The Broadway hit Rock of Ages took Arena Rock hits from the late ’80s by groups like Journey, Whitesnake, Styx and Bon Jovi and cobbled them together for an amped-up evening of Rock in the theater, particularly appealing to people who were, um, all about partying back in the day. Now it’s on the road, touring from city to city and inviting folks to relive their ill-spent youth — and have a raucous good time. It’s at the Aronoff Center starting tonight, running through Nov. 7.
Has it really been 14 years since Beavis and Butt-head (dis)graced MTV and 15 years since the duo invaded movie houses with Beavis and Butt-head Do America, which, despite being a bit of a letdown as a full-length movie, is still one of my all-time favorite moviegoing experiences due to the unprecedented enthusiasm put forth by the sold-out, opening-night crowd at — of all places — the Western Hills Showcase?
The Cincinnati Playhouse in the Park has two stages: The Robert S. Marx Theatre is the mainstage with 626 seats; the Thompson Shelterhouse (which is in fact a one-time park shelter) can accommodate an audience of 225. Both have thrust-style stages surrounded by audience seating on three sides, making the action is close and intimate in both theaters.
On the Marx Stage:
· Fly by Trey Ellis and Ricardo Khan (Sept. 7-Oct. 5, 2013). The story of World War II’s Tuskegee Airmen is told using live action, video projections and tap dancing. This new work will be directed by Khan, its co-creator.
· Cabaret by John Kander and Fred Ebb (Oct. 19-Nov. 16, 2013). Set in Berlin in the 1930s, and especially in the decadent Kit Kat Club, it’s a musical love story with lots of choreography. Marcia Milgrom Dodge, a Broadway veteran, will direct.
· A Christmas Carol, adapted by Howard Dallin (Nov. 27-Dec. 29, 2013). Michael Evan Haney will direct the holiday show with a cast of 30 for the 21st time.
· Clybourne Park by Bruce Norris (Jan.18-Feb. 16, 2014). This one won the 2011 Pulitzer Prize and Tony Award for best play. Inspired by Lorraine Hansberry’s classic play, A Raisin in the Sun, the play is explores racial attitudes in a Chicago neighborhood in 1959 and 2009. Artistic Associate Timothy Douglas (who staged the current production of A Trip to Bountiful) is the director.
· Pride and Prejudice, adapted by Joseph Hanreddy and J. R. Sullivan (March 8-April 5, 2014). Robison will direct this lavish, full-scale production of Jane Austen’s classic romance.
· Venus in Fur by David Ives (April 19-May 17, 2014). Maybe you know Ives’ very funny collection of skits, All in the Timing. This is a full-length comedy about a director seeking the right actress who gets more than he bargained for. Artistic Associate KJ Sanchez is staging this one.
On the Shelterhouse Stage:
· Seven Spots on the Sun by Martín Zimmerman (Sept. 28-Oct. 27, 2013). The first of several world premieres for the season, this one is a fable of revenge and redemption set in a Latin American village just after a brutal civil war. Sanchez is directing this one.
· The Complete History of Comedy (Abridged) by the Reduced Shakespeare Company (Nov. 9-Dec. 29, 2013). The same guys who abbreviated Shakespeare, the Bible and American history are at it again, premiering their latest abridgment right here in River City.
· 4000 Miles by Amy Herzog (Feb. 8-March 9, 2014). Robison will stage this tale of a pair of unlikely roommates, a 91-year-old grandmother and her 21-year-old grandson.
· A Delicate Ship by Anna Ziegler (March 22-April 20, 2014). Another world premiere production, this one by an impressive young playwright who offers a humorous and heartbreaking look at love, memory and decisions that change lives. Michael Haney will direct. (Haney, perhaps Cincinnati’s best local director, was the Playhouse’s Associate Artistic Director from 2001 to 2013; starting in the fall, he joins Douglas and Sanchez in a trio of “artistic associates” who each will direct two shows.)
· The North Pool by Rajiv Joseph (May 3-June 1, 2014). Rajiv Joseph’s riveting psychological drama is the story of a transfer student from the Middle East whose life quickly becomes complicated. Douglas is the director.
Last night before the sold-out opening performance of Cincinnati Opera's performance of Carmen, soprano Margaret Russo was named the winner of the first "Opera Idol" contest. Russo — a 25-year-old copywriter from Zionsville, Ind. — will receive a $3,500 contract with Cincinnati Opera.
On Saturday (July 14) I spent much of my day attending two excellent events. In the afternoon, I was part of a full-to-the-rafters Music Hall (every single seat was sold, meaning more than 3,400 people were in attendance!) for the final Champions Concert, featuring 11 groups that were judged to be the best in their respective categories. I had a chance to see Fairfield High's Choraliers, named the outstanding Show Choir, as well as the heartfelt Jeremy Winston Chorale, from Wilberforce, Ohio, winners of the Gospel category. (Interestingly, Jeremy Winston was once a member of The Aeolians from Oakwood University of Huntsville, Alabama, the group that won the Spirituals category.) Several children's groups, notably the Vocalista Angels from Indonesia (Children's Choirs) and Wenzhou Children Art School Boys Choir from China (Young Children's Choirs), demonstrated incredible talent and discipline with kids who are still elementary school. The Music Contemporanea category winner was Stellenberg Girls Choir from South Africa, yet another group — this one comprised of approximately 80 adolescent girls — directed by André van der Merwe.Among the several chamber group categories, I was most moved by the smallest group: Seven beautiful young women from Latvia, performing as "Latvian Voices," performed two numbers as much like chant as singing, using smooth harmonics and powerful vocal ranges as their music rose and fell, with single and multiple voices weaving in and out. Quite remarkable, and a kind of invitation to the next games — to be held in Riga, Latvia, in 2014.
I recently spent three days in Louisville at the 34th annual Humana Festival of New American Plays. Actors Theatre of Louisville annually assembles a lineup of productions that offers a fascinating cross-section of contemporary American theater.
I found this year’s array to be an especially pleasing collection of works: It included two excellent comedies, a thoughtful drama, two experimental performance pieces from creative ensembles and an inventive piece to showcase interns (and a Louisville hotel/museum showplace). A bill of 10-minute plays was clever and creative, and only a musical play was a disappointment.
Cincinnati Playhouse in the Park Producing Artistic Director Ed Stern has shared some news about his health with the theater’s patrons, using a letter in the program book for Over the Tavern, which opens this Thursday. (It’s had preview performances this weekend.)
It was sad news to hear that Thom Shaw, a well-known local printmaker and artist, passed away July 6 from complications due to diabetes. Unfortunately, I heard the news too late to write something in time for the memorial service that took place July 17.
I’ve extolled the virtues of White Christmas at the Covedale Center in my CityBeat review, but I’m not the only one who feels that way. The judging panel from the League of Cincinnati Theatres (LCT) has chimed in with an award for Dan Doerger, playing the role of Phil Davis, originated in the 1954 film by Danny Kaye. I would have also recognized Rick Kramer, playing Doerger’s song-and-dance partner, Bob Wallace (played by Bing Crosby in the movie). The LCT panelists cited the “marvelous chemistry” between the two of them. Doerger, who dances as well as he sings and acts, was seen recently in Covedale productions of Singin’ in the Rain and Annie Get Your Gun. White Christmas continues through Dec. 23.
Don’t go looking for Boris Karloff or any kind of campy make-up if you decide to see the National Theatre of London’s production of Frankenstein on Tuesday or Wednesday evening at The Carnegie in Covington. This version, provided via HD digital transmission, is much more faithful to Mary Godwin’s creepy and profound Gothic novel written in the summer of 1816. When it was finally published two years later (by which time she had married poet Percy Bysshe Shelley and become Mary Shelley), few people believed it could have been written by a young woman not yet 20 years old.