Kevin Smith's Red State premiered to mixed reviews and a small group of protesters at the Sundance Film Festival Jan. 22. But, even more than the film's provocative premise — which has been described as “a horror/comedy/satire about a Westboro Baptist Church-esque fundamentalist community that murders those it finds abominations in God's eyes (aka gay people)” — it was the veteran filmmaker's post-screening Q&A antics that drew the most attention.
The Greater Cincinnati Film Commission continues to bring film shoots to the Queen City — next up is Andy Goddard's The Blunderer, starring Jessica Biel and Patrick Wilson. The film, based on the Patricia Highsmith novel of the same name, begins filming on Nov. 17 and will be shot entirely in Cincinnati.
Director Andy Goddard, who's worked on various TV shows and directed the upcoming Elijah Wood drama Set Fire to the Stars, will take on the 1954 psychological thriller by Highsmith. Another adaptation from the author, Carol, was filmed locally this past spring — it starred Cate Blanchett, Rooney Mara, Sarah Paulson and Kyle Chandler and was directed by Todd Haynes. It will debut sometime in 2015.
Producers from Carol are returning for the second time this year, giving major kudos to the city.
"We had a great experience in Cincinnati on our film Carol," said Christine Vachon of Killer Films in a press release. “The Film Commission, the rebate, locations, infrastructure and welcoming people of Cincinnati brought us back a second time within one year."
It also sounds like this will be another production that takes advantage of Cincinnati's historic architecture and temporarily puts the city in a retro time warp — filmmakers are looking for period cars from 1960 or earlier. To get involved with that, email firstname.lastname@example.org.
Additionally, they're looking for extras (send a headshot and email to email@example.com) and qualified crew (send resume to firstname.lastname@example.org). The Blunderer is set to film here Nov. 17-Dec. 21.
Emilio Estevez has been making movies nearly as far back as I can remember going to movies.
My first memories of Estevez date back to 1983's The Outsiders, in which he was but one of many young actor dudes (including but not limited toTom Cruise, Patrick Swayze, Rob Lowe and Matt Dillon) to grace Francis Ford Coppola's slick, black-and-white adaptation of S.E. Hinton's novel. That was followed by Alex Cox's Repo Man, which I wouldn't see until several years after its 1984 theatrical release (when I was old enough to rent it for myself) and which probably stands, at this late date, as the best film with which Estevez has ever been associated.
New Cincinnati Film Festival (CFF) Director of Programming Brandon Harris isn't shy about pimping the quality of his choices for this year's fest: “This represents the most ambitious and internationally acclaimed program of films ever screened in Cincinnati.”
Is anyone else as jazzed as I am about the new Star Trek film? It looks like a thrilling ride.
It's due in theaters May 8, and there's already a sequel planned.
Live long and prosper
The Academy Awards didn’t suck. Yes, the 81st annual industry wank-fest had its share of indelible moments, none more affecting than the graceful speeches by the two Milk-related winners: screenwriter Dustin Lance Black and actor Sean Penn.
There is a giant leap being planned for one of Cincinnati's film festivals — one that could make it the city's pre-eminent such event and an impactful cultural occurrence.
The Cincinnati ReelAbilities Film Festival, which presents films that explore the lives of people with disabilities, will be announcing its 2015 schedule at an event next Thursday, Sept. 4, from 7-9 p.m. at Obscura Cincinnati, 645 Walnut St., Downtown. It's free and open to the public, but advance registration is requested at cincyra.org/event/obscura. The event is hosted by actor/performer John Lawson and Q102’s Jenn Jordan. After the announcement, the schedule will be posted at cincyra.org.
For its third installment in Cincinnati, which will occur Feb. 27 to March 7, 2015, the ReelAbilities Film Festival plans to significantly increase its scope and draw more than 7,500 people. Among the planned events are an awards luncheon, a gala and 30 film and speaking events throughout Greater Cincinnati.
While ReelAbilities has been around with festivals in 13 cities nationally, this will be the first since Cincinnati's Living Arrangements for the Developmentally Disabled (LADD) contracted with the JCC of Manhattan to oversee the film fest nationally — making it a division of LADD's non-profit operations. The Cincinnati ReelAbilities Festival will be one of the largest. A jury in New York selects films deemed appropriate for ReelAbilities' regional festivals — there currently are about 100. Local juries then make their selections from that library.
All of the film screenings benefit local nonprofit organizations that serve people with disabilities. For more information about LADD, visit laddinc.org.
I just finished reading Shock Value, Jason Zinoman's entertaining look at “how a few eccentric outsiders gave us nightmares, conquered Hollywood and invented modern horror.”
The book celebrates a genre and group of filmmakers often ghettoized when compared to the better-known New Hollywood revolution of the 1970s, a rightly celebrated period and movement — roughly between Arthur Penn's Bonnie and Clyde (1967) and Martin Scorsese's Raging Bull (1980) — that was investigated in Peter Biskind's equally entertaining Easy Riders, Raging Bulls.