A version of this article was originally published in Morning News and Stuff, but to wrap up this year's overly long election coverage, we figured it would be a good idea to republish the results as a standalone article. You're welcome!
The election is finally over. All election results for Ohio can be viewed at the secretary of state's website.
All results for Hamilton County can be viewed at the Hamilton County Board of Elections website.
President Barack Obama defeated Mitt Romney in what can only be called an electoral college landslide. He won every single “battleground state” on CNN’s electoral map with the current exception of Florida, although the current lead and remaining demographics to be counted will likely tilt Florida to Obama. Despite the insistence of conservatives and mainstream media pundits, models like FiveThirtyEight that predicted a big Obama win were entirely accurate.
In the U.S. Senate race, Democratic incumbent Sherrod Brown also handily beat Republican challenger Josh Mandel. CityBeat covered the policy and campaign differences between the two candidates in coverage of the first, second and third debate and a cover story.
For the First U.S. Congressional District, Republican incumbent Steve Chabot beat Democratic challenger Jeff Sinnard.
The big takeaway from election night at a federal level: Billions of dollars spent on campaigns later, the U.S. House of Representatives remains in Republican hands, the U.S. Senate remains in Democratic hands and the White House remains in Democratic hands. In other words, billions of dollars were spent to change almost nothing.
At the state level, Issue 1, which called for a constitutional convention, lost. But Issue 2, which was an attempt at redistricting reform, lost as well. CityBeat covered the rise and details of Issue 2 in a story and commentary.
In the state’s legislature races, incumbents swept. Republican Bill Seitz beat Democrat Richard Luken for the eighth district of the Ohio Senate. Republican Peter Stautberg beat Democrat Nathan Wissman for the 27th district of the Ohio House. Democrat Connie Pillich beat Republican Mike Wilson for the 28th district of the Ohio House. Republican Louis Blessing beat Democrat Hubert Brown for the 29th district of the Ohio House. Republican Lou Terhar beat Democrat Steven Newsome for the 30th district of the Ohio House. Democrat Denise Driehaus beat Republican Michael Gabbard for the 31st district of the Ohio House. Democrat Dale Mallory beat Republican Ron Mosby for the 32nd district of the Ohio House. Democrat Alicia Reece beat Republican Tom Bryan for the 33rd district of the Ohio House.
For the Ohio Supreme Court, Republican Terrence O’Donnell kept his seat against Mike Skindell. But Democrat William O’Neill beat Republican incumbent Robert Cupp, and Republican Sharon Kennedy beat Democratic incumbent Yvette Brown.
At the local level, Issue 4, which gives City Council four-year terms, was approved. Issue 42, which renewed a tax levy for Cincinnati Public Schools, passed. Issue 50, a tax levy for senior health services, was approved. Issue 51, a tax levy for mental health services, was approved.
In Hamilton County offices, things got a bit more blue overall. Republican incumbent Joe Deters beat Democrat Janaya Trotter for the prosecutor attorney’s office. Democrat Pam Thomas beat Republican incumbent Tracy Winkler for the office of the clerk of the court of common pleas. Democrat Jim Neil beat Republican Sean Donovan for the sheriff's office. Democratic incumbent Wayne Coates beat Republican Wayne Lippert for the county recorder's office. Republican incumbent Robert Goering barely beat Democrat Jeff Cramerding for the county treasurer's office. Democratic incumbent Lakshmi Sammarco beat Republican Pete Kambelos for the county coroner's office.
In the lower courts, Republican incumbent Pat Fischer beat Democrat Martha Good and Republican Pat DeWine beat Democrat Bruce Whitman
for the First District Court of Appeals. Democratic incumbent Nadine
Allen and Republican Leslie Ghiz beat Democrat Stephen Black and
Republican Heather Russel for the court of common pleas.
In other states, gay marriage and marijuana were legalized. Minnesota voted against a same-sex marriage ban. Tammy Baldwin of Wisconsin also became the first openly gay candidate to win election for the U.S. Senate. Overall, the night was a big win for progressives all around the country.
For those of you who haven’t heard the news yet, on February 10 the Consumer Product Safety Improvement Act comes into effect. One of the major changes that this program will bring into play is a mandate that everything sold for children 12 and younger will have to be tested for lead and phthalates, and anything that isn’t tested (or that fails) will be considered hazardous and can't be sold. Read more about the CPSIA at the L.A. Times and some interesting blog commentary from the fashion industry.
One week ago today, on Nov. 14, the fun and increasingly acclaimed Michigan-based Electro Pop band Stepdad was bringing its nearly two-month, nationwide tour to a close and was set to perform at Cincinnati’s MOTR Pub. The band had a great fall tour; outside of some trouble with its tour van, things had gone smoothly until that point. With a few final shows on the tour after the Cincinnati date in their home state, the band members were heading into the homestretch and returning home triumphantly.
Then one of them them got arrested. Stepdad had played Pittsburgh the night before its MOTR date, driving through the night and grabbing a room at the Super 8 motel in Cincy exburb Mason, Ohio, (north of the city and near the Kings Island amusement park, where the Brady Bunch once frolicked) to get some rest. Early in the morning of Nov. 14, Stepdad’s Nathan John Klages — a multi-instrumentalist and also a solo singer/songwriter who works under the name Nathan K. — was arrested at the motel, charged with public indecency and “obstruction official business,” according to the police report. Klages got arrested for doing something many, many men have done — taking a piss outside. He was booked into the Warren County Jail. The look on his face in the above mugshot is one of understandable confusion, probably a little anger and definitely a lot of fatigue after working all night and then traveling.
Those souls in attendance at MOTR Pub for the November 14 show by underground pop superstars STEPDAD won't soon forget it. Neither will Stepdad's NATHAN K. He might never forget it -- because of a very wrong reason.
The evening before the show, the band, which hails from Grand Rapids, Michigan, was staying at a motel in Mason, Ohio. It was there where Nathan K. was arrested for -- allegedly -- urinating in the great outdoors. Nathan was subsequently charged with public indecency and taken to the Warren County Jail, where his arms and legs were placed in shackles and he was placed in a cell.
He was fined, processed, and eventually released just before showtime, so as to avert what would have been the compounded injustice of having to cancel the show.
Taking into account the advice of the legal defense, we will say nothing about the charge levied against Nathan. However, Nathan is saddled with fines and travel expenses related to this episode. He must return from Michigan to Southwest Ohio on Tuesday, December 17 to face the judge, and we, at MOTR Pub, want to help.
Nathan has agreed to play a set at MOTR Pub on Tuesday, December 17 at 9 p.m. We are asking fans of Stepdad, and fans of blind justice, and fans of rock 'n' roll, and fans of Nathan K. to attend the show and join us in throwing a fiver or a ten-spot in Nathan K.'s hat to offset his debts and to make something good of the bad.
Motley Crue’s infamous bassist Nikki Sixx took up photography in 1989 as a way to help have an outlet to stay clean from his well publicized drug and alcohol abuse. His new book, This Is Gonna Hurt: Music, Photography And Life Through The Distorted Lens Of Nikki Sixx, came out this week as a showcase of his photography and personal stories from the past few years.
The victims were taken from all around Ohio, including Cincinnati. The report found that 63 percent of the victims had run away from home at least once, 59 percent reported having friends involved in selling, 47 percent were raped more than a year before being trafficked and 44 percent reported to be victims of child abuse.
In Cincinnati, the most common risk factors reported were dropping out of school and having an older boyfriend. Rape was third with 40 percent of Cincinnati victims reporting being raped.
In all of Ohio, the most common buyers for victims were law enforcement. Businessmen and drug dealers were second and third, respectively. In Cincinnati, the most common buyers were drug dealers, followed by factory workers, then truckers.
The report highlights the severity of human trafficking in Ohio. A 2010 report by the same commission found that 1,000 American-born youth had been trafficked in Ohio over the course of the year, and as many as 3,000 American-born youth in Ohio were at risk for trafficking.
Since the 2010 report, Gov. John Kasich has signed H.B. 262 into law, which outlaws human trafficking and enforces tougher rules.
However, the commission does not believe current law is enough, and it’s pushing for more rules against human trafficking. The new rules would identify trafficking as child abuse, place a focus on arresting and convicting buyers and invest in responding to adult sex trafficking. The commission also wants a better response to youth runaways, and it wants to establish better protocols for dealing with at-risk youth, especially in correspondence with school officials.
When contacted by CityBeat, the Ohio Attorney General’s office said they have no suggestions to specifically deal with law enforcement officials, which topped the list of buyers, who are involved in human trafficking.
The report was issued by the Attorney General’s Human
Trafficking Commission. It was authored by commission member Celia
Williamson, who is also a professor at the University of Toledo. The full report can be found here.
Now that the economy has been kicking it snow sled style, I have been laid off from my wonderful job at a major Cincinnati corporation that makes jet engines. No, not Kroger! Silly! Now I find my days are free to do whatever I want! What do I choose to do you ask? Start a club of some sort that helps out the homeless of Cincinnati? Start a kick ass smart guy team of engineers to win the Automotive prize?
21c Museum Hotel's flagship hotel was founded in 2006 in Louisville, Ky. by Laura Lee Brown and Steve Wilson, contemporary art collectors who had a vision for bringing art into people's lives and supporting the revitalization of American cities.
In keeping with the founders' mission, Cincinnati's urban developers 3CDC and 21c Museum Hotel are partnering to revitalize the historical 1912, 10-story Metropole hotel into a unique place to view cutting edge contemporary art.
Along with preserving the city's historic building, the restaurant will emphasize the city's old world roots in its menu. Under Chef Michael Paley's direction, Metropole will focus on dishes with local ingredients cooked in a custom-built hearth. Chef Paley has been the executive chef at Louisville's award-winning Proof on Main since it opened.
“After opening Garage Bar, our wood-fired pizzeria in Louisville last year, I was inspired to create a menu that is cooked almost entirely by wood-fired heat,” Chef Paley says. “Our menu at Metropole will reflect Cincinnati’s rich, European-based culinary heritage, and I am thrilled to introduce our custom-built hearth as the focal point of the restaurant and the menu.”
Working closely with local farmers and artisanal producers, Chef Paley is developing a menu focusing on string roasted meats, ash-cooked vegetables, house-made charcuterie and more. The beverage menu which can be enjoyed in the restaurant or while overlooking the city on the rooftop bar, which will favor craft beers and bourbon.
A friend recently asked me what my worst pet peeves are about going to concerts. It took me all of two seconds to spit out, "Everything is outrageously expensive: the tickets, the parking, the T-shirts and, of course, the ridiculously overpriced beers."
I’ve been a huge fan of AC/DC since I first heard them when I was 11 years old. So it’s difficult for me to even acknowledge that I'm pissed at them for their high-priced tickets.
As the tournament progresses, it challenges us to keep up with the evolving storylines — the sudden defeat of major players and the quiet emergence of those who have escaped notice, the silent assassins.
My day started on Court 3, a make-up match between the ninth seed Na LI (CHN), the first Grand Slam winner from China, and qualifier Johanna Larsson of Sweden, who, on the morning of this match, was celebrating her 24th birthday and in her debut here in Cincinnati.
Li has been in the spotlight, with two Slam finals last year, but at 30 years old, one has to wonder if she has peaked too late. She is six years older than her opponent, but today, it is best to focus on experience rather than age because she displays a potent blend of wisdom and execution as she forces her younger foe to work harder and harder for the points she wins on her serve, while Li cruises through her own service games. She breaks Larsson twice with surgically precise shot placement, moving Larsson around at will. When Li captures the first set 6-2, it is plain that she is firmly in command and using the match as practice because thanks to the suspension of play from the previous night, the winner here will end up playing again tonight.
Another holdover from the rain delay is the battle between Caroline Wozniacki (DEN) and Anastasia Pavlyuchenkova (RUS), which was called with Pavlyuchenkova already up a set (6-4) on the number six seed and former number one player in the world.
By the time I settled into the stands, Wozniacki was down 4-3 in the second and Pavlyuchenkova held to take a 5-3 lead. The Russian woman looked like a pounding brawler, but a couple of points dispelled that misconception. Pavlyuchenkova tempered her obvious strength with well-placed balls that unerringly found line and corners of the court just beyond Wozniacki’s reach. A hold from the higher seed set up an opportunity for Pavlyuchenkova to serve out the match, much to the chagrin of the vocal fans on the Grandstand who possibly hoped to be able to catch a glimpse of Rory McIlroy later in the evening. Alas, it was not to be. Pavlyuchenkova slammed that book shut, earning a spot opposite Petra Kvitova to compete for a coveted semifinal match, where maybe the fans might join her cause.
Next up on the Grandstand, Venus Williams and the three-seed Samantha Stosur (AUS), the reigning US Open champion. Venus has had to exert a great deal of effort along the way and would probably appreciate an easier match here, but with the formidability of Stosur and her compact, punchy power that’s highly unlikely.
It is apparent though that Venus wants to be the aggressor, as she stands on top of the baseline for Stosur’s first serve and a foot inside on the second. This allows her to get the jump and force Stosur off-balance. An early break and a tough hold for Venus, followed by a quick hold and a break for Stosur, and any hope for a quick two-setter are completely out the window. Even though Venus breaks right back on her opponent’s next two service games and ends up taking the first set 6-2, something in the way Stosur carries herself says, this isn’t close to being over.
On Center Court, Novak Djokovic and Marin Cilic (CRO) have already completed a set, which Djokovic took 6-3. Djokovic has had a fairly easy path thus far, especially his previous match, which ended when Davydenko retired after losing the first set 6-0, before last night’s rain. Today, he is a cat toying with his well-contained prey. Cilic is definitely in a tight corner with his back to the wall because before fans can blink, Djokovic is serving for the match with a 5-2 lead and just like that, it’s over. The cat has gobbled his prey up.
Stosur forced Venus to go back and forth with her on their way to a second set tiebreak, which she seized 7-2, but then Venus immediately broke her in the first game of the third set. As Venus reaches 3-1, most thoughts start to drift to a possible fantasy match-up of the Williams sisters in the final. Serena is set to start on Center Court and has dominated her court appearances thus far.
Television coverage of the end of the Venus-Stosur match means that Serena and Angelique Kerber (GER) are forced to wait.
A gritty battle for the final set goes to Venus (6-4) and we are tantalizingly closer to the dream.
Joe Morgan handles the coin toss to determine who serves to start the Serena-Kerber match. Serena serves and promptly gets broken, although she does seem too bothered. Her shots were either just a bit long or subject to the fickle fate of bounces off the net cord, which she will certainly adjust to as the match progresses.
Kerber, a much shorter player with reasonable power, works on moving Serena around and capitalizing on her error-prone play. There are flashes of Serena’s gifts – games where her serve, one of the best in the women’s game, cannot be touched – but those moments are fleeting. Instead, we see a Serena who has trouble timing her shots, sending swinging volleys into the net that should have been clear and rousing winners. She ends points staring off at either where the winner should have fallen or confused by the absurdity of this predicament she found herself in.
She seemed to be wondering where the real Serena Williams was, and she wasn’t alone. The only person not asking that question was Kerber, who took the match from whoever happened to be standing there in Serena’s lime-accented attire.
Final score: 6-4, 6-4.
Journey is a legendary Rock act from the ’70s/’80s, but the band is not done yet. The group put out its 15th album, Eclipse, last year, Journey's second effort with current lead singer Arnel Pineda, and is currently out on tour with fellow ’80s hitmakers Pat Benatar and Loverboy. The band's classic music is standing the test of time and crowds still react emotionally to its vast catalog of hits, as well as some of the new music selections.
CityBeat spoke with keyboard player Jonathan Cain, who is now in his fourth decade with the band, and discussed how he was influenced to write one of Journey's biggest hits, as well as how the band stays relevant in today’s ever changing musical landscape.
Journey performs the final concert of Riverbend Music Center's season tomorrow (Friday).
CityBeat: You guys have been touring on Eclipse for the past year. Are you guys working on new material yet?
Jonathan Cain: No, we are just settling into the touring aspect of things right now. We worked pretty hard on the last one and thought it was time to focus in. I recently had a child and (guitarist) Neal (Schon) has been going through all his things with Michaele (Salahi). We have been busy. I just opened a new studio in Nashville called Eviction Sound. We have been focusing on all the stuff we have to do. It’s a balance deal. We’ll start working on new music eventually.
CB: You mentioned some of the personal issues with Neal and Michaele. (Salahi, a former Real Housewives of D.C. star, left her husband for Schon in a very public "love triangle" soap opera.) Has any of that gotten in the way of the band’s activities?
JC: No. Not at all. They are getting through it and still in love. It’s all good.
CB: Any fond Cincinnati memories from the past?
JC: Fond Cincinnati memories? I have had some nice encounters with the fans down at the hotel bar there; closing the bar there would be the response. I do enjoy going to the ball games as well. Cincinnati always has a pretty good baseball team.
CB: I was recently covering the CMT Awards in Nashville and saw the performance with Rascal Flatts. How did that collaboration take place?
JC: The Rascal Flatts thing came about because we have a mutual friend. I play golf with one of the guys who produces the CMT Awards. He asked me one time on the golf course, “Who do you think Journey should do a (CMT's cross-genre showcase) Crossroads with?” And I said, “Honestly I think Rascal Flatts best fits with the sound Journey does,” and he agreed. We talked to their senior management and the rest was history. We will probably do a Crossroads together at some point.
CB: I couldn’t get the song out of my head for four days after that night.
JC: It’s one of those hummers. Every band needs one.
CB: My favorite Journey song ever is “Faithfully.” I know you wrote that song. Can you talk me through that process to put that song together?
JC: Basically, the song was written on the road. I was in Saratoga, NY, in upstate New York. We had just come off the bus and I was feeling a certain way watching the crew take the stuff down every night with the riggers and the roadies. I felt they needed to have a song and same with us. We all miss our family the same way. I don’t care who you are in this business, you still sacrifice something to be out on the road. It’s something I wrote for all of us.
It’s a good ol’ Country song that turned out to be a big ol’ hit. (Original singer) Steve Perry actually wanted that on his solo album and I declined. I said, “Journey or bust.” It was the last song we recorded on the Frontier album back in ’83. We never even rehearsed it. That was live in the studio. That was the third take. Steve put his signature vocal on it.
I was thrilled to have penned that song, then we played it live and the fans came back with “I’m forever yours, faithfully.” They turned it around and it was pretty cool.
CB: I have asked other artists about hits like that and they say, typically, the hits come out quickly. Was that the case with that one?
JC: Yeah, I wrote that in a half an hour on a napkin. It was very quick in the room. I woke up and I had started it. I wish I still had the napkin. I don’t have it. Then there was the keyboard I had on my bed I used to bump around ideas on. It was one of those Casio keyboards you just take in your suitcase. When I got to the gig, I got a real piano backstage at the Saratoga Performance Arts Center and sort of flushed it out.
The first time I did the demo, I was working with Keith Olson back in L.A. and he let me record it just by myself and that was what I played for everybody. He played it for the girls from Heart. He said Nancy (Wilson, guitarist) cried when she heard it. I thought that was a good sign. I guess they liked it.
CB: I saw on your website that you share blogs and journal entries. Have you kept journals all through your touring years?
JC: No, I should. I sort of dropped the ball on that one. I am getting inspired to write a new one. A lot has happened since the last one. I want to update the fans. It just may take on the highlights.
We have just had this movie released Every Man’s Journey. We debuted it at the Tribeca Film Festival and San Francisco Film Festival. It’s a documentary that was made by a Filipino lady that heard about Arnel (also Filipino) joining our band. So she came out on our tour. She spent her last four years following our buses around, coming to rehearsals. So they finally put a movie together. That was really exciting to attend and it really helped him solidify himself as he has evolved as an entertainer and a star. You see it actually happen, I think they are going to release it next Spring. It is really something. It is a neat story. We are proud of him.
CB: I find it very inspiring you welcomed someone new into the band and are so supportive of them moving forward.
JC: It was kind of a no-brainer. The guy can sing better than anyone can sing it. We went, “You know what. Let’s go with this guy.” We loved his heart. We loved the man as a father. The whole package. He makes us better. He is great.
CB: I saw in your journals you were blogging about South America and other places. I wish I had written down all my travel stories over the years. What has been your most memorable travel story recently?
JC: Actually, the European thing with my son was really great. We went to Europe and he went on the road with me and we got to go to some pretty incredible places. We played golf together in Scotland. There was this incredible experience, everything from the Eiffel Tower to the Royal Palace of Stockholm and to see it with your son is pretty darn cool. We went to San Salvatore, about a mile up and you look out from the Swiss Alps and it is breathtaking. I have to say that European trip was at the top of the list.
CB: Any habits you’d like to break?
JC: I probably drink too much wine.
CB: Any regrets over the years?
JC: No. I believe life is perfect. You live to learn from your mistakes and grow. If you regret something then lessons haven’t been learned. Everything you regret is something you haven’t accepted in life. Mistakes are chances to grow, chances to understand a deeper sense of who, what, and how you relate to the universe.
CB: Do you think Rock music is a dying art?
JC: No. I don’t. It is a niche now. We are a niche now. We aren’t as popular as we were but if you come to our show you can see it is alive and well. Just because the media has stiffed us doesn’t mean we aren’t out there in our own way. We are quietly playing for thousands and thousands of people. We have sold 800,000 tickets. It’s crazy. It’s a lot of people. It’s a good show. Pat Benatar is on the bill. We have Loverboy opening up when it is the three of us. We are having fun. We are keeping things alive.
CB: Are you a political band? We are in a critical election time. Are you planning to back any candidates?
JC: No. We stay out of that. If they want us to play and pay us a bunch of money, we will play for them.
CB: Either candidate?
JC: We would. The bottom line is we have a lot of fans on both sides. That’s my feeling. I’m tired of Republicans, I’m tired of Democrats. Let’s just get the people together and get shit done instead of arguing and bickering. This is the worst Washington has ever been. That’s just my take on it. (Journey reportedly was paid a half million dollars to perform during the Republican National Convention this year.)
CB: We are looking forward to you in Cincinnati. What can the fans look forward to that night?
JC: It is a cool mix of all of our stuff. Some new, some old. Great video, great lights. We have a new sound guy. Our P.A. sounds like a big, giant jukebox. I don’t think we are too loud. I think we sound cool. I think we look pretty cool. They are going to see a great show. It is going to be a good first class Rock show with a lot of hits.