Flynt is currently touring in support of his book, One Nation Under Sex: How the Private Lives of Presidents, First Ladies and their Lovers Changed the Course of American History. He will sign copies of the book starting at 7 p.m. The first 25 guests will receive a free gift bag.
Flynt added a Hustler location Downtown last year on Seventh Street, not to be confused with his brother Jimmy Flynt's store on Elm Street — the two have been involved in a long-standing financial feud.
Check out this video from Commonwealth Club of California with Flynt and Eisenbach as they discuss stories and implications from One Nation.
Fashion designer Laura Dawson makes her homecoming Monday as she shows her collection in Cincinnati Fashion Week (CFW) for the second year. A graduate of The University of Cincinnati's College of Design, Architecture, Art and Planning (DAAP), Dawson went on to New York to work for Donna Karan, style/design for Moby, The Brazilian Girls, Yelle and The Scissor Sisters and even appeared on Bravo's The Fashion Show. She founded her line of women's clothing in 2003 and has worked out of London since 2009.
Popular PBS series and appraisal show pioneer Antiques Roadshow has come to Cincinnati to film an episode locally. Film crews can be seen at various area landmarks such as Cincinnati Zoo and Botanical Garden, the American Sign Museum and the appraisal site, Duke Energy Convention Center.
Host Mark L. Walberg and appraiser Lark Manson were scheduled to visit the zoo today to discuss the rhino population crisis and its relation to antique trading. The crew will stop by the American Sign Museum Friday with Walberg and appraiser Leila Dunbar to cover 20th century vintage signage and get some vibrant shots of the local attraction.
Saturday is the big day for the lucky 6,000 expected guests in attendance. From 8 a.m.-5 p.m., more than 70 appraisers will be on-site at the Duke Energy Center to assess the value of more than 12,000 vintage toys, antique furniture, knick-knacks and plenty of other items. Of all stops on Antiques Roadshow's six-city tour, Cincinnati's show received that highest number of ticket requests (more than 37,000). Antiques Roadshow attendees are selected at random prior to the event.
The episode is set to air on PBS in 2013. The show previously filmed an episode in Cincinnati in 1998.
Watch July 21st, 2012 -- ROADSHOW Comes to Cincinnati, OH! on PBS. See more from Antiques Roadshow.
It can’t be denied that news reporting, in many ways, is stepping further away from hard facts and closer to tabloid gossip. In a day and age where Twitter is the new paperboy, it can’t be denied that the facts are coming faster. And while this could be an opportunity for better news, more quickly, more often than not we’re trading chances for quick links to real stories with 140 character quips on MC-Hammer-like “did you see her butt”s (#chauvanistsforCyrus).
The real disappointment comes, though, when we look to major media outlets (Still trusted by some. Take off the aluminum hat, Johnny.) the next day for hard-hitting news, only to see that they’ve decided to throw their own hats in the ring. With prize-winning headlines such as CNN’s “Miley Cyrus twerks, stuns VMAs crowd,” the morning news was just as obsessed as the evening newsfeed.
As a reporter, a writer, an observer, this obsessive, sprawling focus is what scares me most. It isn’t the performance itself, full of dancers dressed as teddy bears or Cyrus’ gyrating hips on Thicke’s overly hyped crotch (See “Blurred Lines” for more details). It isn’t so much the event that took place, as it was the reactive reports that left an extra, bitter after taste to my morning coffee.
Even arts reporting, perceived to have more lenient, pop-culture laced subject matter, used to hold itself to similar standards of respectful re-tellings of facts rather than fiction. Though there had once been a clear distinction between opinion pieces and news articles, even in the realm of aesthetic focus, the lines are suddenly more blurred than ever. And where does that leave us, the “responsible” voices?
Culture is, in many ways, defined by the voices that carry out its most essential conversations. If we are of the few so lucky as to have a readership, our words carry the weight of decades of said cultural insight and historical backing. What do we have to say for ourselves when these words, our influence, sacrifice authenticity for celebrity? Integrity for popularity? What are we really accomplishing when we re-draw the line between honest reporting and scandalized, gossip mongering, and honest words inch closer to the latter? What would our (fore)mothers say?
This isn’t to say that there aren’t some voices, some news outlets out there, who aren’t doing it right. While most couldn’t look away from Cyrus’ extended tongue (search “Venom” and “Marvel Comics” for more details), The Guardian, for example, wouldn’t look past the more subtly digressive implications of the performance. Did you miss the moment where the young, stage-dominant, Caucasian Miley Cyrus groped her not so white back up dancers? (The Guardian didn’t.)
I ask again: What are we creating when we allow objectivity to bend to the will of popular demand, asking for glitter and jazz and sensationalized headlines? Nothing. We are creating a secular sinkhole of informational access. We lead our readers right back where they started.
And that says to me that there must be a change made. The truth is, we CAN stop. If we want to.
The Ghostbusters reboot has its leading ladies!
Director/co-writer Paul Feig posted a picture on Twitter of what he’s confident will be the next ghost-busting foursome: