On this date in 1987, a Beastie Boys/Run DMC concert in Liverpool, England, turned into a riot and ended with the arrest of Adam "Ad Rock" Horovitz. The pumped-out crowd reportedly began throwing bottles and cans at the group, which the Boys playfully batted back at them. At first. After just a few minutes, things continued to get out of hand and the concert was cancelled for the safety of all involved. At the hotel later that night, Horovitz was arrested because police believed he was responsible for the beer can that struck and injured a female fan.
Horovitz spent the night in jail and, in November, Ad Rock — 21 at the time — was found not guilty of the charges.
Here's an ancient MTV segment featuring the Boys at Spring Break (to give you a sense of the trio's pre-enlightenment personalities around the time of Horovitz's arrest).
Born This Day: Musical movers and shakers sharing a May 30 birthday include legendary Big Band bandleader and clarinetist Benny Goodman (1909); founding bassist for Punk giants Dead Kennedys, Geoffrey Lyall, better known as Klaus Flouride (1949); Jazz Fusion bassist Dann Glenn (1950); on-again/off-again drummer for The Clash, Topper Headon (1955); singer for Swedish Pop duo Roxette ("It Must Have Been Love," "The Look") Marie Fredriksson (1958); drummer and founding member of progressive Canadian Metal greats Voivod, Michel Langevin (1963); Country star Wynonna Judd (1964); Rage Against the Machine/Audioslave guitarist Tom Morello (1964); frontman for Indie Rock icons Pavement, Stephen Malkmus (1966); singer for Brit Pop crew The Charlatans, Tim Burgess (1967); Hip Hop-turned-Pop superstar Cee-Lo Green (1974); singer for Metal band Shadows Fall, Brian Fair (1975); "Freak Folk" poster child Devendra Banhart (1981) and Hip Hop MC Remy Ma (1981).
Remy was born Reminisce Smith and grew up in the Castle Hill Projects in the Bronx. Neighborhood MC Big Pun was an early mentor, putting Remy (then "Remi Martin") on a pair of tracks from his Yeeeah Baby album. It was a bittersweet debut, though; Pun died from a heart attack in 2000 and the album came out two months afterwards. (Big Pun was reportedly 698 pounds when he died.) Another big rapper, Fat Joe, took Remy under his wing and made her a member of Terror Squad. She was featured on the Terror Squad's huge 2004 single "Lean Back," which was a No. 1 hit on the Billboard Hot 100 for three weeks that summer. It also earned Remy a Grammy nomination.
Remy's debut solo album, There's Something About Remy: Based on a True Story, dropped on Feb. 7, 2006, the sixth anniversary of Big Pun's death. The album was critically acclaimed but didn't sell very well (Fat Joe and Remy blamed poor promotion and choice of singles). She left Terror Squad in 2007.
As a free agent, Remy reportedly received numerous label offers and even a reported deal for a reality show. She had her second album in the works, as well as the debut of the super-trio 3Sum, featuring fellow MCs Jacki-O and Shawnna, when things went really bad for Remy. She turned herself into police after a shooting outside of a nightclub that wounded a woman who had allegedly tried to rob the rapper. The woman ID'ed Remy as the shooter. In 2008, Remy was convicted of assault, attempted coercion and weapons possession. She was sentenced to eight years in prison. In 2008, she married her fiancee, Hip Hop artist Papoose.
Remy — who also has a young son — lost her appeal last June. The earliest she can be released is Jan. 31, 2015. If she has to serve her whole sentence, she won't be out until March 23, 2016.
Despite her jail stint and the limited material released, Remy Ma remains a big influence on established and up-and-coming female Rap artists.
Here's part of an interview Remy did with StreetHeat about her life in prison.
On this date in 1942 — months away from Christmas 1941 and Christmas 1942 — classic crooner Bing Crosby recorded what remains the best-selling single of all time, "White Christmas." Crosby first performed Irving Berlin's classic for radio on Christmas Day, 1941. On May 29, 1942, Crosby reportedly recorded the song — with the John Scott Trotter Orchestra and Ken Darby Singers — in 18 minutes. It was released on July 30 that year as part of a collection of platters from the film Holiday Inn. The song caught on and hit the top of the charts in October of ’42, where it stayed through Christmas. The single was re-released and hit the chart-tops again in ’45 and ’46.
The single has sold over 50 million copies worldwide. The
closest runner-up in the all-time biggest selling singles race is Elton
John's tribute to Princess Diana, the re-recording of his "Candle in
the Wind" from 1997, which has sold around 33 million.
That original version is not the one we hear endlessly to this day around the holiday season. After the original master recording was damaged, Crosby and the same crew of musicians re-recorded "White Christmas." That's the version you know/love today. Here's the original version of "White Christmas." Happy holidays!
Born This Day: Musical movers and shakers sharing a May 29 birthday include keyboardist and founder of progressive German "Kraut Rock" kings Can, Irmin Schmidt (1937); Jackson sibling and singer Rebbie Jackson (1950); former New Wave pioneer-turned-legendary-film composer Danny Elfman (1953); Jackson sibling and Playboy model (and singer?) La Toya Jackson (1956); singer for British Metal band Wolfsbane and temporary Iron Maiden vocalist Blaze Bayley (1963); former Oasis guitarist/songwriter/occasional singer Noel Gallagher (1967); bassist for modern British Rock legends The Verve, Simon Jones (1972); singer/dancer with Pop group Spice Girls, Melanie "Mel B" Brown (1975); co-founder of Hard Rock hitmakers Papa Roach, David Buckner (1976); and frontman for Swedish Garage Rock superstars The Hives, Howlin' Pelle Almqvist (1978).
With his ceaseless energy and hilarious, sometimes nonsensical between-song bantering, Almqvist is the reason Spin magazine once called The Hives "the best live band in the world." (The mag also called him one of the "50 Greatest Frontmen of All Time.")
The Swedes have a new album due out a week from today (June 5) called Lex Hives. According to a press release, the title comes from "the ancient Roman practice of enacting a system or body of laws and accepting them as a standard. Thus, the 12 songs on Lex Hives make up the holy laws after which all life from now on must be lived." Obey!
Here's a video clip of the band performing the new album's first single, "Go Right Ahead." Click here for a preview stream of the full album courtesy of The Guardian.
On this date in 2004, modern "jam band" kings Phish announced on their website that they would be breaking up after a short summer tour. The group's "final" tour included a seven-song set on the Ed Sullivan Theater marquee for a swarm of fans on the street and a final show in Coventry, Ver., that attracted around 65,000 fans. That final show would have drawn more but the deluge of rain had organizers concerned that the stage would sink and cars were cut off from entering the site at one point, causing thousands of fans to leave their vehicles on the side of the road and walk to the grounds, Woodstock style.
Maybe God sent the rain because he's a huge Phish fan? What was he going to hippie dance to in heaven?!
In 2006, guitarist Trey Anastasio was pulled over and arrested for suspicion of drug possession (including hydrocodone, Percocet and Xanax), driving on a suspended license and driving under the influence. Though he had continued to be active musically, perhaps that was a "devil makes work for idle hands" kind of thing.
In 2009, the four band members decided that it was time to bring Phish back from the dead. Anastasio told The New York Times that it was because of the recession. Not that the members needed money — they wanted to provide an escape for fans hurting from the tough economic climate.
"For people in hard times, we can play long shows of pure physical pleasure,” he said. “They come to dance and forget their troubles. It’s like a service commitment.”
Alas, all concerts since the comeback have not been free.
This summer, Phish plays Riverbend on June 22. They're also a headlining act at Bonnaroo, coming up June 7-10. CityBeat is helping Phish fans who want to escape their money woes AND not spend lots of money doing it. Click here to sign up for a chance to win tickets to Phish's Riverbend show and here for a chance to score Bonnaroo tickets.
Here's the band performing "Maze" almost a year ago in New Jersey.
Born This Day: Musical movers and shakers sharing a May 25 birthday include Country music singer/songwriter Tom T. Hall (1936); American singer and songwriter; Country singer Jessi Colter (1943), frontman for German Metal giants The Scorpions, Klaus Meine (1948); Jamaican Reggae singer Sugar Minott (1956); still rocking former frontman for The Jam and Style Council, Paul Weller (1958); too-quiet-these-days Soul/Hip Hop genius Lauryn Hill (1975); guitarist for Pop/Rock band The Fray, Joe King (1980); and legendary lyricist Hal David (1921).
The best concert venue in Washington, D.C., may well be the White House. Hal David was recently honored there as part of a tribute concert to him and songwriting partner Burt Bacharach.
The pair was the latest recipient of the Library of Congress Gershwin Prize for Popular Song. (David could not attend because he's recovering from a stroke; his wife gracefully and graciously accepted on his behalf.) The first winner of the prize — honoring great Americans' contributions to the world songbook — was Paul Simon in 2007. Stevie Wonder and Paul McCartney have also received it. And received tribute concerts at the Prez's pad.
Obama's White House has also feted Motown, Country, Blues, Broadway and music from the Civil Rights movement; each celebratory concert was filmed and aired on PBS as part of its In Performance at the White House series.
"This is a pair that combined, like the Gershwins did, a very gifted lyricist (David) and a very gifted composer (Bacharach)," the librarian of Congress James H. Billington, told the Washington Post. "It's taken so long for a major national prize like this to be conferred on them, so we're very happy about it."
Bacharach & David's greatest hits include modern standards like "Do You Know The Way To San Jose," "What The World Needs Now Is Love," "Alfie," "I Just Don't Know What Do To With Myself," "I Say A Little Prayer," "Walk on By," "The Look Of Love" and "Raindrops Keep Falling On My Head." The White House tribute — filmed in early May and aired this past Monday night on PBS — featured performances by Stevie Wonder, Sheryl Crow, Diana Krall, Lyle Lovett, Arturo Sandoval, Michael Feinstein and, um, comedian Mike Myers (he cast Bacharach in Austin Powers and, at the White House, did a funny version of "What's New Pussycat?").
Watch (or skim through) the whole broadcast below:
Watch Burt Bacharach and Hal David: The Library of Congress Gershwin Prize on PBS. See more from In Performance at The White House.
On this date in 2006, Taylor Hicks won that year's American Idol karaoke contest, laying waste to runner-up Katharine McPhee. Soul Patrol!!!
McPhee would bounce back and is currently starring in the hit network TV show Smash. Hicks, of course, went on to superstardom, scoring major hits with songs like … oh, wait. What ever did happen to that guy? Best guess: manager of a suburban Applebee's somewhere?
Post-Idol, Hicks did score a role in the traveling production of Grease and his self-titled album went platinum, but Hicks was dropped from his label in 2008 and hasn't been heard from much since.
Last night, a fella named Phillip Phillips (no lie! that's his name!) won this year's American Idol, beating a lady named Jessica Sanchez. I must confess I've not watch one second of American Idol this year (or the year before, or the year before, etc.), but reading The New York Times story on him from today, it appears Phillips actually can play guitar pretty well and covered songs by Damien Rice and The Box Tops when he was allowed to chose his own material to perform.
Will Philly Phillips be a star, post-Idol? These things are hard to predict (ask Taylor Hicks), but it seems — from my admittedly peripheral view — that Phillips is more David Gray or Dave Matthews than Clay Aiken or Adam Lambert.
Born This Day: Musical movers and shakers sharing a May 24 birthday include creative Jazz saxman Archie Shepp (1937); American music icon Robert Allen Zimmerman, better known as Bob Dylan (1941); big-voiced and bigger-haired R&B diva Ms. Patti LaBelle (1944); producer and guitarist (with Stevie Nicks, Linda Ronstadt, Warren Zevon and others) Waddy Wachtel (1947); singer/songwriter and eldest daughter of Johnny Cash's, Rosanne Cash (1955); frontman for Soul/Funk group Cameo ("Word Up"), Larry Blackmon (1956); former keyboardist for Beastie Boys pals Luscious Jackson, Vivian Trimble (1963); bassist for Redd Kross and current member of old-school Punk supergroup OFF!, Steve McDonald (1967); guitarist for rockers The Black Crowes, Rich Robinson (1969); and singer/songwriter and Country artist Mike Reid (1947).
Born in Altoona, Penn., Reid attended Penn State, where he excelled on the football field. The tackle finished fifth in Heisman Trophy voting his senior year (1969) and earned a Bachelor's degree in music.
In the 1970 NFL draft, Reid was the Cincinnati Bengals' top first-round selection (seventh overall). Known for his pass-rushing, Reid was a dominant defensive player selected All-Pro at his position in 1972 and 1973 (both years he made the Pro Bowl, as well). In ’74, an injured Reid posted lower numbers and retired at the end of the season as the Bengals all-time leader in sacks with 49. (Remember, the Bengals had only been a team since 1968.)
During the off-season, Reid played piano with orchestras in Utah and Dallas, as well as the Cincinnati Symphony Orchestra. With some help from Larry Gatlin, he was ready to go into music full-time after retiring from professional football. Focused on songwriter, Reid won his first Grammy in 1984 for writing Ronnie Milsap's "Stranger in My House." We would go on to write several songs that hit No. 1 on the Country charts, including "Walk On Faith," the only No. 1 he also performed.
Reid's songs were recorded by the likes of Etta James, Conway Twitty, Willie Nelson, Alabama, George Jones, Wynonna, Lee Greenwood, Kenny Rogers, Shelby Lynne, Shania Twain, Oak Ridge Boys, Collin Raye, Alabama and Tim McGraw over the years. But his "time capsule" tune has to be his 1992 hit with Bonnie Raitt, "I Can't Make You Love Me," his biggest Pop chart success.
Reid is a member of the Nashville Songwriters Hall of Fame. In honor of his 65th birthday, here's Reid's biggest song sung by himself, followed by a pretty chilling more recent version by Justin Vernon of Bon Iver.
Today's a big one for synthesizer fans. You know partly what I'm talking about if you've visited Google today (see below). But today also marks the 30th anniversary of a drastic and controversial move by the UK Musicians' Union. The union proposed a ban on synthesizers and drum machines because, to quote South Park, "Thur takin' our jaabs!" This is 1982, mind you, when Synth Pop and New Wave were huge and Hip Hop was beginning to find its legs in the mainstream. Musician unions worldwide struggled to come to peace with the existence of electronic instruments, many proposing tax hikes on the instruments to discourage use (like the U.S. does with cigarettes now).
The UK union's support of a ban caused a splinter group to form — the Union of Sound Synthesists was created to protect Electronic musicians' rights (or anyone else who wanted to use a "non-traditional" electronic instrument).
The attacks on synthesizers and drum machines due to a fear that one day a computer will be able to make ENTIRE SONGS seems a little funny given today's electro-heavy musical landscape.
On this date in 1977, there was another attack on "electronic" (or perhaps more appropriately "electric") instruments. Jefferson Starship's planned concert at San Francisco's Golden Gate Park was cancelled by the city because it violated a ban on electric instruments being used in the public park. The greatest tragedy of the incident was that it partially inspired one of the worst songs ever made, Starship's "We Built This City" (the song was not written by the band, as many have cited; Elton John songwriting partner Bernie Taupin, J. Geils Band singer not-the-J.-Geils-Band's Peter Wolf, Martin Page and Dennis Lambert are to be credited/blamed for the tune).
Born This Day: Musical movers and shakers sharing a May 23 birthday include regional native and legendary vocalist Rosemary Clooney (1928); singer for ’80s Pop band Baltimora ("Tarzan Boy"), Jimmy McShane (1957); former MTV VJ Karen Duffy (1961); Radiohead drummer Phil Selway (1967); Maroon 5 drummer Matt Flynn (1970); modern Soul singer Maxwell (1973); singer/songwriter Jewel (1974); original blink-182 drummer Scott Raynor (1978); singer for Indie Pop girl group The Pipettes, Gwenno Saunders (1981); singer/songwriter Tristan Prettyman (1982); and Electronic music pioneer Robert Moog (1934).
First things first — it's pronounced "Mogue" (rhymes with "vogue"), not "Mooo-g."
After manufacturing theremins, Mr. Moog (who passed away in 2005) founded Moog Music and invented the Moog synth, one of the first widely used, commercially available synthesizers. Early Moog users like Wendy Carlos (who did the soundtrack to A Clockwork Orange with Moogs and helped Bob design the machines), Keith Emerson, John Cage and Rick Wakeman helped popularize the instruments.
The instrument can be heard on hundreds of thousands of popular tracks since Moog first showed off his concept in 1964 at the Audio Engineering Society's annual convention. Paste magazine picked its Top 10 "quintessential" Moog moments last year, which included tracks by Kraftwerk, Rush's "Closer to the Heart" and this one from the late Donna Summer.
Paste also made a cool list of the best of today's Moog boosters, including St. Vincent, Wilco and Mastodon.
Google today has one of its best "Google Doodles" yet. In honor of Bob Moog's 78th birthday, the search site features a fully playable Moog synth on its front page; you can even record your Moog squiggles!
Today Moog Music Inc. is donating 50 percent of all clothing and merchandise (though not instruments) sales proceeds to the Bob Moog Foundation. The online shop has some very cool new T-shirts and other goodies.
"Moog Music and our customers celebrate Bob’s pioneering legacy. In a time when science achievement is declining in this country, we are proud to support the Bob Moog Foundation in their efforts to bring science alive through electronic music. We invite all of our customers to make a purchase online on May 23rd and support the Foundation’s important work,” said Mike Adams, Moog Music President & CEO, in a press release.
On this day in 2000, brilliant Icelandic musician/singer/composer Björk won the Best Actress prize at the Cannes Film Festival for her starring role in Lars von Trier's gloomy "musical" Dancer in the Dark. The film also won the festival's highest honor, the Palme d'Or.
The movie is amazing but also difficult to watch because of its emotional weight. Björk played an impoverished Czech immigrant who moves to the U.S. with her son and gets a job at a factory. Her character, Selma, is going blind and she's sure her son will also inherit the disease that caused it, so she saves all her money to pay for an operation for him. Through a series of unfortunate events, she gets the money, but at a high price — she ends up being sentenced to death.
The genius of the film is in Björk's character's daydreams, where she imagines her life is like the Hollywood musicals she so adores. The singer wrote and recorded the soundtrack, which was released as Selmasongs: Music from the Motion Picture Soundtrack Dancer in the Dark. Reportedly drained from her physically and emotionally demanding performance, Björk announced that she'd always wanted to do a musical and that was the one — she said she was retiring from acting forever. So far, she's kept the promise.
Here is a clip of the film featuring the song "I've Seen It All." On the album, Thom Yorke of Radiohead sings the male lead. Here it's sung by co-star Peter Stormare.
Born This Day: Musical movers and shakers sharing a May 21 birthday include pioneering Jazz/Blues pianist Fats Waller (1904); Jazz tuba player (who appeared on Miles Davis classics Birth of Cool and Sketches of Spain) Bill Barber (1920); Jump Blues singer (and huge influence on Little Richard) Billy Wright (1932); influential British Folk singer and guitarist Martin Carthy (1941); Cincinnati native and hugely influential singer and songwriter with The Isley Brothers (and beyond), Ronald Isley (1941); successful ’70s Pop singer/songwriter ("You Make Me Feel Like Dancing," "When I Need You") Leo Sayer (1948); dynamic guitar wizard Marc Ribot (1954); singer/guitarist for noisy, influential Shoegaze outfit My Bloody Valentine, Kevin Shields (1963); singer and guitarist for cult faves Jawbreaker and Jets to Brazil, Blake Schwarzenbach (1967); half of Hip Hop twosome Mobb Deep, Havoc (1974); current hitmaker ("Somebody That I Used to Know") and satirist target Wally De Backer, better known as Gotye (1980); and slain Rap superstar Christopher Wallace, aka The Notorious B.I.G. (1972).
Biggie would have been 40 today had he not been murdered in 1997 when he was just 24. Here's a rare live clip recently discovered featuring B.I.G. and Jay-Z performing together.
And here's an interview with the Rap legend discovered last month.
What's your favorite Biggie jam? Pop Crush is running a poll; vote for your fave here. And here's a short interview with the late MC's mother reflecting on her son's legacy (from The Source).
Though today he is known as one of the strangest characters on "celebreality" TV, Gary Busey was once thought to have the potential to be one of the greatest actors of his generation. On this date in 1978, The Buddy Holly Story — featuring Busey in the title role — premiered. The film covered Rock legend Buddy Holly's all-too-short life, up through when he died in a plane crash in 1959 at the age of 22. Busey was 34 when the film came out, but his portrayal was very strong. In fact, it earned him an Academy Award nomination for Best Actor.
Busey never quite had that kind of critical reception again, going on to appear in such films as D.C. Cab, Predator 2, Point Break and the upcoming Piranha 3DD. Busey is known to younger generations as the "out there" guy from Celebrity Rehab, Celebrity Fit Club and Celebrity Apprentice. Is there a Celebrity Mental Institution yet?
There is allegedly a "Buddy Holly Curse" that may explain Busey's jagged career path since starring as the singer. This site details some "proof" of the curse, including the deaths of many artists who had some connection with Holly (Eddie Cochran, Gene Vincent, Ronnie Smith, Cowboy Copas, David Box, Joe Meek and many others.)
Busey was involved in a serious, near-fatal motorcycle accident after he completed filming on the Buddy Holly movie. The film's screenwriter Robert Gittler committed suicide just prior to the movie's release. (The Who's Keith Moon made his last public appearance at a preview screening of The Buddy Holly Story; he was found dead the next day.)
Luckily, only Busey's career has suffered since the film and his close-call wreck. Here he is in his greatest role doing "Oh, Boy!" Busey was praised for singing his own parts instead of lip-syncing over Holly's originals. I have to agree with that praise. Maybe Gary needs to make a Rock & Roll album?
Born This Day: Musical movers and shakers sharing a May 18 birthday include one of the men most responsible for Rock & Roll ("Shake, Rattle and Roll"), Blues shouter Big Joe Turner (1911); founding guitarist with Art Punk greats Wire, Bruce Gilbert (1946); singer/songwriter/producer and pops of The Strokes' guitarist, Albert Hammond (1944); keyboard wizard for Prog kings Yes, Rick Wakeman (1949); cofounder of New Wave renegades Devo, Mark Mothersbaugh (1950); Country legend George Strait (1952); Power Pop/New Wave rocker "(I'd Go the) Whole Wide World") Wreckless Eric Goulden (1954); singer with Christian Rock band dc Talk, Michael Tait (1966); Hip Hop artist ("It Takes Two") Rob Base (1967); and two Easy Listening giants of two very different eras — Perry Como (1912) and Jack Johnson (1975).
Como and Johnson both had/have a very easy-going way about themselves, musically and personally. That opened them up for a pair of pretty funny parodies on television.
In 1981, the brilliant late-night sketch comedy show SCTV ran the skit "Perry Como: Still Alive," which presented the way laid-back host making a Disco comeback. Eugene Levy — known today as "the dad from American Pie" — does a brilliant borderline comatose Como.
Former surfer (because what else could he be?) and smooth Pop singer/songwriter Jack Johnson has gotten the business from another late-night NBC program. (Cargo shorts) Saturday Night Live's (soon to be gone?) Andy Samberg has played the super-mellow Johnson in a few sketches, notably as the host of his own talk-fest The Mellow Show. (Flip flops.) Here, "Jack" interviews fellow mellow yellows Dave Matthews and Jason Mraz, as well as Ozzy Obsourne (played pretty well by Mr. Matthews himself). (Vegan cookies.)
Australian Pop/Rock band Men At Work hit me — and many other music fans around the world — at just the right time. I was 12 when the single “Who Can It Be Now?” exploded onto the charts. I was intrigued by the group’s quirkiness, but it was singer/guitarist Colin Hay’s voice that initially drew me in. As a huge fan of The Police, I found Hay’s effortlessly high-pitched vocals highly appealing.
In the summer of 1983, Men at Work’s Cargo came out and instantly became my favorite album. I got to see the band perform live on that tour — at Kings Island’s Timberwolf Amphitheater with a new, unknown Australian band called INXS opening — and I spent that summer in France as an exchange student with Cargo (and The Police’s Synchronicity) at my side.
Though I didn’t fully yet understand the emotions being expressed on Cargo’s first single, “Overkill,” they still hit me like a ton of bricks and the song was played on my Walkman (for younger readers, that was akin to a wooden MP3 player with various levers and pulleys) more than any other that summer. Just the sound of it (as well as the visuals in the accompanying video) matched up perfectly with my bouts of homesickness.
To this day, when I hear “Overkill” — no matter if it’s the original, a great cover version (the band that did the theme song to the TV show Scrubs, Lazlo Bane, did a fantastic version with Hay and Dashboard Confessional’s version was also pretty strong) or Hay singing it solo acoustic — it sends shivers, particularly when it hits the intense release of the last verse. I remember that ancient sense of loneliness and isolation, but also various heartbreaks I’ve suffered — as a young adult, I finally got the “ghosts appear and fade away” bit and it made the song resonate within me even more.
“Down Under” might be Men At Work’s most known song, but “Overkill” is the tune that will stand the test of time for eternity.
Hay is far removed from his Men at Work days now. The band broke up in 1986 (though they reunited for concerts in the late ’90s) and Hay has managed to have a modestly successful solo career, still touring the world and releasing strong solo efforts, including his most recent (and 11th overall), Gathering Mercury, perhaps Hay’s finest solo moment yet.
Hay's songwriting still has emotional weight and substance (as well as great hooks) and if you catch his local show tonight at the 20th Century Theater in Oakley, he’ll definitely play some old favorites, will surely says some words about his recently deceased fellow Man At Work, Greg Ham, and undoubtedly charm the pants off the whole crowd with his legendary sharp wit.
Here's my video playlist tribute to Hay and one of his greatest songwriting achievements.
Today is the 46th anniversary of one of the most memorable "heckles" in entertainment history. And the response was pretty classic, too.
In July of 1965, Bob Dylan shocked the audience at the Newport Folk Festival (where he was virtually a god after performing the previous two years) by performing "electric" and with his full band. Those who wanted to hear solo, acoustic Dylan booed as the group launched into "Maggie's Farm," though some in the audience cheered the bold move. He finished the set with a solo, acoustic encore. Lore has it that the boos were from those upset Dylan was playing electric, though his organist Al Kooper said it was because the sound sucked.
Still, Dylan would deal with such polarized reactions for the next year or so as he continued to rock electrically (the sound couldn't have been bad everywhere, right?) for part of his sets. On May 17, 1966, Dylan played the Free Trade Hall in Manchester, England. As documented on bootlegs, film and the official release, The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert, which came out in 1998 (the "Royal Albert Hall" referring to the common misconception that the notorious show was in London), one disapproving fan shouted "Judas!" Dylan responded to the reference to the New Testament tale of Jesus betrayer Judas Iscariot by saying, "I don't believe you, you're a liar." The strange yet perfect response may have been a come-back to the "Judas" yelp, but some believe he was responding to another less audible heckle: "I'm never listening to you again, ever!" Which makes more sense. Sorta.
The young man who shouted the heckle broke his silence after three decades and did a few interviews, calling the moment "embarrassing" for himself. The man, Keith Butler, was also interviewed right after the concert, footage of which popped up in the Eat the Document documentary. The then 21-year-old told an interviewer, "Any pop group could produce better rubbish than that! It was a bloody disgrace! He's a traitor!"
Video of the "Judas" moment was discovered and featured in the biographical documentary film, No Direction Home. Go to the 56-second mark of the clip to hear it.
Born This Day: Musical movers and shakers sharing a May 17 birthday include original bass singer for The Spinners, Pervis Jackson (1938); eclectic Blues legend Taj Mahal (1942); drummer for Prog heroes King Crimson and Yes, Bill Bruford (1949); Irish New Age goddess Enya (1961); keyboardist/songwriter for Phish, Page McConnell (1963); hunky New Kids of the Block star Jordan Knight (1970); former Stoner Rock pioneer with Kyuss turned Hard Rock star with Queens of the Stone Age, Josh Homme (1973); original vocalist for Florida Metalcore band Underoath and current frontman for "Southern Metal" crew Maylene and the Sons of Disaster, Dallas Taylor (1980); and Nine Inch Nails founder Trent Reznor (1965).
Reznor — an Ohio native — was awarded the ASCAP Golden Note Award last month for his work in music over the past 25 years. Presumably not including his time with the early ’80s Cleveland Synth Pop acts Exotic Birds (which opened for Culture Club!) and Slam Bamboo, which sounds nearly identical to Howard Jones.
Pretty fun stuff, actually. The haircuts … not so much.
Today in history was not kind to some major Pop Culture icons. Today we lost the Master of Muppets, Jim Henson (in 1990), Andy Kaufman (1984) and lead "Untouchable" Eliot Ness (1957). On the musical tip, we lost masterful, hugely influential Hot Jazz guitarist Django Reinhardt (1953), Rat Pack singer/performer/actor Sammy Davis, Jr. (1990) and, just two years ago, Metal superstar Ronnie James Dio.
Fun fact: Tony Iommi of Black Sabbath, which featured Dio on the mic after Ozzy left, was hugely inspired by Django; both had finger injuries that forced them to adapt — and redefine — their playing styles. Things didn't turn out too badly for either.
Rest in peace, all!