Eric Vosmeier says he’s stoked by a show he’s just added to Know Theatre’s production schedule for the summer. He’s set to direct a modern take on Shakespeare’s Macbeth called Toil and Trouble. Lauren Gunderson’s play had its world premiere at Impact Theatre in Berkeley, Calif., last November; Know is giving the show its second production, opening July 26 and running through August 24.
Landing it, Vosmeier says, is “another victory for our new schedule model by securing the rights for the first production of this show following its world premiere. We’ve been looking for a strong comedy for quite some time, and I think this fits the bill perfectly. This contemporary retelling of Macbeth is spot on, but with enough twists and turns to keep the audience guessing. It’s going to be a lot of fun.”
Toil and Trouble is the story of two ambitious guys and a badass lady who decide to fight the recession with dictatorial dreams. Instead of going to grad school like everyone else they know, Adam, Matt and Beth are Bay Area thirtysomethings with too much education and not enough employment. They’re overqualified to work at Borders, and Adam is brimming with ideas — but most of them involve robots.
Thanks to three fortune cookies with some creepy fortunes (remember, Toil and Trouble this is based on Macbeth, which commences with three witches predicting Macbeth’s rise to power), the trio settles for taking over a small island nation off the coast of Chile. The show throws baseball, investors, Wikipedia, hypothetical sex and real violence into one bubbling cauldron. The overlay of Macbeth brings hipster malaise and ridiculous modernity into the mix, demonstrating that hubris, greed, power and passion never go out of style.
Vosmeier has cast Breona Conrad as Beth, Joshua Murphy as Matt and Chris Wesselman as Adam. Conrad and Murphy have been touring for several seasons in Know’s production of the Fringe hit Calculus: The Musical. Vosmeier says, “I’m thrilled to have one more chance to work with Josh and Breona before they leave Cincinnati.”
You can purchase tickets in advance for $15; they’ll be $20 the week of performance, beginning Mondays at noon. (Your best deal is to purchase one of Know’s flex-passes, six tickets for $90. You can use some for Toil and Trouble, and save the rest for future shows.) Info: 513-300-5669.
The Showboat Majestic is a venue that floats along every summer with solid entertainment. Right now you can come on board for a classic piece of comedy by Neil Simon, The Odd Couple. It's a hit from 1965 in a production featuring a couple of great local actors: Joshua Steele as the prissy Felix and Mike Hall as the messy Oscar. They're a pair who know their way around a funny script, so it's a fine show for a summer's laugh. Tickets: 513-241-6550
Maybe you thought Sesame Street was funny when you were a kid. How'd you like to see some raunchy puppet behavior? Avenue Q is onstage in Dayton at the Human Race Theatre. The 2004 Tony Award-winning musical offers laugh-out-loud musical mayhem. But leave the kids at home: This one is aimed at those who are twentysomething and up, offering answers to a simple question: What happens to the kids who were raised on Sesame Street when they grow up? You'll find the answers — in songs like "It Sucks to Be Me" and "The Internet Is for Porn" — at the Loft Theatre, 126 North Main St. in downtown Dayton. Tickets: 937-228-3630
Head to Dayton's Nutter Center this weekend to see Cirque du Soleil's classic show, Quidam. The show, at the time a big top
production, spent several weeks in Cincinnati in August and September
2006 in a "grand chapiteau" on the Ohio River bank near the Suspension
Bridge. It's the story of a bored kid named Zoé whose parents
ignore her. We enter the world of her imagination when Quidam, a
headless wanderer under an umbrella, hands her his blue bowler hat.
As her self-absorbed parents float
away, the story moves into the magical reality her imagination, populated by Cirque's
physically astonishing performers. There's a "German Wheel," a pair of
man-sized double hoops with a guy rolling around the stage; an amazing
silk contortionist, high
above the stage); and "Statue," a mesmerizing performance by a
muscle-bound guy and a powerful woman
who slowly balance in various positions. My favorite was Banquine, the
finale by 15 acrobats, launching tumblers high into the air and catching
them. Through Sunday. Tickets: cirquedusoleil.com
If you enjoyed "great theater in a great theater" at the Cincinnati Playhouse in the Park during past seasons, you'll be pleased to learn that Ed Stern, former producing artistic director, and Michael Evan Haney, whose tenure as associate artistic director ends on , have both been engaged to stage shows at Ensemble Theatre Cincinnati (ETC) for its 2013-2014 season. Haney will stage Nina Raine's Tribes () and Stern will co-direct the world premiere of Raymond McAnally's Size Matters (); the playwright is also an actor (he co-starred in ETC's production of Mrs. Mannerly last fall) and he will be the solo performer of the one-man show.
Two more days of the
2013 Cincy Fringe remain. In its 10th year, this year's festival has
provided consistently high-quality offerings. If you're serious about
the full range of theater, you owe it to yourself to catch a couple of
them. I can't go into everything here, but you can check out my column
from the current issue of CityBeat here or go straight to CityBeat's hub for web coverage where you can read coverage of all the shows, thanks to our dedicated corps of reviewers.
More 2013 Fringe coverage:
• May 22 cover story: “Navigating the Novelties”
• April 18 Curtain Call column: “Fringe Has Sprung”
Cincinnati Shakespeare Company finishes its run of Measure for Measure this weekend (CityBeat review here). It's a dark tale of hypocrisy and manipulation, with a few glimmers of ribald humor. Director Brian Phillips has transported the story from Renaissance-Era Vienna to the United States of the 1920s when Prohibition made everyday occurrences of fast living and bad behavior. (Can you say Boardwalk Empire?) In 20 seasons, CSC has only staged it once before, but this is a production worth seeing because of the strong acting company — especially Brent Vimtrup, Kelly Mengelkoch and Nick Rose. Billy Chace does a nice job with the comic bits, too, even though they feel weird in this difficult story of self-righteousness and double-dealing. Tickets: 513-381-2273, x1.
As the 2012-2013
theater season winds down, there are still several good productions
worth seeing: You can still be entertained by the froth of The Marvelous Wonderettes: Caps and Gowns at Ensemble Theatre (which runs through June 1), intrigued by the dark comedy Measure for Measure at Cincinnati Shakespeare Company (through May 26; CityBeat review here) or titillated by the noir tale of lust and murder, Double Indemnity, at the Cincinnati Playhouse (wrapping up on Saturday; CityBeat review here).