Word has been trickling out over the past few weeks about a new Country music festival in Cincinnati, organized by Bunbury Music Festival founder Bill Donabedian. Today, the first four artists slated to appear at the inaugural Buckle Up Music Festival were announced. The festival is set for the weekend after Bunbury — July 18-20 — and will use the same grounds at Sawyer Point/Yeatman’s Cove along the Ohio River. (Think of it as Bunbury’s version of Coachella’s Stagecoach fest.)
The lineup will feature “upwards of 80 performers” and include both modern, commercial Country acts and variations on the Country theme — “folk, bluegrass, Americana, roots rock and more,” according to the press materials — something the initial lineup announcement reflects.
Legendary Country act Alabama (which for many years used the controversial Confederate Flag in its artwork, years before Kanye decided to reclaim it) and current Country hitmakers the Eli Young Band will be joined by up-and-comers J.T. Hodges (whose music has been described as “Country Soul with some Rock N’ Roll”) and eclectic Brooklyn-based Americana trio The Lone Bellow, which performed last November at Cincinnati’s 20th Century Theater (read CityBeat’s preview here).
This morning, the annual Bunbury Music Festival, coming up July 11-13 and returning to Sawyer Point/Yeatman’s Cove along the Ohio River, announced the first acts for this summer’s event. Fall Out Boy, which won the People’s Choice Award for Favorite Alternative Band last night, will be joined at the fest by consistent Pop/Rock hit makers Paramore (who were up against FOB for that People’s Choice Award and are doing a co-headlining tour with the band this summer, something that leaked early, allegedly angering Paramore) and up-and-coming Danish alt-rockers New Politics (also on the FOB/Paramore jaunt).
The full lineup for the Bunbury Music Festival is scheduled to be announced next month. Tickets are on sale now; below are details:
One-day, Any-day: $55.00 (U.S.) Buy on layaway until January 31, 2014
Three-day: $130.00 (U.S.) Buy on layaway until January 31, 2014
Three-day VIP: $325 (U.S.) Buy on layaway until January 31, 2014
Hotel and Ticket Package: Buy one three-day, get one free. Book now
Please note that ticket prices will increase after February 15 and again after July 1.
Also this morning, it was announced that The Afghan Whigs, one of the best musical exports to ever come out of Cincinnati, are returning to the road in 2014 to play (at least) the Coachella festival in California this summer. (The full Coachella lineup, which was released this morning and includes Arcade Fire, OutKast and The Replacements, can be found here.) Sounds like a good fit for this year’s Bunbury lineup, too.
Tomorrow (Friday) at Over-the-Rhine’s Know Theatre of Cincinnati, a special photography collection will be on the display, showcasing some of the best work of local photographers who especially shine when shooting live music events.
In the spirit of the Reverberation: Capturing the Live Music Experience exhibit presented by FofoFocus at the Art Academy of Cincinnati this past September leading up to the MidPoint Music Festival, the photographers whose work is published at the great local music site CincyMusic.com have put together a collection of some of their favorite shots. The photos — by Jacob Drabik, Brian Bruemmer, Kelly Painter, Phil Dawson, Julia Huber, Matt Steffen, Mike Clare and Sarah McDermott — were all taken at club shows, festivals and concerts in the Cincinnati area (including ones from MidPoint and the Bunbury Music Festival).
CincyMusic.com hosts tomorrow's free event at Know, which kicks off at 5:30 p.m. and runs until 8 p.m. There will be light appetizers and the venue’s lower-level bar will be open for business. And if you're up for a little theatre afterwards, tickets are still available for Know's 8 p.m. staging of Bull, a play about adult bullying (timely!). Rick Pender reviewed Bull in CityBeat earlier this month, writing, "You won’t like anyone you see onstage in this savage tale. You’ll probably question your own enjoyment of the show’s dark humor and vicious actions. But the acting and staging of Bull make this a riveting piece of theater." Get tickets here or at the theatre if any remain.
One week ago today, on Nov. 14, the fun and increasingly acclaimed Michigan-based Electro Pop band Stepdad was bringing its nearly two-month, nationwide tour to a close and was set to perform at Cincinnati’s MOTR Pub. The band had a great fall tour; outside of some trouble with its tour van, things had gone smoothly until that point. With a few final shows on the tour after the Cincinnati date in their home state, the band members were heading into the homestretch and returning home triumphantly.
Then one of them them got arrested. Stepdad had played Pittsburgh the night before its MOTR date, driving through the night and grabbing a room at the Super 8 motel in Cincy exburb Mason, Ohio, (north of the city and near the Kings Island amusement park, where the Brady Bunch once frolicked) to get some rest. Early in the morning of Nov. 14, Stepdad’s Nathan John Klages — a multi-instrumentalist and also a solo singer/songwriter who works under the name Nathan K. — was arrested at the motel, charged with public indecency and “obstruction official business,” according to the police report. Klages got arrested for doing something many, many men have done — taking a piss outside. He was booked into the Warren County Jail. The look on his face in the above mugshot is one of understandable confusion, probably a little anger and definitely a lot of fatigue after working all night and then traveling.
Those souls in attendance at MOTR Pub for the November 14 show by underground pop superstars STEPDAD won't soon forget it. Neither will Stepdad's NATHAN K. He might never forget it -- because of a very wrong reason.
The evening before the show, the band, which hails from Grand Rapids, Michigan, was staying at a motel in Mason, Ohio. It was there where Nathan K. was arrested for -- allegedly -- urinating in the great outdoors. Nathan was subsequently charged with public indecency and taken to the Warren County Jail, where his arms and legs were placed in shackles and he was placed in a cell.
He was fined, processed, and eventually released just before showtime, so as to avert what would have been the compounded injustice of having to cancel the show.
Taking into account the advice of the legal defense, we will say nothing about the charge levied against Nathan. However, Nathan is saddled with fines and travel expenses related to this episode. He must return from Michigan to Southwest Ohio on Tuesday, December 17 to face the judge, and we, at MOTR Pub, want to help.
Nathan has agreed to play a set at MOTR Pub on Tuesday, December 17 at 9 p.m. We are asking fans of Stepdad, and fans of blind justice, and fans of rock 'n' roll, and fans of Nathan K. to attend the show and join us in throwing a fiver or a ten-spot in Nathan K.'s hat to offset his debts and to make something good of the bad.
Last Friday we featured the first video from a series of clips created by The Queen City Project from footage shot at “The MidPoint Sessions,” a day party at the Art Academy of Cincinnati held during September’s MidPoint Music Festival in Over-the-Rhine/Downtown.
The first clip featured Athens, Ohio’s The Ridges, who curated the acoustic performances, bringing in three fellow Ohio acts to join them. Today we premiere the second video from the great Sessions series to emerge. The new video features talented and adventurous Cincinnati Indie Chamber Folk foursome The Happy Maladies performing their song, “Peter’s Sweet 16.”
The Happy Maladies have been playing a lot of out of town shows over the past year, hitting regional venues, Chicago and the East Coast fairly regularly. The band released its debut album, Sun Shines the Little Children, in 2009, followed last year by the magnificent, mesmerizing EP new again (check it out here).
The band is currently working on a new album, which is expected to release in early summer next year. In July, The Happy Maladies announced “Must Love Cats,” an intriguing project that celebrates the collaborative spirit in creativity. The band is soliciting original pieces written for the group from composers of all stripes. Until Jan. 1, interested artists can send the group new “compositions, songs, ballads, marches, sound poems, farcical musicals, improvisational games, panic attacks, etc.” The musicians will chose five pieces and work with the composers to get it in performance shape. In the springtime next year, The Happy Maladies will play the compositions during a special concert series, which will be documented and turned into a concert film, album and booklet with profiles of the composers.
You can find complete details about the Must Love Cats project here on the band’s website. Here is a video featuring the band members explaining the project.
Visit thehappymaladies.com for more on The Happy Maladies.
Outside of singing at his church occasionally, brilliant Americana singer/songwriter David Wolfenberger
hasn’t performed in the area for quite some time. After working with the group The Marshwiggles in the late ’90s, Wolfenberger put out three stellar solo albums between1999-2006, earning him high praise both domestically and abroad. But besides occasional performances and scant new material (what he has released has been for charity), the 1999
Cincinnati Entertainment Awards winner for Artist of the Year has kept a low profile for the past several years.
Tonight, Wolfenberger is coming "out of exile"
to join an old friend in concert.
Wolfenberger is re-teaming with Mark
Olson, half of the brain trust behind the best work of The Jayhawks, at
Newport’s Southgate House Revival. Wolfenberger
toured extensively with Olson in the early ’00s as a member of The Original Harmony Ridge
Creekdippers, the group Olson formed with then-wife Victoria Williams
after he left The Jayhawks.
Wolfenberger opens tonight's show with a solo, acoustic set at 8 p.m. and he will also join Olson during his set (along with Olson's current touring partner — and wife — Ingunn Ringvold). Tickets are $12 at the door.
Wolfenberger has been posting some of his older material on his Reverbnation page and, in an email, he said he will be posting new songs "on occasion in the future." Here's one of his earlier cuts, "Tentatively Vince Foster," from his 1999 solo debut, Tales from Thom Scarecrow, released on the local Blue Jordan Records.
Greater Cincinnati Rock band Pike 27 was a staple on the local club circuit in the early-to-mid-’00s, playing sweaty, raucous live shows to a dedicated following (headlining and opening for the likes of Dave Alvin and Chuck Prophet) and releasing the acclaimed full-length, Falling Down Hard, in 2001. But in 2007, frontman/guitarist/singer/songwriter Dave Purcell left Cincinnati for Northern Ohio, taking a job as a sociology professor at Kent State.
This past summer, Purcell returned to Cincinnati and resurrected Pike 27 with a new lineup. Returning to his role as Pike 27's bassist is Sean Rhiney, formerly of Clabbergirl (in which Purcell played rhythm guitar) and co-founder of the MidPoint Music Festival. New to Pike are guitarist Mike Fair (Wojo, Mike Fair & the Adventure Seekers) and drummer/multi-instrumentalist Dave Killen, a professor at Cincinnati State.
The “new” Pike 27 has moved away from the Americana/Roots Rock style it was known for, a reflection of the new songs Purcell has written for the band. (The group is also reviving some older material for its upcoming live shows.) Purcell says that while working on the new songs, the members have remarked that the material is more in line with artists like Robyn Hitchcock, The Kinks, Graham Parker and Grant Lee Buffalo — still smart, catchy and rockin’, but with the twang dialed back.
"How do you pin down REM, Elvis Costello or Glen Hansard?" Purcell says of Pike 27’s less easily categorizable style. "We hope to land in there somewhere — jangly, smart, sometimes noisy, joyful. Good to raise a pint to."
So what the heck happened at the concert by the always dazzling Neko Case at the Taft Theatre last night? Case's biggest show ever in the Cincinnati area was musically solid, but didn't go as smoothly as planned thanks to flared tempers, the proliferation of smartphone cameras and some angry and/or obnoxious audience members. It's safe to say that you can add Case to the increasingly growing list of performers who are losing their patience with omnipresent smartphone use at concerts.
Case is fairly prolific with her Twitter account, but her tweets from yesterday showed no clear indication of the kerfuffle. Earlier in the day, she praised Iris Book Cafe for their hospitality and good grub and, post-show, she tweeted "Thank you, Cincinnati, you are kind folks," followed by some heart symbols. (Sarcasm?)
CityBeat contributor Keith Klenowski was there to photograph the show (not on his phone; he was credentialed) and says the problems started during the second song of the night, when Case stopped the show and asked everyone to stop taking photos with their phones because the flashes were bothering her. Things calmed down, people seemed to oblige and the show picked up again.
Several songs later, according to Klenowski, Case stopped the show again and appeared to be talking to a fan near the front of the stage about putting their phone away. Case made a comment about happily refunding tickets, adding, "Just put away the cameras. It isn't going to kill you, but it might kill me" and "You can boo and call me a spoiled Rock star. I am." Case claimed there were signs about cameras posted around the venue, though Klenowski says he didn't see any.
Case's reaction was met with a mix of cheers and boos; some people got really bent out of shape about her protestation. "I (saw) people put on their coats and walk out," Klenowski says. "One guy (flipped) her the bird and storms out."
He says that not long after the second stoppage, a woman came down the aisle towards the stage and took a photo before immediately being escorted out by security. Before the band returned for an encore, Klenowski says he saw another skirmish that involved a man arguing with security as he was being kicked out.
"Neko looked tired and even admitted at the start that it was time to wake up or something like that," Klenowski says, adding that the singer was apologetic to the non-heckling/non-photo-taking fans throughout the show and at the end of the night. "I got her frustration, but I have never seen anyone threaten to leave and stop a show because of it."