Good morning Cincy. Let’s talk about what’s been going on in the news the past few days.
The University of Cincinnati and city officials continue to work on a revised memorandum of understanding in regard to the university’s police force, officials for both organizations told Cincinnati City Council’s Law and Public Safety Committee today. Following the July 19 shooting death of unarmed black motorist Samuel DuBose by UC police officer Ray Tensing, the city is working to fold UC’s police officers into Cincinnati’s collaborative agreement. That agreement, which establishes guidelines for training, community engagement and accountability for Cincinnati police officers, sprang up in the wake of civil unrest following the 2001 police shooting death of unarmed 19-year-old Timothy Thomas. Officials with UC and the city have said they hope to have a renewed memorandum of understanding by spring 2016. Until that time, UC officers are limited in their off-campus patrolling abilities. Following the DuBose shooting, campus activists have called for further actions to ensure racial equity within the university’s police force and the UC campus as a whole, many of which go beyond the city’s work to establish a new set of working agreements with the UC police department.
• It’s been a rough couple weeks for Wasson Way, the proposed bike path that would stretch 7.6 miles from Xavier University to Newtown, but there’s some good news ahead in the form of a state grant. Late last month, the federal government announced the project wouldn’t be receiving millions in Transit Infrastructure Generating Economic Recovery, or TIGER, grants that could have gone a long way toward funding the $7 million to $11 million effort. Bike path advocates got more bad news last week when voters passed on Issue 22, a property tax increase charter amendment that Mayor John Cranley proposed to fund Wasson Way and a number of other projects. But late last week, the Ohio Department of Natural Resources approved a $500,000 grant to fund a portion of the path stretching two-thirds of a mile between Madison Road and Dana Avenue on the city’s East Side. Both Cincinnati City Council and private philanthropy groups are working to find additional funding for the path, which boosters tout as a way to spur economic development in the area.
• One project that won’t feel a negative impact from the Issue 22’s ballot failure is a proposed Ziegler Park redevelopment. That project passed another hurdle Friday when the Cincinnati Planning Commission approved plans for the park, which include a new pool, an extensive green space, a water feature and updates to basketball courts. Officials with 3CDC and the city say efforts to change up the park, located on Sycamore Street in Over-the-Rhine across from the former SCPA building, are going forward with federal tax credits and other funds and weren’t dependent on a possible $5 million windfall had the parks tax increase passed.
• City of Cincinnati officials have asked a county judge to declare vacant buildings owned by an out-of-town developer public nuisances and to hand control over the crumbling structures to a group who can fix them. Washington, D.C.-based 2414 Morgan Development, LLC owns 10 buildings in OTR and another in Avondale, all of which have significant code violations. The development group says it is working on the buildings and could have them up to code in as little as a month and a half. But the city says it’s been pressuring the group for months to fix the properties and that the buildings are serious hazards to the public and could mean injury or death for firefighters should one burst into flames.
• If you’re a fan of natural grocer and hipster joke punch line Whole Foods but you’re not a fan of spending half your paycheck on organic kale and a $50 juice cleanse kit, you’re gonna love this. According to Whole Foods financial reports, Cincinnati will be one of the first cities in the country to get a new, more value-priced concept called 365 by Whole Foods Market. The store, which will occupy an as-yet-unannounced location, will be smaller than the sprawling market at Rookwood Commons and will have lower-priced organic produce and other items. Other cities getting the new stores include Los Angeles, Austin, Houston, San Francisco, Portland, Ore., Bellevue, Wash., and Santa Monica, Calif. Cincinnati’s location is expected to open in 2017.
• Finally, we’re still talking about the Brent Spence Bridge and probably will be for some time. A proposed alternative to the antiquated bridge’s needed $2.6 billion revamp has been shrugged off as unrealistic by many officials, but it might still be on the table with the election of tea party Republican Matt Bevin as Kentucky governor. Basically, some Northern Kentucky business leaders opposed to the possibility of tolling on the Brent Spence to fund the multi-billion project have proposed… uh, another multi-billion-dollar project, the construction of a 68-mile bypass highway leaving I-75 in Springboro, Ohio and returning to the highway in Grant County, Kentucky. That project would require its own $100 million bridge over the Ohio River in addition to the high costs of building the highway itself.
Transportation policy experts say the construction of that bypass could take decades and cost billions, but Bevin has signaled he’s open to considering it as an option to reduce stress on the overcrowded and somewhat crumbling Brent Spence. That bridge was built in 1963 and, as a vital link in one of the country’s busiest shipping routes, currently carries double the daily traffic it was designed to accommodate.
Good morning Cincy! Here are your morning headlines.
• A new study released Thursday by the University of Cincinnati Economics Center found that 75,000 Cincinnati jobs are unreachable by public transit. The study found that while 70 percent of businesses are within a quarter mile of a bus stop, Metro's services sometimes isn't good enough for commuters. Metro is considering asking Hamilton County voters to approve a hike in sales tax to raise $25 million for the bus system. And SORTA points out that the good news from this study is that it found Cincinnati it's second lowest in commuter costs per person in the U.S. So at least it's efficient!
• The newly arrived streetcar will undergo its first test this Sunday. The car will be parading down the entire 3.6 mile route in Over-The-Rhine and the Banks from 8:30 a.m. until 5:00 p.m. and will be escorted by the police. As it will still be a long time before the streetcar will make it's debut to the general public, if you so fancy, you can pick and spot and wait to see it slowly pass by. The car will be going south on Race Street to Central Parkway to Walnut in the Central Business District to Second Street at the Banks then up Main to 12th then Elm then finally to Henry Street.
• Cincinnati State Technical and Community College's interim president has named an interim provost. President Monica Posey, the school's former provost, named Robbin as temporary provost. has been the dean of humanities and sciences since 2012, and previously worked at Sinclair Community College. Cincinnati State is currently looking for a permanent president after the resignation of Owens in September.
• Cincy State also announced yesterday an anonymous donor has given the school its biggest gift ever, $2.2 million. The school says it plans to use the money toward scholarships in the Business Technologies division starting fall 2016, and it will hand out $110,000 in scholarships yearly. Many Cincinnati State students are the first in their families to attend college, and the average student age is 28.
• Voters shot down attempt at legalizing marijuana on Tuesday, but what will happen to the campaign's mascot Buddie? The mascot was an attempt to appeal to college students, but was criticized by opponents for potentially appealing to younger kids and trivializing a serious issue for some. Ian James, president of , said he's not sure what will happen to the costume yet, but as some investors have hinted at making another attempt at legalization next November, we may not have seen the last of Buddie.
• Meanwhile in Washington, Vermont Senator and Democratic presidential nominee Bernie Sanders has introduced legislation that would take the plant off the federal government's list of the "most dangerous" substances lists. Sanders' plan would not legalize the drug, but instead would make it easier for states to decide on their own whether they wanted to legalize it. Currently federal law clashes with state laws in Colorado, Washington, Oregon and Alaska that have legalized marijuana for recreational use. In response to this, the Obama administration has basically just stopped enforcing the federal law in those states.
• Do you think your commute to work is hard? Well, next time you're stuck in traffic on I-71, be grateful that the only border you're possibly crossing is the Kentucky-Ohio one. Public Radio International reported on a story of a 19-year-old Juarez, Mexico, woman who crosses the complicated U.S.-Mexico border nearly every day to go to high school in El Paso. You can check out her full day here.
I'm off to enjoy the last of the wonderful weather! Email me story tips at firstname.lastname@example.org!
“Florala.” That’s where you are when you head down the ramp to see Know Theatre’s production of Andy’s House of [Blank]. It’s set on the state line between Florida and Alabama, but it’s recreated in two-dimensional cardboard props (telephones and ice cream cones) and decorations (comically taxidermied animals, including the backside of a dog) imaginatively designed and executed by Sarah Beth Hall. The tale is filtered through the often-divergent memories of two guys who were 16 in 1998, holding down their first jobs in roadside oddity shop and museum of “unmailed love letters.” The “guys” are Paul Strickland and Trey Tatum (truly from Florida and Alabama). They serve as the narrators — or perhaps the “recollectors” — of the oddball musical tale of Andy (Christopher Michael Richardson), the proprietor, and Sadie (Erika Kate MacDonald), the girl he had a crush on as a kid. The show was a well-received entry in Know’s “Serials” earlier this year, a story told in five 15-minute episodes. Strickland and Tatum have stitched those pieces together, and director Bridget Leak has given the piece continuity and flow. Their ebullient enthusiasm is obvious from start to finish — Tatum pounds away on an electric keyboard, Strickland (who composed the 20 or so songs) plays guitar and sings almost operatically, and Richardson and MacDonald (both with gorgeous voices) affectingly play two people caught in a looping time warp. In fact, all four characters are living out the theme repeatedly spoken and sung: “Every day is just a variation on a theme.” The music is great, and there are lots of laughs along the way, but the story is a serious, poignant rumination about love, longing and how to move forward by looking back. At two-plus hours (including an intermission) it feels a tad long, but every moment is a treat to watch. Onstage through Nov. 14. Tickets: 513-300-5669
Opening this week: Anthony Schaffer’s Sleuth, a humorous but taut murder mystery is at The Carnegie in Covington. It’s a two-man show about a famous mystery writer who’s out to murder a man having an affair with his wife. There are a lot of twists and turns in this tale, so it’s fun to watch if you pay close attention. Through Nov. 14. Tickets: 859-957-1840 … Playwright Roberto Aguirre-Sacasa fascinated Cincinnati Playhouse audiences back in 2013 with his “sequel” to The Crucible, Abigail/1702. Falcon Theatre is offering two related one-acts by him, The Mystery Plays, inspired by the tradition of medieval theater that dealt with the imponderables of death, the afterlife, religion, faith and forgiveness — but from a thoroughly American perspective. In the first piece, a horror film director survives a train wreck only to be haunted by someone who didn’t make it; in the second, a woman travels to a rural Oregon town to make peace with the man who murdered her parents and her sister: He’s her older brother. Through Nov. 21 at the Monmouth Theatre in Newport. Tickets: 513-479-6783
Continuing: Cincinnati Shakespeare’s excellent production of Arthur Miller’s classic drama Death of a Salesman has its final performance on Saturday evening. It’s worth seeing, but tickets might be scarce. Tickets: 513-381-2273 … Mad River Rising at the Cincinnati Playhouse is a compelling study of place and aging, an old man trying to forestall the sale of his family farm. It continues through Nov. 14. Tickets: 513-421-3888 … Covedale Center’s staging of the comedy Fox on the Fairway, a tribute to cinematic farces from the 1930s and 1940s, is onstage until Nov. 15. Tickets: 513-241-6550
Tune in to WVXU (FM 91.7) on Saturday evening at 8 p.m. to catch LA Theater Works’ production of Matthew Lopez’s The Whipping Man. This show, about a young Jewish Confederate soldier marking Passover 1865 with his family’s newly freed slaves in a crumbling mansion in Richmond, Va., at the end of the Civil War, is a powerful work. Ensemble Theatre Cincinnati staged this show very effectively in 2012.
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
Recently divorced, life goes on for comedian Lisa Landry. “Best thing I’ve ever done,” she says before correcting herself. “It wasn’t the best thing I’ve ever done. I should have shot him in the head. My mistake was I paid a lawyer instead of a judge.” That experience has been the source of some material of course, as has her breakup with booze. “We just broke up, tequila and I. We had a parting of ways. I told her, ‘I love you girl, but this is not healthy.’” While at Go Bananas, Landry will be recording promos for her as-yet-untitled CD, due for release this winter. Thursday-Sunday. $8-$14. Go Bananas, 8410 Market Place Lane, Montgomery, gobananascomedy.com.
ATTRACTIONS: ICE RINK AT FOUNTAIN SQUARE
Temperatures may be in the 70s this week, but that doesn’t mean you can’t channel some early holiday spirit. Fountain Square’s Ice Rink is officially open, offering daily skating and special events (like frozen-turkey bowling Nov. 24) all the way through February. Rent a pair of skates on-site and spend the day in the heart of downtown. Open daily. $6 admission; $4 skate rental. Fifth and Vine streets, Downtown, myfountainsquare.com.
ATTRACTIONS: THE ART OF THE BRICK
Millions of LEGO bricks are taking over the Cincinnati Museum Center. Anticipated exhibit The Art of the Brick features more than 100 artworks created by contemporary artist Nathan Sawaya using nothing other than LEGOs. Explore life-size human figures, a 20-foot-long T-Rex skeleton and replicated famous paintings, including “Starry Night” and “Girl with a Pearl Earring,” plus familiar sculptures like “The Thinker” and the Sphinx. Sawaya has also created a Cincinnati-themed piece that will be revealed when the exhibit debuts. Create your own LEGO masterpieces in the interactive Brickopolis, and don’t miss special themed days revolving around Star Wars, dinosaurs, superheroes and more. Through May 1. $19.50 adults; $12.50 children 12 and under. Cincinnati Museum Center at Union Terminal, 1301 Western Ave., Queensgate, 513-287-7000, cincymuseum.org.
After a successful symposium here last month, FotoFocus is taking its Robert Mapplethorpe presentation, The Perfect Moment: 25 Years Later, on the road. (The Cincinnati symposium was called Mapplethorpe +25.)
In observance of the 25th anniversary of the unsuccessful obscenity trial in Cincinnati of the Contemporary Arts Center following the exhibition of The Perfect Moment there in 1990, FotoFocus will sponsor a panel discussion at 7 p.m. at New York’s cutting-edge New Museum, 235 Bowery.
It will be moderated by Kevin Moore, FotoFocus’ New York-based artistic director, and feature Amy Adler, law professor at New York University School of Law; Jennifer Blessing, senior photography curator at Solomon R. Guggenheim Museum; Paul Martineau, associate curator of photographs at the J. Paul Getty Museum in Los Angeles; and Britt Salvesen, curator of the Wallis Annenberg Photography Department at Los Angeles County Museum. The latter three were on a panel in Cincinnati.
The accumulation of ingredients that goes into the final recipe, oddly enough, mostly reflects the biopic subject’s own tendencies as a business leader. The picture takes big chances, trusts its audience to see through the final product’s negligible flaws and eventually breaks through with something truly astounding. Occasionally, the film feels erratic — the jumps in time can feel jarring — but it is grounded in relationships revolving around a troubled but brilliant protagonist. The decision to force the life of an industry giant to be shown in miniscule slices of life — only three days with occasional flashbacks — also forces discussions that occurred (or half-occurred) at different times in Steve-Jobs-the-man’s life to occur backstage with Steve-Jobs-the-character. The decision is the mark of a filmmaking team dedicated to a narrative that does its subject justice as opposed to doing their subject a service. It sacrifices history for narrative, a worthy payment to achieve an eventual triumph. It would have been much safer to simply roll a tape that marched steadily along throughout the protagonist’s lifeline. But Sorkin’s script does for Jobs exactly what his The Social Network screenplay did for Zuckerberg — mythologize the work of the subject while humanizing them. And although it may be more fun to witness the glorification of the achievement of the iMac or “the Facebook” (do you remember the “the”?), it is much more rewarding to observe the inner workings of men mostly accessed indirectly through their inventions.
It’s hard not to compare and contrast Steve Jobs with The Social Network. Their premises and Sorkin connection make them a perfect future double-header. In 2008, David Fincher showed us a heartbroken, bitter whiz kid-version of Zuckerberg crawling through the pains of social rejection and industry success in a coming-of-age story. Now, we get Danny Boyle’s take on a Sorkin wunderkind of a more optimistic flavor. Like the Zuckerberg character we get our hands on, this re-creation of Steve Jobs’ main issue isn’t his talent. It’s his ability to accept responsibility for people who are close to them in favor of his work. But Sorkin trades in the open-ended relatively bleak conclusion of Zuckerberg’s rise to fortune for a mostly uplifting ending to Jobs’ struggles with his daughter Lisa.
The characters and settings and dialogues are not exact replicas of reality. At one point, Jobs remarks that everyone seems to confront him about personal qualms right before product releases, and we have to wonder how much that is wink to those who lived the real thing. The Beginning of 2013’s American Hustle comes to mind, when the opening frames read: “Some of this actually happened.” Of course, Steve Jobs is more honorable to the subject than O. Russell’s ABSCAM critique, which took unprecedented liberties and changed stories and names entirely for the sake of the narrative. Boyle doesn’t break the facts to pieces and create a new world to explore. Rather, he puts a spin on things, and he mashes tons of crucial life moments into 122 minutes of screen time.
The final result feels intelligent, delightful and human. These three qualities — intelligence, delight and humanity — may have been Jobs’ most endearing personal elements that he contributed to the computer industry. “It needs to say, ‘Hello!’ ” Jobs commands Apple engineer Andy Hertzfeld (Michael Stuhlbarg) before the unveiling of the Macintosh. The Steve Jobs we meet via Michael Fassbender is calculating and demanding, but still charming in his sheer passion and enthusiasm for his line of work. In this regard, Steve Jobs is a resounding success.
Throughout the three product release events, we also get a glimpse of Jobs’ struggles as a reluctant father, a challenging friend and an adopted son. There is no practical reason to like him for how he handles his out-of-wedlock daughter, Lisa, whom he initially rejects as someone else’s. “You must see that she looks like you”, Steve’s marketing executive Joanna Hoffman (Kate Winslet) tells him backstage of the Macintosh presentation. More than 10 years later, Hoffman tells Steve before the launch of the iMac, “What you make isn’t supposed to be the best part of you. When you’re a father — that’s what’s supposed to be the best part of you.” His old friend and Apple co-founder Steve Wozniak confronts him about giving recognition to the team that developed the Apple II computer, Apple’s earliest commercial breakthrough. When Jobs declines time and time again, Wozniak breaks it down. “It’s not binary,” he explains. “You can be decent and gifted at the same time.” Even Steve’s business partner and eventual foe John Scully (Jeff Daniels) poses the question, “Why do people like you who were adopted feel like they were rejected instead of selected?” It all adds up to a man who is so sure of what he does, and so unsure of who he is.
Steve Jobs is a picture with a pulse — a heartbeat. It is overwhelmingly more man than machine. This humanity drives the film’s central concerns with an airtight script, clean direction and stellar acting. We are spoiled with a wonderful glimpse of an artistic interpretation of who Steve Jobs was. We see him as a tech industry giant, a flawed father and a victim of identity crisis. “It’s about control,” the silver-screen version of Jobs admits to Scully in regard to his uneasy feelings towards his status as an adopted child. “I don’t understand anyone who gives it up.” And yet what makes Jobs so intriguing as a character is his reluctance to give up any control of his life, even if it means denying responsibility as a father. Perhaps now we can begin to understand. Grade: A
Demystifying French Wines — Advanced sommelier Laura Landoll leads this class in which you can learn about major and minor French wines. Small bites accompany the tasting. 6:30-9:30 p.m. $85. Midwest Culinary Institute at Cincinnati State, 3520 Central Parkway, Clifton, culinary.cincinnatistate.edu.
Stew-topia at 21c Museum Hotel — Justin Hoover and Chris Treggiari, the artists behind the ongoing project War Gastronomy — “a dual-industrial tricycle system that unfolds into a pop-up food cart and cultural archive of personal stories of relocation, dislocation and overcoming struggle” — present Stew-topia, another community food- and story-sharing event at 21c Museum Hotel in conjunction with their participation in Wave Pool Gallery’s current exhibition, Holding Ground. Hoover and Treggiari will perform in Gano Alley (directly adjacent to 21c) on Friday and will hold a discussion of their work inside the Museum Hotel on Sunday. 11 a.m.-1 p.m. Friday; 4 p.m. Sunday. Free. 609 Walnut St., Downtown, facebook.com/wavepoolgallery.
Mark Lewisohn, the internationally recognized Beatles historian who is working on his epic All These Years biography of the Fab Four’s story, will discuss the first book completed and published in the planned trilogy — Tune In — at 7 p.m. next Tuesday in the Main Library's Reading Garden Lounge, 800 Vine St., Downtown Cincinnati.
Lewisohn’s talk is free. No registration is required, and a book signing will follow his appearance. Books will be available for purchase courtesy of Joseph-Beth Booksellers.
Ten years in the making and consisting of hundreds of new interviews and information learned from access to archives, Tune In follows the Beatles from their childhoods through 1962 when their first hit record, “Love Me Do,” gives indication of the greatness ahead.
The English author began writing about the Beatles in 1983, and had previously published The Beatles Live!, The Complete Beatles Recording Sessions, The Beatles Day by Day and the Complete Beatles Chronicle before turning to this project.
He is now busily at work on the second volume and has come to Cincinnati to do research at the Main Library.