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by Leyla Shokoohe 08.12.2011
Posted In: Festivals, Reviews, Live Music at 01:18 PM | Permalink | Comments (1)
 
 
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Leyla at Lolla: Lollapalooza 2011 Day 3

How did 48 hours of exciting live music draw to a close so fast? I woke up Sunday morning with the slightly wistful feel that my whirlwind weekend would soon be over, but I quickly shook that and rushed to the “L” to get downtown for the final day of Lollapalooza 2011.

Due to my persistent caffeine addiction, I was late to Grant Park. I missed The Joy Formidable (though luckily we can all see them at the MidPoint Music Festival on Sept. 22), as well as Titus Andronicus and Fences, all bands I wanted to give a good go. I guess that’s what YouTube, Soundcloud, Facebook, MySpace, etc. are for.

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by Ric Hickey 06.14.2010
Posted In: Festivals, Live Music at 12:50 PM | Permalink | Comments (0)
 
 
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Bonnaroo 2010: Getting There

(Editor's Note: For the 2010 Bonnaroo music festival in Manchester, Tenn., CityBeat dispatched a team to cover the event. ’Roo vet Ric Hickey returned, joined by newcomers Adam Sievering and photographer Chuck Madden. We'll be rolling out their reports here over the next several days. Here is Hickey's first dispatch.)

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by Deirdre Kaye 07.16.2012
Posted In: Live Music, Local Music, Festivals, Music Video at 03:01 PM | Permalink | Comments (1)
 
 
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Bunburied Alive … and Lovin' It

Reflections on the final day of the inaugural Bunbury Music Festival

I’ve been to more festivals than I care to recall, but they mostly pale in comparison to Bunbury’s inaugural weekend. The planners of the three-day Cincinnati festival scored awesome bands for a first-year festival and the location couldn’t have been more spectacular, stretching from Sawyer Point to Yeatman's Cove along the riverfront.

Bonnaroo sucks because there are hardly any trees and therefore no shade — it’s like spending a weekend on the sun. While the fairly awesome, Memphis in May offers a similar riverside locale, but it’s also missing the shade and it fails to take full advantage of its riverfront property.

The Bunbury planners nailed it. Not only does Sawyer Point offer plenty of tree-covered walkways between stages, but also grassy knolls, flushing toilets and a great breeze.

And the Landor Stage! Whatever genius said, “Let’s put a stage at the base of the Serpentine Wall,” deserves a raise. The river and Big Mac Bridge were excellent backdrops for the bands lucky enough to play there and a great way to show off some of Cincy's charm to festival goers from afar. I saw Good Old War perform to a packed … "wall," and it was by far the coolest and most laidback of the shows I caught. Watching everyone lounge around on the huge concrete steps while listening to the trio play music and goof off was a great break from the shuffling and shifting crowds just a few feet behind us. The band's drummer did a pretty great impersonation of Harry Belafonte and sang “Day-o” for us, which worked well with the sunny sky and chilled-out vibes on the wall. Even better was how loud the crowd got when he sang, “Daylight come and me wanna go home.” Hardly anyone knew the rest of the words, but they had fun pretending. Good Old War was probably my favorite performance and Landor Stage was definitely my favorite place to hang out.

Another great way Bunbury made sure to represent the Cincinnati spirit was with tons of local food and beer. Not only did they have the big names, like Skyline and LaRosa’s, but they also brought in places like Taste of Belgium and beer from Hudy. (Sure, some UDF or Graeter’s would have also been nice, but it was only the first year.)

Speaking of food, I was overwhelmed by the lack of food I saw on the ground, neither dropped nor regurgitated. Cincinnati did an excellent job at keeping their park clean, even when they flooded it with feet. I was super proud (and relieved) to not have to step over any up-chucked chilli on my way various jaunts from one end of the park to the other.

And that’s a trek I made quite a few times, too. From The Tillers to Good Old War and then back to the far end to see Bad Veins, I spent a good deal of my Sunday slipping through the crowds to get from one end of the point to the other as quickly as possible. 

It was worth it, though, especially for The Tillers!

I own The Tillers’ first two albums, but I’d only seen them once before, at one of their usual spots — Northside Tavern. It was a night where they went on late and I happened to be with more introverted friends. It was a good show, but it lacked the oomph I experienced at Bunbury. Those boys were made to play in the sunshine and trees, that’s for sure. And Cincinnati made sure to show love to their hometown band. Hopefully, Mike, Sean and Aaron picked, bowed and bellowed their ways into some new hearts, as well. Their show sealed the deal on The Tillers being one of the many reasons why I love Cincinnati. We’re the kind of people where their kind of music can be properly loved and respected for exactly what it is and never expected to be anything more.

Those were the highlights of my day, but I’d say the whole experience was a good one. Musically, there were really only two downsides to the fest and they were both pretty personal. To begin with, I think Neon Trees really lose their appeal in the daylight. They are everything that’s glowing, neon or flashing. They sing songs that, when sung along to, require sassy facial expressions and overly dramatized hand gestures. These are things that are best done in the dark.

I also wasn’t thrilled with Death Cab for Cutie, though I know I’m in the minority on that one. Here’s the thing, though:  “I Will Possess Your Heart” is really freaking creepy and “I Will Follow You into the Dark” is the exact opposite of the kind of love I want. I’m fairly certain anyone who’s ever been the person least committed to a relationship will understand my sentiment.

Still. Those things were minor. Most important is that Sunday was a good day and Bunbury, in my summation, was a huge success.

Writer’s note: There were a few things I thought worth mentioning but not worthy of the effort of a more fluid insertion into the above review. I’d like to add the following whimsy, as long as I won’t be sacked. Otherwise, just leave it off. (Editor's note: These are hilarious. You get a raise — two free movie passes next week!)

• Apparently making cut-offs from Mom jeans is a fashion trend. I reject this.
• Next year I’d like to rent a boat and spend one afternoon experiencing Bunbury from the river with the rest of the freeloaders.
• Seriously. I’m really proud of you for not puking in public.
• To the lady in the wheelchair with her legs stuck directly out in front of her: Are you sure you couldn’t find an even less convenient position in which to ride? (Editor's note: This may be offensive; see me.)
• I saw a New Kids on the Block tattoo and I still have no idea how I feel about it.
• Can we try to get an ice company to sponsor a stage next year? I really hate my beverage lukewarm.
• I’d still prefer a festival that took place in December or January. (Name suggestions: Bit Nipple-y Concert Series and Freeze Your Balls Off Fest)

Click here for our photo gallery by Jesse Fox featuring over 150 shots from Bunbury weekend. And keep checking the music blog for more post-game coverage. Sorry for the delay — r tender li'l brains got a bit frieded dis weakened.
 
 
by Ric Hickey 06.14.2011
Posted In: Reviews, Live Music, Festivals at 10:59 AM | Permalink | Comments (1)
 
 
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Live from Bonnaroo 2011, Part 4

The Bonnaroo Whirlwind kicks into high gear on Saturday afternoon. Today it was hardly half past twelve when Black Joe Lewis & the Honey Bears ripped the Other Tent in half with 60 minutes of high fructose Funk and Gospel that had the surrounding throng speaking in tongues.

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by Amy Harris 05.17.2012
Posted In: Live Music, Festivals, Interview at 03:36 PM | Permalink | Comments (0)
 
 
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Q&A with Black Stone Cherry

Kentuckians headed to Columbus for Rock on the Range fest

Black Stone Cherry is a Kentucky-based band that combines its Southern roots with hints of Metal. Last time we spoke with the band, BSC had just released its third studio album, Between the Devil and the Deep Blue Sea, which the group continues to tour behind this summer. BSC have been featured on major tours with Theory of a Deadman, Alter Bridge and Nickelback and recently headlined a European tour.

CityBeat was able to speak with the band’s rhythm guitar player Ben Wells to preview Black Stone Cherry's upcoming performance at Columbus' Rock on the Range, where they will be taking the Main Stage this Sunday.

CityBeat: Last year, I spoke with Chris and he talked about how you guys love to go to Europe and how the fans embrace you in there. I know you just got off a European Tour. What was the highlight of that tour for you guys?

Ben Wells: We did shows in Germany, France, Switzerland, Austria, and 14 shows in the U.K. and every single one was sold out. It was a pretty big accomplishment since we have been over there several tours and this was the first time we had one as big as it was. We just felt really good about that and they gave us a tour plaque to hang on our walls. That was pretty neat.

CB: Are there any bands you are looking forward to seeing at Rock on the Range this year?

BW: I know we are looking forward to seeing Rob Zombie. We really enjoy his show and we are good friends with John 5, who plays guitar for them. I can’t remember who else is playing that day, but I am sure there are tons of bands that we are looking forward to seeing.

CB: I think Marilyn Manson is that day too?

BW: I’m not a huge fan of his but I do like Rob Zombie.

CB: “In My Blood” is out right now and has blown up everywhere and the video has a story of a soldier coming home from war. Can you tell me the story behind “In My Blood”?



BW: It was the last song we wrote for the album and pretty much it is a song we wrote about our lives and what we do. We leave things and people we love, go out on the road and do the things we love. Not only in our career do we do this but also military, professional athletes, fishermen, truck drivers, people like that every single day they have to leave their families. We wanted to write a song that kind of came from our perspective, kind of like our “Ramblin Man.” We made the video for it and thought it came across great. People really got the idea and the vibe of the song once they saw the video.
 
CB: I know your family has ties to the Kentucky Headhunters. Have you guys thought about doing collaborations with them?

BW:  We have live before, nothing on CD yet. I wouldn’t say it’s completely out of the question but we have played several shows together. Usually when we do, one band ends up on the other band’s stage falling in together.

CB: No formal plans?

BW: Right, not yet anyway.

CB: What are your summer touring plans?

BW: We are out right now with Chickenfoot until June 10 and then we come home and we leave for Europe on June 20th for about three and a half weeks. Then we get back in the middle of July and are doing some US festivals. So really, staying busy, trying to hit as many shows as we can.

CB: What has been the best part about being around Chickenfoot?

BW: The tour actually starts tomorrow with them. We have been out for about five days now just doing some festivals and playing our own shows. We pick up with Chickenfoot tomorrow but we have heard great things. We have never played with them before but we are excited about it.

CB: There have been a lot of changes at Roadrunner Records, your record label. I know the CEO and founder stepped down recently. Has the band seen any changes?

BW: We haven’t personally yet because we haven’t been around everybody yet. I know we had some good friends lose their jobs. I hope the label knows what they are doing because they let go a lot of great people overseas and in America go, so we’ll see if they know what they are doing.

CB: What would be your dream piece of gear to own if you could from any time in history? What piece of gear would you like to play?

BW: Any guitar that Elvis Pressley owned would be fine with me.

CB: I’m sure you could find one. I recently just saw one in New Orleans.

BW: Yeah, but I can’t afford that though.

CB: What has been your greatest rock star moment?

BW: I really don’t know. We had some pretty cool moments playing some pretty big festivals in front of 60,000 people or more, getting to meet some of the guys in Aerosmith, getting to do some certain things. I’d say anytime that somebody comes up to tell us how much the bands means to them. That’s a pretty good feeling and is a pretty special moment because it really lets you know what you do is appreciated by someone.
 
 
by Mike Breen 08.02.2013
 
 
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PREVIEW: Cincy Blues Fest 2013

The Cincy Blues Fest returns for its 21st annual event this weekend

This weekend, the Cincy Blues Fest — presented annually by the Cincy Blues Society — returns for its 21st year, a remarkable accomplishment for a music festival of any sort. The festival kicks off tonight and continues tomorrow at Sawyer Point along the riverfront.

The weekend features two main stage acts with serious ties to Cincinnati’s Blues past. Educator, author, DJ, singer and harmonica player Steven Tracy returns to Cincy to play the main stage on tonight at 7 p.m. with his band the Crawling Kingsnakes. A Walnut Hills High School graduate, Tracy worked with local Blues icons like Pigmeat Jarrett and Big Joe Duskin, becoming a part of the scene he’d later dig deeper into in the 1993 book, Going to Cincinnati: A History of the Blues in the Queen City. His writing career is extensive — Tracy has written dozens of album liner notes and edited/wrote/intro-ed several other books on a variety of subjects. Today, Tracy is a professor of Afro-American Studies at University of Massachusetts Amherst.

Saturday at 6 p.m. on the fest’s main stage, Stacy Mitchhart and his band are slated to perform. Mitchhart grew up in Cincinnati and spent time playing music on the East and West Coasts before returning to his hometown in the early 1990s and forming Stacy Mitchhart and Blues-U-Can-Use, a staple on the local Blues scene for a few years. After a move to Nashville, Tenn., in the mid-’90s, Mitchhart’s musical career really took off. His albums have been widely acclaimed and done well commercially — his 2011 release, Live from B.B. King’s, debuted at No. 6 on the Billboard Blues charts — and he’s received high-praise for his showmanship and remarkable Blues voice. In 2008, Mitchhart was the subject of the well-received documentary NashVegas Blues. 

Here is tonight's main stage schedule:

5:45-6:45 p.m. Dave Muskett

7:00-8:15 p.m. Steve Tracy & the Crawling Kingsnakes

8:30-10 p.m. Reba Russell Band

10:15-11:45 p.m. Watermelon Slim & the Workers

And here's the lineup for the Main Stage tomorrow:

4:15-4:45 p.m. Blues in the Schools (BITS) Band

5-5:45 p.m. The Juice

6-7 p.m. Stacy Mitchhart Band

7:15-8:30 p.m.  Nikki Hill

8:45-10:00 p.m. Honey Island Swamp Band

10:15-11:45 p.m. Ana Popovic (all the way from Serbia!)

Some of the coolest things at the Cincy Blues Fest can be found on the “specialty” stages — a “specialty” of the fest — which this year includes a “Women of the Blues” stage on Friday, headlined by national act EG Knight and also featuring locals Rio & The Ramblers, The Juice and Tempted Souls Band. 

Here is the "Women of the Blues" stage ((aka the Arches stage) schedule for tonight :

5:45-7 p.m. Rio & the Ramblers

7:15-8:30 p.m. The Juice

8:45-10:00 p.m. Tempted Souls Band

10:15-11:45 p.m. EG Kight

Saturday sees the return of the “Boogie Woogie Hall of Fame Piano Stage,” featuring an international cast of top-shelf Boogie Woogie pianists, including local favorite Ricky Nye and former locals (now Florida-based) Liz Pennock & Dr. Blues. The house band for the Boogie Woogie stage is Johnny Vidacovich (drums), George Bedard (guitar) and Chris Douglas (bass).

Saturday's Boogie Woogie Piano Hall of Fame stage (aka Arches stage) lineup:

4:30 p.m. Ben Levin

5 p.m. Ari Borger

5:40 p.m. Ricky Nye

6:20 p.m. Liz Pennock & Dr. Blues

7:10 p.m. Bruce Katz

7:50 p.m. Al Hill

8:30 p.m. Axel Zwingenberger & Lila Ammons

9:10 p.m. Joshua Paxton

10 p.m. David Vest

10:40 p.m. Bob Seeley

11:20 p.m. Chris Conz

The Blues Fest again presents the St. Vincent De Paul Local Stage on both days of the event, always an excellent snapshot of the current local Blues scene. 

Friday's St. Vincent De Paul Local Stage schedule: 

5:45-6:45 p.m. Thomas Long & Blue Sacrifice

7-8 p.m. Noah Wotherspoon Band

8:15-9:15 p.m. Ralph & the Rhythm Hounds

9:30-10:30 p.m. Brad Hatfield Band

10:45 p.m.-12 a.m. G Miles & the Hitmen

Saturday's St. Vincent De Paul Local Stage lineup:

4:30-5:30 p.m. The Blue Birds Big Band

5:45-6:45 p.m. Jay Jesse Johnson Band

7-8 p.m. The SoulFixers

8:15-9:15 p.m. Doug Hart Band

9:30-10:30 p.m. Chuck Brisbin & the Tuna Project

10:45 p.m.-12 a.m. Leroy Ellington Blues Band

Here is a map of the Blues Fest grounds:

Tickets are $15 for Friday, $20 for Saturday or $25 for a two-day pass (tickets can be purchased at the gates or here). Visit cincybluesfest.org for everything else you need to know about the festival. 

 
 
by mbreen 02.26.2013
 
 
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Early-Bird MidPoint Music Fest Passes on Sale Friday

MPMF also accepting artist submissions at a discount until Friday

For a limited time (while supplies last, as they say), seriously discounted tickets for the MidPoint Music Festival — which returns to the clubs and venues of Over-the-Rhine/Downtown Sept. 26-28 — will be made available starting this Friday at 10 a.m.

During this “Loyalty Presale,” three-day “All Music Access” passes can be purchased through mpmf.cincyticket.com (the site will be live for the public tomorrow) for just $49 (they’ll be $20 more come MPMF time). They are expected to sell out fast, so get ’em while you can. For those wanting a VIP MPMF experience, the popular VIP passes will also be available Friday for $129 ($40 off the normal price). The VIP tickets get you priority admission to all shows, access to catered VIP-only events and other goodies. (Last year’s VIP passes sold out before the fest.)

In other MPMF news, if you are a musician/performer interested in being considered for a showcase slot at the festival, submissions are now being accepted via Sonicbids. The submission fee is just $20 until this Friday; after that it goes up to $25. (Those without a Sonicbids account can submit to MPMF and receive a two-week free trial of the service.)

Stay tuned to MPMF.com and this blog for the latest updates on MidPoint.

 
 
by Ric Hickey 06.15.2011
Posted In: Live Music, Festivals, Reviews at 12:08 PM | Permalink | Comments (0)
 
 
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Live from Bonnaroo 2011, Part 5

Our third and final day on-site at Bonnaroo was no less crazy than the previous two. I took occasional breaks during the day, sometimes in the air-conditioned press tent, and other times back at the campsite where I’d snack, get off my feet for a few minutes and pour water over my head.

The day began with an 11:30 a.m. press-tent panel discussion on changes in the concert industry since Bonnaroo’s inception 10 years ago. The panel included Bonnaroo founder Ashley Capps who reminisced about the festival’s early days. Capps and crew intentionally booked bands for the inaugural festival who already had direct contact with their fan base via the internet. By tapping into this pre-existing network, they were able to sell out the first Bonnaroo in just 18 days.

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by mbreen 08.23.2011
Posted In: Festivals, Live Music at 05:38 PM | Permalink | Comments (1)
 
 
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Inaugural Feywill Music Festival This Weekend

Everybody has their own parameters for summer these days. Schools are gradually starting earlier every year, so many students’ “last day of summer” was in early August, while the calendar says it’s not until Sept. 22. But if you declare summer as “everything before Labor Day,” this is the last weekend of the season. And it seems like many “summer” music festivals are coming in just under the wire — this weekend sees the return of several fests (Ohmstead, Whispering Beard Folk Festival, Swinefest, Taste of Blue Ash), as well as the debut of a brand new one — the Feywill Music Festival, which shines a spotlight on some of Greater Cincinnati’s finest original artists Friday-Saturday at various venues in Covington’s MainStrasse Village.

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by Mike Breen 02.18.2015 98 days ago
 
 
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Artist Submissions Open for 2015 MidPoint Music Festival

Fall fest puts out call to artists interested in performing at 14th annual event

Musical acts interested in being considered for a showcase slot at the 14th annual MidPoint Music Festival (scheduled for Sept. 24-26 in various venues around Downtown and Over-the-Rhine) can begin submitting today.

The festival — owned and operated by CityBeat — has announced a new partner for facilitating submissions, switching from Sonicbids to the locally-based CloudPressKit. The move will save artists some money — the submission fee for MPMF 2015 is $15 (through Sonicbids, it was $25, plus a Sonicbids membership) — and CloudPressKit is described as more “artist friendly.”

Click here for MPMF submission details. MPMF.com has a Q&A with the fest's head honcho, Dan McCabe, about the application process that answers a lot of questions submitters may have (other questions can be directed to info@mpmf.com). Applications are being accepted through May 17. 

 
 

 

 

 
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