Morning Cincy! Here’s your news today.
Former senator and potential Republican presidential candidate Rick Santorum visited the Greater Cincinnati area yesterday to speak at a conference on religious freedom in West Chester Township. Santorum wasn’t shy about mixing in some campaigning, telling the crowd that big government is threatening their freedom to be Christian and that the path forward is electing strong Christian leaders like Santorum himself. He threw out some recent headlines, including one about public schools in New York celebrating Muslim holidays, as examples of ways in which the religious right are being persecuted by pretty much everyone else. In his god, guns, no government stumping, Santorum appears to be reprising his role as 2012 Republican presidential primary runner-up. He came in second to Mitt Romney, a guy who has no weird religious ideas whatsoever. Santorum told the Cincinnati Enquirer he is considering running again for the GOP nomination and will make a solid decision in June or so.
• The Human Rights Campaign, one of the nation’s largest LGBT advocates, has recognized a local nonprofit for its service to LGBT youth. HRC has awarded Lighthouse Youth Services with its All Children – All Families seal of approval, the organization’s highest recognition of competency with LGBT issues for child welfare agencies. Lighthouse, which does street outreach, residential treatment and other programs with homeless and at risk youth, is the first agency in Ohio to receive the award.
“It’s an honor to receive this recognition from HRC as we work to serve this population of young people who are at such high risk of homelessness and discrimination,” said Lighthouse President and CEO Bob Mecum in a statement.
• As a fan of dark beer, and, really, dark beer exclusively, I’ve sat on the bench watching a number of craft brewers pop up around the city. Those brewers are great and all, but hopped-up IPAs are just not my style and that seems to be the rage these days. However, someone has finally heard my cry and now there’s a brewer coming devoted to my love of the dark, chocolaty richness of stouts and porters. Darkness Brewery is planning to open just across the river in Bellevue in September, focused on the tastiest corner of the beer world. I’ll be camped out at the door come grand opening. Founders Eric Bosier and Ron Sanders are currently funding the enterprise themselves but might set up a Kickstarter campaign in the near future.
• Do courts in Kentucky discriminate against addicts by blocking those on probation from taking anti-addiction drugs like methadone? That’s what a federal lawsuit filed by a Kentucky nurse alleges. Stephanie Watson is an opiate addict who is forbidden from taking medication aimed at easing her off the drugs. Watson’s attorneys say that violates the Americans with Disabilities Act. The lawsuit targets the state’s Monitored Conditional Release program, which maintains the rules about the drugs, and seeks to have those rules overturned. Officials from the release program have yet to comment on the suit.
• Business groups across the state are signaling they’re not on board with Gov. John Kasich’s tax cut plan, mostly because it includes an increase in sales taxes. Kasich has proposed a $500 million tax cut for the state, mostly achieved by lowering income taxes while raising sales taxes and taxes on specific items such as cigarettes. Many of Ohio’s regional chambers of commerce have come out against the plan, saying it will limit Ohio’s nascent economic recovery. Kasich’s plan has also drawn flack from liberals, who say it makes the state’s tax structure more regressive. It’s also not gotten a lot of love from the Republican-dominated General Assembly, who have signaled they will be making changes to Kasich’s proposed budget.
• Here’s an interesting, and distressing, wrinkle in the ongoing national conversation about police use of force set off by the death of Mike Brown in Ferguson, Mo. This story explores the little-recognized fact that all the police involved in recent controversial shooting deaths of unarmed black citizens have been remarkably young and inexperienced — all well under the age of 30. While it’s important to realize that a number of systemic issues seem to be at play in the deaths of young men like Tamir Rice in Cleveland and John Crawford III in Beavercreek, officer inexperience seems to be an important, and under-recognized, element to the tragedies.
That’s all I’ve got today. You know the drill: tweet at me (@nswartsell), email me (email@example.com) or comment with news tips or general heckling. Whatever you gotta do.
Yesterday, Cincinnati Alt Pop foursome Walk the Moon continued its promotional blitz behind its sophomore major label album, Talking is Hard,
with a performance on Ellen DeGeneres' popular daytime talk/variety
show. After being introduced by DeGeneres as a "great Rock & Roll
band from Cincinnati, Ohio," the group played its single "Shut Up and
Dance" and singer Nicholas Petricca ran into the crowd to rock out with
Coincidentally, another Cincinnati-born band, The Afghan Whigs, appeared on national television the night before, performing "The Lottery" from their latest album on late night's Jimmy Kimmel Live. Watch it here and a web-exclusive performance of "I Am Fire," with a dash of Fleetwod Mac's "Tusk," here. WtM also played Kimmel late last year when the new album was released.
Walk the Moon will play a hometown show at Bogart's on
April 1 (like many shows on the band's current tour, it has already sold
out), then returns this summer to play the Bunbury Music Festival in
early June (tickets available here).
On Tuesday, March 17, Cincinnati duo Bad Veins will see its latest album, The Mess Remade, released nationally. The 13-track effort isn't an entirely "new" album, but a re-recorded/remastered version of Bad Veins' sophomore full-length, The Mess We've Made, which came out in 2012 on the Modern Outsider label. The record — which features new cover art, as well — comes after some big changes in lead Vein Benjamin Davis' band — the departure of original drummer Sebastien Schultz (who now plays with local Indie Pop group Multimagic), the addition of new drummer Jake Bonta and a new label home, the third nationally-distributed label in Bad Veins' lifespan (its self-titled debut was released on Dangerbird Records).
The Mess Remade is being released on the Dynamite Music imprint, a new company founded by Marco Liuzzo and Mitch Davis (son of music biz legend Clive Davis). The label is partnered with Caroline, which is part of Capitol Records and Universal Music Distribution. Bad Veins are the company's second announced signees, following Pop singer Ryan Cabrera.
The Mess Remade includes two new tracks, "I Shut My Heart Down" and a cover of The Muppets' classic "Rainbow Connection" (Davis performed the song solo to open the 2013 Cincinnati Entertainment Awards ceremony). The early release of "Rainbow Connection" in January and last month's puppet-filled music video release (premiered at The AV Club) caught some buzz online. The album also features a shorter "radio edit" of the leadoff track "Kindness," as well as the original 5-minutes-plus version.
Here is a video clip for the new "Kindness":
And here's the "Rainbow Connection" clip:
Noisetrade.com has a four-track sampler of Remade available here if you can't wait a week.
Find more about Bad Veins here.
Morning y’all! Here’s a brief morning news rundown before I jet off to some interviews.
The Ohio Task Force on Community-Police Relations met last night at UC for a sometimes intense five-and-a-half-hour listening session. A large group showed up to listen to expert testimony and to speak to the panel themselves. Perhaps the most charged moment came when John Crawford, Jr., the father of John Crawford III, a Fairfield man shot by police in a Beavercreek Walmart, gave emotional testimony about the need for police reforms.
Among experts presenting were Garry McCarthy, superintendent of the Chicago Police Department, who talked about data-driven policing, Lt. Colonel David Bailey from the Cincinnati Police Department and Al Gerhardstein, a Cincinnati attorney who played a key role in the city’s collaborative agreement following the civil unrest here in 2001. State Sen. Cecil Thomas also testified about his role in the agreement. About 45 community members signed up to speak, including young activists with the Ohio Student Association, who argued there should be youth representation on the 18-person panel. Most attendees were from Cincinnati, but some drove from as far away as Columbus and Toledo. The panel concludes a tour of four listening sessions across the state. Now the task force, which was convened by Gov. John Kasich in December, will work on a report about its findings due at the end of April.
• A potential Over-the-Rhine neighborhood parking plan continues to take shape. Council discussed the prospective plan yesterday at its Transportation Committee meeting but did not pass anything just yet. Right now, the plan council is mulling would charge about $100 to park in one of 400 reserved spots around the neighborhood. That’s about a third of all the spots in OTR. Those who receive housing assistance would get a deal on the parking plan, however, only paying $18. Only two passes would be permitted per household.
• A bill necessary to move forward with tolling on a potential Brent Spence Bridge replacement is a likely wash in the Kentucky state Senate, meaning it’s back to the drawing board for the $2.6 billion project. Ohio Gov. John Kasich and Kentucky Gov. Steve Beshear recently proposed a public-private partnership to fund the 51-year-old structurally obsolete bridge’s replacement, but that requires Kentucky, which owns the bridge, to pass a law allowing public-private partnerships. Some Kentucky politicians, including many Northern Kentucky officials, oppose tolls on the bridge, saying they’ll hurt commuters and businesses in the region.
• Former Ohio Governor Ted Strickland has garnered another big endorsement in his run against Cincinnati City Councilman P.G. Sittenfeld for the Democratic Party’s nomination in the 2016 race for Republican Rob Portman’s Senate seat. The Democratic Senatorial Campaign Committee, the campaign arm of the party’s senators, has backed Strickland over Sittenfeld. There was some speculation that Sittenfeld, who is regarded as a promising rising star within the party, would bow out to the more experienced and well-known Strickland when the latter announced his campaign last month. But the younger Democrat has vowed to stay in the race, even as the going gets tougher. Yesterday, we told you that current Democrat Sen. Sherrod Brown also endorsed Strickland. Sittenfeld has backers of his own, to be sure, and has raised a respectable $500,000 for his campaign.
• Finally, let’s go national. When something like the following happens, I automatically assume it happened in Florida, and I’m right a distressing amount of the time. On Sunday, thieves there stole a tractor-trailer with $85,000 worth of… mozzarella cheese. That’s a felony level of cheese there, friends. If I had that much cheese, I’d probably swim in it the way Scrooge McDuck used to swim in all those crazy gold coins he had. Police haven’t found the culprits yet, but I have a hot tip for them: Look for the guys making an insanely large pizza.
That’s it. See ya. Tweet at me @nswartsell or hit me on email (firstname.lastname@example.org).
Jess Lamb’s initial performance for the judges on American Idol’s bus tour was undeniably a show stopper. It wrapped up the episode and introduced America to one of Cincinnati’s brightest talents, while also moving her on to the Hollywood round after impressing the judges. Her second televised appearance, a group rendition of Meghan Trainor’s “All About That Bass,” was considered one of the stronger performances of the Idol Groups round.
That is why it shocked many viewers when she was quietly cut from the show after the performance.
Allegations quickly followed blaming Lamb’s cut on comments that Jennifer Lopez had made regarding the age of some of the contestants, due to Lamb being one of the older performers in the competition (she is only 29). If there’s anything that Lamb would like to set straight it is this: Don’t believe everything you hear. And this is far from the end of the road for her.
“Honestly, I got nothing but really awesome comments from [Lopez]. No bad comments, nothing,” Lamb explains.
Lamb is still unsure as to exactly why she didn’t move on to the next round — American Idol never provided her with a reason — but she does not believe that it was Lopez’s comments or her age that caused the cut. Lamb frequently questioned the editing of the episode and the presentation of Lopez’s comments while discussing the episode and the ensuing fallout.
While the cut was undeniably a blow to Lamb, it is one she is quickly recovering from. In fact, when the episode aired, she wasn’t even able to watch because she was working on one of her myriad new projects at the time.
“I’m busier since Idol than I ever have been. I’m working with Bootsy [Collins], writing with his backup singer, talking with his wife about a project she wants me to work on, preparing for [record label] showcases,” Lamb says.
While Idol’s promised record contract is now out of reach, that hasn’t slowed down Lamb’s work towards her goal of signing with a label and releasing a full-length album. In fact, Idol gave her the exposure that she needed to land on the radar of several big names within the Pop music community. “Grammy-award winner” is descriptor not often connected to people working with local music acts, but it applies in this instance. (Lamb can’t divulge too much information about certain facets of her industry interactions, so vague hints will have to do for now.)
Details are still being discussed and Lamb is still under Idol’s contractual obligations restricting her from signing with any labels before the show is over and a set period of time has passed since its finale. But Lamb is making the best of the time between now and May.
“I’m just trying to do what I’m legally able to do,” Lamb says.
While American Idol continues its search for the next American pop star, Lamb is determined to grow her career using many of the tools that she’s been using for years. She’s constantly attempting to break into new markets, make music with new people and perform for new audiences. The only difference is that she now has a national TV show appearance to help with promotion and publicity. The details of her release from American Idol may be shrouded in a bit of controversy, but ultimately what will endure are her fans’ memories of her performances. It is those memories that will be reignited once American Idol runs its course and Lamb is able to finally take the steps she’s been feverishly working towards putting in place.
And with several months till Idol’s run completes, Lamb has plenty of time to make some very big plans.
Hey all! Hope your weekend was great. I spent my Saturday at the Neighborhood Summit, so mine was super fun because I’m a huge dork. If you’re like me and you’re into community building, urban planning, transit, or anything else at all city related, though, it’s kind of like our Midpoint. Highlights included a three-part panel discussion among Police Chief Jeffery Blackwell, activists Damon Lynch III and Iris Roley and other experts talking about how far the Cincinnati Police Department has come since 2001, as well as another set of presentations about immigration in Cincinnati.
Anyway, on to the news. Could labs on Cincinnati’s East Side currently occupied by the National Institute of Occupational Safety and Health be a new home for the Hamilton County crime lab? County Commissioner Todd Portune says he’s looking into that possibility. Last month, the federal government announced it was providing $100 million to build a new facility for NIOSH to combine the organization’s two labs in Cincinnati into one complex over the next few years. That could free up plenty of lab space for the county’s cramped and outdated morgue and crime labs, currently in a building built in the early 1970s. What’s more, some of that $100 million could go toward renovating the current NIOSH lab so the county crime lab could move in. The idea comes after county commissioners killed a plan to move the morgue, crime lab and other county offices to a former Mercy Hospital in Mount Airy donated to the county for a dollar. Commissioners have said it would cost too much money to retrofit that building for the new offices.
• A statewide task force on police-community relations put together by Ohio Gov. John Kasich in the wake of controversy over police shootings is coming to Cincinnati tonight. A public listening session will be held at 4:30 p.m. at the Kingsgate Marriott, 151 Goodman Drive, near the University of Cincinnati. City Locals Councilwoman Amy Murray, Pastor Damon Lynch III and others make up the panel, which will produce a report in April on ways to improve relationships between police and community members. Kasich ordered the task force in December in response to nationwide consternation over police shootings of unarmed citizens of color across the country. In Ohio, the August shooting death of John Crawford III in a Beavercreek Walmart and the October killing of 12-year-old Tamir Rice on a playground in Cleveland have gotten national attention. Both held toy guns at the time of their deaths, and police say they seemed to pose a threat. But the families of both Rice and Crawford say police were reckless and did not act appropriately. They say the shootings are indicative of a larger cultural problem between police and communities of color.
• As political bickering continues to swirl around the streetcar’s first phase, Councilman Chris Seelbach is pushing the city to work on planning the rail project’s next leg. Seelbach has created a motion in council seeking to spur the city to begin work on plans that would take the streetcar uptown toward the University of Cincinnati and many of the city’s hospitals. The motion directs the city administration to give detailed accounting of how much the next phase of the project would cost and how it might be paid for with state and federal grants. Seelbach has also requested the city refine its process for engaging community members along the route to get better input on the project. Originally, plans for the streetcar treated the downtown loop currently being built and an uptown jaunt as one phase. But then Gov. John Kasich pulled $55 million in state funding for the project, resulting in the current scaled-down scope. Mayor John Cranley, who has been a vocal opponent of the streetcar, has said it’s much too soon to begin focusing on the next phase before the first is even finished. But Seelbach and other supporters say the only way to tap into federal funds and other sources of funding is to have a plan in place and ready to go.
• Sen. Sherrod Brown, one of Ohio’s highest-profile Democrats, has endorsed former Gov. Ted Strickland in his run for the state’s other senate seat, currently held by Republican Rob Portman. That’s not a surprise — Strickland is one of Ohio’s other super high profile Democrats — but it does signal the challenge City Councilman P.G. Sittenfeld has ahead as he challenges Strickland in the Democratic primary for the seat. Sittenfeld, who announced his candidacy last month, has recently said he won’t back down from the race despite his big name competitor. He’s raised at least $500,000 for his run and told supporters last week that he’s all in for the fight. Though Brown endorsed Strickland, he was careful to praise Sittenfeld in his announcement, saying the 30-year-old has a bright future in politics.
• In the face of issues around execution drugs, a steady number of exonerations of those on Ohio’s death row and other factors, is it time to consider reforming or abolishing Ohio’s death penalty? Many feel strongly that it is, including unlikely conservative opponents to the punishment. Recent delays to executions caused by Ohio’s struggle to find a source for drugs that will end an inmate’s life humanely have renewed calls for the state to reconsider its death penalty entirely. This Columbus Dispatch story takes a deep look into the issue and is worth a read.
• Finally, March 7 marked the 50th anniversary of the violent clash between police and protesters in Selma, Alabama, an event that helped fuel new national civil rights legislation, including the Voting Rights Act. Thousands visited Selma over the weekend to commemorate the anniversary, which was marked by passionate speeches by both President Barack Obama and outgoing Attorney General Eric Holder. Holder used his speech to question the future of the VRA, parts of which have been dismantled by recent Supreme Court decisions. Here’s a pretty in-depth New York Times piece about events in Selma over the past few days.
That’s it for me. You know the drill. Tweet (@nswartsell), e-mail (email@example.com), comment, send me a telegram or a fax (do people still fax? Is that still a thing?) Here we go. Tweet me about whether you still use a fax machine or even know what a fax machine is. I kind of do.
The movie is based on the 1879 Battle of Rorke’s Drift, in which roughly 150 British and Welsh soldiers faced off against an overwhelming number of Zulu warriors at a mission station in southern Africa. In a lot of ways it’s almost the British equivalent of the Battle of the Alamo — the difference in this case being the British soldiers won their battle, whereas all the defenders of the Alamo died.
Let’s get this out of the way: Yes, there are a lot of historical inaccuracies in the movie. But anybody who has ever seen a “Based on a True Story” movie should be aware of that by now.
To me, some of the best war films out there are not the ones that are overly patriotic and about ‘us vs. them,’ but ones that show us who the people are on both sides or, at the very least, films that don’t broad-brush the other side. With Zulu, we get that. Neither side is portrayed as the hero nor the villain; they’re two powerful forces, in their own way, who duke it out in combat. Both are proven to be worthy adversaries who don’t give up without a fight.
One thing I love about this film is the use of sound. The movie seems to use chats, songs and sounds as a motif about the sides. Probably the most effective use is when the Zulus arrive, coming over the ridge making a huge clatter with their assegai (short spears) and shields. One of the officers in charge, Gonville Bromhead (played by Michael Caine in his first film), says that it sounds, “Like a train…in the distance.” This comparison works rather well. It’s this constant clamor created that gives the audience an idea that the British are up against an almost unstoppable force. And when the near 4,000 Zulus pop up on the ridge, it seals the envelope.
Along with the drumming, the Zulus also have their own war chants which are another form used to intimidate the defenders, but on the morning of the second day the defenders reply with their own battle cry, the military march “Men of Harlech.” I see this as director Cy Enfield’s way of showing that even though these men are in a war against each other, they do have similarities. But the beautiful medleys of the British and Zulus are disrupted with the continuous roar and volley of rifle fire. And at the end of the battle many lay dead; although they are victorious, there’s no cheers to be shouted. But the Zulus do offer a final chant of respect to their worthy adversaries.
At the end, Bromhead is asked by the
more experienced officer John Chard (Stanley Baker) what he thought of his
first action. Bromhead replies with “Sick,” and Chard follows it with, “You’d
have to alive to be sick.” A clever indication of the creative team’s thoughts
There are many other great things to say about the film. The dynamic between Baker and Caine is fantastic, and supporting performances from James Booth as the drunk, petty thief Henry Hook (one of the controversial inaccuracies) and Nigel Greene as the tough but kindhearted Colour Sgt. Bourne are great. The performances from then-Chief Mangosuthu Buthelezi and his people are impressive. Also the cinematography by Stephen Dade is gorgeous, he makes every shot interesting. It almost reminds me of a John Ford Western.
Lots of booze-based, full-weekend events going on. Bockfest and the Cincinnati International Wine Festival Grand Tastings both kick off tonight — one with a goat and the other with a far classier couple, Gina Gallo of the Gallo wine family and her husband Jean-Charles Boisset, of France's Boisset Family Estates winery.
Cincinnatians not only love their beer, they also love to celebrate that they love their beer. They even love to celebrate the celebration of loving their beer. Bockfest, the oldest and largest German-style bock beer festival in the United States, is back to host a weekend of beer drinking, live music, German games, dancing, a 5k run and tons of sausage. The party kicks off 6 p.m. Friday with a parade led by a majestic bock — or to the non-German speaker, a goat — and a Sausage Queen, starting at Arnold’s Bar & Grill and ending with a ceremonial keg blessing at the festival hub, Bockfest Hall (1619 Moore St., OTR). The festivities continue in tents and overflow into surrounding participating venues, none of which will have an admission fee. A free shuttle will run a continuous loop among Bockfest sites all weekend long, taking you quickly from one keg tapping to another.
Along the route will be a traditional fish fry at Old St. Mary’s in OTR and a “veenie” vegan sausage roast outside Park + Vine. The festivities continue into the outdoor tent venues, and overflow into surrounding participating venues, none of which will have an admission fee. A free shuttle bus will run a continuous loop among the Bockfest sites all weekend long, taking you quickly from one keg tapping to another. To get a taste of history to sample with your beer, there will be tours of the city’s historical breweries and underground tunnels, plus a Bockfest Heritage Series at the Woodward Theatre, with speakers, presentations, displays and stein collections. The third annual Bockfest 5k run takes off from Bockfest Hall 10 a.m. Saturday to benefit the Flying Pig Marathon charities — a great way to burn off all that beer. Grab a “Continental Bockfest” of Amish chicken, hot bacon sauerkraut slaw and plenty of German sausage noon-2 p.m. Sunday at Bockfest Hall, before dancing the night away at a traditional German folk dance … or at least until all the beer runs out. Friday-Sunday. Free. Full schedule of events at bockfest.com.
Event: Cincinnati International Wine Festival
If wine gets better with age, it makes sense that the Cincinnati International Wine Festival would too. Celebrating its 25th anniversary, the three-day fest is made up of winery dinners at local restaurants and grand tastings, plus a Saturday charity auction and luncheon at the Hall of Mirrors. The fest, which is a nonprofit, has raised more than $4.2 million for local charities during its lifetime. And if you can do good while imbibing samples of more than 800 wines from around the world, what’s better than that? Most winery dinners are sold out, but tickets are still available for Grand Tastings on Friday and Saturday, which allow expert and beginner oenophiles to taste rare, new and exciting wines while chatting with winemakers. Read our cheat-sheet for how to get your grape on here. 6:30-9 p.m. Friday; 2:30-4:30 p.m. and 6:30-9:30 p.m. Saturday. $65-$125. Duke Energy Convention Center, 525 Elm St., Downtown. winefestival.com.
Film: Best Exotic Marigold Hotel
For part two, The Second Best Exotic Marigold Hotel continues along the same path, with a wistful, unfulfilled ache that lingers in each character, some moreso than others.
Douglas, having jettisoned Jean, pines for Evelyn. The two spend their days working through their retirement in Jaipur, and their evenings engaged in a most understated courtship. Norman, on the other hand, has settled down quite comfortably with Carol (Diana Hardcastle), a fellow pleasure-seeker, while Madge has a pair of eligible suitors hooked, but has an itch that neither is quite able to satisfactorily scratch for her.
Muriel and Sonny have the most obvious big-picture storyline, thanks to the burgeoning success of the first Best Exotic Marigold Hotel. Sonny wants to expand but needs an infusion of cash and support, so the pair heads to the U.S. to negotiate with a branded chain headed by Ty Burley (the exquisitely bearded David Strathairn) who agrees, in principle, but sends an anonymous scout to check on things before making a final decision.
Of course, the secret inspector is slated to arrive just as Sonny’s in the final stages of planning and executing his wedding to Sunaina, so there are the typical examples of mistaken identity and botched plans that must occur along the way before the happy ending, right? Check.
The Second Best Exotic Marigold Hotel is all about the innumerable chances life offers, and the fierce fighting spirit that burns in us no matter the age or situation in which we find ourselves. Intriguingly, that spirit, this time out, replaces the exotic location, and with new beacons (in the form of Richard Gere and a much better used Lillete Dubey as Sonny’s mother) presents a worthy second stay that could open the door for even more — not at all unwelcome — visits down the road. Opens wide Friday.
The Glorious Sons are a strong up-and-coming act out of Canada (Kingston, Ontario, to be exact) with a Rock sound that’s a little rough around the edges, just the way they want it.
The band isn’t trying to fit into a cookie cutter world of the music industry but deliver an authentic sound that connects with audiences. The Glorious Sons are currently on a U.S. club tour, but one listen to their new EP shows big things are on the horizon. They are currently touring with 10 Years, Otherwise and Luminoth. The tour comes to the Thompson House in Newport this Sunday (tickets/more info here). Get on the bandwagon early and come out to enjoy a night of great Rock music.
CityBeat spoke with frontman Brett Emmons to discuss the grind to get to where the band is today.
CityBeat: I know you are on this tour with 10 Years and Otherwise. How did this tour come together?
Brett Emmons: Our agent put the offer on the table for us back when we were on tour with Airborne in Canada. I am not really sure how it all came together but we knew if we went on tour with (10 Years) in the States, they wanted to come on tour with us in Canada. We have a pretty big draw in Canada whereas nobody really knew us in the States before we started this tour. So we sat down for breakfast and started talking with each other and we decided we were going to do the tour. We looked forward to it and two months later we were on the road with 10 Years.
CB: I recently listened to the album this week and I have to be honest, I think it is one of the best things I have heard in a long time and I have specific questions about some songs on the album.
BE: Thank you.
CB: One of my favorite songs on the album was “Amigo.” Could you tell me a little bit of the backstory behind that song and how it came about?
BE: One thing when you are writing tunes, at least for us, it follows like every other song, a loose story with a lot of feelings. When I start writing, I never know what the ending is going to be like or what the song is going to completely look like. I know what the song’s direction is going to be but I never start the story at the end. It is about my time in Halifax when I was there a couple years and there was a particular person that I was hanging around with a lot and writing a lot of music with. It’s about his fall from grace during the time I was hanging out with him and my fall from grace as well. It is about watching someone with so much potential self-doubt themselves and losing it all because they were scared.
CB: You brought up writing the lyrics. Can you talk about the band’s process and how you put the songs together and write together?
BE: We all do help with lyrics, too. If there is a lyric that is not covered right, everybody has their input; there are five guys and five guys who think they are songwriters and so you are never really short on ideas.
Usually somebody will bring something to the jam room and we will either be jiving with it or not jiving with it. What happens, someone will start playing something or singing something and somebody else will join in and a third person will join in and you will have five guys trying to whittle this broad thing into a song. Other times it may start with a bass riff or playing. We don’t have an equation for it and I don’t think we should. It is basically about spontaneity and just people working together doing their thing. Everybody has their job and everybody likes to do it. It comes pretty easy right now. Who knows? I imagine when we are 40 we will be dead tired.
CB: The thing I felt was interesting about the album was all the songs sound different. Sometimes I get albums and every song sounds the same, basically. I thought it was unique that, song to song, there was a different flavor you would get while listening.
BE: Yeah. That is what we thought, too. A lot of bands tend to use digital songs now and try to find what their sound is. We just rock and roll. We didn’t know what we wanted to sound like or what we wanted to be. We are just five guys playing instruments trying to write songs and whatever way they come out is the way we want people to hear them.
When you listen to the Stones, not every song on a Stones album sounds the same. If you think about that, nowadays, I feel like too many people are trying to fit themselves into a genre rather than finding out what happens.
CB: When did you know that this is what you wanted to do for your career?
BE: In high school I was asked to sing for a band and I didn’t know how to sing. I couldn’t sing worth a shit and I started singing with that band. They kicked me out of the band because they wanted a real singer. I bought an acoustic guitar and I took one of my favorite songs and I practiced it for months. I practiced singing it and I practiced playing it until my voice sounded good enough. Then I put a band together and we beat (the band I was kicked out of) in the Battle of the Bands and I won best singer at the show. For the first time I put together a song and started singing and realized how fun it was and I could be myself. When I started writing songs, I could put myself on paper and give myself a sound and words. That’s when I realized I wanted to do it.
Growing up my brother (Glorious Sons guitarist Jay Emmons) was in a band, a guitarist in a band. I grew up watching him play my entire life. When I really started playing, we started jamming together. It was always a dream of ours to throw a band together and play music together for a living. We didn’t know it would be this good but we just wanted to pay our bills with music and write songs. That has ended up happening and we are pretty happy.
CB: I have been talking to several bands that have siblings that play together. Are there any issues with that, being with your brother all the time?
BE: No. We argue a little bit because we are brothers and the most open with each other. He has always been my best friend and my rock. I grew up with him, taking advice from him, basically worshipping the ground he walked on. We are best friends. Playing in a band with your brother can go one of two ways — you can be assholes to each other or be real and good to each other, which is what we do, even though we are assholes sometimes.
CB: You said earlier you played one song over and over, what was that song?
BE: It’s a song called “Wheat Kings” by Tragically Hip, it’s a Canadian band. I’m not sure you would know them but they are Rock royalty, maybe Canada’s favorite band of all time within country. They come down here and play but in Canada every show they play is in a sold-out stadium.
CB: One of the songs on the album is “The Union,” which is also the title of the album. It seems to have a social and political message. Was that on purpose?
BE: No, not really. I’d like to clear this up, so I’m glad you asked. A few people get a bad taste in their mouth about the chorus: “I’ll never join the union because I never wanted it easy.” When you listen to the song it is just a metaphor for life and growing up and wanting to be different and still wanting to question things and question society and be the dirty little kid that you were when you were young and not caring about what people thought. There are some ties to the subject a little bit. My father’s shop was almost shut down when we were younger by a union. It was kind of an ode to him because he was able to maintain his shop without the union. He went from having 10 employees to having one employee. We went through some hard times but he was able to keep the family together and keep the shop up and running and to this day provide a comfortable life for us.
It is not a political stand against any union in any way. It is about growing up and not doing what everyone wants you to do.
CB: A lot of bands are collaborating now and playing together. I know you guys are just starting out but is there anybody you’d like to do a dream collaboration with?
BE: I’d love to pick Bruce Springsteen’s brain a little bit. Words, mostly. He is one of my favorites of all time. That is a huge dream though. In Canada, we collaborate with people like The Trews and heroes from that country and it would be cool to see what it would be like to write with Kings of Leon or bands like that. Mainly, we are more focused on collaborating with each other. Everyone in our band knows what we want. We work well together. I guess it would be fun to collaborate with (KoL’s) Caleb Followill or The Tallest Man on Earth or someone like that but, again, these are big, big pipe dreams.
CB: You mentioned The Trews. I know you worked with (Trews guitarist) John-Angus MacDonald on your first and second EP. What was that process like and why did you choose him? I recently talked to Godsmack and they were talking about the role of their producer and that he keeps the peace and how they really trust and listen to him. Why did you choose MacDonald and how did you work together?
BE: When we chose him … he chose us actually. We were playing a competition and we won it. He was one of the judges and came up to me after the show and said he wanted to see what it would be like to produce one of our albums. My brother grew up going to Trews shows and we were all fans of The Trews. Basically, that was the most excited I have ever been in my entire life. It felt like our shot and it really was. He took a chance on us. We got into the studio and we started playing our tunes and listening to him and fighting with him a bit too on things.
We didn’t really look for a producer. At the time, I don’t think I even knew what a producer did. I had never had a producer on any of my albums before and I never really made an album that had cost any amount of real money. We got in there and he showed us the ropes of what it was like to work in a real studio. We let him go off when he had a good idea or a good pass. When I felt like what he was doing was against my vision, I’d take a hard stance and he’d have to prove me wrong or he’d listen to me. He was really the guy who found our band and took a chance on us. He is the reason we are doing this for a living right now. We love the guy and he has been so good to us. He is one of our best friends. He took us on tour. It has been such a great experience with him.
CB: It sounds like you guys are excited to be on the road. What is your craziest tour story so far?
BE: It was on our first tour in Canada. It was in late November, just before December. The snow was falling and it was starting to get really cold. The bus we were on broke down on the highway and was unfixable. We had to rent a U-Haul truck because it was the only thing that had a hitch on it and we weren’t going to leave our trailer that had all our gear in it. For two weeks, we slept in the back of a U-Haul moving truck while two people drove, in the Canadian cold. It was a tough couple weeks, but then again, we knew stuff like that was going to happen, if you spend your life on the road, especially with your vehicles. But you get over things like that. When we finally got off the U-Haul, we were home in Kingston. It made being home that much better.
I spent months conjuring a path towards a holiday in the sun. The clutching grasp of the highly irregular Midwest winter had me experiencing the full manifestation of the seasonal doldrums. A cross-country road trip turned out to be my conduit towards metaphorical enlightenment. I found solace in a distant two-day music festival nested in Santa Ana, Calif. But in fear of sounding like a silver-tongued bastard, lets talk turkey.
This past weekend’s Burgerama was a compact, genre-bending two-day music festival with three separate stages (indoor and outdoor). Burger Records presented a lineup of 80-plus bands that included SoCal favorites Bleached, Ty Segall and FIDLAR but also offered Psych Rock pioneer Roky Erikson, Alternative legends Weezer and the Hip Hop collective Bone Thugs N Harmony.
While in its fourth year of existence, Burgerama has a well-defined identity. Festival-goers all looked extremely similar as a parallel style and angst ran rampant at The Observatory venue in Santa Ana. Trendy weekend bohemians with eccentric personalities donning ripped denim were not in short supply. The only true individual was the lonesome dad with a disapproving glare and earplugs.
Burgerama definitely has a common, overwhelming and obvious demographic. A sea of teenagers flooded the venue at the all-ages, weekend festival. My only safe haven from the painful, reminiscent sights of my adolescence was the beer garden, or beer prison (as I affectionately coined it), since you couldn’t freely roam the venue with your $6 beer. But it was the least populated area offering plenty of shade and a great view of the stage. Who would’ve thunk?
Festivals have a stigma of being over-priced and overrated but Burgerama did music fans a solid because for $90 you got two days of music and a better way to spend the weekend than binge watching Netflix and adding on to your to-do list.
Most of the bands I was looking forward to seeing were scheduled later in the evening, so I had time to check out the handful of bands I was unfamiliar with before Burgerama. I was definitely impressed with my results of aimlessly wandering from stage to stage finding new artists to add to my music collection. It was hard to pick a favorite performance, but here are a few that stood out that I highly recommend checking out if you haven’t already:
This all-female quartet is based out of Seattle. La Luz has an intrinsically noticeable spacey 1950s Surf Rock, Doo Wop influence packed with a healthy amount of reverb, slight pressure on the tremolo bar and a well-mannered slice of four-part vocal harmony. The addition of extremely cohesive instrumentation makes this group captivating. Four extremely talented, women playing beautiful music.
When you put a jangly guitar above a fat drum beat with a driving fuzz bass tone, you get the perfect recipe for a wholehearted dance party. Broncho is quirky, fun and its songs are extremely catchy. The Oklahoma based trio was definitely my favorite band of day one. With underlying traces of Punk and timely use of non-lexical melodies, the pop-minded Broncho put on a great set at Burgerama. Definitely looking forward to catching them at Louisvill’es Forecastle Festival in July. (Check out a Q&A with the band’s Ryan Lindsey below.)
FIDLAR, which stands for “Fuck it Dog, Life’s a Risk,” is an L.A. Punk band that was passionately received by a slightly aggressive crowd eager to heed the advice of the above acronym. Before the show started, I saw additional security march towards the front of the stage in preparation for the fallout. Even the side stage, which tends to be a refuge from the pit area, was filled with mini-mosh pits. Seeing the band at Burgerama made me excited to see them perform at a smaller venue. FIDLAR will be at Thompson House in Newport on May 16. I love Rhinegeist as much as the next guy, but I’ll be sticking to cheap beer that night.
Jacco Gardner, a Dutch multi-instrumentalist, was a breath of fresh air from the thematic distortion that could be quickly located throughout the venue. His band was extremely cohesive, offering evident attention to 1960s psychedelia. The intricate and diverse melodies offered comfort to weary eardrums. Gardner is genuinely a great songwriter.
Mr. Elevator & The Brain Hotel
Mr. Elevator & The Brain Hotel was one of the only groups I looked up prior to Burgerama. The band name alone had me interested. This L.A. rooted psychedelic, keyboard-based four piece put on a phenomenal show despite having to play a shorter set due to a bass amp that blew out. Strictly because of instrumentation, this band will be likened to The Doors but this band has a definite sound of their own. The group members mentioned they are working on a new album currently, and I am definitely looking forward to hearing more from them.
Twin Peaks is a Chicago based band that I was really looking forward to seeing after hearing their new album, Wild Onion. The energy these guys exerted left me both inspired and exhausted. Their energy transferred to the fans and the photographers in the pit were asked to leave before the agreed time because the crowd was getting too rowdy. Twin Peaks performed a wildly entertaining set; definitely glad I got to watch them.
Stellar local singer/songwriter Jeremy Pinnell has revealed one of his first new songs since the release of last year’s magnificent album OH/KY in the form of a new music video shot by famed local photographer Michael Wilson. Wilson — who has done promo shots and album covers for artists ranging from Over the Rhine and Joshua Redman to Lyle Lovett and The Replacements — filmed the clip in a Boone County, Ky., horse barn in mid-March, using his “one-shot” (meaning no edits) technique, previously seen in clips from The Emery Sessions a few years back and more recently seen in a pair of clips for local Country band Bulletville's new album.
Pinnell, whose sound has shifted towards a more traditional Country vibe since his days with local bands like The Light Wires and The Great Depression, performs in the clip for the new “Feel This Right” backed by his pals, the Honky Tonk crew The 55s, whose Cameron Cochran produced, recorded, mixed and mastered the video.
"When I walked into the barn and shouted, and listened to the way the sound resonated off the dirt floor and the old wooden siding, I had a feeling something amazing was going to be captured,” Cochran says. “The light was perfect, the day was perfect, the band was in good spirits, the song was great, we had someone with an amazing eye looking through a camera — all we had to do was get out of the way of what was about to happen, and that was exactly what we did."
Good morning Cincy! It’s finally getting to be bike commuting weather again, and I couldn’t be happier about it. I’ve missed showing up to work all sweaty and out of breath with terrible helmet hair, and I’m sure my coworkers have missed it as well. Anyway, enough about my transportation habits, which I seem to talk about a lot in the morning news blog. Let’s get on to the news.
Sweet. More streetcar politics ahead. Moving utility lines to make way for a streetcar extension will be twice as costly as it was for the track currently being laid between Over-the-Rhine and downtown, according to an estimate performed last year by Duke Energy. Duke says the task, which is necessary before tracks are put down, could cost up to $38 million. Boosters want to get started on the next step for the streetcar, which would extend it near the University of Cincinnati and several of the city’s hospitals uptown. Councilman Chris Seelbach last week introduced an ordinance asking the city to begin looking at plans for the extension. But Mayor John Cranley, an ardent opponent of the project, has dismissed calls for the next step of streetcar as “silly.” Those pushing the city to begin planning for the uptown leg of the streetcar say if plans aren’t in place, the city could lose out on millions in federal funds that could help pay for next steps.
• More than 20 residents at the King Towers apartments in Madisonville are wondering where they’ll be staying following the tragic fire that swept through the building last week. That fire claimed the life of Cincinnati Firefighter Daryl Gordon. Representatives for The Community Builders, the building’s owners, on Sunday told residents they needed to be out of their temporary hotel rooms by 11 a.m. Monday morning. That caused an outcry from the residents and others, including members of Madisonville Community Council. Boston-based The Community Builders has since extended residents’ hotel stays until Wednesday and has promised to help find a solution for temporary housing for the residents while the building undergoes clean up and investigation, a process that could take months.
• Ready to start paying for Union Terminal? The county’s sales tax boost kicks in Wednesday after voters approved it in November. You’ll pay an extra .25 cents on the dollar so the county can pay for much-needed renovations to one of Cincinnati’s most iconic landmarks. The rate is going from 6.75 percent to 7 percent.
• A Greater Cincinnati area school district is boosting anti-drug messages to its students in anticipation of a potential marijuana farm nearby. Monroe Schools says a marijuana farm that would be established should legalization group ResponsibleOhio get its way is unwelcome in the city and that it sends messages to students that cancel out years of anti-drug efforts. One of the group’s 10 proposed grow sites would be in Middletown, less than two miles from Monroe’s K-12 public school. In response, the school district, some community leaders and law enforcement officials have teamed up to redouble anti-drug messages to teens, because telling a teenager not to do something is obviously the best way to make it seem uncool and unappealing. Meanwhile, ResponsibleOhio has responded by pointing out their legalization effort is only for those 21 and over. They also claim that the drug is already readily available to many on the black market and that their proposal would limit or eliminate that market.
• Ohio prison officials want to get inmates job interviews. Ohio Prison Director Gary Mohr has discussed efforts to recruit businesses who are willing to employ former inmates and has proposed setting up some inmates with job interviews upon their release. The program aims to cut recidivism among inmates and keep the number of repeat offenders in Ohio’s prisons to a minimum. Studies suggest those who find jobs after being released from prison have a much lower rate of additional criminal activity.
• In national news, here’s an alarming number: Law enforcement agencies make no arrests in one-third of all murders in the United States. That’s up from just 10 percent of homicides in 1965. Though violent crime has gone down across the U.S. in recent years, so have the percentage of cases in which police even find a suspect. The number of murders solved by law enforcement is even lower, since the FBI’s “clearance rate” only measures arrests, not convictions. The bureau estimates some 200,000 murders have gone unsolved since the 1960s. Law enforcement officials often blame a so-called “no snitch” attitude found in many low-income communities, where they say a number of community members refuse to cooperate with the police and help them find suspects. But some experts point out that murders of law enforcement officers, which often take place in those same neighborhoods, have a very high clearance rate, suggesting a difference in priority for different kinds of murder cases.
That’s it for me. Tweet me. Email me. Comment. Have you gotten your bike out yet? What’s the best spring bike ride location in Cincy? Let me know.
For some musicians, their 9-to-5 is little more than a means to an end. Pizza and guitar strings don’t pay for themselves, after all. Others take pride in their work, both on stage and in the “real world,” but view them as two parts of a whole.
But for Jess Lamb, her twin identities as a musician and teacher are deeply intertwined. She works hard in both professional avenues and has put a large amount of effort into maintaining them, even during her post-American Idol influx of activities. It’s a balancing act with some unexpected complications that she is still learning to walk gracefully. But for Lamb, there is no other choice.
“I think that the public has seen me as a teacher and I don’t want my name to be tainted by this other persona, this other career, this other life. So I don’t want to be slosh drunk. I don’t want to be like Jim Morrison in my experimenting with life. But at the same time there’s a whole other vibe with playing in venues, playing in bars and it is very different from the teacher thing,” Lamb explains.
Before Idol, Lamb’s work as a musician and an ESL teacher were more easily separated. Nowadays, with the added exposure that Idol has brought to her and her late-night performances around town, she has had to go to greater lengths to protect the sanctity of both. A shot of Jameson may not be thrown back with the same careless abandon as a few months prior and photo ops are utterly devoid of the counter-cultural staples of, say, a middle finger or devil horns. This isn’t to say that Lamb was or is a reckless partier at night and a quiet bookworm during the day.
Rather, what happens at night can bleed into the daylight hours and her work in one aspect of life can’t compromise the other. She has to take into account who her new audience members may be and how they learned of Lamb. Being a teacher requires maintaining professionalism at all times. When a teacher is shown on national television, keeping that even-headed mentality all day and all night becomes even more important.
Considering all the time that Lamb has spent on her music after her Idol run, some may wonder why she doesn’t put the teaching on hold for the time being. Between the Idol recaps she does regularly for Fox 19 since leaving the show, the myriad interviews, the residencies at Japps in Over-the-Rhine and Jags in West Chester (as well as other shows), the studio work and all the other opportunities that have arisen, finding time for teaching is pretty much impossible at this point. In fact, Lamb has cut down her teaching work to roughly four hours a week, doing basic lesson planning and similar activities. But she still carves out time for her teaching for a very important purpose.
“I don’t do it for the money, it’s not sustaining me. I do it for my spirit. It’s for something that feels important, I don’t know that what I’m doing all the time feels important,” Lamb says.
She views being a teacher and an entertainer as two professions with two different contributions to society. Music and teaching both give something back to the community at large, but she feels that teaching impacts the public on a much larger scale. While singing in a smoky bar reaches a small amount of people, teaching has a much larger reach.
Ultimately, Lamb is a musician and teacher in equal measure. At this point, the music is taking more of her time, but she is determined to not let it take all of it.
“I don’t want to cancel out one or the other with a teacher persona that’s too square or a Rock star persona that’s too crazy and unstable,” Lamb says.
For Lamb, finding a mix of her two professions and passions is an ever-present struggle. When Idol rocketed her music to the forefront, she has had to constantly work to balance it out with activities that are equally as fulfilling. It hasn’t been an easy process by any means but one that she sees as absolutely necessary.
Just don’t be offended if she turns down a shot of whiskey next time you run into her in the Main St. district.
Nick Grever is checking in periodically with Cincinnati-based American Idol contest Jess Lamb about her post-Idol life. Check out previous "Beyond Idol Chatter" posts here. Visit jesslamb.com for music, show dates and more.
Good morning y’all. It’s the end of the week and the sun is out. Those are both good enough reasons to keep this news update short, so just the facts for you today.
Starting on a somber note, officials continue to investigate the death of Cincinnati firefighter Daryl Gordon, who fell down an elevator shaft while responding to a fire at an apartment building in Madisonville yesterday. Gordon was a 30-year veteran of the department. Two other firefighters and four residents where hurt in the blaze, which broke out early yesterday morning. Investigators are still trying to piece together exactly what happened to Gordon.
• Will you be able to walk around The Banks with an open beer in time for the Major League Baseball All Star Game in July? It’s looking increasingly possible. The Ohio House passed a bill allowing the creation of so-called “open container districts” this week. The proposed law could allow cities to designate specific areas where people can drink a cold one right out on the sidewalk. But the timeline is tight for would-be All Star Game revelers. The bill still has to go to through the state Senate and get Gov. John Kasich’s autograph. After that, the city could rush through designations for specific districts but would have to wait 30 days for them to take effect. The race is on.
• Three men who have wrongfully spent the past 18 years in prison may soon walk free thanks to efforts by the Ohio Innocence Project, which is based at University of Cincinnati’s College of Law. The Innocence Project announced yesterday that a Cuyahoga County Judge has thrown out the convictions of Derrick Wheatt, Laurese Glover and Eugene Johnson based on new evidence. The three will be released on bond and get a new trial. Their incarceration stems from the 1995 murder of Clifton Hudson, Jr. in Cleveland. Wheatt, Glover and Johnson who were nearby, were eventually arrested for the crime and convicted on the testimony of a single 14-year-old eyewitness. That witness later recanted her testimony and other evidence surfaced casting doubt that the three had a role in the crime.
• Ever been in a situation where you have to spend extended amounts of time the same room with someone who is competing with you for the affections of your crush? That’s probably how former Ohio Gov. Ted Strickland and Cincinnati City Councilman P.G. Sittenfeld will feel tonight when both attend and speak at the Ohio Democratic Party’s annual dinner. The two are currently going head to head in the party’s primary for the chance to take on incumbent Republican U.S. Senator Rob Portman. Making things especially uncomfortable is the fact that Sittenfeld had signaled he wouldn’t continue with campaign if Strickland entered the race. But the city councilman gained some good fundraising momentum and has decided to stay in the contest. Most of the higher-ups in the Democratic party have backed his more experienced foe, but Sittenfeld has said he’s in it to win it. I really hope someone seated them at the same table.
• I mentioned a couple days ago that the Ohio House was mulling a fetal heartbeat bill that would ban abortions as early as six weeks into a pregnancy. That bill has now passed the House thanks in part to local state representatives Jonathan Dever of Madeira and Paul Zeltwanger of Mason, who both voted for the proposed law. The bill will now make its way to the state Senate, where it faces skepticism from some moderate Republicans. They say the bill wouldn't survive an inevitable legal challenge. Some supporters of the measure, however, say bring it on — they see the ensuing legal battle as a way to challenge the Supreme Court's Roe v. Wade decision prohibiting abortion bans.
• Let's jaunt next door to the great state of Indiana where Republican Gov. Mike Pence signed into law yesterday a measure that prohibits the government from restricting religious freedom unless absolutely necessary. Critics of that bill say it could allow businesses to refuse service to people, including LGBT individuals, based on the business owner's religious beliefs. Pence says the bill will do no such thing, but that hasn't stopped backlash from forming. A number of businesses, including the NCAA, and even some religious groups have expressed reservations about the law, which takes effect in July. OK, let's leave Indiana now.
• News is happening in national politics. So much news. Well, really, political quasi-news that probably doesn’t actually make a difference but that we should pay attention to anyway because politicians are technically our employees and they haven’t really done that great of a job lately. One of the more interesting, and probably meaningless, stories on that front right now is that powerful Republicans in key primary states are saying that U.S. Sen. Ted Cruz of Texas, who is so far the only presidential candidate to officially announce his campaign, has no chance of winning. A poll of 100 influential Republicans in Iowa and New Hampshire found that not one thought Cruz had a chance at the nomination, let alone prevailing in the general election. That’s important because those states are big in the primary game. Winning them signals to other delegates and funders around the rest of the country that you’re a serious contender.
• The other big story in national politics is that the most powerful, and many would say infamous, Democrat in the Senate will retire after his current term. Sen. Harry Reid, who is currently the Senate minority leader, has been a thorn in the side of nearly every Republican in Congress. Reid is a bare-knuckle brawler of a legislator who pulled out just as many nasty tricks during his time as Senate majority leader as his counterpart in the House, Republican John Boehner has. Reid’s 10-year turn as majority leader ended last November when Republicans took control of the Senate, but he’s continued to be a force there. The 75-year-old’s term ends next year. Republicans are rejoicing, seeing a rare opportunity to take Reid’s seat as one of Nevada’s two Senators.
Carol, the drama about a romance between a younger and older woman in 1950s New York that was filmed in Cincinnati last spring, may have its premiere in May at the prestigious Cannes Film Festival in France.
Variety, which closely follows the film industry, yesterday published a speculative report about what may be appearing at this years Cannes, the world's most important film festival. It said, in part:
"Looking to represent North America in competition are [Todd] Haynes’ Carol, a 1950s lesbian love story starring Cate Blanchett and Rooney Mara, and [Denis] Villeneuve’s Sicario, a south-of-the-border crime drama starring Emily Blunt, Benicio Del Toro and Josh Brolin. Slots may also be reserved in the official selection for Jeff Nichols’ Midnight Special, a science-fiction chase thriller starring Adam Driver and Michael Shannon, and Gus Van Sant’s The Sea of Trees, a suicide drama starring Matthew McConaughey and Ken Watanabe."
Based on a novel The Price of Salt by Patricia Highsmith, Carol has impeccable credentials for Cannes. The director is Todd Haynes (Far From Heaven, I'm Not There), a producer is Christine Vachon, and it stars Oscar-winner Cate Blanchett and Oscar-nominee Rooney Mara. The film came here with the assistance of the Greater Cincinnati and North Kentucky Film Commission.
This year's Cannes Festival occurs May 13-24. The full official-selection lineup will be announced April 16.
Two shows on local stages are dealing with top-of-mind issues of race and urban living, one at the Cincinnati Playhouse, the other at Ensemble Theatre.
Last evening the Playhouse opened its production of Tracey Scott Wilson's Buzzer. Wilson is a playwright who's not afraid to get at prickly issues of contemporary life (read more here), and that's what she does in this piece that could be set in Cincinnati's Over-the-Rhine. (It's actually in New York City, but that doesn't make it less relevant.) Jackson returns to his onetime childhood neighborhood, once neglected and now trendy; he's black, girlfriend Suzy is white, and so is Jackson's troubled friend Don, out of rehab yet again and needing a place to stay. Their triangle is a toxic mix with a troubled past that's exacerbated by life in a neighborhood where black and white relations are strained. The Playhouse is offering talkbacks after each performance to discuss issues raised, and there will be a panel discussion focused on OTR's housing challenges here in Cincinnati on Saturday evening at 6 p.m. My take: This show is more about personal relationships that aren't entirely honest, even though there is constant conversation about "no secrets." The actors in this tense drama are vividly real, unpredictable and vulnerable; you'll feel like they're people you know. (Through April 19.) Tickets: 513-421-3888
The second show that's heating up conversations about race is ETC's staging of Dominic Morisseau's award-winning play, Detroit ’67 (reviewed here). While the story has a historical setting — the story of family aspirations and disappointments unfolds against the backdrop of the Motor City's race riots almost 50 years ago — it almost feels ripped from current news stories about unrest stemming from police brutality in Ferguson, Mo. Five actors portray some colorful and occasionally humorous characters from the era involving the family dynamic between a brother and sister who differ about making ends meet in a challenging environment. Motown tunes from the ’60s are the soundtrack for a story that's often painful but ultimately hopeful. (Through April 5.) Tickets: 513-421-3555
Know Theatre opens Hearts Like Fists tonight at its Jackson Street stage in Over-the-Rhine. Adam Szymkowicz's comic-book-inspired action adventure has some fine local actors as the Crimefighters, female superheroes who are out to stop Dr. X, on a mission to murder happy couples in their sleep using a deadly serum that goes straight to the heart. When the show was staged in New York in 2012, the New York Times called the show's comic hybrid of parody and punches "madcap" and "hysterical." That's what Know will be striving for, through April 25. Tickets: 513-300-5669
If you are interested in seeing actors, singers and dancers who are on their way to professional careers, you might want to catch Senior Showcases from the drama and musical theater programs at UC's College-Conservatory of Music. The drama majors, readying their piece for trips to Los Angeles (for potential TV work) and New York City, will perform today at 2 and 7 p.m. at Patricia Corbett Theatre. (Admission is free.) The triple threats graduating from the musical theater program offer their showcase twice on Saturday at 4 and 8 p.m. as they prepare to shine for Broadway producers and casting agents in New York next week. Admission is free but reservations are required: 513-556-4183.
Planning ahead? The popular touring production of The Lion King returns to Cincinnati where it's been a big hit twice, in 2003 and 2007. The magnificent musical about good overcoming evil and youth finding maturity opens on Tuesday for a four-week run at the Aronoff Center. (Through April 26.) Tickets: 513-621-2787
Music! Plays! Events with alcohol! Acrobats and Classical music! Gorilla suits!
FRIDAY 27MUSIC: SEBADOH
ONSTAGE: CIRQUE MECHANICSThe Cincinnati Pops presents Cirque Mechanics, an innovative show featuring aerialists, trapeze artists and contortionists performing alongside orchestral favorites from composers like Tchaikovsky, Strauss, Copland, Ravel and more. In a press release, conductor John Morris Russell describes it as a mix between Cirque du Soleil and the steampunk scene, with a huge titanium infrastructure placed before the orchestra that serves as the canvas for the entertainment. Additional fire performers, jugglers and magicians will also be at the event. 8 p.m. Friday and Saturday; 2 p.m. Sunday. $25-$99; $10 children. Music Hall, 1241 Elm St., Over-the-Rhine, cincinnatisymphony.org.
EVENT: ART AFTER DARK AT THE CINCINNATI ART MUSUEM
The theme of this art-meets-cocktail-party event is “Cherry Blossom Bash.” Check out the museum’s Japanese art collection with hourly docent-led tours, and enjoy live music from The Happy Maladies (6:30 p.m.) in the Great Hall. Sushi and drinks available for purchase. 5-9 p.m. Free. Cincinnati Art Museum, 953 Eden Park Drive, Eden Park, cincinnatiartmuseum.org.
ONSTAGE: PETER AND THE STARCATCHERIn Rick Elice’s loopy script (based on Dave Barry and Ridley Pearson’s novel about Peter Pan’s backstory), wordplay abounds, sometimes blowing by faster than the typhoon that comes upon ships on the way to Rundoon with three orphan boys to be sold into slavery. But this ensemble cast can manage wind speed as they narrate and perform the hilarious show — sometimes individually, sometimes together — but even more so as they race through delirious reinvention of the fairytale. Everything is performed both obviously and imaginatively, from levitating (at the close end of a seesaw plank) to a storm at sea to flying (with just the suggestion of motion, no wires — no “real” taking flight). Amusing costumes, a star field of 200 incandescent light bulbs and buckets of stage magic make it possible. Peter and the Starcatcher continues through April 4. $30-$85. Cincinnati Playhouse in the Park, 962 Mt. Adams Circle, Mount Adams, cincyplay.com.
Streets don’t get much meaner than those of Belfast back in 1971 as the British army all but occupied the territory, caught up in what amounted to terroristic street fights between Catholics and Protestants with few truly innocent bystanders in the middle. Everyone took sides, no matter how reluctantly. Gary Hook (Jack O’Connell), an anonymous soldier in the British army, trains hard but is no standout. Hook looks for all intents and purposes like a young Liam Neeson or a baby-faced soldier-boy of few words (think Clint Eastwood) who is simply waiting for the opportunity to prove himself in the theater of battle. And he certainly gets his chance when his unit, under the command of a rather green lieutenant (Sam Reid), receives orders to back up local police in a neighborhood search for weapons. Opens Friday. Read full review here.
SATURDAY 28EVENT: OVER THE MOON VINTAGE MARKET Rustic vases, crocheted tops, paint-chipped mirror frames and more will flood the Over the Moon Vintage Market this weekend. Shop a variety of vendors as you peruse various booth displays for vintage and urban goods, including primitives, furniture, garden items, artisan jewelry and unique feminine and bohemian style clothing. 4-9 p.m. Friday; 9 a.m.-4 p.m. Saturday. Free. Agner Hall at Lawrenceburg Fairgrounds, U.S. 50 and Hollywood Blvd., Lawrenceburg, Ind., facebook.com/overthemoonvintagemarket.
MUSIC: ELLIOTT BROOD WITH YOUNG HEIRLOOMS
When a band’s sound gets tagged as “Death Country,” you know something special is afoot. And Canadian trio Elliott Brood lives up to its advance billing in every conceivable way. Utilizing guitar, banjo, ukulele, bass pedals, kazoo, harmonica, keyboards, percussion and a sampler in acoustic and electric contexts, Elliott Brood has reimagined rootsy Country, Bluegrass and Folk in a twangy and bracing manner that suggests Old 97’s and legitimately deserves the designation of Canadiana.The trio’s latest triumph is Work and Love, released late last year to rapturous reviews, many of which cited it as the trio’s best album to date. No need to plan a long trip to see Elliott Brood; the best of the Great White North is coming your way. Free. MOTR Pub, 1345 Main St., Over-the-Rhine, motrpub.com.
EVENT: POP-UP CINCY CONCEPT CAMP
POP-UP CINCY, a monthly pop-up organization founded by local artist and designer Catherine Richards, invites creative thinkers and makers to participate in the second Concept Camp at an unused storefront in Corryville. Participants will brainstorm with peers from various sectors about effective ways to take their ideas from concept to completion in this one-day event. The space will feature an “idea wall” to pin project outlines and receive feedback from participants, as well as the opportunity to connect with those whose skillsets might help accelerate your plan. Work session: 1-4:30 p.m. (sign-up required); celebration: 5-7 p.m. Free. 3501 Burnet Ave., Corryville, facebook.com/popup.cincy.
CLASS: HOW TO BUILD A RAIN BARREL
Spring is slowly showing itself as the winter and its accursed snow melt away. As you plan to plant petunias, sunflowers, vegetables and more, consider the task of watering and the best practices to save money, go green and store water for a hot summer so your plants (and your wallet) won’t suffer. The Civic Garden Center hosts a DIY class on how to build and use your own rain barrel to collect free rain water to use for the garden. 1:30-3 p.m. Saturday. $10; free for Civic Garden Center volunteers. 2715 Reading Road, Avondale, civicgardencenter.org.
COMEDY: DC BENNY
Like his peers Jimmy Shubert and Rocky LaPorte, D.C. Benny is a talented veteran comic who received a nice boost by competing on last season’s Last Comic Standing. Well-known in the New York and L.A. comedy scenes, Benny has also written and performed extensively for various TV projects. He also functions as the producer and head writer for Jim Breuer Unleashed on Sirius/XM satellite radio. On stage he mixes jokes with storytelling, peppering them with several original characters. Showtimes Thursday-Sunday. $15-$17. Funny Bone on the Levee, Newport on the Levee, Newport, Ky., funnyboneonthelevee.com.
ONSTAGE: DETROIT ’67
Detroit ’67, making its regional premiere at Ensemble Theatre Cincinnati this month, is not something to smile about — but it might be possible to feel good about the “tryin’,” even though 48 years later the backdrop of this story feels eerily familiar, perhaps leading us to ask if America will ever rise above such racially driven conflicts. The details behind the story of Chelle (Zina Camblin) and Lank (Bryant Bentley), a sister and brother hoping to build a secure future, are this: In late July 1967, more than 10,000 citizens of Detroit rioted. Police had raided a blind pig — an unauthorized after-hours hangout very much like the one Chelle and Lank have established in their family’s basement — where more than 80 patrons, all African-American, had gathered to celebrate the return of a Vietnam veteran. Detroit '67 continues through April 5. $18-$44. Ensemble Theatre Cincinnati, 1127 Vine St., Over-the-Rhine, ensemblecincinnati.org.
SUNDAY 29FILM: MOON DUST Detroit-based painter Scott Reeder’s new Moon Dust is a sci-fi feature film with a one-and-a-half-hour running time. Moon Dust is about the denizens of a run-down tourist resort on the moon (called Moon World) who struggle to maintain enthusiasm at a time when the hip, wealthier travelers have all gone to Mars. With its deadpan tone, frequently improvised dialogue from non-professional actors (including Reeder, himself) and eccentric production design featuring color-saturated, patterned or monochromatic sets and oddball costumes and hairstyles, it very much is the work of a visual artist. 2 p.m. Sunday. Free. Cincinnati Art Museum’s Mary R. Schiff Library & Archives, 953 Eden Park Drive, Mount Adams, cincinnatiartmuseum.org.
CHARITY: CINCINNATI GORILLA RUN
This Sunday don’t be surprised to find downtown resembling a scene from Planet of the Apes. Hundreds of runners dressed as our endangered primate relatives will be participating in the Cincinnati Gorilla Run 5K presented by The Gorilla Glue Company, which aims to raise money for the Mountain Gorilla Conservation Fund. Gorillas found in the African mountains are close to extinction, and the Mountain Gorilla Conservation Fund is working to expand the program’s wildlife health and research center in Uganda. Registration closes at 5 p.m. March 28. Race opens at 9 a.m.; run starts at 11 a.m. $99.95 first-time gorillas; $40 and up for returning gorillas; $15 kid gorillas. Montgomery Inn Boathouse, 925 Riverside Drive, East End, cincinnatigorillarun.com.
ATTRACTIONS: MUMMIES OF THE WORLD
The Cincinnati Museum Center’s new once-in-a-lifetime exhibit, featuring real mummies and artifacts, some dating back as far as 4,500 years, is in its final weeks. Discover how mummies are created, where they come from and who they are in an immersive, multi-media display. Through April 26. Non-member exhibition-only tickets: $19.50, $17.50 senior, $12.50 child. Cincinnati Museum Center, 1301 Western Ave., Queensgate, mummies.cincymuseum.org.