Five Finger Death Punch is one of the most popular Metal bands in the world. The band has a catchy, melodic sound that resonates with its crowds and the band's songs have become arena anthems across the country. Five Finger continues to tour on its third studio album American Capitalist. Currently, the group is out headlining the Trespass America Festival with the bands Trivium, Pop Evil and Killswitch Engage.
CityBeat was able to spend some time with the band’s lead guitarist Jason Hook to discuss, among other things, the band’s feverish tour schedule and the effect it has on the band members' relationships, as well as what makes the music so addictive. The Trespass America Festival comes to the PNC Pavilion at Riverbend tomorrow (Wednesday) night.
CityBeat: What has been the highlight of Trespass Festival so far?
Jason Hook: Well, the first show was awesome. We opened the show on Friday the 13th just outside of Denver. The place was almost sold out, packed. We had all of our friends, family, record label, managers and agents with us. It was a massive party (and) it was day one. It was awesome, really awesome.
CB: Who leaves the biggest mess backstage at Trespass?
JH: The biggest mess? As far as what, a hot mess or just messy?
CB: It could be either.
JH: I’ll give both to Ivan (Moody, Five Finger's frontman).
CB: OK, I wouldn’t picture that.
JH: Well you don’t know him as well as I do.
CB: Is it true that he still throws up before he performs?
JH: I haven’t seen that lately but it might be because I tend to steer clear of him a little bit more than usual because of that. But he does do that. That is not an urban legend.
CB: You consistently are having these hits with huge sports and military following. What is really the formula for creating a modern day Rock anthem?
JH: I think that you have to keep things simple. People like a really consistent beat, something that has a good thump to it. Obviously, an easy to follow storyline or a relatable storyline and as many hooks as you can get into each section of the song for example the intro, the verse, the pre-chorus, the chorus, the bridge, the solo — all those are sections — and if they get too long or drawn out or too complicated or the resolution set too high for the listener, they just miss out and it will go over their head. A big part of having an anthem is having something that is simple enough that many people can grab it easily like “Rock & Roll all night and party every day.”
CB: Does the band ever write songs for a specific audience?
JH: Not really. Most of us in the band have a background where we grew up listening to heavy bands but bands that were also on the radio. That reflects in the music we make. None of it is really contrived. We just do what we like. Fortunate for us, it catches with a lot more people. Once you try to do something that is not honest, it is really hard to repeat it. You are always chasing or guessing what to do. It is better to know what you like to do and just do it.
You always have the crazy crowd surfing at the shows, the biggest Rock on the Range crowd surfing in history. Do you ever worry about fan safety?
JH: All the time. All the time. It freaks us out. I see people getting beat up pretty good out there, especially the people in the very front row because people crowd surf up from behind them, they can’t see that these 220 pound guys are being launched forward and the people in the front row are the last people that these heavy people land on their heads on the way into the pit. You get a lot of people getting smashed, and they have no idea it is happening until it happens.
I keep saying, “Is there something we should do to discourage this? Should we say that we want people to be careful and keep your eyes open?” I do see a lot of people getting hammered, and it freaks me out. We are always thinking about it.
CB: How do you stay friends living in such close quarters and being on the road almost all year?
JH: How do we stay friends? We stay away from each other. The only way to control how we all get along is to make sure there is a good amount of separation. You need a little bit of on and a little off.
For example, we get hotel rooms. The band gets hotel rooms. We get them every other day. The hotel rooms are essential and it doesn’t matter what it costs to have everybody be able go and have their own private space to go make phone calls, answer e-mails, relax, watch the TV program they want to watch, whatever. The off is just as important as the on because if you get too much together time all the time, then you are likely to have the engine run a little hot, you know what I am saying?
CB: Who in the band is more likely to get into a fight backstage and who is more likely to get laid?
JH: I don’t really want to focus on the fighting, but as far as the sex part of it, I would say, all the girls like Ivan. The rest of us are just sort of swinging the bat. They all seem to want to get to Ivan. So I would say answer "A"—my final answer — Ivan.
The thing is, to chase girls around, which is also to chase the party or stay up, all these people show up and they want to hang out with the band. This is their big night out. The problem is, if we participated in everybody’s big night out, then we end up having 42 or 55 nights in a row, and it is physically too hard. Imagine having 45 New Years Eves in a row. What kind of shape would you be in after that?
CB: Yeah, bands now are a lot more, I don’t want to say mellow, but you can’t sustain (that type of partying) for long periods of time if this is what you are going to do.
JH: God knows we have tried it. We don’t want to hurt the band. We don’t want to hurt the tour. We have a responsibility to not only talk to people during the day but to play in front of these large audiences, and I don’t want to go up there hung over and feel like crap and be fuzzy and making mistakes. It’s very hard. It’s OK when you are a club band — nobody cares; “Get me another beer.” Everyone is drunk anyway, but now we are talking about playing in front of 15,000 people at 9 o’clock at night and it is a business now. It is for real.
The Hank Williams family Country music legacy is fairly remarkable when you consider how three generations of men have built up audiences that would likely stand aghast at one another. Hank Williams, Sr., is a founding father of Country and Honky Tonk Music as we know it and, rightfully so, a certified historical figure, institutionally and critically bestowed with all the respect due our revered cultural heroes by the Time-Life crowd.
At the City & Colour concert at Bogart's a while back, I watched as a woman in the front row texted her way through both of the great opening acts. I glanced around and discovered that she wasn’t the only one. I figured everyone would surely stop when Dallas Green and the rest of C&C took to the stage. Three songs in and the crowd was still lit up by glowing phones.
Everywhere I looked people were texting, tweeting, facebooking or recording the night away. Often, both members of a couple would be recording the same song. As if the iPhone 12 inches to the left might just capture something different from theirs. I watched as a group of friends passed around a cell phone with a message from another friend who, I assume, wasn’t present (or maybe they were just three feet over). Meanwhile, the band played on.
This left me disappointed in humanity.
The second round of announcements for this year's MidPoint Music Festival lineup was featured in this week's issue of CityBeat, on streets now. For those outside of Greater Cincinnati (or you lazy folks who don't want to walk to pick up a newspaper), here's the official press release:
For Immediate Release
Artist Announcement “Round 2” for MPMF.13
Original Pioneer Shuggie Otis to headline Washington ParkOpening Night
Cincinnati, Ohio, May 29, 2013 —Last month, after almost 40 years, Shuggie Otis, released a new album.
In September, MidPoint Music Festival (MPMF.13) will present Otis, one of the most mysterious figures in pop music history, as this year’s original pioneer. He will headline in Washington Park opening night with Cody ChesnuTT.
According to the New York Times (NYT), Otis’s album, “Wings of Love” (Epic/Legacy), which includes 14 previously unreleased tracks, is being packaged a alongside a reissue of his previous and most celebrated recording, “Inspiration Information,” from 1974.
“MPMF has always been known for the pioneering music we showcase, but I am especially excited and proud to present Shuggie Otis,” said Dan McCabe, artistic director of MPMF.13. “Unlike other original pioneers presented at past MPMFs like Ralph Stanley, Booker T. and Van Dyke Parks, Shuggie’s impact is only just now coming to light. Shuggie Otis speaks directly to the MPMF artist who often sacrifices success and notoriety for their art.”
On May 3, the first 13 artists were announced for the twelfth edition of the downtown Cincinnati festival happening September 26-28, 2013. Today, 14 additional artists are being released:
SHUGGIE OTIS/KURT VILE/ YOUTH LAGOON/
ON AN ON/ BATHS/ MURDER BY DEATH/ BLEACHED/ SATURDAY LOOKS GOOD TO ME/ SAN FERMIN/ SECRET COLOURS/ NAT BALDWIN/ WILD CUB/
THE SHILOHS/BIRDS OF CHICAGO
SHUGGIE OTIS: “He’s the unsung hero of blues and funk. His music is so potent that it only blossomed 30 years after it was first released.” - Questlove
“…a missing link between Sly, Jimi, Stevie, Prince and Frank Ocean." -Rolling Stone
KURT VILE: One of Coachella 2013’s 10 Must See Acts – Rolling Stone
“Wakin on a Pretty Daze” is a SPIN essential and a real testament to putting a great deal of effort into making something feel effortless.” - SPIN
YOUTH LAGOON: “8.7 / BEST NEW MUSIC. Wondrous Bughouse looks inward and discovers the endless possibilities of imagination and introspection.” -Pitchfork
ON AN ON: Broke new ground on their latest recording with accomplished producer Dave Newfeld (Broken Social Scene, Super Furry Animals, Los Campesinos!)
BATHS: Just yesterday (May 28, 2013) second album Obsidian named “Best New Music” by Pitchfork. Debut album Cerulean, blurs the line between post-modern pop and the LA beat scene and earned “Best Of” recognition from Pitchfork & The Onion’s A.V. Club.
MURDER BY DEATH: "They've cultivated a cult-like fan base via their unique sound, which mingles elements of country, indie rock and alternative music into collections of songs that are the sonic equivalent of 'No Country For Old Men.'"— PureVolume
BLEACHED: “…originally found cult status with their punk band Mika Miko. It's the ole "they've cleaned up, but are still same degenerates you know and love" trick. . – The Village Voice
SATURDAY LOOKS GOOD TO ME: The jubilant fun of Motown and Northern soul with a decidedly indie approach.
SAN FERMIN: A pastiche of post-rock, chamber-pop and contemporary classical composition.
SECRET COLOURS: Revel in being the bastard seed of the '60s psychedelia and '90s Britpop bloodlines.
NAT BALDWIN: Double bassist/singer-songwriter Nat Baldwin's spent years as the Dirty Projectors bassist and former disciple of free jazz legend Anthony Braxton.
WILD CUB: “…[Wild Cub’s] brand of darkly-tinged new wave recalls elements of the youthful abandon of John Hughes soundtracks, the baleful allure of Greg Dulli, and the clockwork electronics of New Order’s middle period.” – KEXP
THE SHILOHS: The Vancouver foursome released full-length debut, So Wild earlier this year.
BIRDS OF CHICAGO: “They project organic gospel, hillbilly, folk and soul elements that bridge traditional and modern approaches." – Chicago Tribune
To view the whole list of artists for MPMF.13 to date, visit MPMF.com.
MidPoint Music Festival continues its 12-year tradition as the region’s frontline of music exploration, featuring an impressive and diverse lineup. Music fans everywhere flock to Cincinnati in September to be a part of this long running music event that started in Over-the-Rhine (OTR), the Cincinnati neighborhood that’s as cutting edge as the festival itself.
OTR remains a pivotal location, home to a number of MPMF.13 stages. OTR is on the National Register of Historic Places and was voted best Cincinnati Neighborhood in CityBeat’s Best of Cincinnati publication in 2011 and 2012. Since 2004 more than $255 million has been invested in the revitalization of OTR, including the $48 million renovation of Washington Park, which includes an outdoor music stage that serves as one of MPMF’s main stages.
Advance tickets are on sale now at www.mpmf.cincyticket.com. All-access passes are $69 and VIP passes are $169
Cincinnati’s MidPoint Music Festival has developed a reputation as the place to find your new favorite band. MidPoint's embrace of emerging artists reflects the same pioneering ethic of Cincinnati's celebrated music history and its present day music-makers. The MPMF storyline continues to be diverse, dynamic and adventurous. Stay up to date at MPMF.com, like its official Facebook page, or by following the festival on Twitter.
MPMF.13 is made possible thanks to the generous support of its sponsors, including Dewey’s Pizza and Biore.
Younger local musicians and the music fans who love them might find it hard to fathom, but once upon a time, Cincinnati’s corporate Rock radio juggernaut WEBN was one of local music’s biggest allies, a wild, wooly and eclectic FM outlet as open-ended and freeform as any internet radio station or podcast. In the ’70s and ’80s, before inflexible, homogenized playlists made it impossible for even major label Cincy bands like The Afghan Whigs to get spins, the annual WEBN Album Project compilations gave major exposure to local and regional artists. Saturday at the Madison Theater, the WEBN Album Project Reunion Show flashes back to that era. In this week’s CityBeat, Brian Baker caught up with one of Cincinnati’s most popular bands ever (and an early Album Project participant), The Raisins, whose seminal lineup is reuniting for Saturday’s event, joining several other AP alumni. Brian also caught up with some of the other participating musicians to discuss the Album Project’s legacy. Below are their thoughts, as well as some vintage video clips from the era.
Opening Cincinnati's summer concert season is always a difficult duty. A constantly fickle city in terms of their live music, Cincinnati crowds demand constant excitement and stroking from the band they are witnessing. Well, then what better band to choose for this tedious task than Kings of Leon?