Icon Rock & Roll band Guns N’ Roses has been selling out arenas since their debut album Appetite for Destruction went to No. 1 in 1987. Though Axl Rose and Co. have not released an album since Chinese Democracy in 2008, they've continued to rock out across the with large-production shows, entertaining audiences not only searching for a taste of nostalgia but also value great music and a sound you cannot find anywhere else. CityBeat caught up with rhythm guitar player Richard Fortus this week and discussed his personal music path and what fans can expect from the show. Guns N’ Roses comes to Cincinnati Friday (with guests D-Generation) for a concert at US Bank Arena and it sounds like fans can expect a really long night of music. (Read our interview with current GNR/former Replacements bassist Tommy Stinson here.)
Volbeat — performing at Bogart's tomorrow (Tuesday) — may not be a household name around venues in the United States, but they are an intense Danish Heavy Metal band that has played in front of some of the largest crowds in the world overseas. The band — Michael Poulsen (vocals/guitar), Anders Kjolholm (bass), Jon Larsen (drums) and Thomas Bredahl (guitar) — is about to kick off the U.S. leg of their Grand Summer Tour, promoting Volbeat's latest album, Beyond Hell and Above Heaven. CityBeat caught up with lead vocalist Michael Poulson by phone from his home overseas to discuss the band's growing popularity in America, being naked with Metallica and the great successes of the band in Europe.
New York-based band Return to Forever made a name for itself in the ’70s as one of the premier Jazz Fusion ensembles, alongside Weather Report and Mahavishnu Orchestra. After a brief return in the ’80s, the band re-formed in 2008 and has seen wild worldwide success since the comeback. The group was a breeding ground for some of the biggest names in Jazz, including Al Di Meola, Earl Klugh and all of the members of the current lineup. Dubbed "Return to Forever IV," the all-star ensemble currently features original members Chick Corea (the founder) and Stanley Clarke, Jean-Luc Ponty, Frank Gambale and Lenny White. RTF's second world tour since the return comes to Riverbend's PNC Pavilion this Thursday with Dweezil Zappa's tribute to his father, Zappa Plays Zappa.
Asking Alexandria has a British Metal sound, is proudly rough around the edges and even prouder of its stereotypical Rock & Roll lifestyle. Nothing shows this more than the short film they just released, Through Sin and Self Destruction. They have two studio albums, most notable being Reckless and Relentless, which blasted into the Top 10 on the Rock charts in the States. In a music industry that can be so straight edge and proper at times, AA is a callback to the dangerous Rock & Roll living of yore.
CityBeat had an entertaining meeting with lead singer Danny Worsnop and discussed the band’s shaky public relations past and what the band’s attitude means to the landscape of Metal and Rock & Roll. Catch Asking Alexandria when the Mayhem Festival comes to Riverbend Music Center on July 24.
CityBeat: I took the time yesterday and watched your new short film Through Sin and Self Destruction. What made you decide to do a short film like that when most people aren’t even doing videos anymore?
Danny Worsnop: I think it was a chance to tell a story; (there had been) kind of rumors about it for a long time but it had never reached the surface. It is a very loose, over-dramatized version of what was going on in my life at that point.
(See the NSFW trailer below.)
CB: Does the film really portray the typical kind of lifestyle that you guys lead?
DW: It is exaggerated but it is my lifestyle.
CB: I talk to a lot of bands and it is being compared to Guns N Roses and the Appetite for Destruction days and I don’t talk to many bands that are able to sustain that.
DW: Most bands these day aren’t even really bands. They are just people who kind of play music. There aren’t many real bands anymore so there really isn’t opportunity for that lifestyle to sustain. I am by no means condoning the lifestyle but it has always kind of been there in Rock & Roll.
CB: Do you guys see a big difference when you tour in Europe versus touring in the U.S.?
DW: Not really. At first there was a crowd size difference but we are known to the world now. It is pretty much the same no matter where we go, besides the currency. Currency is different. And age of sexual consent.
CB: Can you tell me the process for you guys as a band to put the songs together or write the songs?
DW: The songs are based on whatever I am going through at the time. The albums are very honest and very personal. Everything that we have been doing is a story of my life.
CB: Where do you see yourself and the band in 10 years?
DW: Hopefully, in a much bigger house than I live in now driving a much nicer car with a lot of money. And hopefully still playing music in 10 years.
CB: Who are your current influences in music?
DW: The same they always have been. Motley Crue, Aerosmith, Journey, Def Leppard and AC/DC, just Rock & Roll. I would rather much listen to those bands than Metal. I am not a Metal singer. I don’t listen to Metal music. In my eyes, we are a Metal band with a Rock & Roll singer.
CB: You guys have a highly anticipated new album coming out this year. How is that coming along?
DW: It is coming along really well. It is different than the previous records. It is far more mature. I have written some real songs. Hopefully that comes through.
CB: Is it still looking like a September timeframe (for release)?
DW: It is looking to be the end of November or beginning of December right now.
CB: What has been your greatest Rock star moment so far?
DW: That is a tough one. It depends which way you want to go with it. Do you want something completely inappropriate?
CB: You could go with either or both.
DW: We opened for Guns N Roses and we felt like true Rock stars. That was definitely infamous. In terms of behavior, however it may be frowned upon, I guess the most shamed Rock star moment was the whole Seattle incident.
CB: You guys were out with Guns this year. What was the highlight of that for you guys?
DW: Just the experience of doing it. It’s such a great honor to do something like that. It was mind-blowing at times.
CB: Did you get to spend time with Axl at all or the band themselves?
DW: No, I didn’t really hang around much at that show. I left pretty soon after we played.
CB: I always ask this question of bands because I have had some pretty crazy stories over the years. Have you ever had any crazy boyfriend or husband stories?
DW: I have never had a boyfriend or a husband. I’m sorry I’m going to let you down with that one.
CB: No, with the girls coming after you guys?
DW: We have had many of the guys come up to us and ask us to sleep with their girlfriends or wives. I did once have sex with a chick and later found out she was engaged to one of my good friends.
CB: That’s never good.
CB: Did you tell him?
DW: No and he still doesn’t know. We aren’t friends anymore so it would be impossible for me to tell him. It was a friend at the time.
CB: Do you guys have any pre-show rituals. Do you come together and do anything special?
DW: No. It was always something that was natural to me just like I’m going anywhere else except there are thousands of people watching it.
CB: What can the fans look forward to at Mayhem?
DW: It is going to be a real fun tour. I am going to be wearing leather. They can look forward to that. I may take my shirt off during the show.
CB: It’s going to be pretty hot for leather.
DW: Yeah, that’s why I may take it off.
CB: It’s pretty hot. I don’t know if you’ll get the leather off.
DW: I know I’m hot. Stop telling me. Stop flirting with me.
CB: You guys have been out on the road. What is the best and worst part of being on the road?
DW: The worst part is being away and not getting to see loved ones. The best part is probably just the shear freedom from the human race. Normal rules don’t apply. It is a completely different world when you are on the road. As myself, I am a completely different person on the road than any other time in my life. I am an insane creature.
CB: Do you believe the cliché that there is no bad press?
DW: I know there is bad press. I just don’t necessarily dislike it, which is a good thing because I have had a hell of a lot of it.
CB: Some people it really bothers and gets under their skin and some people it doesn’t.
DW: I think sometimes I prefer bad press.
DW: Everyone is trying so hard to just be so nice now. I don’t want that. I want to be known as me and I am not a good person but I am OK with that. I have come to terms with it. It’s not that I am a bad person, it is just that I speak my mind and I don’t sugar coat stuff.
CB: I interviewed Alice Cooper a few weeks ago, a legend, and he seemed upset with current bands because nobody wanted to be Rock stars anymore, basically.
DW: Last time I saw him he was on stage at the Golden God Awards ceremony thanking me and for keeping Rock & Roll alive.
One of the strangest word combinations to ever create a band name, Death Cab for Cutie controls the alternative music scene across America. They have been a nationally touring band since 1997 with their first release. Now in their 14th year, Codes and Keys has been one of the band's most successful offerings to date. The first single, “You Are A Tourist,” received a lot of airplay on Rock radio across the country reaching number one on the Alternative charts in the U.S. The band recently released the video for its latest single, "Stay Young, Go Dancing" (view it at the bottom of this post below).
CityBeat recently spoke with bassist Nick Harmer to discuss the new album and it’s critically acclaimed reception (as well as a very scary moment on their festival run this past summer). Death Cab starts their latest tour on Friday night in Cincinnati at the PNC Pavilion at Riverbend Music Center.
The Beach Boys have been blessing audience’s ears with happy and fun tunes (with occasional blasts of melancholy) for 50 years. As they embark on a 50th anniversary tour, they are preparing to release their 31st album, titled That’s Why God Made The Radio, which is also the title of the first single. Almost anyone who listens to music can think a happy thought as it relates to Beach Boy classics like “Good Vibrations,” “Kokomo,” “Surfin USA” or one of their other countless hits.
I was able to speak with Mike Love and Brian Wilson before the tour kickoff and it proved to be one of my toughest interviews to date when I spoke with Wilson.There were moments when you had to wonder why he is speaking to the press at all and others when you remembered the pure genius inside his head as he spoke about mixing harmonies on the new album and just being happy to play again with the band that made him a legend. We reached a nostalgic and introspective point as the legends looked back on a remarkable career.
The Beach Boys' 50th anniversary tour comes to Riverbend Music Center this Tuesday.
CityBeat: If you were writing “California Girls” today, how would you describe them and what are the big changes?
Mike Love: The thing about “California Girls” is that it is a riveting song saying, “I wish they all could be California Girls,” and then talk about all the places around the country. I don’t think there would be much changing to do. Of course our original fans are now California mothers and grandmothers. I believe it is all the same.
Brian Wilson: No, I would do it the same as it was.
CB: What has been your process for putting together the set list of songs for the shows coming up?
Brian: We all got together and chose the songs together and we finally narrowed it down to two hours or two and a half hours of songs.
Mike: I’ll tell you what, there are several songs that we absolutely do at every single show we do — “California Girls” being one of them, “Good Vibrations” being another, “Kokomo” being our biggest hit of all. “Good Vibrations” was our biggest hit that came out in 1966, until “Kokomo” came out in 1988 and apparently surpassed that. And then there are songs like “I Get Around” and “Fun Fun Fun” and “Surfin’ USA” and “Help Me Rhonda” — we are always going to do those big hit songs because we believe people are going to come see you for what you are known for. We are most famous for those big hit recordings we have had.
Then there are other songs we are doing on our set list called album cuts that are a little more subtle, a little more esoteric. Then there is a song called “Why Do Fools Fall in Love” originally done by Frankie Lymon and the Teenagers during the ‘50s. My cousin Brian came up with a really great vocal arrangement so we enjoy doing that song. Whether it is a point of view of doing a song we feel hardcore fans know or the Beach Boys music that I can recall, we like to do some songs that will please them as well so we balance the songs, the set list, the selection of songs all throughout the years, up to and including our newest record which is called That’s Why God Made the Radio.
CB: On the new album there are fun and upbeat songs, as always, but there are also songs embracing some melancholy of the past like “Pacific Coast Highway.” Why was it important to have both on the album?
Mike: I think there has always been melancholy and upbeat aspects to our songs. For instance “Surfer Girl” is slower and romantic. “In My Room” is kind of introspective, and if you will a little melancholy like ("Warmth of the Sun"), which is also a beautiful, slow ballad, but I think mainly it is the result of the collective nature of all of us.
There is the obvious sun part of life that we have here in Southern California growing up, you know with the featured years and when we recorded “Barbara Ann” and “Lookin’ For Romance” and then “California Girls” and going around the world and experiencing upbeat and positive things like car songs or surfing songs. There is that aspect of it. Then there is also that more internal, introspective aspect of things. So there are definitely both types of music in the Beach Boys catalog, definitely. There is the melancholy and the happy and upbeat.
I think that is how life is. Sometimes, people experience moods or situations in life that are not so much upbeat or fun, death of a loved one or breaking up with somebody. There are situations in life that lend themselves to the more serious or somber or melancholy. Then there are the activities and situations in life that are far more upbeat and fun.
CB: What is it like having three generations of fans singing along at the shows now?
Mike: It is pretty amazing. It is really wild how well people have responded to us all being together. It re-establishes the theorem from math that the whole is greater than the sum of its parts. Brian Wilson has been doing his own solo projects and recordings and touring for the last several years. I have been touring as the Beach Boys with Bruce Johnston and occasionally David Marks, our original guitarist. Al Jardine has been doing his own thing but we all got together because of the specialness of the 50th anniversary of the Beach Boys.
That is the real catalyst that got us together. In addition to that remarkable milestone, there is the fact Capitol Records gave us an opportunity to record a new studio album, so we all got together, a lot of time had passed since we last did an album but it was kind of weird how familiar the whole process felt and how normal it sounded when we were listening to our performance coming back through the speaker in the studio. A lot of time had passed but not much had changed really in terms of Brian’s ability to structure the harmonies and chord progressions and our abilities to harmonize and perform the songs. It was really cool, the two things together, the 50th anniversary and going out to tour together along with doing the new record, those two things, gave us the encouragement to get together and do this together. And the response from the public and so many places have been phenomenal, the Hollywood Bowl in Southern California sold out 17,500 seats.
The Devil Wears Prada is a true "area band makes good" story. The Dayton-born group is steamrolling through the landscape of Metal all over the world. In the band's short history, TDWP has released four albums while keeping up one of the most active tour schedules around. The group's latest album, Dead Throne, from last year reached the top of the US Indie charts and they are showing no signs of slowing down, joining the likes of Slipknot, Slayer, and Motorhead on the latest Mayhem package tour, which comes to Riverbend next Tuesday (July 24).
CityBeat caught up with lead singer Mike Hranica in person prior to the band's show at Bogart's this past winter, and with rhythm guitarist Jeremy DePoyster by phone just this week to preview the group's return to Ohio. They both are very proud of their Midwestern roots, what it has meant to the band’s success and how it has let the members keep their Christian values at the forefront of their music.
CityBeat: I have been listening to your new album this week Dead Throne to get ready for the show. First, I wanted to ask you about one of the songs on it. I guess the song that speaks to me the most was “Mammoth.” Can you tell me the story behind that song and a little bit about it?
Mike Hranica: “Mammoth” was an interesting song. When we went into recording the record, there were only two songs that didn’t have vocals yet. One being “Chicago,” one being “Mammoth” and I wrote them as we were working on the record. When we took “Mammoth” into pre-production, Adam D, who produced the record, totally re-arranged it and it turned out to be one of our favorite songs as well and a favorite of the fans. Lyrically, it was the second to last song I wrote for the record, so I wanted it to be this recap of everything this record deals with, all the issues from idolatry to love loss and all this and tying obviously God into it. That is the idea of the full circle which runs throughout the song and that is the general concept of it.
CB: You mentioned Adam D from Killswitch. What was your favorite part of working with him on the album?
MH: I liked all of it. He is extravagant, personality-wise, and professionally I see him his as very simply a mastermind. I think he absolutely smashes it. I loved what he did with the music, what he did vocally with me, and I loved eating lobster with him every day.
CB: You recorded it somewhere up north right?
MH: Yes, in Western Massachusetts.
CB: You guys grew up here in Dayton. This is a local show for the band. How do you think growing up here in the Midwest influenced the music?
MH: You really see it everywhere, internationally and throughout the states. Music is obviously huge to all cliques, all generations, and all sorts of youths as far as going to school in the groups or the segregations, the cliques of people all have their music. Music is very important to someone young and growing up and I know that really translated to us. I think the Midwest has a big part in it because there is not much else to do. Like anyone else there was BMX and skateboarding and sports and what not, but it seems like a lot of young folks in the Midwest just want to play guitar and go to shows and I know that was the members that make up this band.
Jeremy DePoyster: There are so many bands that are doing similar kinds of things to what we are doing now. When we grew up, especially in Cincinnati, there was an actual Hardcore scene of music and it was bizarre to be playing with them as kids with keyboards and singing and all this stuff. We were this kind of and oddball band and it was exciting because we were just a bunch of kids and into that stuff. It forced us to try and do the best we could and to really have no promise of anything. It was all local. Between Cincinnati and Dayton and Indianapolis and all these places we played growing up, it’s just the Midwest vibe. That’s why I live in Chicago now instead of the West Coast. I like the feeling here. I feel like it is really down to Earth. My wife is from Cincinnati and so we grew up together. It makes you more humble. You don’t have the arrogance that comes with it a lot of times.
CB: So you were in the school band?
MH: Dan and James were. I think those two were the only ones in school bands.
CB: I downloaded “Zombie Slay” last night and played that on the iPad for the first time. I was just curious about you guys getting into gaming and the comic books and how did that all come about and why did you choose to go down that path?
MH: When we did the EP, it was like a weird concept, it is a non-serious concept that we are going to take seriously and with that I think it would be really stupid to not do things in addition to zombie t-shirts and zombie hoodies. We wanted to go outside of that. The comic book was something that came to us right away as well as the game. Unfortunately, it just took a long time to get the game together. It was just stuff we wanted to do.
CB: Do you draw?
MH: Chris draws. The dude that did all the illustrations, actually Kevin Mellon who did the comic book illustrations worked with us on the app as well. We were just curious to get into the app world, the iTunes world, being a bunch of Apple nerds. The game was definitely an awesome first step for us and we are excited to see what else we can do with outside the box marketing products and just giving fans something a little bit different to maintain curiosity and just have a little bit of fun.
CB: What is your favorite game to play, other than Zombie Slay of course?
MH: I have been playing a lot of Zombie Slay. We just did Australia before this tour which is a lot of long flights and I was playing a lot of Zombie Slay. Otherwise, I go in and out. I have an iPad as well and I play games on that. I am not that big of an Angry Birds fan. Everyone is definitely on Angry Birds. I like Veggie Samurai, I play that a lot. Sadly I play a lot of Solitaire on my iPod, like my classic iPod.
CB: What are you guys most looking forward to with the Mayhem Festival?
JD: So many things. We have tried to come a long way as a band. That is always the goal. We have tried to really fine tune the art and harness the sound in the show and all that good stuff. I think that being on the Festival is kind of the next step in the direction of shying away from the Dubstep nonsense, you know, silly autotune wave of things that are happening and get back to Metal which is what we like and what we love and why we write the stuff we do. Slipknot, Slayer, Motorhead and Anthrax are amazing. You can’t beat that stuff. We have wanted to do the tour for a long time but as soon as those names came up, we were like, “Yes. Now. Put us on it.”
CB: You guys have never really compromised your Christian values and you have always had that kind of a theme through your lyrics but you have started touring with more mainstream Metal bands like White Chapel and the bands you just named. There is not always a Christian atmosphere. I cover a lot of Metal music. How do you handle it or does it bother you guys at all?
JD: It doesn’t really bother us. Even one of the guys from Slayer is Catholic. I think it is more of a vibe thing for them more than anything in a lot of those bands. I don’t really feel like it is that big of a deal. Some people sing about politics and some people sing about satanic issues and some people sing about love and all different kinds of things. This is just what we sing about.
I don’t think it really has a whole lot to do with music. I listen to Slayer and I listen to Slipknot and bands whose values have nothing to do with mine but I can still enjoy it and listen to it and have a good time with it. I think that is the vibe we try to bring in. We are pretty respectful dudes.
We generally tour, 99% of the time with secular bands, and we really don’t have a problem with it. I guess we just hope that people will give us a chance which is why it is fun to get out on a tour like this and be able to play in front of people that might have a pre-established opinion on who we are and what we do based on the fact we are a Christian band. They see it and go, “Oh wow. I had no idea it was like that.” It’s kind of cool.
MH: It really is no big deal. We never, ever set out to only tour with Christian bands. We just wanted to, it was always about playing to as many people as possible. The funny thing is, backstage it never really matters what you believe because everyone gets along fine. We get along with For Today really well, both being Christian bands and being people, Christians, normal people. That’s how I think of ourselves, just normal dudes and Christians.
And we both get along with White Chapel just as well, who don’t have the same sort of belief system, but it doesn’t matter at all because we are here to perform what we made and explore the music we have created and that may sound like it degrades your beliefs but it doesn’t. It’s just how it is touring. If anybody really has a big problem with Christians being on the tour, they are the standouts, and not to be too blunt, they are usually pretty ignorant people. We get along with everyone and we have been touring with non-Christian bands since we started and some of our absolute best friends are non-Christian bands.
CB: I was just curious because White Chapel is almost the extreme opposite of what you guys play and lyrically. How did that tour come about or how did you hook up with them?
MH: The first time we toured with White Chapel was early in 2008. I had went and saw them at a show some of my friends were playing and I had been listening to their EP that was out and was “This is the heaviest thing I know of right now.” We are happy to have them on tour early that year and it was smooth sailing. They were “We’re a little bit nervous” and we were “We’re a little bit nervous.” And it was whatever and we just play music together. We just announced a South America tour for next year which White Chapel is on again. When we see them, it is always, “When are we touring together?” It’s awesome to have them back and it is awesome to have all good people on the tour, definitely White Chapel included.
CB: I think there is a misconception about Metal in general. I interview everybody at Rock on the Range and every festival. I have never met anyone that was disrespectful or not nice or who didn’t get along. I think it is a misconception in general.
MH: It really is. There are Metal bands that take the whole evil thing literally, mayhem and these other things. For the most part it is evil music and it needs evil lyrics and that is what they make. They are not killing and raping women in ditches so what does it really matter?
CB: You recently released a video for “Vengeance.” Can you tell me the story behind that song and the video itself?
JD: It’s just a live video from our DVD shoot that we did. We put it out to get the message out of that and spark interest. We put a lot into our live show. Actually we filmed that DVD and that video I think four days before the Cincinnati show. We really just wanted to capture what that tour was in a permanent format so people could see it, not like in a Youtube quality video and stuff. That video is kind of like promoting that and getting it out there. It is one of the more relatable songs that we have off the record.
CB: The DVD you are referring to is Dead and Alive. I know you did a lot of the behind the scenes shooting and editing. Are you a photographer or videographer? Is that kind of a hobby?
JD: It is just something I just started doing as a hobby and a side thing. Then it just gradually turned more and more into something where I was doing every single one of the tours a video for us. Something really important to us is making sure that everything that goes out there with our name on it is coming from us and not from a giant business, corporation behind us but intimately from us. So with the video stuff and most of the photos we put up, we shoot and produce and come out from us.
I feel like the bands that I like and respect the most are the ones that put effort into it instead of writing the songs and handing it in and going, “OK, do what you will with this.” Even with the merchandise designs and the website design, Mike has a massive, large hand in creating. We just want everything that has our name on it to come from us. Being able to do the video stuff ourselves is a really big help in that.
CB: I have seen you guys a couple times play and you have major crowd surfing. The fans really get into your shows. Is there ever any worry about injury or anything crazy happening at the shows?
JD: Yeah, but I guess it just comes with the territory. We grew up going to small shows and hardcore shows in the Dayton and Cincinnati scene which was not a calm, passive scene to grow up in. We are kind of used to it, teeth are all messed up, my face kicked in at a show as a kid and that is what we are used to. There are usually ambulances that come. I think it is pretty easy to be able to tell the areas where you won’t get hurt and the ones where you might get hurt. I think it is a do-it-at-your-own-risk kind of deal. It is part of the style of music and hopefully no one gets too hurt.
CB: What was your highlight of the last tour you were on?
JD: We have done a couple tours. Our fall tour was probably the most exciting one we have done so far. We got to bring massive production out and put on a big show. We just did a small club tour in the U.K. which was real cool and intimate. We did a secondary market tour in the Spring which was really cool because we got to do some “off the beaten path” markets which do a little bit better for us. The people are just more passionate than they are in the big city. We went to South America which was insane as it always is down there. It is a totally different world than it is here. The shows were great. I think it has been an exciting good six months for us.
Really the highlight will be this summer with the Mayhem Fest.
CB: What is the best guitar solo of all time?
JD: Really, I like a lot of the Judas Priest stuff. “Painkiller” solo is pretty up there for me. There is just an emotion that comes from that, that is pretty awesome.
One of Cincy’s more popular Pop Punk bands has decided to call it quits. But first, they're giving fans some new music and one final blow-out show to remember them by.
The quintet Loudmouth has played well-attended gigs regularly around town for the past half decade or so, eventually becoming headliners of self-booked multi-band shows at places like Madison Theater in Covington. Tonight, the group returns to the club for its farewell show and the release party for its final album, the eight-song Future Boredom.
The band is splitting because guitarist Mike Ulanski took a job teaching English in Abu Dhabi.
I sent Loudmouth a few questions about their experiences as a band in Greater Cincinnati and their individual plans moving ahead. The tight knit group of pals got together and answered them as a band.
CityBeat: You guys have your last album coming out at the farewell show. Tell me a little about Future Boredom. Was it material you were working on before you decided to split or did you know you were splitting and went in the studio to record these final tunes?
Loudmouth: The songs were written or were in the process of being written before Mike announced that he accepted the job offer, but we all knew this was our last record when we went into the studio. The toughest decisions we faced were which songs to record, and how many we could afford to do without sacrificing the quality of each songs production. Tim and Mike were writing lots of songs at the time, but their styles were heading in two different directions, which can be seen on Future Boredom.
The songs weren’t written about the break up, but they were recorded as if they were the last songs we’d ever do, which means we couldn’t afford to leave anything unsaid. Between Eric Tuffensdam’s (Moonlight Studios) expertise and our previous studio work with him, we definitely got what we wanted out of this record, a definitive and uncompromised collection of our best written songs.
CB: You guys had a great run of about four or five years. What are you most proud of from your time playing around the area?
LM: We’ve been fortunate enough to share a stage with just about every one of the bands we grew up idolizing, but opening for NOFX takes the cake on moments that we’ll remember forever. The proud moment there was that the 2000 people crammed into the Madison Theater didn’t boo us off the stage like NOFX crowds are prone to do.
But besides that, we have a lot to be proud of, and more importantly a lot to be thankful for. None of the amazing moments we had as a band would have existed without the help of some amazing people. Frank Heulfeld and Kevin McNamee with the Madison Theater, and before that the Mad Hatter, Rome and the Clifton Heights Music Festival (which we’ve only missed one since the beginning of the festival because we were on tour), Rich and the entire Southgate House staff, Adam and CincyPunk Fest, the staff at the Madison Theater, who among other things, talked the cops out of arresting Tim seconds before we hit the stage, Chris Joselyn and Brian Carothers for all their help booking tours.
Above all else, and we mean this with all sincerity, the thing that makes all of us proud and grateful is the support we’ve gotten from day one. We’ve never, not exaggerating, played a show where people didn’t dance by the end of our set. We came up in an age where kids were too cool to dance at shows, and we’ve watched so many great bands play killer sets to a bunch of stone faced hipsters gently bobbing their heads in jaded approval. Those kids got pushed to the back of the crowd when we played, and we couldn’t be more proud to have that kind of effect on people. All that dancing and moshing and shouting of our lyrics translates that people get it, and what’s more, they actually like it, and nothing is more gratifying then having that kind of connection with your friends and fans.
CB: Anything you would have done differently?
LM: Tour. Tour all the time. We did three tours; the last one to Florida was our most successful, but touring would be the No. 1 priority if we could do anything differently. We probably could have been more business savvy and networked a little more, too.
CB: What's been the low point?
LM: The worst show we ever played happened at the Blue Rock Tavern in Northside. There were a lot of people out that night and we were headlining and everything that could have gone wrong did. The P.A. kept over heating, it was 900 degrees and Mike’s guitar broke four songs in, and there was no replacement. We had to just stop. It was embarrassing and people got pissed.
Moving out of Loudhouse and losing that as a place to party and throw shows was also a bummer. We had to pay for a practice space again, we lost our afterparty, which had become a huge part of our shows, and, of course, we couldn’t invite a bunch of awesome bands to play the basement. The Bike House died shortly after that, and it seemed like Cincinnati’s basement scene sort of dried up all at once. We went from a city who had an entire weekend fest dedicated to basements to having no real basement venues to speak of. That was definitely a bummer.
Shortly after that Sam Duff left the band and the months leading up to and following that time were pretty rough. We practiced in a moldy closet sized room in the back of the Mad Hatter, we weren’t sure who was going to play bass, how we could afford to tour; it was a cold wet winter and things were just all around crappy.
CB: Can we expect future musical projects from the Loudmouth members? Any concrete plans as of yet?
LM: None of us will ever stop playing music, but where, how and with who is bound to change. Tim, Adam Bret and Chris have already talked about their next project and things are in the works.
Mike will be playing acoustic Journey covers at an open mic in Abu Dhabi to pay rent.
CB: What can people expect from the last blow out concert from Loudmouth?
LM: You’ll have to come to find out.
Tonight's 9 p.m., all-ages show features a great support bill: The Frankl Project, Horsecop, Situation Red and The Milky Way Persuasion. Tickets are $5.
Visit www.loudestmouth.com for more on the group and to sample some tunes.