WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home - Blogs - Staff Blogs - Popular Blogs
Latest Blogs
 
by Rick Pender 09.10.2013
Posted In: Theater at 07:31 AM | Permalink | Comments (0)
 
 
showboat majestic 1

Landmark Productions Won't Return to Showboat Next Year

Theatre company to focus on Covedale Center after 23 years on the river

Abandon ship! Well, that's not exactly true. In fact, Cincinnati Landmark Productions has done a remarkable and loving job of sustaining the ship — in the form of the Showboat Majestic, which it has operated for 23 years in the face of at least 10 floods and countless repairs (including a leaky hull). But with its lease running out later this month, the company has decided not to return for the 2014 season. 

Cincinnati Landmark will focus its endeavors on the Covedale Center for the Performing Arts, the converted West Side movie theater where it will offer a "Summer Classics Season" in a vein similar to mainstream fare of classic comedies and musicals that has long drawn audiences to the Majestic. There have been 170 productions on board since 1991, attracting more than 350,000 patrons to the last floating theater in the United States. Cincinnati Landmark is also embarking on a new voyage with a performing arts center to be built in the Incline District in East Price Hill, a venue anticipated to be up and running as early as 2015.

Tim Perrino, executive artistic director at Cincinnati Landmark, says, "It's time to say goodbye. Our organization enjoyed a prolific chapter in the Majestic's grand history, painstakingly caring for the old boat" — launched in 1923 — "and producing seasons that paid tribute to her heritage." 

Opening this week on Wednesday, Showboat Follies will be Cincinnati Landmark's final production on the Majestic. An annual tradition, it's a compilation of musical showstoppers, comic sketches, audience interaction and a return of the "Queen City Toast," a longtime staple of season-closing shows. "This show has become our love letter to the Majestic," Perrino says, adding that it's "a thank-you to our subscribers, longtime supporters and the many artists who helped make our time on the Showboat so special." Showboat Follies runs through Sept. 29.

During the summer of 2014, Cincinnati Landmark will present four productions at the Covedale: Jerry Herman's Hello, Dolly! (May 22-June 1); Neil Simon's comedy, The Sunshine Boys (June 19-29); Footloose (July 24-Aug. 3), the 2014 Cincinnati Young People's Theater production, a summer favorite using local high school talent; and a spectacular song-and-dance show, The Will Rogers Follies (Aug. 21-31). 

In 1989, the Showboat Majestic was named a National Historic Landmark. No word from the City of Cincinnati, which has owned the Majestic since 1967, as to what might be next. The Majestic was operated with summertime shows by the University of Cincinnati for many years, and it served as a popular venue during several of the Tall Stacks festivals over the years.

 
 
by Rick Pender 05.09.2011
Posted In: Theater at 09:38 AM | Permalink | Comments (0)
 
 
-

Community Theatre Shines in 'Drowsy Chaperone'

I don't often write about community theater. It's really a matter of time and space; we have so much good theater here in Cincinnati and not so much space in CityBeat, so I have to make some choices. I also don't have enough time to catch every community theater production — trust me, there are a lot of them. But over the weekend I felt compelled to see The Drowsy Chaperone, produced by Cincinnati Music Theatre at the Aronoff Center's Jarson-Kaplan Theater.

Read More

 
 
by Rick Pender 12.17.2010
Posted In: Theater at 01:19 PM | Permalink | Comments (0)
 
 
-

Stage Door: Local Theater Holiday Madness

If you're still working on your checklist of holiday shows, there have been several added performances for shows at Know Theatre, Ensemble Theatre and other venues you should keep in mind.

Read More

 
 
by Rick Pender 04.27.2012
Posted In: Theater at 03:37 PM | Permalink | Comments (0)
 
 
onstage 5-1 - cast of thunder knocking on the door - cincinnati playhouse - photo sandy underwood

Stage Door: 'Thunder Knocking' and More

Cincinnati Playhouse just opened Thunder Knocking on the Door, a show it staged in 1999 and sold a boatload of tickets — the most for any musical it’s presented in the past two decades! I was there on Thursday night for the opening, and this is a drop-dead gorgeous production — costumes, sets, lighting and sound by Broadway designers, and a cast of five who all have star-power. Even better, they form a wonderful musical ensemble when they need to. Keith Glover’s play is a fable about the Blues: Marvell Thunder is a mystical presence who years earlier lost a “cuttin’ contest” to a fellow named Jaguar Dupree, and now he’s back to even the score “where the two roads meet,” somewhere near Bessemer, Alabama. But Jaguar’s passed, survived by his wife (twice widowed since then) and his twin brother. Her and Jaguar’s twin children, Jaguar Jr. and Glory are musical and each have magical guitars that he bequeathed to them. Jr. has lost his to Thunder, and now he’s coming for the other one. But it’s complicated, because Thunder is turning to stone because it’s been so long since he’s been in love. All this is played out to a wonderful Blues score, most of it by singer and composer Keb’ Mo’. There’s a great band backing them up, and to make this tale all the more magical, among its technical team is an “illusion designer.” You’ll be asking, “How’d they do that?” more than once. I gave it a Critic’s Pick, and you should get your tickets right away. 513-421k-3888.

Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, Bloody Bloody Andrew Jackson is a youthful mix of political commentary, driving Rock performances, history, humor and sober observations on the will of the people — just what we’ve come expect from Know Theatre. Not many musicals begin with the cast flipping the bird at the audience, but then not many musicals are like this one, spinning a tale of America’s seventh president to in-your-face Indie Rock tunes. This is Bloody Bloody’s first professional regional production. I gave it a Critic’s Pick, and the show is proving to be a big hit for Know. (Through May 12.) Box office: 513-300-5669.

Pump Boys & Dinettes at the Covington’s Carnegie Center is something like an off-Broadway classic (it had a brief Broadway run) from the early 1980s. Set in a filling station that’s also a diner, it’s a framework for downhome Country tunes and cornpone humor. Not much of a story, but a talented cast makes this one a lot of light-hearted fun. This is the final weekend. Box office: 859-957-1940.

Covedale Center is presenting Andrew Lloyd Webber and Tim Rice’s but Joseph and the Amazing Technicolor Dreamcoat. I saw it last Friday and can recommend it as a production that does justice to a piece of entertaining fluff. Director Tim Perrino has assembled a fast-paced production with some fine voices. The jaunty show, which covers the familiar tale in about 90 minutes (including intermission), has fun with (and parodies) various musical styles — from Elvis-styled Rock and Western Swing to French ballads and calypso. Stone walls and palms slide back to reveal a sphinx and a smoking entrance for the Pharaoh (aka Elvis). It’s not groundbreaking in any way, but it is the kind of solid entertainment the Covedale has presented for 10 seasons. Through May 13. Box office: 513-241-6550.

And while I’m talking about lighthearted shows, make not that a tour of Mamma Mia, cramming tons of ABBA tunes into an implausible but funny story, makes a one-week stop at the Aronoff starting on Tuesday. It would be hard not to have a good time at any production of Mamma Mia. Tickets: 513-621-2787.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Rick Pender 11.18.2011
Posted In: Theater at 09:42 AM | Permalink | Comments (1)
 
 
oklahoma @ ccm - photo ryan kurtz

Oklahoma!: A Classic in Every Way

If you've ever wondered why musical theater fans think of Oklahoma! as the show that launched the "Golden Age" of musical theater, you need to get a ticket for this weekend's CCM performance of the 1943 classic by Richard Rodgers and Oscar Hammerstein II. I attended the opening last night, and it's a stunning production firing on all cylinders. The cast is first-rate, especially senior John Riddle as handsome cowboy Curly McLain and Chris Blem as threatening Jud Fry. Julia Johanos is a feisty Laurey Williams, and CCM and Broadway veteran Pamela Myers comes back to where she got her start to play Aunt Eller, full of wisdom, piss and vinegar.

Read More

 
 
by Rick Pender 10.06.2009
Posted In: Theater at 09:19 AM | Permalink | Comments (0)
 
 

Covedale Center Unveils Expansion Tonight

Since the Covedale Center for the Performing Arts opened back in 2002, it’s become the go-to place for onstage entertainment on the West Side, including the summertime Cincinnati Young People’s Theatre, which provides theater opportunities for high school kids from across the city. The facility is owned and operated by Cincinnati Landmark Productions (CLP), recently inducted into the Cincinnati Entertainment Awards Hall of Fame on Aug. 30. CLP also operates the Showboat Majestic

The Covedale Center has been a busy place, but the converted 1940s movie house had minimal backstage space — until now. After several years of tight quarters, no running water or bathrooms, the facility has been renovated and expanded: There is now a rehearsal studio, a green room, two dressing rooms, shop space and two handicapped-accessible bathrooms. This evening marks the grand opening of the addition with a reception for VIPs and local media.

Read More

 
 
by 12.06.2010
Posted In: Theater at 03:29 PM | Permalink | Comments (0)
 
 
-

Pop-Up Theater

Cincinnati finally got its first "pop-up shop," a holiday effort by local merchants to band together to take over unused retail space in Over-the-Rhine for a short period and then vacate when done. See photos from its opening weekend here.

'Tis also the season for pop-up theater, smaller productions that are squeezed in between performances of mainstage shows. One opens tonight at Know Theatre of Cincinnati.

Read More

 
 
by Rick Pender 02.24.2012
Posted In: Theater at 11:23 AM | Permalink | Comments (0)
 
 
intothewoods9724

Stage Door: Sondheim at CCM; Broadway 2012-13

A lot of Stephen Sondheim’s shows are kind of heady, but Into the Woods — an intersection of a bunch of fairytale characters — is perhaps the most approachable and especially when it’s given the kind of colorful, overflowing with talent treatment that you’ll find for the next two weekends at UC’s College-Conservatory of Music (that’s longer than usual, but tickets will still be in short supply, I suspect). Act I is about “happily every after,” while Act II explores what comes next. Twenty years ago, when an endowed chair in musical theater (the first in the nation) was established at CCM, professor and director Aubrey Berg staged the show; to honor the gift of Patricia Corbett, he’s mounting a new production at the theater named in her honor. I thought last fall’s Oklahoma at CCM was a wonderful production, but this one, which I saw open on Thursday evening, is even better, with an incredible array of talent and wildly inventive staging. Tickets: 513-556-4183.

A year ago Cincinnati Shakespeare had a big hit with a stage adaptation of Jane Austen’s Pride & Prejudice. Looks like they’ve done it again with another adaptation of the 19th-century novelists Sense & Sensibility. This time it’s the sisters Dashwood, one rational and one emotional. The roles are wonderfully played by Kelly Mengelkoch (as the reserved, reasonable Elinor) and Sara Clark (as the willful and romantic Marianne), and they’re surrounded by delightfully drawn supporting characters — and a story of romance and domestic intrigue. I gave the production a Critic’s Pick. I’m told that several performances are already sold out (it’s onstage through March 18), so if you hope to see this one, you should line your tickets up right away. Tickets: 513-381-2273.

In case you wanted a short course in shows by Sondheim, the next few weeks is your big opportunity. In addition to Into the Woods at CCM, you can catch the touring production of West Side Story at the Aronoff (it opens a two-week run on Tuesday), a show that Sondheim wrote the lyrics for when he was 26 (he’s about to turn 82). And a week from now, the Cincinnati Playhouse will start previews of Merrily We Roll Along, a show from 1981 that was a flop at first, but now is praised as one of his greatest musical accomplishments. It’s about the joys and frustrations of success from the perspective of people involved in creating musical theater. It will be on the Marx Stage through March 31.

Andrew Bovell’s Speaking in Tongues is a complicated noir-ish tale of marital deceit and cryptic crime that unfolds more clearly because of its accomplished four-actor cast, including local professionals Bruce Cromer (who’s played roles as varied as Ebenezer Scrooge for the Playhouse to King Lear for Cincinnati Shakespeare) and Amy Warner (a regular at Ensemble Theatre and Cincinnati Shakespeare). The show is a fascinating piece of theater that takes work to watch, follow and absorb. I suppose that some casual theatergoers will be put off by it, but if you like challenging drama and multi-layered acting, you’ll leave the theater with their gears spinning. I gave Speaking in Tongues a Critic’s Pick. Through March 4. Box office: 513-421-3888.

Know Theater’s “comedy of anxiety” by Allison Moore, Collapse, opens with the collapse of a highway bridge over the Mississippi River in Minneapolis. But it’s about all kinds of things falling down — the economy, relationships. This is the kind of edgy script Know Theatre is known for, funny but meaningful. I gave the production a Critic’s Pick because it combines heart and humor. Collapse is presented with comic finesse and fine acting, especially by local professional actress Annie Fitzpatrick. Know’s best work of the season. Through March 3. Tickets: 513-300-5669.

Planning for next season? Check out my blog from last Sunday about what Broadway in Cincinnati will be presenting, including the zany Blue Man Group.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Rick Pender 03.13.2009
Posted In: Theater at 10:11 AM | Permalink | Comments (0)
 
 

Stage Door: Don't Be Afraid of Friday the 13th

There's nothing unlucky about Friday the 13th in the theater world. (Theater folks have enough other superstitions anyway.) So you have lots of excellent choices this weekend, from the very funny The Foreigner at the Playhouse (just opened) to the satiric Timon of Athens at Cincinnati Shakespeare (see review here).

If you want a heavy-duty drama, try Bent at New Stage Collective (it's about the mistreatment of gays in Nazi concentration camps; see my review here). And if you want to see some of the talent that keeps spilling out of UC's College-Conservatory of Music, I recommend that you stop by the Over-the-Rhine nightclub Below Zero tonight after 10 p.m.

Read More

 
 
by Rick Pender 03.01.2013
Posted In: Theater at 08:38 AM | Permalink | Comments (0)
 
 
onstage 2-20 - when the rain stops falling (know) cast at table - photo deogracias lerma

Stage Door: Old and New

If you're looking for an unusual but gripping theatrical production this weekend, you should head straight to UC's College-Conservatory of Music for The Threepenny Opera. Don't think that this is some stuffy old piece from 1928, although that's when the show with a script by Bertoldt Brecht and music by Kurt Weill was first performed. It was radical and challenging, mocking the establishment and paying no heed to social structures. This musical theater production, staged by CCM Opera Chair Robin Guarino, feels lethal and threatening. You'll recognize a tune or two ("Mack the Knife" is the show's familiar tune), and if you've seen Cabaret or Urinetown, you'll recognize how this piece influenced those works. Guarino's production, with a big cast and an imaginative set (designed by Tony Award winner John Arnone), captures the vitality and spirit of the original work. I doubt we'll see another production of this one very soon, so here's your chance to catch a bit of theater history — and be both entertained and provoked. Definitely worth seeing. Through March 10. Box office: 513-556-4183.

If you haven't yet seen Know Theatre's production of When the Rain Stops Falling, that's another one you should have in your sights. Andrew Bovell's dense, imaginative script is a compelling story of multiple, intersecting generations of two families. (Review here.) The taut, engaging 100-minute production, staged by Cincinnati Shakespeare's Brian Phillips, features several of that company's best actors, as well as several other local standouts. One of the best productions from Know Theatre in several seasons. It's onstage through March 16. Tickets: 513-300-5669.

I haven't seen it (alas, my schedule just doesn't have room for everything), but Legally Blonde: The Musical at NKU has received props from the League of Cincinnati Theatres as an entertaining production.
It's the story of Elle Woods, spurned by her fiancé, off to Harvard Law School in pursuit of him, only to discover that she's got the smarts to be more than just a girlfriend. Not profound, but surefire entertainment. Through Sunday. Tickets: 859-572-5464

This is the second and final weekend for Catie O'Keefe's world premiere, Slow Descent from Heaven, presented by New Edgecliff Theatre. (O'Keefe is NET's playwright-in-residence). It's being performed in a converted classroom at the Clifton Cultural Arts Center, directed by Ed Cohen. The central character, Molly (Elizabeth A. Harris), is a NASA scientist whose story is bookended by space shuttle disasters in 1986 and 2003. An angry, tense character, her involvement with men has affected her career and her attitude. The story has a reverse chronology, so we peal backwards in time to learn more about why she's the way she is. This is a good chance to see an original script by a local writer. Tickets: 513-399-6638.
 
 

 

 

 
Close
Close
Close