This Friday at Bogart's, the nominees in the "New Artist of the Year" category in this year's Cincinnati Entertainment Awards will perform at Bogart's for CityBeat's first New Music Showcase. Showtime is 8 p.m. and you can get tickets for $7 at the Bogart's box office (or here if you'd like to pay the ticketing fees). Proceeds from the show benefit the Cincinnati USA Music Heritage Foundation.
All seven 'New Artist' nominees will be featured in a special music edition of CityBeat out this Wednesday, with profiles of each nominee, including R. Ring, who are unable to perform Friday's showcase.
The show will feature sets from Jeremy Pinnell and the 55s, DAAP Girls, Ohio Knife, The Natives, Public and Heavy Hinges. The audience will cast ballots for their favorites; that cumulative score will be weighted by the votes of the CEA committee members.
By coincidence, two of the artists performing at Bogart's on Friday — groovy Indie rockers DAAP Girls and tight Hip Hop band The Natives — have brand new music videos out.
DAAP Girls — featuring members of The Lions Rampant and Newport Secret Six — are set to release their new album, Tape Songs, on Feb. 23 with a release party scheduled for Over-the-Rhine's The Drinkery. Each song on the album has a woman's name for the title. The band's first music video is for "Kate," which debuted this morning. Check it below.
Cincinnati Hip Hop band The Natives' new video is for the track "So Much," off of Coup D'etat, one of two releases (and numerous videos) from the group last year. The Natives had a very active 2012 as a group; in 2013, they'll stay just as busy, though they'll be focusing on completing some of the members' solo projects. Here's the clip for "So Much."
Public voting for the Cincinnati Entertainment Awards ends tomorrow at midnight, so have your voice heard and vote right now if you haven't yet. Click here to cast your ballot.
The Cincinnati Entertainment Awards ceremony is Sunday, Jan. 27, at Madison Theater in Covington. The full lineup of performers will be announced soon. Click here to get your CEA show tickets.
With slightly over a week to go in voting for the 2009 Cincinnati Entertainment Award for Music, more than 3,000 ballots have already been turned in via the intertubes. Remember that your votes determine the winners in 16 categories, with three other "critical achievement" categories hashed by the CEA judging committee. Deadline to vote is Monday, Nov. 9.
• Combining some of the idiosyncrasies of modern Indie Folk with uplifting Pop melodies, Chamber music arrangements and an Americana grab-bag of various other influences, the trio Plume Giant makes a glorious noise that is buoyed by the clever, collaborative songwriting, as well as the trio’s vocal chops, which add a slanted, colorful layer to the group’s sound via frequent and flawless harmonies. The threesome — which formed after meeting each other while attending Yale — makes this glorious noise with fairly spare acoustic instrumentation (Oliver Hill plays guitar guitar and viola, Nolan Green plays guitar and harmonium and Eliza Bagg plays violin, harmonium and various other instruments). But the sound of the group’s recent debut full-length, Callithump, is full-bodied and far from minimalistic. On the dynamic 2012 release, the trio explores traditional Appalachian music, swingin’ Jazz, Tin Pan Alley pomp and breezy Folk Pop, but all of it is filtered through Plume Giant’s distinctive vision, with hints of the avant-garde beneath the inescapable harmonies and lovely aura.
The now Brooklyn-based trio performs a free show tonight in Over-the-Rhine at MOTR Pub with like-minded Cincinnati-based Chamber Folk ensemble The Happy Maladies. Showtime is 9 p.m.
Here is Plume Giant's smile-inducing "We Got It Made" video from their debut LP, followed by The Happy Maladies' "New Again," taken from The Emery Sessions live music video series. The Maladies' song is the title track off their 2012 release, which was nominated for "Album of the Year" at the upcoming Cincinnati Entertainment Awards.
• At the Southgate House Revival in Newport tonight, Indianapolis progressive Bluegrass group Flatland Harmony Experiment performs a free, 10 p.m. show in the venue's "Lounge." Formed just a couple of summers ago, FHE has toured the region regularly, found success on radio outlets and through online Bluegrass/Americana/Folk music channels and are seemingly on their way to becoming an even bigger presence on the national festival circuit (in June, the trio will compete at the 40th Annual Telluride Bluegrass Band Competition). The trio (Scott Nelson on upright bass, Kris Potts on Mandolin and Johnny Plott on banjo) uses the tools of traditional Bluegrass and the members clearly have a firm grasp on the music's rich history (not to mention some delicious chops and textured harmonies that'll send a shiver), but they let the songwriting go wherever their contemporary minds might take it. Fans of groups like Yonder Mountain String Band, Leftover Salmon and The Infamous Stringdusters will love this Experiment.
Last year, the string band released its debut full-length, On Our Way. Here's the album's "Secret in the Seams":
Public voting for the 13th annual Cincinnati Entertainment Awards for Music ends today at 5 p.m. Check out all the nominees here, and click on the ballot if you haven't already voted. Your vote determines the winners in 16 of the 19 CEA categories.
The 2009 music awards will be handed out Sunday, Nov. 22 at the Madison Theater. The performance lineup is being fine-tuned and will be announced soon. Tickets are $15 in advance and $18 at the door and are available here.
Creative Cincinnati MC Buggs Tha Rocka has just released a video for his “State of Hip-Hop Freestyle” track, featuring sounds from the late, great J. Dilla and taken from 2012’s The Wrath of Zeus mixtape, which was hosted by DJ Clockwork and is available for free download here.
The “State of Hip Hop” clip was shot in Amsterdam by Snow Rowe, who also performs/records with the great local Hip Hop crew Valley High. Rowe’s video for Valley High’s “8 Ball” won the inaugural “Best Music Video” prize at the recent Cincinnati Entertainment Awards.
Buggs Tha Rocka took home the 2014 “Hip Hop” Cincinnati Entertainment Award (his second win in a row) and he has video evidence to prove it:
The proceeds from the Cincinnati Entertainment Awards (coming up this Sunday at Covington's Madison Theater) have been donated to various music-affiliated charities over the years. For the 2011 edition, money from the show will again be given to the Cincinnati USA Music Heritage Foundation. The non-profit organization has spent the past few years shining the spotlight on Cincinnati’s rich, often-overlooked musical past, reiterating the Queen City’s vital role in the development of so much popular music. CUSAMHF launches its inaugural membership drive with this year’s CEAs. VIP tickets for the CEA ceremony this year are $50 (click here to purchase) and include membership in the CUSAMHF’s Funky Drummer Society, named for the beat of James Brown’s “The Funky Drummer,” one of the most used drum samples in music history.
Outside of singing at his church occasionally, brilliant Americana singer/songwriter David Wolfenberger
hasn’t performed in the area for quite some time. After working with the group The Marshwiggles in the late ’90s, Wolfenberger put out three stellar solo albums between1999-2006, earning him high praise both domestically and abroad. But besides occasional performances and scant new material (what he has released has been for charity), the 1999
Cincinnati Entertainment Awards winner for Artist of the Year has kept a low profile for the past several years.
Tonight, Wolfenberger is coming "out of exile"
to join an old friend in concert.
Wolfenberger is re-teaming with Mark
Olson, half of the brain trust behind the best work of The Jayhawks, at
Newport’s Southgate House Revival. Wolfenberger
toured extensively with Olson in the early ’00s as a member of The Original Harmony Ridge
Creekdippers, the group Olson formed with then-wife Victoria Williams
after he left The Jayhawks.
Wolfenberger opens tonight's show with a solo, acoustic set at 8 p.m. and he will also join Olson during his set (along with Olson's current touring partner — and wife — Ingunn Ringvold). Tickets are $12 at the door.
Wolfenberger has been posting some of his older material on his Reverbnation page and, in an email, he said he will be posting new songs "on occasion in the future." Here's one of his earlier cuts, "Tentatively Vince Foster," from his 1999 solo debut, Tales from Thom Scarecrow, released on the local Blue Jordan Records.
There are a couple of things that have been on my mind of late, and this always seems like a decent forum to vent my musings, particularly since I'm not in therapy. First of all, what exactly constitutes medical attention for an erection lasting more than four hours? Does a stereotypically sexy nurse, um, give you a hand? Or does a mummified doctor from the bygone era of bone saws that could drop an oak tree and hand-cranked skull drills apply leeches to the affected area and then show you pictures of Yogi Berra and golf videos to bring down the swelling, so to speak?
While we wait for an answer to arrive, let's move on to the other, perhaps more salient issue that I've been pondering. As everyone knows, the end of the year brings the Cincinnati Entertainment Awards nominations, which then inspires a good deal of grumbling speculation about who has gotten nominated and, more importantly, who has not.
Look, no one understands better than I the elation that accompanies being recognized for your work. Six years ago I nabbed second place in the Non-Daily Newspapers Feature Personality Profile category of the Ohio Excellence in Journalism awards. I know, right? At the same time, I can count on fingers and toes the number of letters I've received over the years about things I've written, and many of those have been from the subjects I've written about just to say thanks.
My prized correspondence was from now-deceased Rolling Stone/Billboard editor Timothy White for getting the title of his Beach Boys biography wrong in a piece I wrote about Dick Dale. I had cited White's book as The Nearest Faraway Beach, largely due to my love of the Brian Eno song, "On Some Faraway Beach," and partially because I jotted down my notes in Joseph-Beth Booksellers when I was in the throes of a flu that would have eaten a vaccine for an appetizer. White's book was, in fact, The Nearest Faraway Place, and in it, he mentioned that Dale had been born in Beirut, Lebanon, among other interesting tidbits about the legendary guitarist. When I asked Dale about some of the entries in White's book, he countered with, "Does it say Dick Dale was born in Lebanon?" (he referred to himself in the third person, a lot). I said that it did, and he responded, "Then throw that book in the garbage."
It was a great quote so I used it in the story, which prompted White's letter, where he first corrected my idiot error and then clarified that he had interviewed Dale personally at a time when White speculated that Dale thought being born in Lebanon would make him seem more exotic (he was of Lebanese extraction), but when Beirut became synonymous with terrorism, he claimed Boston as his birthplace. All in all, though, he was very complimentary about the article.
As usual, I digress. As much as people love being hailed for their accomplishments, they are stung when they feel they've been passed over, for whatever reason, and that's completely understandable. It becomes slightly problematic when people demonize the process in an effort to explain their absence from the end result.
Here's the thing; those of us who comprise the nominating committee try not to take ourselves too seriously, but we are very serious about the task of establishing these nominations on an annual basis, for a variety of reasons. First and foremost, we love music and we respect the people who make it. We also feel it is extremely important to recognize great work and to share that recognition with the entire music community.
And that's pretty much it. We don't have an agenda to push. We don't nominate our friends (although our friends sometimes get nominated). Speaking for myself, I really try to set personal feelings aside when the time comes to look at the past year and determine who has done work worthy of CEA recognition.
Of course, that determination is open to a certain amount of subjectivity. We are human beings, after all. That's why we cast our nets as far as we can, to make sure the nominating process is as fair as humanly possible. Is it a perfect system? Not hardly. But I think we've gotten it pretty close to right. This year we involved the public in the process and that helped widen the focus even further, but there still seems to be a certain amount of dissatisfaction about the nominees and conjecture about how they got there. In the final analysis, it boils down to a few simple facts. If you're nominated, congratulations; you've distinguished yourself in a music community that I honestly feel is one of the best in the entire country. If you win, huzzah and holy shit, you've further distinguished yourself within a formidable slate of your musical peers.
And if you're just a spectator, keep working. Keep doing what you do. The accolades are nice, but put things in perspective; at the end of the day, the CEAs are a party with door prizes. Prestigious door prizes, but door prizes nonetheless. And whether you're a winner, a nominee or neither of the above, don't allow your recognition or lack thereof to overinflate or devalue your sense of what you do. What matters is the work. Your work. Whether it garners you a nomination or not.
It's the same in any field of endeavor. How many painters wind up in museums in their lifetimes? How many athletes give their lives over to the sports they love for an almost microscopic chance to get a plaque in their respective halls of fame? Celebrity, wealth and notoriety are all fairly illusory. What matters is the work.
The immortal and forever great Frank Zappa may have put it best: "Information is not knowledge. Knowledge is not wisdom. Wisdom is not truth. Truth is not beauty. Beauty is not love. Love is not music. Music is the best."
And there it is, in it's simplest and most potent form. If you are out there, turning words and melodies in your head into real music with your hands, heart and soul, you are contributing to one of the best things in life. Awards are the icing on a cake that doesn't necessarily need to be iced. When you make great music, we are the winners. And we'd like to thank you. And God and our families and friends and our eighth grade English teacher who said we'd never amount to anything, because he was sort of right. Thank you.
Saturday night, be sure to head to Bogart’s for this year's "Best New Bands" showcase, presented by CityBeat and featuring performances by some of the local musical acts you should keep your eye on this year.
The 2015 showcase features all of this year’s Cincinnati Entertainment Award nominees for New Artist of the Year, each of whom are profiled in the new issue of CityBeat. The nominees will be joined by four other superb new area acts for the event.
The concert begins at promptly at 7:30 p.m. and will feature performances on Bogart’s main stage as well as on a side stage, keeping the music running non-stop all night. Admission is just $5.
Here are some audio samples of each of the BNB performers. Click on the artists’ names (listed in order of appearance) to read more on each act.
You can find out who scores the New Artist of the Year trophy (and who wins in all of the other categories) on Sunday, Jan. 25 at the 18th annual Cincinnati Entertainment Awards ceremony/party, which takes place at Covington’s Madison Theater (Blues nominees The Whiskey Shambles were recently added to the lineup of performers, joining The Cliftones, Mad Anthony, Injecting Strangers, Young Heirlooms and Buggs tha Rocka). Tickets are available in advance through cincyticket.com. Showtime is 7 p.m. and we give you full permission to call in sick to work Jan. 26.
Voting for the 17th annual Cincinnati Entertainment Awards, celebrating the best of the Greater Cincinnati music scene, ends TONIGHT at midnight. Click here to cast your ballot for your favorite nominated local artists.
The CEA ceremony is set for Sunday, Jan. 26, at Covington’s Madison Theater. The show/party will feature performances from CEA-nominated artists Honey & Houston, Moonbow, The Yugos, The Upset Victory, Valley High, The Almighty Get Down and DAAP Girls, as well as a secret opening performance by an entity known (as of now) only as Saint Ain't Mangled Angels (those who read CityBeat regularly will likely be able decipher the thinly-veiled pseudonym).
Also added to the run of show for the CEA event is a special performance by Cincinnati Folk trio The Tillers, who released their fantastic Hand on the Plow album and toured the U.K. with Pokey LaFarge in 2013. The group, nominated for CEAs in the Folk/Americana, Album of the Year and Artist of the Year categories, will be paying tribute to their former bassist Jason Soudrette, who lost his battle with acute myeloid leukemia late last year.