Since Los Angeles is one of the centers of the music universe, being dubbed the “Best Live Band” in the city is an incredibly high honor. Energetic eight-member Americana ensemble The Dustbowl Revival received that exact honor this year when the city’s L.A. Weekly named the group the Best Live Band of 2013 in its Best of L.A. issue. Tonight you can see and hear for yourself when The Dustbowl Revival headlines MOTR Pub in Over-the-Rhine. Brad Loans of local greats The Sundresses opens the free show at around 10 p.m. with a solo set.
The Revival’s kitchen-sink approach touches on a bigger-than-usual array of American Roots music influences, from Western Swing, New Orleans Jazz, Dixieland and Be Bop to Blues, Gospel, Folk and numerous other styles (both expected and not). Delivered using the classic tools of the Americana trade (numerous brass instruments, fiddle, clarinet, mandolin, washboard, harmonica and kazoo, plus stand-up bass and guitars), The Dustbowl Revival’s latest release, Carry Me Back Home, was released to critical acclaim earlier this year. But, if the enthusiastic testaments online are any indication, seeing the group’s wildly entertaining live show is the best way to experience the Revival.
• Punk rockers turning to Folk and Roots music is nothing new (see: Billy Bragg, The Pogues), but it’s become a not unwelcome epidemic in the past decade. It’s easy to see the appeal — Punk and Folk are kissing cousins that share a raw purity and, often, a sense of social/political justice in the lyrics.
Another part of the appeal may just be how some of the artists who make the shift and go full Folk have found huge success after the makeover. Frank Turner, for example. The British folkie was the singer for Hardcore Punk band Million Dead in the early ’00s. The band’s run was short and relatively successful, but nothing compared to what Turner has experienced since strapping on an acoustic guitar and going solo in 2005 after the band’s split. After his debut album in 2007, Turner’s career took off and he built his now-huge fanbase by touring with bands like The Gaslight Anthem, The Offspring and Green Day, which had him open stadium shows for the band in 2010.
This year, Turner released his fifth album, Tape Deck Heart, his first recorded in the U.S. and his first under a global deal with Interscope Records. Turner comes to the Ballroom at the Taft Theatre tonight in support of the album. Showtime is 7:30 p.m. Koo Koo Kanga Roo and The Smith Street Band open. Tickets are $20 at the door. Turner is touring with his full backing band, The Sleeping Souls.
Here’s the video for the new album single “Losing Days”:
• Two up-and-coming Rock crews with a rising presence on the FM Rock airways cruise into Bogart’s tonight. The Classic Rock-influenced bands Taddy Porter and Jonathan Tyler & the Northern Lights play at 7 p.m. Read Amy Harris’ interview with Tyler for CityBeat here and check out Taddy Porter’s video for the single “The Gun” below:
A lot of the great up-and-coming touring artists that made September’s MidPoint Music Festival one of the best yet have been building on their MPMF momentum and returning to the area. Even some of the bands that canceled their MPMF appearances have made their way back.
Korea’s Love X Stereo had travel issues and missed this year’s MidPoint, but recently played MOTR Pub (the club owned by MPMF artistic director Dan McCabe) and now the amazing seven-piece Wisconsin crew PHOX (who missed MPMF to tour with Blitzen Trapper) is headed to the same venue tonight for a great double-bill with San Francisco Psych Rock/Shoegaze outfit (and MPMF alumnus) Sleepy Sun.
The wonderfully eclectic PHOX, which recently announced a new recording was in the works, appear to be on the verge of very big things; seems like everyone who hears the band’s gorgeous and unique mesh of Folk, Indie Rock, Soul, Americana, Jazz, Chamber Pop and other styles instantly falls in love with them. In September, the group issued a live EP taken from its appearance at the ITunes Festival in London. It was the follow-up to its Confetti EP, released earlier this year with an endearing companion “music video EP” featuring clips for each track on the release. Check it out below:
Tonight’s show at MOTR (the venue’s website is calling it “a once-in-a-lifetime MUST SEE Mind Melting Monday Mash-Up”) starts at 9:30 p.m. and, like all MOTR shows, is free.
Last Friday we featured the first video from a series of clips created by The Queen City Project from footage shot at “The MidPoint Sessions,” a day party at the Art Academy of Cincinnati held during September’s MidPoint Music Festival in Over-the-Rhine/Downtown.
The first clip featured Athens, Ohio’s The Ridges, who curated the acoustic performances, bringing in three fellow Ohio acts to join them. Today we premiere the second video from the great Sessions series to emerge. The new video features talented and adventurous Cincinnati Indie Chamber Folk foursome The Happy Maladies performing their song, “Peter’s Sweet 16.”
The Happy Maladies have been playing a lot of out of town shows over the past year, hitting regional venues, Chicago and the East Coast fairly regularly. The band released its debut album, Sun Shines the Little Children, in 2009, followed last year by the magnificent, mesmerizing EP new again (check it out here).
The band is currently working on a new album, which is expected to release in early summer next year. In July, The Happy Maladies announced “Must Love Cats,” an intriguing project that celebrates the collaborative spirit in creativity. The band is soliciting original pieces written for the group from composers of all stripes. Until Jan. 1, interested artists can send the group new “compositions, songs, ballads, marches, sound poems, farcical musicals, improvisational games, panic attacks, etc.” The musicians will chose five pieces and work with the composers to get it in performance shape. In the springtime next year, The Happy Maladies will play the compositions during a special concert series, which will be documented and turned into a concert film, album and booklet with profiles of the composers.
You can find complete details about the Must Love Cats project here on the band’s website. Here is a video featuring the band members explaining the project.
Visit thehappymaladies.com for more on The Happy Maladies.
Acoustic guitar phenom Andy McKee performs downtown tonight at the Ballroom at Taft Theatre. Admission is $18 for the 7 p.m. show which, unlike most Ballroom performances, will be a seated affair.
Though he works his magic with just wood and strings, technology played a big role in McKee’s success story. About seven years ago, McKee’s label at the time posted on YouTube a few low-production videos of the fingerstyle guitar instrumentalist showcasing his compellingly original approach, which involves a lot of rhythmic slapping, alternate tunings, unusual fret fingering and other atypical elements.
Those simple videos launched McKee — who counts players like Michael Hedges and Preston Reed among his biggest influences — into the the upper echelon of viral video sensations, not because of something stupid (like most super-popular YouTube videos), but because of his gripping acoustic wizardry. The clip below, featuring his composition “Drifting,” was one of the first posted; it now has more than 48 million views (other clips have a similarly stratospheric number of views).
McKee had released two critically acclaimed albums before 2005’s Art of Motion, which featured the songs that would make him one of YouTube’s biggest musical success stories. By the time 2007’s Gates of Gnomeria was released, McKee was able to successfully tour the globe and play for large audiences everywhere he went, something that continues to this day (though he slowed down just slightly when he and his wife welcomed their first child). The Kansas native moved up to the Razor and Tie label for distribution and would go on to found the Guitar Masters Tour, sharing the spotlight with other acoustic alchemists and also helping the next generation of players with various guitar workshops. McKee’s most recent release is 2010’s Joyland; on his website in June, McKee said that he will be releasing new material gradually over several months instead of saving up material for a single album release.
• Tonight in the Taft Theatre’s big room, Trampled By Turtles returns. The Minnesota band has built up a huge following by eschewing most of the traditional music biz support systems, like record labels. The DIY success story is ongoing as the progressive Americana/Bluegrass ensemble’s popularity continues to skyrocket. The band just released its live album/DVD package Live at First Avenue earlier this week. Check out CityBeat’s preview of the show and then take a look at a clip from the new release:
Tonight’s show at the Taft starts at 9 p.m. with Nashville Indie Roots group The Apache Relay opening.Tickets are $22.50.
• While it’s likely that most area fans of EDM are going to be checking out the big Ubahn Fest downtown tonight (and tomorrow; click here for details and previews), The Mad Frog in Corryville is also presenting a showcase of diverse, progressive Electronic music.
Named after a mini-game within Nintendo 64’s Mario Party video games — a nod to 8-bit and gaming culture influences — Shy Guy Says is the work of rising Electronic music artist Jarrod Linne, who works out of Bloomington, Ind. Linne creatively mixes Hip Hop grooves and other elements with a multitude of EDM styles (Glitch, Trap, Electro, Downtempo House, etc.), never allowing himself to be easily pigeonholed by constantly exploring new sonic realms. The next Shy Guys Says release is the EP The Hellephant, coming out through the Rad Summer label. Look for the EP on Beatport this Monday and everywhere else Dec. 2. On Wednesday, TheUntz.com previewed the new EP track “Round 1 (They Meet).” Check it below:
Shy Guy Says will be joined by Indianapolis’ Magnetic for tonight’s Mad Frog show. Taking the same genre-blurring approach as Shy Guy, Magnetic’s DJ sets blend remixes of other people’s music with original tracks and are said to be uniquely engaging and energized. Rounding out tonight’s bill is another Indy artist, Kodama, and Cincinnati’s own Kaiten (aka Kurt Heer), who works with the label/promo group/management agency, Massive Detroit Records.
Doors open at 8 p.m. and music begins at 9 p.m. Cover charge is $5.
• Country music star Justin Moore pulls his tour into Bank of Kentucky Center tonight in Highland Heights, Ky. After performing in bands and writing songs for others, Moore scored a deal with Valory Music Group (part of Big Machine Records) in 2008. After a few successful singles, Moore’s self-titled debut album was released in 2009 and promptly shot to No. 3 on the Country charts and No. 10 on the overall album chart. Moore recently released his third album, Off the Beaten Path, which hit No. 2 on the album chart (and No. 1 on the Country chart). Read more about Moore in CityBeat’s preview here. And here’s the video for the new album’s single, “Point at You”:
Tonight’s Bank of Kentucky Center show features openers Randy Houser and Josh Thompson. The show starts at 7 p.m. Tickets range from $26.75-$39.75.
Buoyant Electro Pop group Stepdad pulls into MOTR Pub in Over-the-Rhine tonight. The free show kicks off around 10 p.m. with locals Halvsies.
Stepdad was formed in Chicago in 2009 by frontman Mark “Ultramark” Tafel and his roommate, Ryan McCarthy. The duo — which has grown Stepdad into a five-piece band over time — soon relocated to Grand Rapids, Mich., and self-released its debut recording, the Ordinaire EP, online. The EP drew wider attention to Stepdad, which signed to Michigan indie label Quite Scientific and re-released the EP in 2011.
After completing its debut album, Wildlife Pop, with a little help from Kickstarter, the band signed with Black Bell Records, the relatively new imprint founded by Passion Pit’s Ayad Al Adhamy and distributed by Warner Brothers Records. Wildlife Pop, released last summer, is an incredibly endearing listen, layering vintage-sounding synth bleeps and squiggles with broader, lush Electro atmospherics and a rhythmic base that is muscular and dance floor ready. At the core is Ultramark’s steady stream of exuberant melodies, which adds greatly to Stepdad’s jubilant sound (though, spoiler alert, the lyrics can be much deeper and darker than the upbeat vibe suggest). Wildlife Pop falls somewhere between the M83’s shadowy, cerebral Electronic explorations and Capital Cities’ (see below) warm and cheerily infectious Dance Pop.
Here is the music video for Wildlife Pop single, “Will I Ever Dance Again”:
• Virtuoso Blues/Rock/Roots guitarist, songwriter and singer Sonny Landreth returns to Cincinnati tonight for an 8 p.m. show at Oakley’s 20th Century Theater. Rootsy local rockers Monkeytonk open.
After cutting his teeth in the ’70s playing with Zydeco/Cajun/Roots accordionist Clifton Chenier, Landreth (who grew up in Louisiana) launched his solo career in the ’80s, building his reputation as a masterful player and innovative slide guitarist. Landreth’s unique technique involves playing chords behind the slide leads, which he taps, slaps and picks with his right hand. Since the mid-’90s, Landreth has released a dozen albums that have been stylistic adventurous, a testament to his impressive versatility. The guitarist’s playing shows that Blues, Jazz, Rock, Cajun and many other types of music have greatly informed his boundless approach to writing and performing. (Landreth is also a popular session musician, having recorded with artists like Jimmy Buffett, Mark Knopfler, John Hiatt and numerous others.)
Last year, Landreth released another wildly diverse album, Elemental Journey, his first all-instrumental effort which features guests like fellow guitar wizards Joe Satriani and Eric Johnson, as well as additives like symphonic strings and steel drums.
Here is a live clip of Landreth performing at Eric Clapton’s Crossroads Guitar Festival in 2010:
• Over at Covington’s Madison Theater tonight, bring your dancing shoes because Fitz and the Tantrums and Capital Cities are going to have the venue jumping with their ear-grabbing/dance-inducing sounds. Showtime is 7:30 p.m. and the event is open to all ages. Tickets are $25 at the door. L.A.’s Electro Dance rockers Beat Club open.
L.A. band Fitz and the Tantrums’ propulsive, modern update of vintage Soul/R&B caught the music world’s attention in 2010 with the release of their debut LP, Pickin’ Up the Pieces, both a critical and commercial success thanks in part to the powerful single, “MoneyGrabber,” a song that was perfectly timed to the national outrage over big banks and other mischievous financial institutions that led to the Occupy Wall Street movement. The Tantrums’ second album (and major-label debut), More Than Just a Dream, was released by Elektra Records this past May. Here’s a clip for that album’s “Out of My League”:
Electro Pop duo Capital Cities garnered a lot of mainstream attention this year with its debut album, In a Tidal Wave of Mystery, released in June through Capitol Records. The album features the insistently catchy and winsome singles “Kangaroo Court” and “Safe and Warm,” both from the twosome’s self-titled 2011 EP debut. Like MGMT’s “Kids” or Walk the Moon’s “Anna Sun,” songs that were originally issued on earlier, pre-fame recordings but were released to widespread success on their respective major label debuts, “Safe and Sound” was released originally in 2011 and, two years later, continues to earn Capital Cities more fans. The duo’s super-catchy Synth Pop is hard to resist and the more people are exposed to Capital Cities, the bigger they seem to get.
• R&B singer Jaheim was already wowing audiences at a young age, winning the infamous talent show at the Apollo Theater three times when he was just 15. It was the start of a long, fruitful career that kicked off in earnest when the singer was in his early 20s and was signed to the Warner Brothers-distributed label Divine Mill. Since his debut album in 2001, Jaheim has been a regular visitor to the upper airspace of the R&B charts. His new album, Appreciation Day, was released earlier this year and earned praise for being one of the best displays of Jaheim’s seamless blending of the classic seductive R&B artists like Teddy Pendergrass and Luther Vandross popularized with today’s Neo Soul and Hip Hop-informed approach. Here’s the album’s single “Age Ain’t a Factor”:
Jaheim brings his “Appreciation Tour” with singer Chrisette Michele to downtown’s Aronoff Center tonight, in the venue's Procter & Gamble Hall. Showtime is 7:30 p.m.
Besides the official music showcases at September’s MidPoint Music Festival, the 12th annual fest featured the most (and best) “satellite events” in MPMF history. These “unofficial” happenings — ranging from “day parties” to various musical presentations, like the free performances at Findlay Market — greatly added to the electricity MPMF brought to Downtown and Over-the-Rhine. It showed what can happen when creative people get into the MPMF spirit and try to come up with clever ways to add to it.
Some of the best examples of this were found just off the MidPoint Midway area at the Art Academy of Cincinnati, where programmers of the school’s gallery (with presenters Fotofocus) decided to run an exhibit of live music photography by area photographers called Reverberation: Capturing the Live Music Experience during the fest, to capitalize on all of the music lovers flooding the streets of OTR. (Click here to read CityBeat's feature about the exhibit.)
Adding another layer of collaborative coolness to the proceedings was “The MidPoint Sessions,” intimate performances by four Ohio musical acts held at the photography exhibit on the Saturday afternoon of the festival. The great Athens, Ohio, Indie/Orchestral Folk ensemble The Ridges performed and curated the rest of the Ohio-centric lineup, which also included Cincinnati’s Molly Sullivan and The Happy Maladies, plus Columbus’ Indigo Wild.
The MidPoint Sessions were filmed by The Queen City Project, a local organization that has set out to creatively document some of the interesting and unique things going on in contemporary Cincinnati. Here’s an entertaining, quick-cut look at MidPoint through QCP’s lens:
And we are thrilled to be able to share QCP’s first video from The MidPoint Sessions, featuring The Ridges.
Be sure to check CityBeat’s music blog every Friday over the three weeks as we unveil the rest of the Sessions series videos.
• Tonight at Covington’s Madison Theater you can catch two of the the best and most influential Roots Rock bands of the past 20 years. Drive-By Truckers and Old 97’s might not have had the expansive, obvious influence of, say, Wilco or My Morning Jacket (who also joined forces to tour this year, joined by some guy named Bob Dylan on the summertime Americanarama tour), but it would be foolish to overlook the impact these two bands have had on aspiring artists.
While both groups recently announced the completion of new albums, their current tour together finds each act promoting some refurbished older material. The Old 97’s released the Old 97’s & Waylon Jennings EP in October. The release includes a pair of tracks recorded in 1996 with the Country legend (they were some of Jennings’ final recordings before he died), plus a few unreleased demos. Drive-By Truckers also did some vault-digging, reissuing a remastered version of the band’s third album, the long out-of-print 2000 live effort, Alabama Ass Whuppin’. (Read CityBeat’s Truckers preview here.)
Tonight’s show at the Madison starts at 8 p.m. and is open to all ages. Tickets are $27 at the door.
Here’s one of the Old 97’s’ collaborations with Jennings, “The Other Shoe”:
• A pair of Detroit-area MidPoint Music Festival veterans — Jeecy and the Jungle (which played the Cincy fest this year) and Jessica Hernandez and the Deltas (who played in 2012) — return to the city tonight for a great double-bill at MOTR Pub in Over-the-Rhine. Showtime is 10 p.m. and there is no admission fee.
Both bands have varying elements of R&B, Funk and Soul, which they spin with their own distinct magic. Jeecy and the Jungle go for a gritty, spiky take on R&B reflecting the Garage and Soul spirits of Detroit’s rich musical history, while the Deltas make uniquely broad, evocative Alt/Indie Pop/Rock driven by Hernandez’s phenomenal vocals, which show a fantastic Soul influence.
Hernandez & the Deltas have a new EP called Demons that is officially released next week, though you’ll be able to pick up the CD version at MOTR tonight. Paste magazine recently debuted the material; check out a track below:
• Seems like the Cincinnati area has become a favorite stop for touring artists from the exploding “live Electronica” scene. Arpetrio is a Knoxville, Tenn.-based, improv-happy guitar/bass/drums trio (with each member adding Electro ornamentation) that has been lauded for its trippy, Jazz-like take of live EDM, which touches on Trip Hop, Trap, Trance, Dubstep and other modern Electronic music elements. The group’s This Side Up EP is available as a free download here; get a sample below:
Arpetrio performs tonight at Corryville’s The Mad Frog. Showtime is 9 p.m. Also on the bill is Ethosine, a Cincinnati quartet featuring members of Skeetones, Bubble Life and The Jive Turkeys. The group also has a free EP you can download — click here or on the player below.
• Nashville Indie Pop Rock crew The Features, which has built up a nice following in Cincy (and appeared at this past summer’s Bunbury Music Festival), returns to the area tonight for an 8:30 p.m. show at the Taft Theatre’s Ballroom. Locals Justin WW and the Even Tiles open the show. Tickets are $15.
The Features’ danceable, highly melodic sound is on glorious display on their most recent album, a self-titled affair released through Kings of Leon’s Serpents and Snakes Records this past spring. Here’s the music video for the album’s “This Disorder,” a clever song about the effect of modern technologies (i.e. smartphones) on our society:
• Classic Country Rock band Poco was formed in 1968 by Richie Furay after his band with Stephen Stills and Neil Young, Buffalo Springfield, called it a day. Despite a lineup that has revolved pretty much since the band began, Poco experienced great success in the ’70s and beyond; its debut, 1969’s Pickin’ Up the Pieces, is considered one of the greatest Country Rock releases of all time. This summer, Poco — now led by co-founder Rusty Young — released All Fired Up, its first album in over a decade.
The current edition of Poco performs tonight in Northern Kentucky at the Newport Syndicate. The pre-show dinner buffet (included in the ticket price) begins at 6 p.m., with openers Kinsey Rose and Laurel Kincaid beginning at 7:30 p.m. Admission ranges from $35-$70. Click here for details.
Here’s the title track from Poco’s most recent LP:
• The Winery Dogs released their first album in July, but if you are a serious fan of Progressive Metal and Hard Rock, you were likely already familiar with the virtuosic instrumental prowess of the trio’s members — drummer Mike Portnoy (cofounder of modern Prog legends Dream Theater), singer/guitarist Richie Kotzen (Poison, Mr. Big) and masterful bassist Billy Sheehan, who has played with David Lee Roth, Mr. Big and many others. The Dogs sport a heavy, Classic Rock-influenced sound akin to Led Zeppelin but distinct due to the players’ flashy, progressive riffing and drumming.
The trio plays Corryville’s The Mad Frog tonight. Doors open at 8 p.m. and Sixxis is the opening act.
Here’s a nice review of the Dogs’ show in Cleveland over the weekend. Check out the band’s music video for the track “Time Machine” below:
• The instrumental quintet Lotus is one of the leading forces in the Livetronica movement, which features artists taking an Electronic and Dance music core and turning it inside out, mixing in plenty of other influences and leaving arrangements wide open for live-show improvisation. Embraced by the “Jam Band” community, groups like Lotus (which dips into Rock, Funk, Jazz, Post Rock and beyond on its musical adventures) are helping to push the boundaries of improvisational music in a modern context.
The band’s 2013 album Monks is another great example of Lotus’s creative membership pushing forward without any genre anchors around their necks. The LP is a compelling Hip Hop record featuring numerous guest MCs, including Mr. Lif, Gift of Gab, Lyrics Born and several others. The album is available for free download here.
Lotus performs at Covington’s Madision Theater tonight with exquisitely monikered (and musically like-minded) Electro trio Cosby Sweater opening things up at 8 p.m. Admission is $20 at the door.
Here’s the Monks track “Cloud 9,” featuring Philly MC Ras Arcane and Digable Planets’ Doodlebug:
• After all the reported in-fighting, hiatuses and breakups they’ve been through, it seems like rockers The Black Crowes have finally realized that, both creatively and financially, they need each other. The band have become a bit like The Rolling Stones in that way — after so many years and so much chemistry, even though Mick and Keith often seem to despise each other, they keep the Stones flag flying because it’s what they do. The Crowes are in an interesting position, where they can still go out and just play their “hits” and fan favorites, continually drawing big crowds thanks to the cultishly loyal fan base they’ve built up over years of amazing live shows.
That’s just what the Crowes will be doing tonight when they return to the Taft Theatre tonight for an 8 p.m. show. There’s no new album (the most recent Crowes release was 2010’s Croweology, a retrospective consisting of mostly acoustic versions of their finest songs), so expect a fan-friendly set of Crowes faves, a cover or two (the band has been doing Fleetwood Mac’s “Oh Well” on this tour) and lots and lots of jamming. Though the continued success of the band on the road suggests this is far from the band’s last tour, the Crowes have said this will be their last jaunt for a while as they tend to other projects outside of the band.
Here’s a big chunk of a Crowes’ performance in Virginia this past September:
• After four albums on which he played every note, David Obuchowski’s Distant Correspondent project morphed into an actual “band” this year with a self-titled debut album release and the launch of its first full U.S. tour. Obuchowski had been operating the DC project on the side, with his main band, Indie Metal powerhouse Goes Cube, taking up most of his time. Distant Correspondent started to blossom when Obuchowski began trading recordings and collaborating with Michael Lengel over the internet. The collaboration grew to include other members, including Emily Gray from the U.K.’s Meanwhile Back in Communist Russia and acclaimed solo artist Edith Frost.
Fans of Goes Cube should know that Distant Correspondent’s music is a different beast entirely, emitting evocative, hypnotic soundscapes that have landed them the “Dream Pop” tag. For the band’s first full American tour, Cincinnati’s Margaret Darling, whose popular local band The Seedy Seeds announced an indefinite hiatus this past summer, joined the group, taking the place of Frost, who was unable to tour. (Read Brian Baker's DC preview for CityBeat here.)
Here is Distant Correspondent’s music video for the new album track “Shatter.”
• This past September at Cincinnati’s MidPoint Music Festival, South Korean rockers Love X Stereo were one of the more anticipated international acts in the lineup. But due to some travel issues, the band was unable to get out of Korea in time to make the festival. The group, which plays highly danceable Electro Rock music heavily influenced by ’90s American Alternative music and Punk, promised to make it back to Cincinnati as soon as possible and, tonight, Love X Stereo makes good on that promise.
The band performs a free show tonight at MOTR Pub in Over-the-Rhine. Eclectic Bloomington, Ind., Indie/Psych Pop/Rock trio Fluffer — which did perform at this year’s MPMF — opens the show at 10 p.m.
Here is the audio for Love X Stereo’s “Lose to Win,” the lead-off track on the band’s new EP, Glow, which was put together for the group’s first U.S. tour.
New York City Ska legends The Toasters were the bridge from the late ’70s 2 Tone Records-fueled Ska revival in the U.K. to the one that brought Ska into the American mainstream in the ’90s. Easily one of the most influential Ska acts of all time, The Toasters were formed in 1981 by Robert “Bucket” Hingley, a U.K. native (and the group’s lone constant member) who had just moved to The States, taking inspiration from the 2 Tone Ska being created in his homeland (The Beat, The Specials, The Selecter, etc.).
The Toasters, in turn, helped inspire multitudes of Ska bands to form, something that ultimately led to the development of so-called Ska Punk. Having a hard time finding a label, Hingley formed his own, Moon Ska Records, which grew to become the major American Ska indie imprint, releasing music (via albums or the label’s popular compilations) by The Slackers, Dance Hall Crashers, Mustard Plug, Less Than Jake and No Doubt, among many others. The Moon label was a road-map to quality American Ska when the music was more underground; the imprint, which was artist- and consumer-friendly (like Punk label Dischord, Moon always kept prices low), experienced its greatest success during the ’90s Ska boom, but when the music fell out of mainstream favor, the label faded away. Hingley moved to Spain, where he formed another label, Megalith, to continue releasing Toasters albums.
The Toasters were the cool elder statesmen of the Ska scene and they’ve survived the fickleness of musical trends and an ever-changing music industry for over 30 years now by doing things on their own terms and keeping true to their vision.