In recent movie news, there has been an announcement that a certain classic film franchise will be given a remake with a whole new cast. No, I’m not talking about Ghostbusters; I’m talking about the remake of theThe Magnificent Seven.
For those unaware: The Magnificent Seven was a 1960 western directed by the very underrated John Sturges. The story tells of seven gunmen who are hired by members of a poor Mexican village to chase away a bandit named Calvera (Eli Wallach) who has been harassing people and stealing their food and crops.
The movie was not just a traditional shoot ‘em up western; it was a film that took advantage of having seven characters and giving them all unique backstories. It’s also a film that is along the lines of George Stevens’s Shane, in that it’s a movie that doesn’t glorify the gunfighter’s life. It shows that each of them lead a rather unfulfilled life as a constant weary traveler.
The film also boasts a cast of legends. There’s Academy Award winner Yul Brynner as the cool and collected leader Chris; Steve McQueen as the drifting gunman Vin; Charles Bronson as the penniless and kid-friendly hired gun Bernardo O’Reilly; the voice of Mr. Waternoose in Monsters Inc. James Coburn as the silent knifesman Britt; and the late and great Wallach as Calvera the bandit.
It also has one of the best scores ever composed for a movie by Elmer Bernstein. Even if you’ve never seen the film you’ll recognize the music.
Now, like any film being remade, there will be a small crowd of people crying havoc and wanting to let slip the dogs of war, because there have been a lot of cases in which remakes haven’t turned out too spectacular. But many people often forget that The Magnificent Seven was actually a remake itself. It’s a western version of Akira Kurosawa’s classic Seven Samurai. It would technically later be remade by Pixar in A Bug’s Life.
I’ve long since went astray from being the angry Cinephile who went on long rants about how “Hollywood sucks,” and “Movies aren’t as good as they used to be,” and other such nonsense. Now these days I keep an open mind and to wait and see the film before I say anything.
Attached to direct the film is Antoine Fuqua, whose resume includes: The Equalizer, an adaptation of the hit 1980s show; 2004’s King Arthur; and Training Day, the film that earned Denzel Washington his second Academy Award win. Not a bad choice. I won’t claim he’s the best director, but he’s far from terrible. It could be worse; they could have Jonathan Liebesman directing it.
There have already been a couple casting choices made, including the aforementioned Denzel Washington, his Training Day co-star Ethan Hawke and even Star-Lord himself Chris Pratt has apparently signed on. That’s a pretty good cast in my book. But I’m just trying to imagine who else would be involved: Maybe they could get Jeremy Renner for one of the seven, and maybe a great character actor of today like Jon Bernthal, Steve Zahn or Barry Pepper. There are loads of possibilities.
I also see no problem in having Washington play the part of Chris the leader. In the original film, Chris is very calm and collected but just as intense, and a one-liner from him can let you know things mean business. I think Washington is perfectly capable of that.
The plot? From what I’ve heard, the plot is slightly different from the original. Apparently it’s about a widow (Haley Bennett) who hires Chris to help avenge the death of her husband who died at the hands of a gold baron and his thugs who have taken over her town. It could work and it’s a nice update to the original story.
To conclude: I’m sure the original 1960 film will remain superior, and a favorite of mine, but I am kind of looking forward to seeing this film and what it has to offer. Let’s not lose our heads and let’s see what the film has to offer. I hope it’s at least better than The Magnificent Seven Ride (1972).
Morning Cincy! Here’s your news today.
Former senator and potential Republican presidential candidate Rick Santorum visited the Greater Cincinnati area yesterday to speak at a conference on religious freedom in West Chester Township. Santorum wasn’t shy about mixing in some campaigning, telling the crowd that big government is threatening their freedom to be Christian and that the path forward is electing strong Christian leaders like Santorum himself. He threw out some recent headlines, including one about public schools in New York celebrating Muslim holidays, as examples of ways in which the religious right are being persecuted by pretty much everyone else. In his god, guns, no government stumping, Santorum appears to be reprising his role as 2012 Republican presidential primary runner-up. He came in second to Mitt Romney, a guy who has no weird religious ideas whatsoever. Santorum told the Cincinnati Enquirer he is considering running again for the GOP nomination and will make a solid decision in June or so.
• The Human Rights Campaign, one of the nation’s largest LGBT advocates, has recognized a local nonprofit for its service to LGBT youth. HRC has awarded Lighthouse Youth Services with its All Children – All Families seal of approval, the organization’s highest recognition of competency with LGBT issues for child welfare agencies. Lighthouse, which does street outreach, residential treatment and other programs with homeless and at risk youth, is the first agency in Ohio to receive the award.
“It’s an honor to receive this recognition from HRC as we work to serve this population of young people who are at such high risk of homelessness and discrimination,” said Lighthouse President and CEO Bob Mecum in a statement.
• As a fan of dark beer, and, really, dark beer exclusively, I’ve sat on the bench watching a number of craft brewers pop up around the city. Those brewers are great and all, but hopped-up IPAs are just not my style and that seems to be the rage these days. However, someone has finally heard my cry and now there’s a brewer coming devoted to my love of the dark, chocolaty richness of stouts and porters. Darkness Brewery is planning to open just across the river in Bellevue in September, focused on the tastiest corner of the beer world. I’ll be camped out at the door come grand opening. Founders Eric Bosier and Ron Sanders are currently funding the enterprise themselves but might set up a Kickstarter campaign in the near future.
• Do courts in Kentucky discriminate against addicts by blocking those on probation from taking anti-addiction drugs like methadone? That’s what a federal lawsuit filed by a Kentucky nurse alleges. Stephanie Watson is an opiate addict who is forbidden from taking medication aimed at easing her off the drugs. Watson’s attorneys say that violates the Americans with Disabilities Act. The lawsuit targets the state’s Monitored Conditional Release program, which maintains the rules about the drugs, and seeks to have those rules overturned. Officials from the release program have yet to comment on the suit.
• Business groups across the state are signaling they’re not on board with Gov. John Kasich’s tax cut plan, mostly because it includes an increase in sales taxes. Kasich has proposed a $500 million tax cut for the state, mostly achieved by lowering income taxes while raising sales taxes and taxes on specific items such as cigarettes. Many of Ohio’s regional chambers of commerce have come out against the plan, saying it will limit Ohio’s nascent economic recovery. Kasich’s plan has also drawn flack from liberals, who say it makes the state’s tax structure more regressive. It’s also not gotten a lot of love from the Republican-dominated General Assembly, who have signaled they will be making changes to Kasich’s proposed budget.
• Here’s an interesting, and distressing, wrinkle in the ongoing national conversation about police use of force set off by the death of Mike Brown in Ferguson, Mo. This story explores the little-recognized fact that all the police involved in recent controversial shooting deaths of unarmed black citizens have been remarkably young and inexperienced — all well under the age of 30. While it’s important to realize that a number of systemic issues seem to be at play in the deaths of young men like Tamir Rice in Cleveland and John Crawford III in Beavercreek, officer inexperience seems to be an important, and under-recognized, element to the tragedies.
That’s all I’ve got today. You know the drill: tweet at me (@nswartsell), email me (email@example.com) or comment with news tips or general heckling. Whatever you gotta do.
Yesterday, Cincinnati Alt Pop foursome Walk the Moon continued its promotional blitz behind its sophomore major label album, Talking is Hard,
with a performance on Ellen DeGeneres' popular daytime talk/variety
show. After being introduced by DeGeneres as a "great Rock & Roll
band from Cincinnati, Ohio," the group played its single "Shut Up and
Dance" and singer Nicholas Petricca ran into the crowd to rock out with
Coincidentally, another Cincinnati-born band, The Afghan Whigs, appeared on national television the night before, performing "The Lottery" from their latest album on late night's Jimmy Kimmel Live. Watch it here and a web-exclusive performance of "I Am Fire," with a dash of Fleetwod Mac's "Tusk," here. WtM also played Kimmel late last year when the new album was released.
Walk the Moon will play a hometown show at Bogart's on
April 1 (like many shows on the band's current tour, it has already sold
out), then returns this summer to play the Bunbury Music Festival in
early June (tickets available here).
On Tuesday, March 17, Cincinnati duo Bad Veins will see its latest album, The Mess Remade, released nationally. The 13-track effort isn't an entirely "new" album, but a re-recorded/remastered version of Bad Veins' sophomore full-length, The Mess We've Made, which came out in 2012 on the Modern Outsider label. The record — which features new cover art, as well — comes after some big changes in lead Vein Benjamin Davis' band — the departure of original drummer Sebastien Schultz (who now plays with local Indie Pop group Multimagic), the addition of new drummer Jake Bonta and a new label home, the third nationally-distributed label in Bad Veins' lifespan (its self-titled debut was released on Dangerbird Records).
The Mess Remade is being released on the Dynamite Music imprint, a new company founded by Marco Liuzzo and Mitch Davis (son of music biz legend Clive Davis). The label is partnered with Caroline, which is part of Capitol Records and Universal Music Distribution. Bad Veins are the company's second announced signees, following Pop singer Ryan Cabrera.
The Mess Remade includes two new tracks, "I Shut My Heart Down" and a cover of The Muppets' classic "Rainbow Connection" (Davis performed the song solo to open the 2013 Cincinnati Entertainment Awards ceremony). The early release of "Rainbow Connection" in January and last month's puppet-filled music video release (premiered at The AV Club) caught some buzz online. The album also features a shorter "radio edit" of the leadoff track "Kindness," as well as the original 5-minutes-plus version.
Here is a video clip for the new "Kindness":
And here's the "Rainbow Connection" clip:
Noisetrade.com has a four-track sampler of Remade available here if you can't wait a week.
Find more about Bad Veins here.
Morning y’all! Here’s a brief morning news rundown before I jet off to some interviews.
The Ohio Task Force on Community-Police Relations met last night at UC for a sometimes intense five-and-a-half-hour listening session. A large group showed up to listen to expert testimony and to speak to the panel themselves. Perhaps the most charged moment came when John Crawford, Jr., the father of John Crawford III, a Fairfield man shot by police in a Beavercreek Walmart, gave emotional testimony about the need for police reforms.
Among experts presenting were Garry McCarthy, superintendent of the Chicago Police Department, who talked about data-driven policing, Lt. Colonel David Bailey from the Cincinnati Police Department and Al Gerhardstein, a Cincinnati attorney who played a key role in the city’s collaborative agreement following the civil unrest here in 2001. State Sen. Cecil Thomas also testified about his role in the agreement. About 45 community members signed up to speak, including young activists with the Ohio Student Association, who argued there should be youth representation on the 18-person panel. Most attendees were from Cincinnati, but some drove from as far away as Columbus and Toledo. The panel concludes a tour of four listening sessions across the state. Now the task force, which was convened by Gov. John Kasich in December, will work on a report about its findings due at the end of April.
• A potential Over-the-Rhine neighborhood parking plan continues to take shape. Council discussed the prospective plan yesterday at its Transportation Committee meeting but did not pass anything just yet. Right now, the plan council is mulling would charge about $100 to park in one of 400 reserved spots around the neighborhood. That’s about a third of all the spots in OTR. Those who receive housing assistance would get a deal on the parking plan, however, only paying $18. Only two passes would be permitted per household.
• A bill necessary to move forward with tolling on a potential Brent Spence Bridge replacement is a likely wash in the Kentucky state Senate, meaning it’s back to the drawing board for the $2.6 billion project. Ohio Gov. John Kasich and Kentucky Gov. Steve Beshear recently proposed a public-private partnership to fund the 51-year-old structurally obsolete bridge’s replacement, but that requires Kentucky, which owns the bridge, to pass a law allowing public-private partnerships. Some Kentucky politicians, including many Northern Kentucky officials, oppose tolls on the bridge, saying they’ll hurt commuters and businesses in the region.
• Former Ohio Governor Ted Strickland has garnered another big endorsement in his run against Cincinnati City Councilman P.G. Sittenfeld for the Democratic Party’s nomination in the 2016 race for Republican Rob Portman’s Senate seat. The Democratic Senatorial Campaign Committee, the campaign arm of the party’s senators, has backed Strickland over Sittenfeld. There was some speculation that Sittenfeld, who is regarded as a promising rising star within the party, would bow out to the more experienced and well-known Strickland when the latter announced his campaign last month. But the younger Democrat has vowed to stay in the race, even as the going gets tougher. Yesterday, we told you that current Democrat Sen. Sherrod Brown also endorsed Strickland. Sittenfeld has backers of his own, to be sure, and has raised a respectable $500,000 for his campaign.
• Finally, let’s go national. When something like the following happens, I automatically assume it happened in Florida, and I’m right a distressing amount of the time. On Sunday, thieves there stole a tractor-trailer with $85,000 worth of… mozzarella cheese. That’s a felony level of cheese there, friends. If I had that much cheese, I’d probably swim in it the way Scrooge McDuck used to swim in all those crazy gold coins he had. Police haven’t found the culprits yet, but I have a hot tip for them: Look for the guys making an insanely large pizza.
That’s it. See ya. Tweet at me @nswartsell or hit me on email (firstname.lastname@example.org).
Jess Lamb’s initial performance for the judges on American Idol’s bus tour was undeniably a show stopper. It wrapped up the episode and introduced America to one of Cincinnati’s brightest talents, while also moving her on to the Hollywood round after impressing the judges. Her second televised appearance, a group rendition of Meghan Trainor’s “All About That Bass,” was considered one of the stronger performances of the Idol Groups round.
That is why it shocked many viewers when she was quietly cut from the show after the performance.
Allegations quickly followed blaming Lamb’s cut on comments that Jennifer Lopez had made regarding the age of some of the contestants, due to Lamb being one of the older performers in the competition (she is only 29). If there’s anything that Lamb would like to set straight it is this: Don’t believe everything you hear. And this is far from the end of the road for her.
“Honestly, I got nothing but really awesome comments from [Lopez]. No bad comments, nothing,” Lamb explains.
Lamb is still unsure as to exactly why she didn’t move on to the next round — American Idol never provided her with a reason — but she does not believe that it was Lopez’s comments or her age that caused the cut. Lamb frequently questioned the editing of the episode and the presentation of Lopez’s comments while discussing the episode and the ensuing fallout.
While the cut was undeniably a blow to Lamb, it is one she is quickly recovering from. In fact, when the episode aired, she wasn’t even able to watch because she was working on one of her myriad new projects at the time.
“I’m busier since Idol than I ever have been. I’m working with Bootsy [Collins], writing with his backup singer, talking with his wife about a project she wants me to work on, preparing for [record label] showcases,” Lamb says.
While Idol’s promised record contract is now out of reach, that hasn’t slowed down Lamb’s work towards her goal of signing with a label and releasing a full-length album. In fact, Idol gave her the exposure that she needed to land on the radar of several big names within the Pop music community. “Grammy-award winner” is descriptor not often connected to people working with local music acts, but it applies in this instance. (Lamb can’t divulge too much information about certain facets of her industry interactions, so vague hints will have to do for now.)
Details are still being discussed and Lamb is still under Idol’s contractual obligations restricting her from signing with any labels before the show is over and a set period of time has passed since its finale. But Lamb is making the best of the time between now and May.
“I’m just trying to do what I’m legally able to do,” Lamb says.
While American Idol continues its search for the next American pop star, Lamb is determined to grow her career using many of the tools that she’s been using for years. She’s constantly attempting to break into new markets, make music with new people and perform for new audiences. The only difference is that she now has a national TV show appearance to help with promotion and publicity. The details of her release from American Idol may be shrouded in a bit of controversy, but ultimately what will endure are her fans’ memories of her performances. It is those memories that will be reignited once American Idol runs its course and Lamb is able to finally take the steps she’s been feverishly working towards putting in place.
And with several months till Idol’s run completes, Lamb has plenty of time to make some very big plans.
Hey all! Hope your weekend was great. I spent my Saturday at the Neighborhood Summit, so mine was super fun because I’m a huge dork. If you’re like me and you’re into community building, urban planning, transit, or anything else at all city related, though, it’s kind of like our Midpoint. Highlights included a three-part panel discussion among Police Chief Jeffery Blackwell, activists Damon Lynch III and Iris Roley and other experts talking about how far the Cincinnati Police Department has come since 2001, as well as another set of presentations about immigration in Cincinnati.
Anyway, on to the news. Could labs on Cincinnati’s East Side currently occupied by the National Institute of Occupational Safety and Health be a new home for the Hamilton County crime lab? County Commissioner Todd Portune says he’s looking into that possibility. Last month, the federal government announced it was providing $100 million to build a new facility for NIOSH to combine the organization’s two labs in Cincinnati into one complex over the next few years. That could free up plenty of lab space for the county’s cramped and outdated morgue and crime labs, currently in a building built in the early 1970s. What’s more, some of that $100 million could go toward renovating the current NIOSH lab so the county crime lab could move in. The idea comes after county commissioners killed a plan to move the morgue, crime lab and other county offices to a former Mercy Hospital in Mount Airy donated to the county for a dollar. Commissioners have said it would cost too much money to retrofit that building for the new offices.
• A statewide task force on police-community relations put together by Ohio Gov. John Kasich in the wake of controversy over police shootings is coming to Cincinnati tonight. A public listening session will be held at 4:30 p.m. at the Kingsgate Marriott, 151 Goodman Drive, near the University of Cincinnati. City Locals Councilwoman Amy Murray, Pastor Damon Lynch III and others make up the panel, which will produce a report in April on ways to improve relationships between police and community members. Kasich ordered the task force in December in response to nationwide consternation over police shootings of unarmed citizens of color across the country. In Ohio, the August shooting death of John Crawford III in a Beavercreek Walmart and the October killing of 12-year-old Tamir Rice on a playground in Cleveland have gotten national attention. Both held toy guns at the time of their deaths, and police say they seemed to pose a threat. But the families of both Rice and Crawford say police were reckless and did not act appropriately. They say the shootings are indicative of a larger cultural problem between police and communities of color.
• As political bickering continues to swirl around the streetcar’s first phase, Councilman Chris Seelbach is pushing the city to work on planning the rail project’s next leg. Seelbach has created a motion in council seeking to spur the city to begin work on plans that would take the streetcar uptown toward the University of Cincinnati and many of the city’s hospitals. The motion directs the city administration to give detailed accounting of how much the next phase of the project would cost and how it might be paid for with state and federal grants. Seelbach has also requested the city refine its process for engaging community members along the route to get better input on the project. Originally, plans for the streetcar treated the downtown loop currently being built and an uptown jaunt as one phase. But then Gov. John Kasich pulled $55 million in state funding for the project, resulting in the current scaled-down scope. Mayor John Cranley, who has been a vocal opponent of the streetcar, has said it’s much too soon to begin focusing on the next phase before the first is even finished. But Seelbach and other supporters say the only way to tap into federal funds and other sources of funding is to have a plan in place and ready to go.
• Sen. Sherrod Brown, one of Ohio’s highest-profile Democrats, has endorsed former Gov. Ted Strickland in his run for the state’s other senate seat, currently held by Republican Rob Portman. That’s not a surprise — Strickland is one of Ohio’s other super high profile Democrats — but it does signal the challenge City Councilman P.G. Sittenfeld has ahead as he challenges Strickland in the Democratic primary for the seat. Sittenfeld, who announced his candidacy last month, has recently said he won’t back down from the race despite his big name competitor. He’s raised at least $500,000 for his run and told supporters last week that he’s all in for the fight. Though Brown endorsed Strickland, he was careful to praise Sittenfeld in his announcement, saying the 30-year-old has a bright future in politics.
• In the face of issues around execution drugs, a steady number of exonerations of those on Ohio’s death row and other factors, is it time to consider reforming or abolishing Ohio’s death penalty? Many feel strongly that it is, including unlikely conservative opponents to the punishment. Recent delays to executions caused by Ohio’s struggle to find a source for drugs that will end an inmate’s life humanely have renewed calls for the state to reconsider its death penalty entirely. This Columbus Dispatch story takes a deep look into the issue and is worth a read.
• Finally, March 7 marked the 50th anniversary of the violent clash between police and protesters in Selma, Alabama, an event that helped fuel new national civil rights legislation, including the Voting Rights Act. Thousands visited Selma over the weekend to commemorate the anniversary, which was marked by passionate speeches by both President Barack Obama and outgoing Attorney General Eric Holder. Holder used his speech to question the future of the VRA, parts of which have been dismantled by recent Supreme Court decisions. Here’s a pretty in-depth New York Times piece about events in Selma over the past few days.
That’s it for me. You know the drill. Tweet (@nswartsell), e-mail (email@example.com), comment, send me a telegram or a fax (do people still fax? Is that still a thing?) Here we go. Tweet me about whether you still use a fax machine or even know what a fax machine is. I kind of do.
The movie is based on the 1879 Battle of Rorke’s Drift, in which roughly 150 British and Welsh soldiers faced off against an overwhelming number of Zulu warriors at a mission station in southern Africa. In a lot of ways it’s almost the British equivalent of the Battle of the Alamo — the difference in this case being the British soldiers won their battle, whereas all the defenders of the Alamo died.
Let’s get this out of the way: Yes, there are a lot of historical inaccuracies in the movie. But anybody who has ever seen a “Based on a True Story” movie should be aware of that by now.
To me, some of the best war films out there are not the ones that are overly patriotic and about ‘us vs. them,’ but ones that show us who the people are on both sides or, at the very least, films that don’t broad-brush the other side. With Zulu, we get that. Neither side is portrayed as the hero nor the villain; they’re two powerful forces, in their own way, who duke it out in combat. Both are proven to be worthy adversaries who don’t give up without a fight.
One thing I love about this film is the use of sound. The movie seems to use chats, songs and sounds as a motif about the sides. Probably the most effective use is when the Zulus arrive, coming over the ridge making a huge clatter with their assegai (short spears) and shields. One of the officers in charge, Gonville Bromhead (played by Michael Caine in his first film), says that it sounds, “Like a train…in the distance.” This comparison works rather well. It’s this constant clamor created that gives the audience an idea that the British are up against an almost unstoppable force. And when the near 4,000 Zulus pop up on the ridge, it seals the envelope.
Along with the drumming, the Zulus also have their own war chants which are another form used to intimidate the defenders, but on the morning of the second day the defenders reply with their own battle cry, the military march “Men of Harlech.” I see this as director Cy Enfield’s way of showing that even though these men are in a war against each other, they do have similarities. But the beautiful medleys of the British and Zulus are disrupted with the continuous roar and volley of rifle fire. And at the end of the battle many lay dead; although they are victorious, there’s no cheers to be shouted. But the Zulus do offer a final chant of respect to their worthy adversaries.
At the end, Bromhead is asked by the
more experienced officer John Chard (Stanley Baker) what he thought of his
first action. Bromhead replies with “Sick,” and Chard follows it with, “You’d
have to alive to be sick.” A clever indication of the creative team’s thoughts
There are many other great things to say about the film. The dynamic between Baker and Caine is fantastic, and supporting performances from James Booth as the drunk, petty thief Henry Hook (one of the controversial inaccuracies) and Nigel Greene as the tough but kindhearted Colour Sgt. Bourne are great. The performances from then-Chief Mangosuthu Buthelezi and his people are impressive. Also the cinematography by Stephen Dade is gorgeous, he makes every shot interesting. It almost reminds me of a John Ford Western.
Lots of booze-based, full-weekend events going on. Bockfest and the Cincinnati International Wine Festival Grand Tastings both kick off tonight — one with a goat and the other with a far classier couple, Gina Gallo of the Gallo wine family and her husband Jean-Charles Boisset, of France's Boisset Family Estates winery.
Cincinnatians not only love their beer, they also love to celebrate that they love their beer. They even love to celebrate the celebration of loving their beer. Bockfest, the oldest and largest German-style bock beer festival in the United States, is back to host a weekend of beer drinking, live music, German games, dancing, a 5k run and tons of sausage. The party kicks off 6 p.m. Friday with a parade led by a majestic bock — or to the non-German speaker, a goat — and a Sausage Queen, starting at Arnold’s Bar & Grill and ending with a ceremonial keg blessing at the festival hub, Bockfest Hall (1619 Moore St., OTR). The festivities continue in tents and overflow into surrounding participating venues, none of which will have an admission fee. A free shuttle will run a continuous loop among Bockfest sites all weekend long, taking you quickly from one keg tapping to another.
Along the route will be a traditional fish fry at Old St. Mary’s in OTR and a “veenie” vegan sausage roast outside Park + Vine. The festivities continue into the outdoor tent venues, and overflow into surrounding participating venues, none of which will have an admission fee. A free shuttle bus will run a continuous loop among the Bockfest sites all weekend long, taking you quickly from one keg tapping to another. To get a taste of history to sample with your beer, there will be tours of the city’s historical breweries and underground tunnels, plus a Bockfest Heritage Series at the Woodward Theatre, with speakers, presentations, displays and stein collections. The third annual Bockfest 5k run takes off from Bockfest Hall 10 a.m. Saturday to benefit the Flying Pig Marathon charities — a great way to burn off all that beer. Grab a “Continental Bockfest” of Amish chicken, hot bacon sauerkraut slaw and plenty of German sausage noon-2 p.m. Sunday at Bockfest Hall, before dancing the night away at a traditional German folk dance … or at least until all the beer runs out. Friday-Sunday. Free. Full schedule of events at bockfest.com.
Event: Cincinnati International Wine Festival
If wine gets better with age, it makes sense that the Cincinnati International Wine Festival would too. Celebrating its 25th anniversary, the three-day fest is made up of winery dinners at local restaurants and grand tastings, plus a Saturday charity auction and luncheon at the Hall of Mirrors. The fest, which is a nonprofit, has raised more than $4.2 million for local charities during its lifetime. And if you can do good while imbibing samples of more than 800 wines from around the world, what’s better than that? Most winery dinners are sold out, but tickets are still available for Grand Tastings on Friday and Saturday, which allow expert and beginner oenophiles to taste rare, new and exciting wines while chatting with winemakers. Read our cheat-sheet for how to get your grape on here. 6:30-9 p.m. Friday; 2:30-4:30 p.m. and 6:30-9:30 p.m. Saturday. $65-$125. Duke Energy Convention Center, 525 Elm St., Downtown. winefestival.com.
Film: Best Exotic Marigold Hotel
For part two, The Second Best Exotic Marigold Hotel continues along the same path, with a wistful, unfulfilled ache that lingers in each character, some moreso than others.
Douglas, having jettisoned Jean, pines for Evelyn. The two spend their days working through their retirement in Jaipur, and their evenings engaged in a most understated courtship. Norman, on the other hand, has settled down quite comfortably with Carol (Diana Hardcastle), a fellow pleasure-seeker, while Madge has a pair of eligible suitors hooked, but has an itch that neither is quite able to satisfactorily scratch for her.
Muriel and Sonny have the most obvious big-picture storyline, thanks to the burgeoning success of the first Best Exotic Marigold Hotel. Sonny wants to expand but needs an infusion of cash and support, so the pair heads to the U.S. to negotiate with a branded chain headed by Ty Burley (the exquisitely bearded David Strathairn) who agrees, in principle, but sends an anonymous scout to check on things before making a final decision.
Of course, the secret inspector is slated to arrive just as Sonny’s in the final stages of planning and executing his wedding to Sunaina, so there are the typical examples of mistaken identity and botched plans that must occur along the way before the happy ending, right? Check.
The Second Best Exotic Marigold Hotel is all about the innumerable chances life offers, and the fierce fighting spirit that burns in us no matter the age or situation in which we find ourselves. Intriguingly, that spirit, this time out, replaces the exotic location, and with new beacons (in the form of Richard Gere and a much better used Lillete Dubey as Sonny’s mother) presents a worthy second stay that could open the door for even more — not at all unwelcome — visits down the road. Opens wide Friday.