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by Mike Breen 04.27.2012
 
 
stooges2

This Date in Music History: April 27

The Stooges reunion begins and a long-distance dedication to Casey Kasem

On this day in 2003, Iggy Pop reunited The Stooges to perform at the 2003 Coachella festival in California. Well, as much of a "reunion" as possible — original bassist David Alexander died in 1975. But you can't do much better than Mike Watt (Minutemen, fIREHOSE) as a substitute. Pop re-teamed with guitarist Ron Asheton and drummer Scott Asheton for a few tracks on his Skull Ring album, which led to talk of playing some shows (joined by Steve Mackay, who played sax on Fun House).

Like the Pixies, the reunion seems never-ending. The original reunion shows usually stuck to material from the group's first two albums, but eventually they added material from Raw Power (which featured James Williamson on guitar and Ron Asheton on bass) and the band's mixed-reviewed new album, The Weirdness.

In January of 2009, Ron Asheton died of a heart attack. He was 60. The remaining Stooges issued a statement saying, in part, "We are shocked and shaken by the news of Ron's death. He was a great friend, brother, musician, trooper. Irreplaceable. He will be missed."

Then they replaced him. By May, the group had announced plans to keep going with former guitarist Williamson rejoining the band. Pop told NPR, "Although 'The Stooges' died with Ron Asheton, there is still 'Iggy and the Stooges'."

The group picked up reunion-touring that November, adding more Raw Power material to their set. In 2010, after a lot of clamoring from fans and even just those who understood the influence of Pop and Co., The Stooges were finally inducted into the Rock and Roll Hall of Fame.

I saw the first Stooges reunion a couple of times and Pop and the band, while perhaps not as "dangerous" as they once were, still put on a great live show. It would be hard for Pop not to at this point, though it should be interesting to see how much longer the seemingly bulletproof 65-year-old can keep prancing around, shirtless (of course), on stage like a 25-year-old. Is 70 too old? 80? Will Pop keep throwing himself around the stage and working out until his veins protrude from his skin when he's 90? He certainly doesn't show any signs of slowing down anytime soon.

Here's a bit from the historic 1970 Iggy & the Stooges show here in Cincinnati at the ol' Crosley Field (yes, it was broadcast nationally on TV). Read all about the event here, from a 2010 CityBeat feature story on the 40th anniversary of the Cincinnati Summer Pop Festival.



Born This Day: Musical movers and shakers sharing an April 27 birthday include: legendary Rock drummer (John Lennon, Bob Dylan, Carly Simon, Elvis Costello) Jim Keltner (1942); Soul singer/songwriter ("I Can't Stand the Rain") Ann Peebles (1947); lead singer for the Soul group The Main Ingredient ("Everybody Plays the Fool"), Cuba Gooding, Sr. (1944); singer/songwriter/guitarist for Beatles-approved rockers Badfinger ("Come and Get It," "No Matter What"), Pete Ham (1947); vocalist with New Wave group The B-52's, Kate Pierson (1948); original KISS guitarist Ace Frehley (1951); Scottish Pop star Sheena Easton (1959); former Belle & Sebastian singer/cellist Isobel Campbell (1976); frontman for Fall Out Boy and solo artist Patrick Stump (1984); and America's countdown king, broadcaster Casey Kasem (1932).

And now, a long-distance dedication (to be read it in Kasem's voice):

Dear Casey,

When I was a youngster, I was addicted to your American Top 40 syndicated radio show. I'd listen every Saturday, just as I'd watch the morning cartoons (which you were also a part of, as the voice of Shaggy on Scooby Doo, as well as Robin on my must-see TV of the time, SuperFriends, among other shows.)

In a few years, my musical tastes would develop and I became less and less interested in most Top 40 music, so I didn't listen as much. But I'd still pop in every now and then, to check and see how my favorites, like Men at Work or The Police, were doing that week. And, if I was lucky, you'd throw in a fun fact or two about the artist behind the next song you were going to play (like, "… and that gas-station attendant was none other than Sheena Easton").

As I grew older, I also listened to commercial radio less and less, and I lost touch with my old friend, though I loved the clips of you losing it while recording your show. Earlier today, I noticed on Wikipedia that you officially retired from your radio shows in 2009 (and, apparently, you were still voicing Shaggy until that year as well). I felt bad that I thought you disappeared from the radio in 1986. So, Casey, could you please play Killing Joke's "Eighties" for my old pal, you, on his/your 80th birthday?

Oh, and YOU keep your feet on the ground and keep reaching for the stars.

Sincerely,

Mike B. from Ohio



 
 
by Mike Breen 04.18.2012
Posted In: Music History, Music Commentary, Music Video at 10:49 AM | Permalink | Comments (0)
 
 
wea_11.310_d_a

This Date in Music History: April 18

Chic bassist Bernard Edwards dies and the "Dean of American Rock Critics" turns 70

Today in 1996, one of the greatest, most influential bassists ever, Bernard Edwards of Disco/Funk group Chic, passed away after contracting pneumonia while on tour in Japan.

My personal favorite bass line is Sly Stone's lick on "If You Want Me to Stay," but it's hard to deny the power of Chic's "Good Times," a Disco-era hit that helped lay the groundwork for Hip Hop. Edwards' bass line from the song is considered one of the most sampled pieces of music ever and it has been mimicked almost as often. Songs that wouldn't exist with Edwards' riff include Queen's "Another One Bites the Dust," Hip Hop trailblazers Sugarhill Gang's breakthrough "Rapper's Delight," Blondie's "Rapture," Daft Punk's "Around the World" and Wham!'s "Wham Rap! (Enjoy What You Do)" (hey, they can't all be winners).

R.I.P Bernard Edwards. And thanks for the groove.

Click on for Born This Day featuring Bez, Skip Spence, Grandmaster Caz and Robert Christgau.

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by Mike Breen 04.18.2012
 
 
coachellahologram

Virtual2pacalypse Now? When Jokes Come Alive

Was the hologram 2Pac a glimpse into the future of "live" music?

It's always a baffling moment for me when one of the things many of us have joked about happening in the future actually happens in the future.

"One day we'll just talk to the TV to change channels," we'd say, goofing around as we maneuvered the broomstick taped to the channel changer dial on (yes, ON) the television set so we wouldn't have to get off the couch to change it (more) manually.

"Wouldn't it be cool if, like, we could go see Kajagoogoo in Cleveland this weekend, but just broadcast to us in the garage so we can chug Milwaukee's Best and do Whip-Its while we watched it?" we'd say, knowing Mom would let us borrow the station wagon to go see the New Wave megastars in Cleveland when pigs can fly or we can carry around all the books in the library in our pockets!

Yeah, like that'll happen. But only because Kajagoogoo broke up years ago (and it did NOT end well). Last weekend, I was able to watch several artists perform at Coachella live, as it happened, while laying on my couch. Not naked, but also not sweating or getting run into constantly by some wasted "raver" in a purple Adidas jumpsuit shouting "Play 'Our House!'" while I'm trying to watch Madness.

I don't think the latest watershed the-silly-future-is-now moment — Tupac Shakur appearing at Coachella in hologram form alongside Snoop Dogg and Dr. Dre — was part of the live broadcast through YouTube. But enough people have seen footage of it now that it has become a super-high trending topic on our digital future-boxes with the interweb and the series of tubes and whatnot.

I've been a bit shocked that the gimmick has elicited way more "OMG" responses that "WTF" ones. It is a neato technological trick and certainly warrants a lots of "Well I'll be"-type responses, but I've been bewildered that most of the commentary has been in the range of "tearful amazement" and "pure awe." This is based on some serious Twitter research, which has revealed how people like Katy Perry ("I think I might have cried when I saw Tupac") and Rihanna ("#IWASTHERE #STORY4myGrandKidz") reacted. I can only assume the "little people" feel the same way and are equally impressed.

If you somehow haven't seen it, take a gander:



I've made jokes in print about things like a "Hip Hopera," using it as something beyond the realm of possibility because it would be so cheesy and ridiculous. It's happened numerous times since. Never that successfully, because, you know, it's a Hip Hopera.

I've used the dead-musician-
hologram gag similarly — a far-fetched concept to play upon the ridiculous rate of technological advancement today and the greed of the music biz that might one day enable all the great dead artists of our time to be brought back to life as holograms and go on tour. Older artists could go out as their vintage selves — The Rolling Stones circa Beggars Banquet or Wu-Tang Clan circa Enter the Wu-Tang (36 Chambers) (… and EVERYONE shows up). "Bands" could do multinational shows simultaneously. And the only people really getting paid to tour would be the A/V geeks hired to run the equipment.

It's such a bizarre concept; it's not supposed to ever actually come true. That's the kind of thing that makes jokes dated. And it's why The Jetsons still holds up. Robot maids — that shit's hilarious!

As dazzled as everyone seems to be by the projection of a dead rapper fake-performing (even shouting out "Coachella," though, to be fair, they could have cobbled that together from a sample from when Tupac used to play Frisbee Golf there on spring break), could there actually be a market for a hologram act to "tour"? (Note: Yes, I realize the Tupac at Coachella wasn't actually a "hologram," so shut it.)

Promoters, apparently, are going to find out if reports are true that Hologram2Pac might go on tour with Dr. Dre. Since the ghost cameo was the talk of the entire festival, Dre and Co. probably started planning it immediately. Especially after Shakur's mother gave her permission for the Coachella use and was reportedly amazed by how it came off.

That could be a fun special effect as part of someone else's act, but could it ever go to the next level? Will there ever be a tour reliant on a holographic headliner? Would people pay to see that? I'm not equating a DJ concert with a film projection of a dead person, but put, say, hologram Elvis on Daft Punk's stage — with Daft Punk — and would it double or triple the usual Daft Punk draw on tour?

I don't know if "The 1969 Beatles on Tour" or "Eddie Van Halen and His Fabulous Rotating Hologram Singers" would find an audience at this point. But I'm constantly amazed by what people love. Reality TV? Now That's What I Call Music compilations? Karaoke? Bon Iver? Every sitcom on CBS? We can do better.

If you would have told me while I was listening to 2Pac's All Eyez On Me album in 1996 (and, honestly, trying to figure out why so many considered the man a genius) that one day within the next two decades a dead Shakur would be the talk of some huge festival ("It's like that Lollapalooza thing, ’cept it don't travel"), I would have spit Milwaukee's Best out of my nose. (Yeah, I didn't mature much.)

I've watched as the concert experience — the actual, go-some-place-type of concert experience — has evolved in the past 20 years. The most talked about today is the phenomenon involving young people fiddling with their phones instead of "not paying attention" to the concert. I was, like many, annoyed/befuddled by the perceived lack of focus, but I realized something while watching Paul McCartney's Cincinnati concert at Great American Ballpark last summer that has helped me take a deep breath and just accept it.

Everyone enjoys music — listening to it, watching it performed, absorbing it — in different ways.

It was especially evident at the McCartney show because so many people had deep connections to the music being played, but they showed it — or expressed it — in different ways. I was intensely attentive and a bit internally emotional. I didn't talk a lot. My epiphany came when my girlfriend spoke to me while Sir Paul was introducing the next song. I could not imagine how insane someone must be to TALK while PAUL FREAKIN' MCCARTNEY WAS TALKING?!

And then I realized how stupid that was. My way of experiencing the show was different than hers or from the hammered 60-something couple dancing with their eyes shut or the beaming kids with their parents or the teen with the smartphone tweeting. They all had fun. And they'll all remember it (and those who don't as well will have photos to help).

So if Hologram2Pac is the next wave of live concert entertainment, I probably won't go to any of those concerts, but I won't make fun of people who do. Well, maybe just a little. Mostly because I won't be able to stop thinking about the early Saturday Night Live "fake commercial" promoting a concert residency, not long after Elvis died, starring Elvis' coat. That's one old music biz joke that hasn't come true. Yet. (Though EP did "tour" as video footage on big screens backed by a live band. And it did pretty damn well, from what I remember.)

Elvis Presley's Coat from Walter Williams on Vimeo


My recommendation is to do as I do, frustrated concertgoers. Accept our new hologram superstars. You never know — they might some day come to life and the world will be ruled by hologram images of great pop cultural icons originally crafted for beer commercials and personal appearances at car dealerships.

President Sinatra, I supported you all along.


(And now that I've made a joke about it, it has about a 600 percent better chance of happening.)
 
 
by Mike Breen 04.16.2012
Posted In: Music History, Music Video, Music Commentary at 08:22 AM | Permalink | Comments (0)
 
 
paul-mullet

This Date in Music History: April 16

Paul McCartney's 1973 network TV special and Ian MacKaye turns 50

On this day in 1973, Paul McCartney and Wings had their very own network TV special, James Paul McCartney. The variety/musical show was a bit cheeky and a bit sappy — in other words, pretty funny to watch now. Paul and Co. do a bunch a Beatles tunes and a bunch of Wings stuff, including the just released "Live and Let Die." Worth watching (or at least skipping through) if you were a fan of Sir Paul's kick-ass mullet, always wanted to hear a drunk Paul sing drinking songs in a crowded pub or wondered how "The Cute One" looks in a pink tuxedo and mustache.

Paul's most recent adventures in visual entertainment contains a bit more star power:

Click on for Born This Day with Dusty Springfield, Akon and Ian MacKaye.

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by Mike Breen 04.13.2012
 
 
800px-pixies_in_kansas_city,_october_1,_2004

This Date in Music History: April 13

The Pixies never-ending reunion begins and Obama v. Romney: The Sing-Off, revisited

On this day in 2004, Frank Black, Kim Deal, Joey Santiago and David Lovering put their differences aside to honor their legacy and make a shit-ton of cash, reuniting for a Pixies reunion tour that recently completed its seventh year. The first show back was at Minneapolis' Fine Line Cafe, where they opened with "Bone Machine," the first song on the group's first full-length, Surfer Rosa. The band has mixed things up on their global tour by performing albums in full and, uh, mixing up the setlist (maybe?), but one thing they haven't done is record more than a smidgen of new music. On the other hand, it seems only fair that the group members reap some rewards from their influential work. It would just be interesting to hear what the four of them could come up with if they attempted a new album. 

Here's "Bone Machine" performed live on a TV show in the Netherlands, "back in the day." Scrappy!

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by Mike Breen 03.23.2012
Posted In: Music History, Music Commentary at 10:30 AM | Permalink | Comments (0)
 
 
jim_morrison_penis?

This Date in Music History: March 23

Teens rally against The Doors in Miami and Chaka Khan earns late-career accolades

On this day in 1969, a reported 30,000 people showed up at the Orange Bowl in Miami for the "Rally for Decency," a response to singer Jim Morrison's alleged "indecent exposure " during a concert by classic rockers The Doors three weeks earlier. One of the more infamous arrests in the history of Rock & Roll, an apparently wasted Morrison was reportedly erratic throughout the Miami show; Morrison's people admitted as much, but the evidence that the Lizard King pulled Lil Jim out during the show was never ironclad. Despite tons of photographers in attendance, there wasn't one shot of Morrison whipping it out onstage. (Some in the audience insisted he exposed himself, but others said it appeared Morrison was doing that third grade trick where kids poke their index finger out of their zipper to create the illusion of a penis. Today, it's widely reported that Morrison merely simulated masturbating on stage, which Lady Gaga does every time she goes grocery shopping.) 

The Rally for Decency was organized by local teens from an area church in response to the incident. Conservative politicians took great joy in the event; like the right wing "wedge issuing" of today, it was a great way to keep people afraid of scary popular music and rally them to their anti-counterculture side. Morrison's behavior was indicative of the threat Americans faced if the longhairs were not defeated in the culture wars of the time.

Just like when there's a big GOP rally today and you can be sure people like The Statler Brothers and Kid Rock are going to make an appearance, the "decency" rally drew a who's-who of squares — according to a report that ran in The New York Times, the guest list included Kate "God Bless America" Smith, white-bread vocal group The Lettermen, Mickey Mouse Club member Anita Bryant and actor/comedian Jackie Gleason, whose huge appetite for alcohol was not only well known, but celebrated (the famous quote, "I'm no alcoholic. I'm a drunkard. There's a difference. A drunkard doesn't like to go to meetings," is credited to the former Honeymooners star, who, of course, also made threatening your wife with violence a running gag on his hit show.) 

At the rally, Gleason expressed some wishful thinking, reportedly saying, ""I believe this kind of movement will snowball across the United States and perhaps around the world." Tricky Dick Nixon (another wonderful example of impeccable morals) also expressed support, writing a letter to the teen who headed up the rally that read, in part, "This very positive approach which focused attention on a number of critical problems confronting society strengthens my belief that the younger generation is our greatest natural resource and therefore of tremendous hope for the future." 

Eventual culture war veteran Pat Buchanan (then a Nixon aide) gave Nixon a note during his briefings the day after the rally that showed evidence that the administration's interest was politically motivated. It read, "The pollution of young minds … an extremely popular issue, one on which we can probably get a tremendous majority of Americans" (according to history.com). 

The rally, of course, failed to get rid of the evil counterculture. And the world hasn't ended. (Yet.)

Morrison died in Paris in 1971 while his indecency case was being appealed (according to Rolling Stone, he was found guilty of indecent exposure and "open profanity" after his 1970 trial). In December of 2010, Florida's Clemency Board pardoned Morrison at the request of departing Florida governor Charlie Crist. 

Here's an hour-long concert by The Doors at the Hollywood Bowl. So as to not cause society to crumble once it is viewed, we scoured the footage thoroughly for any intentional or inadvertent penis flashing. You should be safe.

Click on for Born This Day featuring David Grisman, Damon Albarn and Chaka Khan.

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by Mike Breen 03.15.2012
Posted In: Music History, Music Commentary at 09:51 AM | Permalink | Comments (0)
 
 
prance

This Date in Music History: March 15

Prince is inducted into the Rock Hall and Lightnin' Hopkins' 100th birthday

On this day in 2004, the Rock and Roll Hall of Fame inducted a fairly heady class of artists, welcoming Traffic, ZZ Top, The Dells, Jackson Browne, Bob Seger, George Harrison and Prince. Prince was inducted by Alicia Keys and the notoriously shy singer/songwriter/multi-instrumentalist gave a slightly humbled (for Prince, at least), short speech of acceptance (he couldn't resist mentioning his efforts to get out of his contract with Warner Bros. — at least he didn't paint "Slave" on his face again). Below is his speech from that night (from rockhall.com):

"Please be seated. Thank you Alicia ... thank you Rock and Roll Hall of Fame, it’s definitely an honor. I don’t want to take up too much time, but I would like to say this. When I first started out in the music industry, I was most concerned with freedom. Freedom to produce, freedom to play all the instruments on my records, freedom to say anything I wanted to, and after much negotiation Warner Brothers Records granted me that freedom and I thank them. Without any real spiritual mentors other than artists ... whose records I admired ... Larry Graham being one of them ... I embarked on a journey more fascinating than I could ever have imagined. But a word to the wise. Without real spiritual mentoring, too much freedom can lead to the soul’s decay. And a word to the young artists ... a real friend or mentor is not on your table. A real friend and mentor cares for your soul as much as they do the other one. This world and its wicked systems becomes harder and harder to deal with without a real friend or mentor. And I wish all of you the best."

Prince's performance during the tribute to Harrison (who had died just a few years before his solo induction) was much ballyhooed for his stunning guitar solo, a reminder of just how multifaceted the eccentric performer's talents really were/are. Check the clip below.


Click on for Born This Day featuring would've-been 100-year-old Lightnin' Hopkins.

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by Mike Breen 03.13.2012
Posted In: Music History, Music Commentary at 09:30 AM | Permalink | Comments (2)
 
 
chef_dead

This Date in Music History: March 13

Scientology and 'South Park' kill Chef, plus Common's uncommon backlash

On this day in 1911, pulp fiction/sci-fi writer L. Ron Hubbard — who would go on to develop the self-help "Dianetics" program as well as found the Scientology religion — was born. Ninety five years later (to the day), one of his disciples, legendary Soul man Isaac Hayes, asked to be released from his contract with South Park (on which he brilliantly voiced the character Chef) following the cartoon's skewering of the Scientology movement. Hayes initially said he didn't mind the pair's satire of his religion, saying they were equal opportunity offenders, but someone from the "church" must've gotten to him, because he gradually shifted that position. Some reports emerged later that Hayes' announcement was written by someone else; essentially "someone quit for him," Fox News reported.

Still, Hayes was granted his release immediately, though creators Trey Parker and Matt Stone brought him back for an episode (with cobbled together audio previously recorded for other shows), essentially to kill his character off. The episode aired a mere nine days after Hayes (or someone representing Hayes) quit the show.  

Hayes passed away about two years later from complications from a stroke he suffered about six months after leaving South Park. Fortunately, Hayes' contribution to music was so large, the cartoon mess didn't impact his legacy too much. It still begs the question of what was worse for Hayes' career — Scientology or South Park?

Last year, a former Scientologist revealed a memo he claimed was from a higher up in the church who was "investigating" Parker and Stone, allegedly spying on the duo and their associates to dig up dirt. According to the former church member, the memos also show that the church gave up its investigation after not finding any weaknesses to exploit. The Church of Scientology has been repeatedly accused of such intimidation factors involving critics and former members who talk about the religion.

I, for one, have nothing against Scientology specifically, and wish all Scientologists the best of luck in reaching the highest level of their spirituality and one day meeting the church's alien overlords (or whatever it is they believe). So please don't start spying on me and digging through my garbage. You'll only find discarded debt collection notices, well-used Victoria Secret catalogs and empty beer cans, anyway. Heil, Hubbard!

And let's all remember Hayes as one of the baddest muthas in Soul music history and not the celebrity who was guided/misguided by his chosen spiritual beliefs or that fat cartoon character who falls off a cliff to his gruesome death on South Park. (Though, you have to admit, that "Chocolate Salty Balls" song was the jam.) Here he is in all his glory:

Click on for Born This Day, featuring Mike Stoller, Terence Blanchard and Common.

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by Mike Breen 03.06.2012
Posted In: Music History, Music Video, Music Commentary at 10:07 AM | Permalink | Comments (0)
 
 
mansonlie

This Date in Music History: March 6

Charles Manson's "debut" drops and Pink Floyd reunited?

On this day in 1970, a Cincinnati native (whose "celebrity" we do not celebrate locally, Nick Lachey-style) released one of the few albums we will gladly tell you to seek out and download illegally, should you need to hear it. Lie: The Love and Terror Cult, the "debut album" from singer/songwriter/cult leader/convicted murderer Charles Manson, was recorded on Sept. 11, 1967, and released just months before the murder trial of Manson and his "family." A year after the album was released, four Manson Family members (including Manson) were sentenced to death (in 1972, the sentences were reduced to life in prison after California abolished the death penalty in that state).

The album's original pressing reportedly only sold 300 copies, but subsequent reissues (proceeds from which were given to the families of Manson's victims) kept the notorious cult leader's weirdly experimental, psychedelic Folk Rock songs alive for future generations of musicians to cover. Guns N' Roses were the biggest band to ever cover one of Manson's songs. The convicted killer was an aspiring Rock Star who had schmoozed his way into the SoCal music scene of the late ’60s,  most notoriously befriending Beach Boys drummer Dennis Wilson (The Boys' reworked one of Manson's compositions on the 1969 album 20/20).

Other artists covering Manson over the years include Marilyn Manson (no relation) and wacky actor Crispin Glover.

Here's the song GNR recorded for its 1993 covers album The Spaghetti Incident?, "Look at Your Game, Girl."

Click on for Born This Day featuring Pink Floyd's David Gilmour and more …

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by Mike Breen 03.05.2012
Posted In: Music History, Music Commentary at 12:45 PM | Permalink | Comments (0)
 
 
belush

This Date in Music History: March 5

R.I.P. Punk fan John Belushi, plus The Proclaimers and Scotland's greatest hits

On this day in 1982, comedian John Belushi died from an overdose of cocaine and heroin. Belushi came to prominence as an original "Not Ready For Prime Time Player" on Saturday Night Live, where he debuted his tribute to classic American Rock & Soul with cast mate Dan Aykroyd, The Blues Brothers, and later pushed for the show to feature representatives from the burgeoning Punk Rock scene.

In 1981, after he'd left the show, SNL asked if Belushi would make a cameo. Belushi agreed, but only if L.A. Punk act Fear could be musical guests that week. The band's performance on the show that Halloween was a wild introduction to Punk for many Americans, as the band blazed through the songs "Beef Bologna" and "New York's Alright If You Like Saxophones" in front of a stunned studio audience (who booed when the band announced it was "great to be in New Jersey") and a group of Punk Rock dancers brought in to mosh (Belushi joined the dance team, which also included Punk luminaries Ian MacKaye, Tesco Vee and members of Negative Approach and the Cro-mags). The show cut to a commercial as Fear revved up "Let's Have a War," and the band and dancers reportedly caused $20,000 in damages to the studio (Fear singer Lee Ving later bragged it was more like $500,000). The damage wasn't enough to keep Ving off of TV — a bit actor, Ving appeared on shows like Fame, Three's a Crowd and Who's the Boss in the ’80s.

Clearly, Belushi was a music die-hard. His tombstone reads: "I may be gone, but Rock and Roll lives on."

Here's John Joseph of the Cro-Mags talking about being on the set that fateful night, followed by footage of the performance. And you can check out Ian MacKaye's recollection of events here.


Fear - I Don't Care About You Live On SNL 10.31.81 by stogref

Click on for Born This Day featuring Scotland's greatest hits, including two from The Proclaimers.

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