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by Rick Pender 07.07.2014
Posted In: Theater at 08:12 AM | Permalink | Comments (0)
 
 
andrew hungerford

Stage Door: Cincinnati Stages Are Waking up This Week

Cincinnati stages were pretty quiet over the Independence Day weekend, but this week they start waking up and getting ready for more. Tonight at 8 p.m. is the second installment of Serials! at Know Theatre. You can see six fresh, 10-minute episodes of brand-new plays by local playwrights — Trey Tatum, Chris Wesselman, Jon Kovach, Ben Dudley, Michael Hall and the team of Lauren Hynek and Elizabeth Martin — and featuring lots of Cincinnati-area actors. New artistic director Andrew Hungerford calls it a "theater party" offering cold beer, air-conditioning and world-premiere stories in Know's Underground bar (1120 Jackson St., Over-the-Rhine). Even if you missed the "pilots" on June 23, you'll get caught up with a recap before each episode. I had a blast watching these tantalizing tidbits two weeks ago, and I suspect tickets will become harder to get as the summer progresses. (Subsequent performances on July 21, Aug. 11 and 25 and Sept. 8.) Tickets ($15): 513-300-5669.


Ensemble Theatre Cincinnati is assembling a cast for its season opener, Hands on a Hardbody (Sept. 3-21), a recent Tony-nominated musical about 10 people vying to win a truck by outlasting their competitors and keeping their hands touching the vehicle — which will be onstage at the Over-the-Rhine theater (1127 Vine St.). ETC is seeking actors, singers and dancers for the show with an open audition on Wednesday this week (July 9, 5-8 p.m.). All are welcome, but an appointment is required. (Contact bholmes@ensemblecincinnati.com) Ensemble Theatre is an AEA Theatre. Union and non-union actors are encouraged to apply. Rehearsals begin August 11. ETC is seeking a diverse cast, and all ethnicities are encouraged to apply, especially African-American men and Hispanic males and females.

ETC had a big hit on its hands three years ago with the Tony Award-winning musical next to normal about a woman with bipolar disorder. In fact it was such a draw that they revived it in the summer of 2012. Although the Rock musical is a challenging work, this week features not one but two productions by Cincinnati-area community theaters: Sunset Players on the West Side and Paradise Players on the East Side. Both productions open Friday evening. The venerable Sunset Players, which presents shows at the Dunham Arts Center (in the Dunham Recreation Complex, 4320 Guerley Rd., Price Hill), has performances through July 26, mostly at 8 p.m. (July 20 is a 2 p.m. matinee.) Tickets ($14-$16): 513-588-4988. Meanwhile, Paradise Players, a newish group offering summer productions at McNicholas High School's Jeanne Spurlock Theatre (6536 Beechmont Ave.), will offer the show just this week, July 10-11 (7:30 p.m.) and July 12 (2:30 and 7:30 p.m.). Tickets: $15 (http://mcnhs.seatyourself.biz

Area high schoolers now have Commonwealth Artists Summer Theatre (C.A.S.T.) as a summer outlet for theatrical opportunities at Highlands High School (2400 Memorial Pkwy., Fort Thomas). Starting Friday is a two-week run (July 11-20) of The Addams Family, a Broadway musical based on the bizarre and beloved family of characters created by cartoonist Charles Addams. C.A.S.T., headed by Fort Thomas Independent Schools' theater instructor Jason Burgess, enables kids from the Greater Cincinnati and Northern Kentucky to develop their skills in performance and production beyond their school year and beyond their school population. Tickets: $10 (http://www.showtix4u.com) or at the door.
 
 
by Rick Pender 06.27.2014
Posted In: Theater at 04:27 PM | Permalink | Comments (0)
 
 
stage door 6-27 - private lives  @ cincy shakes - photo rich sofranko  copy

Stage Door: Options Abound

There's a great array of theater this weekend, no matter what you like. That's a good thing, because local theater, like baseball, takes a kind of midsummer break (no All-Star Game onstage anywhere, however). So get out and see something this weekend, then enjoy the fireworks and picnics next. Here are some suggestions:

Traditionally entertaining shows can be found at two professional theaters. At Cincinnati Shakespeare Company, it's the closing weekend for Private Lives, a very witty classic comedy about marriage by Nöel Coward. (CityBeat review here.) Two couples are honeymooning in the south of France, in adjacent hotel rooms. Things go awry when one husband and the other wife cross paths by chance. They were once married to one another, and the spark quickly rekindles, despite the fact that they had a very volatile chemistry. It's a great piece for four comic actors, and Cincy Shakes has a great cast to handle it. Staged by Ensemble Theatre's D. Lynn Meyers. Tickets ($22-$31): 513-381-2273.

A different kind of couple is showcased at Covedale Center, where Neil Simon's The Sunshine Boys is in its final weekend. Two guys who were comic partners in the days of vaudeville — and who grew very tired of one another — are brought together for a TV special about the "good old days." They don't much want to do it, but they're coaxed, and the results of their bickering and nastiness makes for a lot of laughter. Tickets ($21-$24): 513-241-6550.

A new theater company, Stone on a Walk, has its inaugural production this weekend, a low-budget performance of Cain by Lord Byron at the Art Academy's lecture hall, a venue familiar to Fringe Festival mavens. Yes, the playwright is that Romantic poet George Gordon you might recall from lit classes. He also wrote plays, and this one from 1821 focuses on Adam and Eve's first son, resentful that his parents' transgressions have forced them out of Eden and made death a real possibility. He spars with Lucifer, still hanging around to make trouble, and is at odds with his pious brother Abel, as well as his wife Adah. Things don't go well, as you might recall — Cain becomes the first murderer. John Leo Muething has put together a three-show season for his new theater venture, Stone on a Walk, with a one-weekend performance of each work (more to follow in July and August). This one features three actresses: Caitlyn Maurmeier is Cain; Hannah Rahe is Adah, Cain's dutiful wife; and Aiden Sims plays Lucifer and Abel. The casting of females in male roles is unusual, and the doubling of Sims as villain and victim might cause a bit of confusion (although she plays Lucifer with sinister hissing vigor, while Abel is the picture of sincerity). The 70-minute performance is done with no stage lighting or scenery; the final section, with actors on the floor, is hard to see unless you're in the front row or two. Cain is a lot of talking, poetry and high emotions, but Maurmeier powerfully renders Cain's despair, and Sims is very watchable as Lucifer. Tickets ($10) at the door; the Art Academy is at 1212 Jackson Street in Over-the-Rhine.

How about a showcase of excerpts from Cincinnati's community theaters? Friday evening and all day Saturday that's what's happening at Parrish Auditorium at Miami University's Hamilton campus (1601 University Blvd., Hamilton). Four 30-minute selections tonight include A Midsummer Night's Dream and Les Misérables, and eight more tomorrow morning and afternoon (GodspellSteel MagnoliasNunsense and Tommy are among them). Each performance will be assessed and a few will be selected for a statewide competition in early September. Cincinnati has a lot of excellent community theater, and this is your opportunity to see some of the best shows that have been offered during the 2013-2014 season. Ticket information: http://bit.ly/1lkw098.

And in the off-week between Cincinnati Opera's opening production of Carmen and the upcoming staging of Silent Night, opera seekers might want to check out two works presented by the North American New Opera Workshop (they shorthand that name as "NANOWorks") at Below Zero's Cabaret Room (1122 Walnut St., Over-the-Rhine). It's the midwest premiere of Marie Incontrera's At the Other Side of the Earth, a riot girl opera followed by Eric Knechtges's Last Call (Friday-Saturday at 8 p.m.,Sunday at 2 p.m.). Incontrera's piece combines classical performance with punk sensibilities; the piece by Knechtges (who is head of the musical composition program at Northern Kentucky University) is loosely based on the Cincinnati gay bar scene and includes at "techno/house aria" and a high-energy drag performance. This is definitely not your grandmother's opera. Tickets: $20 at the door. 
 
 
by Rick Pender 06.20.2014
Posted In: Theater at 10:14 AM | Permalink | Comments (0)
 
 
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Stage Door: Keep the Groove Going

Probably the most entertaining thing onstage right now is Private Lives at Cincinnati Shakespeare. It's been selling so well that 2 p.m. matinee performances have been added this Saturday and June 28. (It closes on June 29.) It's the story of honeymoons going bad when a feisty divorced couple decide to reunite rather than stick with their new spouses — when they find themselves coincidentally in adjacent hotel rooms in Southern France. (CityBeat review here.) Cleverly staged by Ensemble Theatre's Lynn Meyers, using four of Cincy Shakes best actors. Of course it's all improbable and overdone, but that's a Noël Coward play for you — witty, silly and lots of fun. Tickets ($22-$31): 513-381-2273.

You'll find laughs elsewhere with the Covedale Center's just-opened production of The Sunshine Boys by Neil Simon, a master of comedy. It's about a pair of vaudeville partners who spent 40 years working together and ended up not speaking. But they're being coaxed to come together to re-stage one of their old routines for a TV special. Rehearsals don't go well and the actual live broadcast spirals down from there. Simon is a master of one-liners, and this show has a million of them. Tickets ($21-$24): 513-241-6550.

If Monday leaves you still looking for something onstage, Know Theatre is ready to open its doors for something entertaining: Serials! All summer long at two-week intervals (starting Monday) there will be 15-minute episodes of plays by local writers. This week you'll get to see pilots of Mars vs. The Atom by Trey Tatum, Flesh Descending by Chris Wesselman, The Funeral by Jon Kovach, The Listener by Mike Hall and Fetus and the God by Ben Dudley. These stories are open-ended and audience response will be a factor in where they go. If some of those names sound familiar, it's because most of them are veterans of the Cincy Fringe. If you had a good time there earlier this month, here's a way to keep your groove going. Tickets ($15): 513-300-5669.
 
 
by Rick Pender 06.06.2014
Posted In: Theater at 09:21 AM | Permalink | Comments (0)
 
 
2014-fringe-festival-image - designed by alex kesman copy

Stage Door: Wrapping up Fringe

Just two more days of the Cincinnati Fringe Festival, so here are a few recommendations for great shows you can still catch. (Look for reviews of these performances on CityBeat's Fringe page here.) Many Fringe performances are sold-out, so check in advance to be sure seats are still available: cincyfringe.com.

I was very impressed by Christine Dye's moving performance in Kevin Crowley's one-woman show, Sarge, about a woman whose husband is accused of child molestation. It's final offering is tonight at 7 p.m. Four Humors' An Unauthorized Autobiography of Benny Hill epitomizes the off-kilter nature of the Fringe, a piece that's funny and poignant. Last chance to see it is Saturday at 8:45 p.m. If you like storytelling, you can catch two of those on Saturday evening: Mike Fotis's Fotis Canyon (7 p.m.) and Paul Strickland's Papa Squat's Store of Sorts (9 p.m.) You might also want to check out the intern showcase at Ensemble Theatre, which just opened on Thursday evening; performances Friday (7:45 p.m.) and Saturday (1 and 7 p.m.). It includes some fine acting in some unusual scripts. True Theatre is offers another Fringe iteration featuring its own brand of revelatory truth-telling, featuring several Fringe artists providing back stories about their careers and experiences. That's at 9 p.m. tonight at Coffee Emporium. 

If your taste is for more traditional — but equally entertaining — theater, head to Cincinnati Shakespeare Company's production of Noël Coward's Private Lives, a witty comedy classic from 1930. A formerly married couple find themselves on honeymoons with new spouses, but in close proximity to one another. Trouble ensues. Four of Cincy Shakes best actors — Kelly Mengelkoch, Jeremy Dubin, Sara Clark and Brent Vimtrup — constitute the cast. It opens tonight and continues through June 29. Tickets ($22-$31): 513-381-2273, x1.

Finally, whether or not you're a fan of garage sales, you might be interested in what's happening on Saturday morning, 8 a.m. to noon, at the Cincinnati Playhouse's Scenery Shop (2827 Gilbert Ave., Walnut Hills, across from Thomson-MacConnell Cadillac): It's the regional theater's annual sale of props, furniture, dresses and more. If you're a regular at the Playhouse, you might recognize items from productions of A Delicate Ship, The Trip to Bountiful, Thunder Knocking on the Door, As You Like It and more. You'll have your choice of lots of miscellaneous items like china and glassware, dining chairs, tables and desks, area rugs, a bathtub and even a "concrete cherub planter." There's also a collection of 20th-century "day dresses," along with some formal gowns and fabric yardage. Prices are cheap; payment must be by cash or check. All items are sold "as is." 
 
 
by Rick Pender 05.30.2014
Posted In: Theater at 08:34 AM | Permalink | Comments (0)
 
 
stage door 5-30 - spamalot by showbiz players - photo provided

Stage Door: Full Speed Fringe

If you haven't found a couple of 2014 Cincinnati Fringe show that you're dying to see this weekend, you need to go to CityBeat's Fringe hub for some recommendations — including reviews of early performances of all 30-plus shows. But if you're still coming up short, there are more choices from area theaters. 

If it's fun you're seeking, you might want to stop by the Carnegie in Covington, where Showbiz Players is presenting Spamalot. It opens tonight and runs through June 8. You probably know that this very amusing musical (it won three 2005 Tony Awards, including best musical) is "lovingly ripped off" from Monty Python and the Holy Grail. If you can repeat lines from that 1975 cult hit, then this is surely the show for you. Tickets ($21.50-$24.50): 859-957-1940

Although it's not part of the Fringe, Marc Bamuthi Joseph's red, black & GREEN: a blues surely could be. The hybrid performance work leads audiences through four seasons in four cities: summer in Chicago, fall in Houston, winter in Harlem and spring in Oakland. Memories, hallucinations, dreams and lamentations are set in shotgun houses and subway cars, on park benches and in father-son conversations. I haven't seen it, but people I know have raved about the power of the work, which ranges from hilarious to poignantly sad. Joseph is a spoken-word poet, and his work is meant to be a conversation starter about sustainability and community building. It's being presented on Friday and Saturday evening by the Contemporary Arts Center at the Aronoff's Jarson-Kaplan Theater. Tickets ($18 for CAC members, $23 for everyone else): 513-621-2787

This is the final weekend for The North Pool at the Cincinnati Playhouse. (CityBeat review here.) Rajiv Joseph's anxiety-filled drama is a sparring match between a hard-nosed vice principal who thinks he knows something and a student, the son of Middle Eastern immigrants, who has things he wants to keep to himself — but it's not what the school official thinks. In fact, they both have secrets that are slowly, painfully revealed. Great script, great actors. This one is definitely worth catching. Tickets ($25 for students; $30-$75 for others): 513-421-3888

 
 
by Rick Pender 05.23.2014
Posted In: Theater at 08:42 AM | Permalink | Comments (0)
 
 
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Stage Door: Fringe and More

The really big show this weekend happens tonight when the The Cappies of Greater Cincinnati present their eighth annual awards for high school theater productions and performers. Our local program is one of the most established, right up there with programs in Washington, D.C., Philadelphia and beyond. Our local awards are presented at the Aronoff Center's Procter & Gamble Hall. In addition to the recognition of high school student performers, the evening offers excerpts from a dozen or so schools plus ensemble numbers featuring kids from all over the region — more than 20 schools participate in the program. An especially exciting aspect (at least from my point of view as a critic) is the fact that an element of the Cappies involves students attending one another's performances and writing about them. Tonight will open with a recognition of the outstanding boy and girl critics, and wrap up by citing the top team of high school critics. I'll be onstage at the Aronoff to present that award, as well as something new: An award for the "top critique" by a student writer. I had the privilege of choosing the winner, which will be posted on CityBeat's arts blog after the award ceremony. And to show how profoundly CityBeat is committed to cultivating arts coverage, we're inviting that winner to cover a high school Fringe Next production in the Cincinnati Fringe Festival, which kicks off next week. No award for me, but I'm honored to be asked to hand out this recognition to the next generation of theater writers!

Speaking of the Cincinnati Fringe Festival, I should remind you that it kicks off with a special party hosted by CityBeat on Tuesday. Performances begin on Wednesday evening (continuing through June 7). You can read my overview of the Fringe here touching on the many aspects of creativity, talent, emotion and flat-out fun that will be happening at venues throughout Over-the-Rhine and the northern edge of Downtown Cincinnati. For more information: www.cincyfringe.com.

It's Memorial Day weekend, which is sort of the end of the local theater season, but there's still plenty to see. Size Matters, Ray McAnally's entertaining one-man show about his career as a "hefty" actor gets its final performance on Sunday (CityBeat review here; box office: 513-421-3555), and the Cincinnati Playhouse's taut drama The North Pool is still available on its Shelterhouse Stage (CityBeat review here; box office: 513-421-3888).

One last tidbit: After many years of producing shows aboard the Showboat Majestic, Cincinnati Landmark Productions has pulled into port to stage its summer productions on dry land. They just opened a production of Jerry Herman's classic musical Hello, Dolly!, the kind of show that people have flocked to see on the 'Boat for decades. The Covedale Center for the Performing Arts is an interim stop: By next summer, CLP intends to steam into its new facility, The Warsaw Federal Incline Theater. If that name is unfamiliar, it's because it's just been announced. The savings and loan has been a West Side institution since 1893, and it's lending its venerable moniker to the brand-new 220-seat performing arts center, slated to break ground this summer. The fundraising effort seeking $5.6 million for the project is nearing completion. In the meantime, catch Hello, Dolly! between now and June 1. Tickets: 513-241-6550.
 
 
by Rick Pender 05.16.2014
Posted In: Theater at 09:02 AM | Permalink | Comments (0)
 
 
stage door 5-16 - north pool @ cincinnati playhouse - eli gelb & ted deasy - photo sandy underwood

Stage Door: Cat-and-Mouse Games at the Playhouse

You really can't go wrong with a show at the Cincinnati Playhouse this weekend. I gave both productions Critic's Picks. The North Pool, on the Shelterhouse stage through June 1, is a taut dialogue between a suspicious high school vice principal and a wary student of Middle Eastern descent. (CityBeat review here.) It takes a while (the show is about 90 minutes, played in real time) to decide who's the good guy and who's the bad guy, and you'll be turned around several times in the process. Excellent acting and a fine script by Ohio native (and Miami University grad) Rajiv Joseph makes this an excellent theatrical experience. On the Playhouse's Marx Stage, it's the final weekend for another kind of cat-and-mouse game. Venus in Fur is all about sexual tension, between an imperious playwright/director and the woman who's auditioning for a role in a play he's adapted from an erotic novel. (CityBeat review here.) David Ives' witty and allusive script (it's literary and mythical in some most amusing ways) is being produced at theaters from coast-to-coast, but I can't imagine there's a finer production than this one anywhere. Tickets: ($30-$75) 513-421-3888.

At Cincinnati Shakespeare Company, you still have two weeks to catch a rare production of The Two Noble Kinsmen. The play is rarely staged (perhaps with good reason: it's not one of Shakespeare's best), but Cincy Shakes' rendition is noteworthy because it's the final work to complete their endeavor of staging all 38 of the Bard's works. (More on that feat here; CityBeat review of The Two Noble Kinsmen here.) It's a feat accomplished by just a handful of theaters worldwide, and it's your chance to check this one off your bucket list. Through May 25. Tickets ($22-$35): 513-381-2273.

Falcon theater, which produces shows in the tiny Monmouth Theater in Newport, Ky., opens Bat Boy the Musical tonight. It's a show that was lifted from the headlines of the Weekly World News (yes, found in the finest grocery store check-out lines) about a strange creature found in a cave in West Virginia. Of course it's crazy, but the show is actually a really entertaining piece about acceptance and community. Three weekends, through May 31. Tickets ($17-$20): 513-479-6783

If you missed The Irish Curse presented by Clifton Players at the tiny Clifton Performance Theatre on Ludlow Avenue back in February and March, they've brought it back for a couple of weekends, this being the second of two. It's an amusing adult comedy about a bunch of guys fretting over the size of their "equipment." Tickets can be ordered online (brownpapertickets.com) or purchased at the door (but be aware: it's a small venue that quickly sells out).
 
 
by Rick Pender 05.09.2014
Posted In: Theater at 08:13 AM | Permalink | Comments (0)
 
 
the north pool @ cincinnati playhouse - eli gelb and ted deasy - photo sandy underwood

Stage Door: Thoughtful Performances

There are quite a few good options for theatergoing this weekend. First and foremost, I'd point to The North Pool at the Cincinnati Playhouse. It's a newish script from Rajiv Joseph (his play Bengal Tiger at the Baghdad Zoo was a runner up for the 2010 Pulitzer Prize), and it's a very timely piece, set in 2007 in a large public high school. Just two characters: a slightly disgruntled, tightly wound vice principal and a student of Middle Eastern descent who's been called in on the eve of spring break for a "conversation." What starts out as awkward but mildly amusing takes numerous twists and turns (the show is about 85 minutes long) and will keep you guessing as more and more is revealed. The teacher says people are like onions: You can keep peeling, but you never quite get down to the essence. You will arrive at a surprising — and moving — conclusion, likely not what you'll be suspecting. That's the kind of writing and performance to be found in this production. Through June 1. Tickets ($30-$75; $25 for teens and students, with the proviso that the show has strong language and mature themes): 513-421-3888.

For lighter entertainment, I recommend Size Matters at Ensemble Theatre. It's a premiere by actor Raymond McAnally, who performs the one-man show. He's a big guy in the theater, literally: 300 pounds. plus. He's used his weight to his advantage to find acting gigs, but he tends to be typecast — fat slobs, geeks and so on. Not great for self-esteem, but hey, it's work. However, it can wear on one's confidence, and when he sees his young nephew going down a similar path, well, it's food for thought. There's nothing terribly profound about this script, but McAnally is a very adept performer — he takes on the roles of his father, his nephew, even his wife, with the assistance of projections and sound effects. McAnally says that this is 95 percent material drawn from real life, and it has the ring of truth. It's not likely that this show will be produced elsewhere unless McAnally does it himself, so here's a chance to see a one-of-a-kind performance that will keep you laughing and make you like a guy you might have otherwise dismissed. Through May 25. Tickets ($39-$43; half-price and $15 student rush tickets starts two hours prior to show time if seating is available): 513-421-3555.

Cincinnati Music Theater opens its production of the classic musical Peter Pan at the Jarson-Kaplan Theater tonight (it runs through May 17). This top-notch community theater typically does a commendable job with big musicals, and this family-friendly piece is likely to be a big attraction, what with flying and local actor Joshua Steele in the title role. Tickets ($20-$24): 513-621-2782.
 
 
by Rick Pender 05.02.2014
Posted In: Theater at 09:25 AM | Permalink | Comments (0)
 
 
lynn meyers copy

Ensemble Theatre Announces 2014-15 Season

Ensemble Theatre Cincinnati's artistic director D. Lynn Meyers has assembled another set of intriguing productions for 2014-15, opening with the musical Hands on a Hardbody (September), a Tony-nominated 2013 musical with a book by Doug Wright, the playwright of I Am My Own Wife and bookwriter for Grey Gardens, both hits for past ETC seasons. This one is based on a 1997 documentary about a Texas contest to win a new truck by being the last person to keep at least one hand on the new vehicle. 

In October-November it will be An Iliad, adapted from Homer's classic Greek epic of the Trojan War by Lisa Peterson and Denis O'Hare. This one-man show will be staged by Michael Evan Haney, always a good bet for a fine production, and feature veteran actor Bruce Cromer as the many characters in the story.

For the holidays, ETC will bring back Sleeping Beauty, another of its smart fairytale adaptations that entertain kids and make adults smile.

To kick off 2015, ETC will offer Sharr White's drama The Other Place, a gripping psychological thriller. The March-April slot has not been filled yet. In May, former Cincinnati Playhouse artistic director Ed Stern will work with popular stage veterans Dale Hodges and Joneal Joplin to present the regional premiere of Outside Mullingar, a romantic comedy by John Patrick Shanley, winner of the Pulitzer, Oscar and Tony awards. (He's the writer of Doubt and Moonstruck.) They'll play the parents of the show's shy central character, Anthony, who lives on an Irish cattle farm, next door to Rosemary, who has pined for him for years. This one just had a Broadway production, so ETC's production will be one of its first on a regional stage.

Subscriptions are on sale now. For the coming season, ETC will offer a five-show Tuesday preview subscription, as well as Sunday evening subscriptions. The preview package provides the first chance to see productions (and at $125 price, considerably below the regular subscription rate), and the Sunday evenings have great seating availability. You can order a subscription by calling 513-421-3555.
 
 
by Rick Pender 05.02.2014
Posted In: Theater at 09:20 AM | Permalink | Comments (0)
 
 
stage door 5-2 - venus in fur @ cincy playhouse - photo sandy underwood

Stage Door: Rare Shakespeare, Romance and More

If you're looking for a show that will get things going romantically, I'll point you to the Cincinnati Playhouse's production of Venus in Fur (onstage through May 17). But be careful what you wish for: You might end up like playwright/director Thomas with your hands full of more than you wanted to take on. He's seeking an actress to play the central role in his adaptation of an erotic Victorian novel. Vanda shows up for an audition, none too promising at first, but the tables turn very quickly. This is a funny and provocative script, and Greta Wohlrabe's performance as Vanda is masterful and highly entertaining. I gave it a Critic's Pick. Tickets ($30-$75): 513-421-3888.

For something completely different — and in a venue I bet you've never visited — head to Bellevue, Ky., to St. John United Church of Christ (520 Fairfield Ave.) for a bare-bones, church-basement production of Joe Calarco's Walter Cronkite Is Dead by WIT-Women in Theatre. The group is focused on plays for and about women, and this one touches on a lot of issues when two women without much in common end up spending an unwilling evening together, stuck in an airport lounge due to bad weather. They cover a lot of territory — imperfect marriages, ungrateful children, fears, beliefs and politics (they're at opposite ends of the spectrum). Their ups and downs are a bit forced, but actresses Cat Cook and Cate White do solid jobs portraying two very different women. It's a tad like a movie of the week on the Lifetime channel, but there's some entertaining writing. This is the second and final weekend. Word has it that Friday night is pretty full, but Saturday (thanks to the Kentucky Derby) has plenty of seats available. Tickets ($15, discounted by $5 if you bring a piece of luggage bigger than a carry-on): 859-441-6882.

If you've seen Shakespeare's 37 other plays, tonight is the night for you to catch the one you've missed: The Two Noble Kinsmen opens at Cincinnati Shakespeare Company, the final script by the Bard that gives the company bragging rights to be one of only five theaters in the U.S. to stage every one of his plays. You can read more about this one, as well as Cincy Shakes, which is marking its 20th anniversary in my cover story in this week's issue. See it before it closes on May 25: Two Noble Kinsmen is rarely onstage, and Shakespeare fans are coming from all over North America to see this production. Tickets ($22-$35): 513-381-2273, x1.

Finishing up this weekend are runs of the musical Gypsy at the Covedale (513-241-6550) and Know Theatre's production of The Twentieth-Century Way (513-300-5669).
 
 

 

 

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by Rick Pender 04.24.2015 12 hours ago
Posted In: Theater at 08:49 AM | Permalink | Comments (0)
 
 
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Stage Door: Searing Drama and Silly Comedy

A group you might not have heard of, Diogenes Theatre Company, is establishing a solid reputation with its recent production of Twilight: Los Angeles 1992 and its current staging of Ariel Dorfman's Death and the Maiden, featuring three professional actors you will know if you're a regular Cincinnati theatergoer. It's an award-winning moral thriller that explores the aftermath of violence and the uncertainties of truth and justice. Set in a Latin American country, perhaps Chile, it's about a woman who was once the prisoner of a cruel dictatorship. Years later, a man visits her home who she's convinced was her torturer. She turns the table on him. Annie Fitzpatrick is the woman; Giles Davies is the man she believes to be her captor; Michael G. Bath plays her government official husband who is caught in the middle. Diogenes has strong ties with Cincinnati Shakespeare Company, and the connections are evident. This production is staged by Lindsay Augusta Mercer, CSC's resident assistant director, and Brian Phillips, CSC's producing artistic director, is an artistic consultant. This taut drama, presented at the Aronoff's Jarson-Kaplan Theater, is definitely worth seeing. Tickets: 513-621-2787.

If you're into works that are hot off the press, you have this weekend to still catch productions at Northern Kentucky University's Y.E.S. Festival, onstage through Sunday. The best of them is Colin Speers Crowley's Encore, Encore, making its final performances on Saturday at 8 p.m. It's about the caustic drama critic Dorothy Parker and her sad, failed marriage; well-written and sparklingly performed by a student cast, directed by Ed Cohen. Read my review here. Tickets: 859-572-5464.

Another student production is onstage at UC's Cohen Family Studio Theater at CCM: You're Welcome (a cycle of bad plays).  It's a set of five small plays — intentionally silly and misshapen, with directors and stage managers wandering on and off and cutting things short or addressing malfunctions — that's as silly as it is amusing. In a bit more than an hour it covers love, death, desire, tragedy, comedy, drunk driving, sexiness, beauty, loss and the battle between good an evil. There's also a fog machine that works (occasionally) and a T-shirt cannon. Give yourself into the madness and you'll have fun; don't look for a lot of close meaning. But the student actors are great fun to watch, especially Bartley Booz's start-and-stop curtain speech at the beginning, which gives away (intentionally) most of what's to follow. Friday at 8 p.m., Saturday at 2 and 8 p.m. Admission is free, but reservations are required: 513-556-4183.

If you're an adventurer who likes unusual performance experiences, you should look into getting a ticket from the Contemporary Arts Center for the bus to Batavia tonight or Saturday evening. That's where you'll take a walk in the woods to see a piece of performance art imported from Norway: Ingrid Fiksdal's Night Tripper. No spoken words, but intriguing and mystical dance and music elements, combined with the natural environment. It sounds fascinating; read more about it here. Tickets via the CAC's website.

Queen City Flash, the flash-mob styled theater company that took off last fall is back with The Complete Tom: 2. Huckleberry, based on Mark Twain's stories about Tom Sawyer and Huckleberry Finn, adapted by Trey Tatum. It gets underway on Monday and continues through May 9. Here's the catch: free tickets are reserved at QueenCityFlash.com for the date and time of your choice; at 4 p.m. on the day of the show, you'll receive an email with a map and parking instructions to a secret outdoor location. Unusual, but intriguing.

Two productions are wrapping up this weekend: The very funny farce by Steve Martin, The Underpants, at The Carnegie in Covington [read my review here] and David Mamet's very taut drama Race, presented by New Edgecliff Theatre at the Hoffner Lodge on Hamilton Avenue in Northside.

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 04.17.2015 7 days ago
Posted In: Theater at 11:57 AM | Permalink | Comments (0)
 
 
yes festival  nku - grand night for murder - robert macke as ginger baer - photo mikki schaffner

Stage Door: The Kids Are All Right

This is a busy time of year on local stages, and that's especially true at colleges and universities where the academic year is winding down.

At Northern Kentucky University, the 17th biennial Year End Series (Y.E.S.) Festival is underway, presenting three world premiere productions in rotating repertory. It's a Grand Night for Murder opened on Thursday; The Divine Visitor, a Restoration Comedy through a sci-fi filter (figure that one out) starts tonight; and Encore, Encore, about witty and caustic New York writer Dorothy Parker, gets underway on Saturday. There will be multiple performances through April 26. Tickets: 859-572-5464

At Xavier University this weekend you can find a production of the Rock musical Spring Awakening, the winner of eight Tony Awards in 2007. It's about a group of students struggling through adolescence to adulthood — with a lot of rebellion along the way. It's being presented in XU's Gallagher Student Center Theater. Tickets: 513-745-3939

A lot of high school students have been recruited by Cincinnati Shakespeare Company for more than 38 free art events based on the works of Shakespeare. You might recall that CSC "completed the canon" (produced all 38 of Shakespeare's plays) a year ago. The celebrate that accomplishment, the company devised Project 38 to work with numerous area schools. Each one was assigned and worked with some of the company's artists to be inspired in productions, art, writing — whatever moved them. The initiative is culminating in an eight-day festival of free performances and exhibitions in Over-the-Rhine's Washington Park. School performances are all free. Since performances of The Taming of the Shrew are sold out on CSC's mainstage, Project 38 gives you the chance to see Shakespeare you might have missed otherwise. Schedule here.

There's another take on a student coming to terms with the Bard at Dayton's Human Race Theatre Company: Taking Shakespeare is the story of a disillusioned college professor asked to tutor her dean's son through his freshman Shakespeare class. It's got its humorous moments, but the show delivers a serious message about living up to expectations. Playing the student is Cincinnati actor Jon Kovach, who's performed on numerous local stages. Through May 3. Tickets: 937-228-3630

The farcical show by Steve Martin, The Underpants, is evoking laughs at the Otto M. Budig Theatre in the Carnegie in Covington. It's a bit risqué, but the humor is very gentle. Tickets: 859-957-1940 … Not so gentle is the production of Death and the Maiden by Diogenes Theatre Company at the Aronoff Center's Jarson-Kaplan Theatre. This three-character thriller is set in an unnamed Latin American country where a woman gets control of a man she believes once tortured her under a brutal dictatorship. It's a powerful piece, magnificently acted by three top-notch professionals familiar to Cincinnati theatergoers — Annie Fitzpatrick, Michael G. Bath and Giles Davies. Not for the faint-hearted or those who are squeamish about violence, but this is production that deserves to be seen. Through May 2. Tickets: 513-621-2787

One last note, for anyone interested in playing a supernumerary for Cincinnati Opera (that's like being an extra in a movie): Open casting for the upcoming summer season happens on Monday at 6 p.m. at Music Hall. You don't have to be a singer. In fact, no experience is necessary; positions are filled on a voluntary basis. Details here.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 04.10.2015 14 days ago
Posted In: Theater at 08:10 AM | Permalink | Comments (0)
 
 
stage door 4-10 - 110 in the shade @ ccm - (l-r) ben biggers, john battagliese & brianna barnes - photo adam zeek copy

Stage Door: The Heat Is on at CCM ... And All Over Town

There's a ton of theater opening up this weekend, something for just about every taste. But if you're looking for something free, I have a special recommendation: It's 110 in the Shade at UC's College-Conservatory of Music. This is a production in the Cohen Family Studio Theater (an intimate black box venue that seats about 150). The production is in the "Musical Redux" series, bringing back a show that's not often produced. 110 dates back to 1963. It's the story of Lizzie Curry, on her way to being an "old maid," who lives with her dad and her brothers. A charming con man shows up posing as a rainmaker and promises relief to drought-stricken farmers. Is he for real? Lizzie has her doubts, but he works hard to win her over. CCM Studio productions are free, but reservations are required (513-556-4183), and performances are often filled up. This one is likely to be a lot of fun; it's this weekend only, final performance at 8 p.m. Saturday.

I gave Cincinnati Shakespeare's The Taming of the Shrew a Critic's Pick in my CityBeat review here. It's lusty and lewd, and the battle of the sexes has never been fought in a more entertaining way. Two of the company's veteran actors, Nick Rose and Kelly Mengelkoch, play Petruchio and Katherine, and they mix it up with with and humor. Definitely an entertaining evening. Tickets: 513-381-2273.

A week ago I had a chance to see one of the Cincinnati Playhouse's current touring productions (this one is aimed at kids in grades K-3), Bird Brain. It's funny fable that teaches a lesson that strange behavior isn't always foolish. More info here. This weekend it will be presented at Springfield Townships Grove Banquet Hall (Friday at 7 p.m.), The Drama Workshop at Glenmore Playhouse in Cheviot (Saturday at 2 p.m.), the Blue Ash Recreation Center (Saturday at 7 p.m.) and The Lebanon Theatre Company (Sunday at 1 and 3 p.m.). Admission is usually free (or very inexpensive). Grab a kid and go.

Other productions opening this weekend: Steve Martin's very funny farce,The Underpants, kicks off a three weekend run at the Carnegie in Covington. New Edgecliff Theatre, still not in its new permanent home in Northside, is staging David Mamet's piercing drama, Race, at the Hoffner Lodge (4120 Hamilton Ave., Northside). At Falcon Theatre (636 Monmouth St., Newport) you can catch the first weekend of The Cover of Life, a drama about three young women married to brothers from the same small town who have gone off to fight in World War II. Meanwhile, in Bellevue, Ky., at St. John United Church of Christ, you can see a production of Joanna Murray-Smith's Honour by WIT-Women in Theatre. The story of three women propelled to ask the question "What is love?" when they've been struggling with tough relationships, is onstage for two weekends. Children's Theatre kicks off two weekends of public performances of Disney's Aladdin JR. at the Taft Theatre. It's a stage version of the popular animated musical feature; the production includes jugglers, acrobats and stilt walkers. And Lion King continues its month-long run at the Aronoff. (CityBeat review here.)

Don't forget that Monday evening at 7:30 p.m. is another quarterly offering from the True Theatre guys at Know Theatre. The theme this time is "true beauty," with real monologues by people who talk about things they've really experienced.

Something for everyone, as they say!

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here

 
 
by Rick Pender 03.27.2015 28 days ago
Posted In: Theater at 08:22 AM | Permalink | Comments (0)
 
 
buzzer

Stage Door: Race and Urban Living on Local Stages

Two shows on local stages are dealing with top-of-mind issues of race and urban living, one at the Cincinnati Playhouse, the other at Ensemble Theatre.

Last evening the Playhouse opened its production of Tracey Scott Wilson's Buzzer. Wilson is a playwright who's not afraid to get at prickly issues of contemporary life (read more here), and that's what she does in this piece that could be set in Cincinnati's Over-the-Rhine. (It's actually in New York City, but that doesn't make it less relevant.) Jackson returns to his onetime childhood neighborhood, once neglected and now trendy; he's black, girlfriend Suzy is white, and so is Jackson's troubled friend Don, out of rehab yet again and needing a place to stay. Their triangle is a toxic mix with a troubled past that's exacerbated by life in a neighborhood where black and white relations are strained. The Playhouse is offering talkbacks after each performance to discuss issues raised, and there will be a panel discussion focused on OTR's housing challenges here in Cincinnati on Saturday evening at 6 p.m. My take: This show is more about personal relationships that aren't entirely honest, even though there is constant conversation about "no secrets." The actors in this tense drama are vividly real, unpredictable and vulnerable; you'll feel like they're people you know. (Through April 19.) Tickets: 513-421-3888

The second show that's heating up conversations about race is ETC's staging of Dominic Morisseau's award-winning play, Detroit ’67 (reviewed here). While the story has a historical setting — the story of family aspirations and disappointments unfolds against the backdrop of the Motor City's race riots almost 50 years ago — it almost feels ripped from current news stories about unrest stemming from police brutality in Ferguson, Mo. Five actors portray some colorful and occasionally humorous characters from the era involving the family dynamic between a brother and sister who differ about making ends meet in a challenging environment. Motown tunes from the ’60s are the soundtrack for a story that's often painful but ultimately hopeful. (Through April 5.) Tickets: 513-421-3555

Know Theatre opens Hearts Like Fists tonight at its Jackson Street stage in Over-the-Rhine. Adam Szymkowicz's comic-book-inspired action adventure has some fine local actors as the Crimefighters, female superheroes who are out to stop Dr. X, on a mission to murder happy couples in their sleep using a deadly serum that goes straight to the heart. When the show was staged in New York in 2012, the New York Times called the show's comic hybrid of parody and punches "madcap" and "hysterical." That's what Know will be striving for, through April 25. Tickets: 513-300-5669

If you are interested in seeing actors, singers and dancers who are on their way to professional careers, you might want to catch Senior Showcases from the drama and musical theater programs at UC's College-Conservatory of Music. The drama majors, readying their piece for trips to Los Angeles (for potential TV work) and New York City, will perform today at 2 and 7 p.m. at Patricia Corbett Theatre. (Admission is free.) The triple threats graduating from the musical theater program offer their showcase twice on Saturday at 4 and 8 p.m. as they prepare to shine for Broadway producers and casting agents in New York next week. Admission is free but reservations are required: 513-556-4183.  

Planning ahead? The popular touring production of The Lion King returns to Cincinnati where it's been a big hit twice, in 2003 and 2007. The magnificent musical about good overcoming evil and youth finding maturity opens on Tuesday for a four-week run at the Aronoff Center. (Through April 26.) Tickets: 513-621-2787


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 03.20.2015 35 days ago
Posted In: Theater at 08:02 AM | Permalink | Comments (0)
 
 
stage door 3-20 - etc detroit67 - photo mikki schaffner

Stage Door: Memory Lane and Beyond

I took a trip to my senior year in high school when I attended the opening of Detroit '67 by Dominique Morisseau at Ensemble Theatre Cincinnati on Wednesday. It's set in Detroit during that city's 1967 "race riots," but they are the backdrop for a family drama: Sister and brother Chelle and Lank are trying to make ends meet by running an after-hours club in the basement of their family home, now theirs since the death of their parents. Chelle is satisfied with the status quo; Lank dreams of owning his own legit bar. But they'd need to sell the house to make that possible, so they're at an impasse. He's impetuous and makes moves to buy a local joint without her knowledge, only to have the destructive riots threaten his deal. More personal complications make the story interesting, if a bit too pat. Motown tunes — Lank buys an eight-track player to replace his sister's turntable — make this production a walk down memory lane for Baby Boomers. But Detroit '67 will grab everyone because the events of five decades ago are eerily and sadly similar to recent disturbances in Ferguson, Mo., and elsewhere. (Through April 5; tickets: 513-421-3555)

Peter and the Starcatcher at the Cincinnati Playhouse is a playful and over-the-top imagining of the origins of Peter Pan. It's not a very adult cup of tea; it's more a swig of giggle-inducing rum. But if you yearn to head back to childhood for a few hours — playing with words, making fart jokes and having an adventure "against impossible odds" — this production is a joyous must-see. (Through April 4; tickets: 513-421-3888)

The Marvelous Wonderettes was a big hit for Ensemble Theatre a few years back. They staged the original story of girls singing Doo-Wop hits in 1958 and coming together again in 1968 for more old tunes, and did well with several sequels that kept audiences eagerly coming back for more. The show is now being presented at the Covedale Center in West Price Hill, and it has a nostalgic draw for people who grew up with those tunes. But the production's characterizations of Cindy Lou, Betty Jean, Missy and Suzy feel a little shallow, reducing the potential charm of the show. Nevertheless, it's a lot of fun if you love the music of the era and remember your own angst about boyfriends and girlfriends. (Through April 4; tickets: 513-241-6550)

Cincinnati Shakespeare's very pleasant production of an adaptation of Little Women continues through Saturday evening; tickets: 513-381-2273. The musical based on Louisa May Alcott's 1868 novel about the March sisters is onstage through Saturday, too, at Newport's Stained Glass Theatre, produced by Footlighters, Inc., a community theater; tickets: 859-652-3849.

The moving play based on The Diary of Anne Frank is being presented this weekend by the School for Creative and Performing Arts with performances remaining on Friday and Saturday evening at 7 p.m. and Sunday at 2 p.m. It's the powerful story of a Jewish family who went into hiding from the Nazis in Amsterdam during World War II; Anne, the diarist who recorded their tribulations, died at age 15 in a concentration camp. Tickets: here.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 03.16.2015 39 days ago
Posted In: Theater, Visual Art at 03:10 PM | Permalink | Comments (0)
 
 
resized_if-then-nationaltour-photo-joan-marcus

Call Board: Theater Seasons

Broadway in Cincinnati, Local Universities, LaComedia and Actors Theatre of Louisville

Every year, BROADWAY IN CINCINNATI brings to downtown Cincinnati’s Aronoff Center a series of touring shows that got started in New York City. This year marks the 20th year shows have been presented at the Aronoff. Today the presenters released details about what’s in store starting September and running through May 2016. There will be several recent Tony Award-winning productions coming our way: Kinky Boots (winner of six awards in 2013), Pippin (winner of four awards in 2013), Newsies (its score and choreography won awards in 2012) and one of the longest running Broadway revivals of all time, Cabaret (which won eight awards back in 1966 and more for much-lauded revivals in 1998 and 2014). Here’s the lineup:

Motown The Musical (Sept. 8-20) is the story of how Berry Gordy journeyed from being a featherweight boxer to the heavyweight music entrepreneur who founded Motown. His label launched the careers of Diana Ross, Michael Jackson, Smokey Robinson and many more. The show premiered on Broadway two years ago and had a run of more than 700 performances.

Pippin (Oct. 13-18) was an early work by Stephen Schwartz, who made his name with shows as varied as Godspell and Wicked. Pippin began a five-year run in 1972 with a production that won five Tony Awards. It’s had several well-received Broadway revivals: The most recent in 2014 (now touring) was recognized as the season’s best revival with its extraordinary acrobatics, magical feats and great songs. It’s the story of a young prince in the Middle Ages on a death-defying journey to find meaning in his existence. His choices include a happy but simple life or a big flash of glory. With a clever circus filter, the show uses spectacular choreography — and features great songs such as “Magic To Do,” “Glory,” and “Morning Glow.”

Cast of the national touring production of Pippin
Photo: Terry Shapiro

Irving Berlin’s White Christmas
(Nov. 24-Dec. 6) arrives right before Thanksgiving to kick off the holidays. It’s about two showbiz buddies who put on a production in a picturesque New England inn and find romance in the process. The tunes from this show are icons in the American Songbook (“Count Your Blessings Instead of Sheep,” “Sisters” and “Blue Skies”) as well as seasonal numbers like “Happy Holiday” and, of course, the title song.

Kinky Boots (Jan. 5-17, 2016) was named the best musical of 2013 by the Tonys, and it landed six more trophies (it had 13 nominations), so it’s a certified hit. (In fact, it’s still running on Broadway and a London production is in the works.) Maybe you remember the 2005 movie it’s based on about a struggling shoe factory that “reboots” itself to manufacture footwear for drag queens. For the stage version, it’s been tricked out with an upbeat score by Pop star Cyndi Lauper

Kinky Boots
Photo: Matthew Murphy

If/Then (Feb. 2-7, 2016) is a 2014 Broadway musical about living in New York today — and contemplating the possibilities of tomorrow. The show’s creative team made its mark with Next to Normal (winner of the Pulitzer Prize and the Tony Award); that show was a big hit (and revival) for Ensemble Theatre Cincinnati. If/Then follows two possible life paths for Elizabeth (played on Broadway by Idina Menzel), and it paints a moving portrait of the lives people lead, as well as the lives they might have led.

Newsies The Musical (March 1-13, 2016) was a 2012 crowd-pleasing musical based on a 1992 Disney film. It recounts real events from 1899 when a bunch of orphaned and homeless boys who hawked newspapers on street corners stood up to the power elite, personified by Joseph Pulitzer, publisher of the New York World. Their spunk and tenacity — aided by Gov. Theodore Roosevelt — resulted in a compromise that made a difference for the hardworking kids. The show has a great score and eye-popping choreography, both of which won Tony Awards.

Cabaret (May 10-22, 2016). It’s hard to believe but this show has been around for just about a half-century, winning awards every time it’s been staged on Broadway. The production coming to town is from the 2014 New York staging by Sam Mendes, director of Skyfall and American Beauty, and Rob Marshall (whose film of another Kander & Ebb musical, Chicago, was the 2002 Oscar-winning best picture, and who recently dazzled musical theater lovers with a fine rendition of Stephen Sondheim’s Into the Woods.)

While the Broadway in Cincinnati season (sponsored by Fifth Third Bank and presented by TriHealth) is great news — the presentation of so many recent Broadway hits is a step up from several seasons with shows that hadn’t even made it to Broadway — but there’s lots more theater that’s been announced recently. Here are some quick rundowns:

The musical theater and drama programs at UC’S COLLEGE-CONSERVATORY OF MUSIC have announced mainstage productions for 2015-2016. David Edgar’s epic drama Pentecost will be at Patricia Corbett Theater on Oct. 1-4; the same venue will be the site for a coming-of-age comedy by Eugene O’Neill, Ah! Wilderness (Feb. 11-14, 2016). Rodgers and Hammerstein’s 1945 musical Carousel will get a big-stage production at Corbett Auditorium (Oct. 20-Nov.1). The most exciting CCM news for 2016 is that the program has obtained the rights for one of the first university productions of American Idiot, based on Green Day’s Grammy-winning album of the same name. The show, nominated for a Tony as 2010’s best musical, will be presented at Patricia Corbett Theater (March 3-13, 2016), staged by Aubrey Berg, the musical theater program’s chair.

The 2015-2016 academic theater season at NORTHERN KENTUCKY UNIVERSITY has also been announced. It will start with Ken Ludwig’s theater-based comedy Moon Over Buffalo (Sept. 24-Oct. 4, Corbett Theatre), and continue with Shakespeare’s The Winter’s Tale (Oct. 20-25) in the Stauss black box theatre. Back at the Corbett Theatre, Ahrens and Flaherty’s whimsical musical, Seussical will be staged (Nov. 12-22). For 2016, productions will include the George S. Kaufman and Moss Hart 1930 comedy, Once in a Lifetime (Feb. 18-28, Corbett Theatre); George Bernard Shaw’s Pygmalion from 1913 (March 29-April 3, Stauss Theatre), later adapted into My Fair Lady; and Stephen Sondheim and James Lapine’s fairytale mash-up, Into the Woods (April 21-May 1, Corbett Theatre).

North of Cincinnati at Springboro’s LACOMEDIA DINNER THEATRE, 2015 marks the 40th anniversary season at Ohio’s only combination theater and restaurant. It’s already under way with a staging of Rodgers and Hammerstein’s South Pacific (through May 3), followed by The Addams Family (May 7-June 28), The Little Mermaid (July 8-Aug. 30), The Church Basement Ladies Last Potluck Supper (Sept. 3-Oct. 31) and A Christmas Story (Nov. 4-Dec. 31) for the holidays. The venue also presents a lunch-and-learn series for kids (featuring The True Story of the Three Little Pigs) and a concert series featuring an Elvis impersonator, music in the style of the Van Dells and a family of Gospel singers. Info: http://www.lacomedia.com.

A bit farther away and in the more or less the opposite direction, ACTORS THEATRE OF LOUISVILLE will begin its 2015-2016 season with August Wilson’s Seven Guitars (Sept. 1-20), then Rebecca Gilman’s Luna Gale (Oct. 6-25). Having seen The Hypocrites perform a daffy version of Gilbert and Sullivan’s Pirates of Penzance early in 2014, I’m glad to hear that the inventive group will return to re-imagine H.M.S. Pinafore (Nov. 17-Dec. 13). Early in 2016, Actors Theatre will stage two shows already familiar to Cincinnati Playhouse audiences: Amy Herzog’s comedic drama 4000 Miles (Jan. 5-31, 2016) and Rick Elice’s Peter and the Starcatcher (Jan. 26-Feb. 17, 2016), a show that’s currently onstage locally at our own regional theater. The 40th anniversary of the venerable Humana Festival of New American Plays runs March 2 to April 10, 2016, typically featuring a half-dozen world premieres. Actors Theatre also presents two holiday-related shows for 2015: Dracula for Halloween (Sept. 9-Nov. 1, 2015) and A Christmas Carol (Nov. 24-Dec. 23, 2015). Info: http://www.actorstheatre.org.

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 03.06.2015 49 days ago
Posted In: Theater at 09:41 AM | Permalink | Comments (0)
 
 
peter pan at ccm -  photo mark lyona

Stage Door: Pirates, Indians, Lost Boys and Little Women

I wanted to start today's note about theater opportunities for this weekend by bringing your attention to my CityBeat column here, a tribute to my late friend Tom McElfresh, who passed away in February. Tom was a Cincinnati theater critic in the 1970s and ’80s who I brought on board as my back-up at CityBeat in 1998. For a dozen years, his enthusiasm for theater — as well as his sometimes blunt observations — kept CityBeat readers informed about shows on local stages. If he were still writing, he'd be encouraging you to go see a show.

I was at UC's College-Conservatory of Music last event for the opening of a short but spectacular run of the Peter Pan, the legendary Golden Age musical from 1954. This is an eye-popping production of the show with familiar tunes such as "I've Gotta Crow," "I'm Flying" and "I Won't Grow Up," backed up by an orchestra of nearly 30 players. That's about double the number that you'll find in the pit at touring Broadway shows; and these players are decked out as pirates! Even more spectacular are Dean Mogle and Rebecca Senske's funny, over-the-top costumes for Captain Hook (played with delicious deviltry by Nathaniel Irvin) and his crew, Tiger Lily (Samantha Pollino, an athletic dancer) and her storybook Indians and Peter (alternating between Clara Cox and Hannah Zazzaro) and his Lost Boys. Mark Halpin's big circus-inspired set is fun to watch, and guest director and choreographer Joe Locarro's staging is inventive and wonderfully danced by the big cast, especially "Ugg-a-Wugg," with nearly 20 closely synchronized performers. Oh, there's flying, too. It's a shame this one doesn't have a longer run, but that's what happens at CCM, where productions come and go quickly. The final performance is a 2 p.m. matinee on Sunday. Get there to see this one — and take a kid with you. Tickets: 513-556-4183.

The March sisters whose story is told in Louisa May Alcott's Little Women remain popular after more than 150 years. You can find a spirited adaptation (CityBeat review here) of the novel onstage at Cincinnati Shakespeare through March 21, featuring the company's excellent actresses, especially Maggie Lou Rader as fiercely independent Jo, who aspires to be a writer. Tickets: 513-381-6673, x1.  A musical adaptation of the story about the sensitive, imaginative girls who grow into strong, diverse women during and after the Civil War is happening at Footlighters, the community theater that performs at the Stained Glass Theater in Newport. It too is running through March 21. Tickets: 859-652-3849.

Still worth seeing are Chapatti (CityBeat review here), the heartwarming story of two lonely senior citizens who love their pets but need more human companionship, at the Cincinnati Playhouse through Sunday (tickets: 513-421-3888) and Clifton Players portrait of the contentious and dysfunctional Weston family in the Pulitzer Prize-winning sprawling three-act drama August: Osage County (CityBeat review here), surprisingly well staged in the intimate Clifton Performance Theatre, which has just 40 or so seats for each performance (tickets: 513-861-7469) through March 13.

If you missed Theory of Mind, the Cincinnati Playhouse's February touring production for young audiences about a kid on the autism spectrum, you can catch it for free at Music Hall on Sunday at 2 p.m. The charming show is about a socially awkward kid trying to find his way in the world of dating; it's not only endearing, it's quite funny. The performance is part of the Artswave Sampler Weekend, sponsored by Macy's to draw attention to the annual fundraising campaign on behalf of the arts.

Once upon a time dinner theaters were a big thing.That's not so much the case in 2015, but La Comedia continues to thrive in Springboro, 40 miles north of Cincinnati. Celebrating its 40th anniversary this year, it's one of the largest theaters in America where you can enjoy a buffet meal before a show — and it's the only one still operating in Ohio. It just opened a two-month run of Rodgers and Hammerstein's legendary musical South Pacific. This organization knows the formula for combining dining and theatergoing — and you can't beat the sweet potato soufflé! Tickets: 800-677-9505.

I want to close with a shout-out to Gina Cerimele-Mechley, winner of the 2015 recognition for outstanding arts educators from the annual Overture Awards. She's been part of the local theater scene for years, and if you watch this video nomination from her students at Cincinnati Music Academy, you'll see why she's made a difference. Here's a remark she made: “My strength as a teacher is constantly being a student. I learn the strengths of each individual student and try to hone those skills into something marketable. When a student has completed working with me I want them to be able to stand on their own two feet and make their own choices.”

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.27.2015 56 days ago
Posted In: Theater at 09:45 AM | Permalink | Comments (0)
 
 
little-women_-cincinnati-shakes-photo-mikki-schaffner

Stage Door: Cincinnati Theaters Generating Heat, Despite Cold Weather

Last weekend's snowstorm canceled performances at several local theaters (including the Cincinnati Playhouse), so you might have had several days without theater. Is it time to make up? I finally caught up with Cincinnati Shakespeare Company's adaptation of Little Women​ last night, and I'm glad of it. While the weather is still cold and sidewalks still treacherously icy, the warmth generated by Jo March and her saucy sisters is a welcome tonic. Of course Louisa May Alcott's story of a temporarily fatherless family during the American Civil War is sentimental and, at times, rather maudlin, but the actresses at Cincy Shakes bring such vivacity to their roles that there's plenty to enjoy. Maggie Lou Rader is especially vivacious as Jo, the fiercely independent aspiring writer who insists on finding her own way in a world controlled by men; Kelly Mengelkoch is emotional, conscientious elder sister Meg; Caitlin McWethy is shy and loving Beth; and Courtney Lucien is Amy, the impetuous baby who matures in the second act. Annie Fitzpatrick is Marmee, their steadfast mother, and Justin McCombs is the spirited boy next door who captures the hearts of several of the sisters. The production is simply but effectively staged, enhanced by some subtle video projections and lovely choral singing of period hymns by the ensemble. It's a gentle story that beautifully conveys the virtues of family, sisterhood and feminine intellect in a period when such matters were not always top of mind. It's onstage through March 21. Box office: 513-381-2273, x1.

Last Sunday, while many of you might have been watching the Academy Awards, I was one of 15 or so people in the audience watching Clifton Players' staging of August: Osage County. That's not quite as pitiful as it might sound, since the tiny Clifton Performance Theatre has only about 40 seats for this production. You're right in the midst of the bitter wars being conducted by the combative Weston family, brought together by the disappearance of their father and their mother's relapse into drug dependence and impossibly difficult behavior. But each of Beverly and Vi's three daughters have problems, issues and complicated family situations of their own, so Tracy Letts' three-act, three-plus hour show offers plenty of juicy roles for some of Cincinnati's best actors. The show has typically been played on a big set, but the closeness of CPT makes August: Osage County a powerful evening of dysfunction that's right in your face. Need some heat despite the cold snap? This is your show. It's a Critic's Pick (CityBeat review here). Onstage through March 13. Tickets: 513-861-7469.

Performances tonight and Saturday evening will wrap up the run of In the Heat of the Night at Falcon Players in Newport (tickets: 513-479-6783), and Northern Kentucky University's Les Misérables continues through a Sunday matinee. The latter has been sold our for most performances, but if you show up an hour before curtain time, you can get your name on a wait-list for a seat.

For a glimpse of the future, check out my blog postings here and here from earlier this week with 2015-2016 season announcements for the Cincinnati Playhouse in the Park, Cincinnati Landmark Productions (at the Covedale Center and the new Incline Theatre) and Cincinnati Shakespeare.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.20.2015 63 days ago
Posted In: Theater at 09:46 AM | Permalink | Comments (0)
 
 
little women_cincy shakes-photo cal harris

Stage Door: Fatherless Families on Cincinnati Stages

Just how can Tracy Letts' sprawling play August: Osage County be wedged into the tiny Clifton Performance Theatre on Ludlow? Director Buz Davis knows that this show is more about characters and great dialogue than the set; he told me so. (Read more in my Curtain Call column here.) He's made it possible for you to sit in the midst of the home of the cantankerous Westons as they fuss and fight when their father goes missing and their mother's addiction to pain killers spills over into everyone else's lives. The show won both the Pulitzer Prize and the Tony Award in 2008, so it's one you should have on your list to see if you're a serious theatergoer. (Through March 13). Tickets: 513-861-7469.

Although it's about another family struggling to get along while husband and father is absent, there's a whole different dynamic in Louisa May Alcott's Little Women, presented by Cincinnati Shakespeare Company. This adaptation by Emma Reeves should offer an excellent opportunity to see some of Cincy Shakes' best actresses onstage; it's being directed by Sara Clark (who would likely be in the show, but she's pregnant right now, wich doesn't quite fit this story). It opens tonight and runs through March 21. Tickets: 513-381-2273, x1.

The short run of a touring production of Cole Porter's jaunty Anything Goes is over on Sunday. Need a mid-winter getaway? Take a madcap cruise on the S.S. American and watch as love affairs go overboard and confusion reigns. This show from 1934 has been reinvented numerous times, most recently in a 2011 Broadway revival that won a boatload of Tony Awards. Tickets: 513-621-2787.

It's always worth paying attention to productions on our local university stages, where fine renditions of classic theatrical works are the norm. Northern Kentucky University just opened a production of the great musical Les Misérables, onstage through March 1. I'm told most performances are sold out, but if you show up in person (no calls) you can be put on a wait list and fill seats available just before curtain time. At Xavier University this weekend (through a 2 p.m. Sunday matinee) you'll find a production of Shakespeare's most beloved comedy, A Midsummer Night's Dream, staged by Jeremy Dubin, veteran member of Cincinnati Shakespeare Company. Tickets: 513-745-3939.

Continuing productions this weekend include the Cincinnati Playhouse's staging of the charming romance between dog and cat lovers, Chapatti (through March 8; CityBeat review here) and Falcon Theater's production of the tense drama about race relations in 1960s Alabama, In the Heat of the Night (through Feb. 28). Falcon performs in a small theater space on Monmouth Street in Newport. … It's also the final weekend for Know Theatre's production of the one-woman version of The Handmaid's Tale, Margaret Atwood's dystopian novel adapted for the stage. Cincy Shakes veteran Corinne Mohlenhoff is doing a bravura job with this thoughtful and frightening piece. Tickets: 513-300-5669

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.13.2015 70 days ago
Posted In: Theater at 09:37 AM | Permalink | Comments (0)
 
 
heidi chronicles_ ccm- photo mark lyons

Stage Door: One Weekend Run for Heidi Chronicles at CCM

I hope my Curtain Call column (found here) in a recent issue moves you to head to UC's College Conservatory of Music for Richard Hess's staging of Wendy Wasserstein's Pulitzer Prize winner, The Heidi Chronicles, onstage through Sunday. If you remember the 1970s and ’80s, this production will transport you back in time as you watch young feminist Heidi Holland grow up, grow weary and grow wise. Tickets: 513-556-4183.

A dog might be man's best friend, but sometimes that's not quite enough. That's one of the lessons of Christian O'Reilly's
Chapatti, which opened last night at the Cincinnati Playhouse. Set in contemporary Ireland, it's about two lonely hearts, both in their 60s, who love animals — he's a dog guy ("Chapatti" is his dog's name) and she's a cat lady (she has 19 of them). That brings them together, but what they need is human companionship. That might sound predictable, but there's more to it than that. (Through March 8.) Tickets: 513-421-3888.

Falcon Theatre in Newport is opening its stage adaptation of In the Heat of the Night this evening for a two-weekend run. It's the story of a black homicide detective from L.A. who gets caught up in an Alabama homicide investigation in the early 1960s. It's a powerful drama that reminds us of how messy race relations were a half-century ago. With Ed Cohen as director and Derek Snow as Virgil Tibbs, this is likely to be a solid production. Tickets: 513-479-6783.

Get a kid started on going to theater: Take her or him to see School House Rock Live! JR., presented by the Children's Theatre of Cincinnati this weekend at the Taft. It's an adaptation of the educational cartoon from the '70s and '80s. And grown-ups are likely to have fun, too, since the local rock band The Rusty Griswolds is performing tunes like "Conjunction Junction" and "Three Is a Magic Number." Public performances tonight (7:30 p.m.), Saturday (2 and 5 p.m.) and Sunday (2 p.m.) Tickets: 800-745-3000.

Three well-received productions have their final performances this weekend on Sunday: Ensemble Theatre's riveting mystery/psychological drama, The Other Place (CityBeat review here), with a fine cast led by Regina Pugh; the Cincinnati Playhouse's assemblage of Johnny Cash numbers, Ring of Fire (CityBeat interview here), featuring four singers and six excellent supporting musicians; and the funny two-man, 20+ character show Greater Tuna at the Covedale Center (CityBeat review here). And The Handmaid's Tale at Know Theatre, a one-woman adaptation of Margaret Atwood's dystopian novel, has just one more week in its run.

The energizer bunnies at Know keep things going with Serials 2: Thunderdome on Monday evening, 15-minute episodes of five new scripts. The concept had a big following over the summer, and one of those works has its parts reassembled as a "full-length" piece: Saturday the 14th, a dark romantic comedy. Playing two lonely losers who meet as they mutually contemplate suicide are Miranda McGee from Cincinnati Shakespeare and Nic Pajic. Tickets: 513-300-5669.

The Broadway Series offers a quick stop (they call it a "season extra") of the musical Anything Goes next week, openingTuesday and running through Sunday. If you can't get away for a mid-February cruise, this Cole Porter classic on an ocean liner might be just the ticket for an evening's escape. Tickets: 513-621-2786.
 
 
 
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