On this date last year, somebody paid $10,000 for a T-shirt. An Australian man purchased a 1979 Led Zeppelin concert T-shirt on eBay for that amount, making it the most expensive concert T-shirt ever sold. (Though I bet The Eagles got close on their various, outrageously-priced reunion tours in recent years.) The shirt appears to be a "back stage pass" from the concert.
After the sale, Denver weekly Westword posted a story on its blog counting down the next 10 most costly shirts purchased. From their research, they deemed a James Brown shirt with a bad caricature of the Godfather of Soul and the words "I'm Black and I'm Proud," an early Nirvana shirt featuring a parody of John Lennon's Two Virgin's album cover and a "Metal Up Your Ass" Metallica shirt as the next most rare, each going for $1,000.
Currently, the most costly concert shirts available on eBay are a 1976 Stones shirt (yours for $7,900), a 1973 Who concert "staff" shirt ($4,691.82), a different Zep shirt (from, I believe, the same concert as the one that cost 10 grand; $3,949.21) and a Johnny Thunders shirt from 1984 ($3,909.72).
Here are a couple of Ohio tunes written in honor of those crucial concert souvenirs. Early Hamilton, Ohio, Punk band ChemDyne and Columbus' Watershed both had songs called "Black Concert T-Shirt."
Born This Day: Musical movers and shakers sharing a May 11 birthday include legendary songwriter ("God Bless America," "White Christmas") Irving Berlin (1888); one of the greatest white Soul vocalists ever with The Animals, Eric Burdon (1941); drummer and founding member of The Allman Brothers Band, Butch Trucks (1947); producer and founding member of avant-garde Pop group the Art of Noise, Gary Langan (1956); original MTV VJ Martha Quinn (1959); and frontman for one of Cincinnati's all-time greatest Rock bands, The Afghan Whigs, Greg Dulli (1965).
Dulli — born and raised in Hamilton, Ohio — is currently gearing up to begin performing once again with his Whigsmates John Curley (still living, working and playing music in Cincinnati) and Rick McCollum (now living in Minneapolis). Tickets for the group's first show in 13 years — May 23 at the Bowery Ballroom in New York City — go on sale today at noon. According to the band's website, the fan pre-sale sold out and there are "a very limited number of tickets" left. The band will warm up for the show on May 22 with a performance on Late Night with Jimmy Fallon.
Will the Whigs merely do a reunion victory lap then go their separate ways again? It's unclear so far, but in interviews with Dulli, he seems very inspired playing with his old pals again. In terms of a possible new Whigs album, he told the website www.thisisfakediy.co.uk, "I am going to keep the book open and keep the possibility, all possibilities available. We're going to see what happens, and react to what happens, but right now it's wide open. Yes, maybe, maybe not, we'll see. I hate to be ambiguous, but in this particular case, I think it's best." (He also said re-issues of the band's back catalog are "definitely going to happen.")
Raise a glass and wish Mr. Dulli a happy 47th birthday. Here are a few clips of Dulli's extracurricular activities during his days with the Whigs to help you celebrate:
• In 1994, Dulli sang John Lennon's parts on the soundtrack to Backbeat, a film about early Beatles bassist Stuart Sutcliffe. On the soundtrack he was part of a band that included Thurston Moore (Sonic Youth), Mike Mills (R.E.M.), Dave Pirner (Soul Asylum) and Foo Fighter/ex-Nirvana drummer Dave Grohl. Here they are doing a song originally made a hit by Cincinnati-born music icons The Isley Brothers.
• Dulli teamed with Grohl again in 1995, playing guitar on his debut album, Foo Fighters. Grohl played all of the instruments on the album except for a guitar part on "X-Static," which Dulli provided.
In 1999, Dulli recorded a cover of "Dixie Peach Promenade (Yin for Yang)," a tribute to late Moby Grape member Skip Spence and his cult classic album, Oar.
On this day in 2004, the Rock and Roll Hall of Fame inducted a fairly heady class of artists, welcoming Traffic, ZZ Top, The Dells, Jackson Browne, Bob Seger, George Harrison and Prince. Prince was inducted by Alicia Keys and the notoriously shy singer/songwriter/multi-instrumentalist gave a slightly humbled (for Prince, at least), short speech of acceptance (he couldn't resist mentioning his efforts to get out of his contract with Warner Bros. — at least he didn't paint "Slave" on his face again). Below is his speech from that night (from rockhall.com):
"Please be seated. Thank you Alicia ... thank you Rock and Roll Hall of Fame, it’s definitely an honor. I don’t want to take up too much time, but I would like to say this. When I first started out in the music industry, I was most concerned with freedom. Freedom to produce, freedom to play all the instruments on my records, freedom to say anything I wanted to, and after much negotiation Warner Brothers Records granted me that freedom and I thank them. Without any real spiritual mentors other than artists ... whose records I admired ... Larry Graham being one of them ... I embarked on a journey more fascinating than I could ever have imagined. But a word to the wise. Without real spiritual mentoring, too much freedom can lead to the soul’s decay. And a word to the young artists ... a real friend or mentor is not on your table. A real friend and mentor cares for your soul as much as they do the other one. This world and its wicked systems becomes harder and harder to deal with without a real friend or mentor. And I wish all of you the best."
Prince's performance during the tribute to Harrison (who had died just a few years before his solo induction) was much ballyhooed for his stunning guitar solo, a reminder of just how multifaceted the eccentric performer's talents really were/are. Check the clip below.
Click on for Born This Day featuring would've-been 100-year-old Lightnin' Hopkins.
On this day in 2001, British Pop Art legend Sir Peter Blake sued EMI for more money for his work on a 1967 album cover. That cover is not only his most well-known piece of art — it's also one of the most well-known album covers in history. Blake and wife Jann Haworth created the collaged crowd scene on the cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band. And they were paid about $350 for their trouble, according to Blake's suit.
The cover included cultural icons from Stan Laurel, Mae West, Lenny Bruce and Tony Curtis to Aldous Huxley, Dylan Thomas, Bob Dylan, Carl Jung and Shirley Temple. The use of their likenesses reportedly so scared the label (which feared major lawsuits from the "celebrities"), they had to try and seek permission (whenever possible) for use.
Lennon's (possibly joking) suggestion of having Hitler, Gandhi and Jesus represented on the cover also didn't go over well with the label. Gandhi was featured on the original cover, but was removed because it wouldn't be carried in India. Jesus didn't make the cut at all, coming so soon after Lennon's infamous claims of The Beatles being more famous than Him. Hitler was believed to have been edited out, though Blake recently revealed that if you look carefully, Adolf is obscured behind the Fab Four and Tarzan actor Johnny Weissmuller. Actor Leo Gorcey (one of the Bowery Boys) reportedly wanted $400 for his appearance on the cover — $50 more than what the artists' received for making it — so he was promptly axed from the pic. And Mexican actor/comedian Tin-Tan respectfully declined and asked that a "Tree of Life" be included in his place (it was, featured in the lower right corner).
Here's a good run down of the others that did make the cut. And check out this video montage of outtakes from the famous photo shoot:
Click on for Born This Day featuring Rick Dees and the death of the American novelty tune.
By now, thanks to Facebook mostly, most of you have heard that one third of the legendary Hip Hop trio Beastie Boys — Adam "MCA" Yauch — died this morning in New York City after a three-year battle with cancer. He was 47 years old and leaves behind a legacy to be proud of, with his crucial contributions to music, video and activism.
In an eerie coincidence, Northside club Mayday tonight has a scheduled dance party hosted by DJ Mowgli called "Run DMC vs. Beastie Boys," featuring music by both historic crews. The music starts at 10 p.m. and there's no cover. Something tells me there will be a little extra Beasties love from the DJ in light of today's events.
Below is the press release about Yauch's death from the Beastie Boys' longtime publicists at Nasty Little Man.
The Cincinnati Heritage Programs put together by the Cincinnati Museum Center have been going on for over 30 years now, taking locals and visitors to some of the Queen City's most important and/or interesting landmarks. The programs have included historical presentations and bus and walking tours to the various sites.
This year so far, the Cincinnati Heritage Programs have shown and told the stories of radio pioneer Powel Crosley, "Grand Old Theaters" and Cincy local TV legends. This Saturday, the Heritage programmers present "Subway Talk and Walk," a nighttime exploration of Cincinnati's incomplete subway tunnel project.
On May 18, from 9 a.m.-1:30 p.m., the Cincinnati Heritage Programs presents the first ever bus tour of various important (not just to the area, but to the world) musical landmarks.
Dubbed "When the Queen City was King of Recording," the tour focuses primarily on a pair of historic recording studios that churned out records that would change the face of music. The bus will visit the original site of King Records, which released seminal albums from the worlds of Country and R&B, a gateway to the birth of Rock & Roll. The bus will visit the old King location at 1540 Brewster Ave. in Evanston, where city officials, the Cincinnati USA Music Heritage Foundation (CUMHF), the Rock and Roll Hall of Fame and others helped have an historical marker installed in 2008 to commemorate King's contributions.
Here's James Brown's first single, recorded with his Famous Flames and released in 1956 through the King subsidiary, Federal Records:
The tour will also visit the former site of the E.T. Herzog Recording Company, at 811 Race St., downtown. In 2009, the CUMHF and others also lobbied successfully for a marker to placed at the site, which now houses the organization's headquarters. The Foundation has turned the floor the studio once stood into a museum dedicated to the space's history, hosting receptions and recording sessions and showcasing a few artifacts (like the piano Hank Williams played when he was in town to record songs that made him a legend, including "I'm So Lonesome I Could Cry") and lots of old photos of the studio in action. The Music Heritage Foundation is currently hosting the photo exhibit, "Annie's Baby Had a Baby," which was part of the big, citywide Fotofocus photography showcase.
The tour ends with lunch and some live music at the Blue Wisp Jazz Club, a block from the Herzog stop.
The tour costs $60 (or $50 if you're a Museum Center member) and some spots are still open. But you'd better act fast. Deadline to register for the "When the Queen City was King of Recording" is tomorrow, May 7. Make a reservation by calling 513-287-7031. And click here for the Museum Center's rundown of great city tours and more.
My life usually has a musical component, so it's not shocking that my vacations have many musical memories inexorably tied to the trips. I'm sure most music lovers have had similar experiences.
My family went to Washington, D.C., every 4th of July for many years when I was growing up and The Beach Boys always played a free concert next to the Washington monument. These late ’70s/early ’80s gigs are what I've always considered my first concerts. The memories are vague but deeply entrenched. I'll never forgive my folks for not letting me watch opener Joan Jett (at her "I Love Rock & Roll" peak). I was about 11. And I was pissed!
I have many amazing Lollapalooza road trips memories, from the first-tour Cleveland stop in 1991 when fans charged the gates as Nine Inch Nails played an early set to getting seriously beaten by bouncers (then evicted from the premises) after telling them not to be dicks during my trip to Indy for the Beastie Boys/Smashing Pumpkins headlining year (1994). I also had a personal rebirth on a trip to the standalone Lolla in 2007, feeling inspired by seeing Amy Winehouse, Iggy Pop and the Stooges and Patti Smith under the mammoth Chicago skyline.
But many musical vacations aren't concert related, nor intentionally "musical." I vividly remember "Rhinestone Cowboy" being played on the radio nonstop during a trip to Atlanta as a child. If I hear that song now I can think of nothing but being 6 or 7 years old, flopping around in our un-air-conditioned, early ’70s VW bug's cubby hole, the small compartment between the backseat and the engine. We not only didn't wear seatbelts or sit in carseats back then — we were allowed to play in literally the most dangerous spot in the tiny death trap.
I remember an L.A. trip the month the Beastie Boys dropped Check You Head. I played it nonstop on a Walkman and arrived in Los Angeles to discover everyone dressed exactly like Adam, Mike and Adam. I found the summertime wearing of winter hats hilarious. It seemed all based on one music video and an album cover.
That same trip I developed a supernatural bond with Jane's Addiction's Nothing's Shocking and Smashing Pumpkins' Gish. I listened to both several times on that trusty Walkman as I sat alone on a Pacific Coast beach, mesmerized by the moon's reflection on the vast, dark ocean mirror, the sound of waves crashing perfectly in time with the music's hypnotic psychedelics, just figuring my life philosophy out, scared but excited for whatever the future held.
I've had some great odd music-related coincidences on summer trips, as well. As I giddily drove over the horizon on my summer journey to New York City to intern for several months with an editor and caught my first glimpse of the always jaw-dropping skyline of Manhattan, the dance remix version of "Miles Iz Dead" by personal hometown heroes of mine, The Afghan Whigs, just happened to come on the terrestrial radio station to which we were listening. It would be the no-brainer soundtrack selection had it been a scene in the movie of my life.
My vacation from which I just returned, a trip to the deepest-south Alabama, was filled with several interesting coincidences, all related to a single, singular musical icon, a fascinating man I learn more about every day.
I only connected the dots when I got home. Had my memorial trail actually been evident to me as I journeyed along, I would have explored more, to connect even more dots.
As it stands, it was a fun if inadvertent adventure, even in hindsight. An accidental pilgrimage of sorts.
Gradually, I pieced together evidence Hank Williams spirit-guided me on my recent trip:
1) Drove through Butler County, Ala., and saw signs for Mount Olive, birthplace of Hiram Hank Williams, as I later discovered.
2) Drove past Montgomery twice, where Hank cut his teeth and launched his career.
3) Drove a stretch of highway officially dubbed the "Hank Williams Memorial Lost Highway."
4) Admired the massive shipyards along the bay in Mobile, where Hank worked during World War II.
5) Held in my hands the heavy vinyl version of the The Lost Notebooks of Hank Williams (2011) compilation in the building headquarters of the record company that released it (Third Man Records in Nashville).
6) Nearly bought a weird old Hank Jr./Hank Sr. split LP at another Nashville record shop and walked past Roy Acuff's record store (where the above photo was apparently taken).
7) Touched and was awestruck by the grandeur of God's Own Listening Room, the Ryman Auditorium, home to the Grand Ole Opry when Hank performed there (and was later banned for life).
8) Roamed Broadway and the alley beside the Ryman where I am fairly certain Hank once frolicked pre- and post-gigs.
9) Walked by the current Country Music Hall of Fame in Nashville. Hank was among the first three artists to be inducted in the Hall's first class of inductees in 1961.
10) Returned to work this morning, seated four floors above where Hank Williams recorded "Lovesick Blues," a crossover smash that cemented Hank's status as a superstar, as well as "I'm So Lonesome I Could Cry" and other classics.
There's a piano down there Hank probably played when he was in town. I think I'd like to go down there, tickle those ivories and see if Hank's ghost wants to hang out and chat for a while.
I do believe these are all merely fun coincidences. Maybe it was all subconsciously strung together to help keep my sobriety in check. Hank's a musical hero of mine, but not a role model. He's a cautionary tale; I am an alcoholic who would likely have met a similar tragic fate as Hank's had I not stopped boozing.
Sometimes great vacations can take you down more than just literal new paths.
But if Hank is my life journey's Sherpa, I'm more than ready. I only insist that he doesn't drink while we're driving; that shit's frowned upon nowadays. And it didn't end well last time.
On this date in 1963, right after signing their deal with Decca Records, The Rolling Stones entered London’s Olympic Sound Studios to track its first single, a cover of Chuck Berry's "Come On." The single came out in the U.K. on June 7 and went to No. 21 on the U.K. charts, allowing them to begin playing shows outside of London. The band's singles steadily performed better in the U.K. — the second one, "I Wanna Be Your Man" (a Beatles cover) made it to No. 12 and their cover of Buddy Holly's "Not Fade Away" went to No. 3 (it was their first U.S. chart single, as well, reaching No. 48). In early 1964, the band had its first No. 1 single (in the U.K.) with another cover, Bobby and Shirley Womack's "It's All Over Now."
The first original song by the Stones to make it to No. 1 didn't come until 1965's "The Last Time." Later in ’65 the Stones released the following tune, which signaled the coming of a legendary, enduring band — it reached No. 1 in countries across the globe. Over 50 years after forming, the Stones are still rocking. They ended up doing pretty OK for themselves.
A 50th anniversary tour is currently said to be in the works; reports are that the band has been rehearsing in New York and New Jersey for … something (details have not yet been publicly released). Keith Richards told Rolling Stone their aiming to hit the road next year.
Mick Jagger is hosting Saturday Night Live on May 19 for the show's season finale. He'll also be the musical guest. But with whom will he perform? Maybe those New York-area rehearsals will result in a full Stones performance on SNL? All four members of the Stones were present (along with Don Was on bass). They reportedly rehearsed just a few songs, including "Miss You" and "Jumping Jack Flash."
But Jagger's most recent release was with the "supergroup" SuperHeavy, featuring Joss Stone, Dave Stewart, A. R. Rahman and Damian Marley. Perhaps that's who will play?
My money's on either a solo performance backed by SNL's band or the full Stones. Though if The Rolling Stones are performing on Saturday Night Live, you'd think NBC would be very, very eager to promote that. We'll see.
One thing of which I'm fairly certain — wanna bet Jimmy Fallon makes another cameo on SNL May 19?
Click on for Born This Day featuring Donovan, Bono, Craig Mack and Sid Vicious.
On this day in 1994, the MTV Movie Awards paid tribute to The Beatles with a special performance by the band that recorded the Beatles songs (or rather, the songs The Beatles covered in their early days) for the soundtrack to the film Backbeat.
As seen in the clip below, the band included Hamilton, Ohio's Greg Dulli of the recently reunited Afghan Whigs, Dave Pirner of Soul Asylum, Don Fleming of Gumball, Mike Mills of R.E.M., Thurston Moore of Sonic Youth and Dave Grohl, in his first performance since Kurt Cobain's death just three months earlier.
The best part of this may be Dulli and Moore wrestling mid-song.
Born This Day: Musical movers and shakers sharing a June 4 birthday include Jazz singer Morgana King (1930); Mexican-American Country, Rock and Tejano musician/singer Freddy Fender (1937); Mamas & Papas singer turned actress Michelle Phillips (1944); late guitarist with Paul McCartney's Wings, Jimmy McCulloch (1953); New Jack Swing/R&B vocalist Al B. Sure! (1968); Canadian-born, British-based Electronic musician/DJ Richie Hawtin (1970); Soul/Funk artist Nikka Costa (1972); Dave Matthews Band bassist Stefan Lessard (1974); and R&B comebacker (and co-founder of "family band" DeBarge) El DeBarge (1961).
DeBarge is one of those celebrities who have unfortunately had to deal with public attention and scrutiny while attempting to overcome his addiction to drugs. He death with ensuing legal problems, cleaned up and made a highly-touted, Grammy-nominated comeback album in 2010 appropriately titled Second Chance (his first in almost 20 years).
DeBarge's triumphant return included a set at the 2011 Macy's Music Festival in Cincinnati. He also sang with Chaka Khan during her set.
DeBarge has struggled since the release of Second Chance, returning to treatment — he told Atlanta radio station V103 that friends 50 Cent and Babyface (who co-produced the comeback album) intervened and insisted he not give up and return to rehab. And, just this past March, he got arrested for "suspicion of possession of drugs for sale." (The case was dropped because the judge said there was not enough evidence.)
He's clearly still fighting his demons. And so are some of his family members. Just about a week ago, an arrest warrant was issued for brother Mark DeBarge for drug possession charges in Hollywood.
Hopefully they'll all get things worked out before it's too late. El DeBarge reportedly met with Whitney Houston at a party two days before her untimely passing. That has to be a wake-up call.
As long as he's musically on point, fans will continue to give him second, third, fourth or more chances.
On this day in 1991, Country superstar Reba McEntire lost eight members of her touring entourage when their charter plane crashed near San Diego, late at night after Reba and the band had performed a corporate gig for IBM. McEntire and her husband received the news at their hotel room nearby where they'd been sleeping. On a recent episode of Oprah's Master Class, hosted by Oprah on the Oprah channel, McEntire recalled the moment she got the news, calling it "the worst thing that's ever happened in my life." She had been extremely close with the musicians and her tour manager, some of whom had been with her for many years.
That October, McEntire released For My Broken Heart, dedicated to her lost friends. The album (her 18th) featured songs about loss and recovery; in the liner notes, McEntire called it "a form of healing for all our broken hearts." The album made it to No. 3 on the overall album charts and No. 1 on the Country charts (pretty much a forgone conclusion when Reba puts out a record); the title track became her 16th No. 1 Country single and the album's "Is There Life Out There" became her 17th.
Click on for Born This Day featuring Flavor Flav, Patty Griffin and "The Hug Guy":
On this day in 1989, Pepsi dropped Madonna as a spokesperson after complaints about her "blasphemous" video for the single (also used in the Pepsi commercial campaign) "Like A Prayer." The Vatican condemned the video for its imagery of burning crosses and Madonna kissing a black man, while religious groups called for a boycott of all Pepsi-affiliated products. The soft drink manufacturer caved and cut and run from the Pop princess. But Pepsi gave Madonna a nice parting gift — the company was so eager to get away from the controversy that they let her keep her $5 million (yes, million) advance.
Thirty years earlier, another music-related controversy erupted in the U.K. when the BBC decided that The Coasters' song "Charlie Brown" was not fit for airplay. Was it that the Peanuts comic strip was too controversial? Peppermint Patty's sexuality has always been a topic of debate. Were they afraid the youth of England would all mimic Charlie Brown's sparse curly-Q hairdo, essentially killing off the hair-care product industry? Was Pigpen's personal hygiene deficiency deemed a bad influence?
Nope — the BBC was worried about the song because it contained the word "spitball" and they were fearful kids all over would be inspired to destroy society with saliva-drenched missiles. Unlike Pepsi, the Beeb reversed its decision a couple of weeks later, apparently realizing how ridiculous the "ban" was.
Here are clips relating to both controversies. Watch at your own risk!