How did 48 hours of exciting live music draw to a close so fast? I woke up Sunday morning with the slightly wistful feel that my whirlwind weekend would soon be over, but I quickly shook that and rushed to the “L” to get downtown for the final day of Lollapalooza 2011.
Due to my persistent caffeine addiction, I was late to Grant Park. I missed The Joy Formidable (though luckily we can all see them at the MidPoint Music Festival on Sept. 22), as well as Titus Andronicus and Fences, all bands I wanted to give a good go. I guess that’s what YouTube, Soundcloud, Facebook, MySpace, etc. are for.
(Editor's Note: For the 2010 Bonnaroo music festival in Manchester, Tenn., CityBeat dispatched a team to cover the event. ’Roo vet Ric Hickey returned, joined by newcomers Adam Sievering and photographer Chuck Madden. We'll be rolling out their reports here over the next several days. Here is Hickey's first dispatch.)
The Bonnaroo Whirlwind kicks into high gear on Saturday afternoon. Today it was hardly half past twelve when Black Joe Lewis & the Honey Bears ripped the Other Tent in half with 60 minutes of high fructose Funk and Gospel that had the surrounding throng speaking in tongues.
This weekend, the Cincy Blues Fest — presented annually by the Cincy Blues Society — returns for its 21st year, a remarkable accomplishment for a music festival of any sort. The festival kicks off tonight and continues tomorrow at Sawyer Point along the riverfront.
The weekend features two main stage acts with serious ties to Cincinnati’s Blues past. Educator, author, DJ, singer and harmonica player Steven Tracy returns to Cincy to play the main stage on tonight at 7 p.m. with his band the Crawling Kingsnakes. A Walnut Hills High School graduate, Tracy worked with local Blues icons like Pigmeat Jarrett and Big Joe Duskin, becoming a part of the scene he’d later dig deeper into in the 1993 book, Going to Cincinnati: A History of the Blues in the Queen City. His writing career is extensive — Tracy has written dozens of album liner notes and edited/wrote/intro-ed several other books on a variety of subjects. Today, Tracy is a professor of Afro-American Studies at University of Massachusetts Amherst.
Saturday at 6 p.m. on the fest’s main stage, Stacy Mitchhart and his band are slated to perform. Mitchhart grew up in Cincinnati and spent time playing music on the East and West Coasts before returning to his hometown in the early 1990s and forming Stacy Mitchhart and Blues-U-Can-Use, a staple on the local Blues scene for a few years. After a move to Nashville, Tenn., in the mid-’90s, Mitchhart’s musical career really took off. His albums have been widely acclaimed and done well commercially — his 2011 release, Live from B.B. King’s, debuted at No. 6 on the Billboard Blues charts — and he’s received high-praise for his showmanship and remarkable Blues voice. In 2008, Mitchhart was the subject of the well-received documentary NashVegas Blues.
Here is tonight's main stage schedule:
5:45-6:45 p.m. Dave Muskett
7:00-8:15 p.m. Steve Tracy & the Crawling Kingsnakes
8:30-10 p.m. Reba Russell Band
10:15-11:45 p.m. Watermelon Slim & the Workers
And here's the lineup for the Main Stage tomorrow:
4:15-4:45 p.m. Blues in the Schools (BITS) Band
5-5:45 p.m. The Juice
6-7 p.m. Stacy Mitchhart Band
7:15-8:30 p.m. Nikki Hill
8:45-10:00 p.m. Honey Island Swamp Band
10:15-11:45 p.m. Ana Popovic (all the way from Serbia!)
Some of the coolest things at the Cincy Blues Fest can be found on the “specialty” stages — a “specialty” of the fest — which this year includes a “Women of the Blues” stage on Friday, headlined by national act EG Knight and also featuring locals Rio & The Ramblers, The Juice and Tempted Souls Band.
Here is the "Women of the Blues" stage ((aka the Arches stage) schedule for tonight :
5:45-7 p.m. Rio & the Ramblers
7:15-8:30 p.m. The Juice
8:45-10:00 p.m. Tempted Souls Band
10:15-11:45 p.m. EG Kight
Saturday sees the return of the “Boogie Woogie Hall of Fame Piano Stage,” featuring an international cast of top-shelf Boogie Woogie pianists, including local favorite Ricky Nye and former locals (now Florida-based) Liz Pennock & Dr. Blues. The house band for the Boogie Woogie stage is Johnny Vidacovich (drums), George Bedard (guitar) and Chris Douglas (bass).
Saturday's Boogie Woogie Piano Hall of Fame stage (aka Arches stage) lineup:
4:30 p.m. Ben Levin
5 p.m. Ari Borger
5:40 p.m. Ricky Nye
6:20 p.m. Liz Pennock & Dr. Blues
7:10 p.m. Bruce Katz
7:50 p.m. Al Hill
8:30 p.m. Axel Zwingenberger & Lila Ammons
9:10 p.m. Joshua Paxton
10 p.m. David Vest
10:40 p.m. Bob Seeley
11:20 p.m. Chris Conz
The Blues Fest again presents the St. Vincent De Paul Local Stage on both days of the event, always an excellent snapshot of the current local Blues scene.
Friday's St. Vincent De Paul Local Stage schedule:
5:45-6:45 p.m. Thomas Long & Blue Sacrifice
7-8 p.m. Noah Wotherspoon Band
8:15-9:15 p.m. Ralph & the Rhythm Hounds
9:30-10:30 p.m. Brad Hatfield Band
10:45 p.m.-12 a.m. G Miles & the Hitmen
Saturday's St. Vincent De Paul Local Stage lineup:
4:30-5:30 p.m. The Blue Birds Big Band
5:45-6:45 p.m. Jay Jesse Johnson Band
7-8 p.m. The SoulFixers
8:15-9:15 p.m. Doug Hart Band
9:30-10:30 p.m. Chuck Brisbin & the Tuna Project
10:45 p.m.-12 a.m. Leroy Ellington Blues Band
Here is a map of the Blues Fest grounds:
Tickets are $15 for Friday, $20 for Saturday or $25 for a
two-day pass (tickets can be purchased at the gates or here). Visit
cincybluesfest.org for everything else you need to know about the
For a limited time (while supplies last, as they say), seriously discounted tickets for the MidPoint Music Festival — which returns to the clubs and venues of Over-the-Rhine/Downtown Sept. 26-28 — will be made available starting this Friday at 10 a.m.
During this “Loyalty Presale,” three-day “All Music Access” passes can be purchased through mpmf.cincyticket.com (the site will be live for the public tomorrow) for just $49 (they’ll be $20 more come MPMF time). They are expected to sell out fast, so get ’em while you can. For those wanting a VIP MPMF experience, the popular VIP passes will also be available Friday for $129 ($40 off the normal price). The VIP tickets get you priority admission to all shows, access to catered VIP-only events and other goodies. (Last year’s VIP passes sold out before the fest.)
In other MPMF news, if you are a musician/performer interested in being considered for a showcase slot at the festival, submissions are now being accepted via Sonicbids. The submission fee is just $20 until this Friday; after that it goes up to $25. (Those without a Sonicbids account can submit to MPMF and receive a two-week free trial of the service.)
Stay tuned to MPMF.com and this blog for the latest updates on MidPoint.
Our third and final day on-site at Bonnaroo was no less crazy than the previous two. I took occasional breaks during the day, sometimes in the air-conditioned press tent, and other times back at the campsite where I’d snack, get off my feet for a few minutes and pour water over my head.
The day began with an 11:30 a.m. press-tent panel discussion on changes in the concert industry since Bonnaroo’s inception 10 years ago. The panel included Bonnaroo founder Ashley Capps who reminisced about the festival’s early days. Capps and crew intentionally booked bands for the inaugural festival who already had direct contact with their fan base via the internet. By tapping into this pre-existing network, they were able to sell out the first Bonnaroo in just 18 days.
Everybody has their own parameters for summer these days. Schools are gradually starting earlier every year, so many students’ “last day of summer” was in early August, while the calendar says it’s not until Sept. 22. But if you declare summer as “everything before Labor Day,” this is the last weekend of the season. And it seems like many “summer” music festivals are coming in just under the wire — this weekend sees the return of several fests (Ohmstead, Whispering Beard Folk Festival, Swinefest, Taste of Blue Ash), as well as the debut of a brand new one — the Feywill Music Festival, which shines a spotlight on some of Greater Cincinnati’s finest original artists Friday-Saturday at various venues in Covington’s MainStrasse Village.
Musical acts interested in being considered for a showcase slot at the 14th annual MidPoint Music Festival (scheduled for Sept. 24-26 in various venues around Downtown and Over-the-Rhine) can begin submitting today.
The festival — owned and operated by CityBeat — has announced a new partner for facilitating submissions, switching from Sonicbids to the locally-based CloudPressKit. The move will save artists some money — the submission fee for MPMF 2015 is $15 (through Sonicbids, it was $25, plus a Sonicbids membership) — and CloudPressKit is described as more “artist friendly.”
Click here for MPMF submission details. MPMF.com has a Q&A with the fest's head honcho, Dan McCabe, about the application process that answers a lot of questions submitters may have (other questions can be directed to firstname.lastname@example.org). Applications are being accepted through May 17.