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by Anthony Skeens 03.24.2014 30 days ago
at 11:11 AM | Permalink | Comments (1)
 
 
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Colerain Oil Pipe Back in Operation as Cleanup Continues

A pipeline that burst in a Colerain nature preserve last week spilling thousands of gallons of oil is back in operation after crews repaired a 5-inch-long crack in the bottom of the pipe.

Colerain Township Fire Department Captain Steven Conn says officials shut the pipe down shortly after the spill on March 17 and have temporarily repaired the crack. The entire pipe, which runs through the Glen Oak Nature Preserve, will eventually be replaced.

“Eventually they will come back in, stop production and remove that section of piping according to their plan,” Conn says. 

The cause of the crack remains unclear, and a Department of Transportation investigation will take weeks to test the pipe for any chemicals that could have caused a crack.

Crews cleaned up about 20,000 gallons of oil so far and anticipate cleaning for another five to six days. The preserve will remain closed, along with the nearby Obergiesing Soccer Complex, until a command center for officials working on the leak is relocated. Representatives from Sunoco Logistics, Mid-Valley Piping Company, the Environmental Protection Agency, Colerain Township and Hamilton County Parks will utilize the command center as they respond to the mess.

Twenty-four small animals have been treated after being covered in oil, and a wildlife organization from Delaware came to Cincinnati to help oil-soaked animals.

Officials say there are no reports of oil leaking into the Great Miami River. Conn says the area will be tested and monitored for at least a year after the cleanup is complete.

 
 
by Maija Zummo 03.21.2014 33 days ago
Posted In: Food news, Cincinnati, National food, News at 10:59 AM | Permalink | Comments (0)
 
 
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USA Today Names Cincinnati a Top "Small City" with a "Big Food Scene"

Along with Asheville, N.C., Pittsburgh, Boulder, Colo., and St. Louis

For those of us lucky enough to call Cincinnati home, we know you don't have to travel to either one of the coasts to get some of the best food in the nation. And USA Today agrees. 

They recently named Cincinnati one of the nation's top six small cities with big food scenes. We probably wouldn't call ourselves small, per se — we are home to more than a handful of Fortune 500 companies and the 25th largest city in America — but any additional recognition of our food scene is most welcome.

The article, which also recognizes Pittsburgh, St. Louis, Asheville, N.C., and Boulder, Colo., name-drops David Falk of Boca, Sotto and Nada; Dan Wright of Abigail Street, Senate and the future Pontiac BBQ; and newly opened downtown bar Obscura.

Here's the entire write-up on Cincy: "Ohio is rarely thought of as a food destination. But thanks to explosive growth in its restaurant scene (nearly 200 restaurants have opened downtown in the past 10 years), Cincinnati has lots of great dining options. After honing his skills in Rome, Chicago, and Florence, Ohio native chef David Falk moved back to Cincinnati in 2001 to contribute to the food scene in his home state. Falk now runs three restaurants — Sotta, Boca and Nada — each of which reflect his international cooking experience and Midwestern upbringing in different ways. At Senate Pub, critically acclaimed chef Dan Wright offers an explosion of taste in his gourmet hog dogs. Try the Dan Korman 2.0, with spicy black bean-lentil sausage, mushroom pico de gallo, avocado, chipotle mayo, and pickled jalapeño. If you're looking for an upscale watering hole, Obscura offers the best in craft cocktails, pressed coffees, and loose leaf teas. Don't miss the Cosmowobbleton, a jellied version of the classic Cosmopolitan."

Read the whole article here.




 
 
by Maija Zummo 03.21.2014 33 days ago
Posted In: Food news at 10:00 AM | Permalink | Comments (0)
 
 
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Sotto Named at Top 100 Restaurant by OpenTable

The local restaurant ranks among the nation's best

Chef David Falk's Sotto* restaurant was recently named one of the "Top 100 Hot Spot Restaurants in America" by OpenTable's Diners’ Choice Awards. 

According to a press release, the winners were chosen after sorting through more than 5 million reviews of more than 19,000 restaurants in all 50 states. All restaurants with a minimum number of qualifying reviews were included for consideration.

“We are truly honored by this acknowledgment from our OpenTable diners,” Falk says in the release. “The support from our guests at Sotto is humbling and flattering and encourages us to continue creating the food we love in this incredible city.”

Reservations available. 5-10 p.m. Sunday-Thursday; 5-11 p.m. Friday-Saturday. Sotto, 118 E. Sixth St., Downtown, sottocincinnati.com.


*The original press release was corrected to say Sotto was honored
 
 
by Anthony Skeens 03.21.2014 33 days ago
at 09:22 AM | Permalink | Comments (0)
 
 
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Health Insurance Deadline Approaching

Local organizations available to help people sign up ahead of March 31 deadline

Enroll America, a nonprofit designed to help citizens who are uninsured wade through the insurance process, stopped by Cincinnati on Monday during a four-city Ohio tour meant to educate citizens on their health insurance options ahead of a March 31 deadline to sign up for coverage.

The Get Covered America campaign visited the Word of Deliverance Ministries for the World and WLWT, where it held a phone drive to help people sign up for health coverage.

“We have been particularly reaching out to young folks,” says Trey Daly, Ohio’s director for Enroll America.

Those who are uninsured making more than $16,200 a year or families of four making more than $32,913 have until the end of this month to sign up for coverage or face penalties.

One major source of information locally is the Freestore Foodbank on Liberty Street, which received federal grants to help with outreach and the enrollment process. Many people coming through the Foodbank, however, already qualify for Medicaid — individuals earning less than $16,200 and families of four bringing in less than $32,913 — which doesn't have a set deadline to apply. 

Next Tuesday, Cincinnati State Technical and Community College will host a free health insurance workshop. Enroll America's website lists other informational events offering details about the process and an online calculator that provides estimates of how much an insurance premium would cost, along with other insurance-finding tools. Local centers are also offering one-on-one help and can be found at enrollamerica.org or healthcare.gov. 

On Wednesday, Ryan Luckie, team leader for the Affordable Care Act at the foodbank, worked from Mercy Hospital in Anderson, where he said there was consistent traffic.

“It’s now picking up as we approach March 31,” Luckie says.

The centers are typically on a first-come first-serve basis, but there is also an option to call ahead to schedule an appointment.  Those still seeking health insurance after March 31 will have to wait until Nov. 15 when open enrollment begins, Luckie says. Those people who have experienced what’s known as a “life event," either loss of employment, recently married or recently birthed a child, may have their deadline extended, Luckie says.

People seeking help with their insurance should bring proof of income for the last 30 days and social security numbers and date of birth for everyone seeking coverage within a household.

 
 
by Jason Gargano 03.21.2014 33 days ago
Posted In: Live Music, Music News, Interview, Festivals at 09:05 AM | Permalink | Comments (0)
 
 
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Louis Langrée Talks MusicNOW

CSO's new music director talks collaboration with nine-year-old MusicNOW fest

Louis Langrée is well aware of the Cincinnati Symphony Orchestra's rich history. The CSO's freshly minted music director also knows part of that history includes the nurturing of contemporary composers and their often unconventional works. 

Enter MusicNOW, Bryce Dessner's 9-year-old festival of adventurous sounds. (Read our conversation with Dessner here.) This year's sonic extravaganza includes the CSO's take on new pieces by such esteemed composers as Nico Muhly and David Lang, as well as the title work from Dessner's new Classical album, St. Carolyn by the Sea.

CityBeat recently connected with the genial Langrée — who spoke in self-described "primitive" English by phone from Paris — to discuss the CSO's collaboration with MusicNOW. 

 

CityBeat: Before we get into MusicNOW, I'm curious about your initial impressions of the Cincinnati Symphony Orchestra. Why were you interested in coming on as music director?


Louis Langrée: The fame the orchestra is really big. Everybody knows it's a major orchestra. But then making music with them was a completely different experience because, yes, they have the qualities of all major American orchestras — precision, clarity of the attack of the situation. But they have also from their heritage, in their DNA, this German conception of sound, that you build the sound from the base of the harmony. That means the density of the sound is something absolutely remarkable, and that's rare in the United States. I think it has to do with the tradition, the roots, of this orchestra and also, of course, about the quality and the spirit of the musicians, which is really wonderful. 


CB: Why were you interested in collaborating with MusicNOW and taking on a festival of contemporary music?


LL: One of the strengths of the orchestra is to have supported and commissioned and performed contemporary music from their very early age. Having given the American premiere Mahler Third, Mahler Fifth, Stravinsky coming to Cincinnati before he was considered a giant, having premiered (Aaron Copland's ) "Lincoln Portrait," having commissioned (Copland's) "Fanfare for a Common Man" and many other pieces and many more recent pieces. That's why I wanted to open my tenure as music director with eighth blackbird and Jennifer Higdon concerto piece. It shows that we should support, play, commission and perform contemporary music — and, of course, contemporary American music. 


CB: What was it like collaborating with Bryce?


LL: Meeting Bryce was a wonderful. His French is perfect. Especially compared to my primitive English. (Laughs). I like his attitude in making music and experimentation. And any strong institution should be also a place of experimentation. Music is not something you put in a museum. It's alive. And then we should perform contemporary music like Classical music and perform Beethoven music, not forgetting that he only composed contemporary music. All the composers — Mozart, Brahms, Tchaikovsky, Bartok — composed contemporary music, so we have to continue it. He's very focused and concentrated, but on the other hand the spectrum was quite bright. I think we have arrived on wonderful programs — very challenging, but very exciting. 


CB: What makes him unique as a composer?


LL: He knows how to make an orchestra sound. It's a very clear and precise writing but at the same time there is so much flexibility in the variations of colors written and the flow of the music. It's always quite exciting to study a piece and hear it. Having the privilege of working with the composer is something wonderful because there are so many questions I would like to ask of Beethoven and Tchaikovsky, and of course it's impossible. So being able to ask the composer and to hear his answers is just wonderful. 


Bryce is someone who has great harmonic taste, and I think for the orchestra it's wonderful because you can express yourself much easier. I think he's very much like his music — a very welcoming man, a very open, very luminous person. I see that in his music, which is not always the case with composers. With him, I get the feeling he's one with his music. 


CB: How has the orchestra responded to playing these new, sometimes challenging pieces?


LL: Any new piece you don't know what to expect. What I've found is that these musicians are very open-minded, they are very generous and positive in their attitude and are eager to try any new experience. It's a privilege to perform these two concerts of new music, but it's also very challenging, so you have to be very practical. 


CB: And what's the experience been like for you?


LL: It's a great responsibility when you conduct a piece, but it's also a great privilege that today's major American composers are willing to write for us. To be sharing this experiment and experience in concert, to be a part of MusicNOW, is really something beautiful. 


MusicNOW's 2014 festival begins tonight and continues tomorrow. Visit musicnowfestival.org for tickets and full programming details.


 
 
by Rick Pender 03.21.2014 33 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 

Stage Door: Excellent Options

The three-week run of the tour of Wicked wraps up this Sunday at the Aronoff Center. It's a faithful reproduction of the Broadway hit, with performers who can give you the experience of seeing the original, a kind of prequel to The Wizard of Oz. (Tickets, $38-$188: 513-621-2787, but each performance has a pre-show lottery; if your name is pulled, you can buy a ticket for $25). If you've already seen this one, I suggest you check out one of the great new productions on local stages.

Ensemble Theatre Cincinnati has offered another powerhouse season this year, but I'll venture to say that The Mountaintop is aptly named: It's at the peak. It's an imagined story about Rev. Martin Luther King Jr. on the night before he was assassinated. I'll venture to say that you've never seen him in quite this altogether human light, as portrayed — dare I say wholly embodied — by Gavin Lawrence. And then he's visited by Camae, a sassy maid who evolves into something so much more as he contemplates the meaning of his life. The always watchable Torie Wiggins takes on this role, and it might be one of her best performances yet at ETC. The Mountaintop won London's Olivier Award for Best New Play in 2011, and in my opinion, it's one of the best productions we'll see here in Cincinnati this theater season. Through April 6. (Tickets, $25-$43: 513-421-3555).

I caught up with the Cincinnati Playhouse's production of Pride and Prejudice at the Playhouse earlier this week. (It opened a week ago, but I was out of town.) It's a faithful rendition of Jane Austen's beloved novel, gorgeously staged and costumed. It has a big cast, so all the characters, quirky and memorable, are present and accounted for — a few actors need to play more than one role. If you're an Austen fan, I suspect you'll like this one; if not, you might find it kind of uneven, since some characters come across as cartoons (especially Elizabeth Bennet's meddlesome, garrulous mother and the arrogant Lady Catherine de Bourgh) while others are more naturalistic. Kate Cook's Lizzie has all the right notes (she ought to, as she's played the role several times elsewhere) and Loren Dunn's Mr. Darcy, while a bit slow out of the gate, eventually captures the character's aloof charm. Director Blake Robison has done a good job with an interesting adaptation that has scenes that flow swiftly one into the next, sometimes with overlapping elements that recall past moments. Through April 5. (Tickets, $30-$80: 513-421-3888).

Back in the early 1980s, the musical A … My Name is Alice had a long run at New York City's The Village Gate. Northern Kentucky University is producing its version of this collection of songs focused on the paradoxes women face — beauty, strength and heart. The show, created by an array of comedians, lyricists and composers, has 20 songs. It's being staged by Corrie Daniely, the newest faculty member in NKU's theater and dance department. Through April 30. (Tickets, $8-$14: 859-572-5464).

 
 
by Jac Kern 03.19.2014 35 days ago
Posted In: TV/Celebrity, Culture, Humor at 10:07 AM | Permalink | Comments (0)
 
 
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I Just Can't Get Enough

Jac's roundup of pop culture news and Internet findings

Cincinnati is now a temporary home for Cate Blanchett (this year’s winner of the Best Actress Oscar for Blue Jasmine), Rooney Mara (The Girl with the Dragon Tattoo, Side Effects, Her), Sarah Paulson (The American Horror Story anthology, 12 Years a Slave) and Kyle Chandler (The Wolf of Wall Street, Zero Dark Thirty, the Friday Night Lights series) as filming for Todd Haynes’ upcoming movie Carol is in full swing! Some of the stars (and a giant movie crew) were spotted filming at their first location, Eden Park, as well as along US 52 in New Richmond and Spare Time Grill in Alexandria, Ky. The Enquirer’s Glenn Hartong was able to catch a glimpse at Mara and Paulson looking straight out of the '50s filming a scene at the now-closed diner.

Photo: The Enquirer/Glenn Harton. See more photos here.

The film is based on is based on Patricia Highsmith’s 1952 novel (published as both Carol and The Price of Salt) about Carol (Blanchett), a wife in a loveless marriage on the brink of divorce who falls in love with a young woman, Therese (Mara). The book was revolutionary at the time for portraying a lesbian relationship, and doing so in a non-stereotypical light. Chandler will portray the titular character’s husband while Paulson plays Abby, Carol’s best friend.

Filming continues this week at a home on Grandin Avenue in Hyde Park. Retro Westside institution Maury’s Tiny Cove will be closed April 1 for a day of filming Blanchett and Mara’s characters’ first date. Cincy Magazine tweeted  that the Cincinnati Club, where the mag’s office is located, will also be used to shoot the film at an unspecified date. We’ll keep an eye out — the building is right across the street from CityBeat’s HQ. Search #carolmovie on Twitter for the latest dish on the movie and its local filming and tweet us if you have a run-in with any of the stars!

Even if Carol wasn’t filmed exclusively in Cincinnati, the adaptation sounds like a great premise for a film. Unfortunately the same can’t be said about most of the recent movies based on books and other, previous movies. This week in remake fuckery, we have Rosemary’s Baby and The Birds — two classic ‘60s horror films undergoing contemporary reworkings. Zoe Saldana will take on Mia Farrow’s iconic role in a made-for-TV version of Rosemary coming to NBC; Transformers director Michael Bay is apparently producing the remake of Hitchcock’s feathery flick. We can only guess that Bay will replace said birds with laser-shooting Velociraptors. 

Now and forever:

Speaking of dinosaurs, paleontologists in Alaska last week discovered a miniature species of tyrannosaurs about half the size of its close relative, the T. rex — essentially, what the prehistoric Paris Hiltons were carrying around in their designer mammoth skin handbags. Teacup-Rex!  

A post I found recently on Imgur (because Reddit still confuses/scares me) recalls the story of when the United Way decided to release 1.5 million helium balloons into the air in Cleveland in 1986, breaking the world record. The photos of the event are stunning, but — as anyone with a tiny bit of foresight could tell you — the mega-balloon launch totally backfired. Not only did this result in more than 1.5 million pieces of plastic trash around the region and as north as Ontario, but also reportedly hindered a missing person search on Lake Erie.

Peep this less dismal, totally ‘80s news segment about the event:

Kermit the Frog rang in the New York Stock Exchange Monday. Muppets Most Wanted opens in theaters Friday.

Everyone’s talking about “Strangers Kissing,” a viral video of 20 strangers making out for the first time that’s actually (somehow) an ad for women’s clothing label Wren. A bit contrived, I suppose, but definitely intriguing and pretty hot.

Jimmy Fallon put his own twist on the vid…with puppies and kitties.

 
 
by Anthony Skeens 03.18.2014 36 days ago
Posted In: 2014 election, Governor, Taxes at 03:25 PM | Permalink | Comments (0)
 
 
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Lt. Governor Candidate Blasts Kasich's Tax Cut Proposal

Sharen Neuhardt says Kasich's claim to be helping women is "despicable and wrong"

Lt. Governor-candidate Sharen Neuhardt held a press conference on the City Hall front steps today to lament a tax cut proposed by Gov. John Kasich, claiming that it furthers his agenda to help Ohio’s top 1 percent.

Kasich has proposed to cut income tax 8.5 percent across the board by 2016, which would help drive Ohio’s top tax rate below 5 percent. The governor claims single mothers making $30,000 would save an extra few hundred dollars on taxes every year as part of his proposed tax cut, a claim Neuhardt called “despicable and wrong.”

During the press conference, Neuhardt said Kasich is using the plight of single mothers to propagate a tax cut that would disproportionately benefit Ohio’s upper echelon.

“I want to really emphasize pay equality is always an important issue,” Neuhardt said.

Neuhardt doesn’t have a plan to square the $11,600 pay disparity between genders in 2012 that she cites, but she did say that her administration would need to reverse everything Kasich’s administration has done in order to get Ohio’s economy moving forward, should she and her running mate, gubernatorial candidate Ed Fitzgerald, win office in November. 

“We need Ohio’s working class to have money in their pocket,” Neuhardt said.

Kasich’s previous budget took the first steps toward pushing the state’s top tax rate below 5 percent by lowering income tax across the board and raising sales tax, a combination that disproportionately favors the wealthy. CityBeat covered that plan here and Kasich’s early 2013 budget proposals here and here.

Council members P.G. Sittenfield and Yvette Simpson spoke about pay disparity before Neurhardt took the podium on Tuesday.

Simpson stated women on average are earning 27 percent less than men in Ohio and Latin American women are earning 57 percent less.

“In the year 2014, that’s unacceptable,” Simpson said.

She also stated that Cincinnati has a 50-percent single mother rate and that 53 percent of children are living in poverty.

Sittenfield said the way toward eliminating pay disparity is through “meaningful reforms,” not tax cuts.

“Wage equality is not just a women’s issue — it’s a family issue and it’s an Ohio issue,” Sittenfield said.

Kasich proposed the cuts as part of a mid-biennium review intended to lay out administrative goals for next year.

 
 
by Jac Kern 03.14.2014 40 days ago
Posted In: Events at 10:28 AM | Permalink | Comments (0)
 
 
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Your Weekend To Do List: 3/14-3/16

Cincinnati may be known as a German city, what with our legendary Oktoberfest and love for pork and sausages, but Irish heritage is also strong here, as we’ll see this weekend. St. Patrick’s Day is officially Monday, March 17, but the green beer starts flowing early in anticipation.

The 48th annual Cincinnati St. Patrick’s Day Parade steps off Saturday at noon downtown. The route begins at Eggleston Avenue and Reedy Street, wrapping around Central Avenue, crossing over Sycamore Street and back down Fifth Street. Hang out on Fountain Square during the parade, where festivities run from 10 a.m.-10 p.m. with live music, Irish grub and plenty of beer. Fun on the square continues Monday starting at 11 a.m. — for those playing hooky.

For those looking to take a more culturally rich approach to the holiday, Cincinnati actually has its own Irish Heritage Center located in the East End. Read our story on the center and its founders, Kent Covey and Maureen Kennedy, here.

Doors open at the center at 2 p.m. Saturday and 4 p.m. Sunday; events include Irish music and dance, art exhibitions, children’s events and food and drink for purchase. They host an Irish mass at 1:30 p.m. Monday, followed by more celebrating. Find the full schedule here.

The Cincinnati Museum Center also gets in on the St. Paddy’s fun with its Celtic Lands Culture Fest Saturday-Sunday. Get your fill of folklore, performances and art from Ireland, Scotland and Wales. Kids will enjoy workshops, games and crafts throughout the weekend. Activities in the rotunda are free; access to the museum requires admission. Go here for tickets and more details.

Movie lovers will want to check out Cincinnati World Cinema’s annual Oscar Shorts screening this weekend; a mix of the Academy Award-nominated flicks in the Short Film – Animated and Short Film – Live Action categories will be shown in two programs Saturday and Sunday. Each program contains a mix of five live action and animated shorts — be sure to check out both programs to see the winners from both categories. Find program details and schedules here.

It’s a Macy’s Arts Sampler Weekend, with free art events across the Tristate all day Saturday. This month’s sampler includes a special “Catch the Spirit” concert featuring the collaboration of Cincinnati Symphony Orchestra, Cincinnati Ballet, Cincinnati Opera, May Festival Chorus, Cincinnati Shakespeare Company and other local arts organizations. The performance takes place at 1 p.m. at Music Hall. Additional performances, classes, exhibits and other exciting activities for all ages will be offered at Elementz downtown, Behringer-Crawford Museum in Covington, Ky., Fairfield Community Arts Center, Hamilton’s Fitton Center for Creative Arts and more. Go here for more locations with a lineup of events.

For more art openings, parties and other stuff to do this weekend, check out our To Do picks, full calendar and Rick Pender’s Stage Door for weekend theater offerings.

 
 
by Maija Zummo 03.14.2014 40 days ago
Posted In: Alcohol, Events, Cincinnati at 10:10 AM | Permalink | Comments (0)
 
 
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Upcoming Beer and Wine Dinners

Booze + food = awesome

Here's a list of upcoming curated wine and beer dinners: 

Experience the Dynamic Flavors of Wines from Argentina at Blinker's Tavern: Robb Rapp of Cutting Edge Selections brings dynamic wines from Argentina to Blinker's Tavern for a four-course dinner. Reservations required. 6:30 p.m. Thursday, March 20. $65 plus tax and gratuity. Blinker's Tavern, 318 Greenup St., Covington, Ky., 859-360-0840, blinkerstavern.com.

Summit Wine Dinner: Clay Shelton, wine educator and district manager of Excelsior Wines, will bring an informed selection of wine from Chile and Argentina to pair with a multi-course dinner. The Gran Reserva Serie Riberas and Trivento wines have been chosen to complement the five-course dinner prepared by Summit's executive chef Sean Kagy and his team of Midwest Culinary Institute students. The greeting course will feature Concha Y Toro Sauvignon Blanc with scallop, puff pastry, truffle and butter; the first course will pair Marques de Casa Concha Pinot Noir with potato-wrapped salmon, wilted greens and Pinot Noir sauce; the second course will pair Serie Riberas Gran Reserva Malbec with short rib empanadas and vegetable hash; the third course will pair Marques de Casa Concha Carmenere with lamb chops and sweet potato and rosemary demi-glace; and the fourth course pairs Concha y Toro Late Harvest with cheesecake and Apricots. 6:30 p.m. Thursday, March 20. $60 per person plus gratuity. The Summit, 3520 Central Parkway, Clifton, 513-569-4980, cincinnatistate.edu.

Italian Food and Cocktail Pairing Event at Barresi's: Three courses of Italian food paired with vodkas from Columbus, Ohio's OYO vodka. First course pairs blue crab and gorgonzola fritters with spiced pecans, sugar-roasted pear and citrus-dressed field greens with a dirty martini. The second course pairs fingerling potatoes, fried pearl onions, fava beans, caramelized prosciutto and smoked sundried cherry demi glace with an OYO stonefruit vodka margarita. The final course pairs a chocolate pate with OYO vanilla bean vodka fresh espresso, brown sugar and simple syrup. Limited seating; reservations required. 6:30 p.m. Thursday, March 20. Barresi's Italian Restaurant, 4111 Webster Ave., Deer Park, 513-793-2540, barresis.com

Vine & Dine at the Art of Entertaining: Vine & Dine is a new Friday event series at O'Bryonville's Art of Entertaining featuring food and wine pairings and live music. Michael and Jill Denton perform March 21 and 28; Burton Story on April 4; Tery Metcalf with special guest Kelly Richey on April 11; The Billy Rock band on April 25; and Burton Story again on May 2. Reservations are not required, but are recommended. No refunds or cancelations. 5:30-8:30 p.m. $30 for pre-registered guests; $35 at the door. Art of Entertaining, 2019 Madison Road, O'Bryonville, 513-871-5170, cincyartofentertaining.com.

Mad Tree Brewing Beer Dinner at Mecklenburg Gardens: Mecklenburg Gardens hosts local brewery Mad Tree Brewing for a bier dinner on Saturday, March 22. The evening starts at 6:30 p.m. with a Mad Tree keg tapping at 7 p.m. and continues with a German buffet featuring German sausages, sides, salad and dessert. There will also be live music from Alpen Echoes. 6:30 p.m. $20. Mecklenburg Gardens, 302 E. University Ave., Corryville, reservations at 513-221-5353.

The Wines of Jean Luc Columbo at 20 Brix: Ryan Oliver joins to discuss finer points of this South American producer. Pairings by Chef Paul. 6:30 p.m. Saturday, March 22. $50. 20 Brix, 101 Main St., Milford, 513-831-2749, 20brix.com.

 
 

 

 

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by Mike Breen 04.23.2014 10 hours ago
Posted In: Music News, Local Music, New Releases at 01:27 PM | Permalink | Comments (0)
 
 
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Musicians’ Desk Reference Switches Format, Offers Free Trial

Locally-created music industry e-guidebook goes the monthly subscription route

After launching last year locally at the MidPoint Music Festival and nationally at New York’s CMJ conference, the intuitive and comprehensive music industry e-book Musicians’ Desk Reference has relaunched with a new format. Created in Cincinnati by longtime local musician and promoter Brian Penick (also the founder of The Counter Rhythm Group, which has helped numerous local acts garner national attention and work), MDR is moving from its original, one-time-purchase approach to a monthly (or annual) subscription plan. 

(Penick wrote guest blogs for CityBeat as he put the project together. For a more comprehensive MDR overview, click here and here. Billboard magazine has also given the project lots of love.)

For those who may have been cautious about its upfront cost, Musicians’ Desk Reference, which is customizable to the user’s needs (no matter where they are in their career) and features information, templates and advice relating to everything from touring, promoting and recording to radio and press campaigns and well beyond, is now available to test-drive for free. The no-cost 30-day trial doesn’t even require a credit card; click here to get started

Artists serious about pursuing a career in music will likely become more interested in MDR as they dive in and look at all it has to offer. After the 30-day trial, MDR can be accessed for $10 a month or $100 for the year. 

Visit musiciansdeskreference.com for complete info. 

 
 
by Jac Kern 04.23.2014 12 hours ago
Posted In: TV/Celebrity, Humor, Movies at 11:30 AM | Permalink | Comments (0)
 
 
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I Just Can't Get Enough

Jac's roundup of pop culture news and Internet findings

I’m a huge fan of locally-produced commercials-gone-viral. Cincinnati’s Fick Chiropractic Centers current ad might not be up there with Jamie Casino, but it does feature a killer beat that deserves some attention.

Is anyone else just tickled by the concept of a local doctor employing a beatmaker for a commercial? It totally caught me off guard while watching Fox 19 Morning News (aka the Jacki Jing Variety Hour — bitch has more devoted fans than Lady Gaga, just peep their posts on her Facebook page. Locals — including my boyfriend — are totally enamored by her beautiful glamour shots, bubbly attitude and penchant for cosplay. How are the rest of us supposed to compete, Jacki?!).

Are you sick of Beyoncé yet? Trick question: If you answered “Yes,” please get out of here immediately. NO ONE is sick of Beyoncé ever, in fact, parody videos and choreographed routines to her songs are still pouring out of the woodwork four months after the release of her self-titled album. The latest tribute of note comes from self-proclaimed “star on the rise” Chanel Carroll, who’s serving up student loan realness in her take on “Partition” called “Tuition.” ‘Cause we all just want live that debt-free life.

Everything about this is flawless, from her JLo-circa-2000 vibe to the clip art to the cameo by Ashley from Sallie Mae. I would crown her as winner of the Internet for the week, but she shares the title with this dude who’s been reviewing fast food and other grub from his car since 2012. Check out one of Daym Drops’ most popular videos, featuring Five Guys Burgers and Fries.

I want this guy to narrate my life or at least read my eulogy because dude describes a plain drive-thru burger with the eloquence of a poetic preacher. And of course there’s a musical remix. OH MY DAYUM!

Avril Lavigne continues her assault on our earholes with the confusing, excruciating “Hello Kitty.” The Canadian singer responsible for 80 percent of ties bought by young women in 2002 apparently has a massive Asian following, but the Japanime-style video is more of a cringe-worthy misstep than cultural tribute. Hey white pop stars, stop using Asian women (or any women for that matter) as props!

Lily Allen, another 2000s pop relic, is also coming out with new music and a record that automatically gets my support by taking a dig at Kanye West. Sheezus drops next month; the album’s titular new single is a total lady anthem with praise for the Lorde and rhymes about…periods. Whatever, I’m digging it.

This week in movie remake fuckery: A Mrs. Doubtfire sequel is in the works, because nothing from your childhood is sacred! Mara Wilson, who starred as the youngest child in the film (as well as Matilda in the ‘90s Roald Dahl film adaptation) revealed on social media that she wouldn’t be a part of it, as she’s been out of the acting game for several years — which, according to over-each headlines, translated into Wilson “slamming” the sequel, making the private former child actor a trending topic. While we may never see a grown-up Natalie Hillard or Matilda 2 (thank sheezus), you can enjoy Wilson’s musings on her blog. And just because: Mrs. Doubtfire as a horror film.

Also, Goonies 2 is also officially a go. Thanks, Spielberg.

Hey, that’s not Pit Bull, it’s Amy Poehler!

Orange Is The New Black  is back on Netflix for a second season June 6 and the new trailer is here. The whole gang’s back, with a few additions, but the lingering question remains: Where is Pennsatucky?!

It was recently reported that Laura Prepon signed on for Season Three as rumors circulate about her being the future ex-wife of Tom Cruise. This is what I like to call Scientology Sads: When you think you like someone — a famous person, obviously, because the group might as well be called Celebentology — but it turns out they’re a Scientologist. Such a shame.

 
 
by Anthony Skeens 04.22.2014 31 hours ago
Posted In: Mayor, News at 04:43 PM | Permalink | Comments (1)
 
 
parkway

New Bikeway Proposal Could Cost Additional $110,000

Vice Mayor Mann set to introduce motion to save parking spaces

The city’s cost of a long-planned piece of cycling infrastructure could more than double if City Council approves a motion Vice Mayor David Mann planned to introduce on April 23. 

Mayor John Cranley successfully paused the Central Parkway Bikeway Project for public discourse in response to a handful of business owners and residents taking exception to it, and a spokesman for Mann shared his suggested compromise with CityBeat today.

In response to an April 21 special Neighborhoods Committee meeting, Mann seeks to alter the bike route to appease people who don’t want to see parking spaces removed, but the updated plan will cost an additional $110,00 on top of the $82,600 the city would pay under the original plan, which would create the beginning of a cycling corridor running from Elm Street downtown to Ludlow Avenue in Clifton. The project was supposed to break ground next month and could lose $330,400 in federal money if the contract isn’t awarded by May 1. 

“We routinely spend hundreds of thousands of dollars as a city to create new jobs in our community,” Mann said in a statement. “We should not approve a new project that places 60 newly created jobs in jeopardy when such a sensible accommodation is available.”

The planned bikeway is an innovative piece of cycling infrastructure meant to better protect cyclists along a critical thoroughfare that would connect a number of inner-city neighborhoods and business districts. The lane will be protected, meaning cyclists will have their own lane with a buffer separating them from traffic; in some areas plastic bollards will separate the bike and automobile lanes. The street will not be widened, so traffic lanes will be impacted through restriping, and parking will be restricted during peak traffic hours in the morning and evening. 

Opponents of the project are concerned about losing public, on-street parking for parts of the day as well as potentially encountering traffic issues from shaving lanes from Brighton Place to Liberty Street. They also worry the bollards will become a blight issue and emergency vehicles will be impeded during one-lane hours.

Mann’s motion supports an alternative plan for a section running from Ravine Street to Brighton Place that would preserve 23 parking spaces full-time, alter 4,300 square feet of greenspace and remove 15 trees at an estimated cost of $110,000. The parking spaces would benefit a building owner and his tenants at 2145 Central Parkway. 

City Councilman Chris Seelbach and others demonstrated frustration with the administration’s interest in stepping in at the 11th hour. 

“I think we have reached a new era in Cincinnati: two steps forward, pause, lots of long meetings, two steps forward, and I’m convinced after the pause and lots of long meetings, we will continue to go two steps forward today,” Seelbach said at the April 21 meeting. 

Mayor Cranley requested City Manager Scott Stiles delay awarding a contract after meeting with local business owner Tim Haines, who purchased a vacant building located at 2145 Central Parkway in 2012 for $230,000. His building now houses 65 employees from 12 different businesses including his own, Relocation Strategies. Haines has become a mouthpiece for the opposition to the bikeway — though he adamantly states he is not against the lane; he is just against the project’s current incarnation as it affects Central Parkway near his business, which utilizes 500 feet of on-street, unmetered parking, which translates to 30 parking spaces.

“If parking wasn’t an issue, I would open up my arms and welcome the bike path,” Haines says. “Parking for my 65 tenants is in jeopardy. As a business owner I have to fight for my tenants. … Could they park and walk a quarter of a mile? They could, but that’s not what they signed up for when they moved in.”

Haines has a 16-space parking lot adjacent to his building that some of his tenants use and also owns a parking lot across the street that is in disrepair. Haines says he already cleared it of underbrush to cut down criminal activity and disposed of dozens of tires and beer bottles. He says it would cost up to $300,000 to upgrade the lot. 

During the April 21 presentation, Department of Transportation and Engineering (DOTE) Director Michael Moore presented the committee with an alternative recently developed with Cranley’s office that he said would appease Haines and his tenants but would cost more money. Moore pushed the notion that the alternative creates a more balanced bikeway plan.

The original plan, passed by council last year, restricts parking in front of Haines’ building from 7 a.m. to 9 a.m. Moore’s alternative, which Mann is on board with, is to ramp the bike lane over the curb adjacent to a sidewalk where there is currently a tree-lined area in front of Haines’ building and another business in order to preserve public parking full-time. 

At the meeting, council member Young took exception to the suggestion of changing the project at this point.  

“For the life of me, I don’t see where the reasonableness and the balance is with people who come so far after the fact that want us to make these changes and the dollar amount it’s going to cost the taxpayers to get it done,” Young said. “I am appalled that people can come after the fact and tie up all these people down here to simply want accommodations for them.”

Mann shared another perspective.

“There’s a gentleman who has brought 60 jobs to the city, including some folks who have Parkinson’s and use the building, and the proposal that’s being made seems to me to represent balance,” Mann said. “We spend millions of dollars, typically, to support development, to support jobs, and you’re saying that the proposal that was originally approved by this council without a hearing like this is so pristine that it cant be adjusted in any way, and if it’s adjusted that is a statement of imbalance? I just don’t follow that.”

For the past year and a half, DOTE conducted surveys, sought public input and developed plans for the bikeway. After a strong consensus, the department chose the protected bikeway plan. The bikeway is estimated to add just three seconds of motorist commute time by 2030, though some naysayers suggest that delivery trucks will clog the lanes and the turn left from Ravine Street will create an even longer lag. 

Community outreach for the design began in March of last year with eight community council meetings. Letters were mailed to residents, businesses and property owners, but Haines and several other business owners stated they didn’t receive any and weren’t aware of the project until late last year. 

A website designed for public feedback also garnered about 600 messages mainly supporting the bikeway project. DOTE held an open house last September and the Over-The-Rhine and Northside community councils, Findlay Market and Northside Business Association endorsed the project. 

Simpson expressed frustration with halting progress for a last-minute meeting.

“I don’t think that’s an appropriate process,” she said. “Really, technically you can go over everything over the past two years. The reality is we need to look forward. If we want to be less auto-focused and more focused on other types of transit, we’re going to have to ruffle a couple of feathers.”

Supporters — some who biked to the April 21 meeting and utilized a bike valet setup in front of City Hall — represented various groups of the community from health and community councils to business owners and cyclists. Their number doubled opponents — mainly business owners along Central Parkway in the West End and the West End Community Council, though some West End residents and business owners supported the original bikeway plan.

 
 
by Staff 04.22.2014 33 hours ago
Posted In: Events, Food news, Contest at 02:50 PM | Permalink | Comments (1)
 
 
todo_gorman heritage farm overview_image provided by gorman heritage farm

Savor the Season and Chef Competition at Gorman Heritage Farm

Tastings, workshops, cocktails and more

Evendale's Gorman Heritage Farm — a real, working farm — welcomes spring with their second Savor the Season: Farm to Fork Celebration

From 11 a.m.-7 p.m. Saturday, May 3, the 122-acre farm (in partnership with Slow Food Cincinnati) will be abuzz with educational and immersive opportunities to learn and taste what spring has to offer. Locavore chefs, like Julie Francis of Nectar and Ryan Santos of Please, will be offering cooking — and tasting — demos using farm-fresh ingredients highlighting the bounty of the season. There will also be workshops on caring for your own backyard chickens, beekeeping, gardening, composting and much more. (Find a full list of workshops here.)

The day wraps up with the “Raid the Garden” chef competition, judged by CityBeat’s own Anne Mitchell, among others. Competing will be Mike Florea of Maribelle's eat + drink, food stylist Mary Seguin, Jaime Carmody of Out of Thyme, Nick Marckwald of Hen of the Woods, Salomon Rabinovich of Gaijin Catering and Karol Osinski of the Hyatt Regency Cincinnati. During the competition, Rhinegeist Brewery have their brew on tap, and everyone's favorite mixologist and author Molly Wellman will be serving garden-good cocktails. You'll also find a food trucks including Dojo Gelato, Panino Food Truck, C'est Cheese and Bistro de Mohr.

And Gorman is a real working farm, that  you — and your little ones — can explore. Space is limited. 11 a.m.-7 p.m. Saturday, May 3. All-day, all-access pass (includes chef demos, workshops, vendor areas, farm tours and the Raid the Garden competition): $35 adult; $30 child/senior; $30 member adult; $25 member child/senior. Raid the Garden competition only (5-7 p.m.): $10 at the door. Prices go up after May 1.

10052 Reading Road, Glendale, 513-563-6663, gormanfarm.org.

 
 
by Rick Pender 04.18.2014 5 days ago
Posted In: Theater at 11:24 AM | Permalink | Comments (0)
 
 
spam

Stage Door: Weekend Theater Picks

There are several good theater choices south of the Ohio River this weekend.

The theater (and dance) program at Northern Kentucky University presents a truly varied array of programming — this season has included a play by Orson Welles, the legendary musical South Pacific, Shakespeare's As You Like It and more. The academic year's final production Monty Python's Spamalot, opened last evening, and it seems to be a perfect vehicle for a lot of onstage clowning. (In case you haven't been tuned in, the show is subtitled "A musical lovingly ripped off from the motion picture Monty Python and the Holy Grail," and many of the show's most hilarious moments are reproduced wholesale onstage.) But clowning can be serious work, and if you catch NKU's production, pay attention to the choreography (the work of NKU grad Roderick Justice) which is complex, amusing and very well executed by the cast of 25. Director Ken Jones keeps things moving; the actors get into the tomfoolery from start to finish, especially Kat Moser as the diva who's the Lady of the Lake and Bradley Goren as long-suffering Patsy (he's the one who clicks the coconut shells to simulate King Arthur riding on horseback, among other amusing moments). The show is a fine entertainment, if you're a fan of the low but articulate humor of the Python troupe. Through April 27. Tickets ($8-$14): 859-572-5464.

Comedy of an entirely different sort is available at another Kentucky venue, the Carnegie in Covington, where Mary Chase's 1945 Pulitzer Prize winner Harvey is available through April 27. This is a piece of gentle humor from the past, about a slightly off-kilter guy who sees a six-foot-plus rabbit — he calls it a "pooka" — named Harvey, much to the dismay of several family members who are embarrassed by his behavior. Their efforts to get him committed to a local asylum go awry to much merriment and a message about being, well, gentle and sweet. This is good, old-fashioned fun. Tickets: 859-957-1940.

If you prefer a well-written contemporary drama, this weekend is your last chance to see A Delicate Ship at the Cincinnati Playhouse. Anna Ziegler's new show (this is its world premiere) is a memory play that explores an unexpected chain of events triggered by a love triangle. It's beautifully staged by Michael Evan Haney with a cast of three actors who are just right for each of their roles. I gave this one a Critic's Pick when it opened; it's as good as anything I saw recently at the much-respected Humana Festival of New American Plays at Actors Theatre of Louisville. Tickets ($30-$80): 513-421-3888
.

 
 
by Amber Hemmerle 04.18.2014 5 days ago
Posted In: Comedy at 10:38 AM | Permalink | Comments (0)
 
 
todo_rajivsatyal

Q&A with Rajiv Satyal

Comedian brings his No Man's Land tour to the Aronoff Center Saturday

Comedian Rajiv Satyal was born and bred in Cincinnati — Fairfield to be exact. He’s gone from being an intern on Capitol Hill to brand manager at Procter & Gamble to full-time comedian living in Los Angeles. Satyal has worked with Dave Chappelle, Kevin James, Tim (the tool man) Allen, Kevin Nealon and Russell Peters. Heard of the University of Cincinnati’s Bearcast? He named the school’s radio station-turned-media group. He runs a consulting business called StandPoint Agency and is a regular at all the L.A. comedy clubs, but he got his start at Montgomery’s Go Bananas. Satyal’s unique way of viewing the world continually draws in more fans. He refers to himself as the funny Indian, but he’s really just a funny — and nice — dude from Ohio. Satyal performs his first one-man show No Man’s Land Saturday to a sold-out audience at the Aronoff Center, and he squeezed CityBeat into his schedule for a quick rundown of all things Rajiv.

CityBeat: Since you’re from Cincinnati I have to ask, what high school did you go to?

Rajiv Satyal: Totally fine, a very Cincinnati question, but I went to Fairfield High School and I got an undergrad at the University of Cincinnati in materials engineering.

CB: I read that you worked on Capitol Hill, what did you do there?

RS: I was at the University of Cincinnati at the time and I went out to Capitol Hill to be an intern for a representative, Steve Chabot. So I just worked in the office and it was for fun, I got to live in DC and explore that town and did whatever tasks around the office, but it was mostly getting the feel of Washington.

CB: Do you have a funny family or what sparked your interest in comedy?

RS: Actually I have two brothers and, well, two parents, and everybody has a sense of humor. It was a super fun household to grow up in. We were all pretty positively reinforced, we weren’t really a tough crowd, like, we definitely encouraged each other to say funny things and we laughed a lot. I know a lot of comedians’ families would be like, you know, “boo” or whatever when they told a joke and were a tough crowd, but we were a really good crowd for each other and just kind of encouraged each other to be funny. My brothers and I never really fought a lot growing up, which is so strange, but we all got a long and we had a good time.

(Check out Rajiv’s dad going Bollywood last Monday on The Bob & Tom Show here.)

CB: Does Cincinnati or growing up here inspire any of your stand-ups?

RS: Oh, definitely. I feel like growing up in Ohio, it made me kind of more of an everyman being able to relate to people in the heartland of the country and people who grew up on the coast. I think people on the coast have their own sensibility, but it’s hard to know what works inland. A lot of comedians are like hurricanes; they knock it out on the coast, but when they come inland they die. I feel like being from the Midwest gives me an advantage.

CB: What inspired you to pursue comedy seriously?

RS: When I turned 30 I really flipped out, I was like, ‘Man, I’ve lived in Ohio my whole life and I need to do something different.’ So I left Procter & Gamble and moved to Los Angeles, I was a brand manager at P&G Water for only about 3 months and then I jumped shipped and went into it [comedy] full-time. I guess I felt like I really enjoyed speaking in front of people and I love being funny and those two things lend themselves well to being a famous comic, ya know.

CB: So basically just turning 30 did it for you?

RS: Yeah, I felt like life’s too short and, you know, why do something you don’t want to do? Why not go for it. I guess I thought when I turned 30 I felt like, “Man, I don’t want to turn 40 and watch TV and go, ‘Man I could have done that.’” I think given all the privileges, if I don’t try it…I’m born in the United States, I’m American, I have all these opportunities, it’s the land of opportunity, you got to self-actualize, man, go for it.

CB: How has your comedy evolved from where you first started to now?

RS: I would say that just getting deeper. As comedians do it longer and longer you start to go from jokes to more of a point of view. You start to realize what makes you funny. You have these weird beliefs and you stand out a little bit. You don’t really have to do jokes anymore, you just tell people what you think and they think it’s funny because they are like, ‘Wow, that’s a weird way to look at it.’ Being able to make people laugh at the way you look at the world, I think that’s kind of cool.

CB: Do you have any stories about opening up for or working with various comedians?

RS: I actually opened up Dave Chappelle’s very first show when he came back from Africa in 2005, so that was really cool. I had opened up for him at the University of Cincinnati in 2000 before I even started doing stand-up — I started doing stand-up in 2002. So people in the student senate and student government and programming board at UC were like, ‘Hey, you’re a funny guy, you’ve done a little bit of stand-up, would you want to do?’ So I opened for Dave Chappelle at UC and got booed off the stage in front of all these people. Then five years later I opened Dave Chappelle’s first show when he comes back from Africa and I did really well, I killed and it was really redeeming.

CB: Did he remember you from 2000?

RS: Yeah, he did actually, that’s what’s crazy about it — that he remembered that. It’s funny. He was really encouraging and complimentary. I talked to him for two hours by myself that night in 2005, after we were done, just he and I were in the room and for two hours we were just talking about politics and religion and the world…I know that he was happy that I stuck with it and everything. 

CB: Who would you like to work with in the future that you haven’t worked with?

RS: I would like to work with Bill Burr. He is not an extremely well-known person, but he is a genius and he is from Boston. I think it would be awesome to work with Louis C. K., of course, he is like the biggest guy in comedy right now. I mean, I don’t know, I think Jerry Seinfeld would be pretty awesome. I love Ricky Gervais, I’m a big fan of Ricky Gervais, a guy from England. Chris Rock, I love Chris Rock. I actually met Chris Rock when he performed at Ohio State and I told him someday I am going to open for him and he goes, ‘That would be something man, you never know.’ So I have to make good of my promise. I told him one day I was going to open for him, so I better do.

CB: What kind of topics or themes can audiences expect from No Man’s Land?

RS: It’s mostly about dating and relationships. The central questions of the show are: Why am I single and how would you define manhood in modern society? So I’m a single, 38-year-old man out there trying to figure out the evolution of manhood and what does it mean now, how does the definition of manhood change and I try to define it. It’s not a show about men versus women, it’s a show about men versus guys.

CB: What do you miss most about living in Cincinnati?

RS: Well my family, obviously, my family and my friends. I have a really good friend who lives in Seattle, but he is thinking about moving back here and the only reason is his family; it’s not for the weather, it’s not for a better job and it’s not for anything else other than the fact that his family is here. I think family is a big thing.

CB: I feel like if I moved away I would miss three-ways too much.

RS: I do miss Cincinnati food. I love LaRosa’s, I love Graeters’, I love Skyline and I do love Cincinnati food. You know, there is something about the Midwest. The people are super nice and, you know, just walking down the street you can say hi and the person will say hi back or the person will initiate or whatever — that doesn’t really happen in L.A. as much, at all, and people are not as nearly as friendly as they are here.

CB: What advice do you have for people who are trying to break into the business?

RS: I think they should just start. They need to start…The Internet is such an opportunity to reach the people you want to reach. I think it’s possible more than ever to go down to the local comedy club and enter the open mic night and start. Get to know the people and get up and do it. Write material, start a group up that supports each other. It is difficult, but you know there is a way in. Comedy is more accessible than ever.

Get a glimpse of some of Satyal’s funny stuff here.

 
 
by Jessica Baltzersen 04.17.2014 6 days ago
Posted In: Alcohol, Beer, Food news, Cincinnati, News, Openings at 11:34 AM | Permalink | Comments (0)
 
 
_over the mountain_ wall by the frameshop

HalfCut Beer Cafe Grand Opening Friday

HalfCut pours its first beers for the public tomorrow

HalfCut Beer Café invites beer lovers to take their taste buds on an explosive journey as they celebrate their opening to the public April 18th.

The cafe — on Walnut Street in Over-the-Rhine, attached to the new taco shop Gomez Salsa — will offer growlers to-go plus beers to sample and drink in-store. Customers walk up to the counter to chat with a knowledgeable beer-ista and then choose the style and flavor of beer they want to indulge in. Then, they have the option of choosing to enjoy their beverage either at the bar or to-go in one a HalfCut growlers. For those in a super hurry, they also have a to-go only window on 12th street.


The interior of the cafe was inspired by a cross-country road trip. HalfCut wants to instill a sense of adventure in its customers via wall artwork by local store Frameshop and a 20-foot mural stretching across their exposed brick wall by Neltner Small Batch that pays homage to beer and the beer-making process telling the story of how beer got from the farm to your hands.


1128 Walnut St., Over-the-Rhine, halfcut.com.

 

 

 

 

 

 

 
 
by Rick Pender 04.16.2014 7 days ago
Posted In: Theater at 08:46 PM | Permalink | Comments (0)
 
 
2014-fringe-festival-image - designed by alex kesman copy

Know Theatre Announces 2014 Fringe Festival Lineup

This evening at its Jackson Street headquarters in Over-the-Rhine, Know Theatre of Cincinnati revealed the lineup for the 11th annual Cincinnati Fringe Festival to a crowd of nearly 100 enthusiastic supporters and performers. The two-week festival begins Tuesday, May 27, with the CityBeat Fringe Kick-Off Party; it winds up 12 days later on Saturday, June 7, having presented 32 productions — 17 plays, two musicals, seven solo performers, and six dance presentations. In addition, there will be four FringeNext productions (selected from 11 applicants — a record number), featuring original material produced and performed by local students from the School for Creative and Performing Arts, Newport Central Catholic High School, St. Xavier High School and Highlands High School.

Performance Gallery is kind of the alpha and omega of the Cincinnati Fringe: They’ve been in all 11 festivals, including the 2008 hit show fricative. Producer Eric Vosmeier calls them the inspiration for much of what the Fringe is about: They were doing “fringe-like” work before the festival began, and they’ve returned annually with work that pushes the envelope. This time they’ll offer Heist, about three crooks of questionable ability. Vosmeier also cited Pones Inc., the dance-based company that returns for the seventh time with Traffick, a piece of audience engagement that explores issues of human trafficking. Vosmeier says, “This is the kind of work the Fringe was built to exhibit.”

“We had a great mix of new producers and returning favorites in the applicant pool,” Vosmeier says. “The word continues to spread about our Cincinnati Fringe Festival, which has a national reputation for being the most artist-friendly festival. We’ve worked very hard on this over the years, and I believe that we’ve created something special for our artists and for our region.”

The Cincinnati Fringe differs from festivals elsewhere in that productions are screened and handpicked by a committee of local theater artists. Drawing from a large pool of applicants, comparable to last year’s record-breaking number, this yielded a balanced mix of local vs. out-of-town producers: 15 from Greater Cincinnati and 18 from beyond. The latter number includes three international shows, the most ever for the festival: Around Dark Matter, a Holocaust memory piece by Mica Dvir, is from Tel Aviv, Israel; A Brief History of Beer by Wish Experience from London, a company that has performed at festivals from Edinburgh to Adelaide; and Prefer Not to Say, an interactive piece by blueDragonfly Productions, another U.K. group, the presenter of And All the Rest is Junk Mail a year ago.

For Wednesday evening’s announcement event, members of the Fringe staff mentioned the shows they were most looking forward to. They named:

·     An Unauthorized Autobiography of Benny Hill by Four Humors Theater (Minneapolis), the creative minds behind such past Festival favorites as Lolita: A Three Man Show, Bombus and Berylline and Harold. This will be their sixth consecutive Cincinnati Fringe appearance.

·     Blogging Behind Bars by Unity Productions, creators of two past Fringe hits, The Wave and Nothing. This time it’s a true story about a young, nonviolent criminal who wrote a blog while incarcerated in a maximum-security prison.

·     Papa Squat’s Store of Sorts by solo artist Paul Strickland from Indianapolis, whose Ain’t True and Uncle False was a “Pick of the Fringe” last year. His new show is a music-filled memorial for a guy who “once filled the emptiness in Big-Fib Cul-de-sac with his insightful songs.”

·     Something Something New Vagina by Rebecca Kling, a transgender artist and educator from Chicago with a follow-up show to her 2012 production, Beneath Her Skin.

·     The Ultimate Stimulus by Felipe Ossa, a Brooklyn-based playwright and a new artist to the Cincy Fringe, is presented in the form of a TED Talk that argues for concubinage as a way to address the problem of income inequality.

The festival is also a chance for Cincinnati’s local theater companies to show off. Clifton Performance Theatre will present Sarge, a piece by Kevin Crowley about the wife of discredited Penn State assistant football coach Jerry Sandusky. Untethered Theatre has prepared Where Edward Went, a new play by Ben Dudley and Adam Sievering about a screenwriter’s effort to make a documentary about Edward, the late fiancé of Elyse, a painter. They don’t quite agree about the portrait. New Edgecliff Theatre will offer TRAGEDY: a tragedy, described as “one of the funniest apocalypses of our time.” And Ensemble Theatre Cincinnati’s intern company always offers a fine showcase of young talent. This year it’s two one-act plays: Sheila Callaghan’s Crumble (Lay Me Down, Justin Timberlake) and Itamar Moses’s Authorial Intent.

In addition to the productions offered nightly, artists, audience members, staff and volunteers flock nightly at Know Theatre’s Underground and headquarters for the Fringe Bar Series, with a reasonably priced bar, some free food inside and offerings for purchase from food wagons on Jackson Street. Each evening after the Channel Fringe Hard Hitting Action News Update, everyone has a chance to be a performer with activities such as the Fringe Olympics, Fringe-A-Oke, Fringe Prom, Segway Night and the Night Without Technology. This year the Bar Series night adds Fringetoberfest, an evening of German-inspired food and brews from local craft beer creators.

Vosmeier expects the festival to attract more than 8,000 visitors this year. If you’re someone who tries to see as much as possible, your best bet is a “Full Frontal” Fringe pass ($200) providing access to every event in the festival. Know also offers “Voyeur” passes ($60) good for six shows of your choice. If you can only make it once, a “One Night Stand” pass ($25) is available — admission to any two performances in an evening plus one drink at Know’s Underground bar. Single tickets to Fringe shows continue to be priced at $12; they’ll go on sale in mid-May.

There will be lots more — and the lineup can change. Hey, it’s the Fringe, so be ready for anything. You’ll find details on all these shows and more at cincyfringe.com.

 
 
by Kelsey Kennedy 04.16.2014 7 days ago
Posted In: Visual Art at 03:19 PM | Permalink | Comments (0)
 
 
cac

Contemporary Arts Center Launches Redesigned Website

The CAC celebrates its 75th anniversary this year

The Contemporary Arts Center marks its 75th anniversary with the launch of its newly redesigned website, contemporaryartscenter.org.

By adding a timeline and a list of exhibits dating back to 1939, the updated site highlights some of the museum’s most notable attractions through videos and interactive learning. The historical timeline depicts an honest look at what Cincinnati was like in 1939 and displays the iconic artists that put the CAC on the map. In 1940, Picasso’s Guernica toured the Midwest for its first and only time and made a pit stop in Cincinnati. In 1963, the Pop art show An American Viewpoint was one of the first exhibitions of its kind. And in 1990, nearly 81,000 people visited the Robert Mapplethorpe exhibition.

Along with the illustrated timeline and videos, the CAC site also offers lesson plans, exhibit brochures, audio files and slideshows about past exhibits. New features like online ticket admission and family visitor information have been added. After 75 years and hundreds of amazing artists, the Contemporary Arts Center has proven it’s still the coolest place in Cincinnati to spark your creativity and become inspired.

FORM, a Cleveland-based creative services firm, designed the visual layout of the site.

 
 
by Maija Zummo 04.16.2014 7 days ago
Posted In: Food news, Events at 02:24 PM | Permalink | Comments (0)
 
 
dining out for life

Dining Out for Life 2014

Fight AIDS by dining out at your favorite restaurants on April 24

Dining Out For Life is an annual event to raise funds for licensed AIDS service agencies in 60 cities across the nation. Started in 1991 by ActionAIDS in Philadelphia, today more than 3,000 restaurants donate a portion of their proceeds from one day to the aforementioned service agencies; more than $4 million is raised each year which goes directly to the agencies (except for a $1,150 licensing fee). 


Cincinnati's Dining Out For Life event benefits Caracole, a nonprofit that provides housing and supportive services to individuals and families living with HIV/AIDS in eight counties across Southwest Ohio. Caracole currently serves more than 1,400 clients and their families.


Area restaurants participating include Arnold's Bar & Grill (donating 25 percent); Below Zero Lounge (donating 100 percent); Blue Jay Restaurant (donating 25 percent); Green Dog Cafe (donating 25 percent); Kitchen 452 (donating 25 percent); Tom+Chee (donating 25 percent); and more. Find a full list of participating restaurants and how much they're donating here.


Dining Out For Life is easy. Just follow three steps:

  1. Choose a participating restaurant.
  2. Gather a group of friends and call ahead to make a reservation. Be sure to mention you're with Dining Out For Life®.
  3. Dine out on Thursday, April 24th and enter for a chance to win fabulous prizes. Restaurants will list what time of day they're participating in fundraising.

If you would like to participate or would like more information, please contact Megan Green, Caracole Community Investment Coordinator, at 513-619-1483 or at mgreen@caracole.org.

 
 
 
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