Everclear has joined forces with other acts that may be best described as ’90s Rock and Pop groups for the Summerland Tour 2012 to get rid of the stereotype and prove their music still resonates today. Everclear saw its biggest fame with the release of the 1995 album Sparkle and Fade and the chart topper “Santa Monica.” The band has continued representing its West Coast roots and just released its eighth album, Invisible Stars.
CityBeat spoke with Everclear frontman Art Alexakis and discussed the Summerland tour. We also made Alexakis face a lighthearted game of quick-fire questioning which led to some very comical and real responses. Everclear will be performing at the PNC Pavilion at Riverbend tomorrow (Wednesday) alongside Sugar Ray, Gin Blossoms, Marcy Playground and Lit.
CityBeat: You guys have been out on tour for a few weeks since June. What is the craziest band on the tour?
Art Alexakis: The craziest band on the tour? Crazy in which way? My band has probably got more time with therapists. Does that count? I don’t know. I’ve got to tell you, every band is crazy in their own way. The Sugar Ray guys are just knuckleheads because they are playing ’80s music and ’90s Punk and singing it at the top of their lungs before every show. Lit are the party dogs. The Gin Blossoms are just old school pros and sweet guys and we are just a bunch of knuckleheads. I don’t know. It depends on what time and what day you are looking.
CB: I have been listening to your new album, Invisible Stars. My favorite song on the album was “Santa Ana Wind” and I wanted to see if you could tell me the story behind that song.
AA: It’s funny because that is one of the co-writes on the record. I had wanted to write a song about moving back to L.A. and I don’t force things. If it doesn’t come, I don’t force it, because it always sounds disingenuous when you do. A friend of mine, David Walsh who is in a band with my old bass player, came by my studio just to hang out a little bit. I remember him sitting there and he picks up the guitar and goes, “I got this music that I just can’t figure out a melody or words to it” and he just started playing it and I just started singing the melody. Within two hours, we had a song.
I took it home that night and finished it, finished all the words and got all the nuances and then we went in and recorded it a week later. It is my emotional favorite song on the record, it is definitely my favorite, even though I love all the songs. I am really proud of this record, but I am glad you like that song. That song means a lot to me. It’s weird because when I turned that song in, no one was talking about it as a single. I was kind of disappointed, but since the record came out, it has been the No. 1 song people write me about on Twitter and … Facebook. That is the No. 1 song, I think, that and “Jackie Robinson” is probably neck and neck. I am glad it resonated with you. I like that a lot.
CB: You guys have had produced major hits. I grew up with your music and love you guys. When you are writing, do you know when you have a hit?
AA: That is a real good question. I think a lot of people would be hesitant to answer that. I know when a song writes itself. I don’t know if you are familiar with my song “I’ll Buy You a New Life,” but that song basically wrote itself in like two hours and “Santa Monica” kind of wrote itself like that, and “Santa Ana Wind” kind of wrote itself like that, and “Jackie Robinson.” I had the idea for it in the music but I didn’t write the lyrics until later, but when I wrote them they came out in like about an hour.
Songwriting is the creative thinking. The craft part is easy for me but the creative parts, you can’t control it.
CB: There are definitely political tones on the new album, and I know you can be political at times. We are heading into a big election. Are you planning to do any campaign work or work with any candidates?
AA: No one has asked me. I am a tried and true Democrat and a huge fan of Barack Obama, was in 2008 and still am. I think he has done a great job. He is trying to climb a mud hill uphill, straight uphill, and he is doing it. It’s a hard job. I sure as hell wouldn’t want that job. I’ll campaign if people ask. It’s not like I go out of my way. I am political because I believe everybody should be political. It is our role. It is one of our key responsibilities; it is like falling in love or working or eating. Voting is so important. I feel like it is our right and our obligation as an American. I have always felt that.
CB: You guys are going out with all of these iconic ’90s bands and touring. What do you feel is the state of Rock music today?
AA: I don’t know. That’s a big, kind of $10 dollar question I don’t have the answer to. From my perspective, one of the reasons I wanted to start this tour, the reason I called Mark (McGrath of Sugar Ray) to get involved and be my partner and do this thing with me was I felt there was a need for this. I was talking to a lot of people who felt very disenfranchised by contemporary Rock and Pop and felt a huge connection with the ’90s era more than from a nostalgic point of view. This type of guitar Rock resonates with them and resonates with me as well. I think those are the people that are picking up on our record. We aren’t on a major (label). We don’t have major promotion. It seems like they are picking up every week which is bizarre because they usually go down at first. It just shows me, especially the way word of mouth on this tour has been, that my hunches were right. This isn’t nostalgia. This is a valid connection with people and music. People still feel excited about it and have a great time, and I think that is what it is all about.
CB: I just got a new table game and I have “Lightning Round”-sort of type of questions for you.
AA: You just what type of game?
CB: It’s a table game. You pick it up and ask questions. You should get one for the bus. Have you ever ran away from home?
AA: Have I ever ran away from home? OK. Yes. You should do your homework, missy.
CB: I know. I did. That is why it is kind of funny that I drew that one first.
AA: That is why you were laughing when you asked the question, you already knew the answer too.
CB: Sort of. What habit would you like to break?
AA: I can’t say what just came to mind.
CB: Yes you can. We print anything. That’s the point of this. Don’t think.
AA: The habit I want to break is my aversion to world peace. That didn’t work, did it? The habit I’d like to break is hitting on my drummer. I think it bothers him, makes him feel uncomfortable.
CB: I thought you were going to say getting married or something along those lines.
AA: I see where you are going. Maybe it is getting married to women half my age.
CB: That may be a good habit to break.
AA: I see. Just live with the band.
CB: Have you ever been fired?
AA: Yes. I have been fired, several times.
CB: What adjectives do you hope describe you at 75?
AA: Alive. Is that an adjective? That’s not really an adjective, is it? Virile. Exciting. It’s a working dream. It’s not that far away. 75 is probably a long way off for you; it is not that far off for me.
CB: I’m not that young. I’m 36.
AA: You’re not that young? You’re older than my wife but you are younger than my ex-wife.
CB: What is your best excuse when pulled over for speeding?
AA: To be honest with you, I never make an excuse. I always come clean and I always get off. “I have no excuse officer. I was speeding. I was just excited to go where I want to go. I broke the law. I’m sorry. Give me the ticket.” I never get a ticket. The truth is good but being in a multi-platinum band probably helps too.
CB: I’ll try it but I don’t think it will work as well for me.
AA: When girls say that, they try to cry. My ex-wife, beautiful, she was beautiful, she was an actress and she would try to cry and get away out of tickets and she always got the ticket.
CB: I don’t cry. I just try to make up an excuse and that doesn’t work either. I am the worst driver.
AA: I believe you.
CB: What is the most unusual gift you ever received?
AA: My wife now, when we were dating, gave me the gift of a party on my birthday that was like a role playing game, you ever done that?
CB: I have done murder mysteries.
AA: This was a murder mystery, but this was cool because I was a Columbian drug lord and she was a Columbian drug lord and we became partners in killing and murdering and it was awesome. It’s a game. It’s awesome.
CB: I love it. Obviously, I am playing the table game with you right now. I like games.
AA: I think you are making this up off the top of your head.
CB: I am not. It is called Table Topics: Questions to Start Great Conversations. Any crazy Cincinnati stories from the past?
AA: Oh yeah, but I am not telling them to you.
AA: I have some really good Cincinnati stories. Just because.
I will tell you one. I was in my room and I was at some posh hotel and I was fooling around with some people and I hit the door and … I got that, what’s that called … Staph Infection.
Last night at Riverbend, I finished off some personal business for my 12-year-old self. I finally got to see Lita Ford sing “Kiss Me Deadly” live on stage, hear Poison play “Nothing But a Good Time” and catch Def Leppard perform “Pour Some Sugar on Me," live and in person, all on one hot evening by the river.
My parents believed that I was not old enough back in 1987 to make all of these dreams come true, but now my older self is able to make these types of things happen.
Def Leppard has been entertaining international audiences with their strong British sound for the better part of 30 years. They have provided American audiences with Rock anthems that have fired up arenas, like “Pour Some Sugar on Me” and “Animal.” Over the years they have put out 12 albums, including their latest offering from last year Mirrorball: Live and More. The band is among the upper echelon of Rock acts that found success, continuity and growing support through the eras of fans.
CityBeat caught up with guitarist Phil Collen to discuss the band’s continued success before the Riverbend show last night. We discussed why the band is still able to keep it up after so long and what inspires him personally in his musical voyage.
CityBeat: What do you think the secret to the band’s longevity is? I just read this morning that Van Halen just cancelled the rest of their tour. Why have you guys been able to stay together for so long?
Phil Collen: I think our motivation is very different from Van Halen’s. They broke up a while ago. They actually didn’t get off. We’ve actually experienced super-super highs, diamond albums, multi-platinum sell-out tours and all that with really bad lows, like Steve dying and Rick losing his arm.
I think we have been together more consistently than most families. We leave home for 18 months. I have been in the band for 30 years. It’s just that (it) really makes a difference if you can relate to each other on very much a personal level. You have almost a private little clique, an elite club only you can relate to.
I tell you, we have always been good. We have never gone away. We have never split up. We have never done reunions and I think that is the trick. If you have to do a reunion, I always ask “Why did you split up in the first place?” I think we still have got more to prove. We still have songs to write, great albums to make. It’s a whole new day, a whole new digital age, everything is changing, whole new sets of fans. It never really stops. There is always ambition there, and there is always plenty of stuff to do. If you really want to share your work, that’s one of the first things you do in the first place. You get to express your art, it’s an artistic release and the other thing is you actually share it with other people. We are still doing that.
CB: I know you guys have been talking about writing and wanting to release new music. What is the band's writing process?
PC: It is more difficult than it used to be. I think we have gone through every different variation. We have gone through a time when one person writes the song, one person comes up with an idea and someone finishes it off or someone has an idea or we just play on each other’s songs. That’s what Queen ended up doing.
We have done every different variation of that. The best stuff I think we have done was when Mutt Lange was involved and just the way he approached it. He had a lot more experience than us and just brought a whole bunch of things to the table. Again, it is very different, there are a couple things I am putting together that are almost finished and then I usually play them for someone else in the band and put together an idea for them and we just take it from there. That’s really how it works. It’s not rocket science and every song starts in a different way.
I think the most inspiring song is when you have a title and that’s all you got and the rest kind of writes itself around it. I have another band Man Raze and same deal with that. We actually wrote a couple songs for a movie that was The Showdown, which was about superbikes racing. Once I had the whole story I came up with the idea, “Take on the World” — it was racing and stuff, and the song wrote itself.
So it is very inspiring to start with a title or at least an idea and then you just color in by numbers almost. It can come from a million different places and that is one of the wonderful things about being an artist really.
CB: Do you have any regrets over the years?
PC: There are loads of things that we’d do differently obviously. That is the whole plan. You experience stuff and you don’t make the same mistakes again, hopefully, whether it’s driving, old relationships or whatever. You are always on this learning curve which is a different level than the past.
Yeah, you know, not really — (I don't have any) regrets, not even slightly. I love where I am right now and that is the happiest person in the world. I am having a great time. It’s really cool. None at all really.
CB: What is your craziest fan story over the years?
PC: There have been a bunch of crazy fan stories. I have always found the weirdest ones are when people get my face tattooed on their body. I remember the first time this happened years ago, this Italian girl said, “I’m going to get you tattooed on me.” I said, “No, no, no, no, have you told your parents?” And she said, “No, but they’ll be OK.” She got this tattoo done and over the years we have now seen this millions of times, you know, people show their tattoos of our likeness or face on their arm or back or wherever it is. I always try to discourage it because it is a tattoo. I have one tattoo and it is my wife’s name and she has my name tattooed on her and that’s it. I was 52 when I got that.
CB: When you've written songs in the past over the years, did you guys know when you had a hit on your hands?
PC: Some of them, but other songs you think you have a hit and they disappear. You can never really tell. It depends on the environment of the moment. Back then it would be radio. Right now, everything is about celebrity and fame and TV. It is a different one to judge. It is about getting out there. If you get something in a movie, it has more of a chance than something played on the radio. It has changed a lot. The more the music business has turned more into an industry than art, it becomes more difficult to predict (which songs will catch on).
CB: What is the best guitar solo of all time?
PC: I couldn’t put it down for one. There are a few — and it is obviously my opinion — that (have) really inspired me. A few by David Bowie. There are a few Hendrix ones — “Fire” by Jimi Hendrix. There is a great guitar solo on a song “Midnight at the Oasis” by Maria Muldaur, a song from the ’70s (that) took me ages to figure out, then I realized there were more than one guitar doing it. There are millions of them that really inspire. I could go on all day but (there's) not one in any particular — all of those.
CB: Any current music you are listening to that you find inspiring?
PC: Yeah, my favorite artist is Skrillex. I am really into dance and Techno music, love it, Dubstep especially. I just think what Skrillex is doing sounds like Heavy Metal without guitars and Hip Hop without words. That’s what I get out of it. It is just very different. It is very pure. I love it.
(I listen to) just different things; I listen to everything. I listen to Jazz or Blues, Hip Hop, Metal, Rock, whatever Pop song, right across the board. It’s all amazing and stuff to draw on really.
Classic Rock band Styx originated in the 1970’s and enjoyed hits like “Lady” and “Come Sail Away." Today, while they may not have the exact pieces of the original band from the late ’70s intact, Styx travels the globe annually to give a show similar that of its early days, though these days the group is fronted by J.Y. Young.
CityBeat recently spoke with Styx keyboard player and vocalist Lawrence Gowan about his musical influences and what led him to the band 14 years ago. Styx performs at Riverbend Music Center tomorrow (Tuesday) night with fellow classic rockers REO Speedwagon and Ted Nugent.
CityBeat: First off, have you had any memorable Cincinnati experiences on the tour over the past few years?
Lawrence Gowan: They are all incredibly memorable. The audience there has always been fantastic for us. One of the experiences I remember was the first time we played Cincinnati and I saw that classic fountain downtown. The last couple of times, we stayed on both sides of the river finally now so I have gotten to know a little bit more of the town just by walking around. The audience reaction in Cincinnati is always tremendous for Styx. We are really geared up and really looking forward to the 26th of June.
CB: You were one of the later members to join the band in the ’90s. Were you a Styx fan growing up playing music?
LG: I loved Classic Rock. I loved Progressive Rock particularly and Styx was the only really successful band outside of Britain to make a great mark in that style of music, so yeah I loved the whole genre of music they were playing and I loved the band. Funny enough, I had a long solo career with a number of albums in Canada that were never released in the States but I was always very aware of Styx. I did a couple of shows with them in 1997. There was something in the air that kind of felt like we were going to connect again in the future and I am entering my 14th year with the band now.
CB: When you joined the band, was there any initiation or hazing they put you through?
LG: Yes of course there was. You actually had to cross the river Styx which I don’t recommend for everyone.
CB: You are a classically trained pianist.
LG: Yes I am.
CB: How do you think that better prepared you to be in a Rock band?
LG: I always find that Classical music inspires or makes its way into a lot of the melodic content of some of the best Rock music. The moment I heard “Eleanor Rigby”, with the Classical string quartet playing through that song, I realized the profound connection between both styles.
Both styles are not very afraid to be very grandiose when they need to be and cover a great emotional spectrum. It’s funny, I remember reading (that) Elton John and Rick Wakeman particularly had gone to the Royal Academy in London, and in Toronto they have the Royal Conservatory which is the same pattern, the same message of teaching so I wanted to go through that. I really love it and I still do. Before we go on stage every single night I am backstage playing some Classical piece just to get my chops together and get my head ready for the show.
CB: You had mentioned and you were a pretty large solo artist before you joined the band. What was the biggest transition from being on your own and being in other bands to being in a band like Styx?
LG: Learning to play with others. It’s a completely different dynamic when you are a solo artist and you have got the band behind you. You have a string of hit songs that you are responsible to play every single night and it all kind of falls on your shoulders.
With Styx, I love this as well because it is a break from that entirely because I am on stage with five other frontmen who are all very capable of commanding the stage on their own. We trade off on who is up front in every single song, and even within a song there may be several sections where section after section the strongest dynamic on stage is being traded off. I love that and it is a completely different thing. I love just being the keyboard player at some points in the band. It’s great.
CB: Have you ever been starstruck?
LG: In my life? Well, let me see now — yeah, I guess a couple of times sure. When I made my second solo album, I got a chance to record at Ringo Starr’s home near London, England, in Ascot, England. It was the house where John Lennon had recorded “Imagine” and when I went to the door the first day with the producer — it was a home studio there he was letting us use — (and) he actually answered the door. I remember finding it difficult to bring words to my mouth which usually isn’t that hard of a thing for me to do. That was quite an experience. I remember it took me a few minutes to realize I wasn’t in a scene from A Hard Day’s Night but actually talking to a guy in his house.
CB: There is a lot of debate now about Rock music in general and how it has changed so much. Other forms of music are coming to the forefront. Do you think Rock & Roll music is a dying art?
LG: That is a tough one, isn’t it? I have heard that kicked around most of my life. I think we can agree now that Rock music was the big musical statement for the last half of the 20th century, the electrification of music and the fact that Rock makes such a gigantic sound and changed what people embraced as popular music. I don’t think it is going to ever go away now because we have history on our side. There has been 50 years of it or more so I think it is a style of music that is going to continue to evolve and to dig into different areas.
I think you can trace a lot of the newer things you are talking about, trace it back to that gigantic statement that Rock was in the last half of the 20th century and I think it will be embraced and loved my millions for years to come because just like people still love Jazz or they love Country or they love Classical music or Ragtime; it is a style of music and a way of performing that I can’t see it entirely slipping off the planet any time soon.
CB: Do you keep journals or any kind of history of the tours over the years, memorable things for you?
LG: The best history I kept for a number a years was every night at the end of shows I took a Polaroid picture on stage or took three or four of them and tossed some of them out to the audience but I’d keep one for myself. My wardrobe case is stuffed with all these Polaroid pictures because we have played over 1500 shows together since I joined the band. That is a fantastic journal. You know what they say about pictures and words. They do tell a huge story over the course of time. It is funny, last night in Kansas City at the end of the show when I am reaching down and shaking people’s hands and somebody threw a picture up at me of the first year I was in the band and we had a great laugh backstage after because we realized there are old pictures of us now together. It was back when we did a little acoustic set in the middle of the show. My best documentation of the shows is that collection of Polaroids.
CB: I am a music photographer so I have got years of histories of bands and it is, I think, the best way to tell a story.
LG: It kind of is. I like putting my thoughts on paper very much but that usually morphs into becoming a song. I find that just what pictures evoke and the flood of memories you can get from them it can be astounding every time you look at them particularly when you are in a heightened state like being on stage in front of 10,000 people, the feeling of that moment is well captured.
CB: Any regrets over the years?
LG: I think like any human being there are things you are going to regret I suppose but it is a useless endeavor because they all kind of amount to where you are today and I like where I am today so I really can’t waste much time on that. I am sure one day on my death bed I will think, “You know, maybe I could have been a hockey player.”
CB: You guys are playing over a 100 shows a year, huge amounts of time on the road. Are there any plans to slow down?
LG: Not really. There is such an insatiable demand for Styx to play around the world and I have got my solo shows back up and doing a number of those in Canada every year. I think I enjoy it now more than I ever did and I am in a band of like-minded people. We have no plans to do that. We plan to keep pushing as hard as we can for as long as we can. Really, the only real question for us is how we find time to make another full album and we are kind of coming up with novel ways of being able to come up with that at present.
CB: I know Ted Nugent is on tour with you guys this time and he has been very vocal all the time about political views and gotten in trouble the last few months. Do you have any election picks for us this year?
LG: As the only Canadian that is involved in this whole thing, I think that is the easy way to duck out of the U.S. political debate and the hot question. I have a feeling that it is between Obama and Romney. That is my big prediction.
CB: What can the fans expect from the show next week?
LG: We are going to ram as many Styx classic hits at them as we can in the hour and 20 minutes we are playing. We will also throw in one or two of the album cuts from The Grand Illusion. We noticed there are songs on that record that were never singles that have become great favorites of a lot of the audience so we like to include one of the more unusual pieces in the show as well.
CB: What do you do on your down time on the road?
LG: Well I usually, myself, I like to do something to keep myself in shape so I am always doing a bit of yoga. Although I am the keyboard player, I am a huge guitar lover so I am usually practicing my chops in the hotel room. We also do all the social media things like Facebook and our website. They need to be looked at every few days just to see where things are and I love to go for walks around cities. That is one of the things I enjoy about Cincinnati. As I said, the last couple of times, walking across that bridge across the river is one of my favorite pastimes in that city. I am a walker.
CB: It is amazing how much time you spend on Facebook and the internet that is lost doing those things.
LG: It is a nice way, it is an easy way, depending on how you treat it, to feel like you can engage with people you really don’t have the opportunity to with the shows because we are too busy getting ourselves back to the tour bus afterwards. We can shake a few hands. It is a way to kind of feel a connection to people on a human level where we happen to be in a career that it is hard to do that just because of the demands of the day.
CB: Are any current bands influencing you now or what are you listening to?
LG: There are so many things I have listened to lately, I heard a fantastic band from England recently called Everything Everything. Todd, our drummer turned me onto them. I like Keane. I like them being keyboard players. I like My Chemical Romance, I kind of dig that band a bit. There is a Metal band I really like called Children of Bodom. That is the kind of stuff I have listened to lately.
In the last year, Alice Cooper could be seen everywhere from special guesting on stage with Vince Gill to rocking out with Rob Zombie. This past weekend he even popped up singing Lady Gaga at Bonnaroo.
Cooper can do anything in music, entertain every audience, and still be cutting edge enough to be a premier name in music after almost 50 years in the business, countless awards and nominations and 36 albums. He shows no signs of slowing down and he is set to continue his monumental career as his band goes on the road with Iron Maiden this summer and fall.
CityBeat was privileged to speak with the legend to preview his upcoming show near Dayton before he hits the road with Iron Maiden. He spoke about longevity and told of the more bizarre stories of being a tenant in the Queen City. Alice Cooper performs at the Fraze Pavilion in Kettering this Wednesday.
CityBeat: Your show in Dayton is coming up.
Alice Cooper: Yes, we start this tour in June with Iron Maiden. We will be out there as their guest star on the show, their guests, so that’s an hour show. The show we are doing there in Dayton is our regular show which will be a full out Alice Cooper show.
CB: I am actually a photographer and I’ve photographed you many times. You are one of my favorite artists to shoot.
AC: Well we give photographers a lot to shoot. If you are going to go all that trouble to do all that theatrics and really coordinate the show like that, then I want to see lots of shots. I love seeing different angles, people will hand me an envelope full of pictures and I will go, “That’s a great shot. That’s a great shot.” And it gives me a different perspective of what the show looks like because we only see it from the stage. We never see it from the audience point of view.
CB: I have interviewed many of your past guitarists, Jason Hook and Al Pitrelli and people that have toured with you and everybody always has spectacular things to say about you as a mentor and just to be around. One of my questions is how do you choose band members on your tours now?
AC: Honestly, I am very instinctive about guitar players. Of course the guitar players are the gunslingers. They are the guys that you can sit and listen to and go, "When I quit singing, I want to hear something take over," and it better be a guitar that can take over what I’m doing when I step back, I want that guitar player to step up. So getting a Damon Johnson, when we first got Damon, every guitar player wants to stand back a little bit and I say, “No, no, no, when it is your solo, you take two steps forward into the light and let it go.”
A lot of times lead singers don’t want their lead guitar player to share the limelight. I want everybody in that band to have their moment on stage where they are the star. So when you get (young Australian guitarist) Orianthi, who is a natural, she is a natural star up there. I mean the girl is such a great player.
CB: Is she going to be with you?
AC: Yes, I mean she is such a great character for a Alice Cooper show. And you get Ryan Roxie on this tour and Ryan is a show unto himself. He has his own production going on over there which I really like because he really brings it every night. And Tommy, who I have in the middle as a rhythm guitar player, has got his own show going on. It’s great to get guys to come out of their shells and just when you get on stage be a rock star. I don’t want you to be a sideman.
CB: Again, it’s always been amazing to talk to all these people who have worked with you over the years and I know they appreciate it as well.
AC: I think it is because I let them play. I want you to play. When it is your turn to play, I want you to be Eric Clapton, I want you to be Jeff Beck, I want you to be the guy and sometimes it takes a little bit of getting used to. These guys are not used to being the center of attention, they are used to being the guys that stand in the background and play.
Sometimes it’s hard for Johnny Depp, when Johnny plays with us, I kind of have to push him forward a little bit because he likes to hang back a little bit.
CB: We are in Cincinnati. Can you tell me what your craziest Cincinnati story is from your past?
AC: I have the best Cincinnati story you have ever heard. This is a true story. We finally left L.A. We decided we had to move some place out of L.A., out of New York, some place in the Midwest. So we go to Cincinnati and we play this show there and we get a standing ovation. We decided the first standing ovation we get, that is where we are going to move.
So we played in Cincinnati and got a standing ovation, I think it may have been after the Cincinnati Pop Festival, the one we did with Iggy (Pop and The Stooges), and we found this area down by the college. It was this big, beautiful house for rent. So we came in and rented this house at the beginning of summer, and we went in and painted it and did everything like that.
For three months we lived there until in September, all of a sudden, there was a knock at the door, we walked outside and there were 10 guys that are football players and they are going “What are you doing at our house?” And I said, “What are you talking about? We rented this house indefinitely.” And the guy goes, “This is our frat house. I don’t know who rented this to you but they didn’t own the house. You are paying rent to someone that doesn’t even own the house.”
Some guy rented us a frat house and he didn’t even own it. He just walked in and put up a "For Rent" sign because nobody was there and we just assumed he just owned the house. So for these guys, it was kind of cool to them that Alice Cooper was living in their house, but we had to leave because it was their frat house.
CB: So did you pick another city or did you hang around town?
AC: We moved to Detroit then but it was really funny because we really thought Cincinnati was where we were going to live and then we got ejected by the frat house.
CB: I guess it could have worked out a lot different. You could still be in our hometown. You have spoken openly the last few years that you have become a Christian and about your Christian beliefs. Did that change how you put your show together?
AC: I think what it is, you do a certain amount of your own, not censoring, but you start shaping the show whereas there may be a couple of songs that I used to do that, now when I sing those songs, I don’t believe that anymore. So, it is hard for me to sing that.
It hasn’t been any big hits, “School’s Out”, “18”, “Billion Dollar Babies”, all those songs have nothing to do with Christianity or nothing to do with something that I couldn’t sing as a Christian. Most of it is social satire anyway, but there are a few songs that I looked at and I went, “You know what, I don’t believe that anymore,” so I am going to stay away from that show.
I am just being true to myself to be honest with you. It really hasn’t affected how I do my stage show because I don’t believe Alice was promoting anything that was anti-Christian. We were like a musical horror movie and I think if people took Alice Copper as entertainment, as pure entertainment, there is certainly a dark side to my sense of humor but I don’t think there has ever been anything in there that was, that any Christian couldn’t see and have fun with.
CB: It’s all in good fun. It’s all perspective.
AC: Yeah, and I think if you look at it as a social satire, I am fine with it. I don’t really have a problem with that. I am still very involved, I read twice a day, I have two different times of devotional for myself. I hope and I try not to just be a Christian in “Oh, I’m a Christian.” I try to live that life. It is a one-on-one relationship with Christ so I really try to keep that as my lifestyle. In other words, you aren’t ever going to see me at the strip club after a show.
CB: I know you gave up drugs and alcohol a long time ago for good reasons. Is there still ever a struggle on the road to stay sober?
AC: No, never has been. I was literally healed from that. People say you are cured, I say no, it was much different. I never went to AA. I never had to do any of that. I came out of a hospital and it was gone. It was gone as if I had cancer and cancer was gone the next day. It was totally taken away from me. I never had a struggle with alcohol. When I came out of the hospital, I was absolutely straight as an arrow. I never had a desire or a craving for alcohol which even the doctors say is weird. I know because I have a lot of friends that are in AA and they struggle with it all the time. They say, “How do you do it?” and I say “I am not an alcoholic anymore. I was one but I am not anymore.” I wouldn’t challenge myself. In other words, I wouldn’t sit around and say, “Well I think I will take a drink of beer.” Because I know that could be a trigger that takes me back to where I was. So I won’t even approach that, but at the same time I don’t have any desire to do that.
CB: Well, my Mom saw you in 1974 and she still talks about it today as I go shoot your shows. It was one of her memorable experiences with you and some chickens in Nashville at Memorial Coliseum…
AC: Well the music hasn’t changed much since the ‘70s to now, if you look at the bands that are still out there — Aerosmith, Ozzy, Alice, Thin Lizzy — we are all still playing the same kind of music. I think it is funny that 16, 17, 18 year old kids are more into Classic Rock than they are into modern Rock so I think there is a large audience for us that has never seen us. One of the reasons we are playing the Iron Maiden tour is because I don’t think the Iron Maiden audience has ever seen Alice Cooper so I want to expose them to Alice Cooper.
CB: Has touring for you changed from now to then?
AC: It’s a lot easier now. When you are physically in better shape and you are mentally and spiritually in better shape, (my wife) Sheryl and I have been together for 36 years, and I never been happier in my life. My kids are great. All my ducks are in a row. Physically, I am healthy. Touring is easy then. Physically, it is a workout and you have to get used to traveling and you have to get used to being away from your family a lot even though now my family can travel with me any time they want to. My wife will go out for three weeks then go home for a week and come back out for two or three weeks. So, touring to me is easy.
CB: You spoke about music now and what people are listening to. Are there any current bands you listen to these days?
AC: I wish there was — my pet peeve right now is that 80-90% of the modern Rock bands are just testosterone-free. I am listening to these bands and going, "Where is the spark? Where is the fire?" These bands are whining like crazy. I hear these bands and go, "What is wrong with these guys?" And then I look at a picture of the band and I could go into a mall and pick any five guys, it’s like they are trying not to be rock stars. They just want to be normal guys that play in a band with no image and no fire just we are in a band. “What is wrong with that?” That’s crazy. If you are in a Rock band, you get in a Rock band to be something different. I guess modern Rock bands really just want to blend in and I think it is the most boring time in Rock right now that I have ever seen.
CB: Well you have your Lady Gagas…
AC: There are exceptions. Jack White is amazing. The Foo Fighters are amazing. I don’t know the Black Veil Brides music very much but I love the image. At least they are going out of their way to be something that when you see them on stage you say, “That’s the Black Veil Brides.” But when I see 99% of the other bands up there I say those bands can be anybody. I just don’t get the fact that everybody is so against having image.
CB: Are you working on any new music, maybe another album?
AC: The Welcome to My Nightmare album has been out for about a year now and that was our highest charting album for quite a long time. So after this tour, we will go back in the studio again, Bob Ezrin and I will, but we were very, very happy with Welcome to my Nightmare.
CB: I briefly spoke to you at the Rock and Roll Hall of Fame Induction this year in Cleveland. I know you weren’t performing but what your favorite part of the night?
AC: You mean the last one. I thought Guns N Roses were amazing. I thought Slash and the boys were the best band there. They just rocked that place.
CB: We are heading into a critical election year, are you planning on backing any candidates this time?
AC: Boy, I’ll tell you at this point right now I almost want to go independent. I am not political in the least bit. I am not in the least bit political. So when somebody says, “Who are you voting for?” I’m going, “Wow!” It’s like saying, do you want a poke in the eye or a poke in the ear. Nobody is making me smile now.
CB: And it is very narrow now.
AC: Yeah, as far as I’m concerned, I wish there was somebody out there that had some spark that would make a difference but I don’t think either one of these guys are.
CB: Do you have any plans to slow down or stop touring?
AC: No. For me, physically everything is fine right now. Until I physically can’t tour, I think I will be touring every year.
The Beach Boys have been blessing audience’s ears with happy and fun tunes (with occasional blasts of melancholy) for 50 years. As they embark on a 50th anniversary tour, they are preparing to release their 31st album, titled That’s Why God Made The Radio, which is also the title of the first single. Almost anyone who listens to music can think a happy thought as it relates to Beach Boy classics like “Good Vibrations,” “Kokomo,” “Surfin USA” or one of their other countless hits.
I was able to speak with Mike Love and Brian Wilson before the tour kickoff and it proved to be one of my toughest interviews to date when I spoke with Wilson.There were moments when you had to wonder why he is speaking to the press at all and others when you remembered the pure genius inside his head as he spoke about mixing harmonies on the new album and just being happy to play again with the band that made him a legend. We reached a nostalgic and introspective point as the legends looked back on a remarkable career.
The Beach Boys' 50th anniversary tour comes to Riverbend Music Center this Tuesday.
CityBeat: If you were writing “California Girls” today, how would you describe them and what are the big changes?
Mike Love: The thing about “California Girls” is that it is a riveting song saying, “I wish they all could be California Girls,” and then talk about all the places around the country. I don’t think there would be much changing to do. Of course our original fans are now California mothers and grandmothers. I believe it is all the same.
Brian Wilson: No, I would do it the same as it was.
CB: What has been your process for putting together the set list of songs for the shows coming up?
Brian: We all got together and chose the songs together and we finally narrowed it down to two hours or two and a half hours of songs.
Mike: I’ll tell you what, there are several songs that we absolutely do at every single show we do — “California Girls” being one of them, “Good Vibrations” being another, “Kokomo” being our biggest hit of all. “Good Vibrations” was our biggest hit that came out in 1966, until “Kokomo” came out in 1988 and apparently surpassed that. And then there are songs like “I Get Around” and “Fun Fun Fun” and “Surfin’ USA” and “Help Me Rhonda” — we are always going to do those big hit songs because we believe people are going to come see you for what you are known for. We are most famous for those big hit recordings we have had.
Then there are other songs we are doing on our set list called album cuts that are a little more subtle, a little more esoteric. Then there is a song called “Why Do Fools Fall in Love” originally done by Frankie Lymon and the Teenagers during the ‘50s. My cousin Brian came up with a really great vocal arrangement so we enjoy doing that song. Whether it is a point of view of doing a song we feel hardcore fans know or the Beach Boys music that I can recall, we like to do some songs that will please them as well so we balance the songs, the set list, the selection of songs all throughout the years, up to and including our newest record which is called That’s Why God Made the Radio.
CB: On the new album there are fun and upbeat songs, as always, but there are also songs embracing some melancholy of the past like “Pacific Coast Highway.” Why was it important to have both on the album?
Mike: I think there has always been melancholy and upbeat aspects to our songs. For instance “Surfer Girl” is slower and romantic. “In My Room” is kind of introspective, and if you will a little melancholy like ("Warmth of the Sun"), which is also a beautiful, slow ballad, but I think mainly it is the result of the collective nature of all of us.
There is the obvious sun part of life that we have here in Southern California growing up, you know with the featured years and when we recorded “Barbara Ann” and “Lookin’ For Romance” and then “California Girls” and going around the world and experiencing upbeat and positive things like car songs or surfing songs. There is that aspect of it. Then there is also that more internal, introspective aspect of things. So there are definitely both types of music in the Beach Boys catalog, definitely. There is the melancholy and the happy and upbeat.
I think that is how life is. Sometimes, people experience moods or situations in life that are not so much upbeat or fun, death of a loved one or breaking up with somebody. There are situations in life that lend themselves to the more serious or somber or melancholy. Then there are the activities and situations in life that are far more upbeat and fun.
CB: What is it like having three generations of fans singing along at the shows now?
Mike: It is pretty amazing. It is really wild how well people have responded to us all being together. It re-establishes the theorem from math that the whole is greater than the sum of its parts. Brian Wilson has been doing his own solo projects and recordings and touring for the last several years. I have been touring as the Beach Boys with Bruce Johnston and occasionally David Marks, our original guitarist. Al Jardine has been doing his own thing but we all got together because of the specialness of the 50th anniversary of the Beach Boys.
That is the real catalyst that got us together. In addition to that remarkable milestone, there is the fact Capitol Records gave us an opportunity to record a new studio album, so we all got together, a lot of time had passed since we last did an album but it was kind of weird how familiar the whole process felt and how normal it sounded when we were listening to our performance coming back through the speaker in the studio. A lot of time had passed but not much had changed really in terms of Brian’s ability to structure the harmonies and chord progressions and our abilities to harmonize and perform the songs. It was really cool, the two things together, the 50th anniversary and going out to tour together along with doing the new record, those two things, gave us the encouragement to get together and do this together. And the response from the public and so many places have been phenomenal, the Hollywood Bowl in Southern California sold out 17,500 seats.
Megadeth can be considered one of today's legendary bands, not just in Metal, but in all of music. They are synonymous with a time period, moments in the lives of so many of their fans. They may have a different look than when the band was formed in 1983 but they are one of the founding fathers and would definitely find themselves on the Mount Rushmore of American Metal and can still fill festival stadiums all over the world. Megadeth have been doing their thing for almost 30 years and show no signs of stopping. They had released their fittingly named 13th studio album TH1RT3EN last year before they came to Cincinnati. They will return to Ohio as one of the main acts at next week’s Rock on The Range.
Over the past year, CityBeat spoke with band drummer Shawn Drover twice and lead guitarist Chris Broderick at Mayhem Festival about life on tour and what the future holds for the band. Megadeth's timeless sound continues on. Hear for yourself when the group performs on the Main Stage in Columbus Sunday night with Marilyn Manson and Rob Zombie for the Rock on the Range festival.
CityBeat: I know you joined the band in 2008, right?
Chris Broderick: Yeah, the very beginning.
CB: What was it like the first time you played and jammed with Dave (Mustaine)?
Chris: It was a little intimidating at first I think. But one of the things that really happened was we had to get to work so quickly. We had to get so much done so fast.
CB: Because of the album and the tour right?
Chris: Well yeah because of the tour at the time. I didn’t really have time to think about what was going on. I was just working. I was trying to knock out as many songs as I could before we went on tour less than a month away. That was my focus really.
CB: You are a classically trained guitarist, right? Can you tell me, how do you think that prepared you for Megadeth and to play metal music?
Chris: Well I don’t know if anything prepares you for Metal music or Megadeth. But I do think it does give me a different skill set, one where I can look at more melodies and harmonies and construction of those types of the aspects of the music and apply what I’ve learned in classical guitar theory or classical theory to the Metal genre.
CB: That’s kind of what stood out to them, right, when they called you to join the band, because you did a lot of classically trained type work?
Chris: It’s hard for me to say. I know it was an influence on their decision, but I know that it was a recommendation of Glen Drover and Shawn Drover that encouraged them to call me.
CB: Good recommendations. They probably didn’t even have to ask.
Chris: And then some of the YouTube clips that I had posted also.
CB: I have been hearing so many bands that are picking people off YouTube. It’s really amazing, Cinderella type stories of people being picked up off YouTube videos.
Chris: Well, it’s one of those things that is awesome in a way because it gives the individual the power of PR, somebody that can market you and get you to the right people to get you a gig or get you the right contact. So it is kind of cool that way.
CB: What was your highlight from the Big 4 concerts?
Chris: It was probably the last Big 4 show actually in the UK. That was pretty huge. We got to play on stage with some of the original members of Diamond Head. Honestly, they weren’t my biggest influence. They were a little bit before my time. But because I am playing with so many people that they heavily influenced, it was instant respect on my behalf and their behalf. It was quite awe-inspiring to see Hetfield (James) kind of bowing down before him when he went to do the solo. It was awesome.
CB: What is it like on the road these days? Is it really clean living?
Chris: Yeah. It almost has to be because we have so much going on. I couldn’t do all this press and all the meet and greets and stuff like that. It works out pretty well for me too because luckily I never acquired a taste for that kind of that thing. I guess I am too Type A. I always want to be in control.
John 5 has seen almost everything in Rock music. He's toured with David Lee Roth, Marilyn Manson and Rob Zombie (with whom he's currently rockin') and been credited on songs from a wide range of artists — from Saliva to Salt n Pepa to k.d. lang to an upcoming collaboration with Rod Stewart. The guitarist has gained the reputation as a musical genius and one of the most action-packed guitarists in the world. He has just released his sixth solo album, God Told Me To, which mixes acoustic Spanish guitar along with Metal riffs.
CityBeat caught up with the guitar player to talk about the new album and some of the darker aspects of what goes into his writing, as well as the lighter aspects help put him to sleep every night. John 5 will take the stage with headliner Rob Zombie this Sunday at Rock on the Range in Columbus.
CityBeat: Can you tell us about the name of your album, God Told Me To?
John 5: The name, it is funny because … I am from Michigan, I am from Grosse Pointe. I was upper class growing up there. I was brought up in a really nice environment and home and I remember the night before I was leaving for California to really give it my shot saying, “I am going to try this. I am going to try to be this musician type of thing.” I remember I was saying my little prayer. I never wished to be a “rock star.” I just wanted to be a working musician. My dreams didn’t even go past a session player or a working musician. It was too far beyond my dreams. That’s kind of what the title means, that kind of thing, but also you can look at in the negative way, like when someone does a horrific murder, they always say, “Oh, God told me to.”
CB: I have read a lot of discussion in your recent interviews about serial killers and even the song “Night Stalker” being written about Richard Ramirez. Do you have an interest in serial killers and the history and stories behind them?
J5: I think it is interesting to me about how the mind works and how someone is wired, how their mind works, how it is completely OK to do these things, which I could never even think of doing something like that. It was always so interesting to read about this or watch documentaries. It is so odd for something like that to happen, so I have always had this little fascination with it — not that I am pro-for that kind of thing or anything but it is just very interesting to see something like that.
CB: I got a copy of the album and have been listening to it today. I love the acoustic Spanish-style versions on some of the songs. I know you are a lifelong learner. Did you take specific lessons around Flamenco or Spanish-style guitar lessons?
J5: Yes, I have always tried to learn, it is what keeps me sane. I love to learn and I started doing a lot of studying of Spanish-style music and really started getting into it and how it is just a completely different form of guitar playing. It is just like if you started speaking in a different language like Japanese or something. It is something that you have to study and work at a lot. That is what I enjoy because I love the guitar so much. Yes, I did a lot of studying and research on that.
CB: What current music is inspiring me right now?
J5: What current music is inspiring? You know what, and this will be a surprise, but I usually am very honest. I have had a little epiphany and this is very shocking. I was watching some movie or something like that and a N.W.A. song was on and I am no fan of Rap music, I really am not because I like the guitar. So I heard this N.W.A. song, I think it was “Gangsta Gangsta,” and I was like, “This is really, really, really good.” It was eye-opening to me and I appreciate it now. I was pretty taken back by it. I would have to say N.W.A. (is a current inspiration), which I can’t believe I am saying but it is the truth.
CB: There are a lot of bands right now collaborating outside their genres. Korn has collaborated with Skrillex and trying to create a lot of different sounds which would traditionally maybe not be in Metal music.
J5: Sure, and I think it is very important for that to happen because of the fact music has to always evolve and if it doesn’t, it has failed. It is good that it is evolving.
Five Finger Death Punch will be one of the headlining acts of Rock on the Range, one of the nation’s biggest Hard Rock and Metal festivals that takes place in Columbus this weekend. FFDP has become known for its “active” show, encouraging crowd participation that can get on the edge of out-of-hand at times. The band released its third studio album last year, American Capitalist, which quickly shot to the top of all Rock and Metal charts.
CityBeat caught up with drummer Jeremy Spencer to preview next week’s Rock on the Range and discuss the grueling nature of the industry (especially as a drummer) and the advice that has driven him to be in the position of leading the rhythm and timing of Five Finger Death Punch. FFDP performs Saturday night on the main RotR stage in Columbus.
CityBeat: I was excited to talk to you because I know you just won the Golden God award for Best Drummer. How was that experience for you?
Jeremy Spencer: It was really great because I am a fan of all those drummers in the category and to be put in the same category was humbling already, and then to win, it was “Wow, this is really cool.” We couldn’t be at the show because we were out on tour. I got a call saying, “You know he won and if you could put together a video for the acceptance that would great.” So I made this really ridiculous acceptance speech video where I dressed up as redneck fans mocking me giving a speech, so I did a multi-character video for winning the award and it was really funny. It is all over the internet in case you get a chance to see it. Everyone got a kick out of it, but overall it was a really humbling experience and really cool.
CB: You guys just made another trip to Kuwait as well. I know it is really important to the band to support the troops. What was your most memorable experience this time around?
JS: We got to hang out with the troops a lot during the day and talk to people and we do extensive signings for them. The shows were pretty crazy. They don’t get a lot of entertainment over there so they are really excited when we get to come and play. And it is exciting for us too because they are such huge supporters of the band so it is the least we can do to give back to them because they sacrifice so much to be away from their families. It was very cool.
The only thing that wasn’t cool is that there is an 18-hour plane flight to and from Kuwait. That is the only brutal part but the rest of it was incredible.
CB: I actually did see some of the YouTube videos from the shows over there that were posted and they looked like they were crazy with the crowd surfing and the moshing and they really go into it.
JS: They really do. They get after it. It’s insane, like I said it is all pent up energy so they really get after it.
CB: I have listened to the album since it came out but in a lot of the recent songs there is serious hardcore drumming action. How do you stay in shape and how do you condition for that kind of hitting?
JS: I do a lot of stretching. That is the thing I didn’t do much growing up but now as I am getting older I have realized that stretching is vital. It is almost like doing yoga really. I use hard foam rollers to roll out my muscles and get the knots out. Stretching is key; any drummers that are doing this I would recommend doing that starting as young as you can. I also don’t party anymore. I try to take care of myself. I try to eat things that are relatively healthy. So that is pretty much what I do.
CB: I think that is a misconception for a lot of people. I talk to a lot of bands from a lot of different genres and I think people think the road is a continuous party and for some bands it is, but for a lot of bands it is about having a healthy lifestyle because it is so grueling.
JS: It really is. We are kind of like athletes. We have to get up there and perform for 75 minutes sometimes or 90 minutes and it takes a toll on you physically. We are not playing Pop music. It is pretty aggressive. It is physically demanding.
When we started out, we definitely participated in that party lifestyle. I am one to try it, but if you are going to be successful and have a long career then you can’t get wrapped up in that stuff. Rarely does it work so I figured it was time to treat this like a job. It is a job but it is a great job.
CB: Let’s talk about Rock on the Range. I have seen you play there before a couple years ago. It is always a good time. Is there anything that you are looking forward to specifically around that show?
JS: Last time, we had one of the biggest crowd surfing experiences that Rock on the Range had ever experienced and it is well documented on YouTube. So we will see how crazy the fans can get there this time. We certainly enjoy it. Every time we play there, it has been great. And you know, all the other great bands, and hanging out with our friends, it has always been a positive experience and I look forward to getting back there and doing it again this year.
CB: I was there last time. I am a photographer so I am always down in front for the beginning parts so it is always a little sketchy with the crowd surfing for us.
JS: Absolutely, you might want to wear a helmet or something.