Voting in the Cincinnati Entertainment Awards' 16 public categories ends at 5 p.m. today, so if you haven't chimed in yet you're running out of time. Find all the nominees here, including the three critical achievement categories of Artist of the Year, Album of the Year and New Artist of the Year. There's a link to the ballot.
It’s hard to believe that the BRINK New Music Showcase will celebrate a decade of spotlighting up-and-coming local music with this Saturday’s event. This year, BRINK becomes a free event and, for the first time, moves from the three stages of the Southgate House to five stages at four venues in Northside (Mayday, Shake It Records, The Comet and Northside Tavern, where both the front-room and back-room stages will be used).
Last night, the music of Cincinnati — past, present and future — was on glorious display at Covington's Madison Theater. Yes, we realize it's a little weird to have the Cincinnati Entertainment Awards (which celebrated its 13th birthday last night) in Kentucky. But the Madison provided a more casual "Rock & Roll" atmosphere than past years' events, so, just as airport developers did in the ’40s, we've decided to claim Covington as Cincinnati, at least for one night.
The "bar" ambiance (and lack of a smoking ban in Kentucky) kept everyone off the sidewalks and in the venue, though we're certain many woke up this morning with the old "my clothes and hair smell like smoke" complaints. Fear not: Official CEA2010 gasmasks and Hazmat suits are being produced as you read this.
Public voting for the 13th annual Cincinnati Entertainment Awards for Music ends today at 5 p.m. Check out all the nominees here, and click on the ballot if you haven't already voted. Your vote determines the winners in 16 of the 19 CEA categories.
The 2009 music awards will be handed out Sunday, Nov. 22 at the Madison Theater. The performance lineup is being fine-tuned and will be announced soon. Tickets are $15 in advance and $18 at the door and are available here.
With slightly over a week to go in voting for the 2009 Cincinnati Entertainment Award for Music, more than 3,000 ballots have already been turned in via the intertubes. Remember that your votes determine the winners in 16 categories, with three other "critical achievement" categories hashed by the CEA judging committee. Deadline to vote is Monday, Nov. 9.
The long overdue appreciation of Cincinnati-based King Records gets another shot in the arm with the publication of Dayton-native Jon Hartley Fox’s King of the Queen City: The Story of King Records, a detailed look at the various personalities, including kingpin Syd Nathan, that made the studio such a culturally groundbreaking and creatively vital musical force.
For those who can’t wait for Fox’s appearance at the Books by the Banks festival at the Duke Energy Center on Saturday or at Shake It Records on Sunday, the author discussed the book with Terry Gross on NPR’s Fresh Air today. The show also included separate interviews with Bootsy Collins and former King staffer/Sire Records founder Seymour Stein, both of whom talk about their memories of King.
There appears to have been a second small controversy over remarks delivered at the podium at Sunday night's Cincinnati Entertainment Awards. At least this time it didn't involve anyone's penis.
Before Mr. Rhythm Man, who spins stacks o' shellacks every Saturday night on WNKU (89.7 FM), presented the award for R&B/Funk, he offered his thoughts on the past and future of King Records, which was a major topic throughout the evening's event. Earlier in the day a historical marker had been unveiled at the former King studio and offices in Evanston, followed by a reception to celebrate a proposed new King studio and community center being developed by Xavier University, Ultrasuede owner John Curley and others.
The afterparty is still going on as I write this, but, while we assess what happened last night at the 12th annual Cincinnati Entertainment Awards event at the Emery Theatre — the first sold-out show and quite possibly the best show in CEA history — here's who won what last night.
I hate when hard working people get ripped off. These kind of injustices can range from phishing scams to pickpockets, insurance companies' denying claims by any means necessary to bank CEO’s using bailout cash for beer money. It’s heart breaking to hear the stories of identity theft leaving people broke and in perpetual debt, or stock- and 401K-holders losing their future to corporate malfeasance.
Not that it is by any means “worse,” but I get a special bug up my ass (I’ve named him “Tony”) when I hear about artists and musicians getting ripped off. Having written about music for 18 years and played music for over 20, I’ve seen all kinds of scams designed to make cash off of the creative endeavors of others. From “battle of the bands” contests with exorbitant, unnecessary “entry” fees to club owners deciding at the end of the night that a band’s performance fee suddenly didn’t fit his budget to record labels putting no money into a project only to blame the band for not selling more albums (and coming at them to “recoup” costs), not paying or actually taking money from artists is its own little cottage industry within the music industry.