Archer’s paradox, according to Wikipedia, is the phenomenon whereby "in order to strike the center of the target with an arrow, the arrow must be pointed slightly to the side of the target."
Archer’s Paradox, the band, according to the two members I spoke with on a hot Thursday — much the same.
“It started about a year ago. I disbanded from a band I was in earlier (with Mia Carruthers, of MTV’s Taking the Stage fame) and Stefan Wright (drummer) and I started making songs in my room by myself,” says project founder, Seth Huff, “and then Cam (Nawaz, synth and backup vocals) started coming over out of nowhere, and we started hanging out and he was like, ‘Hey, those songs are pretty good’, and here we are, a year later, with four other people, having fun.”
Originally conceived as a two-piece consisting of Huff and Nawaz performing live with recorded backing tracks, the duo realized that direction would be “the most boring thing in the world,” says Nawaz, “so we quickly moved past that. And we realized that we have numerous friends who are really good at playing instruments.”
The band was fleshed out with Wright on drums, guitarist Alex Solin, and bassist Mark Wilson.
Working with a five-song EP recorded solely on Huff’s MacBook Pro, Archer’s Paradox has a distinctly DIY vibe. Very calculated in their approach to publicity and performing, Archer’s Paradox only performed its first show this year at Rohs Street Café during the sixth The Heights Music Festival in Clifton.
“We’re all about the DIY thing. That’s kind of like our religion. If we had to pick a religion, it would be DIY,” says Huff, who writes all of Archer’s Paradox material.
More shows followed, and in “a stroke of luck”, as Nawaz says, Archer’s Paradox earned a slot at the inaugural Bunbury Music Festival, held at Sawyer Point today through Sunday. Nawaz details how, while informing friends via text of their latest project and upcoming show, Wright happened to text Ian Bolender, a former bandmate from another band (Ellison), who happened to be an employee of Nederlander Entertainment, which happened to be the company booking Bunbury Music Festival. Bolender responded within 15 minutes with the offer of having Archer’s Paradox play Bunbury.
“We make our own luck,” clarifies Nawaz. “We use every outlet of who we know and every resource to our absolute maximum potential.”
Huff agrees, relaying how other shows have fallen into place just as harmoniously. I point out that maybe instead of finding "luck," Archer’s Paradox has serendipity on their side.
“THAT’S our religion,” Huff jumps in, eagerly. “I take back that thing I said before.” We note the fact that the letters “DIY” are also in ‘serendipity’, and thusly, the band’s definition is fully confirmed.
“Work smart, not hard,” Huff continues. “Observing the way other bands do it, you can learn a lot and make a game plan from that. If you have decent music, you have a really good shot if you learn to use the machine that is the Internet.”
“We knew we didn’t want to take the ‘let’s get signed right away, let’s get distributed’ path before playing anything,” Nawaz chimes in, referencing internet-phenom bands without much substance to back up their product.
“You have to gain the respect of fans and then they’ll actually want to pay for the music,” says Huff.
At this year’s Bunbury Music Festival, Archer’s Paradox will have their biggest chance yet to do just that.
Archer’s Paradox opens up the Landor Stage at Bunbury on Sunday at noon. Listen to them here and check out this clip for the group's song "Patience."
Howdy folks! It’s your loyal, intrepid Bonnaroo correspondent Ric Hickey. Once again I am pleased and honored to be covering the big festival for CityBeat. We’ve been on-site for barely four hours and already this is shaping up to be one of the best Bonnaroo experiences that I have ever enjoyed.
Three of the finest music festivals in the region — spring’s Nelsonville Music Festival in northeastern Ohio, summer’s Forecastle Festival in Louisville and Cincy’s own MidPoint Music Festival, returning Sept. 22-24 — have made recent announcements concerning their 2011 events.
It's time to get liquored up on whiskey, slog through the humid summer heat and make that deal with the devil down at the river again. Yes, the Cincy Blues Fest itinerary has officially been announced for 2009. The summer celebration of America’s original musical art form has been going strong for 17 years.
Musical acts interested in being considered for a showcase slot at the 14th annual MidPoint Music Festival (scheduled for Sept. 24-26 in various venues around Downtown and Over-the-Rhine) can begin submitting today.
The festival — owned and operated by CityBeat — has announced a new partner for facilitating submissions, switching from Sonicbids to the locally-based CloudPressKit. The move will save artists some money — the submission fee for MPMF 2015 is $15 (through Sonicbids, it was $25, plus a Sonicbids membership) — and CloudPressKit is described as more “artist friendly.”
Click here for MPMF submission details. MPMF.com has a Q&A with the fest's head honcho, Dan McCabe, about the application process that answers a lot of questions submitters may have (other questions can be directed to firstname.lastname@example.org). Applications are being accepted through May 17.
Asking Alexandria has a British Metal sound, is proudly rough around the edges and even prouder of its stereotypical Rock & Roll lifestyle. Nothing shows this more than the short film they just released, Through Sin and Self Destruction. They have two studio albums, most notable being Reckless and Relentless, which blasted into the Top 10 on the Rock charts in the States. In a music industry that can be so straight edge and proper at times, AA is a callback to the dangerous Rock & Roll living of yore.
CityBeat had an entertaining meeting with lead singer Danny Worsnop and discussed the band’s shaky public relations past and what the band’s attitude means to the landscape of Metal and Rock & Roll. Catch Asking Alexandria when the Mayhem Festival comes to Riverbend Music Center on July 24.
CityBeat: I took the time yesterday and watched your new short film Through Sin and Self Destruction. What made you decide to do a short film like that when most people aren’t even doing videos anymore?
Danny Worsnop: I think it was a chance to tell a story; (there had been) kind of rumors about it for a long time but it had never reached the surface. It is a very loose, over-dramatized version of what was going on in my life at that point.
(See the NSFW trailer below.)
CB: Does the film really portray the typical kind of lifestyle that you guys lead?
DW: It is exaggerated but it is my lifestyle.
CB: I talk to a lot of bands and it is being compared to Guns N Roses and the Appetite for Destruction days and I don’t talk to many bands that are able to sustain that.
DW: Most bands these day aren’t even really bands. They are just people who kind of play music. There aren’t many real bands anymore so there really isn’t opportunity for that lifestyle to sustain. I am by no means condoning the lifestyle but it has always kind of been there in Rock & Roll.
CB: Do you guys see a big difference when you tour in Europe versus touring in the U.S.?
DW: Not really. At first there was a crowd size difference but we are known to the world now. It is pretty much the same no matter where we go, besides the currency. Currency is different. And age of sexual consent.
CB: Can you tell me the process for you guys as a band to put the songs together or write the songs?
DW: The songs are based on whatever I am going through at the time. The albums are very honest and very personal. Everything that we have been doing is a story of my life.
CB: Where do you see yourself and the band in 10 years?
DW: Hopefully, in a much bigger house than I live in now driving a much nicer car with a lot of money. And hopefully still playing music in 10 years.
CB: Who are your current influences in music?
DW: The same they always have been. Motley Crue, Aerosmith, Journey, Def Leppard and AC/DC, just Rock & Roll. I would rather much listen to those bands than Metal. I am not a Metal singer. I don’t listen to Metal music. In my eyes, we are a Metal band with a Rock & Roll singer.
CB: You guys have a highly anticipated new album coming out this year. How is that coming along?
DW: It is coming along really well. It is different than the previous records. It is far more mature. I have written some real songs. Hopefully that comes through.
CB: Is it still looking like a September timeframe (for release)?
DW: It is looking to be the end of November or beginning of December right now.
CB: What has been your greatest Rock star moment so far?
DW: That is a tough one. It depends which way you want to go with it. Do you want something completely inappropriate?
CB: You could go with either or both.
DW: We opened for Guns N Roses and we felt like true Rock stars. That was definitely infamous. In terms of behavior, however it may be frowned upon, I guess the most shamed Rock star moment was the whole Seattle incident.
CB: You guys were out with Guns this year. What was the highlight of that for you guys?
DW: Just the experience of doing it. It’s such a great honor to do something like that. It was mind-blowing at times.
CB: Did you get to spend time with Axl at all or the band themselves?
DW: No, I didn’t really hang around much at that show. I left pretty soon after we played.
CB: I always ask this question of bands because I have had some pretty crazy stories over the years. Have you ever had any crazy boyfriend or husband stories?
DW: I have never had a boyfriend or a husband. I’m sorry I’m going to let you down with that one.
CB: No, with the girls coming after you guys?
DW: We have had many of the guys come up to us and ask us to sleep with their girlfriends or wives. I did once have sex with a chick and later found out she was engaged to one of my good friends.
CB: That’s never good.
CB: Did you tell him?
DW: No and he still doesn’t know. We aren’t friends anymore so it would be impossible for me to tell him. It was a friend at the time.
CB: Do you guys have any pre-show rituals. Do you come together and do anything special?
DW: No. It was always something that was natural to me just like I’m going anywhere else except there are thousands of people watching it.
CB: What can the fans look forward to at Mayhem?
DW: It is going to be a real fun tour. I am going to be wearing leather. They can look forward to that. I may take my shirt off during the show.
CB: It’s going to be pretty hot for leather.
DW: Yeah, that’s why I may take it off.
CB: It’s pretty hot. I don’t know if you’ll get the leather off.
DW: I know I’m hot. Stop telling me. Stop flirting with me.
CB: You guys have been out on the road. What is the best and worst part of being on the road?
DW: The worst part is being away and not getting to see loved ones. The best part is probably just the shear freedom from the human race. Normal rules don’t apply. It is a completely different world when you are on the road. As myself, I am a completely different person on the road than any other time in my life. I am an insane creature.
CB: Do you believe the cliché that there is no bad press?
DW: I know there is bad press. I just don’t necessarily dislike it, which is a good thing because I have had a hell of a lot of it.
CB: Some people it really bothers and gets under their skin and some people it doesn’t.
DW: I think sometimes I prefer bad press.
DW: Everyone is trying so hard to just be so nice now. I don’t want that. I want to be known as me and I am not a good person but I am OK with that. I have come to terms with it. It’s not that I am a bad person, it is just that I speak my mind and I don’t sugar coat stuff.
CB: I interviewed Alice Cooper a few weeks ago, a legend, and he seemed upset with current bands because nobody wanted to be Rock stars anymore, basically.
DW: Last time I saw him he was on stage at the Golden God Awards ceremony thanking me and for keeping Rock & Roll alive.
There’s been a lot of new announcements from the MidPoint Music Festival in the past couple of days. Below is an update of the latest info. Wanna discuss further? Come on out to tonight’s MidPoint Indie Summer Series kick-off concert on Fountain Square. The free, all-ages show kicks off at 7 p.m. with Lydia Burrell, followed by Javelin and Cincy’s own You, You’re Awesome (which is using the occasion to celebrates its brand new full-length, Good Point, Whoever Said That).
This weekend, the Cincy Blues Fest — presented annually by the Cincy Blues Society — returns for its 21st year, a remarkable accomplishment for a music festival of any sort. The festival kicks off tonight and continues tomorrow at Sawyer Point along the riverfront.
The weekend features two main stage acts with serious ties to Cincinnati’s Blues past. Educator, author, DJ, singer and harmonica player Steven Tracy returns to Cincy to play the main stage on tonight at 7 p.m. with his band the Crawling Kingsnakes. A Walnut Hills High School graduate, Tracy worked with local Blues icons like Pigmeat Jarrett and Big Joe Duskin, becoming a part of the scene he’d later dig deeper into in the 1993 book, Going to Cincinnati: A History of the Blues in the Queen City. His writing career is extensive — Tracy has written dozens of album liner notes and edited/wrote/intro-ed several other books on a variety of subjects. Today, Tracy is a professor of Afro-American Studies at University of Massachusetts Amherst.
Saturday at 6 p.m. on the fest’s main stage, Stacy Mitchhart and his band are slated to perform. Mitchhart grew up in Cincinnati and spent time playing music on the East and West Coasts before returning to his hometown in the early 1990s and forming Stacy Mitchhart and Blues-U-Can-Use, a staple on the local Blues scene for a few years. After a move to Nashville, Tenn., in the mid-’90s, Mitchhart’s musical career really took off. His albums have been widely acclaimed and done well commercially — his 2011 release, Live from B.B. King’s, debuted at No. 6 on the Billboard Blues charts — and he’s received high-praise for his showmanship and remarkable Blues voice. In 2008, Mitchhart was the subject of the well-received documentary NashVegas Blues.
Here is tonight's main stage schedule:
5:45-6:45 p.m. Dave Muskett
7:00-8:15 p.m. Steve Tracy & the Crawling Kingsnakes
8:30-10 p.m. Reba Russell Band
10:15-11:45 p.m. Watermelon Slim & the Workers
And here's the lineup for the Main Stage tomorrow:
4:15-4:45 p.m. Blues in the Schools (BITS) Band
5-5:45 p.m. The Juice
6-7 p.m. Stacy Mitchhart Band
7:15-8:30 p.m. Nikki Hill
8:45-10:00 p.m. Honey Island Swamp Band
10:15-11:45 p.m. Ana Popovic (all the way from Serbia!)
Some of the coolest things at the Cincy Blues Fest can be found on the “specialty” stages — a “specialty” of the fest — which this year includes a “Women of the Blues” stage on Friday, headlined by national act EG Knight and also featuring locals Rio & The Ramblers, The Juice and Tempted Souls Band.
Here is the "Women of the Blues" stage ((aka the Arches stage) schedule for tonight :
5:45-7 p.m. Rio & the Ramblers
7:15-8:30 p.m. The Juice
8:45-10:00 p.m. Tempted Souls Band
10:15-11:45 p.m. EG Kight
Saturday sees the return of the “Boogie Woogie Hall of Fame Piano Stage,” featuring an international cast of top-shelf Boogie Woogie pianists, including local favorite Ricky Nye and former locals (now Florida-based) Liz Pennock & Dr. Blues. The house band for the Boogie Woogie stage is Johnny Vidacovich (drums), George Bedard (guitar) and Chris Douglas (bass).
Saturday's Boogie Woogie Piano Hall of Fame stage (aka Arches stage) lineup:
4:30 p.m. Ben Levin
5 p.m. Ari Borger
5:40 p.m. Ricky Nye
6:20 p.m. Liz Pennock & Dr. Blues
7:10 p.m. Bruce Katz
7:50 p.m. Al Hill
8:30 p.m. Axel Zwingenberger & Lila Ammons
9:10 p.m. Joshua Paxton
10 p.m. David Vest
10:40 p.m. Bob Seeley
11:20 p.m. Chris Conz
The Blues Fest again presents the St. Vincent De Paul Local Stage on both days of the event, always an excellent snapshot of the current local Blues scene.
Friday's St. Vincent De Paul Local Stage schedule:
5:45-6:45 p.m. Thomas Long & Blue Sacrifice
7-8 p.m. Noah Wotherspoon Band
8:15-9:15 p.m. Ralph & the Rhythm Hounds
9:30-10:30 p.m. Brad Hatfield Band
10:45 p.m.-12 a.m. G Miles & the Hitmen
Saturday's St. Vincent De Paul Local Stage lineup:
4:30-5:30 p.m. The Blue Birds Big Band
5:45-6:45 p.m. Jay Jesse Johnson Band
7-8 p.m. The SoulFixers
8:15-9:15 p.m. Doug Hart Band
9:30-10:30 p.m. Chuck Brisbin & the Tuna Project
10:45 p.m.-12 a.m. Leroy Ellington Blues Band
Here is a map of the Blues Fest grounds:
Tickets are $15 for Friday, $20 for Saturday or $25 for a
two-day pass (tickets can be purchased at the gates or here). Visit
cincybluesfest.org for everything else you need to know about the
There’s no such thing as “just another day at Bonnaroo." This morning I was in attendance for a mesmerizing performance by Nashville AltCountry siren Tristen in the press tent that barely ended in time for me to race over to This Tent for a performance by Black Joe Lewis & The Honey Bears that shook me to my very soul. Their raging Funk and Soul revue literally had the crowd jumping and screaming for the duration of their 60-minute set.
The 4 p.m. press conference didn’t pack nearly as much star power as the one held earlier in the day, but it was loaded with much casual insight about the inner workings of Bonnaroo and the different artists’ experience playing at the festival. The second press conference panel of the day featured Hayes Carll, Ben Sollee, Jessica Lea Mayfield, and members of The Sheepdogs and Phosphorescent.