse. You can read about this show and the appeal of Peter Pan here, but let me simply say this is a deliriously silly but wholly heartfelt prequel about the origins of the boy who "won't grow up." This award-winning play uses simple theatrics, not special effects, to work its magic, and the Playhouse cast of a dozen quick-change performers dive into the wacky storytelling with zest and zeal. Everyone is having a good time, perhaps Tom Story most of all, playing "Black Stache" (the pirate who will become Captain Hook) who spews malapropisms and extravagant posturing: "There's a poet in these pirate veins," he announces. The laugh-inducing moment that sets up his subsequent need for a hook is both ghastly and breathlessly funny, not to mention milked for all it's worth. Everyone in the cast has moments of fun. This is imaginative storytelling and extravagant theatricality at its best. You'll have fun if you bring a kid or two; but even if you don't, go by yourself and feel like a kid again. Through April 4. Tickets: 513-421-3888.

A show that's stuck with me since last June's Fringe Festival, Katie Hartman’s ghostly and mournful song cycle, The Legend of White Woman Creek, is back for a pair of performances at Know Theatre tonight and Saturday at 8 p.m. It's the tale of Anna Morgan Faber, a white woman captured then slowly absorbed into the Cheyenne tribe in 1860s Kansas. Hartman sings about a desperate, lonely woman who finally finds happiness only to have it it brutally snatched away. “It’s not a stand-up-and-cheer kind of show,” I wrote in my review. Instead, “it’s artfully crafted and professionally delivered in an understated way. But it is powerfully effective.” Tickets: 513-300-5669.

Elsewhere you can catch Covedale Center's production of The Marvelous Wonderettes, the story of four high school girls in the ’50s and ’60s who get their big break singing Doo-Wop tunes. This show kicked off a string of hits for Ensemble Theatre a few years back, and I imagine the Covedale's audience will love it, too. Tickets: 513-241-6550.

If Louisa May Alcott's Little Women is a book you've treasured over the years, you can see a stage adaptation at Cincinnati Shakespeare through March 21 (CityBeat review here; tickets: 513-381-2273) or a musical theater version by Footlighters, the community theater that performs at Newport's Stained Glass Theater (tickets: 859-652-3849).

This is the final weekend for August: Osage County at Clifton Performance Theatre. It's a big sprawling play wedged into a tiny space, but with a great script and a fine cast, it's definitely worth seeing. You'll be close enough to feel like a member of the dysfunctional Weston family. I gave it a Critic's Pick here. Tickets: 513-861-7469.

I missed the first two installments of Serials 2: Thunderdome! at Know Theatre, but I was there on March 2, and I'll be back on Monday evening to see which of five 15-minute segments gets to live on. I'm looking forward to Josh Bromels' So In Tents (there's a pun in there) and Trey Tatum and Paul Strickland's Andy's House of [blank], a wild, time-shifting musical. But there will be more surprises, I'm sure. It's a breath of fresh creative air. Tickets: 513-300-5669

Rick Pender's STAGE DOOR blog appears here every Friday.
 
 

 

 

 
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