During a debate last night Republican presidential hopeful Mitt Romney was in the middle of an awesomely cliché jab at President Obama about his ruining of the American dream and all, when the eager audience interrupted him with a round of awkward applause. The break prompted Romney to look over at Rick Santorum and say, “As George Costanza would say, ‘When they’re applauding, stop.’”
Santorum seemed to enjoy the line, nodding and waiving his hand across the desk, like, “Yea, just stop … haha.”
The bad imitation is a disservice to "The Burning," one of the many great Seinfeld episodes (synopsis by Wikipdia): "Elaine thinks that boyfriend David Puddy may be religious after finding Christian rock stations set on his car radio. At the coffee shop, George laments to Jerry about losing respect at a project meeting led by Mr. Kruger after following a good suggestion with a bad joke. Jerry suggests that George use the Vegas showmanship trick of 'walking off' after a high note."
(Fun Wiki-fact: The title of this episode is the same as the 1981 slasher film The Burning, which was Jason Alexander's
film debut. It may also allude to Elaine's supposed damnation, Jerry's
"burning" to know the tractor story, or Kramer's dramatic interpretation
of the burning sensation caused by gonorrhea." Ha.)
Here's a link to an abbreviated version of the episode on YouTube. And on a sad note, the actor who played Mr. Kruger, Daniel von Bargen, was hospitalized yesterday after shooting himself in the head at his Cincinnati-area condominium. Friend of CityBeat Joe Wessels reported the story for Reuters here.
reportedly used the same stupid joke at a Republican
Jewish Coalition forum back in December, which caused Jon Stewart to
that it isn’t even George’s line Romney was butchering — it was
Jerry’s, and it goes, “Showmanship,
George. When you hit that high note, you say goodnight and walk off.”
They say you only roast the ones you love, but what can be said about someone with few redeemable qualities, who's essentially spent the past year roasting himself in the media? Quite a bit, apparently.
seek attention so desperately that you'll poison yourself on national television suffer from an unusual obsession that is negatively affecting your life? Would you reveal your addiction on cable TV for $800-$1000? If so, TLC wants YOU!
UPDATE: CityBeat has been informed by the direct casting agent for "My Strange Addiction" that individuals will not be compensated for their participation in the show. Because paying people to harm themselves on television is wrong.
Sandra Dee Casting (no relation) is on the hunt for men and women aged 18 and older for the new season of "My Strange Addiction" which, for those who haven't had the pleasure of viewing, is exactly what it sounds like. Each episode features two individuals with obsessions that take control of their lives, endanger their well-being and concern their loved ones.
I guess it all started when my parents got divorced...
You might be wondering what exactly constitutes a strange addiction. Well, for starters, there was a woman who takes laxatives to lose weight, a man who works out constantly to compete in Strongman competitions and a woman who cleans 8 hours each day in order to deal with OCD. But, of course, these are the tame examples.
Just ask this guy.
Other addictions range from almost funny (being a furry, ventriloquism) to really upsetting (trillotrichomania) to, "Bitch, what the hell is your problem?!" (sleeping with a hair dryer). So if you struggle with behaviors like these, you're just going to have to get a little stranger to make it on next season.
Addicted to giving your baby hair plugs? You're in!
If you or someone you know really wants to appear on the same channel as Sarah Palin, e-mail your name, age, current city, phone/e-mail, your "addiction story" and a few recent photos to MyStrangeAddiction@SandraDeeCasting.com.
Because heroin is for pussies.
I opted out of typing music listings and attending sociology class Friday in favor of checking out the conference taking place on the University of Cincinnati’s campus: Pop Praxis: Social Justice & the Media. With discussion topics like, “Disco Stick: Lady Gaga and the Phallus” and a keynote speech from Bitch Magazine’s own Andi Zeisler, I was stoked for an enlightening day of stimulating pop culture discussion.
The conference was the result of a collection of papers, presentations and workshops submitted by speakers ranging from undergrads to professors to alumni from a number of universities. Submissions were required to regard "pop culture as it relates to feminism, race, disability or queer theory, class, consumption, and all forms of political activism or cultural production."
It was an honor for the university to welcome Andi Zeisler, co-founder and editorial/creative director of Bitch: Feminist Response to Pop Culture. She wasted no time launching into a pointed discussion about the importance of feminism today, despite the general public’s tendency to assume that the movement is past and irrelevant.
“Any media needs to make money,” Zeisler pointed out, “and the quickest and surest way to do that is to sell out women.”
In short, while addressing the frustrating roadblocks today’s feminist advocates face, Zeisler commended technology and blogging as new ways to comment on the media and bring important issues to public attention, keeping intelligent discussion going that might not have been able to take place before.
Zeisler said Bitch’s goal is to help people think about pop culture in a more critical way, so it makes sense that the speakers in the sessions that followed did exactly that.
While the main event was arguably Zeisler's speech, the presentations and workshops were fun and eye opening.
During the first session, Sarah Mitchell called out Winnie of The Wonder Years for her textbooks that attempt to make math “sexy” for middle school girls in “Postfeminist Math Barbie: Danica McKellar’s Provocative Education Advocacy.” Lee Serbin also pointed out the shaky, back-and-forth stance Tina Fey’s character holds between feminism and postfeminism in 30 Rock during her discussion, “30 Rock and Feminism in Flux.”
Some women in the media, however, aren’t so bad to look up to. One presenter discussed how Lady Gaga rocked the phallus on the cover of Q Magazine as a response to the public’s accusation that she’s packing a package. While still technically enforcing the belief that a penis equates power, her gender-bending humor puts sexists in their place.
A strong argument was also made for Buffy the Vampire Slayer. Admittedly, she was skinny and blonde, but more importantly, she overcame that image to kick vampire ass. The slayer was decidedly deemed a pretty solid female role model for something popularized by mainstream television.
Feminism wasn’t the only topic of the day, however. One student discussed Batman as an extreme representation of hypermasculinity who tends to equate violence with being a man. That, and maybe steroid use after all the bulk the superhero’s acquired over the years.
During the same session, another speaker addressed the somewhat androgynous image of the emo kid. This speaker deserves props for researching something so fickle in the world of teenage cliques. She concluded that, while the emo subculture allows for somewhat of a break from that Batman-inspired masculinity, only the white boys of suburbia seem to make up this social group.
While it was impossible for me to make it to each presentation, at the end of the day, the message was clear: People need to be careful about what they consume.
There are no clear answers. Watching a Lady Gaga video over 30 Rock isn’t necessarily going to be more empowering, and children who prefer Batman to Chris Carrabba aren’t doomed to a life of violence. The important thing Pop Praxis stressed is that the discussion remains open and that we, as responsible consumers of popular culture, keep a critical eye on it.
With the news of local musician Jess Lamb competing on the 14th season of American Idol, I’ve been watching and waiting for the initial audition episodes to end so we can really get into the competition and see more Jess. This week was the first half of Hollywood rounds, where some 200 contestants that received golden tickets during the aforementioned auditions before the judges — Keith Urban, Jennifer Lopez and Harry Connick, Jr. — converged under one roof. The musicians and singers will perform solo and as groups for the judges, who will gradually dwindle the crowd down to the top 24 finalists.
Unfortunately for locals (Spoiler Alert), we got about 30 seconds of Jess Lamb air time between this week’s two episodes. But on the upside, she’s still in the game!
On Wednesday’s episode, the judges surprised a room full of contestants, telling them a select few would be called onstage to perform right then. For viewers at home, we’ve seen these folks before — they’re the ones we saw audition and receive golden tickets (but keep in mind there were many more than what we saw), the judges’ “most memorable auditions.” But they don’t know that. For those in the crowd, it seems like random contestants were pulled up to perform in front of their competition with no immediate feedback from the panel of mega-stars. And the judges were continuously bewildered as to why these kids were coming up scared shitless.
First up was Jax, who looks like a PG-13 Ke$ha that got puked on by Forever 21, but gave a really cool cover of “Toxic” by Britney Spears.
Walking New York stereotype Sal was also called. According to the show he’s 19, but this man is definitely at least 45 judging by his voice, appearance and penchant for standards (his name is Sal for crying out loud).
Afro’ed Adam — who gave a boisterous performance of “Born to be Wild” in his audition — surprised everyone with a softer side that the judges didn’t seem to like.
Fast-forward through what seemed like a million 15-year-olds that made me feel like a stale prune…
And it was nice to see Garret, the blind cowboy with a voice of a thousand Country angels. He so needs to be in the top 24.