I don’t pay much attention to Groundhog Day for signs of spring, and Reds Opening Day is way too late to celebrate the promise of warmer weather. My key indicator for when spring is just around the corner is when Cincinnati-area theaters start announcing their upcoming seasons. (In fact, Cincinnati Landmark Productions was the first out of the gate a few weeks back; more about that in a moment.) But this evening’s big news is rundown of shows to be presented on the Cincinnati Playhouse in the Park’s two stages, the Robert S. Marx Theater and the Shelterhouse.
As Blake Robison enters his fourth season as the Playhouse’s artistic director, he says he does not approach a season in a thematic way. “Our priorities continue to be new works, culturally diverse works and family-friendly works.” He’s include several of each in the Playhouse’s 2015-2016 season, the Tony Award-winning regional theater’s 56th.
In particular, Robison has slated two world-premiere comedies, Native Gardens, a hilarious tale of clashing neighbors by Karen Zacarías, whose Book Club Play was a big hit for the Mount Adams theater two seasons ago, and The Revolutionists, an irreverent, girl-powered fantasia set during the French Revolution and written by one of America’s best emerging playwrights, Lauren Gunderson. (Know Theatre staged Toil and Trouble in 2013, and her 2014 script I and You won the American Theatre Critics Association’s 2014 Steinberg Prize.) In fact, girl-power has clearly arrived at the Playhouse: Half of the season’s productions are works by women.
In the family-friendly category, Robison has selected two shows based on classic novels: the musical version of Frances Hodgson Burnett’s The Secret Garden and a stage adaptation of Harper Lee’s To Kill a Mockingbird, the 1960 Pulitzer Prize winning novel that’s been much in the news recently with the announcement that a prior version of the story will be published later this year. The creators of the memorable show Fly — about the legendary Tuskegee Airmen — will return with Satchel Paige and the Kansas City Swing, their new Jazz-infused drama focused on African-American sports legend. Robison will also stage a captivating drama, Mad River Rising, set on an Ohio farm at the time of the horrendous floods of 1936.
Here’s a chronological rundown of what’s in store, with dates a few more details.
THE SECRET GARDEN, with book and lyrics by Marsha Norman and music by Lucy Simon. The show features Norman’s Tony Award-winning script, adapted from Frances Hodgson Burnett’s classic novel. It’s the story of Mary Lennox, orphaned at age 10, and sent from India to live with her aloof uncle in his foreboding English manor. There she discovers the locked-away secrets of an abandoned garden. It’s going to be staged by Marcia Millgrom Dodge, a Tony Award winner who staged Cabaret for the Playhouse in 2013. Robison says that this is the kind of musically complex show that is “what the Playhouse does.” Sept. 5-Oct. 3, 2015 on the Robert S. Marx Mainstage.
SEX WITH STRANGERS by Laura Eason. Playwright Eason has been one of the writers behind Netflix’s engaging series, House of Cards, staring Kevin Spacey. Robison tells me he’s wanted to stage this provocative, sexy and funny show since its 2011 debut at Chicago’s Steppenwolf Theatre because of its “intergenerational appeal,” but he had to wait until it had its Broadway debut last year. Associate Artist KJ Sanchez will stage this show that explores what happens when private lives become public domain as a famous blogger finds himself snowbound with a talented but unknown novelist. They’re attracted to each other, but envious, too. Sept. 26-Oct. 25, 2015 in the Thompson Shelterhouse.
MAD RIVER RISING by Dana Yeaton. The playwright is an acquaintance of Robison’s, and this 1998 work debuted in Vermont when Robison worked at a theater there. An 85-year-old man escapes from a nursing home and hides out in his family’s barn. As a boy, he saw his family’s home wash away and now “progress” is threatening to destroy the farm again. The story slips back and forth between past and present, and the production, which Robison will stage features music by a singer/songwriter also from Vermont. Robison calls the drama “poetic, poignant and utterly captivating.” Oct. 17-Nov. 14, 2015 on the Robert S. Marx Mainstage.
LOW DOWN DIRTY BLUES by Randal Myler and Dan Wheetman. For the holiday season on the Thompson Shelterhouse stage, the Playhouse will present a revue with musicians gathered for an after-hours jam session where they swap stories and play nearly two dozen tunes they love by Muddy Waters, Ma Rainey, Sophie Tucker, Howlin’ Wolf, Pearl Bailey and more. Myler was the creative force behind the Playhouse’s popular production of Love, Janis (about Janis Joplin) in 2005 as well as Hank Williams: Lost Highway in 2012, and he’ll be in town to stage this one, too. Nov. 7-Dec. 20, 2015.
For the 25th consecutive season, the Playhouse will present A CHRISTMAS CAROL Nov. 25-Dec. 30, 2015 on the Robert S. Marx Mainstage. I’ve seen it for most all of those years, and I never grow tired of Howard Dallin’s excellent adaptation. It uses 29 actors, many of them local professionals, and features veteran Bruce Cromer as the miserly Scrooge (it’s his 11th year in the role). Michael Evan Haney, who has staged the production every year since 1992 will return, too. The show, by the way is not part of any subscription package, but subscribers are eligible for discounts and early buying opportunities.
NATIVE GARDENS by Karen Zacarías. 2016 kicks off with a world premiere by the playwright whose Book Club Play charmed Playhouse audiences in 2013. Her new script is about how friendly neighbors become feuding enemies when their gardens and fences don’t quite align. One couple is Hispanic while the other is Anglo, and their disagreements escalate into an all-out war of taste, class, privilege and entitlement with hilarious results. Robison will stage this one, as he did her previous Playhouse show. Jan. 23-Feb. 21, 2016 on the Roberts S. Marx Mainstage.
THE REVOLUTIONISTS by Lauren Gunderson. As noted, Gunderson is a rising star in the theater world — and Robison has scheduled her new script to overlap for a few weeks with Zacarías’s show, resulting in simultaneous world premieres by women playwrights. In Gunderson’s new script, at the height of the French Revolution, four historic characters — playwright Olympe De Gouges, assassin Charlotte Corday, activist Angelle Ogé and former queen Marie Antoinette — conspire to escape the extremist forces swirling around them. Eleanor Holdridge from Catholic University in Washington, D.C., who has been working closely with Gunderson to develop the script, will stage this fantasy about how we change the world. Feb. 6-March 6, 2016, in the Thompson Shelterhouse.
TO KILL A MOCKINGBIRD by Harper Lee (adapted by Christopher Sergel). Set in Depression-era Alabama, it’s about precocious tomboy Scout and her brother Jem during a life-changing summer when their father, Atticus, a small-town lawyer, defends a black man accused of a crime he didn’t commit. The Playhouse was one of the first theaters to stage Sergel’s adaptation in 1993; it’s a slightly different version (with more roles and a different narrator) than the one, also by Sergel, presented by Cincinnati Shakespeare Company in 2012. The Playhouse’s newest artistic associate, Eric Ting, is slated to direct this one. March 5-April 3, 2016, on the Robert S. Marx Mainstage.
MOTHERS AND SONS by Terrence McNally. Another artistic associate, Timothy Douglas, will stage this show, which was a 2014 Tony nominee the year’s best play on Broadway. McNally, who has written more than 30 plays and musicals (including the Tony Award-winning Love! Valour! Compassion!) has created a drama about change, reconciliation and what it means to be a family. A gay couple have a happy life with their 6-year-old child until the mother of a former lover makes a surprise visit to their Manhattan home, two decades years after her son’s untimely death. No play by McNally has been presented at the Playhouse since 1990, so this exploration of the complexities of life that gay men face is a welcome addition to the Playhouse’s repertoire. March 19-April 17, 2016, in the Thompson Shelterhouse.
SATCHEL PAIGE AND THE KANSAS CITY SWING by Trey Ellis and Ricardo Khan. This new play focuses on the 1947 Negro Leagues when pitcher Satchel Paige was the king of baseball, despite his advancing age. But Jackie Robinson’s meteoric rise to fame overshadowed Paige who found himself hemmed in by many barriers. Ellis and Khan’s story of the Tuskegee Airmen, Fly!, used a tap dancer as part of the storytelling, and this one will use a Jazz musician who interacts with the characters in a similar vein. April 23-May 21, 2016, on the Robert S. Marx Mainstage.
BAD DATES by Theresa Rebeck. In 2005 and 2006 this play by Cincinnati born-and-bred playwright Rebeck was a big hit locally and nationally; the comedy was, in fact, one of the most produced plays in America for two years. A middle-aged woman and single mom who manages a restaurant and loves shoes, decides to start dating again. She talks and we listen while she gets ready for one dreadful date after another. Then a turn of events makes life all the more interesting. Originally presented on the Marx stage, this revival will happen in the Thompson Shelterhouse; Michael Haney, who staged it a decade ago, will return to make Cincinnatians laugh again. April 30-June 12, 2016.
For subscription information: 513-421-3888 or http://www.cincyplay.com.
Cincinnati Landmark Productions has a lot to offer, too
Cincinnati Landmark Productions is growing, complementing its productions at the Covedale Center for the Performing Arts with a new venue, the Warsaw Federal Incline Theater. A month or so ago artistic director Tim Perrino laid out more than a dozen productions that will be happening during 2015-2016.
“We’ve created distinct seasons of exciting show titles that our audiences will absolutely love,” he said at the time. “The Covedale season will represent the legacy of our company, while the Incline will be an expansion of our programming. Together, they deepen the impact of Cincinnati Landmark Productions in the communities we call home.” Audiences have flocked to the Covedale (4990 Glenway Avenue) in recent years, leading to an expansion of runs from three to four weeks as annual attendance grew from less than 14,000 in 2003 to more than 37,000 in 2014. Perrino hopes for similar success at the Incline Theater (801 Matson Place, East Price Hill).
This summer the Incline will offer three “summer classics” — somewhat in the vein of shows that Cincinnati Landmark once presented on the Showboat Majestic. They are Mel Brooks’ hilarious showbiz spoof, The Producers (June 3-21); 1776 (July 8-26), the story of America’s patriotic heritage by Sherman Edwards and Peter Stone; and Dolly Parton’s 9 to 5 (August 12-30), the story of women in an office who take administration into their own hands.
The Covedale will offer a “Marquee Series,” a half-dozen productions between September and May. On the schedule are classically entertaining musicals and comedies — A Chorus Line (Sept. 3-27), the story of a dance audition process for a Broadway show; Fox on the Fairway, a comedy by Ken Ludwig (author of Lend Me a Tenor); Mary Poppins (Nov. 27-Dec. 20), a perfect storybook musical for the holidays; Neil Simon’s Chapter Two (Jan. 21-Feb. 14, 2016), a laugh-infused tale about getting back into the dating game; She Loves Me (March 10-April 3, 2016), from the creators of Fiddler on the Roof, a Tony Award Winner from 1964 about two shop clerks who don’t see eye to eye but unwittingly become romantic pen pals; and Brigadoon (April 28-May 22, 2016) by Lerner and Loewe (the guys who created My Fair Lady), the story of a town in Scotland that that vanishes only to reappear once every 100 years.
While those shows are happening on Glenway Avenue, the energetic folks at Cincinnati Landmark have mapped out a more mature set of shows for the Incline Theater, starting with William Mastrisimone’s Extremities (Sept. 30-Oct. 18), about a woman who turns the tables on a would-be rapist with complicated results. Subsequent productions will be Jonathan Larson’s groundbreaking, Tony Award-winning musical Rent (Dec. 2-20) about impoverished artists trying to survive in New York City; Avenue Q (Feb. 17-March 6, 2016), the hilarious musical featuring puppets that’s about a neighborhood quite a few blocks from Sesame Street — it deals with adult issues, but it’s funny and heartwarming; and another searing drama, David Mamet’s Glengarry Glen Ross (April 6-24, 2016), about the lives of four desperate real estate agents in Chicago who are willing to do anything to win.
Seasons like these are big undertakings for this ambitious theatrical organization. With a new 220-seat Incline adding to the 385-seat Covedale, we can expect a lot of Cincinnatians will be heading west for these enhanced theater choices.
For subscription information: 513-241-6550 or http://cincinnatilandmarkproductions.com.
Good morning y’all. I’m fresh off my epic, hour-long alpine adventure, also known as my walk to work. Did you wonder what happened to all the snow that had been on the roadways as you were driving leisurely to work this morning? It's now piled in mountains on the sidewalk by city snowplows. Thanks guys. I do have to say a city worker in a Bobcat drove by yesterday while I was digging my lady friend’s car out of the snow. He looped back around and with three or four quick maneuvers did what would have taken me 20 minutes with a shovel. Driving one of those things is an art, and I have met its Picasso.
Enough grumbling. It’s news time. Mayor John Cranley is, as the kids say, stacking cash (note: kids these days don’t actually say that). Cranley collected more than $250,000 at a Feb. 17 fundraiser for his re-election campaign. That may be the biggest haul ever for a city candidate, according to Cranley’s campaign, which is all the more impressive because Cranley doesn’t face reelection for almost two years. A ton of big names were in attendance at the event, and it seems like the city’s movers and shakers are backing the mayor.
Reds owner Bob Castellini was a host. So were Western and Southern CEO John Barrett, two members of the Lindner family and PACs from Kroger and Procter & Gamble. Cranley’s already got his eye on the election, having hired his campaign manager and setting a fundraising goal of $2 million. That’s a huge sum of money, some of which could go to help out allies in their City Council campaigns, though Cranley has said he won’t be doing that, focusing the cash on his own bid. Another possibility: Is Cranley setting such ambitious goals as a demonstration of his fundraising abilities so he can set up a bid for a higher office down the road?
• The federal government has said it will give $110 million to build a new facility in Cincinnati for the National Institute for Occupational Safety and Health. U.S. Sen. Sherrod Brown has been instrumental in securing the funding for the building, which will replace two aging facilities in the city, the Robert A. Taft Laboratory in the East End and the Alice Hamilton Laboratory in Pleasant Ridge. The new facility will consolidate them, making work easier for the federal employees there.
The Center for Disease Control oversees NIOSH. The agency researches ways to prevent injury and illness caused by occupational hazards, making recommendations to other federal agencies. The Cincinnati labs employ about 550 people. It’s not clear where the new labs will be located, but the Uptown Consortium, which represents major businesses and institutions in the Clifton, CUF, Corryville and Avondale neighborhoods including UC and several hospitals, is making a big pull to get the 14-acre site in that area. Other neighborhoods looking to get the facility include Bond Hill.
• Cincinnati anti-abortion activist Dr. John Wilke has died. He was 89. Wilke founded Greater Cincinnati Right to Life and Ohio Right to Life in the 1970s with his wife Barbara as debate swirled about a woman’s right to choose. The two groups have been incredibly active in the decades since as the issue has continued to be one of the country’s most intense and divisive. Wilke also served as head of national and international pro-life groups. Among Wilke’s more controversial assertions: that the stress caused by rape made it very unlikely a woman being raped would become pregnant. Other doctors and experts have since challenged that assertion, calling it bunk science and a cruel perspective on a terrible experience. Last month, Wilke released an autobiography about his time as a pro-life activist.
• A lawsuit over decades-old corpse abuse at the Hamilton County Morgue is in court today. The case involves the behavior of former morgue employee Kenneth Douglass, who was convicted six years ago of sexually abusing three bodies while he worked at the morgue. The families of the women whose corpses were abused have sued the county, charging that it should have known Douglass was engaging in illegal behavior at the facility and fired him. County officials and the estates of the former county coroner and supervisor, who the family also named in the suit and who have both since died, say they couldn’t have known Douglass would engage in behavior so abnormal and unpredictable.
• Has Kentucky held the wrong man in prison for 27 years? Some evidence suggests that might be the case. The Kentucky Innocence Project has been working on the case of William Virgil, who was convicted for the 1987 killing of psychiatric nurse Retha Welch in Newport. Virgil was convicted based on witness testimony, though some of those witnesses have since been discredited. Meanwhile, DNA evidence tested since the trial suggests Virgil may not have committed the crime. His DNA wasn’t found at the crime scene, Virgil’s advocates point out, and hers was not found on his clothing. The state is waiting for more tests to be done, but the Kentucky Innocence Project holds that there isn’t enough evidence against Virgil to hold him in prison.
Performance and Time Arts (PTA), a project of Contemporary Dance Theater, is the longest-running performance art showcase in the city, but until this weekend it has never been host to a single production. One Way Road on a Two Way Street, an original multi-act examination by an all-female cast of unrequited love and its ramifications, debuts Friday and Saturday at the College Hill Town Hall. Producer, flugelist (yes, someone who plays the flugelhorn), dancer and choreographer Shakira Rae Adams reveals that the theme is derived from personal experience. “A certain woman has sparked this creation — someone very close to my heart,” she says.Acts include spoken word, dance, live and recorded music, visual media and theater. A post-performance reception offers pastry treats from Oliver’s Desserts.
Adams, born in Findlay, Ohio, is an outgoing personality with a contagious smile who describes herself as an “outside-the-box nerd.” Her life so far has included pre-med and nursing studies, work as a doula (a person trained to assist in childbirth) and a trip to West Africa, from which she brought back the African dance techniques she uses to teach her own choreography. Oh, and she also designed and teaches a class on the dissection of the human body for kids 5-14.
“I found dance through jazz dance, and it’s help me keep my sanity,” Adams says. “I think music and science and dance all go together. Anyhow, it’s worked for me. I hope One Way Road on a Two Way Street inspires people to be more honest and open with their emotions, not to be locked down like the society we live in.”ONE WAY ROAD ON A TWO WAY STREET takes place at 8 p.m. Friday and Saturday at Contemporary Dance Theater Studios at College Hill Town Hall. More info: http://cdt-dance.org/1502pta
Hey all! Here’s a quick morning news rundown.
In the wake of last month’s infamous pickup truck incident (wherein a disgruntled man tried to ram his vehicle into our seat of city government), City Hall might be getting metal detectors. Council voted yesterday to find out how much the security measure will cost. The city has already stationed another guard in the City Hall lobby and instituted a requirement that visitors to the mayor or council members be escorted. The extra security measures also come as a response to death threats received by Mayor John Cranley and Councilwoman Amy Murray. Cranley has declined a body guard but has said that the recent events have left him a bit shaken.
• Oxford could be on the path to getting its first train service in half a century. Officials in Butler County are discussing an application for a federal TIGER grant that would fund a stop in the city for trains heading to Chicago. Miami University hosts many students from the Chicago area, officials with the school say, and there is great demand for easy and affordable transit to the Windy City. Last month, officials with the school, the city and the county asked Amtrak to do a feasibility study on picking up passengers there. Currently, Amtrak’s Cardinal Line runs from Cincinnati to Chicago, but only in the middle of the night and only a few times a week. There are efforts underway to expand that service led by transit advocacy group All Aboard Ohio.
• Gov. John Kasich’s proposal to make some Medicaid recipients pay premiums could block access to health care for low-income folks, a new study finds. The report by liberal-leaning Policy Matters Ohio says the proposed premiums, which would start at $15 to $20 a month, would prove a significant hardship for low-income people making just above the federal poverty line (about $12,000 for a single person). The study looks at past efforts in other states to require low-income people to pay premiums on government-subsidized health care. In examples from many states over the past decade, health care costs went up as a result of low-income people having less access to preventative health care, causing them to develop serious conditions for which they seek emergency treatment. Policy Matters’ study suggests the same could happen in Ohio should Kasich’s proposal be adopted.
• There’s actually a raft of news about Kasich, now that we’re talking about the gov, so I’ll just briefly run through the rest of it here. First, an analysis of his budget proposal finds that it would funnel more money into Ohio’s controversial charter school program, bringing the funding devoted to charter schools by the state to nearly $1 billion a year. Charters in the state have come under criticism over the past year due to sometimes-poor performance and lack of accountability. Ohio’s system takes money from public school districts and gives it to privately run schools that are held to a lower standard by the state. Some of these schools have excelled, delivering better student performance at a lower cost, but a number of others haven’t been nearly so successful. What’s more, several schools have been rocked by allegations of financial and other improprieties. There is movement at the state House to hold the schools to higher standards, but so far no legislation has been passed. You can read our in-depth story on the state’s charter schools here for more on that. Critics of Kasich’s plan to provide more funding for charters say it’s time to reform Ohio’s charter system entirely.
• Speaking of education, Kasich and his budget proposal, Ohio state legislators are going to change Kasich’s proposal for pubic school funding, Republican lawmakers have revealed. Though it’s unclear just what they’ll do when the get under the hood of Kasich’s funding changes, they’ve already chosen Rep. Bob Cupp, R-Lima, to take the lead. Kasich’s public school funding proposal, which seeks to shift some state aid away from wealthy districts toward lower-income ones, left many scratching their heads earlier this month. Kasich’s complex proposed funding formula left some low-income districts with cuts while giving big percentage increases to wealthy districts like Indian Hill, which would get 21 percent more state aid under the model. There are reasons for that and other counter-intuitive increases, as we explored in our story on the proposal a couple weeks ago, but it still doesn’t sit right with many folks. Cupp has said there seem to be some “anomalies” in the formula, but that he won’t know exactly how everything is working until he and other lawmakers dive in and look at everything piece by piece.
Annnnnnd. I’m out. Happy Friday y’all. Tweet news tips, your favorite winter beer recommendations or Parks and Rec finale sadness/spoilers to me over the weekend: @nswartsell. Or you can e-mail me with all of that: email@example.com.
Cincinnati beer festival Bockfest hosts the second of four preliminary rounds of a gender-neutral pageant to name the 2015 Sausage Queen, who will lead the Bockfest Parade with a symbolic tray of bockwurst sausage. Based on their personality, presence and talent, judges will move beer enthusiasts through a series of rounds of competition, leading up a final crowning and cash prize. Come out and support the candidates and have a couple of beers yourself. Future rounds Feb. 26 at Washington Platform and Feb. 28 at Crazy Fox Saloon. 9 p.m. Friday. Free. Milton’s, 301 Milton St., Prospect Hill, bockfest.com.
ONSTAGE: Little Women
The story of Louisa May Alcott’s classic novel from the late 1860s, Little Women, has long been woven into the American consciousness. The March family lives in refined poverty, with a dutiful father away in the Civil War and a steadfast mother raising four headstrong daughters. Their story is one of hardship and heartbreak, with generous doses of situational humor, all of which are recaptured in Emma Reeves’ new adaptation for the stage being regionally premiered by Cincinnati Shakespeare Company. CSC’s acting company is replete with fine actors, and local stage veteran Annie Fitzpatrick plays loving Marmee, who strives to keep her chicks in order. Through March 21. $14-$36. Cincinnati Shakespeare Company, 719 Race St., Downtown, 513-381-2273, cincyshakes.com.
When I started doing this blog series I promised myself that I would avoid covering movies that had won an Academy Award, especially those that were awarded Best Picture, Director or Actor. When most people decide to look up “classics” to watch, their go-tos are often Oscar winners. But there is a 1974 film that I think has been unfairly ignored and dismissed, despite its Best Actor win. That film is Harry and Tonto.
Co-written and directed by the late Paul Mazursky, this movie follows the eponymous duo — Harry (Art Carney) is a retired widower who looses his apartment building when it is condemned; his only companion is his pet cat, Tonto. The two go on a cross-country odyssey meeting many colorful characters along the way, including a health-food salesman (Arthur Hunnicutt), an elderly Native American (Chief Dan George) and an underaged runaway (Melanie Mayron), among others. Harry eventually reconnects with his three kids who live all across the map.
Just based on that plot, many would think that it’s just a basic road trip movie with a quirky old man and his cute little cat. While it is enjoyable in that respect, it is a truly great film that should be truly appreciated and given another look.
Let’s go ahead and begin with the obvious topic: Art Carney winning Best Actor. Many have found that to be a bad decision. Especially since that year the other nominees included Al Pacino for The Godfather and Jack Nicholson for Chinatown. Many feel that picking Carney for the award was just a sympathy win given Carney’s long career and status as a comic icon.
While I will admit that the other nominees that year were all very good — 1974 was just a great year for movies in general — I will forever be an apologist for Carney being the winner.
Carney’s performance as Harry seems so natural. He never gets overly dramatic with his line reading, and he adds the right amount of comedic charm to his role without reverting back to his Ed Norton character from The Honeymooners.
A great example is in the beginning, when Carney and Tonto are relaxing in the apartment and he reminisces the old days in New York. “There were trolleys, Tonto. Cobblestones. The aroma of corned beef and cabbage. The tangy zest of... apple strudel.” He slowly starts to fall asleep during this monologue, but what really makes it great is that it does sound like a real person. Carney isn’t being overly dramatic, he’s not trying to make it all sentimental — it sounds normal. It is because of that tone that makes the lines powerful and Harry such an endearing character.
With that note, Harry’s arc is a subtle but great one. Through the film and with every encounter he comes across on his odyssey, he begins to change and become more open-minded. The changing of the scenery is a big motif. He starts out in a cramped, confinded and lonely apartment, then he ventures out west like a pioneer to open and warm California. It can be seen in wardrobe changes as well and with those elements we see him go from being a “Things were better in my days” guy to a man who lets go of the past and looks to the future.
It’s a movie that will make you smile, laugh, think and even get teary eyed. I promise you’ll adore this film and Art’s performance.