Everything was fine until John Cusack walked in from the shadows. Don't get me wrong, his movies are some of my favorites and I love his work, but Cusack playing Poe is a strange combination. Maybe they wanted to have the same dark character they saw in Identity. There are a few people that I could see playing Poe. Off the top of my head, Sam Rockwell, Edward Norton and Gary Oldman are three guys who could pull off the dark character that Poe was. At least Cusack resembles Poe in the movie.
Maybe it is just the trailer that turns me off to Cusack filling the boots of the late American poet. In it, Cusack’s delivery is dry and stiff. I don’t feel any kind mystery that surrounds Poe. Some of his writings are real disturbing when looked at closely, but with Cusack the character appears to be deflated. I guess this hesitation comes from Poe being one of my favorite writers. For all I know, the trailers don’t do the movie justice, which I hope is the case. Cusack is known for his obscure roles and disturbed characters, so this is probably a perfect fit.
The premise for the film has been done before, but since it's Edgar Allan Poe it gives the movie somewhat of a different angle. Some man is committing murders based on stories written by Poe, and then Poe has to figure out who the murderer is with the help of Detective Fields played by Luke Evans. If you're worrying about spoilers, don't be — all of that is in the trailer. I think I know who the murderer is already, but it’s Hollywood so anything can happen.
Movies based off of literature are good as long as they keep true to the source material. It will be interesting to see what happens with The Raven. It feels like a mixture of the Sherlock Holmes movies and the Johnny Depp picture From Hell. We will all find out on April 27.
Another movie is being released today and me torn as to whether to watch it or not. The idea of a The Three Stooges film has bounced around for years, but now it has finally limped its way to the screen. Leave it to Hollywood to take a beloved comedic classic like the Stooges and churn out a mediocre-looking movie.
There have been many names were attached to this project, including Jim Carrey, Justin Timberlake, Andy Samberg and Paul Giamatti. Actually filling the shoes of the Stooges are Sean Hayes as Larry, Will Sasso as Curly and Chris Diamantopoulos as Moe. To me the only choice that makes sense is Sasso because he made a name for himself with physical comedy on Mad TV.
I’m surprised this is actually a movie, because it just looks horrible. I don’t want to watch it but I probably will end up in the theater because the original Stooges are a great gift to slapstick comedy — I’ll even give Curly’s replacement Shemp a nod and say he wasn’t that bad, either. But any movie that incorporates the Jersey Shore should just go straight to DVD.
The tagline for the movie is “Just say Moe” but someone should have told the Farrelly brothers to just say no. They are known for great comedies like Kingpin, There’s Something About Mary and Me, Myself & Irene, but their trek into classic slapstick comedy appears to be anything but. As much of a fan as I am of the Stooges I hope I'm wrong with this one, and that at least Will Sasso is just as good as he was on Mad TV.
New Cincinnati Film Festival (CFF) Director of Programming Brandon Harris isn't shy about pimping the quality of his choices for this year's fest: “This represents the most ambitious and internationally acclaimed program of films ever screened in Cincinnati.”
The Academy Awards didn’t suck. Yes, the 81st annual industry wank-fest had its share of indelible moments, none more affecting than the graceful speeches by the two Milk-related winners: screenwriter Dustin Lance Black and actor Sean Penn.
Emilio Estevez has been making movies nearly as far back as I can remember going to movies.
My first memories of Estevez date back to 1983's The Outsiders, in which he was but one of many young actor dudes (including but not limited toTom Cruise, Patrick Swayze, Rob Lowe and Matt Dillon) to grace Francis Ford Coppola's slick, black-and-white adaptation of S.E. Hinton's novel. That was followed by Alex Cox's Repo Man, which I wouldn't see until several years after its 1984 theatrical release (when I was old enough to rent it for myself) and which probably stands, at this late date, as the best film with which Estevez has ever been associated.
Is anyone else as jazzed as I am about the new Star Trek film? It looks like a thrilling ride.
It's due in theaters May 8, and there's already a sequel planned.
Live long and prosper
The fall movie season gets a much-needed kick in the ass this week, as no fewer than a half-dozen worthwhile (or at least intriguing) films in a variety of genres hit movie houses.
I just finished reading Shock Value, Jason Zinoman's entertaining look at “how a few eccentric outsiders gave us nightmares, conquered Hollywood and invented modern horror.”
The book celebrates a genre and group of filmmakers often ghettoized when compared to the better-known New Hollywood revolution of the 1970s, a rightly celebrated period and movement — roughly between Arthur Penn's Bonnie and Clyde (1967) and Martin Scorsese's Raging Bull (1980) — that was investigated in Peter Biskind's equally entertaining Easy Riders, Raging Bulls.