The Kaplan New Works Series (Sept. 6-16, Cincinnati Ballet Center): This annual season opener celebrates new ideas and creative movement showcasing the female choreographer and focusing on local artists. This world premiere features dancers Amy Seiwert and Paige Cunningham, two SCPA alum, Director Heather Britt and choreographer Jessica Lang.
Frisch's Presents: The Nutcracker (Dec. 14-23, Aronoff Center): Victoria Morgan re-imagined the classic for 2011's world premiere, The New Nutcracker. This whimsical interpretation returns in 2012, complete with dancing cupcakes, flying bumblebees and a Sugar Plum Parade, where audience members will be invited to walk acrid stage and get a closer peek at the sets, costumes and dancers.
Prodigal Son with Extremely Close (March 22-23, Aronoff Center): Neo-classical choreographer George Balanchine comes to Cincinnati with his rendering of the classic parable about sin, redemption and unconditional love. On the same bill, Extremely Close is Alejandro Cerrudo’s thoughtful contemporary work. The performance opens on a stage of falling feathers, reflecting the delicacy and fluidity of movement, and connected throughout, punctuated by a surprising, thought-provoking ending.
Frampton & CB Come Alive (April 26-27, Aronoff Center): Legendary guitarist Peter Frampton will create a new work specifically for the performance and play live alongside choreography collaboration from Cincinnati Ballet and Exhale Dance Tribe.
New subscriptions and subscription renewals are now available at the Cincinnati Ballet Center (1555 Central Pkwy., Over-the-Rhine) or by calling 513-621-5282. Individual tickets to the following shows will be available July 22 at cballet.org.
Last night before the sold-out opening performance of Cincinnati Opera's performance of Carmen, soprano Margaret Russo was named the winner of the first "Opera Idol" contest. Russo — a 25-year-old copywriter from Zionsville, Ind. — will receive a $3,500 contract with Cincinnati Opera.
Has it really been 14 years since Beavis and Butt-head (dis)graced MTV and 15 years since the duo invaded movie houses with Beavis and Butt-head Do America, which, despite being a bit of a letdown as a full-length movie, is still one of my all-time favorite moviegoing experiences due to the unprecedented enthusiasm put forth by the sold-out, opening-night crowd at — of all places — the Western Hills Showcase?
If you were out and about this weekend, you may have heard rumors that Maiza Hixson has put in her resignation at the Contemporary Arts Center. Those would be true. Hixson was Associate Curator. Last year, she was the curator for the exhibition American Idyll: Contemporary Art and Karaoke, putting together a set of artists that looked at karaoke and similar real life or amateur approaches to community and singing. It was complex, reflecting her ability to load exhibition projects with strong talent and layered conceptual inquiries. The CAC has a knack for promoting and incubating talent throughout its institution. Many people who work there for a time go on to other great opportunities.
Don’t go looking for Boris Karloff or any kind of campy make-up if you decide to see the National Theatre of London’s production of Frankenstein on Tuesday or Wednesday evening at The Carnegie in Covington. This version, provided via HD digital transmission, is much more faithful to Mary Godwin’s creepy and profound Gothic novel written in the summer of 1816. When it was finally published two years later (by which time she had married poet Percy Bysshe Shelley and become Mary Shelley), few people believed it could have been written by a young woman not yet 20 years old.
On Saturday (July 14) I spent much of my day attending two excellent events. In the afternoon, I was part of a full-to-the-rafters Music Hall (every single seat was sold, meaning more than 3,400 people were in attendance!) for the final Champions Concert, featuring 11 groups that were judged to be the best in their respective categories. I had a chance to see Fairfield High's Choraliers, named the outstanding Show Choir, as well as the heartfelt Jeremy Winston Chorale, from Wilberforce, Ohio, winners of the Gospel category. (Interestingly, Jeremy Winston was once a member of The Aeolians from Oakwood University of Huntsville, Alabama, the group that won the Spirituals category.) Several children's groups, notably the Vocalista Angels from Indonesia (Children's Choirs) and Wenzhou Children Art School Boys Choir from China (Young Children's Choirs), demonstrated incredible talent and discipline with kids who are still elementary school. The Music Contemporanea category winner was Stellenberg Girls Choir from South Africa, yet another group — this one comprised of approximately 80 adolescent girls — directed by André van der Merwe.Among the several chamber group categories, I was most moved by the smallest group: Seven beautiful young women from Latvia, performing as "Latvian Voices," performed two numbers as much like chant as singing, using smooth harmonics and powerful vocal ranges as their music rose and fell, with single and multiple voices weaving in and out. Quite remarkable, and a kind of invitation to the next games — to be held in Riga, Latvia, in 2014.
I've been seeing theatrical productions aboard the Showboat Majestic for at least 25 years. Like the Ohio River adjacent to the "Boat" at the Public Landing, they're up and down, sometimes beautiful and sometimes a bit stinky. But I can offer you an unqualified recommendation for the current production, The Musical of Musicals: The Musical. The title itself is entertaining, but the material is even better — and then there's the cast that's been assembled. This is, in fact, a show that anyone who loves musicals needs to see. It's probably the best production I've seen on the Showboat ever. It's being performed through July 26.
Cincinnati Playhouse in the Park Producing Artistic Director Ed Stern has shared some news about his health with the theater’s patrons, using a letter in the program book for Over the Tavern, which opens this Thursday. (It’s had preview performances this weekend.)
The changes on the local visual art scene just keep coming. Hot on the heels of Scott Boberg leaving the CAC — as well as several staff cuts at the CAC and the Cincinnati Art Museum — the Taft Museum of Art announced today that its director, Eric M. Lee, will be “leaving his post in March 2009 to assume the directorship of the Kimbell Art Museum in Fort Worth, Texas.”
You know it’s going to be a good Gala when you get chills down your spine within the first five minutes — the first act, no less. Marshall Davis, Jr.’s “Summertime in Cincinnati” kicked off a stellar show with his knock-em-dead tap dancing to the sounds of Lonia Lyle’s lovely vocals and Christopher Lyle’s electric bass. Gershwin’s “Summertime” has seldom sounded so good.
And the thrills kept coming. Aim cincinnati — aim stands for arts innovation movement, the organization formerly known as ballet tech Cincinnati — presented its 10th annual Gala of International Dance Stars at the Aronoff Center Aug. 13.